The Well-Tempered Ear

Classical music: This Saturday night, the Leonard Bernstein centennial will be marked at the UW-Madison with a faculty vocal concert and a sing-along

September 12, 2018
1 Comment

By Jacob Stockinger

The Ear has received the following announcement about this weekend’s celebration of the centennial of Leonard Bernstein’s birth:

Leonard Bernstein (1918-1990, below in a photo by Jack Mitchell) — the legendary composer, conductor and pianist — will be celebrated in a concert of his music on this coming Saturday night, Sept. 15, at 8 p.m. in Mills Hall at the University of Wisconsin-Madison’s Mead Witter School of Music.

Tickets are $17 for adults; $7 for students and children; and free to music majors, music faculty and music staff. To avoid long lines  you are asked to purchase tickets early. If you do purchase tickets at the door, you are asked to arrive 30 minutes before the concert begins. For details about tickets, see below.

This Faculty Concert Series event is one of the many world-wide observances of the 100th anniversary of Bernstein’s birth. They will include a special program by the Madison Symphony Orchestra under its music director and conductor John DeMain, who worked with Bernstein and who discussed Bernstein on Wisconsin Public Radio, which you can hear here:

https://www.wpr.org/madison-symphonys-john-demain-remembers-bernstein-during-centennial-birth-year

From Broadway to the concert stage, Bernstein embodied the eclectic nature of America’s music. As a composer, conductor and teacher he embraced all kinds of music, and in his own work created enduring masterpieces in both popular and classical styles.

Saturday’s concert will feature a number of lesser-known works that come from all periods of Bernstein’s career, as well as favorite selections from his classic Broadway scores On the Town, Wonderful Town, Candide and West Side Story, and songs from his exquisite incidental music for Peter Pan.

Cellist Alison Rowe (below top) will join her parents, baritone Paul Rowe and soprano Cheryl Bensman-Rowe (below bottom, in a photo by Katrin Talbot) in selections from Mass, Songfest and the beautiful song Dream With Me (heard in the YouTube video at the bottom).

Pianists Martha Fischer and Bill Lutes (below) will join the Rowes in a performance of one of Bernstein’s last major works for two singers and two pianists, Arias and Barcarolles. It is a song cycle in which “Lenny” fully explored the range of styles and subject matter that represent his unique achievement in American music.

There will be a short SING-ALONG at the end of the concert featuring some favorite and familiar Bernstein hits.

For more information, including how to obtain tickets, a video and a link to a Bernstein tribute in The New York Times, go to: https://www.music.wisc.edu/event/music-of-leonard-bernstein-a-100th-birthday-tribute/

Advertisements

Classical music: Happy Birthday to Lenny at 100! Here are some ways to celebrate today’s Bernstein centennial

August 25, 2018
3 Comments

By Jacob Stockinger

One hundred years ago today, the versatile and world-celebrated American musician Leonard Bernstein (below) was born.

For most of his adult life, starting with his meteoric rise after his nationally broadcast debut with the New York Philharmonic, Lenny remained an international star that has continued to shine brightly long after his death at 72 in 1990.

When his father Sam was asked why he wouldn’t pay for young Lenny’s piano lessons and why he resisted the idea of a career in music for his son, he said simply: “I didn’t know he would grow up to be Leonard Bernstein.”

Lenny! The name itself is shorthand for a phenomenon, for musical greatness as a conductor, composer (below, in 1955), pianist, educator, popularizer, advocate, humanitarian and proselytizer, and so much more.

Here is a link to the Wikipedia biography where you can check out the astonishing extent of Lenny’s career and his many firsts, from being the first major American-born and American-trained conductor — he studied at Harvard University and the Curtis Institute of Music — to his revival of Gustav Mahler:

https://en.wikipedia.org/wiki/Leonard_Bernstein

You should also view the engaging YouTube video at the bottom.

So eager have the media been to mark the centennial of Leonard Bernstein, one might well ask: “Have you had enough Lenny yet?”

New recordings and compilations of recordings have been issued and reissued.

Numerous books have been published.

Many new photos of the dramatic, expressive and photogenic Lenny (below, by Paul de Hueck) have emerged.

