The Well-Tempered Ear

Classical music: Four Madison Opera singers will collaborate with the Wisconsin Youth Symphony Orchestras (WYSO) to perform Winterfest Concerts this Friday night and Saturday afternoon

March 10, 2020
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By Jacob Stockinger

Each year, over a weekend, the Wisconsin Youth Symphony Orchestras (WYSO) perform the Diane Ballweg Winterfest Concerts.

But this year a new collaboration will take place.

On this Friday night, March 13, at 7 p.m. in the Mead Witter Foundation Concert Hall of the new Hamel Music Center, 740 University Avenue, the senior WYSO Youth Orchestra (below) will accompany four singers from the Madison Opera’s Studio Artist program in which they transition to a professional career by singing minor roles and being understudies for leading roles.

Tickets are $10 for adults, and $5 for youth under 19, and are available in advance through the Campus Ticket Office, and at the venue 30 minutes before the concert.

WYSO says the Friday night concert is close to selling out.

Here are some details: “Now in its eighth year, the Studio Artist Program is an important part of Madison Opera’s artistic and educational mission. The 2019-20 Studio Artists are four singers (below) in the transition between their education and their professional careers.

They are (from left, clockwise): baritone Stephen Hobe; mezzo-soprano Kirsten Larson; tenor Benjamin Hopkins; and soprano Emily Secor. They will sing duets, trios and quartets. There will also be an orchestral overture and a prelude.

WYSO music director Kyle Knox, who is also the associate music director of the Madison Symphony Orchestra, will conduct both singers and instrumentalists. (You can hear WYSO members talking about playing and performing in the YouTube video at the bottom.)

Says Knox (below): “Young instrumentalists rarely get to accompany soloists and singers. Playing opera in particular is something that tends to come much later in their careers, and for many of them, never at all.”

The program includes excerpts from favorite operas, including: arias by “Nabucco” and “Rigoletto” by Verdi; “La Clemenza di Tito” by Mozart; “The Barber of Seville” and “William Tell” by Rossini; “Lohengrin” by Wagner; “The Elixir of Love” by Donizetti; “Carmen” by Bizet; and “La Boheme” by Puccini. For a complete program with specific titles plus ticket information, go to:

https://www.wysomusic.org/diane-ballweg-winterfest-concerts/

For more detailed information about the Madison Opera Studio Atrists program and its WYSO collaboration, go to:

https://www.wysomusic.org/in-collaboration-with-madison-operas-studio-artists/

SATURDAY

On this Saturday, March 14, in Mills Hall in the Mosse Humanities Building, 455 North Park Street, the following groups will perform. No programs have been posted.

11:30 a.m. — Opus One and Sinfonietta (below)

1:30 p.m. — Harp Ensemble (below) and Concert Orchestra

4:00 p.m. — Percussion Ensemble (below) and Philharmonia Orchestra

The WYSO Winterfest Concert series is funded by: Diane Ballweg, with additional funding from the Wisconsin Arts Board; Dane Arts; Madison Arts Commission; American Girl’s Fund for Children; Eric D. Batterman Memorial Fund; and the Coe and Paul Williams Fund for New Musicians.

The performance in the Mead Witter Foundation Concert Hall was made possible by an additional gift from Martha and Charles Casey. The appearance of the Studio Artists in this program has been underwritten by the Charles and Mary Anderson Charitable Fund, Charles and Martha Casey, and David Flanders and Susan Ecroyd.

 


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Classical music: This weekend, the Madison Symphony Orchestra celebrates Valentine’s Day with violinist Pinchas Zukerman and cellist Amanda Forsyth in the Romantic “Double Concerto” by Brahms

February 10, 2020
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By Jacob Stockinger

This coming weekend, the Madison Symphony Orchestra, under the baton of John DeMain, will celebrate Valentine’s Day.

The program “Romantic Encounter” examines the brashness of French composer Hector Berlioz’s Le Corsaire” Overture, as well as the thundering seriousness of American composer Aaron Copland’s Symphony No. 3.

The husband-and-wife duo (below) of violinist Pinchas Zukerman, and cellist Amanda Forsyth make their return to Madison to reprise their performance of German composer Johannes Brahms’ Double Concerto for Violin and Cello in A minor. (You can hear the passionate slow movement in the YouTube video at the bottom.)

Performances will be held in Overture Hall, 201 State Street, on Friday, Feb. 14, at 7:30 p.m.; Saturday, Feb. 15, at 8 p.m.; and Sunday, Feb. 16, at 2:30 p.m.

Tickets are $19 to $95. See below for details.

Says maestro DeMain (below, in a photo by Greg Anderson) about the world-renowned duo: “The married team of Pinchas Zukerman and Amanda Forsyth return to recreate their exciting interpretation of the Brahms Double Concerto for violin, cello and orchestra.

