The Well-Tempered Ear

Classical music: Here is the complete concert program for the Madison Opera’s Digital Opera in the Park. It premieres online TONIGHT at 8 and stays up until Aug. 25

July 25, 2020
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By Jacob Stockinger

The 2020 edition of the Madison Opera’s annual summer event Opera in the Park (below, a photo from the past) will be virtual and online due the coronavirus pandemic and the COVID-19 public health crisis.

The concert – which can be viewed indoors or outdoors, anywhere in the country or the world — begins at 8 p.m. CDT TONIGHT, Saturday, July 25. It will remain available online until Aug. 25.

Here are links to the portals where you can watch and listen to the opera program and also join the post-concert Q&A with performers: https://www.madisonopera.org and https://vimeo.com/437164679

For more information about the 90-minute concert, and related events, as well as the performers and the donors, go to: https://welltempered.wordpress.com/2020/07/23/classical-music-madison-operas-virtual-opera-in-the-park-goes-online-for-free-this-saturday-night-and-stay-up-until-aug-25-listen-to-it-indoors-or-outdoors-to-enhance-the-experience/

HERE IS THE COMPLETE PROGRAM FOR THE EVENING

Overture | The Marriage of Figaro (W.A. Mozart; 1786)

Suzanne Beia, violin; John DeMain (below) and Scott Gendel, piano

“Quel guardo, il cavaliere” | Don Pasquale (Gaetano Donizetti; 1843)

Jasmine Habersham, soprano (below); Rolando Salazar, piano

“Un’aura amorosa” | Così fan tutte (W.A. Mozart; 1789)

Andres Acosta, tenor (below); Marika Yasuda, piano

“Ernani, involami” | Ernani (Giuseppe Verdi; 1844)

Karen Slack, soprano (below); Laura Ward, piano

“Vision fugitive” | Hérodiade (Jules Massenet; 1881)

Weston Hurt, baritone (below); Bethany Self, piano

“Aber der Richtige” | Arabella (Richard Strauss; 1933)

Jasmine Habersham, soprano; Karen Slack, soprano; Scott Gendel, piano (below)

“Au fond du temple saint” | The Pearl Fishers (Georges Bizet; 1863)

Andres Acosta, tenor; Weston Hurt, baritone; Scott Gendel, piano

“Deh vieni, non tardar” | The Marriage of Figaro (W.A. Mozart; 1786)

Jasmine Habersham, soprano; Rolando Salazar, piano

“Il balen del suo sorriso” | Il Trovatore  (Giuseppe Verdi; 1853)

Weston Hurt, baritone; Bethany Self, piano

“Anvil Chorus” | Il Trovatore (Giuseppe Verdi; 1853)

Madison Opera Chorus via Zoom (below); Anthony Cao, conductor and piano

“Vissi d’arte” | Tosca (Giacomo Puccini; 1900)

Karen Slack, soprano; Laura Ward, piano

“Asile héréditaire” | William Tell (Gioachino Rossini; 1829)

Andres Acosta, tenor; Marika Yasuda, piano

“Meditation” | Thaïs (Jules Massenet; 1894)

Suzanne Beia, violin (below); John DeMain, piano

Spiritual “Scandalize My Name” | arranged by Johnnie Dean

Jasmine Habersham, soprano; Karen Slack, soprano; Scott Gendel, piano

“No puede ser” | La Tabernera del Puerto (Pablo Sorozabal; 1936)

Andres Acosta, tenor; Marika Yasuda, piano

“Vanilla Ice Cream” | She Loves Me (Jerry Bock; 1963)

Jasmine Habersham, soprano; Rolando Salazar, piano

“Some Enchanted Evening” | South Pacific (Richard Rodgers; 1949)

Weston Hurt, baritone; Bethany Self, piano

“He’s Got the Whole World in His Hands” | arranged by Margaret Bonds

Karen Slack, soprano; Laura Ward, piano

SING-ALONG FINALE: It’s a Grand Night for Singing | State Fair (Richard Rodgers; 1945)

 


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Classical music: Madison Opera’s virtual Opera in the Park goes online for FREE this Saturday night and stays up until Aug. 25. Listen to it indoors or outdoors

July 23, 2020
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By Jacob Stockinger

Madison Opera’s Opera in the Park isn’t in a park this year — as it has been in past years (below) — but it will be available for people to enjoy for free in their backyards, in their living rooms or anywhere else with an internet connection.

The digital concert will be released on this Saturday, July 25, at 8 p.m. CDT, and can be watched on Madison Opera’s website, www.madisonopera.org/digital, where you can find complete information and, soon, a complete program to download.

The annual free concert has moved online in response to the COVID-19 pandemic, with a newly created program of opera arias and more.

Digital Opera in the Park features: soprano Jasmine Habersham; soprano Karen Slack; tenor Andres Acosta; and baritone Weston Hurt. (The last two will sing the justly famous baritone-tenor duet “Au fond du temple saint” from Bizet’s “The Pearl Fishers,” which you can hear in the YouTube video at the bottom.)

Habersham (below) makes her Madison Opera debut with this unique performance, and will sing Susanna in the company’s production of Mozart’s The Marriage of Figaro next April.

Slack (below) debuted with the company in Jake Heggie’s Dead Man Walking, and will be part of the company’s digital fall season.

