The Well-Tempered Ear

New York Times music critics pick 10 MUST-HEAR online virtual classical concerts to stream for October

October 3, 2020
Leave a Comment

PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.

ALERT: Tonight’s concert by the choral group Roomful of Teeth for the Wisconsin Union Theater at the UW-Madison’s Hamel Music Center has been canceled and postponed indefinitely.

By Jacob Stockinger

Increasingly the coronavirus pandemic seems surging out of control. So it comes as no surprise that also more and more concerts of classical music are taking place virtually and online.

Coronavirus image CDC

There are many ways to choose among local, regional, national and international concerts.

But one good guide was published this last week and featured the choice of must-hear classical concerts by critics for The New York Times.

It is an interesting and varied selection, and includes times, links and brief descriptions.

It features concerts that emphasize Black composers such as Florence Price (below top) and women composers. It covers many genres from a solo piano recital by Jeremy Denk (below bottom) – who is supposed to perform here on Dec. 11 at the Wisconsin Union Theater – to chamber music, vocal music, orchestral concerts and operas.

Florence Price head shot University of Arkansas Libraries

Jeremy Denk playing CR Hiroyuki Ito NYTImes

Curiously, there is quite bit of new music but little early music, either Renaissance or Baroque. Perhaps more will appear around the holiday times, when that music is part of the traditional holiday celebrations.

You will find contemporary composers but also lots of certified, tried-and-true classics and masterworks.

Some are one-day only events but many run from a week through a month.

Here is a link to the story. PLEASE NOTE THAT TIMES ARE ALL EASTERN: https://www.nytimes.com/2020/09/29/arts/music/classical-music-stream.html

Please let The Ear know if you like this kind of listing and find it useful.

And please feel free to leave in the comment section other guides or events that the public should know about.


Posted in Classical music
Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Did Beethoven and his Fifth Symphony foster racism, exclusion and elitism in the concert hall? The Ear thinks that is PC nonsense. What do you think?

September 19, 2020
8 Comments

PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.

By Jacob Stockinger

Controversy has struck big among classical music critics and fans — just in time for the Beethoven Year that will celebrate the 250th anniversary of the composer’s birth this December. Plans call for celebrations by the Madison Symphony Orchestra, the Wisconsin Chamber Orchestra, the UW-Madison’s Mead Witter School of Music, and others. 

At question is what seems yet another fallout and dust-up from the Black Lives Matter movement and the current struggle to foster social justice and racial equality.

In some ways, it all seems inevitable.

Now the history-denying advocates of cancel culture are suggesting that Beethoven (below) and his music – especially the popular Fifth Symphony (you can hear the famous opening in the YouTube schematic video at the bottom)  –  fostered white privilege and the rise of racism, sexism and homophobia in the concert hall.

That seems like quite an accusation for a single composer and a single piece of music that was premiered in 1808.

The assertion is food for thought. But not much.

In the end The Ear finds it a stretch and a totally bogus argument. He thinks that Beethoven attracted far more performers and audiences than he repelled. Others, including famed critic Norman Lebrecht in his blog Slipped Disc and a critic for the right-wing newspaper The New York Post, agree:

https://slippedisc.com/2020/09/beethovens-5th-is-a-symbol-of-exclusion-and-elitism/

https://nypost.com/2020/09/17/canceling-beethoven-is-the-latest-woke-madness-for-the-classical-music-world/

The Ear also thinks it is political correctness run amok, even for someone who, like himself, advocates strongly for diversity of composers, performers and audiences – but always with quality in mind — in the concert hall.

Just because Beethoven was such a great creative artist is hardly cause to blame him for the inability of other artists to succeed and for non-white audiences taking to classical music. Other forces — social, economic and political — explain that much better.

Yes, Beethoven is a towering and intimidating figure. And yes, his works often dominate programming. But both musicians and audiences return to him again and again because of the originality, power and first-rate quality of his many works.