“One of Berlioz’s finest overtures, the exhilarating Le Corsaire opens the concert. And Aaron Copland’s majestic, powerful and lyrical Third Symphony — which is one of Copland’s great masterpieces and includes his Fanfare for the Common Man — is heard on the second half of the program.”

Eight minutes long, Berlioz’s swashbuckling Le Corsaire” was composed in Nice, France, after the final break-up of his marriage. The composer resided in a tower above the sea, which explains the ruined fortification’s depiction in his overture. “Corsaire” translates to “a ship used for piracy,” but this meaning is not related to the work.

 The Double Concerto was Brahms’ final work for orchestra. He composed the concerto for his old but estranged friend, violinist Joseph Joachim, as well as for cellist Robert Hausmann. With few recent precedents, the closest comparison to this work would be the Baroque concerto grosso, in which a soloist or small group is contrasted with an entire ensemble.

Copland’s monumental Symphony No. 3 was commissioned by conductor Serge Koussevitsky and the Boston Symphony Orchestra. The work perfectly reflects the spirit of post-war America and impressively holds the title of “Greatest American Symphony.” In writing this piece, Copland (below) borrowed from himself by incorporating his triumphant Fanfare for the Common Man.

ABOUT PINCHAS ZUKERMAN

With a celebrated career encompassing five decades, Pinchas Zukerman reigns as one of today’s most sought-after and versatile musicians — violin and viola soloist, conductor and chamber musician. He is renowned as a virtuoso, admired for the expressive lyricism of his playing, singular beauty of tone, and impeccable musicianship, which can be heard throughout his discography of over 100 albums.

Born in Tel Aviv, Zukerman came to the United States where he studied at the Juilliard School with Ivan Galamian as a recipient of the American-Israel Cultural Foundation scholarship. He received the National Medal of Arts from President Ronald Reagan and is a recipient of the Isaac Stern Award for Artistic Excellence in Classical Music.

ABOUT AMANDA FORSYTH

The Canadian and Juno Award-winning Amanda Forsyth is considered one of North America’s most dynamic cellists. She has achieved her international reputation as soloist, chamber musician and was principal cello of Canada’s National Arts Centre Orchestra from 1999 to 2015. Her intense richness of tone, remarkable technique and exceptional musicality combine to enthrall audiences and critics alike.

PROGRAM NOTES, TICKETS AND EVENT DETAILS

The lobby opens 90 minutes prior to each concert. The MSO recommends that concert attendees arrive early for each performance to make sure they have time to pass through Overture Center’s security stations, and so they can experience the Prelude Discussion that takes place one hour before each concert.

Program notes are available at: http://www.allsenmusic.com/NOTES/1920/5.Feb20.html

Discounted seats are subject to availability, and discounts may not be combined.  

Major funding for the February concert has been provided by NBC 15; The Madison Concourse Hotel and Governor’s Club; Marvin J. Levy; Fred and Mary Mohs; Nancy Mohs; and David and Kato Perlman.

Additional funding has been provided by Robert Benjamin and John Fields; Boardman and Clark LLP; Forte; Barbara Melchert and Gale Meyer; and the Wisconsin Arts Board with funds from the State of Wisconsin and the National Endowment for the Arts.

 


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Classical music: This Saturday night, Russian pianist Ilya Yakushev returns to the Salon Piano Series at Farley’s House of Pianos to perform popular works by Beethoven, Liszt and Gershwin

January 6, 2020
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By Jacob Stockinger

This coming Saturday night, Jan. 11, at 7:30 p.m., the acclaimed Russian-born pianist Ilya Yakushev (below) will make his fourth recital appearance at the Salon Piano Series.

The concert will be held at Farley’s House of Pianos, 6522 Seybold Road, on Madison’s far west side near West Towne Mall.

Yakushev — who studied in his native St. Petersburg and at the Mannes School of Music in New York City — has also performed several times with the Wisconsin Chamber Orchestra.

He never fails to impress with both his virtuosic technique and his insightful interpretations, whether he is playing Russian repertoire by Mussorgsky, Rachmaninoff and Prokofiev or jazzy American classics like Gershwin.

“Yakushev is one of the very best young pianists before the public today,” said the American Record Guide about Yakushev who has also won major  international competitions.

For more information about Yakushev, including critics’ reviews, a biography, concert dates and a discography, go to his website: http://www.ilyayakushev.com

The Madison program includes:

Beethoven – Sonata “Pathetique,” Op. 13

Liszt – “Six Consolations” (You can hear the famous Consolation No. 3, often learned by students and played as an encore by concert artists, in the YouTube video at the bottom.)

Gershwin – music from the opera “Porgy and Bess” in an arrangement for solo piano

An artist’s reception will follow the concert.

Tickets are $45 in advance ($10 for students) or $50 at the door. Service fees may apply. Student tickets can only be purchased online and are not available the day of the event.

You can purchase tickets on line at: https://www.brownpapertickets.com/producer/706809

For more information, go to: https://salonpianoseries.org/concerts.html

This concert is supported in part by a grant from the Wisconsin Arts Board with funds from the State of Wisconsin and the National Endowment for the Arts.