Acosta (below) sang Timothy Laughlin in Gregory Spears’ Fellow Travelers with Madison Opera this past February.

Hurt (below) debuted as Germont in Verdi’s La Traviata last season and is part of the company’s digital fall season.

The four singers will be joined by several important local artists. They include violinist Suzanne Beia, the assistant concertmaster of the Madison Symphony Orchestra, the concertmaster of the Wisconsin Chamber Orchestra and the second violin of the UW-Madison’s Pro Arte Quartet.

There will also be a fleet of eight pianists. They include MSO music director and Madison Opera’s artist director John DeMain (below top, in a photo by Prasad) and the UW-Madison graduate and composer Scott Gendel (below bottom). The two will play multiple numbers, including DeMain accompanying Beia on the beautiful “Meditation” from Thaïs.

Each singer recorded their arias with an accompanist in their home cities, and chorusmaster Anthony Cao (below top) both accompanies and conducts the Madison Opera Chorus (below bottom) in a virtual “Anvil Chorus” from Il Trovatore.

The evening will be hosted by Madison Opera’s General Director Kathryn Smith and by WKOW TV’s Channel 27 News co-anchor George Smith.

“Reimagining Opera in the Park in the pandemic era has been a challenge, but one we have happily embraced,” says Smith (below in a photo by James Gill). “Our wonderful artists were game to record themselves in their home towns, to sing duets with each other through headphones, and to share their artistry with our community in a new way. Over 40 choristers joined a Zoom call to get instructions, and then they recorded their parts of the ‘Anvil Chorus.’”

“While in some ways this concert has required more work than our live Opera in the Park in Garner Park, it is always a pleasure to present beautiful music for everyone to enjoy.”

Digital Opera in the Park features music from Verdi’s Il Trovatore, now canceled in live performance but originally slated to open Madison Opera’s 2020-21 season; Jerry Bock’s She Loves Me, which the company performs in January; and Mozart’s The Marriage of Figaro, which will be performed in April.

The program also includes selections from Bizet’s The Pearl Fishers, Richard Strauss’ Arabella, Verdi’s Don Pasquale, Puccini’s Tosca, Massenet’s Hérodiade and Thaïs, Rossini’s William Tell, Pablo Sarozabal’s zarzuela La Tabernera del Puerto, Rodgers and Hammerstein’s South Pacific, and more.

The concert will be available beginning at 8 p.m. CDT on this Saturday night, July 25, and will remain online until Aug. 25, allowing for both repeated viewing and flexibility for people who are unable to watch on the first night.

While Digital Opera in the Park will be free to watch, it would not be possible without the generous support of many foundations, corporations and individuals who believe in the importance of music. Madison Opera is grateful to the sponsors of Opera in the Park 2020:

  • Presenting Sponsor: the Berbeewalsh Foundation
  • Sponsors: the John and Carolyn Peterson Charitable Foundation, Full Compass Systems, the Raymond B. Preston Family Foundation, University Research Park, Colony Brands, Johnson Financial Group, MGE Foundation, National Guardian Life, Wisconsin Arts Board, Dane Arts and the Madison Arts Commission.
  • Media Sponsors: WKOW, Madison Magazine, Wisconsin Public Radio, Magic 98, and La Movida.

RELATED EVENTS include:

OPERA ON THE WALL | JULY 25, 2020 | ONLINE

Madison artists Liubov Swazko (known as Triangulador) and Mike Lroy have created artwork around our community, including beautiful murals on State Street storefronts.

In an act of artistic cross-pollination, they will create an artwork that comes from their personal response to Digital Opera in the Park, offering a rare glimpse of visual artists responding to musical artists. Their creative process will be filmed in the Madison Opera Center, and shared online starting on July 25.

The finished artwork will be displayed in the Madison Opera Center. Go to Swazko’s website at triangulador.com (one work is below) and Lroy’s website at mikelroy.com to see their past work.

POST-SHOW Q&A | JULY 25, 2020, IMMEDIATELY FOLLOWING THE INITIAL STREAM

Join Kathryn Smith and the Digital Opera in the Park artists for a post-concert discussion, including an opportunity to ask questions. Details on format and platform will be available closer to the date.

 


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Classical music: Two performances of the UW-Madison’s popular Winter Choral Concert takes place this Sunday afternoon. On Friday, composer Melinda Wagner gives a free public master class

November 29, 2018
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IF YOU LIKE A CERTAIN BLOG POST, PLEASE FORWARD A LINK TO IT OR, SHARE or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event.

ALERT: On Friday, Nov. 30, from 11:45 a.m. to 1 p.m. in Morphy Hall, the Pulitzer Prize-winning composer Melinda Wagner will discuss her music in a master class, which is FREE and open to both students and the public. (You can hear an interview with her in the YouTube video at th bottom.)

For more information about the acclaimed composer, including a video interview, go to: https://www.music.wisc.edu/event/guest-artist-master-class-melinda-wagner-composer/

By Jacob Stockinger

On this Sunday afternoon, Dec. 2, one of the most popular FREE and PUBLIC events at the University of Wisconsin-Madison’s Mead Witter School of Music will take place.