Beethoven himself was deaf. That would certainly seem to qualify him as inclusive and a member of an important category of diversity.

No matter. The writers are happy to blame Ludwig and his work for exclusion and elitism. They argue that people of color, women and LGBTQ people have all felt alienated from classical music because of Beethoven’s legacy.

Of course, there is elitism in the arts. People may be equal, but creative talent is not.

And clearly, Beethoven was a towering and intimidating figure – more for the quality of his music than for the simple fact that it exists. Such exclusion and elitism have to do with other factors than the composition of the Fifth Symphony.

If The Ear recalls correctly, when he died Beethoven was given the largest state funeral up to that time for a non-royal, non-politician or non-military person.

And how do you explain that Beethoven’s music, so representative of Western culture, appeals deeply to and attracts so many Asians and Asian-Americans, and became both banned and symbolically central to those opposed to Chairman Mao’s Cultural Revolution in China?

But these days being provocative can become its own reward.

You can read the analysis and decide about its merits for yourself, then let us know what you think in the Comment section.

Here is a link to the opinion piece in Vox Magazine, a free online journal: https://www.vox.com/switched-on-pop/21437085/beethoven-5th-symphony-elitist-classism-switched-on-pop

What do you think about the idea that Beethoven played a large and seminal role in fostering an elitist and exclusive culture in classical music?

Did you ever feel alienated from classical music because of Beethoven or know others who have?

What is your favorite Beethoven composition?

The Ear wants to hear.

 


Posted in Classical music
Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

UW-Madison will forego in-person concerts through the fall and go virtual. The FREE online concerts start TONIGHT, Monday, Sept. 14, at 6-8:30 p.m. with a graduate student recital

September 14, 2020
1 Comment

PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.

PLEASE NOTE: The following post has been updated with more information since it first appeared.

By Jacob Stockinger

In ordinary times, the yearlong schedule would be set and concerts at the University of Wisconsin-Madison’s Mead Witter School of Music would be already well underway.

But these are not ordinary times – as you can tell from the silence about the UW season that usually presents some 300 events.

It has taken time, but the music school has finally worked out the basic approach to concerts during the pandemic. It will allow worldwide listening.

Audiences will NOT be present for any Mead Witter School of Music concerts or recitals this fall. Instead, a live stream of faculty recitals and all required student recitals, many of them in the new Hamel Music Center (below), will be available.

The portal to the live streaming, along with a scheduling clock and time countdown, can be found at: youtube.com/meadwitterschoolofmusic

The concert season starts tonight at 6:30 to 8 p.m. The performer is graduate student flutist Heidi Keener (below), who is giving her recital for the Doctor of Musical Arts degree. The recital was postponed from March 23 due to the coronavirus pandemic.

On the school of music’s concert website you will find a biography and the program — just hover the computer’s cursor over the event: https://www.music.wisc.edu/event/recital-heidi-keener-dma/.

The same information will also be on the YouTube website for the actual concert. Just click on MORE: https://youtu.be/gA6S3OXUKCc

Given so few calendar listings so far, clearly the format is still a work-in-progress.

For updated listings of other events, go to: https://www.music.wisc.edu/events/

The next events are slated for Oct. 2 with a student recital and another installment of the Pro Arte Quartet’s Beethoven cycle (below).

That other programs and dates are still missing is not surprising.

The entire UW-Madison from classes to sports, is in a state of flux about how to deal with the pandemic, with in-person classes paused through Sept. 25, and possibly longer.

Many questions about concerts remain as the process plays out.

All live-stream concerts will be free. But they will NOT be archived, so they will be taken down as soon as they end.

A donation link to the UW Foundation will be included to help cover the costs of the livestreaming and also other expenses.

Will choral concerts even take place, given that singing is especially risky because the singers can’t wear masks and social distancing is nearly impossible to provide with groups?

What about chamber music groups like the Pro Arte Quartet, the Wingra Wind Quintet and Wisconsin Brass Quintet? Many faculty members, who have to teach virtually and online right now, are no doubt concerned about the possible health risks of playing in groups.

