Giuseppe Verdi | The Well-Tempered Ear

UW-Madison School of Music kills off the venerable campus-community Choral Union

June 12, 2023
22 Comments

PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.

By Jacob Stockinger

The University of Wisconsin-Madison Mead Witter School of Music will end the long-lived campus-community Choral Union (below at the top, with soloists and the UW Symphony Orchestra at the bottom) starting this fall. You can hear an excerpt from Handel’s “Elijah” performed in the old Mills Hall in the YouTube video at the bottom.

The news, dated June 1, was posted quietly and anonymously on the school’s website. As The Ear understands it, members of the Choral Union were not contacted directly. They just had to find it. Plus, the summer seems a suspicious and inauspicious time for the announcement. Student, faculty and community members are on vacation. In addition, the new director Dan Cavanagh (below) will take over the office from Susan C. Cook in a little over two weeks, on July 1. No word on how he stands about the move.

Here is the music school’s website posting: https://music.wisc.edu/choral-ensembles/

It doesn’t come as a complete surprise to The Ear, since performances were reduced from two semesters to one semester shortly after Mariana Farah (below) became the new Director of Choral Activities in 2021 after the retirement of Beverly Taylor, who continues to serve as the choral director of the Madison Symphony Orchestra.

Student, alumni and community protests are already coming in expressing the resolve to reverse the decision.

Little wonder since the Choral Union was founded in 1893 and is one of the oldest on-going organizations on campus. It is hard to think of a better embodiment of the Wisconsin Idea. That concept is that the public university is to serve the taxpaying public that funds it — and these days community engagement is still supposed to be a high priority.

The Choral Union also seems like an exemplary educational program that gets soloists, the choir of students and the public, and the symphony to work together on a major project that also raises money for the music school.

Over many years, the Choral Union performances have also provided much of the most memorable music-making The Ear has ever heard at the university — or in the city. Works by Bach, Haydn, Mozart, Beethoven, Schubert, Mendelssohn, Brahms, Verdi, Faure and Benjamin Britten, among others, come to mind.

Here is the exact text, which is vague about any reasons for the cancellation of the 130-year-old Choral Union:

Choral Union Update (June 1, 2023)

“Starting Fall 2023, the Mead Witter School of Music will no longer offer Choral Union. This change will allow the School of Music to devote resources to our core mission of serving UW–Madison students as well as to focus our public programming around new goals.

“The School of Music and its choral program deeply value and appreciate the partnerships we have formed over the years with the Madison-area choral community. And we recognize that ending the Choral Union may be disappointing to some.

“We hope that community members who participated in the Choral Union will continue to partake of the many opportunities available to engage with the School of Music such as choral concerts and the multitude of performances, lectures, and workshops we offer every year.”

The negative reactions and feedback have already started. Here is one example:

The oldest organization at the UW-Madison has been canceled with an unsigned email and no public input?

This can’t be right.

The Choral Union is a beloved institution.

We won’t let it go like this. We need to know what the issues are and solve them.

Let the discussion begin.

–Janet Murphy, alto member of the Choral Union, 2008-present

Spread the word. Should you or others wish to express an opinion of support or opposition, here are some email addresses and phone numbers:

General office:music@music.wisc.edu; 608.263.1900

School director Susan C. Cook: director@music.wisc.edu; 608.263.1900

Director of Choral Activities: mariana.farah@wisc.edu; 608.263.1900

What do you think of the UW killing off the Choral Union?

What would you like to know about the decision?

Would you like the UW School of Music to reverse its decision?

The Ear wants to hear.

Posted in Classical music
Tags: #BlogPost, #BlogPosting, #CommunitySupport, #FacebookPost, #FacebookPosting, #Music-Making, #YouTubevideo, 2023, address, alto, anonymous, Arts, audience, Bach, bass, Beethoven, beloved, Benjamin Britten, blog, Britten, Campus, cancel, cancellation, Cello, Chamber music, choral music, Choral Union, city, Classical music, community, composer, Concert, Dan Cavanagh, decide, decision, director, discussion, Early music, Education, Elijah, email, end, engagement, express, Facebook, faculty, fall, Faure, Faure Requiem, feedback, founded, Franz Joseph Haydn, Franz Schubert, fund, Fundraising, George Frideric Handel, Giuseppe Verdi, Hamel Music Center, Handel, Haydn, inauspicious, instiotution, issue, Jacob Stockinger, Johann Sebastian Bach, kill, kill off, lectures, link, long-lived, Ludwig van Beethoven, Madison, Mariana Farah, mass, Mead Witter School of Music, member, memorable, Mendelssohn, mission, money, Mozart, Music, new, news, number, offer, opinion, opportunity, Orchestra, outreach, partnership, performances, phone, player, project, protest, public, reaction, Requiem, resolve, resources, reverse, Schubert, serve, share, soprano, Student, support, Susan C. Cook, suspicious, symphony, tag, taxpayers, tenor, time, timing, United States, University of Wisconsin, University of Wisconsin School of Music, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, UW, UW Choral Union, UW Symphony Orchestra, UW-Madison, vacation, venerable, Verdi, vocal music, Website, Wisconsin, Wisconsin Idea, Wolfgang Amadeus Mozart, workshop, YouTube

Going live! Here are some links to newly announced summer concerts and 2021-22 seasons

June 15, 2021
2 Comments

By Jacob Stockinger

Get out your datebooks.

Now that the pandemic is fast abating, at least locally, music groups and music presenters in the Madison area have been announcing a return to live music and their new seasons and summer events in a relentless way.

The Ear had been out of commission since mid-May until this week. But in any case, The Ear was overwhelmed and just couldn’t keep up with a separate post for each one.

Still, he thought it might be helpful to be able to check the dates, performers, programs, tickets and other information in one place.

Remember that the Madison Early Music Festival is no more. It has been absorbed into the regular music curriculum at the UW.

Please know that many groups – including, but not limited to, the University of Wisconsin-Madison’s Mead Witter School of Music (below is the UW Symphony Orchestra — masked, socially distanced and virtually streamed — during the pandemic), University Opera, Edgewood College, Just Bach, Grace Presents, the Salon Piano Series, the First Unitarian Society of Madison, Bach Around the Clock, the Festival Choir of Madison, the Wisconsin Chamber Choir and the Madison Bach Musicians – have not yet released details of their new seasons.

But most of their websites say that an announcement of their new season is coming soon.

There are also some trends you may notice.

Many of the groups are raising prices and persistently seek donations as well as subscribers, no doubt to help make up for the loss of revenue during the pandemic.

The Madison Symphony Orchestra and the Wisconsin Chamber Orchestra have reduced the number of concerts or start later.

Some have simply rescheduled events, like the Wisconsin Union Theater closing its season with soprano Renée Fleming. And the Madison Symphony Orchestra’s new season is largely the same one they were planning to have to celebrate the Beethoven Year in 2020-21.

The Bach Dancing and Dynamite Society, the Middleton Community Orchestra and the Willy Street Chamber Players all have pop-up concerts and scheduled outdoor concerts in parks. Some have also scheduled individual mini-concerts or personal sessions.

If you look at programs, you will see an emphasis on Black composers and performers by almost all groups. (The Madison Symphony Orchestra has scheduled “Lyric for Strings” by George Walker, below. You can hear it performed by the Los Angeles Philharmonic under Gustavo Dudamel in the YouTube video at the bottom.)

What is most disappointing is that no group seems to have announced a special concert or event to pay homage to the public ordeal, health care workers and victims of the COVID-19 pandemic.

The Ear keeps thinking a performance of a suitable requiem (by perhaps Mozart, Faure, Brahms, Verdi or Britten) or Beethoven’s Ninth Symphony would have been an appropriate way to start the in-person season and, at the same time, acknowledge the more than 7,000 deaths in Wisconsin and almost 600,000 deaths in the U.S. and almost 4 million worldwide as of now. Maybe even Barber’s overplayed Adagio for Strings would suffice.

Finally, very few groups seem to be offering online virtual concert attendance as a possibility for those listeners who found that they actually enjoyed at least some the music in their own homes and at their own times.

IN ANY CASE, HERE IS WHAT HAS ALREADY TAKEN PLACE OR IS STILL ON TAP. CHECK IT OUT!

Bach Dancing and Dynamite Society in free live and for-pay recorded concerts: https://bachdancing.org

Middleton Community Orchestra’s summer concerts at Fireman’s Park (below) in Middleton: https://middletoncommunityorchestra.org

Madison Bach Musicians summer workshops (below): https://madisonbachmusicians.org/2021-summer-chamber-music-workshop/

Concerts on the Square with limited paid admission at Breese Stevens Field (below): https://wcoconcerts.org/concerts-tickets/concerts-on-the-square

Madison Symphony Orchestra (below, in a photo by Peter Rodgers): https://madisonsymphony.org/concerts-events/madison-symphony-orchestra-concerts/

Madison Opera and Opera in the Park (below): https://www.madisonopera.org/oitp21/; and https://www.madisonopera.org/21-22/

Wisconsin Union Theater: https://union.wisc.edu/visit/wisconsin-union-theater/seasonevents/concert-series/

Willy Street Chamber Players (below) at Orton Park: http://www.willystreetchamberplayers.org/2021-summer-concert-series.html

If you know of more entries or have observations to make about these, please leave word and, when possible, a link in the comment section.

