The Well-Tempered Ear

A biopic about Vivaldi is in the works

April 18, 2024
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By Jacob Stockinger

The baroque master and violin virtuoso Antonio Vivaldi (1678-1741, below) composed the most recorded piece of classical music of all time: “The Four Seasons.”

The work was composed around 1720 and published in 1723, but because Vivaldi died in poverty and his music fell into obscurity, it was not rediscovered and recorded until 1939. And scholars are still finding manuscripts and rediscovering works by the prolific composer who has some 500 concertos and 40 operas to his credit.

The Roman Catholic priest with flaming red hair who was admired by J.S. Bach and who taught at an orphanage for girls in Venice, Italy, has been the subject of numerous biographies, critical studies and even novels, including mystery novels.

But now — after a 20-year delay since the script was completed and submitted — Vivaldi is about to hit the Big Screen in a biopic.

Last year saw “Maestro” about Leonard Bernstein and his wife. And a movie about opera diva Maria Callas is in the works with Angelina Jolie in the title role.

It seems a trend that might perhaps help attendance as concert organizations still are struggling to recover from the Covid pandemic. One wonders if we will see more Vivaldi programmed in response to his increased visibility and publicity his music will get thanks to Hollywood.

For more background and details, here is a link to the story on Classic FM:

Which is your favorite of the four violin concertos that make up “The Four Seasons”?

And what about Vivaldi’s other pieces, including the glorious “Gloria”?

The Ear particularly likes Vivaldi’s concertos for two violins. It is in A minor, RV 523, and you can hear the first movement played by Simon Standage and Collegium 90 in the YouTube video at the bottom.

Do you recommend a particular work by Vivaldi?

What is your favorite piece — choral, operatic, instrumental — by The Red Priest?

The Ear wants to hear.


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Pianist Lang Lang gets a Hollywood star

April 16, 2024
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By Jacob Stockinger

He is not the first classical pianist to be honored with a star on the Hollywood Walk of Fame.

But the controversial Chinese superstar Lang Lang (below) — once referred to as Bang Bang and compared to Liberace for his flamboyance and showmanship — is certainly the most popular.

As a performer, educator and philanthropist, he is also the first Asian pianist to be so honored, although The Ear is betting that his fellow Chinese and highly respected pianist Yuja Wang is not far behind him.

Lang Lang received the 2,778th star (below, in a photo by Jesse Grant of Getty Images) from the Hollywood Chamber of Commerce. He received it last week, on April 10.

His alma mater — the Curtis Institute of Music in Philadelphia, where Lang Lang studied with Gary Graffman and graduated in 2002 — is deservedly proud of him, issuing the following press release with links: 

And if you missed any or all of the 49 minutes-long fluffy ceremony, in the YouTube video at the bottom is a 5-minute clip of the event, during which Lang Lang played the piano on the street.

Do you have an opinion about Lang Lang?

What do you think is his best recording?

The Ear wants to hear.


Watch ‘The Last Repair Shop’ — the Oscar-winning short documentary about music education

March 16, 2024
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By Jacob Stockinger

The beautiful and animated face of the young girl comes on the screen with a violin, smiles and says simply, “I love the violin.”

And we as viewers fall in love right then and there.

“The Last Repair Shop” just won the 2024 Oscar for Best Short Documentary. The 40-minute film, released in 2023, is now available to watch on YouTube.

It is a feel-good, feel-guilty story about the last shop to repair free musical instruments offered students in the Los Angeles public schools. But it is also a meditation on things that are broken– and not just musical instruments but also people, schools and politics.

It is really a story about growing up; about adults making art matter to young people; about the role of public education at a time when it keeps getting attacked by ideologues as well as stingy legislatures, city councils, school boards  and, ultimately, voters.

Here is a capsule summary: “Since 1959, Los Angeles has been one of the few United States cities to offer and fix musical instruments for its public school students at no cost.

“Those instruments, numbering around 80,000, are maintained at a Los Angeles downtown warehouse by a handful of craftspeople. 

“The film profiles four of them, each specializing in an orchestra section, as well as students whose lives have been enriched by the repair shop’s work. The film concludes with a performance by district alumni.”

It sounds irresistible — and it is.

Here are some more background and particulars — including other awards and honors — from Wikipedia:

https://en.wikipedia.org/wiki/The_Last_Repair_Shop

If you don’t have time right now to watch the whole film, the two-minute trailer is at the bottom. But if you go to YouTube yourself, you can also read the heart-warming and perceptive comments from other viewers:

What do you think of the movie?

How did you react?

And what do you think about the importance of music education in schools?

The Ear wants to hear


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Why did obituaries for pop star Eric Carmen omit Rachmaninoff?

March 14, 2024
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By Jacob Stockinger

The American songwriter and pop singer Eric Carmen  (below) died in his sleep at 74 last Sunday. The cause has still not been revealed.

I haven’t checked out all the obituaries for Carmen, who fronted as the lead singer for The Raspberries before striking out on his own prolific and profitable career.

In the obits I did sample, I heard how the 2001 movie “Bridget Jones’s Diary” used Carmen’s “All By Myself” (1975) — with Renée Zellwegger on drums in the staring role — at the beginning of the hit film.

I heard how Céline Dion scored a huge hit with her version of the same song.

I heard praise quoted from the American superstar horror author, and sometimes amateur rock band member, Stephen King.

But all the obituaries thatI read on the web, saw on TV and heard on the radio omitted a central element of Carmen’s career in soft rock: his “theft” or “borrowing” — depending on what you think of his justification and the results of the lawsuit he lost — of music by Sergei Rachmaninoff (below).

Indeed, Carmen’s two biggest hits owe their irresistible melodies and harmonies — their tunes, if you will — to the Russian late Romantic composer (1873-1943). 

Carmen — who was a trained classical pianist —  certainly had a good ear, as his year-to-year, back-to-back hits demonstrated.

And he wasn’t ashamed to use what that ear heard and what he liked.

“All By Myself” uses a theme from the second movement of Rachmaninoff’s Piano Concerto No. 2 (1901). The main melody of the last movement also gave rise to the often recorded popular song “Full Moon and Empty Arms.”

Carmen’s “Never Gonna Fall in Love Again” (1976) uses the main theme from the slow movement of Rachmaninoff’s Symphony No. 2 (1907).

If you liked Carmen’s songs, you just might like the original Rachmaninoff works, if you don’t already know them.

Here is a link to a story by Cynthia Dickison for yourclassical.org that not only recounts what happened with the lawsuit but also — with YouTube videos — offers comparisons between the original Rachmaninoff and Carmen’s reworkings.

https://www.yourclassical.org/story/2024/03/12/eric-carmen-sergei-rachmaninoff

Chances are very good that you will also hear the complete Rachmaninoff works on radio stations and in live performance a lot sooner and certainly a lot longer than you will hear Eric Carmen’s music.

Did you know about Eric Carmen’s “use” of Rachmaninoff?

What do you think of it?

What do you think it was ignored in obituaries?

The Ear wants to hear.


Why do we like sad music?

September 9, 2023
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By Jacob Stockinger

Why does sad music — or sad art — appeal to so many of us?

One psychologist and brain researcher — Matthew Sachs of Columbia University (below) — says it serves an evolutionary and social purpose by eliciting empathy for other humans and purging us of negative emotions, according to a story and interview on NPR (National Public Radio).

To The Ear, the explanation sounds a lot like the ancient Greek philosophy of catharsis that was the cornerstone justification for the public staging of great ancient tragedies by writers such as Aeschylus, Sophocles and Euripides, and of course the famous tragedies of Shakespeare such as “Romeo and Juliet,” Hamlet” and “King Lear” that were famously popular dramas as well as great masterpieces of Western literature.

Consider the case of Samuel Barber’s often-played “Adagio for Strings,” analyzed at length in a book called “The Saddest Music in the World.” Or perhaps the “Pathétique” piano sonata by Beethoven and the “Funeral March” piano sonata by Chopin. Or the requiems by Mozart and Brahms.

Or consider the music “Beautiful Sadness” by the contemporary composer Cliff Masterson (below). You can hear it in the YouTube video at the bottom.  

Here is a link to the NPR story that discusses “the rules of musical melancholy.”

You can read it, or take four minutes to listen to it:

https://www.npr.org/2023/09/06/1173993223/understanding-the-joy-that-many-find-in-sadness

Do you find solace in sad music?

Does sad music make you feel better?

Do you have a favorite piece of sad music?

Or maybe a favorite tragic play, opera or work of art?

The Ear wants to hear.


Indiana Jones’ fifth meets Beethoven’s Fifth

July 1, 2023
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By Jacob Stockinger

This is the weekend when the fifth, and probably final, installment of the Indiana Jones franchise has opened.

It is called “Indiana Jones and the Dial of Destiny.”

The film has not received great reviews from the critics, but The Ear bets it will still draw big audiences and record holiday box office.

After all, it has Harrison Ford (below), a legendary  star and Hollywood icon at 80, and an evil Nazi as well as a thrilling adventure plot.

It also has Beethoven’s Fifth Symphony.

How?

Why?

To find out, read the story on Classic FM website. Here is a link:

https://na01.safelinks.protection.outlook.com/?url=https%3A%2F%2Fwww.classicfm.com%2Fcomposers%2Fbeethoven%2Findiana-jones-dial-destiny-fifth-symphony%2F&data=05%7C01%7C%7Cdfcfa9a54828429f62ed08db7974a6d2%7C84df9e7fe9f640afb435aaaaaaaaaaaa%7C1%7C0%7C638237314138737191%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C3000%7C%7C%7C&sdata=pRKVOquU2uo4QoCbQin4UWSQ1FOXM9HQYk%2B8yfGBjUA%3D&reserved=0

And here is the official trailer for the film:

 


The Willy Street Chamber Players give a free virtual concert this Sunday at noon. It will be posted until Dec. 31

November 14, 2020
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By Jacob Stockinger

The Ear has received the following announcement from The Willy Street Chamber Players (below), a relatively new group that is critically acclaimed for both its adventurous and eclectic, exploratory programming and for its outstanding performances of both the traditional repertoire and new music.

The Willy Street Chamber Players (WSCP) will play a virtual online concert this Sunday, Nov. 15, at noon CST.

Access to the “Beyond the Screen” concert is FREE and no registration is required. It will be available for free online until Dec. 31 on the group’s website. Here is a link to YouTube: https://youtu.be/j5Ved4FqYSQ

Listeners can visit the WSCP website or Facebook page Sunday at concert time for links to the 70-minute performance. Here is a link to the home website: http://www.willystreetchamberplayers.org

The dynamic WSCP program was recorded live, with masks and social distance, at the historic Gates of Heaven Synagogue (below, exterior and interior during the taping) in James Madison Park in downtown Madison.

The concert will premiere on Facebook live and YouTube, providing two ways to watch from the comfort and safety of your own home.

Members of WSCP will be on hand to interact with viewers in real time through the Facebook and YouTube virtual chat during the performance. They will provide spoken program notes.

Then, immediately following the concert, you can join WSCP members for a Q&A “reception” on ZOOM at 1:15 pm.

An RSVP required for Q&A

The concert program is:

Sonata for Violin and Cello (1922) by French composer Maurice Ravel (below)

“Allegro,” the first of Four Pieces for Solo Cello (1983) by Cuban-born composer Tania León (below), which you can hear in the YouTube video at the bottom.

https://en.wikipedia.org/wiki/Tania_León

Canción de Cuna Del Niño Negro (Cradle Song of the Black Baby, 1937) by Cuban composer Amadeo Roldán y Gardes (below), as arranged by Rachel Barton Pine.

https://en.wikipedia.org/wiki/Amadeo_Roldán

Heart O’ the Hills” from Appalachian Duets, Op. 38, No. 8 (2001) by American composer Maria Newman (below), who is the youngest daughter of famous Hollywood film composer Alfred Newman.

https://en.wikipedia.org/wiki/Maria_Newman

Duo for Violin and Cello, Op. 7 (1914), by Hungarian composer Zoltan Kodaly

 


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Can American film director Ron Howard make a sensitive and accurate biopic of Chinese superstar pianist Lang Lang? Or is it a cultural appropriation that deserves to be condemned?

September 27, 2020
6 Comments

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By Jacob Stockinger

The self-appointed PC diversity police have struck again.

This is getting silly and tiresome, insulting and embarrassing.

Some advocates of cultural diversity are crying foul over the latest project of the American and Academy Award-winning Hollywood film director Ron Howard: making a biopic of the superstar Chinese classical pianist Lang Lang (below).

The script will be drawn from the pianist’s bestselling memoir “Journey of a Thousand Miles” — which has also been recast as an inspirational children’s book — and the director and scriptwriters will consult with Lang Lang.

It seems to The Ear a natural collaboration, as well as a surefire box office hit, between two high-achieving entertainers. Check out their bios:

https://en.wikipedia.org/wiki/Lang_Lang

https://en.wikipedia.org/wiki/Ron_Howard

But some people are criticizing the project in the belief that because Ron Howard  (below) is white and Western, he cannot do justice to someone who is Chinese or to Asian culture.

Here is an essay, found on the website of Classic FM, by one objector. She is Chinese film director Lulu Wang (below), who says she has no interest in doing the project herself: https://www.classicfm.com/artists/lang-lang/pianist-biopic-ron-howard-faces-criticism-lulu-wang/

Talk about misplaced alarm over “cultural appropriation.”

Don’t you think that Lang Lang will have a lot to say about how he is depicted?

Do you wonder if Wang thinks cultural appropriation works in reverse?

Should we dismiss Lang Lang’s interpretations of Bach, Haydn, Mozart, Beethoven, Schubert, Chopin, Schumann, Brahms, Tchaikovsky, Rachmaninoff, Prokofiev and Bartok simply because he is non-Western and Chinese rather than German, French or Russian?

Of course not. They should be taken on their own merits, just as the interpretations of any other Asian classical musician, and artists in general including Ai Weiwei, should be.

But however unfairly, cultural appropriation just doesn’t seem to work in reverse.

Mind you, The Ear thinks that cultural appropriation is a valid concept and can indeed sometimes be useful in discussing cross-cultural influences.

But it sure seems that the concept is being applied in an overly broad and even misdirected or ridiculous way, kind of the way that the idea of “micro-aggressions” can be so generously applied that it loses its ability to be truthful and useful.

Take the example of the heterosexual Taiwanese movie director Ang Lee. He certainly proved himself able to depict American culture in “The Ice Storm” and the gay world in “Brokeback Mountain.”

Let’s be clear. The Ear is a piano fan.

But if he objects to the project, it is because he doesn’t like Lang Lang’s flamboyant playing, his Liberace-like performance manners and showmanship, and his exaggerated facial expressions.

Yet there is no denying the human appeal of his story. He rose from a young and suicidal piano student (below) who was emotionally abused by his ambitious father – shades of the lives of young Mozart and Beethoven and probably many other prodigies – to become the best known, most frequently booked and highest paid classical pianist in the world. 

Yet not for nothing did some critics baptize him with the nickname Bang Bang.

Still, the Curtis Institute graduate does all he can to foster music education, especially among the young and the poor.

And there is simply no denying his virtuosity. (See Lang Lang playing Liszt’s Paganini etude “La Campanella” in the YouTube video at the bottom.)

So there is plenty to object to about Lang Lang the Piano Star besides the ethnicity of Ron Howard, who also did a biopic of opera superstar Luciano Pavarotti, in telling his story.

What do you think?

Is it culturally all right for Ron Howard to direct a film about Lang Lang?

Do you look forward to the movie and seeing it?

What do you think of Lang Lang as a pianist and a celebrity?

The Ear wants to hear.

 


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Classical music: New Yorker magazine music critic Alex Ross names his favorite performances, recordings and book of 2017

January 5, 2018
2 Comments

By Jacob Stockinger

Many musicologists, musicians and music fans consider Alex Ross (below), of The New Yorker magazine, to be the best music critic in the U.S.

Besides the major awards his two books – “The Rest Is Noise” and “Listen to This” — have won, Ross has a reputation for emphasizing the new, the unknown and the neglected, and for deeply perceptive judgments and original observations.

Now, a lot of other critics, from The New York Times, National Public Radio (NPR) and Gramophone magazine as well as the Grammy nominations have named their Best of 2017.

Here is a link to a posting that contains other links to those different lists:

https://welltempered.wordpress.com/2017/12/27/classical-music-here-are-some-recommendations-for-post-christmas-shopping/

Yet it seems particularly important and enlightening to consider what Alex Ross has selected for his recommendations for one book, 10 performances and 20 recordings.

Here is a link to Ross’ list, which has many links to samples and reviews:

https://www.newyorker.com/culture/2017-in-review/notable-performances-and-recordings-of-2017


Classical music: Accusations of sexual harassment, discrimination and abuse expand to classical music, and former Metropolitan Opera maestro James Levine has been suspended. On Tuesday night, a percussion concert spotlights UW composer Laura Schwendinger

December 4, 2017
4 Comments

ALERT: At 7:30 p.m. this Tuesday night in Mills Hall, the UW Western  Percussion Ensemble, under director Anthony Di Sanza, will perform a FREE concert. It will focus on a new work by the award-winning UW composer Laura Schwendinger along with other modern classics and new works. For more information about the group and the program, go to: http://www.music.wisc.edu/event/western-percussion-ensemble-4/ 

By Jacob Stockinger

It started in Hollywood, quickly spread to politics and Washington, D.C., as well as to journalism and to radio and television.

Now accusations of sexual harassment, sexual abuse and sexual discrimination are focusing on classical music.

Perhaps the most visible case so far is one that focuses on James Levine (below), the former longtime artistic director and conductor of the Metropolitan Opera in New York City, who just this past weekend conducted a live broadcast performance of the Requiem by Verdi, which was dedicated to the recently deceased Russian baritone Dmitri Hvorostovsky.

Levine is accused of abusing an underage teenager while he was at the Ravinia Festival in Chicago, and the Met says it will investigate that allegation.

Through Google, you can find many reports about the situation.

Here is a link to a comprehensive story in The Washington Post:

https://www.washingtonpost.com/lifestyle/style/metropolitan-opera-to-investigate-james-levine-over-sexual-abuse-allegations/2017/12/03/e8820982-d842-11e7-a841-2066faf731ef_story.html?hpid=hp_hp-more-top-stories_met-misconduct-805am%3Ahomepage%2Fstory&utm_term=.3abb56afabc3

UPDATE: Amid more allegations of sexual abuse, James Levine, 74, has been suspended by the Metropolitan Opera. Here’s a link to a detailed story in The New York Times:

But Levine is not likely to be alone.

According to a new study in the United Kingdom, it now looks that many more individuals and groups will be involved since sexual harassment and sexual discrimination were found to be “rampant.”

Here is a link to the story in The Independent:

http://www.independent.co.uk/news/uk/home-news/sexual-harassment-classic-music-incorporate-society-of-musicians-west-end-bbc-radio-3-a8088591.html

What do you think about the many current scandals and wave of allegations as they pertain to classical music or to your own experience in the field of music, either performance or education?

The Ear wants to hear.


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