And what about the excellent UW Symphony Orchestra, which The Ear considers a must-hear local orchestral ensemble? Those musicians too will have a hard time social distancing – unless individual safe performances at home or in a studio are edited and stitched together.

So far, though, we know that the University Opera will offer “I Wish It Were So,” an original revue of the American opera composer Marc Blitzstein on Oct. 23.

Here is a link to a story with more details about the production: https://welltempered.wordpress.com/2020/08/07/classical-music-the-university-opera-announces-a-new-season-that-is-politically-and-socially-relevant-to-today-the-two-shows-are-a-virtual-revue-of-marc-blitzstein-and-a-live-operatic-version-of/

What do you think of the plans for the concert season?

Do you have any suggestions?

The Ear wants to hear.


Posted in Classical music
Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Classical music: The amateur, acclaimed and affordable Middleton Community Orchestra suspends its new season until further notice

September 4, 2020
1 Comment

PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.

By Jacob Stockinger

At a time when many concert schedules are getting complicated due to virtual online concerts and other alternatives because of the coronavirus pandemic and Covid-19, the message couldn’t be simpler.

The Middleton Community Orchestra (below) has suspended its new season until further notice.

You can check for additional information by going to the website: https://middletoncommunityorchestra.org

There it says: “Concerts are postponed until further notice. Check back here and join our email list for updates to the season.”

It’s too bad.

The season took a lot of organizing. It was going to take place in alternative venues because the Middleton Performing Arts Center, attached to Middleton High School, is undergoing renovations. (In the YouTube at the bottom, you can hear the MCO performing the Overture to Wagner’s opera “Die Meistersinger.”

It was also to feature new soloists including violinist David Perry of the UW-Madison Pro Arte String Quartet, and two guest conductors from Edgewood College and the UW-Whitewater.

It could also mean another cancellation of the new teenage concerto competition and concert as well as the cancellation of conductor Kyle Knox’s inaugural season as the MCO’s new music director (below).

Here is the largely amateur, well planned, unquestionably ambitious and very affordable season that was scheduled: https://welltempered.wordpress.com/2020/03/30/classical-music-the-middleton-community-orchestra-announces-an-ambitious-2020-21-season-with-new-soloists-and-conductors-but-with-no-middleton-venue-for-the-season/

Do you have comments for the MCO?

The Ear wants to hear.

 


Posted in Classical music
Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Classical music: Here is how the Wisconsin Youth Symphony Orchestras (WYSO) plan to continue lessons and performances this fall despite the coronavirus pandemic

August 29, 2020
Leave a Comment

PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.

By Jacob Stockinger

The Ear has just received the following updates from an email newsletter about the upcoming season of the Wisconsin Youth Symphony Orchestras (WYSO). Over more than 50 years, WYSO has served tens of thousands of middle school and high school students in southcentral Wisconsin and northern Illinois. (In the YouTube video at the bottom, you can hear the WYSO Youth Orchestra play a virtual performance from the past season of the famous finale from Rossini’s “William Tell” Overture.)

After many weeks of planning, and in consultation with Public Health Madison and Dane County (PHMDC) and the McFarland School District, WYSO is excited to announce a fall semester plan that will mark a safe return to in-person music-making—and our first season at the McFarland Performing Arts Center (below) https://www.wysomusic.org/the-wyso-weekly-tune-up-april-17-2020-wysos-new-home/

We had a brief delay last Friday when PHMDC released Emergency Statement #9 delaying in-person start dates for all schools in Dane County. We checked in with the Public Health agency and they re-affirmed that WYSO is not a school —and the 15 students maximum-sized groups outlined in this plan are absolutely perfect. It is time to set up the tents!

The WYSO season will begin on the weekend of Sept. 5, when the winds and brass students from all three full orchestras (Youth, Philharmonia and Concert) will begin their fall rehearsals outside under two enormous tents in the McFarland High School parking lot (below). The 60 winds and brass students will be divided into approximately nine or 10 cohorts, who will meet in two-hour blocks on Saturdays and Sundays.

