The Well-Tempered Ear

Why are Asians dominating Western classical music?

May 27, 2023
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By Jacob Stockinger

The month of May is Asian-American and Pacific Islander Heritage month in the U.S.

And here is a perfect story to provide questions and raise issues that pertain to that theme as it figures in classical music.

We have not seen many of them booked for concerts locally, but perhaps you have noticed how so many Asian musicians, particularly pianists, have been winning major competitions.

Those competitions include the Van Cliburn (Korean Yunchan Lim, below top), the Chopin (Chinese-Canadian Bruce Liu, below bottom), the Tchaikovsky, the Arthur Rubinstein, the Queen Elizabeth of Belgium, the Leeds Competition, the Geneva Competition and many others that are less famous.


Perhaps you have also noticed how we hear more Asian opera singers at the Met and more Asian string players in orchestras around the world.

More Asians also seem to be studying and performing in lower and higher educational institutions and organizations. 

And perhaps you, like The Ear, have wondered what is behind that trend?

Here is a terrific first-person story — with research, details, photos and performance videos – written by a Canadian musician of Japanese descent that appeared on the Canadian Broadcasting Corporation (CBC).

But The Ear thinks it could easily apply to the United States, Australia and other non-Asian places and cultures.

Here is a link:

https://na01.safelinks.protection.outlook.com/?url=https%3A%2F%2Fwww.cbc.ca%2Fmusic%2Fwhat-s-behind-the-predominance-of-asians-in-classical-music-1.6846375&data=05%7C01%7C%7C852fdf58ce64492a4c6008db5e04e9c4%7C84df9e7fe9f640afb435aaaaaaaaaaaa%7C1%7C0%7C638207147418451193%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C3000%7C%7C%7C&sdata=JNR5H4OH26QHqKlknDNTeQtjzcqfO%2BCKcMpLfvNuzUE%3D&reserved=0

Do you think this story applies to Asians and Asian-Americans in the U.S.?

If you yourself are an Asian or Asian-American musician or music student, do the observations and analysis in the story ring true to you own experience?

Do you have other thoughts to add about the cultural reasons for the surge of Western classical music in Asia and among Asians elsewhere?

Are there important lessons here for non-Asian people and places?

The Ear wants to hear. 


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Classical music: Former UW pianist Catherine Kautsky will talk, play music and sign copies of her book “Debussy’s Paris: Piano Portraits of the Belle Epoque” this Thursday night at the Mystery to Me bookstore in Madison

October 17, 2017
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By Jacob Stockinger

Some of you may recall the pianist Catherine Kautsky (below). She came from the Lawrence University Conservatory of Music in Appleton, Wis., to the UW-Madison where she performed many memorable concerts.

Then, after about five years, she returned to Lawrence as the head of the piano department.

Kautsky always showed an affinity for French music — she has recorded both books of Debussy‘s Preludes for piano — and now she has transformed her francophilia into a book: “Debussy’s Paris: Piano Portraits of the Belle Epoque” ($38, below).

Kautsky will be in Madison this Thursday night from 7 to 9 p.m. at the Mystery to Me bookstore, 1863 Monroe Street, next to Neuhauser Pharmacy and across from Trader Joe’s.

A terrific explainer, Kautsky will talk about her book and sign copies. A keyboard will also be available for Kautsky to play some of the music she talks and writes about. (You can hear Kautsky playing and discussing the great last Sonata in B-Flat Major, D. 960, by Franz Schubert in the YouTube video at the bottom.)

Here is a description of the book with biographical information:

“Debussy’s Paris: Piano Portraits of the Belle Époque takes readers on a tour of Paris through detailed descriptions of the city’s diversions and the music Debussy wrote reflecting them.

“Catherine Kautsky explores how key works reveal not only the most appealing aspects of Paris, but also the more disquieting attitudes of the time. In contrast to the childlike innocence of fairy tales, minstrel shows had racist overtones, colonization entailed domination, and the brooding nationalism of the era was rife with hostility.

“Debussy (below) left no avenue unexplored, and his piano works present a sweeping overview of the passions, vices, and obsessions of the era’s Parisians.

“When played today, Debussy’s music breathes the story of one the world’s most fascinating cities. Kautsky reveals little known elements of Parisian life during the Belle Époque and weaves the music, the man, the city, and the era into an indissoluble whole.

“Her portrait will delight anyone who has ever been entranced by Debussy’s music or the 
city (below) that inspired it.”

Catherine Kautsky is chair of keyboard at Lawrence University and has been lauded by the New York Times as “a pianist who can play Mozart and Schubert as though their sentiments and habits of speech coincided exactly with hers…” She has concertized widely, performing in major halls in New York, Chicago, Washington, and Boston, soloing with the St. Louis Symphony and other orchestras and appearing frequently on public radio.

Here is a link with more information, including praise from pianist Richard Goode who will perform in Madison at the Wisconsin Union Theater at 7:30 p.m. on Saturday, Nov. 4.

https://www.eventbrite.com/e/debussys-paris-with-author-pianist-catherine-kautsky-tickets-37666427298?aff=eivtefrnd?utm_source=eb_email&utm_medium=email&utm_campaign=evitefrnd&utm_term=eventimage


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