The Well-Tempered Ear

Classical music: On this Memorial Day, The Ear honors not only soldiers but also civilians, COVID-19 victims and all those responders and workers who serve the public

May 25, 2020
4 Comments

PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.

By Jacob Stockinger

Today is Memorial Day 2020.

It is of course a largely military holiday. Most of the planned public events will be to honor those who died in service to their country. That usually means fallen soldiers and deceased veterans.

It also means that military cemeteries – like Arlington National Cemetery, below — will be decorated with American flags.

But The Ear doesn’t think we should forget that there are many ways to serve your country and protect the public, many kinds war and self-sacrifice.

Let’s not forget civilians, especially since worldwide more than twice the numbers of civilians died in World War II than did members of the armed forces. Lives are taken as well as given.

A larger definition of “national service” also seems especially timely since this weekend the U.S. is likely to surpass 100,000 deaths from COVID-19 during the coronavirus pandemic. They include many first responders and frontline workers (below) as well as grocery store workers and delivery drivers. Even “small” occupations have big heroes. There is no reason not to be more inclusive.

There are traditional kinds of music to honor the dead. They include requiems and elegies, military marches and funeral marches. And in the comment section you should feel free to suggest whatever music you think would be appropriate.

But The Ear found a piece he thinks is both unusual and ideal.

It is called “Old and Lost Rivers” by the contemporary American composer Tobias Picker (below). It is a beautiful, moving and contemplative piece, based on an actual place in Texas, that you can hear in the YouTube video at the bottom.

But you should know this about the work’s title.

With rivers, “lost” doesn’t mean forgotten or misplaced.

One dictionary defines it as “a surface stream that flows into an underground passageway” – and eventually often becomes part of a larger body of water such as a lake or the ocean.

It can also mean rivers that appear during heavy rain and then disappear when they evaporate during a drought.

Somehow, those images serve as fitting metaphors for our losses and that music seems a very appropriate way to honor those who sacrifice themselves and disappear in service to others.

The Ear hopes you agree.


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Classical music: TONIGHT one longtime, generous classical music patron honors another with a FREE public, all-Schubert memorial concert at Oakwood Village West

October 19, 2019
2 Comments

PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, PLEASE SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.

By Jacob Stockinger

Think of it as a well-deserved, heart-felt homage that one longtime and generous patron of classical music is paying to another patron who also happened to be a close personal friend and a professional colleague.

The public is invited to join in the one-hour, FREE all-Schubert memorial concert at Oakwood Village West (University Woods), at 6205 Mineral Point Road, on Madison’s far west side near West Towne Mall, at 7 p.m. TONIGHT, Oct. 19.

Here is an invitation from retired University of Wisconsin-Madison chemist Kato Perlman (below) about the concert she is sponsoring and funding in memory of her close friends:

“Join flutist Iva Ugrcic (below top) and pianist Thomas J. Kasdorf (below middle) for a FREE All-Schubert Evening and enjoy the music from one of the greatest composers of the 19th century, Franz Schubert (1797-1828, below bottom).

“This concert is in memory of the late Irving and Millie Shain. Irv Shain (below) was a chemistry professor and then a long-serving Chancellor of the University of Wisconsin, and a great supporter of the University of Wisconsin-Madison Mead Witter School of Music.

“He played the flute himself and these Schubert pieces belonged to some of his favorites for the flute.

“He also established, in addition to his long-running annual Beethoven piano sonata competition, a woodwind and piano competition. Both Iva Ugrcic and Thomas Kasdorf are previous winners.”

The program is:

Sonata in A Minor, D. 821 (“Arpeggione”)

Introduction and Variations on “Trockne Blumen” (Withered Flowers) from “Die Schöne Müllerin” (The Beautiful Miller’s Daughter), D. 802 (Op. 160)

Ständchen (“Serenade”) from Schubert’s final song cycle Schwanengesang (Swan Song), D. 957 (heard in the YouTube video below)


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Classical music: Accusations of sexual harassment, discrimination and abuse expand to classical music, and former Metropolitan Opera maestro James Levine has been suspended. On Tuesday night, a percussion concert spotlights UW composer Laura Schwendinger

December 4, 2017
3 Comments

ALERT: At 7:30 p.m. this Tuesday night in Mills Hall, the UW Western  Percussion Ensemble, under director Anthony Di Sanza, will perform a FREE concert. It will focus on a new work by the award-winning UW composer Laura Schwendinger along with other modern classics and new works. For more information about the group and the program, go to: http://www.music.wisc.edu/event/western-percussion-ensemble-4/ 

By Jacob Stockinger

It started in Hollywood, quickly spread to politics and Washington, D.C., as well as to journalism and to radio and television.

Now accusations of sexual harassment, sexual abuse and sexual discrimination are focusing on classical music.

Perhaps the most visible case so far is one that focuses on James Levine (below), the former longtime artistic director and conductor of the Metropolitan Opera in New York City, who just this past weekend conducted a live broadcast performance of the Requiem by Verdi, which was dedicated to the recently deceased Russian baritone Dmitri Hvorostovsky.

Levine is accused of abusing an underage teenager while he was at the Ravinia Festival in Chicago, and the Met says it will investigate that allegation.

Through Google, you can find many reports about the situation.

Here is a link to a comprehensive story in The Washington Post:

https://www.washingtonpost.com/lifestyle/style/metropolitan-opera-to-investigate-james-levine-over-sexual-abuse-allegations/2017/12/03/e8820982-d842-11e7-a841-2066faf731ef_story.html?hpid=hp_hp-more-top-stories_met-misconduct-805am%3Ahomepage%2Fstory&utm_term=.3abb56afabc3

UPDATE: Amid more allegations of sexual abuse, James Levine, 74, has been suspended by the Metropolitan Opera. Here’s a link to a detailed story in The New York Times:

But Levine is not likely to be alone.

According to a new study in the United Kingdom, it now looks that many more individuals and groups will be involved since sexual harassment and sexual discrimination were found to be “rampant.”

Here is a link to the story in The Independent:

http://www.independent.co.uk/news/uk/home-news/sexual-harassment-classic-music-incorporate-society-of-musicians-west-end-bbc-radio-3-a8088591.html

What do you think about the many current scandals and wave of allegations as they pertain to classical music or to your own experience in the field of music, either performance or education?

The Ear wants to hear.


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