The Well-Tempered Ear

Classical music: The gala opening this weekend of the UW-Madison’s new Hamel Music Center is SOLD OUT. What do you think of the building, the music and the event? Plus, veteran music critic John W. Barker has died

October 25, 2019
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ALERT: Word arrived late last night that the respected longtime music critic John W. Barker, a retired UW-Madison professor of medieval history, died Thursday morning. He wrote locally for Isthmus, The Capital Times and this blog. Details will be shared when they are known. 

By Jacob Stockinger

This weekend, Oct. 25-27, marks the official gala opening of the new Hamel Music Center (below, in a photo by Bryce Richter for University Communications) at the University of Wisconsin-Madison Mead Witter School of Music. It is located at 740 University Ave., next to the new wing of the Chazen Museum of Art, which has a special exhibit relating to the new music center.

The impressive $58-million structure, which has taken many years to fund  (completely privately) and then to build, will celebrate its opening tonight, Saturday night (while the 14th annual Halloween FreakFest on State Street is happening) and Sunday afternoon.

The performers will include distinguished alumni, faculty members and students.

Here is a link to an overall schedule as published on the School of Music’s home website: https://www.music.wisc.edu/hamel-music-center-opening-schedule/

Thanks to an astute reader who found what The Ear couldn’t find, here is a complete schedule — long, varied and impressive — of works and performers: https://www.music.wisc.edu/wp-content/uploads/2019/10/20191025-Hamel-Music-Center-Opening-Weekend.pdf

And here is a link to the official UW-Madison press release with more background and details about the building: https://news.wisc.edu/mead-witter-school-of-musics-hamel-music-center-opening-this-fall/

UW-Madison composer Laura Schwendinger (below) has been commissioned to write a Fanfare that will receive its world premiere tonight.

The opening promises to be a success, complete with receptions at the end of each performance.

In fact, the public has signed on enough that the FREE tickets to all events are SOLD OUT, according to the School of Music’s home website.

Taste is personal and varies, and The Ear has heard mixed reviews of the new building. (For the special occasion, you can hear “The Consecration of the House” Overture by Beethoven, performed by the La Scala opera house orchestra in Milan under Riccardo Muti, in the YouTube video at the bottom.)

Basically, people seem to agree that the acoustics are much improved over Mills Hall and Morphy Recital Hall in the old Humanities Building.

But public opinion seems more divided over other aspects, from the overall external architecture and interior design to the smaller size of the big hall, the seats and seating layout, and the restrooms.

So if you go – or have already gone – let the rest of us know what you think about those various aspects of the new building and about the various performers and programs.

As a warm-up preview, here are photos of the main halls or spaces, all taken by Bryce Richter for University Communications:

Here is the 660-seat Mead Witter Concert Hall:

Here is the 300-seat Collins Recital Hall:

And here is the Lee/Kaufman Rehearsal Hall:

But what do you say? You be the critic.

The Ear and others hope to see COMMENTS from listeners and especially performers. What is it like to perform there? Or to sit and listen?

What does the public think of the new building and concert halls? Are you satisfied? What do you like and what don’t you like?

Should some things have been done – or not done – in your opinion?

Does the building and do the concert halls live up to the expectations and hype?

The Ear wants to hear.


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Classical music: This Sunday afternoon brings percussion music from Clocks in Motion and a performance by the Edgewood Chamber Orchestra.

September 21, 2018
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IF YOU LIKE A CERTAIN BLOG POST, PLEASE FORWARD A LINK TO IT OR SHARE IT (not just “Like It”) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event.

By Jacob Stockinger

This Sunday afternoon brings two noteworthy concerts: a selection of percussion music from Clocks in Motion and a performance of classic composers by the Edgewood Chamber Orchestra.

Here are the details:

CLOCKS IN MOTION

This Sunday afternoon at 2 p.m., the local percussion group Clocks in Motion will perform at its Rehearsal Facility, located at 126 West Fulton Street in Edgerton, Wisconsin.