The Salon Piano Series is a nonprofit founded to continue the tradition of intimate salon concerts featuring exceptional artists. For more information about the series, including upcoming concerts and how to support it, call (608) 271-2626 or go to: https://salonpianoseries.org.

 


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Classical music: Award-winning prodigy pianist Maxim Lando performs a recital at Farley’s on Sunday afternoon and gives a free public master class on Saturday afternoon

November 15, 2019
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ALERT: At noon this Saturday, Nov. 16, Grace Presents offers a FREE one-hour concert by Lawren Brianna Ware and friends. The concert is at Grace Episcopal Church, 116 West Washington Avenue, downtown on the Capitol Square.

Pianist and composer Ware, the 2017 Grand Prize Winner of the Overture Rising Stars Competition, will perform a program of original, contemporary and classical solo and chamber works entitled “These Are a Few of My Favorite Things.” Featured are works by Aram Khachaturian, Fazil Say, Frederic Chopin, Ludwig van Beethoven, Robert W. Smith, Martin Ellerby  and Eric Ewazen.

By Jacob Stockinger

You have to hand it to Farley’s House of Pianos and its Salon Piano Series: They sure know how to book young up-and-coming performers to stay ahead of the curve.

Last season, they presented Kenneth Broberg, a silver medalist at the last Van Cliburn International Piano Competition, before he was accepted into the International Tchaikovsky Competition in Moscow, where he won a bronze medal.

This weekend, the Salon Piano Series presents another timely choice.

This Sunday afternoon, Nov. 17, at 4 p.m., the 17-year-old American piano prodigy Maxim Lando (below, in a photo by Matt Dine) will perform a solo recital at Farley’s showroom, 6522 Seybold Road, on Madison’s far west side near West Towne Mall.

Once again, Lando was booked just before winning a big award and honor.

In addition, at his Salon Piano Series premiere, Lando will have grandparents in the audience, as well as an aunt, uncle and cousins, all from the Madison area.

The son of pianist Pippa Borisy, who grew up in Madison, and clarinetist Vadim Lando, Maxim was raised in Great Neck, Long Island, New York, and has a full-time career as a touring pianist while still finishing high school.

Lando first received national attention in 2017 when he performed with superstar Chinese pianist Lang Lang and jazz great Chick Corea with the Philadelphia Orchestra at Carnegie Hall’s Gala Opening Night.

He won the 2018 Young Concert Artists auditions at the age of 16 and Susan Hall of Berkshire Fine Arts has described him as having “a very old musical soul.”

This fall he received a Gilmore 2020 Young Artist Award, which recognizes the most promising of the new generation of U.S.-based pianists, age 22 or younger. He will perform a series of concerts this season at the Gilmore Keyboard Festival as part of the recognition.

For this Salon Piano Series concert, Lando will perform the same program he performed for recent sold-out performances at the Kennedy Center in Washington, D.C., and Carnegie Hall in New York City.

Lando’s program includes: Nikolai Kapustin’s Concert Etude “Toccatina”; Ludwig van Beethoven’s Sonata No. 30 in E Major, Op. 109 (you can hear the opening movement in the YouTube video at the bottom); Alexander Scriabin’s Prelude in B major and Etude in D-sharp minor; and Franz Liszt’s “Transcendental Etudes.”

Tickets are $45 in advance (full-time students are $10) or $50 at the door (if any remain). Service fees may apply.  Student tickets can only be purchased online and are not available the day of the concert.

Tickets can be purchased at: https://www.brownpapertickets.com/event/4275212

An artist’s reception will follow the concert.

For more information, go to: https://salonpianoseries.org/concerts.html

MASTER CLASS

Also, on this Saturday, Nov. 16, at 4 p.m., Maxim Lando will teach a master class at Farley’s House of Pianos, where he will instruct four local students.

This is a free event that the public is invited to observe.

For a complete list of the music by Beethoven, Prokofiev and Clementi to be performed as well as the names of the local students and their teachers, go to: https://salonpianoseries.org/concerts.html

The master classes for the 2019-20 season are supported by the law firm of Boardman and Clark LLP.

This concert is supported in part by a grant from the Wisconsin Arts Board with funds from the State of Wisconsin and the National Endowment for the Arts.

 


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Classical music: This weekend, prize-winning pianist Joyce Yang solos in Prokofiev’s most popular piano concerto with the Madison Symphony Orchestra. Works by Schumann and Aaron Jay Kernis round out the program

November 4, 2019
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By Jacob Stockinger

This weekend, prize-winning pianist Joyce Yang (below) will return to Madison to join the Madison Symphony Orchestra in her local concerto debut and perform Prokofiev’s brilliant, bravura and tuneful Piano Concerto No. 3 in C major, Op. 26.

The concert opens with Kernis’ Newly Drawn Sky and concludes with Schumann’s Symphony No. 2 in C Major, Op. 61.

Performances will be held in Overture Hall, 201 State Street, on Friday night, Nov. 8, at 7:30 p.m.; on Saturday night, Nov. 9, at 8 p.m.; and Sunday afternoon, Nov. 10, at 2:30 p.m.

Tickets are $19-$95 with discounts available. See below for details.

Speaking about the program, music director and maestro John DeMain (below, in a photo by Greg Anderson) says: “November brings us another Madison Symphony debut, that of the amazing pianist Joyce Yang. She will perform the Prokofiev’s dazzling Piano Concerto No. 3, one of the great and most popular concertos, and certainly a favorite of mine.”

Adds DeMain: “I can’t wait for audiences to experience the hauntingly beautiful Newly Drawn Sky by Aaron Jay Kernis. And of the four symphonies by Robert Schumann, many regard his second as the greatest of them all.”

According to Aaron Jay Kernis (below), who has won the Pulitzer Prize and a Grammy Award and who teaches at the Yale School of Music, Newly Drawn Sky” is “a lyrical, reflective piece for orchestra, a reminiscence of the first summer night by the ocean spent with my young twins, and of the summer sky at dusk.”

The chromatically shifting three-note chords that begin in the strings and transfer to the winds are a central element in the creation of this work. The works last approximately 17 minutes and was premiered at the Ravinia Festival in 2005 by the Chicago Symphony Orchestra.

To read more about Kernis and his successful career, go to: https://en.wikipedia.org/wiki/Aaron_Jay_Kernis

Sergei Prokofiev (below) himself played the solo part at the world premiere of his Piano Concerto No. 3 on Dec. 16, 1921 in Chicago with the Chicago Symphony Orchestra. Although he started work on the composition as early as 1913, the majority of it was completed in 1921 and the piece didn’t gain popularity until 1922 when it was confirmed in the 20th-century canon. (You can hear Prokofiev play the first movement in the YouTube video at the bottom.) The Ear thinks that the work has much Russian Romanticism in it and if you like Rachmaninoff, you will probably like this Prokofiev.

Originally a composer for keyboard, Robert Schumann (below with wife Clara) began writing symphonies around the time of his marriage to his virtuoso pianist and composer wife Clara Wieck, who encouraged his compositional expansions.

The uplifting Symphony in C major was created while the composer was troubled with depression and hearing loss; a Beethovenian triumph over pessimism and despair, the creation of this symphony served as a healing process for Schumann.

ABOUT JOYCE YANG 

Blessed with “poetic and sensitive pianism” (The Washington Post) and a “wondrous sense of color” (San Francisco Classical Voice), Grammy-nominated pianist Joyce Yang, who years ago played a recital at the Wisconsin Union Theater, captivates audiences with her virtuosity, lyricism and interpretive sensitivity.

Yang first came to international attention in 2005 when she won the silver medal at the 12th Van Cliburn International Piano Competition. The youngest contestant at 19 years old, she took home two additional awards: Best Performance of Chamber Music (with the Takacs Quartet), and Best Performance of a New Work.

In 2006 Yang (below) made her celebrated New York Philharmonic debut alongside conductor Lorin Maazel at Avery Fisher Hall in Lincoln Center along with the orchestra’s tour of Asia, making a triumphant return to her hometown of Seoul, South Korea.

CONCERT, TICKET AND EVENT DETAILS

The lobby opens 90 minutes prior to each concert.

One hour before each performance, Wisconsin Public Radio host Anders Yocom (below, in a photo by James Gill )will lead a 30-minute Prelude Discussion in Overture Hall to enhance concertgoers’ understanding and listening experience. It is free to ticket holders.

The MSO recommends concert attendees arrive early for each performance to make sure they have time to pass through Overture Center’s security stations, and so they can experience the Prelude Discussion.

Program notes for the concerts are available online: http://bit.ly/msonov19programnotes.

  • Single Tickets are $19-$95 each and are on sale now at: https://madisonsymphony.org/event/joyce-yang-plays-prokofiev/through the Overture Center Box Office at 201 State Street, or by calling the Box Office at (608) 258-4141. Fees apply to online/phone sales.
  • Groups of 10 or more can save 25% by calling the MSO office at (608) 257-3734. For more information, visit, https://www.madisonsymphony.org/groups.
  • Student rush tickets can be purchased in person on the day of the concert at the Overture Center Box Office at 201 State Street. Students must show a valid student ID and can receive up to two $15 or $20 tickets. More information is at: https://www.madisonsymphony.org/studentrush
  • Seniors age 62 and up receive 20% savings on advance and day-of-concert ticket purchases in select areas of the hall.
  • Flex-ticket booklets of 8-10 vouchers for 2019-20 symphony subscription concerts are available. Learn more at: https://madisonsymphony.org/flex
  • Subscriptions for the 2019–2020 season are available now. Learn more at: https://madisonsymphony.org/19-20

Discounted seats are subject to availability, and discounts may not be combined. 

Major funding for this concert is provided by Madison Magazine, Stephen D. Morton, National Guardian Life Insurance Company, Scott and Janet Cabot, and Peggy and Tom Pyle. Additional funding provided by Foley & Lardner LLP, Howard Kidd and Margaret Murphy, and the Wisconsin Arts Board with funds from the State of Wisconsin and the National Endowment for the Arts


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Classical music: The Madison Opera performs Verdi’s popular “La Traviata” this Friday night and Sunday afternoon in Overture Hall

October 28, 2019
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By Jacob Stockinger

This weekend, the Madison Opera opens its 59th season with a traditional production of Verdi’s “La Traviata” (The Lost One), one of the most popular operas in history.

According to the website www.operasense.com — specifically at https://www.operasense.com/most-popular-operas/ — it has been the most performed opera in the world, beating out such perennial favorites as Mozart’s “The Magic Flute,” Puccini’s “La Boheme” and “Madama Butterfly,” and Bizet’s “Carmen.” (Below are photos by Matthew Staver from the production by Opera Colorado in Denver, which features the same sets and costumes that will be used in the production by Madison Opera.)

Performances in Overture Hall are this Friday night, Nov. 1, at 8 p.m. and Sunday afternoon, Nov. 3 at 2:30 p.m. The opera will be sung in Italian with projected supertitles in English. The running time, with two intermissions, is 2 hours and 45 minutes.

PRE-OPERA TALKS are on Friday at 7 p.m. and Sunday at 1:30 p.m. in the Wisconsin Studio of the Overture Center. One hour prior to performances, general director Kathryn Smith will give an entertaining and informative talk about “La Traviata.” The talks are free to ticket holders.

POST-OPERA Q&A’s are on Friday and Sunday and will also take place in the Wisconsin Studio of the Overture Center. Audience members can join general director Kathryn Smith immediately after the performance to ask questions about what they have just seen. The sessions are free to ticket holders.

Tickets are $18-$135 with student and group discounts available. For information about tickets, the production and the cast, go to: https://www.madisonopera.org

Set in mid-19th century Paris, “La Traviata” tells of Violetta, a courtesan who tries to follow her heart. But societal pressures force her to leave the man she loves, and an incurable illness takes care of the rest.

Glittering parties contrast with quiet desperation, and ravishing music underscores all-consuming emotions.

“Only a few operas ever achieve a truly beloved status — and “La Traviata” is one of them,” says Kathryn Smith (below, in a photo by James Gill). For being over 150 years old, its story is quite modern: a young woman trying to overcome the limitations that society has placed on her because of her class and gender, searching for happiness yet willing to make sacrifices.

“Plus it is full of very famous music, from the ‘Brindisi’ to ‘Sempre Libera’ and more,” Smith adds. “It’s always a pleasure to have a new generation discover this work, and to share it with opera omnivores who know it well.” (You can hear Renée Fleming sing Violetta’s signature aria “Sempre libera” (Always Free) at the Royal Opera House in the YouTube video at the bottom.)

“La Traviata” is based on the play and novel “La Dame aux Camélias” (The Lady of the Camellias) by Alexandre Dumas the son (below top), which were in turn based on his real-life relationship with the courtesan Marie Duplessis (below bottom), who died in 1847 of consumption.

The play was an instant hit when it premiered in Paris in 1852, and Verdi (below) turned it into an opera the following year.

While the first production of the opera was not a success, due to the poor singing of two cast members and the physical unsuitability of one singer, its second production was acclaimed, and the opera swiftly became one of the most performed operas in the world, a status it has not lost.

Both the opera and the play have inspired countless films, including “Camille” (with Greta Garbo), “Pretty Woman” (with Julia Roberts) and “Moulin Rouge” (with Nicole Kidman).

Madison Opera’s artistic director John DeMain (below, in a photo by Greg Anderson) says: “”La Traviata” has been a part of my artistic life since the very beginning of my career – it’s one of the reasons I so wanted to conduct opera. The heartfelt and tragic story of a love that was cut short by both health and cultural circumstances is still deeply moving today.

“The role of Violetta is a tour-de-force that ranges from high-flying coloratura to dramatic vocalism, with a strongly-etched character. I love this opera so deeply and look forward to conducting it for our audience.”

Returning to Madison Opera as Violetta is Cecilia Violetta Lopez (she played Carmen in Madison), whom The Washington Post reviewer called “as compelling a Violetta as I’ve seen.”

Mackenzie Whitney  (below, who appeared in “Florencia en el Amazonas” for the Madison Opera) returns as Alfredo, the young man for whom she sacrifices everything.

Weston Hurt (below) debuts with Madison Opera as Alfredo’s father Germont, whose disapproval of his son’s relationship with Violetta has tragic consequences.

Madison Opera’s Studio Artists are featured: Kirsten Larson as Flora, Emily Secor as Annina, Benjamin Hopkins as Gastone, and Stephen Hobe as the Marquis d’Obigny.

