The Well-Tempered Ear

Classical music: The University of Wisconsin-Madison School of Music opens a very busy week with an FREE oboe recital and a PUBLIC opera master class on Monday. Plus, today is the last performance of the Mozart Requiem by the Madison Symphony Orchestra and Chorus, and UW student pianist Hailey O’Neil will fill in for a Beethoven Sonata Competition winner at this afternoon’s FREE recital.

April 6, 2014
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ALERTS: University of Wisconsin-Madison piano student Hailey O’Neil, who won an Honorable Mention, will fill in for the injured winner Oxana Khramova at the Beethoven Sonata Competition winners’ FREE recital today at 3:30 p.m. in Morphy Hall. O’Neil will play the lovely “Pastoral Sonata, Op. 28, by Beethoven.

For more information, visit:

https://welltempered.wordpress.com/2014/04/04/classical-music-the-three-winners-of-the-29th-annual-beethoven-sonata-competition-at-the-university-of-wisconsin-madison-school-of-music-are-named-and-will-perform-a-free-concert-on-sunday-afternoon/

Of course the Beethoven Sonata concert unfortunately conflicts with the last performance (at 2:30 p.m. in Overture Hall at the Overture Center) by the Madison Symphony Orchestra and Chorus (below, in a photo by Greg Anderson) of Wolfgang Amadeus Mozart’s Requiem and Joseph Jongen’s “Symphonie Concertante” with organ soloist Nathan Laube, all under the baton of guest conductor Julian Wachner. Here is a positive review by critic John W. Barker for Isthmus:

http://www.thedailypage.com/daily/article.php?article=42448&sid=16e141d4e100c8abeb61a0720e30e06d

MSO Chorus CR Greg Anderson

By Jacob Stockinger

Tomorrow, Monday, April 7, opens a busy week at the University of Wisconsin-Madison School of Music.

It starts with opera and chamber music for oboe, then expands to include contemporary music by guest artists from the University of Iowa’s acclaimed Center for New Music; piano and string music” the Adagio from Joseph Haydn’s Piano Trio No. 22; Franz Schubert’s Piano Trio No. 1 in Flat Major; and Antonin Dvorak’s Piano Quintet by the UW’s Perlman Piano Trio and guest performers (all below in a photo by Katherine Esposito) ; three performances by the University Opera of Hector Berlioz’ opera “Beatrice et Benedict”; and one performance of Johann Sebastian Bach’s “St. John Passion”’ done by the UW Concert Choir and UW Chamber Orchestra under conductor Beverly Taylor.

For full details, go to www.musc.wisc.edu and click on Events Calendar.

perlman trio 2014 2 Esposito

Here is how the week starts out:

METROPOLITAN OPERA STAR SUSANNE MENTZER

On Monday from 1:15 to 3:15 p.m. in 1321 Humanities Building, opera star mezzo-soprano 
Susanne Mentzer (below) will be offering a master class to UW-Madison voice and opera students

Susanne Mentzer 1

This event is free and open to the public. Mentzer will be working one-on-one with students, performing a signature aria for the class, conducting a “Q&A session, and staying to meet and greet all attendees.

Mentzer is in Madison to perform as Mrs. Patrick DeRocher in Madison Opera‘s production of “Dead Man Walking,” conducted by Madison Symphony Orchestra and Madison Opera maestro John DeMain, April 25 and April 27 in Overture Hall. For more information, visit:

http://www.madisonopera.org/performances-2013-2014/dead_man_walking/

Internationally known mezzo-soprano Susanne Mentzer enjoys a significant opera, concert and recital career of over 30 years. She has appeared on four continents at nearly every great opera house and with every great orchestra. She has been a guest artist at the Metropolitan Opera (below) in leading roles since 1989.

metropolitan opera 1

Her extensive discography includes over 25 CDs of opera and oratorio. She has recorded two recitals she often performs in concert: “The Eternal Feminine,” a recital of music by women composers (Koch International Classics), which includes the premiere of Libby Larsen’s “Love After 1950” with her long-time pianist, Craig Rutenberg; and her personal favorite, “Wayfaring Stranger” (Erato), a collection of international folksongs arranged for voice and guitar with Grammy Award winning Sharon Isbin.