Members of Clocks in Motion (below, performing in 2017) are Matthew Coley, Chris Jones, Sean Kleve and Andrew Veit.

Admission to the limited seating is $10, with donations accepted.

For more information, tickets and driving directions, go to:

https://www.artful.ly/store/events/15960

Presenting music never before heard in Wisconsin, Clocks in Motion Percussion will be performing classic repertoire and local premieres in this special event.

Here is the complete program: *”Gravity” by Marc Melltis; *Atomic Atomic” by Andrew Rindfleisch (below and heard in the YouTube video at the bottom); “Third Construction” by John Cage; selections from “Threads” by Paul Lansky; “Mechanical Ballet” by Anders Koppel; “Fantezie” by Sergiu Cretu; and “Glitz!” Bejorn Berkhout

*Denotes this piece was written specifically for Clocks in Motion.

Hailed as “nothing short of remarkable” (ClevelandClassical.com) and “the most exciting addition to Madison’s classical music scene” (Isthmus), Clocks in Motion is a percussion quartet that performs new music, builds many of its own instruments, and breaks down the boundaries of the traditional concert program.

Formed in 2011, Clocks in Motion is quickly becoming a major artistic force in today’s contemporary music scene. Among its many recent and upcoming engagements, the group served as performers at the Interlochen Arts Academy in Michigan; The Stone in New York City; The Overture Center for the Arts; Casper College in Wyoming; the University of Michigan;, Baldwin-Wallace University in Ohio; the University of North Carolina-Pembroke; and the Ewell Concert Series in Virginia.

EDGEWOOD CHAMBER ORCHESTRA

The Edgewood Chamber Orchestra will give a concert on this Sunday afternoon at 2:30 p.m. in the newly remodeled St. Joseph Chapel, 1000 Edgewood College Drive.

The orchestra will perform under the baton of Blake Walter (below).

The program features three arrangements of piano works by Claude Debussy; Arabesques 1 and2, arranged by Henri Mouton, and the seldom-performed Sarabande, arranged by Maurice Ravel.

Other works to be performed include Luigi Cherubini’s Overture to the opera Medea, and Symphony No. 59, subtitled “Fire,” by Franz Joseph Haydn.

Admission is $5 for the general public, free with Edgewood College ID.


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Classical music: What five minutes of music would you choose to make someone fall in love with classical music?

September 9, 2018
6 Comments

By Jacob Stockinger

What five minutes of music would you choose to recommend to make someone else fall in love with classical music?

That is the question that, this week, The New York Times put to a distinguished selection of critics, performers and composers.

But The Ear finds that a lot of the choices seem very odd.

It seems that a lot of the responders stretched to name something unusual or out-of-the-way. So on the list you will find John Cage and Lou Harrison and Olivier Messiaen and Steve Reich (twice) and Anna Clyne (below top) and Unsuk Chin (below bottom).

Beethoven makes the list and so do Ravel and Berlioz and Stravinsky and Richard Wagner and Richard Strauss.

But you won’t find Bach (below) or Vivaldi or Handel or Mozart or Schubert or Chopin or Schumann or Brahms or Tchaikovsky or Dvorak or Rachmaninoff.

Hmmmmmm.

Very curious.

It almost seems like a very self-conscious spurning of The Greats, of “The Canon,” that got so many listeners started on classical music and hooked for life.

But maybe not.

Decide for yourself. Here is a link to the long story, engaging to read, that is complete with generous sound clips of the music named:

https://www.nytimes.com/2018/09/06/arts/music/5-minutes-that-will-make-you-love-classical-music.html

But here is what The Ear wants to know:

What do you think about the selections named in the Times’ story?

What was the piece of music that first made you fall in love with classical music?

And, if your choice would now be different for someone else, what piece would YOU recommend to make a friend or someone else fall in love with classical music?

Please leave your opinion and choice in the COMMENT section with a link to a YouTube video performance, if possible.

The Ear wants to hear.


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