The Well-Tempered Ear

Classical music: Here are many more FREE online and streamed concerts to follow and listen to as you quarantine during the COVID-19 pandemic

April 25, 2020
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By Jacob Stockinger

During the COVID-19 public health crisis and coronavirus pandemic, live streaming of concerts has taken off. It started with daily broadcasts of past productions by the Metropolitan Opera and the Berlin Philharmonic.

Local organizations have followed suit. They include the Madison Symphony Orchestra; the “couchertos” of the Wisconsin Chamber Orchestra; the twice weekly “tiny desk concerts” by the Bach Dancing and Dynamite Society sent to email newsletter subscribers and other recorded audiovisual performances; and local recordings made by Rich Samuels and aired on WORT-FM 89.9.

Here is a compilation, from the British radio station Classic FM with many other FREE listings that also get updated: https://www.classicfm.com/music-news/live-streamed-classical-music-concerts-coronavirus/

Here is another listing of FREE live streams and archived performances from Minnesota Public Radio (MPR): https://www.classicalmpr.org/story/2020/03/16/free-online-classical-concerts

And below are several more that The Ear has checked out and recommends:

CARNEGIE HALL LIVE

Carnegie Hall (below), America’s premier concert venue, has started a series of live streams that include world music, jazz and of course classical music.

The format includes conversation and remarks from homes as well as first-rate live performances from the past. (You can also hear many of the concerts on radio station WQXR in New York City: https://www.wqxr.org)

This past week, The Ear heard an outstanding concert with three pianists, all of whom appeared in Madison last season: Emanuel Ax, who performed an all-Beethoven recital at the Wisconsin Union Theater, played the piano and acted as host; Orion Weiss, who performed a Mozart concerto with the Wisconsin Chamber Orchestra; and Shai Wosner, who gave a terrific master class and a memorable recital on the Salon Piano Series at Farley’s House of Pianos. If you missed it, it is still archived and accessible.

On this Thursday, April 30, at 1 p.m. CDT you can hear violinist Joshua Bell with pianist Jeremy Denk and cellist Steven Isserlis.

Here is a link: https://www.carnegiehall.org/Explore/Watch-and-Listen/Live-with-Carnegie-Hall?sourceCode=31887&gclid=EAIaIQobChMIsYigzumB6QIVjIbACh061Qz2EAAYASABEgJE3fD_BwE

DEUTSCHE GRAMMOPHON

Deutsche Grammophon, the world oldest record label, which was established in 1898, has several online series of live streams and archived concerts.

They include “Moment Musical” (Musical Moment) by Daniel Barenboim and guest artists, broadcast from the Pierre Boulez Saal (concert hall) in Berlin.

Barenboim, who started as a child prodigy pianist and ended up being a world-class conductor who once headed the Chicago Symphony Orchestra, has done solo piano and chamber music concerts with the Piano Quintet and two solo pieces by Robert Schumann; the epic Diabelli Variations by Beethoven; and an all-Chopin program of encores. You can also find individual ones on YouTube.

Along more promotional lines, DG also offers a “Best of” series that features movements and excerpts from their newer recordings by some of the best known artists – including pianists Lang Lang, Danill Trifonov, Yuja Wang, Vikingur Olafsson, Jan Lisiecki and Seong-Jin Cho; conductors Gustavo Dudamel, Yannick Nézet-Séguin and Andris Nelsons; opera singers Anna Netrebko and Elina Garanca.

Here is a link to DG’s homepage from where you can get to the various series: https://www.youtube.com/channel/UC34DbNyD_0t8tnOc5V38Big

MILWAUKEE SYMPHONY ORCHESTRA

Closer to home, every Friday you can listen to weekly concerts by the Milwaukee Symphony Orchestra called “Musical Journeys.”

Performers include the MSO’s new music director Ken-David Masur as well as guest conductors like Jeffrey Kahane and the past conductor Edo de Waart.

You can hear the past five episodes, and join new ones. You can also hear past concerts by the Milwaukee Symphony Orchestra (below) on Wisconsin Public Radio. Broadcast time is Sunday at 2 p.m.

Here is a link to Musical Journeys: https://www.mso.org/about/music/mso-musical-journeys-5/

VIOLINIST DANIEL HOPE AT HOME

British violinist Daniel Hope – who has performed with the Madison Symphony Orchestra — has been streaming chamber music concerts from the living room of his home in Berlin.

A prolific concert artist and 25 recordings and four Grammy Award nominations to his credit, Hope (below) has many invited guests and offers a wide range of repertoire.

Here is a link with past episodes. You can also click in upcoming episodes: https://www.arte.tv/en/videos/RC-019356/hope-home/

Are there other sites and streamed performances that you recommend?

Please leave the name and a link in the Comment section.

The Ear wants to hear.

 


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Classical music: The Bach Dancing and Dynamite Society cancels its “Riches to Rags” chamber music season this June and postpones it until next June

April 10, 2020
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By Jacob Stockinger

The Ear has received the following announcement to post:

The Bach Dancing and Dynamite Society’s 29th season will become our 30th season celebration next year. We’ll re-engage and present our entire 2020 season, as closely as possible, with the same stellar musicians, in 2021.

We would love nothing more than present our 29th season to you live and in person as we planned. But, dear friends, never fear!

We, at Bach Dancing & Dynamite Society, have always been light on our feet, nimble in the face of challenge, flexible throughout changing fortunes and venues, and we have a few tricks up our sleeve.

Stephanie Jutt and Jeffrey Sykes (below) are already planning for new musical treats as soon as we are permitted. You can look forward to some creative collaborations that we’re cooking up for August — if it’s safe to do so — and a special celebratory mini-season over the holidays in late December. We’ll get there together!

All of us in the arts community have been upended by postponements and cancellations, but BDDS will survive this tsunami because of the unending and generous support of so many of you.

We have been buoyed by so many ticket orders and we ask for your consideration for unused tickets:

  1. Make your tickets, or a portion thereof, a tax-deductible donation to BDDS (benefitting you and us!). Per Wisconsin law, if we don’t hear from you in 90 days (July 8), we are permitted to assume that you want your tickets donated back to BDDS and we will send you a letter for tax purposes. Or simply click on the address below and provide your contact information and your preference.
crownover@bachdancinganddynamite.org
  1. Request a refundWe’re happy to provide your money back, and look forward to seeing you again in 2021!

Samantha Crownover, Executive Director

Bach Dancing & Dynamite Society: Chamber Music with a Bang!

P.O. Box 2348

Madison, WI  53701

608.255.9866 office

bachdancinganddynamite.org


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Classical music: Local groups stream videos to entertain home-bound listeners, and perhaps to promote their next seasons. Plus, the Madison Symphony Orchestra cancels and postpones its May concerts

April 4, 2020
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By Jacob Stockinger

Cancellations and postponements aren’t the only effects that the coronavirus and COVID-19 pandemic are having on the local classical music scene.

Many local ensembles – much like such national and international organizations as the Metropolitan Opera and the Berlin Philharmonic Orchestra — are also starting to offer free streamed performances, some of them archival and some of them are specially performed.

Bach Around the Clock even held a virtual festival this year that featured many different original recorded performances spread out over many days and continues.

Why are they doing so?

Certainly to help entertain the public while they weather the boredom and loneliness of social distancing and sheltering in place at home. Music can comfort.

Perhaps they are also doing so as a smart marketing move to stay in the public’s consciousness despite cancellations and to indirectly promote their upcoming seasons.

Here are some examples:

The Madison Symphony Orchestra (MSO) is offering a link to a YouTube performance — by the Prague Radio Symphony Orchestra below) — of the Dvorak Requiem, which the MSO orchestra and chorus were supposed to perform this weekend but had to cancel.

The video also has a message from music director John DeMain; texts and translations from the Czech; a special pre-concert talk and program notes for the Requiem by J. Michael Allsen; and a link to the MSO’s 2020-21 season.

Here is a link: https://madisonsymphony.org/experience-dvorak-requiem-virtually/

In other MSO news: The concerts with pianist Yefim Bronfman playing the Piano Concerto No. 1 by Brahms on May 1, 2 and 3 and the open rehearsal on April 30 are now canceled, and the May 5 organ performance has been postponed.

For those who hold tickets for May concerts, the MSO will be announcing options for donation, exchange and refunds sometime this weekend or next week.

The Wisconsin Chamber Orchestra (WCO), which recently streamed its December concert in the UW’s Hamel Center, has started a special “Coucherto” series – it’s a pun on concerto and couch – of special at-home concerts by individual musicians in the WCO for those listeners who are staying at home.

The project uses social media including Facebook, YouTube, Twitter, Vimeo and at the WCO’s home website. Also included is an invitation by music director Andrew Sewell.

The WCO’s next season hasn’t been announced yet, but should be soon.

Here is a link: https://wisconsinchamberorchestra.org/about/coucherto/

For its part, the Bach Dancing and Dynamite Society, which is facing uncertainty about its June concert series, which focuses on Beethoven’s piano trios – is offering selected chamber music performances from its past seasons that are on BDDS’ YouTube channel.

It too has comments and the program lineup for its season this summer.

Here is a link: https://bachdancing.org/watch-listen/video/

Have you seen any of these videos?

What do you think of them?

Dp you think they work as marketing strategies?

Have you discovered sites for streaming classical music that you recommend to others?

The Ear wants to hear.


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Classical music: A reader urges others to donate ticket refunds to support the arts. What do you think?

March 18, 2020
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ALERT: The Wisconsin Chamber Choir has canceled its upcoming concert, “Music She Wrote,” on April 18.

By Jacob Stockinger

A reader — who prefers to remain anonymous but who has been deeply involved in the Madison arts scene for a long time — recently wrote:

“I’d like to suggest an angle for your column: Encourage subscribers to the various arts organizations and single ticket holders who can afford it NOT to ask for a refund on their upcoming cancelled concerts, if or when they are offered that option.

“I subscribe — on my own or as part of others’ subscriptions — to the Madison Symphony Orchestra (below, in photo by Peter Rodgers), the Madison Opera, the Broadway musicals at the Overture Center, Forward Theater, and the Wisconsin Union Theater’s Concert series. (I also buy a lot of single tickets to chamber music concerts by the Bach Dancing and Dynamite Society and to American Players Theatre in Spring Green.)

“As all those arts organizations cancel their concerts and plays, they still have costs. Forward Theater, for instance, is paying the full contract of all the people who were involved with the production of “The Amateurs.” And I’m glad they are.

“Personally, I will not be asking for a refund on any of the tickets I long ago purchased. I want the arts to stay healthy in Madison, and not asking for a refund is a small gesture in trying to make sure they are able to move forward.” (At bottom is the Bach Dancing and Dynamite Society, which just announced its summer schedule from June 7 to June 28 and has not cancelled anything. Go to: https://bachdancing.org)

“You reach a lot of people and you could plant a lot of powerful seeds by making this the topic of a column.”

If you are a member of a performing arts group, what do you think?

If you are a ticket holder, what do you think?

The Ear wants to hear.


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Classical music: What concerts or performances in 2019 did you most like, and do you most remember and want to praise?

January 12, 2020
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By Jacob Stockinger

The concert season’s winter intermission will soon draw to a close.

So this is a good time to recall favorite concerts and performances of last year.

But let’s be clear.

This is a not a request to name “The Best Concerts of 2019.”

Calling them the most memorable concerts doesn’t necessarily mean they were the best.

Perfection or “the best” sounds so objective, but can really be quite personal and subjective. So much can depend not only on the music and the performers, but also on your own mood and your taste or preferences.

So please share the concerts or performances that you most liked and enjoyed, the one that most still linger in your mind. And, if you can pin it down, tell us why you liked them so much and why they linger for you.

There are so many excellent groups and concerts, so much fine classical music, in the Madison area that there should be lots of candidates.

Here are several performances or complete concerts that The Ear remembers with special fondness.

The MADISON SYMPHONY ORCHESTRA (below, in a photo by Peter Rodgers) held a season-long celebration of the 25th anniversary of John DeMain’s tenure as its music director and conductor. The big event came at the end: Mahler’s massive Symphony No. 8 – the so-called “Symphony of a Thousand” – that brought together the MSO and the MSO Chorus as well as the Madison Youth Choirs and the UW-Madison Choral Union.

It proved an impressive, overwhelming and moving display of coordination and musicianship, a testament to how far DeMain (below, in a photo by Prasad) has brought the orchestra.

(Also memorable on the MSO season were pianist Marc-Andre Hamelin in Ravel’s jazzy Piano Concerto in G Major and UW-Madison pianist Christopher Taylor in the Leonard Bernstein’s “Age of Anxiety” symphony during the MSO tribute to Bernstein, with whom DeMain worked closely.)

The WISCONSIN CHAMBER ORCHESTRA (below, in a photo by Mike Gorski), under its veteran music director Andrew Sewell, continues to test its own limits and surpass them. Particularly impressive was the last concert of the winter season with Shostakovich’s Symphony No. 14 featuring two outstanding soloists: soprano Mary Mackenzie and bass Timothy Jones.

The playing of the difficult score was precise but moving, and the singing blended beautifully. It made one understand why during this season – when the orchestra marks 60 years and maestro Sewell (below, in a photo by Alex Cruz) marks his 20th season — the WCO has deservingly graduated to two performances of each Masterwork concert (one here on Friday nights followed by one in the Milwaukee suburb of Brookfield on Saturday night).

Also memorable was an impressive concert by the mostly amateur but critically acclaimed MIDDLETON COMMUNITY ORCHESTRA. The Ear likes amateur musicians, and for their 10th anniversary concert they really delivered the goods in Dvorak’s famous Symphony No. 9 “From the New World” and, with fabulous guest soloist J.J. Koh (below — principal clarinet of the Madison Symphony Orchestra — in Mozart’s sublime Clarinet Concerto.

But it wasn’t only large-scale works that The Ear remembers.

Three chamber music concerts continue to stand out.

During the summer, the WILLY STREET CHAMBER PLAYERS and guest UW-Madison pianist Christopher Taylor (both below) delivered a performance of Dvorak’s Piano Quintet in A Major that would be hard for any group to match, let alone surpass, for its tightness and energy, its lyricism and drama.

The same goes for the veteran PRO ARTE QUARTET at the UW-Madison, which this fall started its complete cycle of Beethoven’s 16 string quartets in the new Hamel Music Center to celebrate the Beethoven Year in 2020 when we mark the 250th anniversary of the composer’s birth.

The quartet played early, middle and late quartets with complete mastery and subtlety. Treat yourself. Don’t miss the remaining five concerts, which resume in February and take place over the next year at the Hamel center and also at the Chazen Museum of Art, from where they will also be live-streamed.

Finally, The Ear will always remember the wholly unexpected and thoroughly captivating virtuoso accordion playing he heard last summer by Milwaukeean Stas Venglevski (below) at a concert by the BACH DANCING AND DYNAMITE SOCIETY. Venglevski performed music by Johann Sebastian Bach, Igor Stravinsky and Astor Piazzolla in a new and enthralling way.

Unfortunately, for various reasons The Ear missed many other concerts – by the Madison Opera and the University Opera among others – that promised to be memorable performances.

But perhaps you can fill him in as we start 2020 concerts next weekend.

What concerts in 2019 did you like most and do you most remember and praise? Why?

The Ear wants to hear.


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Classical music: The Beethoven Year in Madison will include complete cycles of string quartets and piano trios as well as many other early, middle and late pieces. Here is a partial preview

September 21, 2019
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By Jacob Stockinger

As you may have already heard, 2020 is a Beethoven Year. It will mark the 250th anniversary of the composer’s birth. (He lived from mid-December of 1770 to March 26, 1827.  Dec. 17 is sometimes given as his birthday but it is really the date of his baptism. No one knows for sure the actual date of his birth.)

Beethoven, who this year overtook Mozart as the most popular composer in a British radio poll, clearly speaks to people — as you can see at the bottom in the YouTube video of a flash mob performance of the “Ode to Joy.” It has had more than 16 million views.

Locally, not all Beethoven events have been announced yet. But some that promise to be memorable are already taking shape. Many programs include early, middle and late works. And you can be sure that, although nothing formal has been announced yet, there will be special programs on Wisconsin Public Television and especially Wisconsin Public Radio.

Here is a partial round-up:

The UW’s famed Pro Arte String Quartet (below, in a photo by Rick Langer), for example, will perform a FREE and complete cycle of Beethoven’s 16 string quartets in six concerts. It will start later this fall.

This is not the first time that the Pro Arte has done a Beethoven cycle. But it is especially fitting since that is the same Beethoven cycle that the Pro Arte was performing in Madison at the Wisconsin Union Theater in May of 1940 when World War II broke out and the quartet was stranded on tour in the U.S. after its homeland of Belgium was invaded and occupied by the Nazis.

That is when the ensemble was invited to become musical artists-in-residence at the University of Wisconsin-Madison and accepted – thereby establishing the first such association in the world that became a model for many other string quartets.

The Bach Dancing and Dynamite Society with the San Francisco Trio (below) plans on performing a cycle of piano trios next summer. No specific dates or programs have been announced yet.

The 20th anniversary of the Ancora String Quartet (below, in a photo by Barry Lewis) will coincide with the Beethoven Year. That is when the Ancorans will complete the cycle of 16 string quartets that they have been gradually programming over the years. Three quartets remain to be performed: Op. 59, No. 2 “Rasumovsky”, Op. 130 and Op. 131.

Adds violist Marika Fischer Hoyt: “We’ll perform Op. 130 in February (with the original final movement, NOT the “Grosse Fuge”), and we plan to do the remaining two quartets in the summer and fall of 2020.”

Here are some other Beethoven dates to keep in mind:

On Nov. 2 in Shannon Hall at the Wisconsin Union Theater, and as part of the WUT’s centennial celebration of its Concert Series, pianist Emanuel Ax (below, in a photo by Lisa-Marie Mazzucco), who since 1974 has played many solo recitals, chamber music recitals and piano concertos in Madison, will play Beethoven’s first three solo piano sonatas, Op. 2.

On Dec. 6 at the Wisconsin Union Theater, the Kalichstein-Laredo-Robinson Piano Trio will perform the famous “Archduke” Trio, Op. 97. Also on the program are works by Felix Mendelssohn and Robert Schumann.

On Feb. 1, UW-Madison pianist Christopher Taylor, who has performed all 32 piano sonatas in Madison, will continue his cycle of Beethoven symphonies as transcribed for solo piano by Franz Liszt. He will perform Symphony No. 1 and the famed Symphony No. 9, the ground-breaking “Choral” Symphony with its “Ode to Joy.” No chorus will be involved, but there will be four solo singers. Taylor said he will then complete the cycle with Symphony No. 2 at some future time.

The Mosaic Chamber Players (below, in a photo by John W. Barker) will perform two all-Beethoven programs: on Feb. 21, a FREE program offers two sonatas for violin and piano (Op. 12, No. 3 and Op. 30, No. 2, and one sonata for cello and piano (Op. 5, No. 1); on June 13, a ticketed program features three piano trios (Op. 1, No. 1; Op. 70, No. 2; and Op. 121a “Kakadu” Variations).

On May 8, the Wisconsin Chamber Orchestra (below top, in a photo by Mike Gorski), under conductor Andrew Sewell (below bottom, in a photo by Alex Cruz), will perform the popular Symphony No. 6 “Pastoral” – a pioneering piece of program music — to commemorate the Beethoven Year.

There is one very conspicuous absence.

You will notice that there is nothing by Beethoven programmed for the new season of the Madison Symphony Orchestra (below, in a photo by Peter Rodgers).

But The Ear hears rumors that music director John DeMain (below, in a photo by Greg Anderson) is planning something special for the following season that might involve both symphonies and concertos, both original Beethoven works and perhaps “reimagined” ones.

(For example, pianist Jonathan Biss, who has just completed recording the piano sonata cycle and who performed with the MSO several years ago, has commissioned and will premiere five piano concertos related to or inspired by Beethoven’s five piano concertos.) Sorry, but as of now only rumors and not details are available for the MSO. Stay tuned!

The Ear would like to hear complete cycles of the violin sonatas and cello sonatas performed, and a couple of the piano concertos as well as the early symphonies and the famed Ninth Symphony with its “Ode to Joy” finale. He fondly remembers when DeMain and the MSO performed Symphonies Nos. 1 and 9 on the same program. Talk about bookending a career!

What Beethoven would you like to hear live?

What are your most favorite or least favorite Beethoven works?

Do you know of other Beethoven programs during the Beethoven Year? If so, please leave word in the Comment section.

And, of course, there is the inevitable question: Can you have too much Beethoven?


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Classical music: Chamber versions of symphonies and piano concertos by Haydn, Mozart and Beethoven helped secure the composers’ reputations back when they were new music

August 30, 2019
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By Jacob Stockinger

Perhaps you heard one at Bach Dancing and Dynamite Society concerts (below), where they have become a kind of signature.

Or perhaps you heard one at a concert by the Ancora String Quartet or the University of Wisconsin-Madison’s Pro Arte Quartet.

What we’re talking about are scaled-down chamber versions of symphonies and piano concertos by Franz Joseph Haydn, Wolfgang Amadeus Mozart and Ludwig van Beethoven.

Today they seem like curiosities, perhaps programmed to keep budgets smaller and use fewer performers.

But historically those same arrangements were more than conveniences or compromises. They proved vital in securing the works and reputations of those composers for posterity up until today.

Recently, The New York Times published a record review by Zachary Woolfe that provides valuable background about these rearranged works.

Here is a link:

https://www.nytimes.com/2019/07/19/arts/music/mozart-jupiter-hyperion.html

If you would like to experience one for yourself, you have the chance this Saturday and Sunday afternoon at 4 p.m. at the Token Creek Chamber Music Festival.

That’s when and where pianist and Harvard University professor of musicology Robert Levin (below) will perform a chamber version of the Piano Concerto No. 4 in G Major, Op. 58, by Beethoven. It is part of a program by Levin and pianist Ya-Fei Chuang that explores the piano and concludes this year’s 30th anniversary festival. (You can hear the opening movement of the Beethoven piano concerto in the version with string quartet in the YouTube video at the bottom.)

Here is a link with more information about tickets ($32) and the festival:

http://tokencreekfestival.org/2019-season/programs/


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Classical music: The Bach Dancing and Dynamite Society closes its 28th season this weekend by honoring three guest artists. Plus, here are all the winners of the 16th International Tchaikovsky Competition

June 28, 2019
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ALERT: The Ear has been following two competitors in the 16th International Tchaikovsky Competition in Russia who have local ties. (The only American to win Gold was cellist Zlatomir Fung.) The final results are in: trumpet player Ansel Norris took fifth place and received an artist’s diploma; pianist Kenneth Broberg shared the third prize with two other winners. For a complete list of winners in all the categories — piano, violin, cello, voice, brass and woodwinds — go to this page: https://tch16.com/en/news/

You can also watch and listen to, via live streaming, the two Gala Concerts for the winners today at 11 a.m. and on Saturday at 1 a.m. Valery Gergiev will conduct both. Go to https://tch16.medici.tv

By Jacob Stockinger

This Friday, Saturday and Sunday, the Bach Dancing and Dynamite Society will close out its 28th annual summer chamber music season with concerts in Madison, Stoughton and Spring Green.

Judging by the first two weekends of concerts, The Ear expects it to be a memorable conclusion of the season with the punning theme of “Name Dropping.”

Here is the announcement he received.

“Our third week of concerts celebrates three great musicians, all of whom are audience favorites: cellist couple Anthony (“Tony”) Ross and Beth Rapier; and firebrand violinist Carmit Zori.

“And the Tony Award for Rapier Wit goes to…” is a program centered around cello duets. Rapier and Ross (below), principal and co-principal cellists with the Minnesota Orchestra, start the program with George Frideric Handel’s gorgeous Sonata in G minor for two cellos and piano. (You can hear the Handel sonata, payed by Amit Peled in the YouTube video at the bottom.)

They both display crazy virtuosity in Luigi Boccherini’s Quintet in B-flat Major for flute, violin, viola and two cellos.

The first half ends with Gian Carlo Menotti’s Suite for two cellos and piano, a work that they have performed to acclaim around the world.

The second half of the program is given over to one of Brahms’ greatest works, the Sextet in G Major, Op. 36, for two violins, two violas and two cellos.

Ross and Rapier are joined by violinists Carmit Zori and Leanne League (assistant concertmaster of the Wisconsin Chamber Orchestra) and violists Toby Appel (below, a faculty member at the Juilliard School who plays in the Chamber Music Society of Lincoln Center) and Katrin Talbot (a Madisonian who performs with the Madison Symphony Orchestra and Wisconsin Chamber Orchestra) in this spectacular piece.

“And the Tony Award for Rapier Wit goes to…” will be performed at the Stoughton Opera House on Friday, June 28, at 7:30 p.m.; and in Spring Green at the Hillside Theater at Taliesin on Sunday, June 30, at 2:30 p.m.

Firebrand violinist Carmit Zori (below), founder and artistic director of the Brooklyn Chamber Music Society in New York City, will sizzle her way through the second program, entitled “The Legend of Zori.”

The program will open with Johannes Brahms’ Sonata in G Major for violin and piano. Viaje, by living Chinese composer Zhou Tian, is a fun and exciting new piece featuring flute and string quartet.

Zori will bring the program home with the torridly passionate Piano Quintet in F minor by Cesar Franck (below), a work written while Franck was in the throes of a love affair with one of his young students.

“The Legend of Zori” will be performed at The Playhouse at the Overture Center for the Arts on Saturday, June 29, at 7:30 p.m.; and in Spring Green at the Hillside Theater at Taliesin, on Sunday, June 30, at 6:30 p.m.

Venue Locations: the Stoughton Opera House is at 381 East Main Street; the Overture Center in Madison is at 201 State Street; Frank Lloyd Wright’s Taliesin Hillside Theater in on County Highway 23 in Spring Green.

Single admission tickets start are $43 and $49. Student tickets are always $10. All single tickets must now be purchased from Overture Center for the Arts, www.overturecenter.org or (608) 258-4141 (additional fees apply) or at the box office. Tickets are available at the door at all locations.

You can also enjoy a pre-ordered picnic at the Hillside Theater made with love from Pasture and Plenty, using ingredients from local farmers and producers. They are available for pick up at the Hillside Theater after the 2:30 p.m. concert or before the 6:30 p.m. concert, for $18.

Spread a blanket on the beautiful Hillside Theater grounds or eat in the Taliesin Architecture School Dining Room, which will be open exclusively to BDDS concert-goers.

Choose from Green Goddess Chicken Salad, Market Veggie Quiche with Greens, or Hearty Greens and Grains with Seasonal Veggie Bowl (gluten-free/vegan). Seasonal sweet treat and beverage included. See the BDDS order form or call BDDS at 608 255-9866.


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Classical music: Looking for serious fun? The thoroughly successful opening concerts by the Bach Dancing and Dynamite Society bode well for the upcoming second weekend

June 19, 2019
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By Jacob Stockinger

After 28 summers, going to a concert by the Bach Dancing and Dynamite Society still feels like attending a family reunion – the best kind of family reunion where everyone is familiar and friendly, where everything is fun, and where you always leave glad that you went.

That’s not by chance.

The first thing that co-founders and co-artistic directors Stephanie Jutt and Jeffrey Sykes did last Friday and Saturday nights was to thank the loyal audience. And the audience, full of longtime fans, returned the favor by being attentive to and appreciative of the first-rate music-making as well as responsive to the horseplay and antics – such as the surreal scene of virtuoso Axel Strauss playing “The Skater’s Waltz” on his violin while rollerblading around the stage (below).

BDDS players really mean it when they say that their audiences are in for something different, something they won’t find elsewhere and won’t forget.

Last weekend that meant the return of two longtime guest performers: San Francisco cellist Jean-Michael Fonteneau and Montreal violinist Axel Strauss (below, with pianist Jeffrey Sykes). Neither disappointed as they performed very varied music by Franz Joseph Haydn, C.P.E. Bach, Johannes Brahms, Gabriel Faure, Lili Boulanger, Maurice Ravel and Ned Rorem. And as always, the amazing  pianist Jeffrey Sykes proved a chameleon who blended masterfully into the style of each period and each composer.

But for The Ear, the unexpected standout last weekend was guest accordion player Stas Venglevski from Milwaukee. Born in Russia and trained at the Moscow Conservatory, he is a virtuoso player, a sensitive arranger and a convincing composer – all done with good humor and a charismatic stage presence.

The Ear never thought of the accordion – the Russian bayan, to be specific – as an instrument for chamber music. But he does now, after hearing Venglevski play serious Russian, French and Latin American music that ran the gamut from a graceful waltz and a sprightly polka to torchy tangos. And then there were his flying fingers punching out “The Flight of the Bumblebee,” a real crowd-pleaser.

The large audience responded on both nights with wild applause and a standing ovation every time that Venglevski (below) played, and Jutt promised the audience that he will be back.

“As you can see, we have fun here,” Jutt deadpanned.

She is not exaggerating.

Which bodes well for the second weekend of three that will happen this coming weekend.

The second weekend — two programs in three venues — celebrates Jutt and Sykes, plus two of BDDS’ favorite guest artists: violinist Stephanie Sant’Ambrogio and Madison pianist Thomas Kasdorf.

Kasdorf (below) and Sykes are both featured in a program called “Rock the Sykes-o-delic Kas-bah.” Kasdorf is featured in Brahms’ Horn Trio with guest horn player Karl Kramer Johansen, and in the appealing and accessible Café Concertino by the contemporary Australian composer Carl Vine.

Sykes will perform another chamber transcription of a Classical-era symphonic work, which over the years has become a welcome specialty of BDDS. In this case it is Wolfgang Amadeus Mozart’s snappy and appealing Piano Concerto No. 9 in E-flat Major, K. 271, the “Jeunehomme” concerto. (You can hear the irresistible last movement of the piano concerto, used in the film “Amadeus,” in the YouTube video at the bottom.) Sykes will also perform in Robert Schumann’s “Fairy Tales” for clarinet and viola.

A Madison native, cellist Alison Rowe (below) — an artist from the Dynamite Factory, which is BDDS’ program for emerging talent — will be featured in the Sonata for Cello and Piano in D Major by Johann Sebastian Bach.

“Rock the Sykes-o-delic Kas-bah” will be performed at the Stoughton Opera House on Friday, June 21, at 7:30 p.m. Braisin’ Hussies Food Cart will be parked outside the Opera House prior to the performance. The program will also be performed in Spring Green at the Hillside Theater, Sunday, June 23, at 2:30 p.m.

Jutt (below top) and Sant’Ambrogio (below bottom, in a photo by Stephanie Ann Boyd) worm their musical way into the most unexpected places in the other program, “Steph Infection.” The Nocturne for flute, violin, horn and piano of Franz Doppler opens the program, which continues with Jutt’s own arrangement of Antonin Dvorak’s popular “American” String Quartet, with a flute substituting for one of the two violins.

Dmitri Shostakovich’s Five Pieces for flute, clarinet and piano add spice to the program, and the evening concludes with Ernst von Dohnanyi’s epic Sextet for clarinet, horn, violin, viola, cello and piano. A work that ranges from stormy and turbulent to tender and funny, it features an all-star cast including audience favorite clarinetist Alan Kay, horn player Karl Kramer Johansen, violist Carol Cook (principal at the Lyric Opera of Chicago), and Madison’s own cellist of the UW-Madison’s Pro Arte Quartet, Parry Karp (below).

“Steph Infection” will be performed at The Playhouse, Overture Center for the Arts, Saturday, June 22, at 7:30 p.m.; and in Spring Green at the Hillside Theater, Sunday, June 23, at 6:30 p.m.

And of course there could also be some unannounced surprises – more door prizes, perhaps a mystery guest, or more shenanigans and antics that correspond to the “Name Dropping” pun theme of the programs.

For tickets ($43-$49) and more information, go to: https://bachdancing.org


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