She also received a Grammy nomination for her work as Colombina in Busoni’s Arlecchino. She is on the recent releases of Jake Heggie’s “Dead Man Walking” and “Plump Jack” by Gordon Getty. Mentzer appears on DVDs of “The Tales of Hoffman” (Opéra de Paris), Mozart’s “Don Giovanni” (La Scala), and Grammy-nominated “The First Emperor” by Tan Dun (Metropolitan Opera), and Richard Strauss’ “Ariadne auf Naxos” (Metropolitan Opera).

She has appeared numerous times on PBS as part of the “Live from Lincoln Center” and “Live from the Met” programs and Live From the Met satellite cinema broadcast. Mentzer is a mentor to young singers. She recently relocated to the San Francisco area where she teaches privately after 12 years in academia as a Professor at the Shepherd School of Music at Rice University and DePaul University in Chicago. She has also served as faculty at the Aspen Music Festival and School and has been a guest teacher at the San Francisco Opera Merola program, the Castleton Festival and frequently gives master classes in conjunction with her engagements.

To read more about Susanne Mentzer, go to her website, www.susannementzer.com.

susanne Mentzer

OBOIST KOSTAS TILIAKOS

On Monday night, at 7:30 in Morphy Recital Hall, pianist Christopher Taylor and flutist Stephanie Jutt will accompany Kostas Tiliakos on oboe and English horn in his only solo recital on the Faculty Concert Series this year.

Admission is FREE and open to the public.

kostas tiliakos 2013

His program will consist of works by composers Minas Alexiadis, Anastassis Philippakopoulos, Theodore Antoniou, Jurgis Juozapaitis, and Thea Musgrave.

A native of Athens, Greece, Kostas Tiliakos (below in a photo by Katherine Esposito) has been principal oboist in the Greek National Opera Orchestra in Athens since 1997. Previous to that, he held the position of Solo English Horn for eight years.

An avid lover of contemporary music, Tiliakos has been a member of the Hellenic Ensemble for Contemporary Music since 1990 and has premiered and recorded works by contemporary composers, many of which he was a dedicatee.

He has also recorded solo and chamber music works on Wandelweiser (Germany), Lyra and Irida Classics (Greece) and has been broadcast on radio and television throughout Europe.

Internationally, he has appeared as soloist throughout Europe, Africa, Canada and the U.S. During his time in Greece, Kostas was a sought-after music journalist and editing consultant with Lambrakis Press SA and 4pi Special Editions, the two largest publishing organizations in Greece. Kostas studied Biology at Athens University and holds a BA in European Cultural Studies.

He received his Masters of Music from UW-Madison under Marc Fink where he was a Paul Collins Wisconsin Distinguished Fellow. His principal teachers have included Marc Fink, Claude Chieulet, Didier Pateau. He has also studied with Paul Dombrecht and Hansjörg Schellenberger.

Most recently, Kostas was selected for the position of Visiting Associate Professor of Oboe at UW-Madison. The Ear understands that he has been renewed to do the same next academic year.

 

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Classical music: Here is update and analysis of this year’s Grammy Award winners in classical music. Plus, the Madison Symphony Chorus under conductor Beverly Taylor will sample American choral traditions this Sunday at 2 p.m. at the Overture Center.

February 1, 2014
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By Jacob Stockinger

The Ear’s friends at the Madison Symphony Orchestra have sent in the following announcement:

“Can you name all the different distinctly American choral traditions?

“Director Beverly Taylor (below, in a photo by Katrin Talbot) and the Madison Symphony Chorus will answer that question this Sunday afternoon, Feb. 2, at 2 p.m., when they’ll appear in “Apple Pie America: A Slice of Choral Americana” in Promenade Hall at the Overture Center for the Arts. (Taylor is also the head of the choral department at the university of Wisconsin-Madison, where she directs the UW Choral Union and UW Concert Choir, and is the assistant conductor of the Madison Symphony Orchestra. And sorry, I have so specific titles of works on the program but I have been told that the concert is closing in on being sold-out, with only a few tickets remaining.)

Beverly Taylor Katrin Talbot

The concert will start with classical music selections from Charles Pachelbel, Lukas Foss, Randall Thompson and others, while the second half will be dedicated to folk songs, hymns, and spirituals.

Many of the works will be accompanied by Madison Symphony Orchestra principal pianist Daniel Lyons (below).

Dan Lyons

Tickets are $15, and are available at http://madisonsymphony.org/Americana or at the Overture Center Box Office at (608) 258-4141 or 201 State Street.

Formed in 1927, the Madison Symphony Chorus (below, in a photo by Greg Anderson) gave its first public performance in 1928 and has performed regularly with the Madison Symphony Orchestra ever since.