With a single cohort of masked and socially distanced students spread out within the 40′ x 60′ tent, with “bell covers and bags” for their instruments, the season will not look like any previous WYSO Fall.

If you’ve not been involved in the new science of aerosol transmission, this whole scenario might seem very curious. The reasoning is simple: The winds and brass instruments have been singled out as more problematic since you have to blow into them to make music. The blowing releases more “aerosols,” the tiny droplets that can transmit the coronavirus.

However, researchers at the University of Colorado at Boulder have recently released the first results from a five-month study and have found that the following actions bring down the transmission risk considerably:

  1. Social distancing 9 to 15 feet apart.
  2. Adding bell covers and bags (below) for the instruments (essentially the instruments have to wear masks as well as the students).
  3. Playing outside, which reduces risks due to the increased air circulation.

Because we are in Wisconsin, the “outdoor” location shortens the season for the winds and brass players so by beginning the season on Sept. 5 and ending on the weekend of Oct. 24, they can just squeeze in an 8-week cycle.

Meanwhile, the WYSO string and percussion players, approximately 300 in number and representing all five orchestras, will begin their fall season indoors on Oct. 17, after McFarland moves to a hybrid model for the school year.

The string players will be divided into 15-student cohorts by orchestra, with a wonderful mix of violins, violas, cellos and basses in each group, and with the groups spread throughout one wing of the high school in large music rooms and atriums.

The percussionists have been scheduled into the new Black Box Theater and they are excited to begin playing on the brand new marimbas and timpani so recently acquired by WYSO through a gift from an incredibly generous anonymous donor.

Everything has been carefully scheduled so that at any given time there will not be more than 125 students, conductors and staff in the building.

Start and end times have been staggered. The large beautiful spaces at McFarland will easily hold the socially distanced and mask-wearing players. And the orchestras will again be scheduled into Saturday and Sunday mornings and afternoons. Even the WYSO Chamber Music Program (below) has been scheduled into the intricate puzzle.

The rest of this exciting fall story has to do with adding incredibly talented professional musicians to lead some of the cohorts and the amazing repertoire available for groups of 15 musicians, whether they play winds, brass, strings or percussion.

From Mozart’s “Gran Partita” to Beethoven’s Symphonies No. 2 and 6; from Stravinsky’s “Pulcinella Suite” to Bartok’s Divertimento, and Tchaikovsky’s Serenade for Strings — there is almost an “embarrassment of riches” of exciting, seldom-played repertoire, to quote WYSO Music Director Kyle Knox (below). And this fall, that repertoire will be right in WYSO’s wheelhouse.

WYSO will video-capture this year’s Fall Concerts of students playing in the beautiful McFarland Performing Arts Center to 800 empty seats and let you know the exact Fall Concert dates as we get closer. Click here for additional information.

While WYSO is incredibly excited about our in-person plan for rehearsals and playing music together, we have also drawn up two alternate plans, and know that not everyone will be able to participate in-person.

WYSO Registration is underway, and we are asking those who cannot participate in the McFarland experience to let us know their needs through the registration process, so that we can create the best virtual experience possible for those involved. Tuition payment is not due at registration.

To register, go to: https://www.wysomusic.org/members/wyso-registration-form/

 


Posted in Classical music
Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Will the public pay for online virtual concerts? Will you? Consider the fate of newspapers

August 23, 2020
4 Comments

PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.

By Jacob Stockinger

More and more local classical musicians and music presenters are moving concerts and music-making to virtual online events, at least for the fall and early winter – and quite possibly for the rest of the season. (Below is Shannon Hall in the Wisconsin Union Theater.)

And although we are still waiting for details, it seems all but certain that many of them will be pay-per-view and require tickets.

True, the move from free streaming to pay-for-view might be very useful in helping performers earn a much-needed living.

