The Well-Tempered Ear

Classical music: Madison Opera’s virtual Opera in the Park goes online for FREE this Saturday night and stays up until Aug. 25. Listen to it indoors or outdoors

July 23, 2020
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By Jacob Stockinger

Madison Opera’s Opera in the Park isn’t in a park this year — as it has been in past years (below) — but it will be available for people to enjoy for free in their backyards, in their living rooms or anywhere else with an internet connection.

The digital concert will be released on this Saturday, July 25, at 8 p.m. CDT, and can be watched on Madison Opera’s website, www.madisonopera.org/digital, where you can find complete information and, soon, a complete program to download.

The annual free concert has moved online in response to the COVID-19 pandemic, with a newly created program of opera arias and more.

Digital Opera in the Park features: soprano Jasmine Habersham; soprano Karen Slack; tenor Andres Acosta; and baritone Weston Hurt. (The last two will sing the justly famous baritone-tenor duet “Au fond du temple saint” from Bizet’s “The Pearl Fishers,” which you can hear in the YouTube video at the bottom.)

Habersham (below) makes her Madison Opera debut with this unique performance, and will sing Susanna in the company’s production of Mozart’s The Marriage of Figaro next April.

Slack (below) debuted with the company in Jake Heggie’s Dead Man Walking, and will be part of the company’s digital fall season.

Acosta (below) sang Timothy Laughlin in Gregory Spears’ Fellow Travelers with Madison Opera this past February.

Hurt (below) debuted as Germont in Verdi’s La Traviata last season and is part of the company’s digital fall season.

The four singers will be joined by several important local artists. They include violinist Suzanne Beia, the assistant concertmaster of the Madison Symphony Orchestra, the concertmaster of the Wisconsin Chamber Orchestra and the second violin of the UW-Madison’s Pro Arte Quartet.

There will also be a fleet of eight pianists. They include MSO music director and Madison Opera’s artist director John DeMain (below top, in a photo by Prasad) and the UW-Madison graduate and composer Scott Gendel (below bottom). The two will play multiple numbers, including DeMain accompanying Beia on the beautiful “Meditation” from Thaïs.

Each singer recorded their arias with an accompanist in their home cities, and chorusmaster Anthony Cao (below top) both accompanies and conducts the Madison Opera Chorus (below bottom) in a virtual “Anvil Chorus” from Il Trovatore.

The evening will be hosted by Madison Opera’s General Director Kathryn Smith and by WKOW TV’s Channel 27 News co-anchor George Smith.

“Reimagining Opera in the Park in the pandemic era has been a challenge, but one we have happily embraced,” says Smith (below in a photo by James Gill). “Our wonderful artists were game to record themselves in their home towns, to sing duets with each other through headphones, and to share their artistry with our community in a new way. Over 40 choristers joined a Zoom call to get instructions, and then they recorded their parts of the ‘Anvil Chorus.’”

“While in some ways this concert has required more work than our live Opera in the Park in Garner Park, it is always a pleasure to present beautiful music for everyone to enjoy.”

Digital Opera in the Park features music from Verdi’s Il Trovatore, now canceled in live performance but originally slated to open Madison Opera’s 2020-21 season; Jerry Bock’s She Loves Me, which the company performs in January; and Mozart’s The Marriage of Figaro, which will be performed in April.

The program also includes selections from Bizet’s The Pearl Fishers, Richard Strauss’ Arabella, Verdi’s Don Pasquale, Puccini’s Tosca, Massenet’s Hérodiade and Thaïs, Rossini’s William Tell, Pablo Sarozabal’s zarzuela La Tabernera del Puerto, Rodgers and Hammerstein’s South Pacific, and more.

The concert will be available beginning at 8 p.m. CDT on this Saturday night, July 25, and will remain online until Aug. 25, allowing for both repeated viewing and flexibility for people who are unable to watch on the first night.

While Digital Opera in the Park will be free to watch, it would not be possible without the generous support of many foundations, corporations and individuals who believe in the importance of music. Madison Opera is grateful to the sponsors of Opera in the Park 2020:

  • Presenting Sponsor: the Berbeewalsh Foundation
  • Sponsors: the John and Carolyn Peterson Charitable Foundation, Full Compass Systems, the Raymond B. Preston Family Foundation, University Research Park, Colony Brands, Johnson Financial Group, MGE Foundation, National Guardian Life, Wisconsin Arts Board, Dane Arts and the Madison Arts Commission.
  • Media Sponsors: WKOW, Madison Magazine, Wisconsin Public Radio, Magic 98, and La Movida.

RELATED EVENTS include:

OPERA ON THE WALL | JULY 25, 2020 | ONLINE

Madison artists Liubov Swazko (known as Triangulador) and Mike Lroy have created artwork around our community, including beautiful murals on State Street storefronts.

In an act of artistic cross-pollination, they will create an artwork that comes from their personal response to Digital Opera in the Park, offering a rare glimpse of visual artists responding to musical artists. Their creative process will be filmed in the Madison Opera Center, and shared online starting on July 25.

The finished artwork will be displayed in the Madison Opera Center. Go to Swazko’s website at triangulador.com (one work is below) and Lroy’s website at mikelroy.com to see their past work.

POST-SHOW Q&A | JULY 25, 2020, IMMEDIATELY FOLLOWING THE INITIAL STREAM

Join Kathryn Smith and the Digital Opera in the Park artists for a post-concert discussion, including an opportunity to ask questions. Details on format and platform will be available closer to the date.

 


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Classical music: Here are the world premieres of the sixth and seventh pieces of “pandemic music” commissioned by the U.S. Library of Congress

June 24, 2020
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By Jacob Stockinger

The project has is now heading towards it end.

Last week was when the world premieres of the 10 short pieces — written for the U.S. Library of Congress’ “Boccaccio Project” — started going public and began being posted on various social media sites as well as the Internet.

This week will see the last five compositions and complete the project.

One performance is released each weekday night starting at 8 p.m. EDT.

The project, funded by the federal government, is intended to capture some aspect of the unique culture brought about by the coronavirus pandemic and COVID-19.

The first piece was “Sequestered Thoughts,” a solo piano work by composed Damien Sneed and performed by Jeremy Jordan.

The second was “shadow of a difference/falling” by composer Richard Drehoff Jr. and solo oboist Andrew Nogal of the Grossman Ensemble.

The third was “Intuit – a way to stay in the world” for solo cello composed by Miya Masaoka and performed by Kathryn Bates of the Del Sol String Quartet.

The first three were featured in two postings on this blog last week. Here are links:

https://welltempered.wordpress.com/2020/06/16/classical-music-here-is-the-world-premiere-of-the-first-piece-of-pandemic-music-commissioned-by-the-library-of-congress/

https://welltempered.wordpress.com/2020/06/18/classical-music-here-are-the-world-premieres-of-the-second-and-third-pieces-of-pandemic-music-commissioned-by-the-u-s-library-of-congress/

The fourth and fifth pieces were premiered last Thursday and Friday, bringing the project to the half way point before the Summer Solstice, Father’s Day and Make Music Madison weekend.

They were posted on this past Monday. Here is a link:

https://welltempered.wordpress.com/2020/06/22/classical-music-here-are-the-world-premieres-of-the-fourth-and-fifth-pieces-of-pandemic-music-commissioned-by-the-u-s-library-of-congress/

The fourth work is “Bridges,” a solo piano work composed by Cliff Eidelman and performed at home by Jenny Lin. The title refers to the composer’s focus on finding bridges from the coronavirus pandemic to normal life.

The fifth piece is “Hello World” by composer by Erin Rogers, an exploratory work for solo flute, and is performed by Erin Lesser of the Wet Ink Ensemble.

And now the second half of premieres has started.

The sixth piece is “1462 Willard Street,” composed for solo viola by Luciano Chessa (below top, in a photo by Melesia Nunez) and performed by Charlton Lee (below bottom, in a photo by RJ Muna) of the Del Sol String Quartet.

The address refers to a place in San Francisco where the composer was staying on March 16, 2020 – the day the city enacted orders to stay at home because of the pandemic.

https://www.loc.gov/concerts/boccaccio-project/chessa-lee.html

The seventh piece, premiered last night, is “Olcott Park” for solo piano composed by Aaron Travers (below top, in a photo by James Matthew Daniel) and performed by Daniel Pesca (below bottom, in a photo by Jay Morthland) of the Grossman Ensemble.

It is a recollection of the forest and birds the composer knows in a park near his home but which he hasn’t’ visited much during the pandemic.

https://www.loc.gov/concerts/boccaccio-project/travers-pesca.html

On the same page as the performance you can read what the composer and sometimes the performer have to say about the new work and what it strives to mean or express.

You can use links to go to the past performances and premieres.

You can also follow links on the bottom of the page to see more information about both the composer and the performer, and to general background of the project.

If you would like some more background, along with some commentary and questions from The Ear, go to https://welltempered.wordpress.com/2020/06/13/classical-music-the-library-of-congress-has-commissioned-new-music-about-the-coronavirus-pandemic-you-can-listen-to-the-premieres-from-this-monday-june-15-through-june-28/

What do you think of the individual pieces?

Do you have one or more favorites?

What do you think of the project?

How successful is it?

Will you like to hear more of the commissioned music?

The Ear wants to hear.


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Classical music: Here are the world premieres of the fourth and fifth pieces of “pandemic music” commissioned by the U.S. Library of Congress

June 22, 2020
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By Jacob Stockinger

The project has reached the midway point.

Last week was when the world premieres of the 10 short pieces — written for the Library of Congress’ “Boccaccio Project” — started going public and began being posted on various social media sites such as Twitter, Facebook and YouTube as well as the Internet.

One performance is released each weekday night starting at 8 p.m. EDT.

The project is a way to capture some of the unique culture brought about by the coronavirus pandemic and COVID-19.

The first piece was “Sequestered Thoughts,” a solo piano work by composed Damien Sneed and performed by Jeremy Jordan.

The second was “shadow of a difference/falling” by composer Richard Drehoff Jr. and solo oboist Andrew Nogal of the Grossman Ensemble.

There were featured in this blog last week.

The fourth and fifth pieces were premiered last Thursday and Friday, bringing the project to the halfway point before the Summer Solstice, Father’s Day and Make Music Madison weekend.

The fourth work is “Bridges,” a solo piano work composed by Cliff Eidelman (below top) and performed at home by Jenny Lin (below bottom, in a photo by Liz Linder).

The title refers to the composer’s focus on finding bridges from the peculiar coronavirus pandemic back to normal life.

https://www.loc.gov/concerts/boccaccio-project/eidelman-lin.html

The fifth piece is “Hello World” by composer by Erin Rogers (below top, in a photo by Aleksandr Karjaka), an exploratory work for solo flute that is performed by Erin Lesser (below bottom) of the Wet Ink Ensemble.

https://www.loc.gov/concerts/boccaccio-project/rogers-lesser.html

On the same page as the performance you can read what the composer and sometimes the performer have to say about the new work and what it strives to mean or express.

You can use links to go to the five past performances and premieres.

You can also follow links on the bottom of the page to see more information about both the composer and the performer, and to general background of the project.

If you would like some more background, along with some commentary and questions from The Ear, go to https://welltempered.wordpress.com/2020/06/13/classical-music-the-library-of-congress-has-commissioned-new-music-about-the-coronavirus-pandemic-you-can-listen-to-the-premieres-from-this-monday-june-15-through-june-28/

What do you think of the pieces?

What do you think of the project?

Will you like to hear more of the commissioned music?

The Ear wants to hear.


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Classical music: Here is the world premiere of the first piece of “pandemic music” commissioned by the Library of Congress

June 16, 2020
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By Jacob Stockinger

It has started.

This is the week when the world premieres of the 10 short pieces — written by American composers for the U.S. Library of Congress’ “Boccaccio Project” — will go public and start being posted on various social media sites such as Facebook, Twitter and YouTube as well as the Internet.

The project is a way to capture some of the unique culture brought about by the coronavirus pandemic and COVID-19.

The first is “Sequestered Thoughts,” a solo piano work by composed Damien Sneed (below top) and performed by Jeremy Jordan (below  bottom).

Below is a link to the page with the performance. You can also read what both the composer and the pianist have to say about the new work and what it means — including rippling octaves that depict the monotony of the days in isolation.

Here is the link: https://www.loc.gov/concerts/boccaccio-project/sneed-jordan.html

You can also follow links on the bottom of the page to more information about both the composer and the performer, and to general background of the project.

If you would like some more background, along with commentary and questions, go to: https://welltempered.wordpress.com/2020/06/13/classical-music-the-library-of-congress-has-commissioned-new-music-about-the-coronavirus-pandemic-you-can-listen-to-the-premieres-from-this-monday-june-15-through-june-28/

What do you think of the new piece?

What do you think of the whole project?

Do you want to hear more of the commissioned music?

The Ear wants to hear.


Classical music: During the COVID-19 pandemic, hosts at Wisconsin Public Radio suggest music that expresses gratitude and hope

May 13, 2020
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By Jacob Stockinger

The various hosts of Wisconsin Public Radio (WPR) — an indispensable companion during self-isolation at home — listen to a lot of music and think a lot about it, especially about its meaning and appeal to the public.

So it comes as no surprise that they have once again suggested music to listen to during the coronavirus pandemic and the mounting toll of COVID-19.

Almost two months ago, the same radio hosts suggested music that they find calming and inspiring. They did so on the WPR home page in an ongoing blog where they also included YouTube audiovisual performances.

Here is a link to that earlier posting, which is well worth reading and following: https://welltempered.wordpress.com/?s=Wisconsin+Public+Radio

This time, the various hosts – mostly of classical shows but also of folk music and world music – suggest music that inspires or expresses hope and gratitude. (Below is Ruthanne Bessman, the host of “Classics by Request,” which airs at 10 a.m. on Saturdays.)

Here is the genesis of the list and public service project:

“At a recent WPR music staff meeting, we talked about the many ways music can unite us and about how music can express the gratitude we feel for people and things that are important to us, often much better than words.

“That discussion led to this collection of music, which we wanted to share with you. It’s eclectic and interesting, just like our music staff.”

The composers cited include some familiar names such as Johann Sebastian Bach, Peter Ilyich Tchaikovsky, Benjamin Britten and John Williams.

But some new music, based on historical events and written by contemporary or modern composers, is also named. It includes works by the American composer Daniel Gawthrop (b. 1949, below top) and the Israeli composer David Zehavi (1910-1977, below bottom). Here are links to their biographies.

https://en.wikipedia.org/wiki/Daniel_E._Gawthrop

https://www.encyclopedia.com/religion/encyclopedias-almanacs-transcripts-and-maps/zehavi-david

Sound-wise, it is quite an eclectic list that runs from solo harpsichord music to orchestral and choral music as well as chamber music.

Many of the performers have played in Madison at the Overture Center, with Wisconsin Chamber Orchestra, at the Wisconsin Union Theater, at the UW-Madison and on the Salon Piano Series at Farley’s House of Pianos.

They include: the Milwaukee Symphony Orchestra and Chorus; cellist Amit Peled and pianist Eli Kalman, who received his doctorate from the UW-Madison and now teaches at the UW-Oshkosh; conductor-composer John Rutter and the Cambridge Singers;  and superstars violinist Itzhak Perlman, cellist Yo-Yo Ma along with Venezuelan pianist-improviser Gabriela Montero  in a quartet that played at the inauguration of President Barack Obama.

Here is a link to the new WPR suggestions: https://www.wpr.org/wpr-hosts-share-music-gratitude-and-hope

Happy listening!

If you read the blog or listen to the music, let us know what you think in the Comment section.

The Ear wants to hear.


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Classical music: Meet the “Stay at Home” Symphony Orchestra. How do they sound so close and tight? Plus, today is May Day. What music would you play to celebrate workers?

May 1, 2020
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ALERT: Today is May Day, a time to honor workers. What music would you play to celebrate and thank all the frontline workers — doctors, nurses, EMTs, police officers, firefighters, bus drivers, cleaners and janitors, grocery store workers, delivery people and others — who are now so indispensable?

By Jacob Stockinger

Many musicians — both singers and instrumentalists (below) — are self-isolating and doing their at-home best to keep those of us also sheltering in place entertained by performing virtual concerts.

It is something listeners can be grateful for. The players do an admirable and free public service during the COVID-19 crisis and coronavirus pandemic.

Of course, the virtual performances also have practical purposes.

The musicians keep their skills sharp during isolation.

And the virtual performances help to keep the names of individuals and groups, of composers and pieces, in the public’s mind at a time when live concerts have all been canceled or postponed.

There are many, many virtual concerts to choose from – made by local, regional, national and international musicians, some amateurs and some professional.

Many of them are solo performances given by an individual member of an orchestra, chamber music group or choral ensemble as well as big-name soloists such as pianist Emanuel Ax and cellist Yo-Yo Ma.

The individual ones are appreciated and impressive, even if some of the performances seem amateur-like in the sound or awkwardness.

What really impresses The Ear is when large groups, such as symphony orchestras and choirs, perform something with all the players at home and yet somehow the whole finished product sounds incredibly tight in and incredibly professional.

Last Saturday, the Metropolitan Opera even held a four-hour online gala with singers and instrumentalists from all over the world.

It makes The Ear wonder why they sound so good. How they do it, with all the complications and variables of timing and tempo, of rhythm, pitch and dynamics?

Is it the planning?

The processing and editing?

In any case, a very good example comes from the “Stay at Home” Symphony Orchestra playing Mozart’s Overture to the opera “The Marriage of Figaro.”

You can hear the YouTube video of the performance below.

Are there other such performances that you can point out to The Ear and you would like to see posted on this blog?

The Ear wants to hear.

 


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Classical music: Here is the music that Wisconsin Public Radio hosts find calming and inspiring during the pandemic. What music would you list?

April 27, 2020
1 Comment

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By Jacob Stockinger

One of the major sources of music during the COVID-19 public health crisis and the coronavirus pandemic is Wisconsin Public Radio.

The Ear finds WPR a reliable source of beauty and companionship during this difficult time of self-isolation and self-quarantining required by the state’s stay-at-home and self-distancing orders.

Each host plans and broadcasts hours of classical music each day. So they hear a lot of classical music.

They also contribute to a blog that offers insights to: new and old recordings; background information about the composers, music and performers; and personal observations about classical music.

Recently, the radio hosts – including Stephanie Elkins (below), Norman Gilliland, Lori Skelton, Ruthanne Bessman, Anders Yocom (at bottom, in a  photo by James Gill) and Peter Bryant — listed the music that they find particularly calming and inspiring during a difficult and anxiety-ridden time.

The names of composers include Bach, Scarlatti, Mendelssohn, Mahler, Ysaye, Vaughan-Williams and film score master John Williams.

The list includes audio-visual performances of the pieces.

Take a look and listen.

Then tell us what you think of the various suggestions and which ones you prefer?

Also leave the composers, pieces and performers that you would add to such a list, with a YouTube link if possible.

Here is a link:

https://www.wpr.org/wpr-music-hosts-share-music-calms-and-inspires


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Classical music: Here’s how to apply Madison Symphony Orchestra cancellation refunds to a subscription ticket for next season. Plus, the Oakwood Chamber Players cancel two concerts in May

April 17, 2020
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ALERT: In accordance with the state’s Stay at Home order, concerts by the Oakwood Chamber Players (below) that were scheduled for Saturday night, May 16, and Sunday afternoon, May 17, at Oakwood Village University Woods, on the far west side, have been CANCELED.

By Jacob Stockinger

Now that the Madison Symphony Orchestra (below in a photo by Peter Rodgers) has canceled the rest of its current season, The Ear and others have wondered how to apply refunds to a subscription ticket for the MSO’s 2020-21 season, with the theme of “Ode to Joy: Beethoven and Beyond.” (See the YouTube promotional video at the bottom.)

The MSO recently announced cancellations because of the COVID-19 pandemic and closing of the Overture Center with detailed descriptions of how you could donate the tickets to benefit musicians or exchange them for vouchers to one concert in the next season.

Here is a link: https://welltempered.wordpress.com/2020/04/13/classical-music-the-madison-symphony-orchestra-cancels-concerts-and-events-through-june-here-are-details-and-links-about-donations-exchanges-and-refunds/

But missing was the possibility of applying the cost of tickets to this season’s cancellations to a subscription ticket for next year.

So The Ear called Peter Rodgers, the marketing director for the MSO, to get a clarification.

It turns out that the MSO administrative staff met with representatives of the box office at the Overture Center to discuss various refund options.

Rodgers said the box office is very busy handling refunds from other events that have been canceled. That has made for complex mechanical or technical difficulties in applying one season’s subscription tickets to another.

It is true that you can apply this season’s ticket or tickets to one subscription concert next season, but there is no guarantee of securing your current seat preference, according to Rodgers.

If you want apply this season’s refunds and keep your seat for all the concerts or selected one next season, Rodgers said that the best solution is to ask for the refund and then pay in full for the next season’s subscription tickets.

Here is a link to more information about the MSO’s next season with performers and programs: https://madisonsymphony.org/concerts-events/2020-2021-symphony-season-concerts/

Single tickets go on sale Aug. 15.

You can renew online, by mail and by calling (608) 257-3734. The deadline for subscription renewals or new subscriptions, with a discount of up to 50 percent, is Thursday, May 7.

Here is a link to the page for online renewals or new subscriptions: https://madisonsymphony.org/concerts-events/subscribe-now/

 


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