Rounding out the cast are Benjamin Sieverding (Romeo and Juliet) as Dr. Grenvil and Benjamin Major in his Madison Opera debut as Baron Douphol.

Fenton Lamb (below) directs this traditional production in her Madison Opera debut.

Maestro John DeMain conducts the singers, the Madison Opera Chorus and the Madison Symphony Orchestra.

The Madison Opera’s production of “La Traviata” is sponsored by the Pleasant T. Rowland Foundation, Bert and Diane Adams, Carla and Fernando Alvarado, Chun Lin, Patricia and Stephen Lucas, Millie and Marshall Osborn, Kato and David Perlman, the Wallach Family, Helen Wineke, Capitol Lakes, and the Wisconsin Arts Board.


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Classical music: Cellist Amit Peled and pianist Daniel del Pino open the Salon Piano Series this Friday and Saturday nights. TODAY the Edgewood College Chamber Orchestra opens its new season in a new hall

September 29, 2019
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ALERT: The Edgewood Chamber Orchestra opens its new season TODAY at 2:30 p.m. in the new McKinley Performing Arts Center at Edgewood High School, 2219 Monroe Street. Blake Walter will conduct the program that  features Beethoven’s “King Stephen” Overture, composed to celebrate the opening of a new theater ; Handel’s “Water Music”; and Mozart’s Symphony No. 36 in C Major “Linz,” K. 425. Admission is $5 for the general public, FREE with an ID for Edgewood College or Edgewood High School.

By Jacob Stockinger

The Salon Piano Series will open its new and expanded season with a recital by cellist Amit Peled (below top, in a photo by Lisa Mazzucco) and pianist Daniel del Pino (below bottom) on this coming Friday and Saturday nights, Oct. 4 and 5, at 7:30 p.m.

The concerts, which are being dedicated to retired critic John W. Barker,  will be held at Farley’s House of Pianos, 6522 Seybold Road, on Madison’s far west side near West Towne Mall.

Each artist has performed individually at Farley’s before, but this will be their first joint recital in Madison.

The program is:

John Eccles – Sonata in G Minor (1720)

Ludwig van Beethoven – Sonata No. 2 in G Minor, Op. 5, No. 2 (1796)

Gaspar Cassadó – Sonata in Old Spanish Style, G Minor, (1925)

Richard Strauss – Sonata in F Major, Op. 6 (1883)

A reception will follow the performances.

Tickets are $45 in advance and $50 at the door. Student tickets are $10 and can only be purchased online and are not available the day of the event.

You can buy tickets online, where service fees may apply, at: https://www.brownpapertickets.com/producer/706809

You can also call Farley’s at (608) 271-2626 to purchase tickets.

After hearing the Israeli-American Peled, The New York Times reported that he has “a glowing tone, a seductive timbre and an emotionally pointed approach to phrasing that made you want to hear him again.”

Daniel del Pino is a leading Spanish concert pianist on the international scene. He has performed in prestigious venues on five continents.

In the YouTube video at the bottom, you can watch a special concert preview and an enthusiastic message about specifically performing in Madison from Amit Peled.

You can also hear and see past performances from Peled and del Pino at the Salon Piano Series on YouTube:

From February 2016, Amit Peled performs on Pablo Casals’ cello: https://www.youtube.com/watch?v=3Yb-SE80eDg

From November 2015, Daniel del Pino performs Chopin: https://www.youtube.com/watch?v=-tnvbk_v2Xk

For more information about this concert and the full season of six concerts, including subscription tickets, go to: https://salonpianoseries.org

This concert is supported in part by a grant from the Wisconsin Arts Board with funds from the State of Wisconsin and the National Endowment for the Arts.


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Classical music: The Madison Area Youth Chamber Orchestra (MAYCO) will give two FREE afternoon performances this Saturday and Sunday with the world premiere of a socially relevant piece by local composer Lawren Brianna Ware

August 1, 2019
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By Jacob Stockinger

The Madison Area Youth Chamber Orchestra (MAYCO, below) will present its ninth season this weekend, performing two free afternoon concerts.

Co-directed by the husband-and-wife team of conductor Mikko Rankin Utevsky (below left) and concertmaster Thalia Coombs (below back), the orchestra will perform music of Haydn, Wagner and Grieg, plus a commissioned work from local composer Lawren Brianna Ware.

Performances are Saturday, Aug. 3, at noon on the “Grace Presents” concert series at Grace Episcopal Church, located downtown at 116 West Washington Avenue on the Capitol Square; and on Sunday, Aug. 4, at 12:30 p.m. in the Mead Witter Lobby of the University of Wisconsin-Madison’s Chazen Museum of Art, as part of “Sunday Afternoon Live at the Chazen.”

(Please note that Sunday’s concert is NOT in the Brittingham Gallery III due to space constraints.) Sunday’s performance will be live-streamed on the Chazen website. Here is a link to the portal for streaming: https://www.chazen.wisc.edu/index.php?/events-calendar-demo/event/sunday-afternoon-live-at-the-chazen7/

ABOUT THE PROGRAM

Utevsky and Coombs offer the following comments about the program:

We’re excited to be working with Lawren Brianna Ware (below) on a new work she composed for us, Un sueño aplazado (A Dream Deferred – a quote from the African-American poet Langston Hughes), which chronicles the emotional trajectory of a migrant’s journey from Central America to the United States.

Our two high school Conducting Apprentices, Luke Whittingham (below top) and Quinn Wilson (below bottom) will each conduct one performance of a movement from Edvard Grieg’s Holberg Suite. Whittingham conducts on Saturday and Wilson does so on Sunday.

Richard Wagner’s Siegfried Idyll is a luxurious tone poem for small orchestra that he composed as a love letter to his wife Cosima, first performed on the staircase of their villa in Switzerland on her birthday. Often chamber orchestras don’t get the chance to dig into the great German Romantic repertoire, but this gem is a notable — and unforgettably beautiful — exception. (You can hear it in the YouTube video at the bottom.)

We conclude our program with Franz Joseph Haydn’s final symphony, No. 104. Nicknamed the “London,” it is one of 12 symphonies he wrote for performances there late in his career, and it remains one of his finest essays in symphonic form.

MAYCO is made possible by a grant from the Madison Arts Commission, with additional funds from the Wisconsin Arts Board.

For more information about the Madison Area Youth Chamber Orchestra, go to www.mayco.org or call (608) 514-5537.


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Classical music: Madison Opera’s annual FREE Opera in the Park returns this Saturday night, July 20, in Garner Park and celebrates 18 years plus a glimpse of the upcoming season

July 15, 2019
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By Jacob Stockinger

The Ear has received the following announcement to post about one of the most highly anticipated musical events of summer, one that offers lots of family-friendly fun and serious musical enjoyment:

Madison Opera’s Opera in the Park (below, in a photo by James Gill) celebrates its 18th year on this coming Saturday night, July 20, at 8 p.m. in Garner Park, on Madison’s far west side at the intersection of Rosa Road and Mineral Point Road.

The annual free concert of opera and Broadway favorites closes the company’s 2018-19 season and provides a preview of the 2019-20 season. (You can hear a sample of past years in the YouTube video at the bottom.)

A Madison summer tradition that often attracts over 14,000 people, Opera in the Park is an enchanting evening of music under the stars, featuring selections from opera and Broadway.

Opera in the Park 2019 features soprano Jeni Houser, soprano Michelle Johnson, tenor David Blalock and baritone Ben Edquist.

Jeni Houser (below) has sung many roles with Madison Opera, most recently in Sondheim’s A Little Night Music, and she returns next season as Eurydice in Offenbach’s Orpheus in the Underworld.

Michelle Johnson (below) scored a major success with Madison Opera as Santuzza in Mascagni’s Cavalleria Rusticana last season.

David Blalock (below) debuted with Madison Opera in 2014 and returns this season as Orpheus in Orpheus in the Underworld.

Ben Edquist (below) is making his debut, and will return to the company as Hawkins Fuller in Gregory Spears’ Fellow Travelers, about the Lavender Scare against LGBTQ peoplein February.

The four soloists are joined by the Madison Opera Chorus and Madison Symphony Orchestra, conducted by John DeMain (below, in a photo by Greg Anderson).

The evening is hosted by Madison Opera’s General Director Kathryn Smith and WKOW TV’s 27 News co-anchor George Smith (below, in a photo by Simon Fowler).

Opera in the Park is the greatest performance in Madison Opera’s season,” says Smith (below, in a photo by James Gill). “It offers a truly magical blend of beautiful voices, music from many centuries, and thousands of members of our community relaxing together under the same night sky. I am grateful to all of our supporters who share our belief in the community-building power of music and help us produce this concert every summer.”

Opera in the Park 2019 features arias and ensembles from Verdi’s La Traviata, which opens the 2019-20 season in November; Spears’ Fellow Travelers, which will be performed in February; and Offenbach’s Orpheus in the Underworld, which will be performed in April.

The program also includes selections from Verdi’s Rigoletto and La Forza del Destino (The Force of Destiny); Donizetti’s The Elixir of Love and Don Pasquale; Korngold’s Die Tote Stadt (The Dead City); Romberg’s The Student Prince; Funny Girl; Rodgers and Hammerstein’s Carousel; and more. As always, this spectacular evening will include one number conducted by the audience with light sticks (below).

Garner Park is located at 333 South Rosa Road. Parking is available in the CUNA Mutual Group and University Research Park lots. Attendees are encouraged to bring picnics, blankets and chairs. Alcohol is permitted but not sold in the park.

On the day of the concert, Garner Park will open at 7 a.m. Audience members may not leave items in the park prior to this time. Lots of porta potties will be provided. Transportation via golf carts is available for those who have limited mobility.

The rain date for Opera in the Park is Sunday, July 21, at 8 p.m.

For more details about attending Opera in the Park and for more extensive biographies of the singers, go to: https://www.madisonopera.org/2018-2019-season/oitp/

While Opera in the Park is free to attend, it would not be possible without the generous support of many foundations, corporations, and individuals who believe in the importance of music in the community.

Madison Opera is grateful to the sponsors of Opera in the Park 2019.The Presenting Sponsor is the BerbeeWalsh Foundation. Other sponsors are the John and Carolyn Peterson Charitable Foundation; Full Compass Systems; the Raymond B. Preston Family Foundation; University Research Park; Colony Brands; the Evjue Foundation; Johnson Financial Group; MGE Foundation; National Guardian Life; the Wisconsin Arts Board; Dane Arts; and the Madison Arts Commission.

WKOW, Madison Magazine, Wisconsin Public Radio, Magic 98, and La Movida are media sponsors for this community event.

RELATED EVENTS

The Prelude Dinner at Opera in the Park 2019 is at 6 p.m.
This annual fundraiser to benefit Opera in the Park helps support Madison Opera’s free gift to the community.

The event includes dinner catered by Upstairs Downstairs, VIP seating at the concert, and a reception with the artists following the performance. Tickets are $150 per person or $1,150 for a table of eight.

More information about Opera in the Park and about the 2019-20 season, including subscriptions, is available at Madison’s Opera’s home website  www.madisonopera.org


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Classical music: The seventh annual Make Music Madison is on Friday, June 21, and features 17 different FREE classical concerts as well as dozens of performances of jazz, folk, blues, hip-hop, swing and other genres

June 15, 2019
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REMINDER: TODAY, Saturday, June 15, at noon in Grace Episcopal Church, 116 West Washington Avenue, on the Capitol Square, the Ancora String Quartet will give a FREE performance as part of “Grace Presents.” The one-hour program includes the String Quartet in A Major, Op. 13, by Felix Mendelssohn; the String Quartet in B-flat Major, “La Malinconia” (Melancholy), Op. 18, No. 6, by Ludwig van Beethoven; and “Entr’acte” by the contemporary Pulitzer Prize-winning composer Caroline Shaw. The Ear heard an earlier performance of the same program by the Ancora, and highly recommends it.

By Jacob Stockinger

This coming Friday, June 21, is the Summer Solstice, which arrives at 10:54 a.m. CDT.

That means not only the first day of summer, but also the seventh annual Make Music Madison – a day-long FREE mostly outdoor festival of live performances.

The event, which is organized and staffed by volunteers and costs about $45,000,  will take place from easy morning until midnight. Madison will be joining more than 80 cities in the United States and more than 1,000 cities around the world for the global event. The estimated audience worldwide is in the tens of millions.

The local lineup is impressive.

More than 400 concerts at more than 100 venues will take place all around the Madison area.

Many genres of music besides classical will be featured: jazz, folk, ethnic, rock, blues, hip-hop, reggae, gospel, swing and more. (In the YouTube video at the bottom,  you can hear a compilation of different music and assessments from Make Music Madison participants in 2014.) 

And many forms of music, both instrumental and vocal, will be featured. (Below is the Madison Flute Club performing during last year’s event.)

Performers include professionals and amateurs, young people and adults, students and teachers, individuals and ensembles.

Some events will be more formal, while others will be jam sessions. Some events will have an open mic.

The Ear counts 17 different venues for classical music, including a public piano in the University of Wisconsin-Madison’s Alumni Park, between the Memorial Union and the Red Gym. Also featured there is opera singer Prenicia Clifton (below).

You will also find classical music at Metcalfe’s market in the Hilldale Mall; the First Congregational United Church of Christ near Camp Randall Stadium;  branches of the Madison Public Library; and other places. You can hear the Suzuki Strings as well as violin, viola, cello, brass, winds, piano and guitar ensembles.

Unfortunately, though, specific programs and works are not listed, which might cut into the attendance at some performances. 

To whet your appetite, here is a link to the Make Music Madison home website, with lots of background, some fine photos, a complete listing of events and the names of major funding sources, which include the Madison Arts Commission, Isthmus, Dane Arts,  WORT FM 89.9, Wisconsin Public Radio. WSUM-FM 91.7 (the student radio at the University of Wisconsin-Madison) and La Voz de Latinoamerica Desde Wisconsin as well as individual private donors.

To help classical fans decide what to attend and what works in their weekday schedule, here is a map of concerts. Just click on “Classical” in “Filter Map,” which is first tab on the top right, to see classical events listed by genre, location and name:

http://www.makemusicmadison.org/listings/

Have you ever attended Make Music Madison?

What did you think of it? Did you have a good time? Did you hear good music and fine performances?

Do you have any words of advice, tips or recommendations for organizers, performers and listeners?

The Ear wants to hear.


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