TV stations have discussed him and Turner Classic Movies rebroadcast several of his “Young People’s Concerts.”

For weeks, radio stations have been drowning us with his various performances, especially his performances of his own Overture to “Candide.”

Still, today is the actual Leonard Bernstein centennial and the culmination of the build-up and hype, and if you haven’t paid attention before today, chances are you wind find Encounters with Lenny unavoidable this weekend. 

Yet if you pay attention, you are sure to learn new things about Lenny who seems an inexhaustible supply of insights and interesting information, a man of productive contradictions.

With that in mind, The Ear has just a few suggestions for this weekend, with other tributes coming during the season from the Madison Symphony Orchestra, the University of Wisconsin’s Mead Witter School of Music and other music groups and individuals.

You can start by listening to the radio.

For most of the daytime today Wisconsin Public Radio with pay homage to Lenny. It will start at 10 a.m. with Classics by Request when listeners will ask to hear favorite pieces and offer personal thoughts and memories. After that a couple of more hours of Bernstein’s music will be broadcast on WPR.

Then on Sunday at 2 p.m., WPR host Norman Gilliland (below top) will interview Madison Symphony Orchestra conductor John DeMain (below bottom, by Prasad) about working with Lenny.

Here, thanks to National Public Radio (NPR), is the best short overview that The Ear has heard so far:

https://www.npr.org/sections/deceptivecadence/2018/08/24/641208843/the-complex-life-of-leonard-bernstein-a-once-in-a-century-talent

Want to know more about Lenny the Man as well as Lenny the Musician?

Try this review from The New Yorker  by David Denby of daughter Jamie Bernstein’s book (below) that has juicy anecdotes and new information about growing up with her famous father.

https://www.newyorker.com/magazine/2018/06/25/leonard-bernstein-through-his-daughters-eyes

And here, from Time magazine, is the little known story of how Lenny the Humanitarian conducted an orchestra of Holocaust survivors (below):

http://time.com/5376731/leonard-bernstein-holocaust-survivors-concert/

What is your favorite tribute to Bernstein so far? Leave a link in the COMMENT section if you can.

What is you favorite composition by Bernstein?

What is your favorite performance by Bernstein?

What would you like to say or tell others about Leonard Bernstein?

The Ear wants to hear.


Posted in Classical music
Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Classical music: Want to know how professional musicians practice? For the next 100 days on Instagram, violin virtuoso Hilary Hahn will show you

August 13, 2018
3 Comments

By Jacob Stockinger

Many listeners and many amateur musicians often wonder: How do professionals do it? How do they practice to prepare for a performance? And what goes on in the practice rooms (below) of major conservatories and schools of music where tomorrow’s professionals study?

Of course the usual advice is to play slowly, to repeat difficult sections and to break a larger piece down into smaller parts.

But it is one thing to be told what to do, and another thing to see professionals follow their own advice and put it into practice. The Ear finds that it often inspires him to work harder and better, and more efficiently and satisfyingly.

Many performers seem reluctant to show up what goes into a career, to show the hard work of practicing that leads to apparently effortless performing.

Not Hilary Hahn (below, in a  photo by Peter Miller), the outstanding violin virtuoso who has performed several times at the Wisconsin Union Theater in some of the finest programs The Ear has ever heard.

Recently Hahn, the thoughtful three-time Grammy Award winner, started a series called #100daysofpractice on her Instagram account called “Hilary Hahn’s Violincase.” It is worth subscribing to for the short one-minute videos.

It is fascinating to see such a gifted professional slowing down passages of concertos by Johann Sebastian Bach and Jean Sibelius – music Hahn already knows intimately and has recorded — and to hear and appreciate how she continues to practice making hard leaps, negotiating difficult transitions, adjusting bowing, correcting off-pitches and finding difficult fingering and hand positions.

If you haven’t seen and heard it for yourself, treat yourself. You will learn a lot that will help you to appreciate the physicality of making music and perhaps even help you to play it better yourself.

Here is a link: https://www.instagram.com/violincase/

And there is another sample in the YouTube video at the bottom:

What do you think?