Two FREE performances of the annual Winter Concert, which always draws full houses, will take place at 2 p.m. and 4 p.m. at the Luther Memorial Church (below), 1021 University Avenue.

Six of seven UW-Madison choirs — Chorale, Concert Choir (below top), Madrigal Singers, University Chorus, Women’s Chorus (below bottom) and Masters Singers — will perform in the charity concert.

Choirs will perform choral works both as individual ensembles and jointly.

Holiday carols are part of the program, and concert-goers are invited to sing along.

Professors and graduate students Beverly Taylor (below top), Bruce Gladstone, Michael Johnson and Andrew Voth will conduct, and UW Professor John Chappell Stowe (below bottom) will play the organ.

A free-will offering is accepted at the end of the program. Proceeds after expenses will be donated to “The Road Home,” an organization that provides housing and food to homeless families.

For more information, and a list of the complete and lengthy eclectic program – which includes works by Johann Sebastian Bach and Ralph Vaughan Williams as well as traditional music, jazz, pop music and a piece by UW-Madison alumnus Scott Gendel — go to: https://www.music.wisc.edu/event/two-winter-concerts-at-luther-memorial-church/2018-12-02/


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Classical music: The third annual Madison New Music Festival features three world premieres and 25 composers, and takes place this weekend with three concerts

August 7, 2018
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By Jacob Stockinger

It has been a good year for new music in Madison, which has often seemed inhospitable to that music in the past.

Among major contributors have been the LunART Festival of contemporary women composers; programs by the UW Symphony Orchestra and other UW-Madison groups and individuals; the Madison Opera; the Bach Dancing and Dynamite Society; the Willy Street Chamber Players; and the Oakwood Chamber Players. Plus, The Ear is sure there are many other contributors he is overlooking.

But the largest share of the credit has to go to a three-day annual festival of living composers that will take place for the third year this coming weekend. (Photos from last year’s well-attended festival are by Max Schmidt.)

Here is an announcement from the festival with the details:

The third annual Madison New Music Festival will take place this coming Friday, Aug. 10, Saturday, Aug. 11, and Sunday, Aug. 12.

The Madison New Music Festival is an annual weekend-long concert series dedicated to strengthening Madison’s cultural vitality through the celebration of fresh classical music from our lifetimes.

Founded by Madison native composer Zachary Green (below bottom), the festival presents new works by some of the world’s leading living composers, shines a spotlight on new music created in Wisconsin, and shares underplayed music of the 20th and 21st centuries with the Madison community.

Every concert will also have a world premiere of music that has never been heard before. On the opening night, Conduit is performing a new piece by Kyle Tieman-Strauss called Abject. The next day, organist Tyler Jameson Pimm premieres his new piece Psalm 22. Then on Sunday, listeners get to hear the premiere of They’re Still Here by BC Grimm, featuring music for nine different instruments (all of which will be played by Grimm himself).

Over the course of three concerts around town, we are featuring a total of 17 musicians playing the works of 25 composers, all of which were written in the last 50 years.

Though each concert has a different theme, every performance features music by Wisconsin composers, composers of color, and both men and women.

Fifteen of our musicians were born, raised or currently reside in Wisconsin, but we’re bringing several back to town just for the festival. They include members of the Madison, Milwaukee and Quad City symphonies; and graduates of Juilliard, the Manhattan School of Music, Mannes Conservatory, Northwestern University, and, of course, the UW-Madison.

We invite you to join us for the following three concerts:

CONCERT 1: Sounds of the ‘60s and Beyond – Friday, Aug. 10, at 7:30 p.m.

Hear sounds born out of the ’60s counterculture with works exploring minimalism, social and political engagement, and electronic experimentation, as well as the music they inspired for decades to come. There will be a cash bar, as well as opportunities to explore the exhibits.

Where: Madison Museum of Contemporary Art (MMOCA), 227 State Street

Who: Caitlin Mead, soprano; Heather Zinninger Yarmel, flute; Kristina Teuschler, clarinet; Jeremy Kienbaum, viola; Alex Norris, violin, and Zou Zou Robidoux, cello; and Conduit (below, Zach Manzi, clarinet and Evan Sadler, percussion).

Program: Music by Melissa Dunphy, Angelica Negron, Evan Williams, Steve Reich, Gilda Lyons, Anna Meadors, Kyle T. Strauss, David Lang and Andy Akiho

CONCERT 2: Sounds of Reflection – Saturday, Aug. 11, at 2 p.m.

The festival continues with an afternoon program invoking spirituality, morality and reflection. Organ interludes will be interspersed throughout the program of vocal and instrumental music.

Where: Bethel Lutheran Church, 312 Wisconsin Ave.

Who: Greg Zelek, Madison Symphony Orchestra organist (below); Jeremy Kienbaum, viola; Satoko Hayami, piano; Tyler Pimm; organ; Kristina Teuschler, clarinet; Alex Norris, violin; Micah Cheng, cello; Caitlin Mead, soprano; and Scott Gendel, piano.

Program: Music by Toru Takemitsu, Trevor Weston, Morton Feldman, Daniel Ficarri, John Weaver, Tyler Pimm, Tania Leon, John Musto and Scott Gendel

CONCERT 3: Festival Closing Party 2018 – Sunday, Aug. 12, at 7:30 p.m.

Kick back a drink as local musician BC Grimm plays his original works for instruments from cello to Chinese Guqin zither, followed by a set of music for solo strings. Then, the musicians from all three concerts come together for a performance of the 1973 piece “Stay On It” — heard in the YouTube video the bottom — by Julius Eastman (below).

Where: Robinia Courtyard, 829 East Washington Avenue

Who: BC Grimm, Jeremy Keinbaum, Aaron Yarmel, and All Festival Performers

Program: BC Grimm, Philip Glass, Ursula Mamlok, Aaron Yarmel, and Julius Eastman

All individual concerts are $15 for general admission, $5 for students. You can also subscribe to all three concerts for $35.

For more information, please visit our website http://madisonnewmusic.org or find us on Facebook (@Madison New Music Festival) or Instagram (@madisonnewmusic).


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Classical music: UW Choral Union and UW Symphony Orchestra plus soloists will perform Brahms and Mozart this Saturday and Sunday nights. On Friday night, the Choral Arts Society Chorale performs a holiday program.

December 7, 2017
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ALERT: The Choral Arts Society Chorale of Madison, under director Mikko Rankin Utevsky, will perform “Frostiana: Songs for a Winter’s Night” this Friday night at 7 p.m. at Trinity Lutheran Church, 1904 Winnebago St. Admission is $15, students $10. The program is: Brahms, “In stiller Nacht”; Barber, “Sure on this shining night”; Lasso, “Matona mia cara”; Victoria, “O Magnum Mysterium”; Gendel, “It was my father’s custom”; Myers, “The Winter’s Night”; Leontovych, “Shchedryk“; and Thompson, “Frosting.”

For more information, go to www.ChoralArtsMadison.org

By Jacob Stockinger

This weekend the UW-Madison campus and community Choral Union and UW Symphony Orchestra (below) will perform the rarely heard “Schicksalslied” (Song of Destiny) by Brahms and the “Great” Mass in C Minor, K. 427, by Mozart.

The performances are in Mills Hall on Saturday night at 8 p.m. and Sunday night at 7 p.m.

Writes conductor Beverly Taylor (below):

The “Schicksalslied,” Op. 54, by Brahms (below) is a heartfelt, 16-minute work that sets Friedrich Hoelderlin’s poem about the yearning and loss of beauty, and suggestion of hope for the future.

“The work starts with gorgeous, muted harmonies; goes into a passionate whirlwind in the middle; and then ends with an orchestral recollection of the opening themes.

“If the work were longer, it might be performed more often. It is a real jewel of Brahms’s repertoire.” (You can hear it in the YouTube video at the bottom.)

Adds Taylor: “The C minor Mass, like the Requiem, was unfinished by Mozart (below) —we are not sure why. It contains vibrant writing for the chorus, including several movements for double chorus, and some of the finest solo music he ever wrote.”

The soloists will be sopranos Sarah Richardson (below top) and Chelsie Propst (below second), tenor Wesley Dunnagan (below third), and baritone Matthew Chastain (below bottom).

Tickets are $15 for the public, $8 for students.

For more information about obtaining tickets and for more about the works and performers, go to; http://www.music.wisc.edu/event/choral-union-symphony-orchestra-2/


Classical music: The Oakwood Chamber Players and guest artists give two performances of a holiday program this coming Sunday afternoon

November 20, 2017
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By Jacob Stockinger

The Oakwood Chamber Players (below) continue their 2017-2018 season series “Journey” with a concert titled Quest on  this coming Sunday, Nov. 26, at 1 p.m. and 3:30 p.m.

Both concerts will be held at the Oakwood Center for Arts and Education, 6209 Mineral Point Road, on Madison’s far west side near West Towne Mall.

Tickets can be purchased with cash or personal checks at the door: $25 for general admission, $20 for seniors and $5 for students. Visit www.oakwoodchamberplayers.com for more information.

At the heart of this holiday-themed concert is British composer John Rutter (below) and his imaginative story about the origins of the holiday favorite In dulci jubilo.

Believed to have been sung by angels as an inspired gift to a medieval monk, the musical fable traces how life’s distractions can sometimes interfere with sublime gifts.

The quest for the carol’s completion is told with heart-warming humor.

Narrator Buzz Kemper (below) will bring the whimsical story’s characters to life along with instrumentalists and a vocal quartet.

Canadian-Slovenian composer Marjan Mozetich (below) characterizes his music as that which explores the spiritual by showing introspective and meditative qualities. Written for harp, flute, clarinet and string quartet his evocative Angels in Flight is poignant and layered with a shimmering melodic framework.

The animated short of Raymond Brigg’s children’s story The Snowman was set to music by British film composer Howard Blake (below). A string quartet arrangement of his uplifting music for the film highlights the memorable moments. The suite includes the delightful “Walking in the Air” capturing the moment when imagination brings the snowman to life and it flies a young boy toward the North Pole.

The program will also include Ralph Vaughan Williams’ March Past of the Kitchen Utensils (heard in the YouTube video at the bottom) and George Shearing’s jazzy arrangement of Blow, Blow Thou Winter Wind. UW-trained composer and pianist Scott Gendel (below) wrote a Christmas piece — It Was My Father’s Custom — in 2011, and it will be presented by the ensemble and singers.

