The Well-Tempered Ear

Here is a news update on American Kenneth Broberg and the six other finalists in the piano concerto round of the International Tchaikovsky Competition on medici.tv for Tuesday, Wednesday and Thursday

June 24, 2019
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Here is a news update on the final round of the piano contest at the 16th International Tchaikovsky Competition in Moscow:

The Ear still hasn’t seen word about the specific repertoire, besides the required Tchaikovsky concerto, that seven finalists in the 16th International Tchaikovsky Competition will perform this week.

However, they will take place on Tuesday, Wednesday and Thursday at approximately 10 a.m. and 11:45 a.m. with an extra session on Thursday at 2 p.m., CDT.

American pianist Kenneth Broberg (below, in a photo by Jeremy Enlow), who played in Madison last season at the Salon Piano Series held at Farley’s House of Pianos, will perform second-to-last on Thursday, June 27, at 11:45 a.m.

The Ear is guessing that he will perform Sergei Rachmaninoff’s “Rhapsody on a Theme of Paganini,” which is what he played at the 2017 Van Cliburn International Piano Competition where he captured the silver medal.

Stay tuned!

Here is the complete schedule for the final concerto round, which will be live-streamed on TCH16.medici.tv .

Tuesday is Russian Konstantin Emelyanov at 10 a.m. and Russian Dmitry Shishkin at 11:45 a.m. Wednesday is Chinese An Tianxu at 10 a.m. and Russian Alexey Melnikov at 11:45. Thursday is French Alexandre Kantorow at 10 a.m. and American Kenneth Broberg at 11:45 a.m.; and Japanese Mao Fujita at 2 p.m.

Here is a link, or go to PIANO on the home website and click on WATCH: https://tch16.medici.tv/en/piano/

You may experience some delays or temporary disruptions in the live-streaming. Medici.TV says that so far the competition has had more than 10 million views from more than 180 countries, and the online service is struggling to fix outage problems. 


Classical music: American pianist Kenneth Broberg survives into the final concerto round of the 16th International Tchaikovsky Competition in Moscow. Performances start being live-streamed on Tuesday morning

June 23, 2019
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By Jacob Stockinger

It started with 25.

Then there were 14.

And now there are seven.

And American pianist Kenneth Broberg (below), 26, is among the seven pianists who have survived into the concerto finals of the 16th International Tchaikovsky Competition in Moscow. (Competitions, some in Saint Petersburg, are also taking place in violin, cello, voice, woodwinds and brass. You can see the official preview in the YouTube video at the bottom.)

Broberg, the silver medalist at the 2017 Van Cliburn Competition performed a recital in Madison last season as part of the Salon Piano Series at Farley’s House of Pianos.

The other American, 32-year-old Sara Daneshpour (below), was eliminated during the semi-finals that finished yesterday.

Each finalist must perform a Tchaikovsky piano concerto, either the famous No. 1 or the much less familiar Piano Concerto No. 2, plus another concerto of their choice. Usually there is also a lot of Rachmaninoff and often Prokofiev.

So far, The Ear hasn’t seen what concertos Broberg will play or on what day he will perform. When he finds out, he will let you know. If you find out, please leave the information in the comment space.

The concerto concerts will be live-streamed for FREE on Tuesday, Wednesday and Thursday at 10 a.m. because of the eight-hour time difference with Moscow. (Below the logo is the historic Great Hall of the Moscow Conservatory, where the concerto performances, like the solo recitals, are held.)

To follow the concertos, go to: https://tch16.medici.tv/en/

If you hover the cursor over PIANO and then CONTESTANTS you can also find out a lot, and also hear the preliminary and semi-final recitals that Broberg performed. Here is a link to his biography and  background plus his two performances in Moscow:

https://tch16.medici.tv/en/competitors/kenneth-broberg-/

There are suggestions that there was some disagreement among the international panel of judges. The original 25 contestants were supposed to be reduced to 12, but ended up being 14. Then there were supposed to be six finalists, but they named seven.

The other finalists are: Konstantin Emelyanov, 25, of Russia; Mao Fujita, 20, of Japan; Alexandre Kantorow, 22, of France; Alexey Melnikov, 29, of Russia; Dmitry Shishkin, 27, of Russia; and An Tianxu, 20, of China.