But it could also be disastrous – or at least extremely disruptive and disappointing.

Anthony Tommasini (below), the senior music critic for The New York Times, recently wrote a long story defending the move from being free to becoming paid for both livestreams and pre-recorded music concerts.

Tommasini — whose profession demands that he follow wherever the music goes —  thinks it will, or should, work.

Here is a link to his story that includes concerts at The Metropolitan Opera and elsewhere with international stars such as soprano Renée Fleming (beow top) and pianist Daniil Trifonov (below bottom).

https://www.nytimes.com/2020/08/11/arts/music/classical-music-livestream.html

But The Ear isn’t so sure.

For one thing, many listeners might find alternatives. They might like watching outstanding performances of the same works by great and even historical performers on YouTube for free.

They might like exploring their own collections of recordings, or listening to the radio and watching TV, or even making more music as amateurs.

The Ear also suspects that now that the habit of going to live concerts has been interrupted, many people will simply find that they miss going to live performances much less than they thought they would – or than various arts groups hoped they would. (Below is the Wisconsin Chamber Orchestra in a photo by Mike Gorski.)

In addition, even since the coronavirus pandemic lockdown last March, listeners have become used to the free events that many organizations offered if only to keep a presence in the public’s mind.

The strategy was understandable and made sense at the time.

But The Ear thinks of what happened with newspapers.

In the early days of the internet, newspapers offered online stories for free, as a kind of extra attraction or added benefit to secure subscribers.

But as the newspapers lost both advertisers and subscribers and tried to “monetize” their online editions, they found that the horse was already out of the barn.

Many viewers did indeed subscribe to digital editions, but many others abandoned newspapers and instead turned to free online media for their news.

So what will happen in cases less prestigious than what Tommasini describes?

What do you think?

Will local pay-per-view concerts, perhaps with bigger volume if lower individual ticket prices, be successful?

Will you pay to “attend” such virtual online events?

The Ear wants to hear.


Posted in Classical music
Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Classical music: It’s clear to The Ear: It will be at least another full year before audiences in the U.S. can safely attend live concerts. What do you think?

August 11, 2020
7 Comments

PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.

By Jacob Stockinger

All the signs point to the same conclusion: It will be at least the fall of 2021 before we can safely attend concerts again – if we are lucky.

These past two weeks, The Ear answered questionnaires sent out by the Madison Symphony Orchestra (below top), which has already canceled the season through January, and the Wisconsin Union Theater (below bottom is Shannon Hall).

If you read between the lines, both questionnaires seemed to suggest the same two things: that the entire 2020-21 concert season will be canceled or postponed; or else that it will feature virtual online performances — for ticket prices (perhaps called a “donation”) that have not yet been announced and may not be acceptable to a lot of any group’s core audience.

Perhaps you disagree. If so, The Ear would like to hear in the comment section what you think and why you think it.

Here is what The Ear, who has talked with other season subscribers and various musicians, has seen and heard.

The United States has now surpassed 5 million coronavirus infections and 163,000 Covid-19 deaths with no sign of slowing down and many signs of accelerating. One widely cited model now predicts 300,000 deaths by this Dec. 1.

Plus, too many Americans refuse to wear masks or to maintain social distancing or to shelter at home to help prevent the spread of the virus.

Add in that we will be fortunate if enough vaccines are found to be safe, efficient and approved for use by Jan 1.

Then – despite federal government’s “Warp Speed” development or fast-tracking of the search for vaccines — there is the time needed to manufacture enough of them.

Then it will take considerable time to distribute them equitably, which other countries and public health agencies around the world demand.

Then, if we hope to reach herd immunity, it will take time to convince enough people to get the vaccine, especially with the growing number of anti-vaxxers.

Then those who do get vaccinated will have to wait a month for the second shot that will be required.

Then we wait a few weeks to see if and how much the vaccine really works – if it is safe and prevents infection or at least lessens the damage of the disease if you do get infected.

Plus, it sees unreasonable to think all of these steps will go without a hitch. So maybe a few more weeks or even months should be added.

Add up the math, and the conclusion seems clear: Performing arts events, like sports and other large in-person gatherings, seem increasingly likely to be canceled or reconfigured for a full year.

Concerts are already taking place in China, and other countries in Asia and Europe seem likely to catch up soon. But music lovers in the U.S. will be lucky if they get to attend a live concert with 100 or 500 or 1,000 or 2,500 other people before the fall of 2021 – at least a full year away. Maybe more.

The Ear could well be wrong. Maybe you see a different conclusion, which we would all love to hear. Perhaps international readers will share estimates about when concerts will begin in their country.

One way or another, we will learn a lot more about how the new music season is being planned and changed in the next three weeks.


Posted in Classical music
Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Classical music: Joel Thompson’s “The Seven Last Words of the Unarmed” is an eloquent and timely testament to Black victims of racism. It deserves to be performed in Madison and elsewhere

July 6, 2020
2 Comments

PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.

By Jacob Stockinger

A reader recently wrote in and suggested that fellow blog fans should listen to “The Seven Last Words of the Unarmed” by the Atlanta-based American composer Joel Thompson (below).

So The Ear did just that.

He was both impressed and moved by the prescient piece of choral and orchestral music. It proved both powerful and beautiful.

The title alludes to the Bible’s depiction of the crucifixion of Jesus Christ, but also to the musical setting of it that was composed by Franz Joseph Hadyn in the 18th century. But it stands on its own as a much needed and very accomplished updating, especially with the “last word” or phrase “I can’t breathe.”

It is hard to believe the work was written five years ago, and not last week or last month. But it couldn’t be more relevant to today.

It shows how deeply artists have been engaging with the social and political issues of the day, particularly the role of personal and structural racism in national life, and the plight of young Black men and women who face discrimination, brutality and even death at the hands of the police and a bigoted public.

The work was premiered by the Men’s Glee Club at the University of Michigan-Ann Arbor in 2015. This performance comes from the San Francisco Symphony Orchestra.

The SSO and featured guest University of Michigan-Ann Arbor Men’s Glee Club, led by conductor Eugene Rogers  (below) – who directs choral music and teaches conducting at the UM — premiered a 2017 commissioned fully orchestrated version of “The Seven Last Words of the Unarmed.” You can hear it in the YouTube video below.

It is an eminently listenable and accessible, multi-movement work honoring the lives, deaths and personal experiences of seven Black men.

The seven last words used in the work’s text are: “Why do you have your guns out?” – Kenneth Chamberlain, 66; “What are you following me for?” – Trayvon Martin, 16; “Mom, I’m going to college.” – Amadou Diallo, 23; “I don’t have a gun. Stop shooting.” – Michael Brown, 18; “You shot me! You shot me!” – Oscar Grant, 22; “It’s not real.” – John Crawford, 22; “I can’t breathe.” – Eric Garner, 43.

The Ear thinks that once live concerts begin again after the coronavirus pandemic is contained, it should be programmed locally. It could and should be done by, among others, the Madison Symphony Orchestra and Choir; or the UW-Madison Symphony Orchestra and Choral Union; or the Wisconsin Chamber Orchestra with the Festival Choir of Madison; or the Wisconsin Chamber Choir.

They have all posted messages about standing in solidarity with Black Lives Matter and the protesters against racism. But will words lead to commitment and action?

It will be interesting to see who responds first. In addition to being timely, such a performance certainly seems like a good way to draw in young people and to attract Black listeners and other minorities to classical music.

Here is a link if you also want to check out the almost 200 very pertinent comments about the work, the performance, the performers and of course the social and political circumstances that gave rise to the work — and continue to do so with the local, regional, national and international mass protests and demonstrations.

https://www.youtube.com/watch?v=zdNXoqNuLRQ&app=desktop

And here is the performance itself:

What do you think of the work?

How did you react to it?