The Ear wants to hear.

Posted in Classical music
Tags: #AdagioforStrings, #African-AmericanComposer, #AncoraStringQuartet, #BachAroundtheClock, #BachDancingandDynamiteSociety, #BeethovenYear, #BenjaminBritten, #BlackComposer, #Blackcomposers, #BlogPost, #BlogPosting, #BreeseStevensField, #ChristianChurch, #CollageNewMusic, #ConcertsontheSquare, #CoronavirusPandemic, #COVID-19, #EdgewoodChamberOrchestra, #FacebookPost, #FacebookPosting, #FestivalChoirofMadison, #FiremansPark, #GabrieFaure, #GiuseppeVerdi, #GraceEpiscopalChurch, #GracePresents, #GustavoDudamel, #HealthCare, #JacobStockinger, #JohannesBrahms, #JohannSebastianBach, #JustBach, #LiveMusic, #LosAngeles, #LosAngelesPhilharmonic, #MadisonBachMusicians, #MadisonEarlyMusicFestival, #MadisonOpera, #MadisonSymphonyOrchestra, #MeadWitterSchoolofMusic, #MiddletonCommunityOrchestra, #MusicEducation, #NewMusic, #NinthSymphony, #OperaInThePark, #OrtonPark, #RecordedMusic, #RenéeFleming, #SalonPIanoSeries, #SamuelBarber, #ShannonHall, #SocialDistance, #SopranoSinger, #StringMusic, #StringQuartet, #TakePlace, #TheEar, #TheU.S., #TheUW, #UnitedStates, #UniversityofWisconsin-Madison, #UniversityOpera, #UWSymphonyOrchestra, #WillyStreetChamberPlayers, #WisconsinChamberChoir, #WisconsinChamberOrchestra, #WisconsinUnionTheater, #YouTubeChannel, #YouTubevideo, abate, absorb, acknowledge, Adagio for Strings, admission, African American, America, Ancora String Quartet, Arts, audience, Bach, Bach Around the Clock, Bach Dancing and Dynamite Society, Barber, Baroque, BDDS, Beethoven, Beethoven Year, Benjamin Britten, black, black composer, blog, Blog post, blog posting, Brahms, Breese Stevens Field, Britten, celebrate, Chamber music, choral music, Christia, church, Classical music, comment, commission, composer, Concert, concerto, Concerts on the Square, coronavirus, COS, curriculum, death, deaths, details, donation, Dudamel, Early music, Edgewood College, enjoy, entry, Facebook, Facebook page, Facebook post, fast, Faure, Festival Choir of Madison, Firemans Park, for-pay, forward, free, funding, Gabriel Fauré, Giuseppe Verdi, Grace Episcopal Church, Grace Presents, group, Gustavo Dudamel, health care, homage, Home, indoors, information, Jacob Stockinger, Johann Sebastian Bach, Johannes Brahms, Just Bach, later, like, limited, link, listener, live music, live-stream, local, Los Angeles, Los Angeles Philharmonic, loss, Ludwig van Beethoven, Madison, Madison Bach Musicians, Madison Early Music Festival, Madison Opera, Madison Symphony Orchestra, mask, MCO, Mead Witter School of Music, MEMF, Middleton, Middleton Community Orchestra, Mozart, Music, Music education, new, New Music, Ninth Symphony, notice, opera, Opera in the Park, Orchestra, ordeal, Orton Park, outdoors, overplay, Overture Center, overwhelm, overwhelming, paid, pandemic, performers, persistent, personal, Pianist, Piano, pop-up, presenter, price, program, public, recorded music, Renée Fleming, Requiem, revenue, Salon Piano Series, Samuel Barber, schedule, Season, seating, seek, separate, Shannon Hall, share, singer, Singing, social distance, Sonata, soprano, start, stream, string music, String quartet, strings, subscriber, suffice, summer, symphony, tag, take place, tap, The Ear, ticket, tickets, times, trend, U.S., United State, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, University Opera, UW, UW Symphony Orchestra, Verdi, victim, Violin, vocal music, Website, Willy Street Chamber Players, Wisconsin, Wisconsin Chamber Choir, Wisconsin Chamber Orchestra, Wisconsin Union Theater, Wolfgang Amadeus Mozart, workers, workshop, YouTube

It’s Thanksgiving Day. Conductor Marin Alsop, NPR, WQXR, WFMT and Wisconsin Public Radio offer music suggestions. What piece would you choose to mark the holiday?

November 26, 2020
1 Comment

By Jacob Stockinger

Today – Thursday, Nov. 26, 2020 — is Thanksgiving Day.

Right now, the U.S. has had more than 12 million cases of COVID-19 with more than 260,000 deaths plus all the alarming signs and conditions that many more cases and deaths are coming in the next several months.

We might be sad that we can’t be with the family and friends we usually celebrate with. But we nonetheless have many things to give thanks for during this strange and tragic time.

We can thank the vaccine researchers; the doctors and nurses; and the other health care workers who take care of Covid patients, even those who don’t observe precautions and bring on their own illness.

We can thank all kinds of people on the front lines — food and transportation workers, for example — who help protect us and care for us.

We can thank the friends, family and others who stay in touch and help get us through these trying times.

And we can thank technology that makes isolating a lot less unbearable because we have telephones, radios, TVs, CD players, computers, cell phones and virtual online ZOOM meetings and gatherings and various other events including live-streamed concerts.

For The Ear, music has never meant more or brought more comfort than during this difficult year. He is giving thanks for that as well as for the other people and things just mentioned.

So what music should we celebrate this year’s emotionally complicated and mixed Thanksgiving holiday with?

Well, you can Google sources and go to YouTube to find compilations of music appropriate to the holiday. (See one playlist lasting 90 minutes in the YouTube video at the bottom.)

Famed classical radio station WQXR in New York City has five suggestions for being musically grateful: https://www.wqxr.org/story/top-five-expressions-thanks-classical-music/

And WFMT in Chicago is offering 20 suggestions based on holiday food: https://www.wfmt.com/2019/11/25/a-complete-thanksgiving-feast-in-20-food-inspired-pieces/

But here are a couple of other suggestions, some local.

Wisconsin Public Radio (WPR) is always a reliable source. And tomorrow is no exception.

If WPR programming stays true to past patterns, music by American composers will be emphasized.

Plus, starting at 10 a.m. WPR will broadcast performances from the Honors Concerts (below) by middle and high school students around the state and who participate in the Wisconsin School Music Association. This year, for the first time, the performances will be virtual. But as in past years, they are sure to be moving and even inspiring.

Other fine suggestions from the world-famous conductor Marin Alsop (below), a Leonard Bernstein protégée, who recently spoke for 7 minutes to NPR Weekend Edition host Scott Simon.

Here is a link, but you should listen rather than just read the transcript if you want to hear the musical samples: https://www.npr.org/2020/11/21/937448472/this-thanksgiving-put-on-some-music-to-soothe

Do you like any of those suggestions? Were any new to you?

What piece of music would you choose to express gratitude on this particular Thanksgiving?

The Ear wants to hear.