Do you know of other sites on the web and social media that document professional musicians practicing? If so, please leave the address in the COMMENT section.

The Ear wants to hear.


Classical music: The third annual Madison New Music Festival features three world premieres and 25 composers, and takes place this weekend with three concerts

August 7, 2018
1 Comment

By Jacob Stockinger

It has been a good year for new music in Madison, which has often seemed inhospitable to that music in the past.

Among major contributors have been the LunART Festival of contemporary women composers; programs by the UW Symphony Orchestra and other UW-Madison groups and individuals; the Madison Opera; the Bach Dancing and Dynamite Society; the Willy Street Chamber Players; and the Oakwood Chamber Players. Plus, The Ear is sure there are many other contributors he is overlooking.

But the largest share of the credit has to go to a three-day annual festival of living composers that will take place for the third year this coming weekend. (Photos from last year’s well-attended festival are by Max Schmidt.)

Here is an announcement from the festival with the details:

The third annual Madison New Music Festival will take place this coming Friday, Aug. 10, Saturday, Aug. 11, and Sunday, Aug. 12.

The Madison New Music Festival is an annual weekend-long concert series dedicated to strengthening Madison’s cultural vitality through the celebration of fresh classical music from our lifetimes.

Founded by Madison native composer Zachary Green (below bottom), the festival presents new works by some of the world’s leading living composers, shines a spotlight on new music created in Wisconsin, and shares underplayed music of the 20th and 21st centuries with the Madison community.

Every concert will also have a world premiere of music that has never been heard before. On the opening night, Conduit is performing a new piece by Kyle Tieman-Strauss called Abject. The next day, organist Tyler Jameson Pimm premieres his new piece Psalm 22. Then on Sunday, listeners get to hear the premiere of They’re Still Here by BC Grimm, featuring music for nine different instruments (all of which will be played by Grimm himself).

Over the course of three concerts around town, we are featuring a total of 17 musicians playing the works of 25 composers, all of which were written in the last 50 years.

Though each concert has a different theme, every performance features music by Wisconsin composers, composers of color, and both men and women.

Fifteen of our musicians were born, raised or currently reside in Wisconsin, but we’re bringing several back to town just for the festival. They include members of the Madison, Milwaukee and Quad City symphonies; and graduates of Juilliard, the Manhattan School of Music, Mannes Conservatory, Northwestern University, and, of course, the UW-Madison.

We invite you to join us for the following three concerts:

CONCERT 1: Sounds of the ‘60s and Beyond – Friday, Aug. 10, at 7:30 p.m.

Hear sounds born out of the ’60s counterculture with works exploring minimalism, social and political engagement, and electronic experimentation, as well as the music they inspired for decades to come. There will be a cash bar, as well as opportunities to explore the exhibits.

Where: Madison Museum of Contemporary Art (MMOCA), 227 State Street

Who: Caitlin Mead, soprano; Heather Zinninger Yarmel, flute; Kristina Teuschler, clarinet; Jeremy Kienbaum, viola; Alex Norris, violin, and Zou Zou Robidoux, cello; and Conduit (below, Zach Manzi, clarinet and Evan Sadler, percussion).

Program: Music by Melissa Dunphy, Angelica Negron, Evan Williams, Steve Reich, Gilda Lyons, Anna Meadors, Kyle T. Strauss, David Lang and Andy Akiho

CONCERT 2: Sounds of Reflection – Saturday, Aug. 11, at 2 p.m.

The festival continues with an afternoon program invoking spirituality, morality and reflection. Organ interludes will be interspersed throughout the program of vocal and instrumental music.

Where: Bethel Lutheran Church, 312 Wisconsin Ave.

Who: Greg Zelek, Madison Symphony Orchestra organist (below); Jeremy Kienbaum, viola; Satoko Hayami, piano; Tyler Pimm; organ; Kristina Teuschler, clarinet; Alex Norris, violin; Micah Cheng, cello; Caitlin Mead, soprano; and Scott Gendel, piano.

Program: Music by Toru Takemitsu, Trevor Weston, Morton Feldman, Daniel Ficarri, John Weaver, Tyler Pimm, Tania Leon, John Musto and Scott Gendel

CONCERT 3: Festival Closing Party 2018 – Sunday, Aug. 12, at 7:30 p.m.

Kick back a drink as local musician BC Grimm plays his original works for instruments from cello to Chinese Guqin zither, followed by a set of music for solo strings. Then, the musicians from all three concerts come together for a performance of the 1973 piece “Stay On It” — heard in the YouTube video the bottom — by Julius Eastman (below).

Where: Robinia Courtyard, 829 East Washington Avenue

Who: BC Grimm, Jeremy Keinbaum, Aaron Yarmel, and All Festival Performers

Program: BC Grimm, Philip Glass, Ursula Mamlok, Aaron Yarmel, and Julius Eastman

All individual concerts are $15 for general admission, $5 for students. You can also subscribe to all three concerts for $35.

For more information, please visit our website http://madisonnewmusic.org or find us on Facebook (@Madison New Music Festival) or Instagram (@madisonnewmusic).


Posted in Classical music
Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Classical music: When it turns hot and humid this weekend, YOU MUST HEAR THIS: “Summerland” by William Grant Still

August 4, 2018
3 Comments

By Jacob Stockinger

Early August is bringing another blast of summer this weekend.

Here come the heat and humidity again.

The Ear loves certain music and composers who seem particularly listenable and enjoyable in summer.

One is the French master Francis Poulenc, whose works often have a certain light, airy and playful quality to them.

But recently, on Wisconsin Public Radio, The Ear heard another winner to hear in hot weather.

It is the piano piece “Summerland” by William Grant Still (below in a photo by Carl Van Vechten), which you can hear in the YouTube video at the bottom. It is a relaxing and dreamy work, beautiful and very summery with suggestions of the blues and Debussy.

William Grant Still (1895-1978) was a very successful and major African-American composer of classical music as well as a conductor. He has been experiencing a long overdue revival lately.

Here is a link to his biography, which features a lot of awards and distinctions, in Wikipedia:

https://en.wikipedia.org/wiki/William_Grant_Still

And you can find many more large works, including several symphonies, and miniatures on YouTube, which also has other several settings of “Summerland.”

Here is “Summerland” in a version for solo piano:

If you like this music, link or forward or share this post.

Enjoy!

Stay cool!


Classical music: The acclaimed Isthmus Vocal Ensemble performs old and new music this Friday night and Sunday afternoon when its new director also makes his debut

August 2, 2018
Leave a Comment

By Jacob Stockinger

Since it was founded in 2002, the Isthmus Vocal Ensemble (below) has been critically acclaimed for the concert it puts together each summer in just a couple of weeks or less. (You can hear a sample in the YouTube video at the bottom.)

This summer, the group will be under the baton of its new artistic director, Michael McGaghie (below), who will be making his performing debut with the group.

McGaghie directs choral activities at Macalester College in St. Paul, Minnesota, and also conducts the Harvard Glee Club Alumni Chorus in Cambridge, Massachusetts.

The program this weekend ranges from the 16th century and early Baroque to the contemporary.

It will begin with works from  established masters such as Thomas Tallis, Heinrich Schütz and the Soviet conductor-composer Nikolai Golovanov.

It will then explore works from contemporary composers such as Jocelyn Hagen, Morten Lauridsen and Dale Trumbore in a program called Horizons. (Sorry, The Ear has not received the titles of specific works on the program.)

Admission is $20 for adults, $10 for students. Tickets can be bought at the door or ordered at the links below.

Concert venues are:

This Friday, Aug. 3, at 7:30 p.m. in the Lutheran Church of the Living Christ, 110 North Gammon Road, on Madison’s west side. For tickets, go to:

https://isthmusvocalens.yapsody.com/event/index/282736/ive-2018-friday-concert

This Sunday, Aug. 5, at 3 p.m. in Christ Presbyterian Church, 944 East Gorham Street. For tickets, go to:

https://isthmusvocalens.yapsody.com/event/index/282791/ive-2018-sunday-concert

For more about the impressive background of the new director, go to: https://www.isthmusvocalensemble.org/artisticdirector/

For more about the past performances and the organization, including sound samples to listen to and how to join or support the group, go to: https://www.isthmusvocalensemble.org


Classical music education: The all-student Madison Area Youth Chamber Orchestra (MAYCO) performs music by Mozart and Aaron Copland this coming Saturday night and Sunday afternoon

August 1, 2018
1 Comment

By Jacob Stockinger

This coming weekend, the Madison Area Youth Chamber Orchestra (MAYCO, below in a photo by Steve Rankin) performs “Interplay,” featuring music by Mozart, Copland and Grieg.

There will be two performances.

The first is on Saturday, Aug. 4, at 7:30 p.m. at the First United Methodist Church (below), 203 Wisconsin Avenue, off the Capitol Square.

Then on Sunday, Aug. 5, MAYCO will perform at 12:30 p.m. in Brittingham Gallery 3 at the UW-Madison’s Chazen Museum of Art as part of the monthly “Sunday Afternoon Live at the Chazen” series, which can be STREAMED LIVE by going to: https://www.chazen.wisc.edu/index.php?/events-calendar-demo/event/sunday-afternoon-live-at-the-chazen-8-5-18/

Admission for the Saturday performance is $10 at the door; students by donation. The Sunday performance is FREE, and reservations can be made by going to the above link.

For more information, visit www.mayco.org or www.facebook.com/madisonchamberorchestra.

ABOUT THE ORCHESTRA

MAYCO is a free summer festival ensemble dedicated to providing an intensive small orchestra experience for advanced high school and college musicians.

Founded in 2010 by music director Mikko Rankin Utevsky, the orchestra prepares a full program over the course of each one-week summer session, culminating in a public concert (below is a photo by Dennis Gotowksi of the concert this past June).

For The Ear, Utevsky (below top) and his general manager and concertmaster-wife Thalia Coombs (below bottom) answered some questions about the concerts:

WHAT CAN YOU TELL US ABOUT THE PROGRAM?

The orchestra will be joined by guest soloist Trevor Stephenson (below), who is the artistic director and keyboard player of the Madison Bach Musicians. On fortepiano, he will solo in Mozart’s Piano Concerto No. 9 in E-flat Major, K. 271, sometimes nicknamed the “Jeunehomme” Concerto. (You can hear the lively, tuneful and infectious last movement of the Mozart concerto in the YouTube video at the bottom.)

Stephenson has led workshops on historical performance practices with the orchestra in past seasons, and we’re delighted to work with him to bring one of Mozart’s weirdest and wildest youthful masterpieces to life.

The ballet suite from “Appalachian Spring” by Aaron Copland (below) is one of the defining works of his classic American sound, juxtaposing the pastoral beauty of the countryside with his trademark rhythmic vitality. We are performing the original chamber version, in which the clarity of texture illuminates the intricate internal structure of the piece.

Two high school students from our Conducting Apprenticeship Program will lead Grieg’s affecting miniature, “Last Spring,” for string orchestra. Cellist Elizabeth Strauss and violinist Monona Suzuki (below, in 2013) are this year’s Apprentices.

WHY IS THE CONCERT CALLED “INTERPLAY”?

We wanted to highlight the sense of conversation and interaction present in the two major works on this program.

The Mozart concerto is remarkable for the degree of interplay between soloist and orchestra. From the opening bars they are constantly interrupting each other, finishing each other’s sentences. It’s what gives the piece its unique sense of drama.

There’s a truism that Mozart made everything he wrote into an opera, and it’s certainly evident here: the melodies could have been lifted straight out of “The Marriage of Figaro.”

In the Copland work, it’s more about the intricacy of texture and the sense of playfulness in the way the various parts interact.

This project is funded in part by a grant from the Madison Arts Commission, with additional funds from the Wisconsin Arts Board; and by Dane Arts, with additional funds from the Endres Mfg. Company Foundation, The Evjue Foundation, Inc., charitable arm of The Capital Times, the W. Jerome Frautschi Foundation, and the Pleasant T. Rowland Foundation.


Posted in Classical music
Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Classical music: The Willy Street Chamber Players conclude this summer season on such a high note that one already hungers for next summer

July 30, 2018
Leave a Comment

By Jacob Stockinger

Here is a special posting, a review written by frequent guest critic and writer for this blog, John W. Barker. Barker (below) is an emeritus professor of Medieval history at the University of Wisconsin-Madison. He also is a well-known classical music critic who writes for Isthmus and the American Record Guide, and who hosts an early music show once a month on Sunday morning on WORT-FM 89.9 FM. For years, he served on the Board of Advisors for the Madison Early Music Festival and frequently gives pre-concert lectures in Madison.

By John W. Barker

At Immanuel Lutheran Church last Friday night, the Willy Street Chamber Players ended the 2018 summer season – their fourth — with a concert full of fascinating variety.

Four works were performed, each introduced by one of the players. Personnel shifted according to the scorings.

To begin, a core group of the organization (below, from left) — violinists Eleanor Bartsch and Paran Amirinazari, cellists Lindsay Crabb and Mark Bridges, and violist Beth Larson — played Luigi Boccherini’s Cello Quintet in C major (G. 324), which has the Italian title translatable as “Night Music of the Streets of Madrid.” (The piece, which has military or martial aspects to it, was featured in the soundtrack to the popular film “Master and Commander,” which you can hear in the YouTube video at the bottom.)

Typical of the composer’s prolific writing for string quintets, it is unique in offering in its seven movements a dusk-to-dawn evocation of Madrid’s street life in Boccherini’s day. This delightful work was performed with relish.

Next came a contemporary work by American composer Andrew Norman (below top). Written in his 20s, Night Screens (2002),for flute and string quartet, is a playful work inspired by the asymmetrical stained glass windows designed by architect Frank Lloyd Wright.

The music is quite tonal, but very episodic in its succession of tempos and rhythms. For this work, Amirinazari, Larson and Crabb were joined by a friend of the composer, flutist Timothy Hagen (below), now a faculty member of the UW-Madison’s Mead Witter School of Music.

Rarely heard in concert, but a really fascinating novelty is Sergei Prokofiev’s Overture on Hebrew Themes, Op. 34. This was composed in 1919, during the composer’s stay in the U.S. It is based on two melodies whose actual Jewish origins are in doubt, but their juxtaposition and elaboration are fascinating to follow.

The colorful scoring is for clarinet, piano, and string quartet, so this drew other guest artists, Alicia Lee (below top) also of the UW faculty, and pianist Thomas Kasdorf (below bottom) to join Bartsch, Amirinazari, Larson and Bridges.

Finally came a rare opportunity to encounter Johann Strauss II collaborating with Arnold Schoenberg, or rather vice-versa. For a fund-raising concert on behalf of his radical atonal ensemble in Vienna in 1925, Schoenberg made a chamber arrangement of the great waltz master’s Kaiser-Walzer or “Emperor Waltz.”

He scored it for flute, clarinet, piano and string quartet — perfectly allowing seven of the eight performers (less Crabb) to offer a triumphant grand finale. Even in such a lean and reduced format, Schoenberg faithfully conveyed Strauss’s melodic genius, and brought the large audience enthusiastically to its feet.

The Willys continue to match great enterprise in programming with superb artistry in playing, all in a summer season that leaves us hungering for the next one.


Posted in Classical music
Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Classical music education: Here are two blogs that allow you to follow the tour of Peru by the Youth Orchestra of the Wisconsin Youth Symphony Orchestras

July 7, 2018
Leave a Comment

By Jacob Stockinger

The Youth Orchestra (below top) of the Wisconsin Youth Symphony Orchestras has landed in Peru, and has already rehearsed, and will officially launch its 10-day tour — which includes the capital city of Cusco and the ancient Incan city of Machu Picchu (below bottom) — with a performance tonight in Lima.

And thanks to the foresight of the WYSO staff, you can follow the young musicians, along with retired WYSO music director and conductor James Smith, each step of the way until the tour ends on July 15:

Here is a link to a typical kind of blog:

https://wysoperutour.wordpress.com

Here is another version about the tour on Instagram:

www.instagram.com/wysoperutour/

And here is a link to more about the tour — including repertoire by Leonard Bernstein , Malcolm Arnold and Dmitri Shostakovich — and to the group, which gave its send-off concert this past Tuesday night at Olbrich Botanical Gardens:

https://welltempered.wordpress.com/2018/06/30/classical-music-wysos-youth-orchestra-give-a-free-farewell-concert-on-tuesday-night-at-olbrich-gardens-before-departing-on-its-tour-of-peru/

Check them out and forward this tour blog story, or a link to it, to friends and family, classmates and the community at large.

You can leave a COMMENT and words of encouragement and praise,

They are making Wisconsin proud — and at a time when the United States could sure use some goodwill ambassadors around the world.


Classical music: You probably know Brahms, but who are Caroline Shaw, Colin Jacobsen and Michael Kelley? The Willy Street Chamber Players will show you this Friday night

July 5, 2018
2 Comments

By Jacob Stockinger

The fourth annual concert series by the Willy Street Chamber Players (below) promises to be one of the high points of the summer season.

For more background about the Willys, go to:

https://welltempered.wordpress.com/2018/06/15/classical-music-the-willy-street-chamber-players-announce-their-five-impressive-july-concerts-three-with-admission-and-two-for-free-as-both-subscription-and-single-tickets-go-on-sale/

Three concerts in July – at 6 p.m. on July 6, 20 and 27 in the Immanuel Lutheran Church (below) at 1021 Spaight Street on the near east side – are all inviting. (A subscription to all three is $40, while admission is $15 for each one separately.)

Each concert lasts about 60 to 90 minutes with no intermission.

That’s something The Ear really likes and would like to see copied by other groups and presenters. Such a format leaves you plenty of time to do other things to start the weekend – including enjoying the post-concert reception (below) with snacks the Willys obtain from east-side providers.

The opening concert seems especially promising to The Ear.

That is because so far the Willys have had a knack for programming new music that The Ear really likes.

This time is no different.

Along with the regular members, who rotate in and out, a guest singer, mezzo-soprano Jazimina MacNeil (below), who sang a new work by John Harbison with the UW-Madison’s Pro Arte String Quartet this past winter, will team up to present new works.

The three contemporary composers and their works are: “Cant voi l’aube (composed in 2015 and heard in the YouTube video at the bottom) by Caroline Shaw (below top), a composer whose work the Willys have performed before with great success; “For Sixty Cents” (2015) by Colin Jacobsen (below middle, in a photo by Erin Baiano); and “Five Animal Stories” for string sextet and “Ashug” (2018) by Michael Kelley (below bottom).

Then to leaven newness with something more classic and familiar, the concert will close with the String Quintet No. 2, Op. 111, by Johannes Brahms. (The Willys have been working their way through the string quintets and sextets of Brahms with terrific performances.)

Other concerts will include:

On July 20, six arias from the opera “Porgy and Bess” by George Gershwin as transcribed and played by UW-Madison soprano saxophonist Les Thimmig (below) and the rarely performed String Quintet in A Major, Op. 39, by the Russian composer Alexander Glazunov ;

And on July 27, a program featuring wind music that includes “Night Music in the Streets of Madrid,” Op. 30, No. 6, by Luigi Boccherini; the Overture on Hebrew Themes by Sergei Prokofiev “Light Screens” (2002) by Andrew Norman (below); and the Kaiser Waltzes of Johann Strauss II, as arranged by Arnold Schoenberg.

The three local soloists for the final concert are: flutist Timothy Hagen (below top) and clarinetist Alicia Lee (below middle), who both teach at the UW-Madison and are members of the Wingra Wind Quintet, and pianist Thomas Kasdorf, who is finishing his doctorate at the UW-Madison and has often soloed with the Middleton Community Orchestra.

For more information about the Willy Street Chamber players—including a FREE community concert at the Goodman Community Center on Friday, July 13, at noon (with an instrument “petting zoo” for children at 11 a.m.) and at the Wisconsin Union Terrace — go to:

http://www.willystreetchamberplayers.org


Posted in Classical music
Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,
Next Page »

    Enter your email address to subscribe to this blog and receive notifications of new posts by email.

    Join 1,151 other followers

    Blog Stats

    • 1,909,909 hits
%d bloggers like this: