The Well-Tempered Ear

Classical music: Flutist and activist Iva Ugrcic is Musician of the Year for 2018

December 31, 2018
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By Jacob Stockinger

The classical music scene in Madison is so rich that it is always a challenge to name a Musician of the Year.

There are just so many deserving candidates. One obvious example is conductor John DeMain, who is completing his 25th year of outstanding stewardship in directing the Madison Symphony Orchestra and the Madison Opera.

But part of the intent behind such an honor is not just to recognize well-known figures. It is to encourage a broader awareness of those people who do a lot for local classical music but who often fly under the radar for many people.

That is why The Ear is naming flutist and activist Iva Ugrcic (below) as the Musician of the Year for 2018.

As both a performer and entrepreneur, Ugrcic is always very busy broadening her varied career. Being both a player and an activist, she is making a difference, musically and socially, that deserves to be recognized and supported.

Serbian by birth and educated in Belgrade and Paris, she came to Madison where she completed her doctorate in flute performance and also took business courses at the UW-Madison Business School.

She is a first-rate performer who has won a national prize for performing. While at the UW-Madison’s Mead Witter School of Music, she won both the concerto competition (below) and the Irving Shain competition for wind instruments in duets. (You can hear her amazing technique in the YouTube video at the bottom. In it Ugrcic performs “Voice” for solo flute by the Japanese composer Toru Takemitsu.)

She now plays with the Black Marigold Wind Quintet and Sound Out Loud, both of which are based in Madison and both of which devote themselves to contemporary composers and new music.

This year, Urgcic also soloed with the Middleton Community Orchestra (below, in a photo by John W. Barker), performing to critical acclaim a relatively unknown concerto by 19th-century composer Carl Reinecke.

This year, Urgcic also took over as artistic director of the Rural Musicians Forum, which brings classical music, jazz, world music and ethnic music, played by outstanding performers to the Spring Green area, often at the Taliesin compound of architect Frank Lloyd Wright.

But perhaps her most long-lasting contribution is her founding and now directing the LunART Festival that, in the same year of the Me Too movement, sought to present an all-women event that featured composers, performers, visual artists and writers.

Such was its inaugural success in 2018 that it won a national prize from the National Flute Association and a second festival will take place from June 9 through June 9, 2019.

2019 will also see the release of her second solo recording devoted to the music of the contemporary Romanian composer Doina Rotaru, even while she is working on a recording of “Beer Music” by contemporary American composer Brian DuFord.

And all that is just the beginning for such a promising talent. We will be hearing much more from her and about her in years to come.

To see her impressive biography, as well as updated activities, video and audio clips, photographs and other information, go to: https://www.ivaugrcic.com/bio

Here is one more thing that speaks to The Ear. It feels important, even necessary, to recognize the positive contributions of an immigrant at a time when the current “America First” administration under President Donald Trump seems so paranoid and negative, so xenophobic and afraid of foreigners.

The U.S government should be less intent on condemning or stigmatizing immigrants, whether legal or undocumented, and should put more emphasis on their contributions and on the long and distinguished history they have in the United States.

Iva Urgcic is yet another example of the talent we Americans stand to lose if we do not accept and encourage the gifts that immigrants bring in so many ways — from the arts, medicine, education and technology to everyday life and work.

Please join The Ear is expressing gratitude and congratulations to Iva Urgcic.


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Classical music: Early music group Eliza’s Toyes offers a fascinating exploration of the role of music in medicine from Medieval though Baroque times.

May 24, 2015
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By Jacob Stockinger

Here is a special posting, a review written by frequent guest critic and writer for this blog, John W. Barker, who also took the performance photos. Barker (below) is an emeritus professor of Medieval history at the University of Wisconsin-Madison. He also is a well-known classical music critic who writes for Isthmus and the American Record Guide, and who for 12 years hosted an early music show every other Sunday morning on WORT FM 89.9 FM. He serves on the Board of Advisors for the Madison Early Music Festival and frequently gives pre-concert lectures in Madison.

John-Barker

By John W. Barker

Eliza’s Toyes (below top), the consort of voices and instruments devoted to early music, is led by the formidably talented Jerry Hui. The group gave another of its imaginative programs, this time on Friday night at the Wisconsin Institutes for Discovery (below bottom).

eliza's toyes 2015

WID_extr11_1570

The theme and title of this program was “Music: The Miracle Medicine.” Offered were 15 selections, conveying various ideas or beliefs about health (both physical and spiritual), illness, medicine, miracle cures and good living.

Toyes medicine motet JWB

Each selection was preceded by the reading of passages from moral and medical texts of various periods. (I wonder if today’s medical and health-advice writings will sound as comical generations from now as do those of the past to us!)

Toyes medicine physician JWB

Fifteen composers were represented in the course of the program, from Medieval through Baroque: Hildegard von Bingen (below top, 1098-1179), Alfonso El Sabio (1221-1284), Thomas Tallis (1505-1585), Cipriano da Rore (1516-1565),Hubert Waelrant (1515-1595), Orlando di Lassus (1532-1594), William Byrd (1540-1623), Lelio Bertani (1553-1612), John Wilbye (1574-1638), Gabriel Bataille (1575-1630), Melchior Franck (1579-1639), John Maynard (15??-16??), Anonymous 17th-Century (2 items), Marin Marais (1656-1728) and John Eccles (1668-1735).

ST. HILDEGARD OF BINGEN DEPICTED IN ALTARPIECE AT ROCHUSKAPELLE IN GERMANY

The selections were mostly vocal, either solo or ensemble. One instrumental selection stood out as probably the one most likely to be familiar: Marin Marais’ excruciatingly detailed “Representation of the Operation for Gallstone” (below top is Marais, below bottom is the introduction to his work) — complete with narrative headings for each section. (You can hear the narration and the music to the unusual piece in a YouTube video at the bottom.)

Marin Marais 2

Toyes medicine Marais operation JWB

The performances were earnest and often accomplished. But it must be said in honesty that, in motets and madrigals, the vocal ensemble was not balanced or smooth — the singers clearly need to live with this kind of musical writing somewhat longer. Still, the overall effect was certainly entertaining and thematically fascinating.

Toyes medicine motet 2 JWB

There were no printed programs, but the titles and text translations were projected on a background screen. These projections were fully visible and readable, so they worked well.

Toyes medicine projection JWB

This is a program that will be offered again, I understand, at the Chazen Museum of Art on July 15, so that it can be caught and savored once more.

Above all, it is one more tribute to the thoughtful, deeply researched and intriguing program skills of Jerry Hui (below).

Jerry Hui

 


Classical music: The early music group Eliza’s Toyes will explore music as medicine in a concert this Friday night at the Wisconsin Institutes for Discovery.

May 18, 2015
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By Jacob Stockinger

The Ear’s friend Jerry Hui –- a supremely talented individual and graduate of the University of Wisconsin-Madison School of Music who performs, composes and teaches at UW-Stout – sends the following word:

The Madison-based early music group Eliza’s Toyes (below top) has a concert this Friday night, May 22, at 7:30 p.m. at the Wisconsin Institutes for Discovery (below bottom). The concert is titled “Music: The Miracle Medicine.”

eliza's toyes 2015

WID_extr11_1570

Here is an introduction to the program:

“Rediscover the integral role of music as the restorer of health in the early days of medical science during the Medieval, Renaissance and Baroque periods.

“Music has been an integral part of our wellbeing. To this date, many listen to music for its power in relaxation, excitement, and even catharsis. The development of music therapy as a medical profession, as well as increasing research in the physiological and psychological effects of music, signifies our ongoing interest to understand and utilize music.

“As scientists continue to examine music in a utilitarian light, it is worthwhile for us to rediscover how human beings have historically viewed music and its connection with health.”

music and medicine clef

Tickets will be available at the door: $15 for the general public and $10 for students.

Here is the program, which is organized by theme, and which include singing i English, Latin, French, German and Spanish:

CONCERNING THE FOUR HUMORS

Vos flores rosarum  — Hildegard von Bingen (below top, 1098-1179)

Descendi in hortum meum — Cipriano de Rore

Absterge Domine (1575) — Thomas Tallis (1505-1585)

Turn Our Captivity (1611) — William Byrd (below bottom, 1540-1623)

ST. HILDEGARD OF BINGEN DEPICTED IN ALTARPIECE AT ROCHUSKAPELLE IN GERMANY

William Byrd

MIRACLES AND REMEDIES

Tantas en Santa María — (Cantigas de Santa Maria)

In principio erat Verbum (1566) — Orlando di Lassus (below, 1532-1594)

Caecus quidam (1558) — Hubert Waelrant (1518-1595)

Gehet hin und saget Johanni wieder — Melchior Franck (1579-1639)

Orlando di Lasso

PRACTICING MEDICINE

Le Tableau de l’Opération de la Taille (1725) — Marin Marais (below, 1656-1728; you can hear the piece, with a narration in French, in a YouTube video at the bottom)

Qui veut chasser une migraine — Gabriel Bataille

The nurse’s song — (Pills to Purge Melancholy)

A Wonder: The Physician — John Maynard

Marin Marais 2

GOOD HEALTH THROUGH GOOD LIVING

Chloe found Amyntas lying — (Pills to Purge Melancholy)

My fair Teresa — (Pills to Purge Melancholy)

O Sonno / Ov’e’l silenzio — Marco da Gagliano (1582-1643)

Cara mia Dafne — Lelio Bertani (1553-1612)

Sweet honey sucking bees — John Wilbye (1574-1638)

John Wilbye


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