Guest vocalists are: Mari Borowski, Lauren Gruber, Robert Goderich and Jace Nichols.

Guest instrumentalists are: Scott Gendel, piano; Margaret Mackenzie, harp; Thalia Coombs, violin; Katrin Talbot, viola; and Jennifer Morgan, oboe.

This is the second of five concerts in the Oakwood Chamber Players’ 2017-2018 season series entitled Journey. Remaining concerts will take place on Jan. 13 and 14; March 10 and 11; and May 19 and 20.

The Oakwood Chamber Players are a group of Madison-area professional musicians who have rehearsed and performed at Oakwood Village for over 30 years.

The Oakwood Chamber Players is a professional music ensemble proudly supported by Oakwood Lutheran Senior Ministries and the Oakwood Foundation.


Classical music: The second annual Madison New Music Festival will take place this Thursday through Sunday

August 9, 2017
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By Jacob Stockinger

The summer classical season in Madison just keeps getting busier and more interesting.

The Ear has received the following announcement from Zachary Green (below), a native Madisonian and composer who graduated from Oregon High School and the Juilliard School, which awarded him a grant to start the first Madison New Music Festival last year. He now directs the event:

Dear friends, family, colleagues, and mentors,

I am extremely pleased to invite you to the second season of the Madison New Music Festival, taking place this Thursday-Saturday, Aug. 10-12.

The Madison New Music Festival is an annual weekend-long concert series dedicated to strengthening Madison’s cultural vitality through the celebration of fresh classical music from our lifetimes.

The festival strives to affordably and accessibly share music by the world’s leading living composers with the Madison community, with special emphasis placed on Wisconsin-based composers and performers.

This year, over the course of four concerts, we will be featuring 30 performers playing the music of over 20 composers— including the music of a different living Wisconsin composer at every concert.

The concerts will take place Thursday at the Madison Museum of Contemporary Art (8 p.m.), Friday at Bethel Lutheran Church (8 p.m.), and Saturday at the Memorial Union Terrace (3 p.m.) and Robinia Courtyard (7:30 p.m.).

PROGRAM AND TICKET INFORMATION:

Thursday, Aug. 10, at 8 p.m., Madison Museum of Contemporary Art in the Overture Center. (Below is a photo at MMoCA from last year’s festival)

After an incredibly successful launch in 2016, the Madison New Music Festival is set to return to MMoCA for a concert combining contemporary visual art and new music.

The festival presents brand new pieces by emerging composers, underplayed classics of the contemporary repertoire, and shines a spotlight on new music created here in Wisconsin.

The concert at MMoCA features music with thematic ties to MMoCA’s current exhibitions, including politically charged works such as “But I Still Believe” by composer Zachary Green and inspired by Hillary Clinton’s concession speech, and “Drums of Winter” from Pulitzer Prize-winning composer and environmentalist John Luther Adams (below). You can hear “Drums of Winter” in the YouTube video at the bottom.

There will be a cash bar and opportunities to walk around the exhibits. Tickets are $10, $5 for students and FREE for MMoCA members.

Tickets: https://www.artful.ly/madison-new-music-festival/store/events/13011

Friday, Aug. 11, at 8 p.m. in Bethel Lutheran Church, 312 Wisconsin Avenue

The festival’s second night features an eclectic range of music, from the inventive, folk-inspired music of Romanian composer Doina Rotaru (below top) to the improvisatory soundscapes of recently departed legend Pauline Oliveros (below bottom).

Also featured is local composer Scott Gendel (below top) , who will present a set of his own music with frequent Madison Opera guest soprano Emily Birsan (below middle). Both are graduates of the UW-Madison.

Other performers include Chicago-based new music ensemble Chartreuse (below top), local flutist Iva Ugrcic (below middle) and local violinist Lydia Sewell (below bottom).  Tickets are $10, $5 for students.

Tickets: https://www.artful.ly/madison-new-music-festival/store/events/13028

Saturday, Aug. 12, at 3 p.m., Memorial Union Terrace

Local new music wind quintet Black Marigold (below top) will perform “Beer Music” by Brian DuFord (below bottom), inspired by different kinds of beer– and you can sip as you listen!

But first, get your groove on with rhythmic works by emerging composer Andy Akiho (below top), Wilco drummer Glenn Kotche, and local percussionist Dave Alcorn (below bottom) of Clocks in Motion — interspersed with interactive interpretations of Renaissance motets and an electroacoustic work for vibraphone. Featured musicians include percussionist Garrett Mendelow and Chicago-based new music ensemble Chartreuse.  Admission is FREE.

Saturday, Aug. 12, at 7:30 PM, Robinia Courtyard (Jardin Restaurant) at 827 East Washington Avenue. 

Join us at Jardin Restaurant, part of the newly redeveloped Robinia Courtyard to hear local ensemble Mr. Chair (below) present an eclectic, head-banging set ranging from original compositions to versions of Erik Satie, Olivier Messiaen and Igor Stravinsky.

Also featured are the genre-bending Echelon String Quartet(below) and a mesmerizing solo bass piece performed by Grant Blaschka.  Cash bar.  ($10/$5 student)

Tickets: https://www.artful.ly/madison-new-music-festival/store/events/13029


Classical music: Madison composer Scott Gendel discusses the new piece he wrote to mark the 150th anniversary of the birth of architect Frank Lloyd Wright. It receives its world premiere this coming Sunday afternoon and Monday night in Spring Green

August 3, 2017
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By Jacob Stockinger

As The Ear posted yesterday, this coming Sunday afternoon and Monday night will see a special commemorative concert at the Hillside Theater of the Taliesin compound in Spring Green.

It will mark the 150th anniversary of the birth of famed architect Frank Lloyd Wright (below).

Here is a link to an overview with more details about the concerts and program:

https://welltempered.wordpress.com/2017/08/02/classical-music-the-150th-anniversary-of-architect-frank-lloyd-wrights-birth-will-be-celebrated-with-two-concerts-on-this-coming-sunday-afternoon-and-monday-night-in-spring-green-they-featu/

Certainly the standout piece will be the world premiere of a work for chorus, string quartet and piano, commissioned by Taliesin from Scott Gendel, a Madison-based composer who studied at the UW-Madison.

Gendel recently commented on his work:

“When I first heard about this opportunity to write a musical work in honor of Frank Lloyd Wright’s 150th birthday, I had a lot of grandiose ideas about big architectural music, music that would be huge in sound and concept.

“But when Taliesin Director of Music Effi Casey (below top) took me on a tour of the house and the grounds (below bottom), what struck me more than anything else was the beautiful intimacy of the spaces, the way in which every room was designed to draw you in closer.

“And then when I learned of the Taliesin Community Chorus and their love of singing together to create community, I knew “That Which Is Near” was going to take a different direction than I’d originally thought, and really become a piece about intimacy and connections between people.

““Some Flowers For Frank Lloyd Wright” by Hendrik Theodorus Wijdeveld (below) felt like the perfect text to use for such a piece. It’s stunning in its descriptions of Wright’s work, but also has a charming sweetness about it, the way he’s just offering “some flowers” rather than a huge extravagant gift.

“And so “That Which Is Near” is two things at once: First, it’s a celebration of Frank Lloyd Wright’s incredibly masterful work, and how wonderfully persistent and evergreen that work still is, 150 years after his birth.

“But second, it’s a celebration of the community at Taliesin, and the ways in which the place brings people together and fosters human connection.”

ABOUT  SCOTT GENDEL

Here are some impressive biographical details about Gendel (bel0w):

Scott Gendel is a composer, vocal coach, theatrical music director and pianist living in Madison, Wisconsin. As a composer, his music has a wide-ranging scope, but Scott is particularly fond of all things vocal, and of the artistry of the human voice in all its forms. As a performing musician, Scott collaborates on vocal recitals around the country, and is the official pianist and vocal coach for Madison Opera.

Recently, he recorded his piece “At Last” with soprano Camille Zamora and cellist Yo-Yo Ma, as part of “An AIDS Quilt Songbook: Sing For Hope,” a recording released on Naxos Records and GPR, benefiting amfAR, the American Foundation for AIDS Research. (You can hear “At Last” in the YouTube video at there bottom.)

Last year, his song “Advice to Those Like Me, With Hearts Like Kindling” was premiered by soprano Melody Moore in her Carnegie Hall debut recital.

This spring, Gendel’s choral-orchestral oratorio “Barbara Allen,” based on the traditional Appalachian folk song, was premiered by the Santa Clara Chorale and San Jose Chamber Orchestra.

In 2005, the same year he received his doctoral degree from UW-Madison, Gendel was awarded first prize in the ASCAP/Lotte Lehmann Foundation Song Cycle Competition, a juried national award in its inaugural year.

More recently Scott was the second prize winner of the 2016 NATS Art Song Composition Award, and winner of the 2017 Ortus International New Music Competition.

His music is published by Classical Vocal Reprints, ECS Publishing, and the Tuba/Euphonium Press. His art songs have been recorded on Albany Records, GPR Records and Naxos.

Upcoming commissions include the original opera “Super Storm!” for Opera for the Young’s 2018-2019 season, which will be performed in nearly 200 schools around the Midwest; and a song cycle for soprano, cello and piano on the poetry of Emily Dickinson, to be premiered and recorded in her hometown of Amherst, Massachusetts by UW-trained soprano Jamie-Rose Guarrine (below), cellist Karl Knapp and the composer at the piano.

Gendel will also perform some of his art songs with soprano Emily Birsan (below), another UW-Madison graduate who also attended classes and sang at the Lyric Opera of Chicago, at the Friday night concert, Aug. 11, of the Madison New Music Festival.

Go to http://www.scottgendel.com for more information.


Classical music: The 150th anniversary of architect Frank Lloyd Wright’s birth will be celebrated with two concerts on this coming Sunday afternoon and Monday night in Spring Green. They feature the world premiere of a work commissioned from Madison-based composer Scott Gendel.

August 2, 2017
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By Jacob Stockinger

Effi Casey, the director of music at Taliesin, the Frank Lloyd Wright compound in Spring Green, writes:

“I am writing to you to let you know about special concerts at Taliesin on Sunday, Aug. 6, at 2:30 p.m. and Monday, Aug. 7, at 7:30 p.m., which I will direct in the Hillside Theater at Taliesin.

“The concerts are a collaboration of Taliesin Preservation and Rural Musicians Forum as part of the year-long celebration of the 150th anniversary of the birth of architect Frank Lloyd Wright (below).

“I commissioned UW-Madison prize-winning graduate Scott Gendel to write “That Which Is Near,” a piece for choir, string quartet and piano, and we have enjoyed working on it. (NOTE: Gendel will discuss his work in more detail in tomorrow’s posting on this blog.) It will receive its world premiere at these two concerts.

“Other works to be performed include: “Fanfare for the Common Man” by Aaron Copland; “Past Life Melodies” by Sarah Hopkins; the spiritual “Ev’ry Time I Feel de Spirit”; “Hymn to Nature” (from the Wright-inspired opera “Shining Brow,” which is the English translation of the Welsh word “Taliesin” and stands for the hillside location) by UW-Madison graduate Daron Hagen; “Song of Peace” by Jean Sibelius”; and the “Sanctus” and “Dona Nobis Pacem” from the Mass in B Minor) by Johann Sebastian Bach and spoken words.

“The participation and enthusiasm of the singers of the greater Spring Green community are most rewarding already.

TICKETS

“Tickets are available on-line at RuralMusiciansForum.org. Please see the “Purchase Tickets Here” link to Brown Paper Tickets on the right-hand side of the RMF home page.

“Alternatively, tickets can be purchased at the Arcadia Bookstore in downtown Spring Green.

“Ticket prices range from $15 to $30. The $30 tickets for the Sunday Aug. 6 concert include concert admission and a festive champagne post-concert reception with composer Scott Gendel, the musicians and the chorus.

“Tickets for the concert only on Aug. 6 or 7 are $20 or $15 for seniors and students. Children 12 and under are free, but please pick up a free ticket for them to be sure they get a seat at the concert.” (Below is the Hillside Theater.)

WRIGHT AND MUSIC

To The Ear, a special concert seems the perfect way to mark the Wright sesquicentennial.

Just take a look, thanks to research by Effi Casey (below), at what Wright himself said and thought about music:

“… Never miss the idea that architecture and music belong together. They are practically one.” (FLW)

“While Wright claimed architecture as the “mother art,” his experience in music was early, visceral, and eternal. Of his childhood he wrote: “…father taught him (the boy) to play (the piano). His knuckles were rapped by the lead pencil in the impatient hand that would sometimes force his hand into position at practice time on the Steinway Square in the sitting room. But he felt proud of his father too. Everybody listened and seemed happy when father talked on Sundays when he preached, the small son dressed in his home-made Sunday best, looked up at him, absorbed in something of his own making that would have surprised the father and the mother more than a little if they could have known.”(FLW’s Autobiography).

“In his later years, Wright himself preached musical integration in his own Sunday talks to the Fellowship:

“Of all the fine arts, (Wright exclaimed in a Sunday morning talk to his apprentices) music it was that I could not live without – as taught by my father. (I) found in it (a) sympathetic parallel to architecture. Beethoven and Bach were princely architects in my spiritual realm…”

“But more than words, it was in practice where he conveyed music to those in his sphere, from a piano designed into a client’s home (for someone who may or may not have been able to play it!), to his own score of concert grand pianos at the two Taliesins (he claimed “the piano plays me!”).

“In a gesture of delight and exuberance, as it is told by those who experienced it, Wright had a gramophone player installed at the top of his Romeo and Juliet tower (below is the rebuilt tower) at Taliesin to have Bach’s Mass in B Minor resound over the verdant hills and valleys.

Adds Casey: “Architecture is indeed a musical parallel of composition, rhythm, pattern, texture, and color. As Beethoven’s Fifth Symphony is an “edifice of sound” (FLW) built upon the famous first eight notes, so Wright’s overture of verse expresses a singular IDEA, played in stone, wood, and concrete, from superstructure to matching porcelain cup.”

video


Classical music education: On Sunday, the Madison Youth Choirs presents “Hide and Seek: Cracking the Musical Code” with music by Bach, Handel, Grieg, Poulenc, Britten, Holst, Copland and others

May 10, 2017
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ALERT: This week is the season’s last FREE Friday Noon Musicale at the First Unitarian Society of Madison, 900 University Bay Drive. Featured are violinist Maureen McCarty and keyboardist Mark Brampton Smith in music of Jan Pieterszoon Sweelinck, Antonio de Cabezon, Johann Sebastian Bach, Johann Pachelbel, Jules Massenet and Spirituals. The concert runs from 12:15 to 1 p.m.

By Jacob Stockinger

The Madison Youth Choirs have sent the following announcement to post:

This spring, Madison Youth Choirs singers are sharpening their critical thinking, analytical and investigative skills as they identify patterns, puzzles and secret structures in a variety of complex musical compositions by artists including Johann Sebastian Bach, Francis Poulenc, Gustav Holst, Benjamin Britten, Georg Frideric Handel, Aaron Copland, and other composers. The results will be presented this Sunday in “Hide and Seek: Cracking the Musical Code.”

MYC’s Cantabile and Ragazzi choirs will also present excerpts from a world premiere score by Wisconsin-based composer Scott Gendel (below) inspired by the beloved novella The Snow Goose.

Please join us as we dive deep into these classical and contemporary choral works, discovering the great rewards of seeking brilliance and beauty wherever they hide.

The concerts are at the First Congregational United Church of Christ, 1609 University Ave., near Camp Randall Stadium.

Here is a schedule of times for various groups to perform:

Sunday, May 14, 2017

1:30 p.m. Girlchoirs

4 p.m. Boychoirs

7 p.m. High School Ensembles.

Tickets are available at the door. General admission is $10, $5 for students 7-18, and free for children under 7. A separate ticket is required for each performance. 

See below for complete programs.

These concerts are generously supported by the American Girl’s Fund for Children, BMO Harris Bank, the Green Bay Packers Foundation, the Kenneth A. Lattman Foundation, the John A. Johnson Foundation, a component fund of the Madison Community Foundation, Dane Arts with additional funds from the Endres Mfg. Company Foundation, The Evjue Foundation, Inc., charitable arm of The Capital Times, the W. Jerome Frautschi Foundation and the Pleasant T. Rowland Foundation. This project is also supported by the Wisconsin Arts Board with funds from the State of Wisconsin and the National Endowment for the Arts. 

About the Madison Youth Choirs (MYC):

Recognized as an innovator in youth choral music education, Madison Youth Choirs (MYC) welcomes singers of all ability levels, annually serving more than 1,000 young people, ages 7-18, through a wide variety of choral programs in our community. Cultivating a comprehensive music education philosophy that inspires self-confidence, personal responsibility, and a spirit of inquiry leading students to become “expert noticers,” MYC creates accessible, meaningful opportunities for youth to thrive in the arts and beyond. (You can hear a sample of them singing in the YouTube video at the bottom.)

For more information, go to www.madisonyouthchoirs.org

Here are the concert programs for this Sunday:

1:30 p.m. Concert (Featuring MYC Girlchoirs)

Choraliers

Lachend…Cesar Bresgen

Two Childhood Songs…Randall Thompson

Fairest Lady (from The Nursery Rhyme Cantata)…Nick Page

Con Gioia

O Lovely Peace (from Judas Maccabeus)…George Frederic Handel

Ewig Dein…Ludwig van Beethoven

Kentucky Jazz Jam…Traditional folk songs, arr. David J. Elliott

Capriccio

Musica est Dei donum optimi…Orlando di Lasso

Herr, du siehst statt gutter Werke auf (BWV 9)…Johann Sebastian Bach

Camino, Caminante…Stephen Hatfield

Think on Me…James Quitman Muholland

Amavolovolo…Traditional Zulu, arr. Rudolf de Beer

Cantilena

Bonny Wood Green…Traditional Irish Ballad, arr. Stephen Hatfield

Ah! Si mon moine voulait danser…Folk song from Quebec, arr. Donald Patriquin

Cantabile

Love is a Rain of Diamonds…Gwyneth Walker

No Time…Traditional camp meeting songs, arr. Susan Brumfield

Combined Choirs and Audience

Blowin’ in the Wind…Bob Dylan

4 p.m. Concert (Featuring MYC Boychoirs)

Combined Boychoirs

Das Hexen Einmal-Eins (The Witch’s One-Times-One)…Franz Joseph Haydn

Purcell

Wind on the Hill…Victoria Ebel-Sabo

Mangwani M’pulele…Traditional Zulu, arr. Theodore Bikel

The Old Carrion Crow…Nova Scotian folk song, arr. Mary Goetze

Britten   

Missa Brevis in D…Benjamin Britten

Wenn Sorgen auf mich dringen…J.S. Bach

I’se the B’y…Newfoundland folk song, arr. John Govedas

Holst

Tourdion…Anonymous, 16th century, arr. Pierre Attaignant

Bawo Thixo Somandla (sung in Xhosa)…Mxolisi Matyila

A Miner’s Life…Traditional Irish song, arr. Seth Houston

Ragazzi

Zion’s Walls…Setting by Aaron Copland, arr. Glen Koponen

Seigneur, je vous en prie…Francis Poulenc

Brothers, Sing On…Edvard Grieg

Combined Boychoirs

Blowin’ in the Wind…Bob Dylan

7 p.m. Concert (Featuring High School Ensembles)

Cantilena

Domine Deus (from Mass in G Major, BWV 236)…J.S. Bach, arr. Doreen Rao

maggie and milly and molly and may…Vincent Persichetti

Bonny Wood Green…Traditional Irish Ballad, arr. Stephen Hatfield

Ah! Si mon moine voulait danser…Folk song from Quebec, arr. Donald Patriquin

Ragazzi

Zion’s Walls…Setting by Aaron Copland, arr. Glen Koponen

Seigneur, je vous en prie…Francis Poulenc

Brothers, Sing On…Edvard Grieg

Cantabile

Suscepit Israel (from Magnificat in D, BWV 243)… J.S. Bach

Love is a Rain of Diamonds…Gwyneth Walker

No Time…Traditional camp meeting songs, arr. Susan Brumfield

Cantabile and Ragazzi

Excerpts from The Snow Goose…Scott Gendel

Hark, I Hear the Harps Eternal…Traditional shape-note, arr. Alice Parker

Combined Choirs and Audience

Blowin’ in the Wind…Bob Dylan


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