All were impressive during the first two solo rounds and received enthusiastic applause, but Mao Fujita received the only standing ovations over 39 solo recitals. The archived performances of all of them are also worth checking out.


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Classical music: The Bach Dancing and Dynamite Society again brings its surefire summery approach to serious classical chamber music when it starts its 28th annual series this weekend

June 11, 2019
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By Jacob Stockinger

It’s not just the calendar that makes the Bach Dancing and Dynamite Society the official start of the increasingly busy summer classical musical season in Madison.

The real reason is that the summer chamber music series, about to start its 28th annual summer this Friday night, June 14, is downright summery in its approach.

Say “summer,” and you think of lightness, of fun, of playfulness. And those are the very same qualities – along with serious, first-rate performances of great music by outstanding musicians – that BDDS brings to its six programs spread out in 12 concerts over three weekends and three venues during the month of June.

By now both the performers (below, in a photo by Dick Ainsworth for BDDS) and the audiences know that the formula works, however finely tuned or slightly changed it is from one summer to the next.

WHAT’S THE SAME

This year much remains.

There are still door prizes, spoken introductions and stories, mystery guests and a colorful art installation by UW-Madison designer Carolyn Kallenborn.

The titles of the six programs for 12 concerts over three weekends still have groan-inducing puns — “Name Dropping” in the theme for this summer — that are based on the musicians’ names like “Founteneau of Youth” after the San Francisco cellist Jean-Michel Fonteneau (below top) and “Quadruple Axel” after the Montreal-based violin virtuoso Axel Strauss (below bottom).

There are still the usual venues: the Playhouse in the Overture Center (below top); the Stoughton Opera House (below middle); and the Hillside Theater at Taliesin, the Frank Lloyd Wright compound in Spring Green.

There are still the many distinguished and accomplished musicians among the many imported guest artists and the many local musicians, including the co-founders and co-artistic directors flutist Stephanie Jutt and pianist Jeffrey Sykes (below). The Ear can’t recall ever hearing a bad BDDS performance, even of music he didn’t like.

And there is a mix of older well-known and classic repertoire along with newer and neglected composers and works.

WHAT’S NEW

But some things are different too.

The first concert this Friday will have a post-concert reception with free champagne and dessert to celebrate the 28th season.

This summer, unlike recent ones, there is no vocal music. All music is instrumental.

At both Stoughton and Spring Green, you can get food. Go to the home website for details.

Especially new and noteworthy is that the Russian virtuoso accordion player Stas Venglevski (below), from Milwaukee, will also perform on programs. Venglevski performs on the bayan, a Russian-style accordion noted for its deep bass sound and range and purity of tone.

Venglevski will be featured in works that range from polkas and heart-on-the-sleeve tangos by Argentinian composer Astor Piazzolla, Cuban composer Ernesto Lecuona and Russian composer Igor Stravinsky; down-and-dirty original works by Russian master Tatyana Sergeyeva and arrangements of favorite pieces by Johann Sebastian Bach and others.

This Wednesday night, June 12, from 7 to 9 p.m., Venglevski and Jutt will perform “Bayan-o-rama” at the Arts and Literature Lab, 2021 Winnebago Street. Tickets are $10 at the door. Refreshments will be served.

Here is a summary of the first weekend:

WEEK ONE

The elegance, charm, and finesse of French cellist Jean-Michel Fonteneau is displayed in a program called “Fonteneau of Youth.”

It includes music written by great composers in their youth, including the ravishing Elegy for cello and piano of French composer Gabriel Fauré; the rhythmically exciting Trio for flute, cello and piano of living American composer Ned Rorem; and the astonishing D’un soir triste (One Sad Evening) and D’un matin de printemps (One Spring Morning), both for piano trio, of 21-year old Lili Boulanger (below), who was the Prix de Rome-winning composer sister of famed teacher Nadia Boulanger and who died very young. (You can hear both pieces by Lili Boulanger in the YouTube video at the bottom.)

The great Franz Joseph Haydn—always the most youthful of composers, even into his late years—is represented by the masterful Piano Trio no. 28 in E major, in honor of BDDS’ 28th season.

“Fonteneau of Youth” will be performed at The Playhouse in the Overture Center for the Arts on this Friday, June 14, at 7:30 p.m. A free champagne and dessert reception will be held following the performance to celebrate the 28th season opener. It will also be performed in Spring Green at the Hillside Theater on Sunday, June 16, at 2:30 p.m.

Audience favorite Axel Strauss—not just a virtuoso violinist, but a virtuoso musician and artist of the highest distinction—will brave gravity-defying musical heights in “Quadruple Axel.” Carl Philipp Emanuel Bach’s Trio Sonata in D minor for violin, flute, cello and piano starts the program on an elegant note. Johannes Brahms’ fiery Piano Trio No. 3 in C minor, Op. 101, raises the temperature significantly. And all sorts of hijinks are on display in Maurice Ravel’s extraordinary and ravishing Sonata for Violin and Piano.

“Quadruple Axel” will be performed at The Playhouse in the Overture Center for the Arts on Saturday, June 15, at 7:30 p.m. and in Spring Green at the Hillside Theater, Sunday, June 16, at 6:30 p.m.

For more information about the full BDDS season and how to purchase tickets ($43 and $49), go to: https://bachdancing.org


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Classical music: Here are the winners of the seventh annual Handel Aria Competition held Friday night before a record audience

June 9, 2019
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By Jacob Stockinger

Co-founders Orange and Dean Schroeder have sent the following announcement about the winners of the seventh annual Handel Aria Competition that was held Friday night in Mills Hall at the University of Wisconsin-Madison’s Mead Witter School of Music:

The seventh annual Handel Aria Competition was a joyous evening of arias! We had a record audience — we don’t have the final numbers yet, but we ran out of 240 printed ballots and figure there were 250 to 300 people present — despite a widespread power outage on the near west side and severe parking challenges.

The winners, accompanied by the Madison Bach Musicians, were: Australian soprano Morgan Balfour, first prize (below center, in a photo by Tom Miller); soprano Emily Yocum Black, second prize (below right); and bass-baritone Jonathan Woody, third prize and audience favorite (below left).

We are excited to know that Morgan will be singing in St. George’s Church, Hanover Square, next spring thanks to the London Handel Festival. In addition, she will receive $1,500 in cash and – like all finalists — $500 toward travel costs for competing. Other awards were $1,000 for second place, $750 for third place and $500 for Audience Favorite.

Here are the arias, from opera and oratorios, sung by the three winners:

Morgan Balfour: “Spietati, io vi giurai” from “Rodelinda” and “Mean as he was, he is my brother now … Author of Peace” from “Saul”

Emily Yocum Black: “Art thou not Zaphnath? … Prophetic raptures swell my breast” from “Joseph and His Brethren” and “Credete al mio dolore” from “Alcina.”

Jonathan Woody: “Oh memory, still bitter to my soul! … Opprest with never-ceasing grief” from “Belshazzar” and “Why do the nations so furiously rage together?” from “Messiah.”

Schroeder says: “The seven finalists (below in a photo by Tom Miller) were all excellent, presenting a real challenge for audience members picking their favorite as well as for the judges.” (For names and more biographical information about the finalists and judges, go to https://handelariacompetition.com

Adds Schroeder: “The caliber of applicants gets better and better every year. This year everybody was amazing and one of the judges said he was blown away by the quality of the competition. Yet we still try to make the sure that the competition is friendly and most collegial, not cutthroat.”

All the performances from all the finalists as well as the winners were video recorded and, after they are processed, will be posted on YouTube in about a month. (The Ear will let you know when they are available.)

You can also see and hear most of the finalists from the past six years on YouTube now; and more information about the past six years of the competition is on its home website at https://handelariacompetition.com/past-competitions

Did you go to the competition?

Did you agree with the judges about the winners and the Audience Award?

What did you think of the annual competition?

The Ear wants to hear.


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Classical music: The 7th annual Handel Aria Competition, which has grown in international stature and ties, will take place this Friday night at 7:30 p.m. in Mills Hall. Here are the 7 finalists and more information

June 5, 2019
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By Jacob Stockinger

The final round of the seventh annual Handel Aria Competition will be held on this Friday night, June 7, at 7:30 p.m. in Mills Hall at the University of Wisconsin-Madison’s Mead Witter School of Music. (Below is soprano Suzanne Karpov, the winner last year. You can hear her prize-winning performance in the YouTube video at the bottom. To whet your appetite, you can also find many other outstanding competition performances from past years on YouTube.)

As in recent years, the accompaniment will be provided by the Madison Bach Musicians (below), a period instrument Baroque music ensemble under the direction of harpsichordist Trevor Stephenson that uses historically informed performance practices.

Tickets will be $15 each for general admission, and will be available at the door.

The seven finalists were chosen from a field of 100 singers from five countries.

Three prizes are awarded by the guest judges, and the audience also gets to award its own prize — which doesn’t always agree with the judges.

The finalists are (below, from the upper left):

  • Emily Yocum Black, soprano
  • Jonathan Woody, bass-baritone
  • Katherine Cecelia Peck, soprano
  • Scott J. Brunscheen, tenor
  • Sarah Moyer, soprano
  • Morgan Balfour, soprano
  • Ryne Cherry, baritone

To read extensive biographies about each of these singers, go to the competition’s home website.

There is other important news to announce. The competition has a new director, Wisconsin native Sarah Brailey (below), a soprano who is pursuing graduate work at the UW-Madison while maintaining a busy concert schedule and blossoming career. She is also a co-founder of the free monthly Just Bach midday concerts that started this past season.

Read her biography and be impressed: https://sarahbrailey.com/about/

This year also saw the competition foster music education with its first showcase concert by high school singers performing Handel arias at the Capitol Lakes Retirement Community near the Capitol Square.

Finally, an international link has been established.

There is a new cooperative initiative with the esteemed London Handel Festival! The first prize winner of this year’s Handel Aria Competition will be invited to give a lunchtime recital in London at Handel’s own parish church, St. George’s in Hanover Square, next spring. (It is contingent, of course, on being able to coordinate the singer’s schedule with that of the London Handel Festival.)

The winner will receive a travel grant of up to $750, and the London Handel Festival will provide a home stay, professional accompaniment and even a small stipend.

The Handel Festival in London, now in its 18th year, was one of the inspirations in starting the Handel Aria Competition in the U.S.


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Classical music: Thursday night, the Middleton Community Orchestra closes its season with duo-pianists in music by Mozart and Saint-Saens, and the latter’s “Organ” Symphony. Wednesday is the last Just Bach concert of the season 

May 28, 2019
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ALERT: This Wednesday, May 29, at 1 p.m. in Luther Memorial Church, 1021 University Avenue, is the last FREE Just Bach concert of the season. The one-hour early music program includes: the cantata “Jauchzet Gott in allen Landen” (Praise Ye God in All Lands), BWV 51; Duetto II in F Major, BWV 803; and the cantata “Wachet! Betet! Betet! Wachet!” (Watch! Pray! Pray! Watch!), BWV 70. For more information, go online to the home website: https://justbach.org

By Jacob Stockinger

This Thursday night, May 30, the largely amateur but critically acclaimed Middleton Community Orchestra (below, in a photo by Brian Rupert) will close its ninth season with a special family-friendly concert.

The concert, under the baton of conductor Steve Kurr (below), takes place at 7:30 p.m. in the Middleton Performing Arts Center that is attached to Middleton High School, 2100 Bristol Street.

Guest artists are University of Wisconsin-Madison students and duo-pianists Satoko Hayami (below top) and Thomas Kasdorf (below bottom). They will perform the witty and entertaining “Carnival of the Animals” by Camille Saint-Saens and then the Concerto for Two Pianos, K. 365, by Wolfgang Amadeus Mozart.

Wisconsin Public Radio host Norman Gilliland (below) will be the narrator in “The Carnival of the Animals.” (In the YouTube video at the bottom, you can hear the opening Introduction and Royal March of the Lion, with the late Sir Roger Moore — aka James Bond or 007 — as the narrator plus an all-star cast of musicians and some very cool animal videos in back-and-white.) 

The concert concludes with the always impressive, ambitious and popular Symphony No. 3  — the famous “Organ” Symphony – by Saint-Saens (below, seated at the piano in 1900).

Adds MCO co-founder Mindy Taranto: “We are really excited to share a special concert with the community as we celebrate the end of MCO’s ninth season.

“It took a village to make this concert possible. Farley’s House of Pianos is donating the use of an 1890 Steinway to match the Steinway at the hall. WPR radio host Norman Gilliland is generously volunteering to narrate the ‘Carnival of the Animals’ and Full Compass is offering us a discount on the sound equipment we need to play the “Organ” Symphony. Our very own recording engineer, Alex Ford, is playing the organ.

“Please bring your kids and share this information to invite all students free of charge to hear this concert.”

Admission is $15 for adults; all students get in for free. Tickets are available at the Willy Street Coop West and at the door. The box office opens at 6:30 p.m. and the auditorium opens at 7 p.m.

As usual, after the concert there will be a free meet-and-greet reception for musicians and the public.

For more information about this concert, and about how to join or support the Middleton Community Orchestra, call 608 212-8690 or go online to: http://middletoncommunityorchestra.org


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Classical music: Today is Memorial Day – a good time to remember the civilian dead as well as the military dead. The Ear likes Ravel’s “Le Tombeau de Couperin.” What music would you listen to to mark the holiday?

May 27, 2019
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By Jacob Stockinger

Today is Memorial Day, 2019, when the nation honors the men and women who died in military service. The Ear would like to see much more attention and remembrance paid to the huge number of civilians — much higher than military personnel and soldiers — who have died in wars and military service, whose lives weren’t given but taken.

In fact, why not establish and celebrate a separate holiday to honor civilian deaths in war? Perhaps it would help to know the detailed history and background of the holiday, since it is not as straightforward or modern as you might expect:

https://en.wikipedia.org/wiki/Memorial_Day

What piece of classical music would you listen to in order to mark the holiday?

There is a lot to choose from.

The Ear especially likes “Le Tombeau de Couperin” by the early 20th-century French composer Maurice Ravel. It is a “tombeau” – a metaphorical “tomb” or “grave” used by the French to mean paying homage to the dead – in two senses.

Its neo-Classical or neo-Baroque style recalls the 18th-century world of French composers and harpsichordists including Jean-Philippe Rameau and Francois Couperin. But in a second sense, Ravel (below, in 1910) dedicated each of the six movements to a friend – in one case, two brothers — who had died during World War I. So part of its appeal is that it is a very personal statement of grief.

Here is more detailed background about the piece:

https://en.wikipedia.org/wiki/Le_tombeau_de_Couperin

The work was orchestrated later, which added sonic color but cut out two movements. The Ear prefers the original piano version, which seems a little more percussive, austere and straightforward — less pretty but more beautiful, and more in keeping with the holiday by evoking sentiment without sentimentality.

In the YouTube video at the bottom, you can hear it in a live performance by Canadian pianist Angela Hewitt.

But there are lots of other works to choose from by many composers: John Adams (“The Wound Dresser” after poetry of Walt Whitman); Samuel Barber (Adagio for Strings); Ludwig van Beethoven (slow movements of Symphonies 3 and 7, and of the Piano Sonata Op. 26); Johannes Brahms (“A German Requiem”); Benjamin Britten (War Requiem);  Frederic Chopin (Funeral March from Sonata No. 2, polonaises, preludes and the “Revolutionary” Etude); Aaron Copland (“Fanfare for the Common Man” and “Letter From Home”); Edward Elgar (“Nimrod” from “Enigma Variations”); Gabriel Faure (Requiem and Elegy for cello); Franz Joseph Haydn (“Mass in Time of War”); Paul Hindemith (“When Lilacs Last in the Dooryard Bloom’d – A Requiem for Those We Love”);  Charles Ives (Variations on “America” and “Decoration Day”); Henry Purcell (“When I Am Laid in Earth”); John Philip Sousa (“Honored Dead” March); Ralph Vaughan Williams (Symphony No. 3 “Pastoral”); and many others, including Johann Sebastian Bach and Wolfgang Amadeus Mozart.

Here is a list from the British radio station Classical FM:

https://www.classicfm.com/discover-music/occasions/memorial/remembrance-day-music/war-requiem-britten/

Here is a list of patriotic music from Nashville Public Radio:

https://www.nashvillepublicradio.org/post/classical-music-remembrance-and-loss-memorial-day-playlist#stream/0

Here is another list from an American source:

http://midamerica-music.com/blog/five-classical-works-memorial-day/

Here are more sound samples from NPR:

https://www.npr.org/templates/story/story.php?storyId=104341851

And here is another one from Northwest Public Radio:

https://www.nwpb.org/2015/05/22/memorial-day-music-commemorate-celebrate/

What do you think of a holiday commemorating civilian deaths in war?

What favorite piece of classical music would you play and listen to as you mark Memorial Day?

Let us know, with a YouTube link if possible, in the COMMENT section.

The Ear wants to hear.


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Classical music: Next season the Wisconsin Chamber Orchestra will expand to two performances of its winter Masterworks concerts by adding a Saturday night concert in Brookfield, near Milwaukee

May 21, 2019
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By Jacob Stockinger

Next season will mark the 20th anniversary of Andrew Sewell (below top) coming to Madison to serve as the music director and principal conductor of the Wisconsin Chamber Orchestra (below bottom).

It is hard to imagine a better Bravo! or anniversary gift for the maestro – who has said he wants the WCO to become a chamber orchestra, as its name implies, for the entire state of Wisconsin — than what will in fact take place: the WCO will expand its winter Masterworks concerts to two performances by adding a Saturday night performance at 7:30 p.m. in the Sharon Lynne Wilson Center for the Arts (below) in Brookfield, a suburb of Milwaukee. (Sewell is also the music director of the San Luis Obispo Symphony in California.)

Madison performances of Masterworks will continue to take place at 7:30 p.m. on Friday night in the Capitol Theater of the Overture Center.

You can find out more about the Masterworks programs for next season by going to the WCO home website:

https://wisconsinchamberorchestra.org/performance-listing/category/masterworks

There you will find the usual eclectic mix of new guest artists and new or neglected composers and repertoire that has marked Sewell’s tenure and brought him critical acclaim.

Pianist Orion Weiss will perform the popular  Piano Concerto No. 21 in C Major, K. 467 – “Elvira Madigan” – by Wolfgang Amadeus Mozart; violinists Giora Schmidt and Eric Silberger will perform concertos by Dmitri Kabalevsky and Niccolo Paganini, respectively; harpist Yolanda Kondonassis will perform a concerto by Argentinian Alberto Ginastera; and Andrew Balio (below), principal trumpet of the Baltimore Symphony Orchestra, will return to Madison where he grew up and perform a 1948 trumpet concerto by Italian composer Andre Tomasi.

Early music and new music to be featured includes works by: Donald Fraser (an acclaimed English conductor, composer and arranger, below) who now lives in Illinois, and often comes to Madison); Joseph Martin Kraus, known as the “Swedish Mozart”; Norwegian composer Johann Svensen; and three English composers (always favorites of Sewell who was born and educated in New Zealand) who are John Marsh, James Macmillan and York Bowen. (In the YouTube video at the bottom you can hear the English Symphony Orchestra, conducted by Kenneth Woods — a native Madisonian who will return next season to conduct the Madison Symphony Orchestra — recording the Scherzo movement from Donald Fraser’s “Sinfonietta,” the same work that the WCO will perform.) 

Works by Franz Joseph Haydn, Wolfgang Amadeus Mozart, Ludwig van Beethoven, Felix Mendelssohn and Sergei Prokofiev also figure prominently, including Mozart’s Symphony No. 41 “Jupiter” and Beethoven’s Symphony No. 6 “Pastoral” in honor of the composer’s 250th birthday in 2020.

Also on the website, you will find the upcoming season of Wednesday night Concerts on the Square for this summer (June 26-July 31) plus the dates and themes – although no guest artists or works — for 2020 (June 24-July 29).

Go to: https://wisconsinchamberorchestra.org/performances

You can also find information for next season about the WCO performing George Frideric Handel’s “Messiah,” Peter Ilyich Tchaikovsky’s ballet “The Nutcracker” with the Madison Ballet; the Young Artist Concerto Competition; the free Family Series; and the community Super Strings program for elementary students.

To receive a brochure with information about all these events and about how to get tickets — an “early bird” discount on subscription tickets runs through May 31– call (608) 257-0638 or go to: https://wisconsinchamberorchestra.org


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Classical music: This Tuesday night, May 21, at 7:30 the Wisconsin Chamber Orchestra and the Wisconsin Youth Symphony Orchestras perform an impressive Side-by-Side concert that is FREE and UNTICKETED in Overture Hall  

May 19, 2019
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IF YOU LIKE A CERTAIN BLOG POST, PLEASE SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event.

By Jacob Stockinger

This coming Tuesday night, May 21, at 7:30 p.m. in Overture Hall of the Overture Center, 201 State Street, is another event that can’t help but build audiences and generate good will for classical music.

That is when, once again, the professional musicians of the Wisconsin Chamber Orchestra and the student musicians of the Wisconsin Youth Symphony Orchestras will play side-by-side (below, in a rehearsal), under the baton of WCO music director Andrew Sewell,  in an inspiring example of apprenticeship and cooperation.

The Ear has been to the concert before, and loved the experience, which he found moving and excellent. He highly recommends it.

The ensemble repertoire to be played is ambitious and impressive.

In addition, soloists on the program are winners of the WYSO Concerto Competition: flutist Brian Liebau and violinist Benjamin Davies Hudson (below).

Says the WCO website: “Supporting young musicians in our community is essential to the future of music and the arts in Madison. We welcome all in the community to join us at this FREE concert.”

TICKETS
There is no charge for this concert, and no ticket is necessary to enter. Seating is general admission. Doors open at 6:45 p.m., and the concert begins at 7:30 p.m.

REPERTOIRE
Antonin Dvorak, “Slavonic Dances,” Op. 46, Nos. 1, 3 and 8 (1878)

Hamilton Harty, “In Ireland,” a fantasy for flute, harp and orchestra (1935)

Camille Saint-Saens, “Introduction and Rondo Capriccioso,” Op. 28 (1863), for violin and orchestra. (In the YouTube video at the bottom, you hear the catchy, tuneful and virtuosic work performed by violinist Itzhak Perlman.)

Peter Ilyich Tchaikovsky, Symphony No. 4 in F minor, Op. 36 (1877-78), movements 3 and 4

Modest Mussorgsky, selections from “Pictures at an Exhibition” (1874; arranged by Maurice Ravel in 1922)


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Classical music: The Festival Choir of Madison closes its season TONIGHT with a concert of East Asian music from China, Japan, Korea and Taiwan

May 18, 2019
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ALERT: Today and next Saturday, Wisconsin Public Radio’s “Music in Wisconsin” program, hosted by Lori Skelton, will air recorded performances from the past season by the Madison Opera. Both broadcasts start at 1 p.m. This week’s opera is the double bill of one-acts “Cav/Pag,” as Pietro Mascagni’s “Cavalleria rusticana” and Ruggero Leoncavallo’s “Paglicacci” are known. Next week will see Antonin Dvorak’s “Rusalka,” with the famous soprano aria “Song to the Moon.”   

IF YOU LIKE A CERTAIN BLOG POST, PLEASE SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event.

By Jacob Stockinger

The Ear has received the following announcement to post:

The Festival Choir of Madison (below) will present the last concert of the season, “Jasmine Flowers,” TONIGHT — Saturday, May 18 — at 7:30 p.m. in the Atrium auditorium of the First Unitarian Society of Madison, 900 University Bay Drive, in Madison.

The choir and its artistic director, Sergei Pavlov (below right in front row), will perform arrangements of famous songs such as the Japanese “Sakura” (Cherry Blossom), arranged by the late Japanese composer Toru Takemitsu (his version is heard in the YouTube video at the bottom); and “Mo-Li-Hua” (Jasmine Flower), a popular Chinese folk song used variously as a national anthem and for the Olympics, arranged by the leading Korean composer Hyo-won Woo.

The choir will also feature other recent compositions sung in Taiwanese, Korean, Chinese, English and French  — including works by Chen Yi, Libby Larsen, Bob Chilcott, Claude Debussy and Maurice Ravel — inspired by the musical traditions of East Asia.

Admission, with general seating, is $10 for students, $15 for senior citizens, and $20 for adults, with tickets available at the door the day of the concert. Tickets can also be purchased online through Brown Paper Tickets at:

https://www.festivalchoirmadison.org/concerts/2019/5/18/jasmine-flowers

The Festival Choir of Madison is an auditioned, mixed-voice volunteer choir of over 50 experienced singers. The choir performs thematic concerts of artistically challenging choral music from around the world for listeners who enjoy traditional, modern and eclectic works, and for singers who enjoy developing their talents with others.

To learn more about the Festival Choir of Madison, go to www.festivalchoirmadison.org.


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