Posted in Classical music
Tags: #AaronCopland, #AmericanComposer, #Americancomposers, #AntoninDvorak, #AntonioVivaldi, #BachCantata, #BlogPost, #BlogPosting, #CellPhone, #ChamberMusic, #CharlesIves, #ChicagoIllinois, #ChoralMusic, #ClassicalMusician, #ClaudioMonteverdi, #CompactDisc, #CompactDiscPlayer, #CoronavirusPandemic, #COVID-19, #FacebookPost, #FacebookPosting, #FourSeasons, #FranzSchbert, #FredericChopin, #FrontlineWorker, #GeorgPhilippTelemann, #GermanRequiem, #GiuseppeVerdi, #Googlesearch, #HappyThanksgiving, #HealthCare, #HenryPurcell, #HighSchool, #JacobStockinger, #JohannesBrahms, #JohannSebastianBach, #JohannStrauss, #KnoxvilleSummer1915, #LeonardBernstein, #LiveStreaming, #LudwigVanBeethoven, #MarinAlsop, #MassGathering, #MiddleSchool, #NationalPublicRadio, #NewYorkCity, #NewYorkTimes, #OnlineConcert, #OperaMusic, #OrchestralMusic, #OsvaldoGolijov, #PeterIlyichTchaikovsky, #PeterTchaikovsky, #RadioStation, #RichardStrauss, #SamuelBarber, #ScottSimon, #Self-Isolation, #SocialDistance, #SocialDistancing, #StringQuartet, #ThanksgivingDay, #ThanksgivingHoliday, #ThanksgivingPlaylist, #TheEar, #TheU.S., #UnitedStates, #VirtualConcert, #VocalMusic, #WeekendEdition, #WFMTRadioStation, #WisconsinPublicRadio, #WisconsinSchoolMusicAssociation, #WolfgangAmadeusMozart, #World-famous, #WQXRradio, #YouTubevideo, #ZoomMeeting, Aaron Copland, air, alarming, Alsop, American, Antonín Dvořák, Antonio Vivaldi, appropriate, Arts, audience, Bach, Barber, Baroque, Beethoven, Bernstein, blog, Brahms, Broadcast, Cantata, care, cases, CDs, celebrate, cell phone, Chamber music, Charles Ives, Chicago, Chopin, choral music, Classical music, classicalmusic, Claudio Monteverdi, comfort, coming, Compact Disc, Compact Disc player, compilation, complicated, composer, computer, Concert, condition, conductor, Copland, coronavirus, deaths, difficult, doctor, doctors, Dvorak, Early music, emotional, event, express, Facebook, Facebook post, Facebook posting, Family, famous, FM, food, forward, Four Seasons, Franz Schubert, Frédéric Chopin, friends, frontline, gathering, Georg Philipp Telemann, German Requiem, Giuseppe Verdi, give, Golijov, Google, grateful, gratitude, Happy Thanksgiving, health care, Henry Purcell, high school, Holiday, honors, host, hymn, ILLINOIS, illness, inspiring, isolating, isolation, Ives, Jacob Stockinger, Johann Sebastian Bach, Johann Strauss, Johannes Brahms, Knoxville Summer 1915, Leonard Bernstein, like, link, listen, live streaming, live-stream, local, Ludwig van Beethoven, Madison, Marin Alsop, mark, meeting, Middle school, million, Monteverdi, months, moving, Mozart, Music, musical, National Public Radio, New York City, NPR, nurse, observe, online, opera, Orchestra, orchestral music, Osvaldo Golijov, pandemic, participate, past, patients, pattern, Peter Ilyich Tchaikovsky, piece, playlist, post, posting, precautions, program, programming, protegee, Purcell, Radio, radio host, radio station, rdio, read, reliable, Requiem, researchers, Richard Strauss, sad, sample, Samuel Barber, Schubert, Scott Simon, service, share, sign, singer, Singing, social distance, social distancing, song, source, speak, strange, Strauss, stream, String quartet, suggestions, summer, symphony, tag, Tchaikovsky, technology, Telemann, telephone, Television, thanks, Thanksgiving, Thanksgiving Day, The Ear, theme, times, touch, traditional, Tragic, transcript, transportation, trying, TV, U.S., unbearable, United States, US, vaccine, Verdi, Viola, Violin, virtual, Vivaldi, vocal msuic, vocal music, we, Weekend Edition, WFMT, wisconsin public radio, Wisconsin School Music Association, Wolfgang Amadeus Mozart, workers, world, WPR, WQXR, year, YouTube, Zoom

The Metropolitan Opera has canceled the rest of this season and announced the following season of Live in HD. How will the cancellation affect concert seasons here and elsewhere?

September 25, 2020
1 Comment

By Jacob Stockinger

Unfortunately, it seems like The Ear’s prediction on Monday is coming true.

Given the coronavirus spikes and complications of vaccine production, testing, distribution and administration, The Ear said, it looks like live concerts are likely to be canceled for the rest of this season and perhaps even for the fall of 2021.

Here is that post:

https://welltempered.wordpress.com/2020/09/21/looks-like-there-will-be-no-live-concerts-for-the-rest-of-this-2020-21-season-and-maybe-until-early-2022/

Then yesterday the Metropolitan Opera (below) in New York City announced exactly that: It is going to cancel the whole season, and not just the fall productions, as originally planned. (You can hear general manager Peter Gelb discuss the plans for this season and the next season in the YouTube video at the bottom.)

Given that the Met is the largest performing arts organization in the United States, it promises to be a Big Domino with a lot of influence and side effects.

Here is the Met story, with more quotes, details and information, from The New York Times:

https://www.nytimes.com/2020/09/23/arts/music/metropolitan-opera-cancels-coronavirus.html

Perhaps to provide some reassurance and attenuate the negative news of the decision to cancel, the Met also announced its Live in HD season for the 2021-22 season, which is based on live productions.

Here it is on the website Opera Wire: https://operawire.com/met-opera-2021-22-season-here-is-all-the-information-for-this-seasons-live-in-hd-performances/

And if you want to know what the Met (below, from the stage) is planning to offer instead, here is a link to the Met’s own website: https://www.metopera.org.

What do you think will be the local effects of the Met decision to cancel the entire season?

Will other musical organizations follow suit, cancel the entire new season of in-person events and go safely online with virtual events?

The Ear wants to hear.

Posted in Classical music
Tags: #BadNews, #BlogPost, #BlogPosting, #BrendaRae, #ChoralMusic, #ClassicalMusician, #ConcertSeason, #CoronavirusPandemic, #COVID-19, #FacebookPost, #FacebookPosting, #FlorentineOpera, #FrescoOperaTheatre, #GaetanoDonizetti, #GeneralManager, #GiacomoPuccini, #GiuseppeVerdi, #HomeWebsite, #JacobStockinger, #JulesMassenet, #LiveConcerts, #LiveinHD, #LiveMusic, #LyricOperaofChicago, #MadisonOpera, #MadisonSymphonyOrchestra, #MetropolitanOpera, #MetropolitanOperaLiveinHD, #MinnesotaOpera, #MusicalOrganization, #NewMusic, #NewYorkCity, #NewYorkTimes, #NicholasCarter, #OperaMusic, #OperaWire, #PerformingArts, #PeterGelb, #PublicHealth, #RichardStrauss, #SarahRuhl, #SeasonSubscriber, #SideEffects, #TerenceBlanchard, #TheEar, #TheMet, #TheUS, #UnitedStates, #UniversityOpera, #VirtualConcert, #VocalMusic, #WisconsinChamberOrchestra, #YannickNezet-Seguin, #YouTubevideo, 2020-21, 2021-22, administration, African American, announce, announcement, Arts, attenuate, audience, bad news, big, black, blog, Brenda Rae, cancel, cancellation, choral concert, choral music, Classical music, classicalmusic, come, composer, Concert, concert season, conductor, coronavirus, decision, detail, digital, discuss, distribution, domino, Donizetti, Facebook, fall, Florentine Opera, forward, Fresco Opera Theatre, Gaetano Donizetti, general manager, Giacomo Puccini, Giuseppe Verdi, Hamlet, HD, home website, in person, influence, information, instead, Jacob Stockinger, like, link, live, live concerts, Live in HD, live music, Lyric Opera of Chicago, Madison, Madison Opera, Madison Symphony Orchestra, Massenet, Metropolitan Opera, Metropolitan Opera Live in HD, Minnesota Opera, Music, musical, musical organizations, negatie, New Music, New York City, New York Times, news, Nicholas Carter, offer, online, opera, Opera Wire, Orchestra, organization, origial, Overture Center, pandemic, performer, Performing arts, Peter Gelb, plan, planned, post, posting, predict, prediction, premiere, production, Public health, Puccini, quotes, reader, reassurance, recital, Richard Strauss, safe, safely, Sarah Ruhl, Season, share, side effects, sing, singer, Singing, spike, Spring, stars, story, Strauss, subscriber, symphony, tag, Terence Blanchard, test, testing, The Ear, the Met, think, true, Turandot, unfortunate, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, University Opera, US, Verdi, virtual, vocal music, Website, Wisconsin, Wisconsin Chamber Orchestra, Yannick Nézet-Séguin, yesterday, you, YouTube

Classical music: Today is Sept. 11, 2020. Here is music to mark the 19th anniversary of the terrorist attacks during the coronavirus pandemic. What would you choose?

September 11, 2020
2 Comments

CORRECTION: The Virtual Gala fundraiser for the Handel Aria Competition started last night, and will end on Thursday, Oct. 1 – NOT on Oct. 11, as mistakenly stated in yesterday’s blog headline. Here is a link with more information: https://welltempered.wordpress.com/2020/09/10/classical-music-the-worldwide-virtual-and-online-gala-fundraiser-for-the-handel-aria-competition-starts-today-and-runs-through-oct-10-donations-will-be-matched-up-to-2000/

By Jacob Stockinger

Today marks 19 years since the terrorist attacks of Sept. 11, 2001.

For the basic information, here is a Wikipedia summary: https://en.wikipedia.org/wiki/September_11_attacks

There are many ways to remember and honor the dead and the injured in New York City, the Pentagon in Washington, D.C., and Shanksvillle, Pennsylvania. And in past years, The Ear has offered many different ones.

There are the well-known requiems by Mozart, Brahms, Verdi and Faure; passions by Bach; and other works.

There are also the pieces especially composed for the commemoration, including “On the Transmigration of Souls,” a Pulitzer Prize-winning work by John Adams that incorporates police tapes and phone calls, and Steve Reich’s “WTC 9/11.”

But this year there is the coronavirus to deal with and complicate the commemorations.

Here is a story from NBC News about how the official commemorations, both real and virtual, will be affected by the pandemic.

And somehow in such circumstances, it feels like back to basic is a good approach.

So here, in the YouTube video at the bottom, is the most universal piece of mourning that The Ear knows: American composer Samuel Barber’s “Adagio for Strings” as played by Leonard Slatkin conducting the Detroit Symphony Orchestra.

It serves to mark 9/11 but perhaps also the more than 190,000 American deaths so far from the Covid-19 pandemic.

You can find other versions and other pieces on YouTube:

What piece would you want to hear to mark this sad and solemn occasion?

The Ear wants to hear.

Posted in Classical music
Tags: #AdagioforStrings, #Al-Queda, #AmericanComposer, #BacktoBasics, #BlogPost, #BlogPosting, #ChoralMusic, #CoronavirusPandemic, #COVID-19, #DetroitMichigan, #DetroitSymphonyOrchestra, #FacebookPost, #FacebookPosting, #FaureRequiem, #Flight93, #GabrielFaure, #GeorgeFridericHandel, #GiuseppeVerdi, #HandelAriaCompetition, #JacobStockinger, #JohannesBrahms, #JohannSebastianBach, #JohnAdams, #LeonardSlatkin, #NBCNews, #NewYorkCity, #OntheTransmigrationofSouls, #PulitzerPrize, #SamuelBarber, #September11, #ShanksvillePennsylvania, #SteveReich, #TerroristAttack, #TheEar, #ThePentagon, #TwinTowers, #VirtualConcert, #WashingtonD.C., #Wikipediaentry, #WolfgangAmadeusMozart, #WorldTradeCenter, #YouTubevideo, 2001, 9/11, Adagio for Strings, Adams, Al-Qaeda, American, approach, Arts, attack, audience, Bach, back, back to basics, Barber, Baroque, basics, blog, choose, choral music, circumstances, commemorate, complicate, Concert, conductor, coronavirus, correction, D.C., dead, deadly, death, Detroit, Detroit Symphony Orchestra, Facebook, Faure, Flight 93, fundraiser, Gabriel Fauré, gala, George Frederic Handel, Giuseppe Verdi, good, Handel, Handel Aria Competition, hear, honor, information, injured, injuries, Jacob Stockinger, Johann Sebastian Bach, Johannes Brahms, John Adams, last, Leonard Slatkin, like, link, Madison, marks, Michigan, modern, mourning, Mozart, Music, NBC News, New York City, night, occasion, October, official, On the Transmigration of Souls, online, Orchestra, pandemic, Pennsylvania, Pentagon, performer, piece, post, posting, pre-recorded, Pulitzer Prize, real, Reich, remember, Requiem, sad, Samuel Barber, Sept. 11, September 11, Shanksville, share, solemn, start, Steve Reich, summary, symphony, tag, terror, terrorist, The Ear, today, Twin Towers, United States, Verdi, virtual, vocal music, want, Washington, Wikipedia, Wisconsin, Wolfgang Amadeus Mozart, work, World Trade Center, WTC, years, yesterday, YouTube

Classical music: Wisconsin Union Theater concerts will go virtual and online for the fall of the new season. Updated details about dates, ticket prices and programs are forthcoming

August 21, 2020
Leave a Comment

By Jacob Stockinger

With continuing spikes in cases of coronavirus and COVID-19, classical music presenters are seeing history repeat itself and are feeling forced to adapt, cancel or postpone their events, much as happened last spring and this summer.

The Madison Symphony Orchestra has canceled its concerts through January and the Madison Opera has canceled its fall production of Verdi’s “Il Trovatore” with digital online substitutions. And we can, unfortunately, expect more.

Now comes word from the Wisconsin Union Theater (below is Shannon Hall) is moving its fall events to a virtual and online presentation.

Here is the latest announcement from communications director Shauna Breneman of the Wisconsin Union Theater:

“The determination has been made that all fall Wisconsin Union Theater events in our 2020-21 season will be virtual in light of public health guidance and for the health and safety of our patrons and team members in light of COVID-19.”

Editor’s note: That includes second postponement of the concert by superstar soprano Renée Fleming (below), booked to celebrate the WUT’s centennial season, from May 2 to Oct. 24 and now to still unspecified date.

Other artists affected in the lineup of 101st season include the eclectic singing group Roomful of Teeth (below top, in a photo by Bonica Ayala; cellist Camille Thomas (below middle, in a photo by Dan Carabas) and pianist Jeremy Denk (below bottom, in a photo by Shervin Lainez).

Adds Breneman:

“We will share information for each show as we finalize details. While we wish we could share these experiences in-person, we are grateful to be able to continue to offer performing arts experiences.”

Here is the link to the announcement of the performers in the full 2020-21 season: https://welltempered.wordpress.com/?s=wisconsin+union+theater

Posted in Classical music
Tags: #BlogPost, #BlogPosting, #CamilleThomas, #ChamberMusic, #ChoralMusic, #CommunicationsDirector, #CoronavirusPandemic, #COVID-19, #FacebookPost, #FacebookPosting, #GiuseppeVerdi, #IlTrovatore, #JacobStockinger, #JeremyDenk, #MadisonOpera, #MadisonSymphonyOrchestra, #OperaMusic, #OvertureCenter, #PerformingArts, #PublicHealth, #RenéeFleming, #ShannonHall, #ShaunaBreneman, #SongsWithoutWords, #SopranoSinger, #SuperstarSoprano, #TheEar, #UniversityofWisconsin-Madison, #VocalMusic, #WisconsinUnionTheater, #YouTubevideo, 2020, 2020-21, 2021, announcement, Arts, audience, audiences, available, blog, booked, Camille Thomas, cancel, canceled, celebrate, cellist, Cello, centennial, Chamber music, choral music, communications, Concert, continue, coronavirus, date, details, digital, director, eclectic, events, experience, experiences, Facebook, fall, finalize, forward, Giuseppe Verdi, greatful, group, Health, History, Il Trovatore, in person, information, Jacob Stockinger, Jeremy Denk, like, lineup, link, Madison, Madison Opera, Madison Symphony Orchestra, members, MSO, Music, online, opera, Overture Center, pandemic, patrons, performers, Performing arts, Pianist, Piano, post, posting, postpone, postponed, postponement, presentation, presenters, price, production, Public health, Renée Fleming, repeat, safety, Season, Shannon Hall, share, Shauna Breneman, sing, singer, Singing, soprano, spikes, Spring, substitution, summer, superstar, tag, team, team members, The Ear, ticket, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, UW, UW-Madison, Verdi, virtual, vocal music, Wisconsin, Wisconsin Union Theater, wish, word

Classical music: Meet Mariana Farah, the new choral director at the University of Wisconsin-Madison

August 17, 2020
Leave a Comment

By Jacob Stockinger

Following a national search, Mariana Farah (below) has been chosen to succeed Beverly Taylor as the new director of choral activities at the University of Wisconsin-Madison’s Mead Witter School of Music.

Due to prior commitments, Farah cannot start her duties until the fall of 2021. But the delay is understandable given that the coronavirus pandemic continues and group singing remains a particularly hazardous or high-risk activity during the public health crisis. (See her comments about choral singing during Covid-19 in the YouTube video at the bottom.)

(In case you are wondering, Taylor, who retired from the UW-Madison last spring, will continue as director of the Madison Symphony Chorus. One wonders if she will still have a chance to do performances of the requiems by Verdi and Dvorak, both of which were canceled due to Covid-19.)

At a time when more focus is being placed on diversity, the Brazilian-born Farah (below) seems an especially apt choice.

Here is the official UW press release about Farah’s appointment along with much biographical material:

“Mariana Farah is the Associate Director of Choral Activities at the University of Kansas in Lawrence, Kansas, where she teaches courses in graduate choral literature and conducting, directs the university’s Concert Choir and Women’s Chorale (below bottom), and helps oversee all aspects of the choral program.

Born in Brazil, Farah received her Bachelor of Music degree from the Universidade Estadual de Campinas; her Master’s degree from the University of Iowa; and her Doctor of Musical Arts from the University of Missouri-Kansas City.

Her choirs have successfully performed at the Missouri and Kansas Music Educators Association conventions and at the 2008 and 2018 Southwestern ACDA conferences.

Farah’s research focuses on Brazilian choral music, particularly the a cappella choral works of Ernani Aguiar (b. 1950, below). Her edition of Aguiar’s “Três Motetinos No. 2” has been published by Earthsongs, and she expects to introduce more of his music to the United States through performances, recordings, editions and future publications of his unknown choral literature.

In addition to her work at KU, Farah (below) maintains an active schedule as a clinician for festivals in Brazil and in the U.S., where she is often sought out for her expertise in Brazilian choral music.

Farah has presented at several conferences for the National Association for Music Education and the American Choral Directors Association.