It was featured at the popular Madison Symphony Christmas concerts in December, and it will be joined by four soloists for the MSO’s performance of Mozart’s Requiem on April 4, 5 and 6.

MSO Chorus CR Greg Anderson

The Chorus is comprised of more than 125 volunteer musicians from all walks of life who enjoy combining their artistic talent, and new members are always welcome. Visit http://madisonsymphony.org/chorus for more information.

CATCHING UP WITH THE GRAMMY WINNERS

Last Sunday was the Grammy Awards.

Here is a complete list of the nominees and the winners. It makes for a good listening list or buying list.

WINNER

Sibelius: Symphonies Nos. 1 & 4

Osmo Vänskä, conductor (Minnesota Orchestra)
Label: BIS Records

Atterberg: Orchestral Works Vol. 1

Neeme Järvi, conductor (Gothenburg Symphony Orchestra)
Label: Chandos

Lutosławski: Symphony No. 1

Esa-Pekka Salonen, conductor (Los Angeles Philharmonic)
Track from: Lutosławski: The Symphonies
Label: Sony Classical

Schumann: Symphony No. 2; Overtures Manfred & Genoveva

Claudio Abbado, conductor (Orchestra Mozart)

Stravinsky: Le Sacre Du Printemps

Simon Rattle, conductor (Berliner Philharmoniker)
Label: EMI Classics

74. BEST OPERA RECORDING

 WINNER  Adès: The Tempest
 Thomas Adès, conductor; Simon Keenlyside, Isabel Leonard, Audrey Luna & Alan Oke; Jay David Saks, producer (The Metropolitan Opera Orchestra; The Metropolitan Opera Chorus)
Label: Deutsche Grammophon

Britten: The Rape Of Lucretia

 Oliver Knussen, conductor; Ian Bostridge, Peter Coleman-Wright, Susan Gritton & Angelika Kirchschlager; John Fraser, producer (Aldeburgh Festival Ensemble)
Label: Virgin Classics

Kleiberg: David & Bathsheba

Tõnu Kaljuste, conductor; Anna Einarsson & Johannes Weisser; Morten Lindberg, producer (Trondheim Symphony Orchestra; Trondheim Symphony Orchestra Vocal Ensemble)
Label: 2L (Lindberg Lyd)

Vinci: Artaserse

Diego Fasolis, conductor; Valer Barna-Sabadus, Daniel Behle, Max Emanuel Cencic, Franco Fagioli & Philippe Jaroussky; Ulrich Ruscher, producer (Concerto Köln; Coro Della Radiotelevisione Svizzera, Lugano)
Label: Virgin Classics

Wagner: Der Ring Des Nibelungen

Christian Thielemann, conductor; Katarina Dalayman, Albert Dohmen, Stephen Gould, Eric Halfvarson & Linda Watson; Othmar Eichinger, producer (Orchester Der Wiener Staatsoper; Chor Der Wiener Staatsoper)
Label: Deutsche Grammophon

75. BEST CHORAL PERFORMANCE

 WINNER Pärt: Adam’s Lament
Tõnu Kaljuste, conductor (Tui Hirv & Rainer Vilu; Estonian Philharmonic Chamber Choir; Sinfonietta Riga & Tallinn Chamber Orchestra; Latvian Radio Choir & Vox Clamantis)
Label: ECM New Series

Berlioz: Grande Messe Des Morts

Colin Davis, conductor (Barry Banks; London Symphony Orchestra; London Philharmonic Choir & London Symphony Chorus)
Label: LSO Live

Palestrina: Volume 3

Harry Christophers, conductor (The Sixteen)
Label: Coro

Parry: Works For Chorus & Orchestra

Neeme Järvi, conductor; Adrian Partington, chorus master (Amanda Roocroft; BBC National Orchestra Of Wales; BBC National Chorus Of Wales)
Label: Chandos

Whitbourn: Annelies

James Jordan, conductor (Arianna Zukerman; The Lincoln Trio; Westminster Williamson Voices)
Label: Naxos
76: BEST CHMABER MUSIC/SMALL ENSEMBLE PERFORMANCE

 WINNER  Roomful Of Teeth

Brad Wells & Roomful Of Teeth
Label: New Amsterdam Records

Beethoven: Violin Sonatas

Leonidas Kavakos & Enrico Pace
Label: Decca

Cage: The 10,000 Things

Vicki Ray, William Winant, Aron Kallay & Tom Peters
Label: MicroFest Records

Duo Hélène Grimaud & Sol Gabetta

Labe;: Deutsche Grammophon

Times Go By Turns

New York Polyphony
Label: BIS Records

77. BEST CLASSICAL INSTRUMENTAL SOLO

 WINNER  Corigliano: Conjurer – Concerto For Percussionist & String Orchestra
Evelyn Glennie; David Alan Miller, conductor (Albany Symphony)
Track from: Corigliano: Conjurer; Vocalise
Label: Naxos

Bartók, Eötvös & Ligeti

Patricia Kopatchinskaja; Peter Eötvös, conductor (Ensemble Modern & Frankfurt Radio Symphony Orchestra)
Label: Naïve

The Edge Of Light

Gloria Cheng (Calder Quartet)
Label: Harmonia Mundi

Lindberg: Piano Concerto No. 2

Yefim Bronfman; Alan Gilbert, conductor (New York Philharmonic)
Track from: Magnus Lindberg
Label: Dacapo Records

Salonen: Violin Concerto; Nyx

Leila Josefowicz; Esa-Pekka Salonen, conductor (Finnish Radio Symphony Orchestra)
Label: Deutsche Grammophon

Schubert: Piano Sonatas D. 845 & D. 960

Maria João Pires
Label: Deutsche Grammophon

78. BEST CLASSICAL VOCAL SOLO

 WINNER Winter Morning Walks
 Dawn Upshaw (Maria Schneider; Jay Anderson, Frank Kimbrough & Scott Robinson; Australian Chamber Orchestra & St. Paul Chamber Orchestra)
Label: ArtistShare
winter morning walks

Drama Queens

 Joyce DiDonato (Alan Curtis; Il Complesso Barocco)
Label: Virgin Classics

Mission

 Cecilia Bartoli (Diego Fasolis; Philippe Jaroussky; I Barocchisti)
Label: Decca

Schubert: Winterreise

Christoph Prégardien (Michael Gees)
Label: Challenge

Wagner

Jonas Kaufmann (Donald Runnicles; Markus Brück; Chor Der Deutschen Oper Berlin; Orchester Der Deutschen Oper Berlin)
Label: Decca

79. BEST CLASSICAL COMPENDIUM

 WINNER Hindemith: Violinkonzert; Symphonic Metamorphosis; Konzertmusik
 Christoph Eschenbach, conductor
Label: Ondine

Holmboe: Concertos

Dima Slobodeniouk, conductor; Preben Iwan, producer
Label: Dacapo Records

Tabakova: String Paths

 Maxim Rysanov; Manfred Eicher, producer
Label: ECM New Series

80. BEST CONTEMPORARY CLASSICAL COMPOSITION

 WINNER Schneider, Maria: Winter Morning Walks
Maria Schneider, composer (Dawn Upshaw, Jay Anderson, Frank Kimbrough, Scott Robinson & Australian Chamber Orchestra)
Track from: Winter Morning Walks
Label: ArtistShare

Lindberg, Magnus: Piano Concerto No. 2

Magnus Lindberg, composer (Yefim Bronfman, Alan Gilbert & New York Philharmonic)
Track from: Magnus Lindberg
Label: Dacapo Records

Pärt, Arvo: Adam’s Lament

Arvo Pärt, composer (Tõnu Kaljuste, Latvian Radio Choir, Vox Clamantis & Sinfonietta Riga)
Track from: Arvo Pärt: Adam’s Lament
Label: ECM New Series

Salonen, Esa-Pekka: Violin Concerto

Esa-Pekka Salonen, composer (Leila Josefowicz, Esa-Pekka Salonen & Finnish Radio Symphony Orchestra)
Track from: Out Of Nowhere
Label: Deutsche Grammophon

Shaw, Caroline: Partita For 8 Voices

Caroline Shaw, composer (Brad Wells & Roomful Of Teeth)
Track from: Roomful Of Teeth
Label: New Amsterdam Records
And here is an excellent analysis of the classical Grammy winners that appeared on NPR’s “Deceptive Cadence” blog and the rise of new music — including work by the relatively unknown Minnesota composer Maria Schneider (below, in a photo by Michael Buckner for Getty Images), whose “Winter Morning Walks,” using the poems of Ted Kooser and the voice of soprano Dawn Upshaw, capture three Grammy Awards. You can hear a sample of the moving songs and accessible songs by the three cancer survivors in a YouTUbe video at the bottom:

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