Would you like to see and hear it performed live where you are?

The Ear wants to hear.


Posted in Classical music
Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Classical music: The Madison Symphony Orchestra, Madison Opera, Wisconsin Chamber Orchestra and Overture Center cancel their fall seasons. Plus, on Saturday cellist Cole Randolph performs a virtual concert for Grace Presents

June 26, 2020
Leave a Comment

PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.

ALERT: The Saturday at noon, Grace Presents will offer the first in its series of HD Virtual Concerts online. Future performers include organist Mark Brampton Smith and the Willy Street Chamber Players.

The performer this time is the cellist and recent UW-Madison graduate Cole Randolph (below). The program is: the Sonata for Solo Cello by the American composer George Crumb; two of the “Seven Songs Heard in China” by Chinese composer Bright Sheng; and the Suite for Solo Cello No. 3 by Johann Sebastian Bach.

Here is where you can hear the 40-minute concert inside the church on the Capitol Square: https://www.youtube.com/watch?v=0vaOCH53osk

You can also connect with Cole Randolph after the show by joining in a Zoom meet-and-greet immediately following the performance at https://us02web.zoom.us/j/88001773181

The meeting ID is: 880 0177 3181

You can hear Randolph (below, in a photo by Michael Anderson) playing in the YouTube video at the bottom.

By Jacob Stockinger

With all the talk of a second wave of coronavirus coming in the fall — complicated by the seasonal flu – concert cancellations don’t come as a surprise, unfortunately.

In fact, The Ear suspects many more cancellations are to come, including those from the UW-Madison, the Wisconsin Union Theater and the Middleton Community Orchestra.

Here is the latest round: the Madison Symphony Orchestra, the Madison Opera, the Wisconsin Chamber Orchestra and the Overture Center have all canceled their fall seasons, with some qualifications.

The announcements came on Thursday morning in the wake of the Overture Center canceling all performances this summer and fall through Nov. 30.

MADISON SYMPHONY ORCHESTRA

The Madison Symphony Orchestra has provided a short statement and a more complete and detailed press release.

Here is the statement:

“The Madison Symphony Orchestra’s 2020-21 “Beethoven and Beyond” season concerts and Overture Concert Organ performances are now canceled from September 2020 through January 2021.

“The move is due to the Overture Center’s decision to suspend events through Nov. 30, 2020, and the requirements of Dane County’s “Forward Dane” Reopening Plan.

“The 2020-21 season performances in February, March, April and May 2021 are scheduled to take place as planned.

“All subscribers will be sent a refund for the value of their tickets for the September 2020 through January 2021 concerts.”

Here is a list on the five MSO concerts – including the Beyond the Score performance of Stravinsky’s “Rite of Spring” on Jan. 25 — that will be canceled and the four that remain scheduled: https://madisonsymphony.org/concerts-events/2020-2021-symphony-season-concerts/

Here is a link to the full press release about the cancellations by the MSO (below, in a  photo by Peter Rodgers): https://madisonsymphony.org/press-release-june-2020-concert-events-update/

MADISON OPERA

The Madison Opera is canceling the two in-person performances of Verdi’s “Il Trovatore” (The Troubadour) but is planning on offering some kind of large digital event and smaller live events at its center.

Here is statement from the Madison Opera:

“Although the Overture Center for the Arts is closed until the end of November, we will not be going silent.

“We are creating a fall season that lasts from September through December, and includes both digital content and live performances at the Margaret C. Winston Madison Opera Center, our home in downtown Madison.

“Some of our signature engagement activities — such as Opera Novice and Opera Up Close — will have monthly editions that include artists from around the country.

“The Opera Center itself will be the site of “Live from the Opera Center,” a variety of streamed performances with a small live audience.

“Other performances will be created digitally and made available exclusively to subscribers.

“Artists involved include members of the original “Il Trovatore” cast: soprano Karen Slack, baritone Weston Hurt, bass Kenneth Kellogg, and stage director Fenlon Lamb. Other soloists include Wisconsin-based artists Jeni Houser (below), David Blalock, Emily Fons, Emily Secor and Kirsten Larson.

“We are working with our artists to create programming that is chosen from their passions: music they want to share, ideas they want to explore, and conversations they want to start. The challenges facing us will create new art, and new ways to make sure it is accessible to everyone.”

Marketing director Andrew Rogers told The Ear that the opera company is still deciding whether digital performances will be ticketed or free with suggested donations.

The full schedule will be announced in early August, after the digital online Opera in the Park takes place Saturday, July 25. For details, go to: https://www.madisonopera.org/2020/05/06/opera-in-the-park-is-going-digital/

To stay current about the regular opera season, you can sign up for the Madison Opera’s news updates via email by going to this website: https://www.madisonopera.org/fall2020/

WISCONSIN CHAMBER ORCHESTRA

The Nov. 20 opening concert with pianist John O’Conor of the Masterworks Series has been POSTPONED with no new date set yet.

Music director Andrew Sewell says the Family Concert on is still on for Saturday, Oct. 10, at the Goodman Community Center but the WCO is looking for an alternative venue.

The concert on Nov. 7 at the Verona Area Performing Arts Center has been CANCELED.

Both performances of Handel’s “Messiah” — on Dec. 9 and Dec. 12 at the Blackhawk Church in Middleton and the UW’s Hamel Music Center on Dec. 12 – have also been CANCELED.

And this season the WCO will not play Tchaikovsky’s “The Nutcracker” from Dec. 17-27 because the Madison Ballet has canceled those performances.

For more information about the WCO (below, in photo by Mike Gorski), go to: https://wcoconcerts.org/concerts-tickets/calendar

What do you think?

Do you think the cancellations are warranted?

Do you want to leave a message or comment encouraging and supporting the various groups and their many musicians?

The Ear wants to hear.


Posted in Classical music
Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Classical music: This summer’s Handel Aria Competition is postponed again — until next summer. But a Virtual Gala with new performances will be held online on Sept. 10

May 20, 2020
Leave a Comment

PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.

By Jacob Stockinger

The Ear has received the following announcement to post:

Due to the COVID-19 pandemic, the 8th Annual Handel Aria Competition (below) has been postponed for a second time — until 2021 — for the safety of our singers, musicians and audience members.

The upper age limit for the competition will be extended when the competition resumes, so that all singers eligible this year can still participate.

We are introducing a new initiative to support the finalists from the past seasons of the competition – all of whom have had their opportunities to perform severely curtailed by the coronavirus pandemic. Your assistance in spreading the word would be much appreciated!

Originating in Madison, the Handel Aria Competition Virtual Gala will take place online and worldwide on Thursday, Sept. 10, at 7:30 p.m.

While the gala will not actually be live, since it requires editing together many separate elements of video, it will be shared via Facebook Live and also be available on YouTube and our website (see below).

It is our plan to feature professionally recorded Baroque arias specially performed for the occasion by past finalists and winners, as well as some of the videos recorded during the competition itself. (In the YouTube video at the bottom, you can hear bass-baritone Jonathan Woody singing an aria from the oratorio “Belshazzar” in 2019.)

We are also going to ask the finalists to record short video quotes about how the Handel Aria Competition has helped their careers, and why they love singing Handel.

Our host will be the Handel Aria Competition’s artistic director — and first prize-winner in 2015 — Sarah Brailey (below), who is also pursuing her doctorate at the UW-Madison.

Thanks to individual donations and foundation grants, all of the funds raised during the gala will be shared among the participating singers.

We hope you will join us in showing that we value their talent, and want to help them get through this difficult time.

For news updates and details, go to: https://handelariacompetition.com

 


Posted in Classical music
Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,
Next Page »

    Enter your email address to subscribe to this blog and receive notifications of new posts by email.

    Join 1,250 other followers

    Blog Stats

    • 2,227,378 hits
%d bloggers like this: