The Well-Tempered Ear
How did pianist Yuja Wang’s heart respond to playing Rachmaninoff?
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By Jacob Stockinger
You might recall that in January of 2023, superstar Chinese pianist Yuja Wang (below) played a marathon Rachmaninoff concert in New York City’s Carnegie Hall.
It lasted 2½ hours and featured all four Rachmaninoff piano concertos plus his Rhapsody in a Theme of Paganini. It received rave reviews as well as standing ovations and sold-out houses.
Wang — famous for her ease and assurance in playing technically challenging compositions — performed with the Philadelphia Orchestra under conductor Yannick Nézet-Séguin.
Deutsche Grammophon recorded the same program Wang did in Los Angeles — but over two consecutive weekends rather than all at once — with the Los Angeles Philharmonic under Gustavo Dudamel.
In the YouTube video at the bottom you can hear the sublime slow movement from the Piano Concerto No. 2 from the series of LA performances. If The Ear is not mistaken, in closeups of her hands on the keyboard you can see what looks like a heart monitor on her wrist.
Time and length wasn’t the only remarkable thing about the concert.
Always a fashion plate, Wang wore a different stand-out dress for each piece, as you can see from the photo below:
In addition, she wore a heart monitor — as did the conductor, several players and members of the audience — to track her heart rate while she was playing.
Which concerto do you think proved the most challenging — at least to her heart?
Perhaps the Rach 3, which has been called the “Mt. Everest of piano concertos” and was even made into the 1996 movie “Shine” with its super-virtuosic difficulties at the heart of the story about mental health.
The results are in a story from Classic FM radio station in the UK. Here is a link:
https://www.classicfm.com/artists/yuja-wang/heart-rate-rachmaninov-marathon
The heart rate is an interesting angle at a time when so many people — both audiences and performers — wear wellness monitors and keep track of their own heart rates.
The administrators and performers probably thought showing the heart rate in real time on a jumbo screen during the performance would be too distracting.
But The Ear recalls seeing a live performance years ago by Mikhail Baryshnikov, who wore a heart monitor during one of his dances done to a solo cello suite by Bach.
It proved irresistible as a new hi tech take on classical music.
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Four local classical musicians perform Black women composers in a virtual holiday concert to benefit the health of Black women
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By Jacob Stockinger
The Wisconsin Ensemble (WE) Project, a quartet of local classical musicians, has announced that it will host a holiday concert to support Dane County-based non-profit, the Foundation for Black Women’s Wellness (FFBWW, below).
The concert will be the first in a series of performances to benefit local and international organizations working for social justice and human interest.
This unique effort is rooted in the quartet’s desire to not only delve deeply into chamber music repertoire, but also to address some of the many pressing social justice issues of our time.
This recorded, virtual YouTube concert will be available at https://wisconsinensembleproject.com from 6 p.m. on Friday, Dec. 25, through 6 p.m. on Sunday, Jan. 3. — times are CST — where contributions will be accepted via PayPal.
Viewers will hear the story and see the face of the Foundation for Black Women’s Wellness woven through quality chamber music by Black women composers performed by WE Project artists violinists Leanne League and Mary Theodore (below ends, in a photo by Katrin Talbot); violist Christopher Dozoryst (second from right); and cellist Karl Lavine. The four play together in the Madison Symphony Orchestra and the Wisconsin Chamber Orchestra.
Pieces they will perform include Strum (heard in the YouTube video at the bottom) and Voodoo Dolls by Jessie Montgomery (below top, in a photo by Jiyang Chen); Modes by Dorothy Rudd Moore (below center); and String Quartet in G Major by Florence Price (below bottom).
“This production offers viewers a meaningful program which leads to direct impact,” says WE Project member Mary Theodore who has been working with Foundation staff to coordinate the benefit over the last few weeks.