Recent engagements include appearances as a conductor at the 2019 Northwest Kansas Music Educators Association High School Honor Choir; the 2018 Southwestern ACDA conference, 2016 and 2014 Kansas Music Educators Association Convention; Universidade de São Paulo-Ribeirão Preto; Universidade Estadual de Campinas; Universidade Estadual de Maringá; Festival de Música de Londrina; Adams State Honor Choir Festival; the 2015 Kantorei Summer Choral Institute, a residency with the Harvard-Radcliffe Collegium Musicum; and the 2014 Idaho All-State Treble Choir.

Farah is the music director at First Presbyterian Church in Lawrence, Kansas, where she directs the Chancel Choir and oversees a thriving music program. She also serves as the interim 2019-20 conductor for the Wichita Chamber Chorale (below) and as a board member of the National Collegiate Choral Organization.

She has served as the president elect (2018-2020) and R&R Chair for Ethnic and Multicultural Perspectives (2014-2018) for the ACDA Southwestern Division.

As a singer, Farah performed with the Kansas City Te Deum Chamber Choir (2015-2018) and participated in their 2016 recording of Brahms’ “A German Requiem” (Centaur Records). The recording was recognized by The American Prize, naming Te Deum a semi-finalist for best Choral Performance (community division) for the 2019-20 contest.

Do you have an observation or words of welcome to say?

Please use the Comment section.

The Ear wants to hear.

Posted in Classical music
Tags: #ACappella, #ACappellaMusic, #AGermanRequiem, #All-State, #AmericanChoralDirectorsAssociation, #AmericanPrize, #AntoninDvorak, #AssociateDirector, #BachelorofMusic, #BeverlyTaylor, #BlogPost, #BlogPosting, #BoardMember, #BrazilianComposer, #BrazilianMusic, #CentaurRecords, #ChamberChoir, #ChancelChoir, #ChoralDirector, #ChoralUnion, #ChoralWorks, #ChristianChurch, #CoronavirusPandemic, #COVID-19, #CulturalDiversity, #DoctorofMusicalArts, #ErnaniAguiar, #FacebookPost, #FacebookPosting, #FirstPresbyterianChurch, #GiuseppeVerdi, #GraduateSchool, #Harvard-RadcliffeCollegiumMusicum, #HarvardUniversity, #JacobStockinger, #JohannesBrahms, #KansasCity, #KansasCityTeDeumChamberChoir, #LivingComposer, #MadisonSymphonyChorus, #MadisonSymphonyOrchestra, #MarianaFarah, #Master'sDegree, #MeadWitterSchoolofMusic, #MusicDirector, #MusicEducation, #MusicEducators, #Musicfaculty, #NationalAssociationforMusicEducation, #NationalCollegiateChoralOrganization, #NewMusic, #PortugueseLanguage, #PressRelease, #RadcliffeCollege, #SaoPaulo, #TeDeum, #TheEar, #TheU.S., #UnitedStates, #UniversityofIowa, #UniversityofKansas-Lawrence, #UniversityofMissouri, #UniversityofWisconsin-Madison, #UWConcertChoir, #VerdiRequiem, #VocalMusic, #WichitaChhmaberChorale, #WichitaKansas, #Women'sChorale, #WomenPerformers, #YouTubevideo, 2021, a cappella, A German Requiem, active, American Choral Directors Association, American Prize, Antonín Dvořák, APT, aspects, associate director, Bachelor of Music, best, Beverly Taylor, biography, blog, board member, born, Brahms, Brazil, Brazilian, Brazilian composer, Brazilian music, Centaur Records, chair, Chamber choir, chance, Chancel Choir, choice, Choir, choral, choral director, choral music, Choral Union, choral works, Chorale, chorus, church, Classical music, clinican, comment, community, composer, Concert, Concert Choir, Conducting, contest, convention, coronavirus, courses, cultural diversity, delay, direct, director, director]activities, directs, diversity, division, Doctor of Musical Arts, duties, Dvorak, Earthsongs, edition, educator, Ernani Aguiar, expertise, Facebook, fall, female, festival, First Presbyterian Church, Focus, forward, future, Giuseppe Verdi, Graduate School, group, Harvard University, Harvard-Radcliffe Collegium Musicum, hazardous, high-risk, Idaho, Institute, introduce, Jacob Stockinger, Johannes Brahms, Kansas, Kansas City, Kansas City Te Deum Chamber Choir, Lawrence, like, link, Living composer, Madison Symphony Chorus, Madison Symphony Orchestra, Mariana Farah, masters degree, Mead Witter School of Music, motet, MSO, multicultural, Music, Music director, Music education, music educators, music faculty, national, National Association for Music Education, National Collegiate Choral Organization, new, New Music, next season, next year, nominated, northwest, observation, official, oversee, pandemic, performances, performers, perspective, Portuguese, post, posting, President-elect, press release, program, publication, publish, Publishing, Radcliffe College, recognize, recording, Requiem, research, retired, Sao Paulo, schedule, search, Season, semi-finalist, share, singer, Singing, southwestern, Spring, start, summer, tag, Te Deum, teach, The Ear, U.S., United States, university, University of Iowa, University of Kansas, University of Kansas-Lawrence, University of Missouri, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, unknown, UW, UW Concert Choir, UW-Madison, Verdi, Verdi Requiem, vocal music, welcome, Wichita, Wichita Chamber Chorale, women, women's, Women's Chorale, words, YouTube

Classical music: Here is the complete concert program for the Madison Opera’s Digital Opera in the Park. It premieres online TONIGHT at 8 and stays up until Aug. 25

July 25, 2020
Leave a Comment

By Jacob Stockinger

The 2020 edition of the Madison Opera’s annual summer event Opera in the Park (below, a photo from the past) will be virtual and online due the coronavirus pandemic and the COVID-19 public health crisis.

The concert – which can be viewed indoors or outdoors, anywhere in the country or the world — begins at 8 p.m. CDT TONIGHT, Saturday, July 25. It will remain available online until Aug. 25.

Here are links to the portals where you can watch and listen to the opera program and also join the post-concert Q&A with performers: https://www.madisonopera.org and https://vimeo.com/437164679

For more information about the 90-minute concert, and related events, as well as the performers and the donors, go to: https://welltempered.wordpress.com/2020/07/23/classical-music-madison-operas-virtual-opera-in-the-park-goes-online-for-free-this-saturday-night-and-stay-up-until-aug-25-listen-to-it-indoors-or-outdoors-to-enhance-the-experience/

HERE IS THE COMPLETE PROGRAM FOR THE EVENING

Overture | The Marriage of Figaro (W.A. Mozart; 1786)

Suzanne Beia, violin; John DeMain (below) and Scott Gendel, piano

“Quel guardo, il cavaliere” | Don Pasquale (Gaetano Donizetti; 1843)

Jasmine Habersham, soprano (below); Rolando Salazar, piano

“Un’aura amorosa” | Così fan tutte (W.A. Mozart; 1789)

Andres Acosta, tenor (below); Marika Yasuda, piano

“Ernani, involami” | Ernani (Giuseppe Verdi; 1844)

Karen Slack, soprano (below); Laura Ward, piano

“Vision fugitive” | Hérodiade (Jules Massenet; 1881)

Weston Hurt, baritone (below); Bethany Self, piano

“Aber der Richtige” | Arabella (Richard Strauss; 1933)

Jasmine Habersham, soprano; Karen Slack, soprano; Scott Gendel, piano (below)

“Au fond du temple saint” | The Pearl Fishers (Georges Bizet; 1863)

Andres Acosta, tenor; Weston Hurt, baritone; Scott Gendel, piano

“Deh vieni, non tardar” | The Marriage of Figaro (W.A. Mozart; 1786)

Jasmine Habersham, soprano; Rolando Salazar, piano

“Il balen del suo sorriso” | Il Trovatore (Giuseppe Verdi; 1853)

Weston Hurt, baritone; Bethany Self, piano

“Anvil Chorus” | Il Trovatore (Giuseppe Verdi; 1853)

Madison Opera Chorus via Zoom (below); Anthony Cao, conductor and piano

“Vissi d’arte” | Tosca (Giacomo Puccini; 1900)

Karen Slack, soprano; Laura Ward, piano

“Asile héréditaire” | William Tell (Gioachino Rossini; 1829)

Andres Acosta, tenor; Marika Yasuda, piano

“Meditation” | Thaïs (Jules Massenet; 1894)

Suzanne Beia, violin (below); John DeMain, piano

Spiritual “Scandalize My Name” | arranged by Johnnie Dean

Jasmine Habersham, soprano; Karen Slack, soprano; Scott Gendel, piano

“No puede ser” | La Tabernera del Puerto (Pablo Sorozabal; 1936)

Andres Acosta, tenor; Marika Yasuda, piano

“Vanilla Ice Cream” | She Loves Me (Jerry Bock; 1963)

Jasmine Habersham, soprano; Rolando Salazar, piano

“Some Enchanted Evening” | South Pacific (Richard Rodgers; 1949)

Weston Hurt, baritone; Bethany Self, piano

“He’s Got the Whole World in His Hands” | arranged by Margaret Bonds

Karen Slack, soprano; Laura Ward, piano

SING-ALONG FINALE: It’s a Grand Night for Singing | State Fair (Richard Rodgers; 1945)

Posted in Classical music
Tags: #AfircanAmerican, #African-AmericanMusic, #AfricanAmerican, #AndresAcosta, #AnthonyCao, #AnvilChorus, #BaritoneSinger, #BethanySelf, #BlogPost, #BlogPosting, #BroadwayMusical, #CentralDaylightTime, #ChoralMusic, #CoronavirusPandemic, #CosifanTutte, #COVID-19, #DigitalMedia, #DigitalOperainthePark, #DonPasquale, #DuetMusic, #FacebookPost, #FacebookPosting, #GaetanoDonizetti, #GeorgesBizet, #GiacomoPuccini, #GioachinoRossini, #GiuseppeVerdi, #HesGottheWholeWorldinHisHands, #IceCream, #IlTrovatore, #It'saGrandNightforSinging, #JasmineHabersham, #JerryBock, #JohnDeMain, #JulesMassenet, #KarenSlack, #LaTaberneradelPuerto, #LauraWard, #MadisonOpera, #MadisonOperaChorus, #MarikaYasuda, #MarriageofFigaro, #NegroSpiritual, #OperaAria, #OperaArias, #OperaInThePark, #OperaMusic, #PabloSarozabal, #PianoAccompaniment, #PianoAccompanist, #PublicHealth, #RelatedEvent, #RichardRodgers, #RodgersandHammerstein, #RolandoSalazar, #ScottGendel, #SheLoveMe, #SomeEnchantedEvening, #SopranoSinger, #SouthPacific, #StateFair, #SuzanneBeia, #TenorSinger, #TheEar, #ThePearlFishers, #VanillaIceCream, #VisionFugitive, #VocalMusic, #WestonHurt, #WilliamTell, #WolfgangAmadeusMozart, accompanist, accompany, accompanying, African American, Andres Acosta, annual, Anthony Cao, Anvil Chorus, aria, audience, available, baritone, begin, Bethany Self, Bizet, black, blog, Broadway, Broadway musical, CDT, Central Daylight Time, choral music, Concert, conductor, coronavirus, Cosi fan tutte, crisis, cuntry, Digital Opera in the Park, Don Pasquale, Donizetti, donor, duet, edition, Ernani, evening, event, Facebook, finale, forward, fugitive, Gaetano Donizetti, Georges Bizet, Giacomo Puccini, Gioachino Rossini, Giuseppe Verdi, He's Got the Whole World in His Hands, ice cream, Il Trovatore, indoors, information, It's a Grand Night for Singing, Jasmine Habersham, Jerry Bock, John DeMain, Jules Massenet, Karen Slack, La Tabernera del Puerto, Laura Ward, like, link, Love, Madison Opera, Madison Opera Chorus, Marika Yasuda, Marriage of Figaro, Massenet, me, Meditation, minute, Mozart, musical, night, online, opera, Opera in the Park, opera music, outdoors, Overture, Pablo Sarozabal, pandemic, Pianist, Piano, portal, post, post-concert, posting, premiere, program, Public health, Puccini, Q&A, related event, Richard Rodgers, Rodgers, Rodgers and Hammerstein, Rolando Salazar, Rossini, scandalize, Scott Gendel, share, she, She Loves Me, sing-along, singer, Some Enchanted Evening, soprano, South Pacific, spiritual, State Fair, summer, Suzanne Beia, tag, tenor, Thaïs, The Ear, The Marriage of Figaro, The Pearl Fishers, tonight, Tosca, vanilla, Verdi, view, Violin, violinist, virtual, vision, vision fugitive, vocal music, Website, Weston Hurt, William Tell, Wolfgang Amadeus Mozart, world, Zoom

Classical music: Madison Opera’s virtual Opera in the Park goes online for FREE this Saturday night and stays up until Aug. 25. Listen to it indoors or outdoors

July 23, 2020
Leave a Comment

By Jacob Stockinger

Madison Opera’s Opera in the Park isn’t in a park this year — as it has been in past years (below) — but it will be available for people to enjoy for free in their backyards, in their living rooms or anywhere else with an internet connection.

The digital concert will be released on this Saturday, July 25, at 8 p.m. CDT, and can be watched on Madison Opera’s website, www.madisonopera.org/digital, where you can find complete information and, soon, a complete program to download.

The annual free concert has moved online in response to the COVID-19 pandemic, with a newly created program of opera arias and more.

Digital Opera in the Park features: soprano Jasmine Habersham; soprano Karen Slack; tenor Andres Acosta; and baritone Weston Hurt. (The last two will sing the justly famous baritone-tenor duet “Au fond du temple saint” from Bizet’s “The Pearl Fishers,” which you can hear in the YouTube video at the bottom.)

Habersham (below) makes her Madison Opera debut with this unique performance, and will sing Susanna in the company’s production of Mozart’s The Marriage of Figaro next April.

Slack (below) debuted with the company in Jake Heggie’s Dead Man Walking, and will be part of the company’s digital fall season.

Acosta (below) sang Timothy Laughlin in Gregory Spears’ Fellow Travelers with Madison Opera this past February.

Hurt (below) debuted as Germont in Verdi’s La Traviata last season and is part of the company’s digital fall season.

The four singers will be joined by several important local artists. They include violinist Suzanne Beia, the assistant concertmaster of the Madison Symphony Orchestra, the concertmaster of the Wisconsin Chamber Orchestra and the second violin of the UW-Madison’s Pro Arte Quartet.

There will also be a fleet of eight pianists. They include MSO music director and Madison Opera’s artist director John DeMain (below top, in a photo by Prasad) and the UW-Madison graduate and composer Scott Gendel (below bottom). The two will play multiple numbers, including DeMain accompanying Beia on the beautiful “Meditation” from Thaïs.

Each singer recorded their arias with an accompanist in their home cities, and chorusmaster Anthony Cao (below top) both accompanies and conducts the Madison Opera Chorus (below bottom) in a virtual “Anvil Chorus” from Il Trovatore.

The evening will be hosted by Madison Opera’s General Director Kathryn Smith and by WKOW TV’s Channel 27 News co-anchor George Smith.

“Reimagining Opera in the Park in the pandemic era has been a challenge, but one we have happily embraced,” says Smith (below in a photo by James Gill). “Our wonderful artists were game to record themselves in their home towns, to sing duets with each other through headphones, and to share their artistry with our community in a new way. Over 40 choristers joined a Zoom call to get instructions, and then they recorded their parts of the ‘Anvil Chorus.’”

“While in some ways this concert has required more work than our live Opera in the Park in Garner Park, it is always a pleasure to present beautiful music for everyone to enjoy.”

Digital Opera in the Park features music from Verdi’s Il Trovatore, now canceled in live performance but originally slated to open Madison Opera’s 2020-21 season; Jerry Bock’s She Loves Me, which the company performs in January; and Mozart’s The Marriage of Figaro, which will be performed in April.

The program also includes selections from Bizet’s The Pearl Fishers, Richard Strauss’ Arabella, Verdi’s Don Pasquale, Puccini’s Tosca, Massenet’s Hérodiade and Thaïs, Rossini’s William Tell, Pablo Sarozabal’s zarzuela La Tabernera del Puerto, Rodgers and Hammerstein’s South Pacific, and more.

The concert will be available beginning at 8 p.m. CDT on this Saturday night, July 25, and will remain online until Aug. 25, allowing for both repeated viewing and flexibility for people who are unable to watch on the first night.

While Digital Opera in the Park will be free to watch, it would not be possible without the generous support of many foundations, corporations and individuals who believe in the importance of music. Madison Opera is grateful to the sponsors of Opera in the Park 2020:

Presenting Sponsor: the Berbeewalsh Foundation
Sponsors: the John and Carolyn Peterson Charitable Foundation, Full Compass Systems, the Raymond B. Preston Family Foundation, University Research Park, Colony Brands, Johnson Financial Group, MGE Foundation, National Guardian Life, Wisconsin Arts Board, Dane Arts and the Madison Arts Commission.
Media Sponsors: WKOW, Madison Magazine, Wisconsin Public Radio, Magic 98, and La Movida.

RELATED EVENTS include:

OPERA ON THE WALL | JULY 25, 2020 | ONLINE

Madison artists Liubov Swazko (known as Triangulador) and Mike Lroy have created artwork around our community, including beautiful murals on State Street storefronts.

In an act of artistic cross-pollination, they will create an artwork that comes from their personal response to Digital Opera in the Park, offering a rare glimpse of visual artists responding to musical artists. Their creative process will be filmed in the Madison Opera Center, and shared online starting on July 25.

