The Well-Tempered Ear

This Saturday night the Wisconsin Chamber Choir and Grammy winner Sarah Brailey perform a free live-streamed concert of music by women

May 13, 2021
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By Jacob Stockinger

The Ear has received the following announcement to post:

The Wisconsin Chamber Choir (WCC, below) with a special guest — Grammy Award-winning soprano and UW-Madison graduate Sarah Brailey – will perform this Saturday, May 15, at 7 p.m.

“Music She Wrote” is a celebration of music composed by a highly diverse group of women from many ages.

Choir members will sing from their individual cars using wireless microphones, listening to the sound of the whole choir via their car radios.

The audience is invited to listen in live on YouTube and to let us know they are interested by sending an RSVP to our Facebook event.

There is no charge to view the livestream, but donations will be welcome. 

Here are the links to hear the performance LIVE on YouTube or Facebook:

https://youtu.be/Iaz0wZhuG18 or: 

https://www.facebook.com/events/1561155960751974/

The WCC had scheduled a regular concert with an all-female cast of composers for May 2020, which fell victim to Covid-19. As it became obvious that the pandemic would last longer, the WCC started exploring new ways of making and disseminating music.

From September 2020, we resumed activity in the shape of the Parking Lot Choir, generating local media coverage from WKOW-TV and Madison Magazine, whose story was headlined “Forget tailgates, parking lots are for choir practice.”

The result of this first rehearsal run was the widely acclaimed “Car Carols” concert in December 2020, whose format is the model for “Music She Wrote.”

In addition to the Parking Lot Choir, three smaller groups from the WCC assembled at the Edgewood College Amphitheater on Saturday mornings to rehearse (below) in widely spaced formations, wearing specially designed singer masks.

Another such group, made up of our members from southeastern Wisconsin, met in Whitewater on Sunday afternoons. Recordings by those four small groups will be aired during the May 15 broadcast in addition to live singing by the Parking Lot choristers.

The program includes: the Garden Songs by Fanny Hensel, née Mendelssohn (Felix’s sister, below), which were intended for outdoor performance; and Ethel Smyth’s March of the Women, the anthem of the women’s suffrage movement in the English-speaking world.

In addition to works by African American composers Ysaÿe M. Barnwell (below top) and Rosephanye Powell and by Cuban composer Beatriz Corona (below second), the program includes samples from outside the Western tradition — Lamma Badaa Yatathannaa, sung in Arabic, by Shireen Abu-Shader (below third), who hails from Jordan but received her academic education in the U.S. and Canada; and two pieces by Japanese composer Makiko Kinoshita (below bottom).

Western early music is represented by Italian composers Raffaella Aleotti (below top) and Chiara Cozzolani (below bottom), who lived in the 16th and 17th centuries.

Finally, there is singer-songwriter Judy Collins with her Song for Sarajevo, composed for the children of the war in Bosnia in 1994 and arranged by her longtime collaborator, Russell Walden. (You can hear it in the YouTube video at the bottom.)

For more details, visit: https://www.wisconsinchamberchoir.org/music-she-wrote.

Sarah Brailey (below, in a photo by Miranda Loud), a native of Wisconsin, studied at the Eastman School of Music and the University of Wisconsin–Madison, where she has just completed her doctorate. A consummate musician and internationally acclaimed soloist, she recently won a Grammy Award in the Best Classical Vocal Solo Album category for her role as The Soul in the world premiere recording of Ethel Smyth’s The Prison. 

She is familiar to Madison audiences not only as a performer and co-founder of Just Bach but also as the co-host of WORT’s Musica Antiqua show on FM 89.9 and the director of Grace Presents. 

As a graduate student, she joined the WCC for two seasons from 2004 to 2006. We are thrilled to welcome her back! For more information on Sarah, see her website at https://sarahbrailey.com


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Wisconsin Ensemble Project’s string quartet program to benefit the United Way of Dane County debuts online this Friday night

May 11, 2021
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By Jacob Stockinger

This Friday night, May 14, the Wisconsin Ensemble Project will present a recorded concert (below, in an image by Katrin Talbot) in partnership with United Way of Dane County (UWDC). 

This is their second in a series of performances to benefit local and international organizations.  

This production offers viewers a meaningful program that leads to direct impact with a focus on housing stability and family well-being.  You will hear the story and see the face of UWDC woven throughout a chamber music performance. 

The program of works for string quartet includes “Park”  by Daniel Bernard Roumain (below top); the “Heiliger Dankgesang” (Sacred Hymn of Thanksgiving, which you can hear played by the Alban Berg Quartet in the YouTube video at the bottom) from Beethoven’s Opus 132; and selections from Five Folksongs in Counterpoint by Florence Price (below bottom).

WE Project members and performers are local, professional musicians who work together in the Madison Symphony Orchestra and the Wisconsin Chamber Orchestra: violinists Leanne League and Mary Theodore; violist Jen Paulson; and cellist Karl Lavine.

“The WE Project is rooted in the quartet’s desire not only to delve deeply into chamber music repertoire, but also to address some of the many pressing social justice issues of our time,” says member Mary Theodore.

When exploring organizations to partner with for their second project, the quartet was inspired by the work of United Way of Dane County. The WE Project approached United Way out of their concern over housing security, with the understanding that one of UWDC’s key goals is to help more individuals and families find pathways out of poverty through housing and employment initiatives.

The recorded production will be available by registering at https://www.eventbrite.com/e/wisconsin-ensemble-project-spring-benefit-concert-registration-151923670789 from 6 p.m. this Friday, May 14, for 72 hours. Admission is free and contributions are strongly encouraged.

Contributions can be made through the website and will help to cover basic production costs and get funds directly into the hands of this very worthy organization which, most importantly, brings aid to the people they serve.


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The Wisconsin Union Theater closes its 2020-21 season with only one online concert this weekend. Sō Percussion on Saturday night has been CANCELED. The Wisconsin Sound all-Beethoven concert with the Pro Arte Quartet will take place at noon on Sunday.

April 30, 2021
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By Jacob Stockinger

Two online concerts this weekend were supposed to close the 2020-21 season at the Wisconsin Union Theater.

On Saturday night at 7:30 p.m., the usual subscriber season was supposed to wind up with an online concert by the Sō Percussion Ensemble with the contemporary Pulitzer Prize-winning American composer Caroline Shaw.

That concert has been CANCELED. No reason is listed.

On this Sunday, May 2, at noon CDT, however, the University of Wisconsin-Madison’s acclaimed string quartet, the Pro Arte Quartet (below top), will by joined by pianist and UW-Madison graduate Thomas Kasdorf (below bottom) in an all-Beethoven concert.

This will be the last concert of the WUT’s innovative Wisconsin Sounds – they feature local performers– this season.

Here are more details: 

PROGRAM and PERFORMERS

The “Beethoven in C Minor” program will feature two works:

String Trio in C minor, Op. 9, No. 3 (1797-98). Performers are Sally Chisholm, viola; Parry Karp, cello; and David Perry, violin.

Piano Trio in C Minor, Op. 1, No. 3 (1793-4). Performers are: Suzanne Beia, violin; Parry Karp, cello; and Thomas Kasdorf, piano. You can hear the opening movement in the YouTube video at the bottom.

The Pro Arte Quartet’s performance of early works by the young Beethoven (below) is part of the Wisconsin Sound Series, which showcases and supports local musicians and artists during the coronavirus pandemic.

Learn more about the series.

To learn more about the Pro Arte Quartet, go to the group’s Website or page on Facebook

TICKETS

Tickets cost $15 and are available at the Wisconsin Union Theater box office. You can purchase tickets and also see more information about the program and performers here: https://union.wisc.edu/events-and-activities/event-calendar/event/pro-arte-quartet/

For ticket buyers who purchase a ticket less than two hours before the event start time, the link to view the concert will be in the confirmation email you will receive immediately following your purchase. This link will be accessible for seven days following the initial broadcast.

For all other purchases, all emails will come from https://union.wisc.edu/visit/wisconsin-union-theater/theater-tickets/

If you do not receive your email to your inbox, please check your junk or spam folder in case it was filtered there. If you have questions or problems, the box offices phone number is (608) 265-ARTS (2787).


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Longtime friends organist Greg Zelek and Madison native and award-winning trumpeter Ansel Norris team up for a FREE live-streamed concert this Tuesday night

April 26, 2021
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By Jacob Stockinger

Two longtime friends and fellow musicians will team up this Tuesday night, April 27, to close this season’s organ concert series, sponsored in the Overture Center by the Madison Symphony Orchestra.

It will be live-streamed online because of the pandemic restrictions on attendance.

The concert features the critically acclaimed MSO organist Greg Zelek (below left) and Ansel Norris (below right), an award-winning trumpeter who is a native of Madison.

The program includes works by Bach, Vivaldi, Haydn and Samuel Barber among others.

The concert starts at 7:30 p.m. CDT. It is FREE but you must register. The concert will be available to registered listeners for unlimited access through May 31.

Here is a link to the MSO website where you can register. It also has more information about the program and biographies of the two performers: https://madisonsymphony.org/event/norris-zelek-2021-streamed/

Here is more background. It appeared in the latest issue of the email newsletter of the Wisconsin Youth Symphony Orchestras (WYSO), of which Norris was a member for many years:

Ansel Norris and Greg Zelek first met in 2010 as high school seniors who had both been selected as finalists in the YoungARTS Awards. The YoungARTS Award is a big competition with just a small percentage of students selected for the $10,000 prize from the thousands of high school applicants. In classical music that year, 12 students became finalists and assembled in Miami for a week of master classes with internationally recognized arts leaders.

Ansel Norris attended as an outstanding trumpeter from Madison East High School and Greg Zelek attended as an outstanding high school organist from the New World School of the Arts in Coral Gables, Florida. 

We hit it off right away and it came to me later what a great story this was,” Norris (below) mused. “Greg had grown up in south Florida and now was living in Madison, and I had grown up in Madison and was now living in south Florida.

“You know, there really is a synergy with trumpet and organ. The sounds are produced in a similar way and the way the sounds blend together is really special. Even then, I imagined a concert together.” 

Ten years later, the two friends were dreaming up this concert when Greg was in Miami in February, 2020. And then the world shut down due to the coronavirus pandemic. Norris has distinguished himself as a solo, orchestral and chamber musician.

After graduating from East High School in Madison, he attended Northwestern University, from which he received a Bachelor’s degree in Music in 2016.  From there he attended Rice University in 2019. Twice he was the first-prize winner at the National Trumpet Competition and a winner of the New World Symphony’s Concerto Competition. Then, at 26 years old, he became the first-ever American prizewinner in the International Tchaikovsky Competition’s Brass division. (You can hear Norris perform in the competition’s semi-finals in the YouTube video at the bottom.)

Playing as soloist with orchestras is a special pleasure for Ansel, and he has enjoyed performances in front of the Mariinsky Orchestra, New World Symphony and his hometown Madison Symphony Orchestra, to name a few. Also a chamber musician, Ansel won a Bronze Medal at the Fischoff International Competition with his friends from the Lincoln Chamber Brass.

Ansel Norris currently resides in Naples, Florida, where he enjoys an eclectic musical career with the Naples Philharmonic. In a place without cold weather, the Naples orchestra could potentially play music safely outside all winter. But Ansel shook his head, “For the most part we’ve been indoors. The orchestra gets tested for COVID each week and we play on a stage with musicians spaced 10 feet apart. HEPA filters are positioned everywhere. Playing 10 feet apart is just crazy. You absolutely cannot depend on the musical cues you were trained to depend on.”

Norris remembers growing up in Madison where there was a “fine legacy for trumpet players. It was so great I didn’t want to go away to Interlochen, even with a full scholarship.” He studied privately with John Aley and attended WYSO rehearsals on Saturdays, which he absolutely loved. 

And now this Tuesday, this 2009 Bolz Young Artist Competition finalist will be returning to the Overture stage with his good friend Greg Zelek, who are both amazing and accomplished young musicians.

As Greg Zelek (below, in a photo by Peter Rodgers) writes: “Concerti of Bach and Haydn will bookend this program filled with music that is both written and arranged for this electrifying pairing of instruments. Mr. Norris’ remarkable technique and soaring lyricism will be on full display while our Mighty Klais both supports and shimmers in this exhilarating performance you won’t want to miss!” Register here for Tuesday’s concert! 


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This Sunday at 4 p.m., the Salon Piano Series debuts an online recital by pianist Kangwoo Jin. He plays music by Scarlatti, Beethoven, Liszt and Schumann. It is up until May 9

April 22, 2021
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By Jacob Stockinger

This Sunday afternoon at 4 p.m. CDT, the Salon Piano Series, hosted by Farley’s House of Pianos, will debut an online concert by pianist Kangwoo Jin (below, in a photo by Andy Manis).

The concert, which was recorded at Luther Memorial Church, costs $10 and will be available online through May 9.

The program is:

Scarlatti – Sonatas in D minor and D Major, K. 213 and 214 (ca. 1756-1757)

Beethoven – Sonata in C-sharp minor, Op. 27, No. 2, “Moonlight” (1801)

Liszt – Transcriptions for solo piano of the songs “Widmung” (Dedication) by Robert Schumann and “Litanei” (Litany) by Franz Schubert

Schumann – Symphonic Etudes, Op.13 (1830)

Bishop – Home, Sweet Home

Tickets are only available online at eventbrite.com. Service fees apply. Complete program and concert information is at salonpianoseries.org

PROGRAM NOTES 

Jin has written the following program notes for The Ear:

“As a musician, I am always eager to share music with the public. I am very excited to be able to reach out to the audience with this unprecedented Salon Piano Series Virtual Concert. 

“I believe music soothes our mental health in difficult times regardless of age, gender or race. I very much hope my performance will contribute to this collective healing we feel through music.

“I wanted to include three different styles, as I usually do for recitals. This time I have Baroque, Classical and Romantic music.

“I chose one of the most famous Beethoven sonatas in order to celebrate his 250th birth year (2020), which I did not have a chance to mark last year.

“This piece is popular with the title of “Moonlight,” which Beethoven (below) never intended. Five years after his death, the German critic Ludwig Rellstab used the word “Moonlight” in order to describe the first movement. But it was really inspired by the funeral march in Mozart’s opera “Don Giovanni.” I try to bring out the tragic color of the first movement. (You can hear Jin play the exciting final movement of the sonata in the YouTube video at the bottom.)

“I also wanted to play the virtuosic masterpiece “Symphonic Etudes,” Op. 13, by Robert Schumann (below), including the beautiful posthumous variations 4 and 5.

I find this piece special in the sense that Schumann intended to make this piece “symphonic.” He created multiple layers of voices in various ways through each etude and created orchestral sounds. This polyphonic writing with multiple layers and a thick texture is what makes this piece difficult to play.

“I also specifically wanted to include one of the piano transcriptions by Franz Liszt (below) of Schubert’s Litanei auf das Fest Aller Seelen (Litany for the Feast of All Souls), D. 343.

“Schubert (below) used the poem “Litany” by Johann Jacobi (1740-1814). It is written for comforting the deceased. Robert Capell, the author of the book “Schubert’s Songs” (1929), said about this lied: There was never a truer or more touching expression of simple devotion and consoled grief … “The music rises from a pure well of affection and humility.” 

“I would like to dedicate this piece to all the people who  suffered from Covid 19.”

BACKGROUND

Here is a link to Kangwoo Jin’s impressive website where you can see many photos, learn about his extensive career as a teacher and hear many samples of his playing: https://www.pianistkangwoojin.com

Praised for his “refined tone quality with powerful energy” (Chosun Daily Newspaper), Jin (below, in a photo by Steve Apps for the Wisconsin State Journal) concertizes nationally and internationally, including performances in Germany, Italy, China, Indonesia and South Korea.

He gave his debut concert at the Sejong Arts Center in Seoul, South Korea, sponsored by the Chosun Daily Newspaper. He has given live performances on Wisconsin Public Radio and WORT 89.9 FM. 

Jin appears frequently as a guest artist at music festivals, universities and various concert series. Recent invitations include UW-River Falls, Texas A&M University-Corpus Christi, and Tongji University in Shanghai. Kawai Pianos USA has also invited him as a guest artist at the annual Piano Technicians Guild Convention and Technical Institute in Florida.

Jin completed the Bachelor of Music degree at Hanyang University in South Korea, then earned his Performer Diploma and Master’s of Music at Indiana University, where he worked as an associate instructor.

He is the recipient of the J. Battista Scholarship for performance excellence at Indiana University and received the Collins Distinguished Fellowship for his doctoral studies, completed last year, at the University of Wisconsin-Madison, where he studied piano with Christopher Taylor and piano pedagogy with Jessica Johnson.


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The Madison Bach Musicians host a virtual online Baroque Tour starting this Saturday, April 24, and lasting through May 8

April 19, 2021
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By Jacob Stockinger

The Ear has received the following notice from Trevor Stephenson, the founder and artistic director of the Madison Bach Musicians (MBM), who will debut their season-closing concert live and online this coming Saturday night, April 24:

Stephenson (below) writes:

Since travel has been so very limited during the pandemic, Madison Bach Musicians is elated to conclude its 2020-21 season with a musical journey through both space and time, and invites you to join us from the intimacy and safety of your own home.

A Baroque Tour is a musical travelogue of instrumental masterworks from 17th- and 18th-century Europe. Luminaries like Handel, Vivaldi, Purcell and Buxtehude are in the mix on this program with their brilliant though lesser-known contemporaries such as Louis-Gabriel Guillemain (below top), Marc-Antoine Charpentier, Andrea Falconieri (below bottom) and Francisco Jose de Castro.

A Baroque Tour will explore the glorious sonic landscapes of Italy, Spain, France, England and Germany.

Our ensemble for this program consists of five strings plus harpsichord, and we are thrilled that baroque bassoon virtuoso Marc Vallon (below, in a photo by James Gill), who teaches at the UW-Madison’s Mead Witter School of Music, will join us for Vivaldi’s exuberant Bassoon Concerto in B-Flat Major. (You can hear the opening movement in the YouTube video at the bottom.)

A Baroque Tour will be broadcast via live-streaming from the acoustically spectacular sanctuary of Grace Episcopal Church on this Saturday evening, April 24. (Rebroadcasts will be available on demand through May 8.)

Tickets are $15 and available online at: https://madison-bach-musicians.square.site/product/a-baroque-tour-april-24-2021-livestream-on-demand-until-may-8/57?cs=true&cst=custom

If you wish to purchase tickets through the mail, use this downloadable form: https://madisonbachmusicians.org/wp-content/uploads/2021/03/MBM-2020-21-Live-Stream-Ticket-Form-A-Baroque-Tour.pdf

Here is the schedule for the concert and related events:

From 7:30-8 p.m., in a pre-concert lecture, MBM artistic director Trevor Stephenson will discuss the composers, the repertoire and the historical instruments.

The performance will run from 8 p.m. until approximately 9:15 p.m.

The evening will then conclude with a live Question-and-Answer session with the musicians who will be socially distanced on the concert platform.

Listeners should submit their questions—in advance or during the broadcast—via email to Karen Rebholz at madisonbachmusicians.manager@gmail.com.

THE MUSICIANS are:

Marc Vallon – baroque bassoon soloist

Kangwon Kim (below) – baroque violin

Emily Dupere – baroque violin

Micah Behr – baroque viola and baroque guitar

Martha Vallon – baroque cello and viola da gamba

James Waldo – baroque cello (and tambourine)

Trevor Stephenson – harpsichord 

THE PROGRAM is:

HANDEL – Sonata in A major for Violin and Continuo, HWV 361

CHARPENTIER – Concerto for Four Viols, H 545

PURCELL – Trio Sonata in C major, Z 795

VIVALDI – Bassoon Concerto in B-flat major, RV 503

GUILLEMAIN – Sonata in A minor for Two Violins, Op. 5, No.1

BUXTEHUDE – Trio Sonata in G major, BuxWV 271

DE CASTRO – Trio Sonata in C major, Op. 1, No. 6

FALCONIERI – La Folia (Folías de España)

Here is a link to some brief biographies and interesting facts about these remarkable composers: https://madisonbachmusicians.org/april-24-a-baroque-tour-a-livestream-event/


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Today – Monday, March 29 – is World Piano Day. Here are links to free online recitals. What does the piano mean to you? Did it play a role during the pandemic?

March 29, 2021
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By Jacob Stockinger

Today – March 29, 2021 – is World Piano Day.

That is because today is the 88th day of 2021.

Gotta have some kind of code or symbolic meaning, after all.

In any case, there are virtual online celebrations all over the world. Here is a link to the official welcoming website that also lists Spotify and SoundCloud playlists from past years and dozens of worldwide events this year, running from March 25-30: https://www.pianoday.org

You can also find more on Google, Facebook, Instagram and Twitter.

The piano means a lot to The Ear, who listens to it and plays it. He loves, loves, loves the piano.

What has the piano and piano music meant to you in your life?

What role did the piano play for you during the past pandemic year?

Have you listened to or discovered newer, younger talent?

Do you have favorite pianists, either historic or current? What do you like about them?

Or maybe you have favorite piano pieces?

Please tell us all about you and the piano in the Comment section.

The Ear wants to hear.

In the meantime you can listen to the World Piano Day “monster recital” by 17 pianists who record for Deutsche Grammophon. The “Yellow Label” – the first commercial record label — has signed a lot of great pianists in its time, and still does.

Here is a link to the YouTube DG recital, which lasts 2 hours and 50 minutes. If you go to the actual YouTube site, click on Show More to see the complete list of performers and pieces. Otherwise performers and programs are displayed on the screen:


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A busy weekend of online concerts features the UW Symphony, Edgewood College, Madison Opera, Wisconsin Chamber Orchestra, Bach Around the Clock and more

March 25, 2021
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By Jacob Stockinger

With only a little over a month left before the academic year ends at the University of Wisconsin-Madison, it’s not surprising that the last weekend in March is very busy with noteworthy – and competing – online concerts.

Each morning at 8 through Friday, Bach Around the Clock will release the last concerts of its 10-day online festival. You can find the programs – including the finale Friday night at 7 with Brandenburg Concerto No. 6 — and link for streaming here: https://bachclock.com/concert-schedule

The weekend starts tonight with one of The Ear’s favorite groups during the Pandemic Year: the UW-Madison Symphony Orchestra

Here is a day-by-day lineup. All times are Central Daylight Time:

TONIGHT, MARCH 25

The UW-Madison Symphony Orchestra (below) performs a FREE virtual online concert TONIGHT starting at 7:30 p.m.

The concert will be preceded by a 7 p.m. talk about Igor Stravinsky with modern musicologist and Penn State Professor Maureen Carr as well as conductor Oriol Sans and Susan Cook, UW musicologist and director of the Mead Witter School of Music.

The program is: Suite from the opera “Dido and Aeneas” by Henry Purcell, with student conductor Alison Norris; Duet for Two Violins and String Orchestra by the contemporary American composer Steve Reich; and  the Neo-Classical “Apollon musagète” (Apollo, Leader of the Muses) by Stravinsky. (In the YouTube video at the bottom, you can hear an excerpt of the Stravinsky played by the Berlin Philharmonic with Simon Rattle conducting.)

Here is the link to the talk and concert. Click on more and you can also see the members of the orchestra and the two violin soloists: https://youtu.be/2rgHQ4lWTV8

For more information about the program, including notes, go to: https://www.music.wisc.edu/event/uw-madison-symphony-orchestra/

FRIDAY, MARCH 26

At 7:30 p.m. the Wisconsin Chamber Orchestra will post for three days the third of its four online chamber music concerts (below). There will be excerpts of music by Beethoven and Brahms as well as complete works by Jessie Montgomery and Alyssa Morris.

Tickets to the online on-demand event are $30, with some discounts available, and are good through Monday evening.

Here is a link to more about this concert, including program notes by conductor and music director Andrew Sewell, and how to purchase tickets: https://wcoconcerts.org/events/winter-chamber-series-no-iii

At 8 p.m., the music department at Edgewood College will give a FREE online Spring Celebration concert. It will be livestreamed via music.edgewood.edu

The performers include: the Chamber Orchestra, under the direction of Sergei Pavlov (below); the Guitar Ensemble, under the direction of Nathan Wysock; and the Chamber Winds, directed by Carrie Backman.

Highlights include the Guitar Ensemble’s performance of Wish You Were Here, by David Gilmour and Rogers Waters, and the Chamber Winds epic Star Wars: The Force Awakens. The Chamber Orchestra, which will perform live, will feature Musical moment No. 3, by Franz Schubert and Peer Gynt Suite by Edvard Grieg.

SATURDAY, MARCH 27

At noon, in Grace Episcopal Church on the Capitol Square downtown, there will be a FREE online concert. Grace Presents: “A Patient Enduring”: This early music program of medieval conductus (a musical setting of metrical Latin texts) and ballade, English lute song, and duets from the early Italian Baroque features two sopranos, Grammy-winnner Sarah Brailey (below) and Kristina Boerger, with Brandon Acker on lute and theorbo.

Here is a link: YouTube.com/GracePresentsConcerts

You can also go to this webpage for a link: https://www.music.wisc.edu/event/grace-presents-a-patient-enduring/

At 3 p.m. the Perlman Trio, a piano trio that is made up of UW-Madison graduate students, will give a FREE online concert. The program includes piano trios by Haydn, Beethoven and Schubert. 

Here is a link to the YouTube video: https://youtu.be/EAjK0DfWB3A

Here is a link to the complete program plus background, names and photos of the performers as well as to the performance: https://www.music.wisc.edu/event/perlman-piano-trio/

At 7 p.m. the UW-Madison’s Wingra Wind Quntet (below) will perform a FREE pre-recorded online concert. Here is a link to the video https://www.youtube.com/watch?v=Bn7eobSnfr8

And here is a link to the page with more background information about the faculty members – including bassoonist Marc Vallon (below top) and flutist Conor Nelson (below bottom) – and to the complete program: https://www.music.wisc.edu/event/wingra-wind-quintet/

SUNDAY, MARCH 28

From 4 to 5:30 p.m., guest mezzo-soprano Julia Ubank (below) will give a free online recital with pianist Thomas Kasdorf.

The program features songs by Mahler, Debussy, deFalla, Jake Heggie and Ellen Cogen.

Here is the complete program plus a link to the recital: https://www.music.wisc.edu/event/julia-urbank-voice-recital/

From 4 to 5:30 p.m. the Madison Opera will host a Opera Up Close cocktail hour discussion with four general directors of opera companies. Here is the website’s description:

“Four opera general directors walk into a chat room…. Stepping outside the Madison Opera family, Kathryn Smith (below, in a photo by James Gill) is joined by three colleagues: Michael Egel of Des Moines Metro Opera, Ashley Magnus of Chicago Opera Theater, and Lee Anne Myslewski of Wolf Trap Opera.

“From how they got into opera, to the ups and downs of running an opera company, their favorite productions, funniest moments, and more, it will be a unique and entertaining afternoon.

Here is a link with more information including the cost of a subscription: https://www.madisonopera.org/class/general-directors/?wcs_timestamp=1616947200

At 6 p.m., Rachel Reese, a UW-Madison doctoral student in violin, will give a lecture-concert about the Violin Concerto No. 2 by the rediscovered African-American composer Florence Price (below). She will be accompanied by pianist Aubrie Jacobson.

Here is a link to the concert plus background about Rachel Reese: https://www.music.wisc.edu/event/rachel-reese-lecture-recital/


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Today’s Just Bach concert starts the 10-day Bach Around the Clock festival that runs through March 26. All events are free and online. Here are the lineups

March 17, 2021
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By Jacob Stockinger

Today — Wednesday, March 17 – brings the free monthly Just Bach concert that is online for 30 minutes.

This year that concert will also serve as the opening event of the annual Bach Around the Clock (BATC) festival to celebrate the birthday of Johann Sebastian Bach.

Here is a link to the lineup of the Bach Around the Clock events. As of this writing, many of the special morning and evening guests and events are listed. But the daytime programs and performers are listed only for today, tomorrow and the final concert. The Ear understands the rest of the listings will be up by the end of today: https://bachclock.com/concert-schedule

There might be frequent additions, changes and updates, so it is best to check back often.

The Ear has heard that, as usual, the festival will include students, amateurs and professionals; young people and adults; individuals, smaller chamber music ensembles and larger groups; and many well-known and neglected works from many genres. 

Those genres include vocal and choral music; keyboard music for clavichord, harpsichord, piano and organ; string music for violin, viola and cello; wind and brass music; and much more.

Daily festival concerts will be posted starting at 8 a.m. Central Daylight Time and evening segments will begin at 7 p.m CDT. All events and concerts will be posted and available during the entire festival.

As for today’s Just Bach concert, here is the announcement from Marika Fischer Hoyt (below), the artistic director of Bach Around the Clock and a co-founder and co-director of Just Bach:

Greetings from Just Bach! We hope this finds you well, and ready to experience more of the timeless beauty of Bach, this month in music for organ and strings.

Our concert TODAY opens with a welcome and program overview from me. We figure when Just Bach and Bach Around The Clock join forces, the Master himself (below, in a cutout, in a photo by Barry Lewis) is summoned.

Today’s program opens with organist Mark Brampton Smith (below) playing two Sinfonias from Cantata 35. 

These are arrangements of two dramatic organ concerto movements, and Mark brings off the virtuosic passages with flair, while the strings provide a spirited accompaniment. 

Then the strings take center stage – in arrangements for string quartet — bringing a yearning melancholy to the slow Andante movement of Brandenburg Concerto No. 2, BWV 1047, and energy and excitement to Brandenburg Concerto No. 3, BWV 1048.

The program closes with our popular chorale sing-along, “Befiehl du deine Wege” (Commend Your Ways), BWV 271. I will introduce the piece and the text, and my sister, soprano Barbara Fischer, will sing it — with Mark on the organ.

We encourage viewers to sing along by following the chorale sheet music, which will be displayed on the computer screen.

Do you have a question for the performers? Would you like to listen in as they chat about the program? Please join us for a half-hour live Zoom post-concert reception tonight, March 17, at 7 p.m. The link is posted on the Just Bach website: https://justbach.org/concerts/

As regular performers on Luther Memorial Church’s weekly “Music at Midday” concert series, Just Bach presents half-hour programs starting at 8 a.m. on the third Wednesday of each month and then remain posted. Remaining dates this semester: March. 17, April 21, and May 19. Our concerts are posted on the Just Bach and Luther Memorial YouTube Channels: https://www.youtube.com/channel/UCcyVFEVsJwklHAx9riqSkXQ

Viewing the concerts is free, but we ask those who are able, to help us pay our musicians with a tax-deductible donation at: https://justbach.org/donate/

Today’s performers include members of the Madison-based early music group Sonata à Quattro (below in photo by Barry Lewis) and are: Christine Hauptly Annin and Aaron Yarmel, violin; Marika Fischer Hoyt, viola; Charlie Rasmussen, cello; Mark Brampton Smith, organ; and Barbara Fischer, guest soprano.

Dave Parminter is the videographer and Barry Lewis is the photographer.


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Starting TODAY, the First Unitarian Society of Madison offers three free, online mini-concerts at noon on Fridays to celebrate Women’s History Month

March 12, 2021
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By Jacob Stockinger

The Ear has received the following announcement to post about three free, online mini-concerts to celebrate Women’s History Month through the Friday Noon Musicales at the First Unitarian Society of Madison.

The concerts start today:

UPCOMING PERFORMANCES

•   To celebrate Women’s History Month, the First Unitarian Society of Madison will present three Friday Noon Musicales during March. 

•   All three will be guest produced by Iva Ugrcic. 

•   Iva Ugrcic (below) is Founding Artistic Director of the Madison-based LunART Festival, which supports, inspires, promotes and celebrates women in the arts.  

•   Each program will feature highlights from past LunART Festival performances.

•   Each program will be approximately 45 minutes long.

DATES AND PROGRAMS

Each video will become available at noon on the indicated date, and will remain available for viewing in perpetuity.

This Friday, March 12 — Works by living composers Jocelyn Hagen, Salina Fisher and Missy Mazzoli (below top), as well as Romantic-era composer Clara Schumann (below bottom, Getty Images).  Specific titles are not named.

Performers include: Iva Ugrcic, flute; Matthew Onstad, trumpet; Tom Macaluso, trombone; Elena Ross and Todd Hammes, percussion; Kyle Johnson, Jason Kutz, Satoko Hayami and Yana Avedyan, piano; Beth Larson and Isabella Lippi, violin; Karl Lavine, cello (below); ARTemis Ensemble.

Friday, March 19 — Works by living composers Linda Kachelmeier, Elsa M’bala, Doina Rotaru (below top) and Eunike Tanzil, as well as Medieval mystic Hildegard von Bingen (below bottom) and Romantic-era Fanny Mendelssohn-Hensel. Specific works are not named. (In the YouTube video at the bottom, you can hear flutist Iva Ugrcic play Doina Rotaru’s haunting “Japanese Garden.”)

Performers include: Iva Ugrcic, flute; Jose Ignacio Santos Aquino, clarinet; Midori Samson, bassoon; Breta Saganski and Dave Alcorn, percussion; Satoko Hayami (below), Jason Kutz and Eunike Tanzil, piano; ARTemis Ensemble

Friday, March 26 — Alexandra Olsavsky, Edna Alejandra Longoria, Kate Soper and Jenni Brandon as well as post-Romantic era American composer Amy Beach (below bottom). Specific pieces are not named. 

Performers include: ARTemis Ensemble; a string quartet with violinists Isabella Lippi and Laura Burns, violist Fabio Saggin, and cellist Mark Bridges (below); Jeff Takaki, bass; Vincent Fuh and Kyle Johnson, piano; Jennifer Lien, soprano; Iva Ugrcic, flute.

THREE OPTIONS FOR ATTENDING

•   Website — https://www.fusmadison.org/musicales

•   Facebook — https://www.facebook.com/fusmadison

•   YouTube — https://www.youtube.com/fusmadison > “Playlists” > “Music at FUS”

ABOUT THE “FRIDAY NOON MUSICALES” RECITAL SERIES

•   The Friday Noon Musicales at First Unitarian Society is a free noon-hour recital series offered as a gift to the community. 

•   Founded in 1971, 2020-2021 is the series’ 50th season. 

•   The series has featured some of the finest musicians in the Midwest, who flock to perform in the Frank Lloyd Wright-designed Landmark Auditorium.

•   The music performed is mostly classical, but folk, jazz and musical theater styles are presented on occasion.

•   During the pandemic, the Musicales have largely been on hiatus.

JUSTICE AND MUSIC INITIATIVE (JAM)

•   The Justice And Music Initiative (JAM) at the First Unitarian Society of Madison represents a commitment to more socially equitable and earth-friendly music practices. 

•   This commitment includes music performed on our campus, both for worship and non-worship events. 

•   To help achieve our goal, we recognize and celebrate recognition days and months with our musical selections, such as Hispanic Heritage Month (9/15–10/15), LGBT History Month (October); Native American Indian Heritage Month (November), Black History Month (February), Women’s History Month (March), and African-American Music Appreciation Month (prev. Black Music Month; June).


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