”We felt strongly about the work of the Foundation as we learned more about their mission to eliminate the startling health and economic disparities Black women face in our community,” adds Theodore. “When you donate and tune in to our concert, you will be helping to cover basic production costs and getting funds directly into the hands of this very worthy organization”.
Foundation for Black Women’s Wellness CEO Lisa Peyton-Caire (below), who launched the Black women’s health advocacy organization in 2012, says the concert is a beautiful example of how community and organizations can partner to drive social change together.
“We are elated that WE Project chose us as their first benefit recipient, and that our mission and work to transform Black women’s health in Wisconsin resonated with them,” said Peyton-Caire. “We know that ultimately it takes all of our effort to solve the inequities in our community, and this benefit concert is a beautiful example of the loving and creative ways we can join forces to do this.”
To learn more about the concert, visit https://wisconsinensembleproject.com, where you can contribute via PayPal anytime beginning now through Jan. 3.
To listen to a recent morning coffee chat between members of the two organizations, go to: https://www.facebook.com/watch/live/?v=431169757916539&ref=watch_permalink. Click on individual profiles to hear them.
To learn more about The Foundation for Black Women’s Wellness, visit https://ffbww.org.
Tags: #BenefitConcert, #BlackComposer, #BlackLivesMatter, #BlackWomen, #BlogPost, #BlogPosting, #ChamberMusic, #ChiefExecutiveOfficer, #ChristmasConcert, #ChristopherDozoryst, #CivilRights, #ClassicalMusicians, #ConcertSeries, #CoronavirusPandemic, #COVID-19, #DaneCounty, #DorothyRuddMoore, #economicimpact, #EqualRights, #FacebookPost, #FacebookPosting, #FlorencePrice, #FoundationforBlackWomen'sWellness, #HolidayConcert, #HomeWebsite, #HumanInterest, #IncomeDisparity, #JacobStockinger, #JessieMontgomery, #LeanneLeague, #LisaPeyton-Caire, #MadisonSymphonyOrchestra, #NewYear's, #NewYear'sConcert, #OnlineConcert, #PayPal, #PublicHealth, #RecordedMusic, #SocialActivism, #SocialChange, #SocialJustice, #StringMusic, #StringPlayers, #StringQuartet, #SystemicRacism, #TheEar, #TuneIn, #VirtualConcert, #VoodooDolls, #WisconsinChamberOrchestra, #WisconsinEnsembleProject, #WomanComposer, #WomenComposers, #YouTubeChannel, #YouTubevideo, accept, address, advocacy, announce, Arts, audience, available, basic, beautiful, benefit, benefit concert, black, black composer, Black composers, Black Lives Matter, Black women, blog, cellist, Cello, CEO, Chamber music, chat, Chief Executive Organization, Christmas, Christmas concert, Christopher Dozoryst, civil rights, Classical music, classical musician, click, community, composer, concert series, contribution, conversation, coordinate, coronavirus, cost, cover, create, creative, Dane County, December, deep, delve, desire, direct, disparity, donate, donation, Dorothy Rudd Moore, economic, effort, eliminate, equal rights, example, face, Facebook, Facebook post, Facebook posting, feel, feminist, FFBWW, Florence Price, force, forward, foundation, Foundation for Black Women's Wellness, funds, hands, Health, help, Holiday, holiday concert, home website, host, human interest, impact, Income Disparity, inequity, international, issues, Jacob Stockinger, January, Jessie Montgomery, join, Karl Lavine, KarlLavine, launch, Leanne League, like, link, Lisa Peyton-Caire, listen, local, Love, loving, Madison, Madison Symphony Orchestra, meaningful, mision, mission, Modes, morning, Music, New Year, New Year's concert, non-profit, online, organization, pandemic, perform, performances, piece, post, posting, pressing, production, profile, program, project, Public health, quality, Quartet, racism, racist, recorded, recorded music, repertoire, repertory, rooted, series, share, social activism, social change, social justice, staff\, string music, string players, String quartet, strum, support, systematic racism, tag, The Ear, time, together, transform, tune in, unique, United States, viewer, Viola, Violin, violinist, violist, virtual, Voodoo, Voodoo Dolls, ways, we, Website, weeks, wellness, Wisconsin, Wisconsin Chamber Orchestra, Wisconsin Ensemble Project, women, women composer, women composers, working, worthy, YouTube
Classical music: Early music group Eliza’s Toyes offers a fascinating exploration of the role of music in medicine from Medieval though Baroque times.
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By Jacob Stockinger
Here is a special posting, a review written by frequent guest critic and writer for this blog, John W. Barker, who also took the performance photos. Barker (below) is an emeritus professor of Medieval history at the University of Wisconsin-Madison. He also is a well-known classical music critic who writes for Isthmus and the American Record Guide, and who for 12 years hosted an early music show every other Sunday morning on WORT FM 89.9 FM. He serves on the Board of Advisors for the Madison Early Music Festival and frequently gives pre-concert lectures in Madison.
By John W. Barker
Eliza’s Toyes (below top), the consort of voices and instruments devoted to early music, is led by the formidably talented Jerry Hui. The group gave another of its imaginative programs, this time on Friday night at the Wisconsin Institutes for Discovery (below bottom).
The theme and title of this program was “Music: The Miracle Medicine.” Offered were 15 selections, conveying various ideas or beliefs about health (both physical and spiritual), illness, medicine, miracle cures and good living.
Each selection was preceded by the reading of passages from moral and medical texts of various periods. (I wonder if today’s medical and health-advice writings will sound as comical generations from now as do those of the past to us!)
Fifteen composers were represented in the course of the program, from Medieval through Baroque: Hildegard von Bingen (below top, 1098-1179), Alfonso El Sabio (1221-1284), Thomas Tallis (1505-1585), Cipriano da Rore (1516-1565),Hubert Waelrant (1515-1595), Orlando di Lassus (1532-1594), William Byrd (1540-1623), Lelio Bertani (1553-1612), John Wilbye (1574-1638), Gabriel Bataille (1575-1630), Melchior Franck (1579-1639), John Maynard (15??-16??), Anonymous 17th-Century (2 items), Marin Marais (1656-1728) and John Eccles (1668-1735).
The selections were mostly vocal, either solo or ensemble. One instrumental selection stood out as probably the one most likely to be familiar: Marin Marais’ excruciatingly detailed “Representation of the Operation for Gallstone” (below top is Marais, below bottom is the introduction to his work) — complete with narrative headings for each section. (You can hear the narration and the music to the unusual piece in a YouTube video at the bottom.)
The performances were earnest and often accomplished. But it must be said in honesty that, in motets and madrigals, the vocal ensemble was not balanced or smooth — the singers clearly need to live with this kind of musical writing somewhat longer. Still, the overall effect was certainly entertaining and thematically fascinating.
There were no printed programs, but the titles and text translations were projected on a background screen. These projections were fully visible and readable, so they worked well.
This is a program that will be offered again, I understand, at the Chazen Museum of Art on July 15, so that it can be caught and savored once more.
Above all, it is one more tribute to the thoughtful, deeply researched and intriguing program skills of Jerry Hui (below).
Tags: Arts, Baroque, Cello, Chamber music, Chazen Museum of Art, choral music, Classical music, cure, Early music, gallstones, good living, Health, Hildegard von Bingen, illness, instrumental music, Jacob Stockinger, Jerry Hui, John W. Barker, John Wilbye, living, Madison, madrigal, Marin Marais, medicine, Medieval, Melchior Franck, miracles, motet, Music, music therapy, Orlando de Lassus, Orlando di Lasso, projections, screen, text, Thomas Tallis, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, viola da gamba, vocal music, wellness, William Byrd, Wisconsin, Wisconsin Institutes for Discovery, WORT-FM 89.9, YouTube
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