The finished artwork will be displayed in the Madison Opera Center. Go to Swazko’s website at triangulador.com (one work is below) and Lroy’s website at mikelroy.com to see their past work.

POST-SHOW Q&A | JULY 25, 2020, IMMEDIATELY FOLLOWING THE INITIAL STREAM

Join Kathryn Smith and the Digital Opera in the Park artists for a post-concert discussion, including an opportunity to ask questions. Details on format and platform will be available closer to the date.

Posted in Classical music
Tags: #AndresAcosta, #AnthonyCao, #AnvilChorus, #ArtisticDirector, #BaritoneSinger, #Beautifulmusic, #BerbeeWalshFoundation, #BlogPost, #BlogPosting, #BroadwayMusical, #ChamberMusic, #Channel27, #ChoralMusic, #ChorusMaster, #CityofMadison, #ColonyBrands, #CoronavirusPandemic, #COVID-19, #DaneArts, #DeadManWalking, #DigitalOperainthePark, #DonPasquale, #FacebookPost, #FacebookPosting, #FamousMusic, #FellowTravelers, #FullCompassSystems, #GarnerPark, #GeneralDirector, #GeorgesBizet, #GiacomoPuccini, #GioachinoRossini, #GiuseppeVerdi, #GregorySpears, #HomeWebsite, #IlTrovatore, #JacobStockinger, #JakeHeggie, #JamesGill, #JasmineHabersham, #JerryBock, #JohnandCarolynPeterson, #JohnDeMain, #JohnsonFinancialGroup, #JosephMcCarthy, #JulesMassenet, #KarenSlack, #KathrynSmith, #LaMovida, #LaTaberneradelPuerto, #LaTraviata, #LGBTQrights, #LGBTRights, #LiubovSwazko, #LiveMusic, #LiveStreaming, #LivingRoom, #MadisonArtsCommission, #MadisonMagazine, #MadisonOpera, #MadisonOperaCenter, #MadisonOperaChorus, #MadisonSymphonyOrchestra, #MadisonWisconsin, #Magic98, #MarriageofFigaro, #MeadWitterSchoolofMusic, #MediaSponsor, #MGEFoundation, #MikeLroy, #MusicalTheater, #MusicDirector, #NationalGuardianLife, #NewsAnchor, #OperaAria, #OperaInThePark, #OperaMusic, #PabloSarozabal, #PabloZarozabal, #PianoAccompaniment, #PianoAccompanist, #ProArteQuartet, #PublicHealth, #RelatedEvent, #RichardStrauss, #RodgersandHammerstein, #ScottGendel, #Self-Isolation, #SheLovesMe, #shelter-at-home, #ShelterinPlace, #SopranoSinger, #SouthPacific, #SpanishComposer, #StateStreet, #Stayathome, #SuzanneBeia, #TenorSinger, #TheEar, #ThePearlFishers, #UniversityofWisconsin-Madison, #UniversityResearchPark, #VisualArt, #VisualArtist, #VocalMusic, #WestonHurt, #WilliamTell, #WisconsinArtsBoard, #WisconsinChamberOrchestra, #WisconsinPublicRadio, #WKOWTV, #WolfgangAmadeusMozart, #YouTubevideo, accompany, alumni, alumnus, anchor, Andres Acosta, annual, Anthony Cao, Anvil Chorus, anywhere, April, Arabella, aria, Artistic director, artistry, artists, Arts, artwork, assistant, audience, August, available, backyard, baritone, beautiful, believe, BerbeeWalsh Foundation, Bizat, blog, Broadway musical, call, cancel, canceled, challenge, Chamber music, channel, choral music, choristers, chorus, cities, Classical music, Colony Brands, community, company, complete, composer, Concert, concertmaster, conduct, conductor, connection, coronavirus, corporations, create, creative, creative process, Dane Arts, date, Dead Man Walking, debut, detail, digital, Digital Opera in the Park, discussion, Don Pasquale, donor, download, duet, else, embrace, enjoy, era, event, everyone, Facebook, fall, famous, feature, February, Fellow Travelers, film, fleet, flexibility, format, forward, foundations, free, Full Compass Systems, game, Garner Park, General director, generous, Georges Bizet, Giacomo Puccini, gift, Gioacchino Rossini, Giuseppe Verdi, glimpse, graduate, grateful, Gregory Spears, happy', Hérodiade, headphones, home town, home website, hometown, homosexual, host, Il Trovatore, imagine, immediate, importance, important, individual, indoors, information, initial, instruction, Internet, isolation, Jacob Stockinger, Jake Heggie, James Gill, Jasmine Habersham, Jerry Bock, John and Carolyn Peterson, John DeMain, Johnson Financial Group, Joseph McCarthy, Jules Massenet, July, just, justly, Karen Slack, Kathryn Smith, kayak, La Movida, La Tabernera del Puerto, La Traviata, LGBT, LGBTQ, like, link, Liubov Swazko, live music, living room, local, Love, Madison, Madison Arts Commission, Madison Magazine, Madison Opera, Madison Opera Center, Madison Opera Chorus, Madison Symphony Orchestra, Magic 98, manager, Marriage, Marriage of Figaro, Massenet, Master, McCarthyism, Mead Witter School of Music, media, Meditation, MGE Foundation, Mike Lroy, Mozart, MSO, multiple, mural, Music, Music director, musical, Musical theater, National Guardian Life, new, news, number, onlne, opera, Opera in the Park, opera music, opportunity, outdoors, Pablo, Pablo Sarozabal, Pablo Zarozabal, Pacific Ocean, pandemic, PAQ, Park, parts, past, People, performance, performer, photo, Pianist, Piano, piano accompaniment, Piano accompanist, platform, pleasure, post, post-concert, posting, present, Pro Arte Quartet, process, production, program, public, Public health, Puccini, Q&A, questions, Radio, rare, record, related event, relatred, remain, repeat, research, respond, Richard Strauss, Rodgers and Hammerstein, Rossini, Saturday, Scott Gendel, Season, selections, September, share, She Loves Me, shelter in place, sing, singer, Singing, soprano, South Pacific, Spain, Spanish, sponsor, State Street, stay at home, store, storefront, Strauss, stream, Student, support, Suzanne Beia, symphony, tag, Television, tenor, Thaïs, The Ear, The Marriage of Figaro, The Pearl Fishers, theatre, Tosca, town, Triangulador, TV, United States, university, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, University Research Park, UW, UW-Madison, Verdi, viewing, Violin, violinist, visual art, visual artist, vocal music, wall, watch, way, WCO, Website, Weston Hurt, William Tell, Wisconsin, Wisconsin Arts Board, Wisconsin Chamber Orchestra, wisconsin public radio, WKOW, WKOW TV, Wolfgang Amadeus Mozart, wonderful, work, WPR, year, YouTube, Zarozabal, zarzuela, Zoom

Classical music: The Madison Symphony Orchestra, Madison Opera, Wisconsin Chamber Orchestra and Overture Center cancel their fall seasons. Plus, on Saturday cellist Cole Randolph performs a virtual concert for Grace Presents

June 26, 2020
Leave a Comment

ALERT: The Saturday at noon, Grace Presents will offer the first in its series of HD Virtual Concerts online. Future performers include organist Mark Brampton Smith and the Willy Street Chamber Players.

The performer this time is the cellist and recent UW-Madison graduate Cole Randolph (below). The program is: the Sonata for Solo Cello by the American composer George Crumb; two of the “Seven Songs Heard in China” by Chinese composer Bright Sheng; and the Suite for Solo Cello No. 3 by Johann Sebastian Bach.

Here is where you can hear the 40-minute concert inside the church on the Capitol Square: https://www.youtube.com/watch?v=0vaOCH53osk

You can also connect with Cole Randolph after the show by joining in a Zoom meet-and-greet immediately following the performance at https://us02web.zoom.us/j/88001773181

The meeting ID is: 880 0177 3181

You can hear Randolph (below, in a photo by Michael Anderson) playing in the YouTube video at the bottom.

By Jacob Stockinger

With all the talk of a second wave of coronavirus coming in the fall — complicated by the seasonal flu – concert cancellations don’t come as a surprise, unfortunately.

In fact, The Ear suspects many more cancellations are to come, including those from the UW-Madison, the Wisconsin Union Theater and the Middleton Community Orchestra.

Here is the latest round: the Madison Symphony Orchestra, the Madison Opera, the Wisconsin Chamber Orchestra and the Overture Center have all canceled their fall seasons, with some qualifications.

The announcements came on Thursday morning in the wake of the Overture Center canceling all performances this summer and fall through Nov. 30.

MADISON SYMPHONY ORCHESTRA

The Madison Symphony Orchestra has provided a short statement and a more complete and detailed press release.

Here is the statement:

“The Madison Symphony Orchestra’s 2020-21 “Beethoven and Beyond” season concerts and Overture Concert Organ performances are now canceled from September 2020 through January 2021.

“The move is due to the Overture Center’s decision to suspend events through Nov. 30, 2020, and the requirements of Dane County’s “Forward Dane” Reopening Plan.

“The 2020-21 season performances in February, March, April and May 2021 are scheduled to take place as planned.

“All subscribers will be sent a refund for the value of their tickets for the September 2020 through January 2021 concerts.”

Here is a list on the five MSO concerts – including the Beyond the Score performance of Stravinsky’s “Rite of Spring” on Jan. 25 — that will be canceled and the four that remain scheduled: https://madisonsymphony.org/concerts-events/2020-2021-symphony-season-concerts/

Here is a link to the full press release about the cancellations by the MSO (below, in a photo by Peter Rodgers): https://madisonsymphony.org/press-release-june-2020-concert-events-update/

MADISON OPERA

The Madison Opera is canceling the two in-person performances of Verdi’s “Il Trovatore” (The Troubadour) but is planning on offering some kind of large digital event and smaller live events at its center.

Here is statement from the Madison Opera:

“Although the Overture Center for the Arts is closed until the end of November, we will not be going silent.

“We are creating a fall season that lasts from September through December, and includes both digital content and live performances at the Margaret C. Winston Madison Opera Center, our home in downtown Madison.

“Some of our signature engagement activities — such as Opera Novice and Opera Up Close — will have monthly editions that include artists from around the country.

“The Opera Center itself will be the site of “Live from the Opera Center,” a variety of streamed performances with a small live audience.

“Other performances will be created digitally and made available exclusively to subscribers.

“Artists involved include members of the original “Il Trovatore” cast: soprano Karen Slack, baritone Weston Hurt, bass Kenneth Kellogg, and stage director Fenlon Lamb. Other soloists include Wisconsin-based artists Jeni Houser (below), David Blalock, Emily Fons, Emily Secor and Kirsten Larson.

“We are working with our artists to create programming that is chosen from their passions: music they want to share, ideas they want to explore, and conversations they want to start. The challenges facing us will create new art, and new ways to make sure it is accessible to everyone.”

Marketing director Andrew Rogers told The Ear that the opera company is still deciding whether digital performances will be ticketed or free with suggested donations.

The full schedule will be announced in early August, after the digital online Opera in the Park takes place Saturday, July 25. For details, go to: https://www.madisonopera.org/2020/05/06/opera-in-the-park-is-going-digital/

To stay current about the regular opera season, you can sign up for the Madison Opera’s news updates via email by going to this website: https://www.madisonopera.org/fall2020/

WISCONSIN CHAMBER ORCHESTRA

The Nov. 20 opening concert with pianist John O’Conor of the Masterworks Series has been POSTPONED with no new date set yet.

Music director Andrew Sewell says the Family Concert on is still on for Saturday, Oct. 10, at the Goodman Community Center but the WCO is looking for an alternative venue.

The concert on Nov. 7 at the Verona Area Performing Arts Center has been CANCELED.

Both performances of Handel’s “Messiah” — on Dec. 9 and Dec. 12 at the Blackhawk Church in Middleton and the UW’s Hamel Music Center on Dec. 12 – have also been CANCELED.

And this season the WCO will not play Tchaikovsky’s “The Nutcracker” from Dec. 17-27 because the Madison Ballet has canceled those performances.

For more information about the WCO (below, in photo by Mike Gorski), go to: https://wcoconcerts.org/concerts-tickets/calendar

What do you think?

Do you think the cancellations are warranted?

Do you want to leave a message or comment encouraging and supporting the various groups and their many musicians?

The Ear wants to hear.

Posted in Classical music
Tags: #AmericanComposer, #AndrewSewell, #AsianComposer, #BalletMusic, #BaritoneSinger, #BaroqueComposer, #BaroqueMusic, #BassSinger, #BeethovenYear, #BeyondTheScore, #BlackhawkChurch, #BlogPost, #BlogPosting, #BrightSheng, #CapitolSquare, #ChamberMusic, #Chinesecomposer, #ChristianChurch, #ColeRandolph, #CommunityOutreach, #ConcertOrgan, #CoronavirusPandemic, #COVID-19, #DaneCounty, #DavidBlalock, #EmailNewsletter, #EmilyFons, #EmilySecor, #FacebookPost, #FacebookPosting, #FenlonLamb, #ForwardDane, #GeorgeCrumb, #GeorgeFridericHandel, #GiuseppeVerdi, #GoodmanCommunityCenter, #GraceEpiscopalChurch, #GracePresents, #HamelMusicCenter, #Handel'sMessiah, #HomeWebsite, #IgorStravinsky, #IlTrovatore, #JacobStockinger, #JeniHouser, #JohannSebastianBach, #JohnO'Conor, #KarenSlack, #KirstenLarson, #LiveMusic, #LivingComposer, #LudwigVanBeethoven, #MadisonBallet, #MadisonOpera, #MadisonOperaCenter, #MadisonSymphonyOrchestra, #MarkBramptonSmith, #MarketingDirector, #MarkMorrisDanceGroup, #MasterworksConcerts, #MasterworksSeason, #MeadWitterSchoolofMusic, #Meet-and-Greet, #MessiahOratorio, #MiddletonCommunityOrchestra, #NewMusic, #NewsUpdate, #OperaInThePark, #OperaUpClose, #OrchestralMusic, #OrganMusic, #OvertureCenter, #PeterIlyichTchaikovsky, #PressRelease, #PublicHealth, #RiteofSpring, #SecondWave, #SopranoSinger, #StageDirector, #StreamedLive, #TheEar, #TheNutcracker, #TheUW, #UniversityofWisconsin-Madison, #VeronaAreaPerformingArtsCenter, #WestonHurt, #WillyStreetChamberPlayers, #WisconsinChamberOrchestra, #WisconsinUnionTheater, #YouTubevideo, accessible, alternative, American, Andrew Sewell, April, artists, Arts, Asia, asian, audience, August, available, Bach, ballet, baritone, Baroque, bass, Beethoven, Beethoven Year, Beyond the Score, Blackhawk Church, blog, Bright Sheng, cancel, canceled, cancellation, Capitol Square, cast, cellist, Cello, center, challenge, Chamber music, China, Chinese, choose, Christian, Christian church, church, Classical music, Cole Randolph, comment, community, company, composer, Concert, concert organ, concerto, conductor, connect, content, conversation, coronavirus, country, create, Creation, Crumb, Dane County, date, David Blalock, December, decision, digital, donation, Early music, edition, email, Emily Fons, Emily Secor, encourage, event, everyone, explore, Facebook, fall, Family, February, Fenlon Lamb, flu, Forward Dane, free, Friday, future, George Crumb, George Frideric Handel, Giuseppe Verdi, Goodman Community Center, Grace Episcopal Church, Grace Presents, graduate, group, Hamel Music Center, Handel, HD, hear, heard, ID, idea, Igor Stravinsky, Il Trovatore, in person, influenza, Jacob Stockinger, January, Jeni Houser, Johann Sebastian Bach, John O'Conor, Karen Slack, Kirsten Larson, like, link, live, live music, live-stream, Ludwig van Beethoven, Madison, Madison Ballet, Madison Opera, Madison Opera Center, Madison Symphony Orchestra, march, Mark Brampton Smith, marketing director, Masterworks, Masterworks Season, May, Mead Witter School of Music, meeting, message, Messiah, Middleton, Middleton Community Orchestra, minute, Monday, monthly, morning, move, MSO, Music, Musician, new, New Music, news, night, noon, November, October, online, opera, Opera in the Park, Opera Up Close, Orchestra, orchestral music, organ, organ music, organist, outreach, Overture Center, Overture Concert Organ, pandemic, Passion, performance, performer, Peter Ilyich Tchaikovsky, Piano, plan, play, post, posting, postpone, press release, program, programming, public, Public health, qualification, re-schedule, recent, refund, regular, reopen, Rite of Spring, Saturday, schedule, Season, seasonal, second wave, September, sguuest, share, show, silent, solo, soloist, Sonata, song, soprano, stage director, statement, Stravinsky, streamed, subscribers, Suite, summer, Sunday, support, suspend, symphony, tag, Tchaikovsky, The Ear, The Nutcracker, Thursday, tickets, troubadour, Tuesday, unfortunate, unfortunately, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, update, UW, UW-Madison, value, venue, Verdi, Verona, Verona Area Performing Arts Center, video, Viola, Violin, virtual, virus, vocal music, warranted, WCO, Website, Wednesday, Weston Hurt, Willy Street Chamber Players, Wisconsin, Wisconsin Chamber Orchestra, Wisconsin Union Theater, YouTube, Zoom

	Brian Jefferies on Classical music: A major reass…
	welltemperedear on What made Beethoven sick and…
	rlhess5d5b7e5dff on What made Beethoven sick and…
	welltemperedear on Beethoven’s Ninth turns 200…
	Robert Graebner on Beethoven’s Ninth turns 200…

Share this:

Share this:

Share this:

Share this:

Share this:

Share this:

Share this:

Share this:

Share this:

Share this: