The Well-Tempered Ear
See and hear The Cliburn piano competition for FREE via streaming. It runs through June 18
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By Jacob Stockinger
The 16th Van Cliburn International Piano Competition got under way this past Thursday, June 2, and will run through Saturday, June 18, when the winners will be announced.
2022 marks the 60th anniversary year of the competition, which the American pianist Van Cliburn founded at Texas Christian University after his 1958 Cold War victory in the Tchaikovsky International Competition in Moscow,.
You can follow it all online. The complete impressive competition is being broadcast on medici.tv and on YouTube.
But The Ear has used the competition’s own streaming website and finds the videos, sound quality, contestant biographies and background information very professional and helpful. So far, it has been a thoroughly satisfying, enjoyable and engaging experience. I highly recommendation it for students, amateur pianists and all music lovers.
For The Ear, one of the most impressive performances from yesterday was given by the 21-year-old Chinese pianist Yangrui Cai (below), heard in the YouTube video at the bottom. Such beautiful and subtly virtuosic but shaded Liszt and Brahms is not often heard.
Here is a link to the home page (below): https://cliburn.org
From there you can hear live performances, past performances and many facts , including the complete schedule, about The Cliburn, as it is now called. All times are Central Daylight.
Starting at 10 a.m. today — Saturday, June 4 — will see the final 10 performances (3 in the morning and night, four in the afternoon) of the preliminary round, which has featured 30 pianists in 40-minute solo recitals. Except for a specially commissioned “Fanfare Toccata” by Sir Stephen Hough, who is also on the jury, the choice of programs is entirely up to the individual contestants.
The road to the Cliburn is not easy.
It started with 388 applicants. That was trimmed down to 72 by preliminary judges. Out of 72, 30 were chosen by jurors to compete.
After today, it will be on to the quarter-finals with 18 contestants in 40-minute recitals with no repetition from the preliminary round; then the semi-final round with 12 contestants in a combination of 60-minute solo recital along with a Mozart piano concerto accompanied by the Fort Worth Symphony conducted by the Nicholas McGegan, who is famous for his interpretations of Baroque and Classical era music; and the final concerto round with each contestant play two concertos with Fort Worth Symphony under famed conductor Marin Alsop, who is also the head juror.
The Ear will be posting his own thoughts as he experiences the extensive competition, maybe after each round or even each day.
But The Ear also wants to hear from you.
Do you have thoughts about the various contestants?
Who are your favorites and why?
Thoughts about the programs and repertoire being played?
Other thoughts about the competition in general?
The Ear Wants to hear.
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Just Bach free concert series seeks Interim Co-Artistic Director. Apply by July 5
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By Jacob Stockinger
The Ear has received the following announcement to post about an interim job at Just Bach:
Do you love the music of Johann Sebastian Bach (below)?
Would you love to perform it every month in one of the most beautiful churches (below, in a photo by Barry Lewis) in Madison?
Are you a professional instrumentalist with training and experience in period performance practice?
Do you have strong organizational skills?
If the answer to all these questions is yes, then Just Bach needs you!
Because Co-Artistic Director Marika Fischer Hoyt (below) will leave on a sabbatical starting in November, Just Bach is looking for an instrumentalist to join the Artistic Team. (You can check out the typical format by using the search engine on this blog or going to Just Bach’s Facebook page or YouTube Channel.)
The popular monthly concert series, which made it to the final round of the 2021 “Best of Madison” awards, seeks an Interim Artistic Co-Director for its upcoming fourth season.
POSITION SUMMARY
The Interim Artistic Co-Director works with the Just Bach team and the staff at Luther Memorial Church to program, produce, promote and perform monthly Bach concerts (below) from September through May.
The Interim Co-Artistic Director helps finalize the programming, contract any remaining needed players, schedule rehearsals and performances, perform in the concerts as needed, and upload the concert video to the Just Bach YouTube channel.
The Co-Artistic Director devotes about 4 hours per month to administrative tasks, on a volunteer basis.
The Co-Artistic Director rehearses and performs as needed in the monthly concerts — and is paid $100 per concert. (You can hear and see the closing concert of this past season in the YouTube video at the bottom. Click on Show More to see other instruments, players, singers and the program.)
The current Artistic Team will provide training for this position, and will be available for assistance once the season begins.
A detailed job description is available at:: https://docs.google.com/document/d/1CDis-RSY5FUnfUGCBvYunWZ1fR4EtyfzSo3xYiMyjUs/edit#
For more information, please contact and apply to Just Bach at: justbachseries@gmail.com
APPLICATION ARE DUE BY JULY 5.
Tags: #ArtisticDirector, #ArtisticTeam, #BachCantatas, #BaroqueMusic, #BestofMadison, #BlogPost, #BlogPosting, #ChamberMusic, #ChoralMusic, #ChristianChurch, #FacebookPage, #FacebookPost, #FacebookPosting, #FinalRound, #HistoricallyInformedPerformancePractices, #HomeWebsite, #InstrumentalMusic, #InstrumentalPlayer, #JacobStockinger, #JesusChrist, #JobDescription, #JohannSebastianBach, #JustBach, #LutherMemorialChurch, #MadisonBachMusicians, #MadisonSymhonyOrchestra, #MadisonWisconsin, #MarikaFischerHoyt, #MeadWitterSchoolofMusic, #PeriodInstruments, #PeriodPerformance, #SearchEngine, #StringInstruments, #TheEar, #TheLord, #TheUW, #TrioSonata, #UniversityofWisconsin-Madison, #VocalMusic, #WisconsinBaroqueEnsemble, #WisconsinChamberOrchestra, #YouTubeChannel, #YouTubevideo, administrative, answer, applications, apply, artistic, Artistic director, Artistici Team, Arts, assistance, audience, available, award, Bach, Baroque, basis, beautiful, begin, Best of Madison, blog, Blog post, blog posting, Cantata, cantatas, cellist, Cello, Chamber music, Chirstianity, choral music, Christ, Christian, Christian church, church, Classical music, co-artistic director, composer, Concert, concerto, contact, contract, deadline, description, Early music, email, experience, Facebook, Facebook page, Facebook post, Facebook posting, final, final round, finalize, forward, free, harpsichord, harpsichordist, historically informed performance practices, home website, hours, instrumental music, instrumental player, instrumentalist, interim, J.S. Bach, Jacob Stockinger, Jesus, job, job description, Johann Sebastian Bach, join, July, July 5, Just Bach, last, leave, like, link, love music, Luther, Luther Memorial Church, Madison, Madison Bach Musicians, Madison Symphony Orchestra, Marika Fischer Hoyt, Mead Witter School of Music, month, Music, need, needed, Orchestra, organizational, paid, past, perform, period instruments, period performance, play, player, popular, position, post, posting, practice, produce, professional, programming, promote, provide, question, questions, rehearsals, rehearse, remaining, sabbatical, schedule, search engine, Season, series, share, sibng, singer, skills, Sonata, starting, string, string music, symphony, tag, task, team, The Ear, The Lord, training, trio sonata, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, upload, UW, UW-Madison, video, Viola, Violin, violinist, violist, vocal music, volunteer, Website, Wisconsin, Wisconsin Baroque Ensemble, Wisconsin Chamber Orchestra, work, yes, you, YouTube, YouTube channel, YouTube video
Just Bach concludes its season this Wednesday morning with highlights of the past season
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By Jacob Stockinger
The Ear has received the following announcement to post about this season’s final Just Bach online concert this Wednesday:
Greetings from Just Bach!
We hope this finds you all well, enjoying the spring, and ready to experience more of the timeless beauty of Bach’s music.
Our May concert features musical highlights from this extraordinary past season.
The complete program listing is below. It is organized in two parts, corresponding to the two semesters.
Indoor singing was risky during the pandemic, so the bulk of our programming was instrumental, with strings and keyboard for the most part (below in a photo by Barry Lewis).
The Sinfonia from the Christmas Oratorio was recorded at St. Matthias Episcopal Church in Waukesha, because of the Dane County Emergency Order prohibiting indoor gatherings in November and December during the pandemic.
We were back at Luther Memorial Church for the January concert, and by April we were able to include woodwinds (below, in a photo by Barry Lewis)
You can view the May concert here, starting at 8 a.m. this Wednesday, May 19, and then staying available indefinitely: https://justbach.org/concerts/
Please join us for a half-hour live Zoom post-concert reception on Wednesday night, May 19, at 7 p.m. Chat with the performers by following the link: https://us02web.zoom.us/j/85144014343?pwd=RmVURXBBU1hMcloyalJhbUdCQ1NmQT09
Viewing the concerts is FREE, but we ask those who are able, to help us pay our musicians by making a tax-deductible donation at: https://justbach.org/donate
Just Bach will take a break for the summer, and concerts will resume in September.
Here is the May program:
• Welcome
Part I – Fall Semester
• Cantata 146: Sinfonia
• Violin Sonata, BWV 1001: movement 4 Presto
• Double Violin Concerto: movement 3 Allegro (in the YouTube video, with an animated graphic, at the bottom)
• Christmas Oratorio, Part II: Sinfonia
• Christmas Oratorio: Chorale “Ich steh’ an deiner Krippen hier” (I stand here by your crib)
Part II – Spring Semester
• Cantata 35: Sinfonia
• Trio Sonata, BWV 526: movement 2 Largo
• Violin Sonata, BWV 1019: movement 5 Allegro
• Flute Sonata BWV 1034: movement 1 Adagio ma non tanto
• Cantata 42: Sinfonia
• Cantata 149: Chorale “Ach Herr, laß dein lieb Engelein” (O Lord, let your dear little angel)
Performers are: Kangwon Kim, Christine Hauptly Annin, Leanne League, Xavier Pleindoux, Nathan Giglierano and Aaron Yarmel, violin; Marika Fischer Hoyt, viola; Charlie Rasmussen and Lindsey Crabb, cello; Linda Pereksta and Monica Steger, traverse flute; Marc Vallon, bassoon; Grammy-winner Sarah Brailey, soprano; John Chappell Stowe and Jason Moy, harpsichord; Mark Brampton Smith, organ; and Bruce Bengston, organ.
Dave Parminter is the videographer and Barry Lewis is the photographer.
For more information, go to:
youtube.com/channel/UCcyVFEVsJwklHAx9riqSkXQ
Tags: #AaronYarmel, #AppalachianSpring, #BachCantata, #BaroqueMusic, #BarryLewis, #BlogPost, #BlogPosting, #BruceBengston, #ChamberMusic, #CharlieRasmussen, #ChoralMusic, #ChristianChurch, #ChristineHauptlyAnnin, #ChristmasOratorio, #ClassicalMusician, #CoronavirusPandemic, #DaneCounty, #DaveParminter, #DoubleConcerto, #FacebookPost, #FacebookPosting, #Grammy-winning, #HistoricallyInformedPerformancePractices, #InstrumentalMusic, #JacobStockinger, #Jason Moy, #JesusChrist, #JohannSebastianBach, #JohnChappellStowe, #JustBach, #KangwonKim, #LeanneLeague, #LindaPereksta, #LindseyCrabb, #Lord'sPrayer, #LutherMemorialChurch, #MadisonBachMusicians, #MadisonSymphonyOrchestra, #MarcVallon, #MarikaFischerHoyt, #MarkBramptonSmith, #MeadWitterSchoolofMusic, #MonicaSteger, #MusicFacukty, #NathanGiglierano, #NonprofitOrganization, #OnlineConcert, #OrganMusic, #PeriodInstruments, #SarahBrailey, #SopranoSinger, #St.MatthiasEpiscopalChurch, #StringMusic, #TheEar, #TheLord, #TheUW, #TraversoFlute, #TrioSonata, #UniversityofWisconsin-Madison, #VirtualConcert, #VocalMusic, #WaukeshaWisconsin, #WindMusic, #WisconsinChamberOrchestra, #XavierPleindoux, #YouTubeChannel, #YouTubevideo, #ZoomMeeting, Aaron Yarmel, able, adagio, allegro, angel, animated, animation, Arts, audience, available, Bach, Baroque, Baroque music, Barry Lewis, Bassoon, bassoonist, blog, break, Bruce Bengston, BWV, Cantata, cellist, Cello, Chamber music, Charlie Rasmussen, chat, choral music, Chorale, Christ, Christian, Christianity, Christine Hauptly Annin, Christmas, Christmas Oratorio, church, Classical music, classicalmusic, composer, Concert, concerto, coronavirus, Dane County, Dave Parminter, December, donate, double concerto, Early music, emergency, Episcopal, extraordinary, Facebook, Facebook post, Facebook posting, fall, flauto traverso, flute, free, gathering, Grammy, graphic, harpsichord, harpsichordist, highlights, historically informed performance practices, indefinite, indefinitely, indoor, instrumental, Jacob Stockinger, January, Jesus Christ, Johann Sebastian Bach, John Chappell Stowe, Just Bach, Kangwon Kim, Keyboard, Kim, Largo, league, Leanne League, like, Linda Pereksta, Lindsey Crabb, link, live, Lord, Love, Luther Memorial Church, Lutheran, Madison, Madison Bach Musicians, Madison Symphony Orchestra, Marc Vallon, Marika Fischer Hoyt, Mark Brampton Smith, Mead Witter School of Music, meauty, Monica Steger, morning, most, movement, Music, music faculty, Nathan Giglierano, nonprofit, November, nulk, online, online concert, Orchestra, order, organ, organist, organize, pandemic, part, past, pay, performers, period instruments, photographer, post, post-concert, posting, presto, program, programming, prohibit, Protestant, reception, recorded, Religion, resume, risky, Sarah Brailey, Season, semester, September, share, sinfonia, singer, Singing, Smith, Sonata, soprano, soprano singer, St. Matthias Episcopal Church, string music, strings, summer, tag, tax-deductible, The Ear, timeless, traverso, trio sonata, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, UW, UW-Madison, Vallon, videographer, view, Viola, Violin, violinist, violist, virtual, virtual concert, vocal music, Waukasha, Wednesday, welcome, wind music, Wisconsin, Wisconsin Chamber Orchestra, woodwinds, Xavier Pleindoux, YouTube, Zoom
From Beethoven to today: The next five days at the UW-Madison are busy with FREE online concerts of new music, string music, brass music and more
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By Jacob Stockinger
From now through Monday, April 13, there are many FREE online concerts – virtual or pre-recorded – at the UW-Madison’s Mead Witter School of Music.
The schedule includes three different concerts on Saturday, April 10, alone. (All times are central and many concerts will be available for longer than a day.)
The variety of music is terrific and features all kinds of instruments and genres of music.
Here is a link to all of them, which will appear on YouTube. If your click on “Show More,” you will see more information about the performers and the programs. You can also set a convenient Reminder Timer to help you remember to listen: https://www.youtube.com/channel/UCZZ2F66Bu2yAfccvsugEtsA
You can read all of them by yourself. But the Ear wants to single out several of special interest.
NEW MUSIC: TONIGHT
If you are a fan of new music, there are two concerts you should consider listenIing to.
TONIGHT, April 8, at 7:30 p.m. and then at 8:30 p.m. are two concerts of new music.
The first concert is by the Contemporary Chamber Ensemble.
Titled “Colors” (below is the poster) the concert features music by Debussy, Lang, San Martin, UW-Madison professor Laura Schwendinger and Edgard Varese.
The performance are by faculty performers violist Sally Chisholm, flutist Conor Nelson and pianist Christopher Taylor, as well as alumni and students Eric Tran, Eric Delgado, Heidi Keener, Ben Therrell and Ben Yats.
Here is a link: https://www.youtube.com/watch?v=t5Gxe7yTWpI
Then at 8:30 p.m., a studio recital by composition students (below) at the UW-Madison will take place. No names of performers or pieces are listed. But here is the link that is given: https://youtu.be/WmTBoLD9IQc
BEETHOVEN QUARTET CYCLE 7: FRIDAY NIGHT
At 7:30 p.m. is the seventh installment of the cycle, which is part of the Pro Arte Quartet’s yearlong retrospective of Beethoven’s string quartets to celebrate the 250th anniversary of the composer’s birth.
Members are David Perry and Suzanne Beia, violins; Sally Chisholm, viola; and Parry Karp, cello.
The program has two late quartets: the famous last one, Op. 135, in F major (1826) with the :”Muss es sein” (Must It Be?) motif, which can be heard in the YouTube video at the bottom of the final movement played by the Cypress String Quartet; and the famous “Grosse Fuge” quartet and ending in B-flat Major, Opp. 130 and 133 (1825-6).
The Ear — who particularly likes Beethoven’s return to clarity and classicism in his final quartet — has listened to all the installments and they have all been superb. There’s no reason to expect anything different with this installment.
UW professor of musicology Charles Dill will give short introductory talks before each quartet. You can find extended program notes about the quartet and the program here: https://www.music.wisc.edu/event/pro-arte-quartet-beethoven-string-quartet-cycle-program-7/
And here is the link to the live-streamed concert from the Mead Witter Foundation Concert Hall in the Hamel Music Center: https://www.youtube.com/watch?v=IIW_5NVgGaA
UNIVERSITY OPERA SINGS SONGS OF RACIAL AND SOCIAL JUSTICE: SATURDAY AND SUNDAY
This spring, University Opera follows up its groundbreaking video production on the life and times of composer Marc Blitzstein with another video.
What’s Past is Prologue: The Unfinished American Conversation, a program of staged and filmed songs and song cycles with social and racial justice themes, will be released on the Mead Witter School of Music YouTube channel at https://youtu.be/7Up_OXD6K2U this Saturday, April 10, at 7:30 p.m., with an encore stream this Sunday, April 11, at 2 p.m. David Ronis, Director of University Opera, is the director, and Thomas Kasdorf is the musical director, who accompanies the singers on piano.
For more background, go to: https://www.music.wisc.edu/event/university-opera-presents-whats-past-is-prologue-the-unfinished-american-conversation/
For the performance, go to: https://youtu.be/7Up_OXD6K2U
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Starting TODAY, the First Unitarian Society of Madison offers three free, online mini-concerts at noon on Fridays to celebrate Women’s History Month
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By Jacob Stockinger
The Ear has received the following announcement to post about three free, online mini-concerts to celebrate Women’s History Month through the Friday Noon Musicales at the First Unitarian Society of Madison.
The concerts start today:
UPCOMING PERFORMANCES
• To celebrate Women’s History Month, the First Unitarian Society of Madison will present three Friday Noon Musicales during March.
• All three will be guest produced by Iva Ugrcic.
• Iva Ugrcic (below) is Founding Artistic Director of the Madison-based LunART Festival, which supports, inspires, promotes and celebrates women in the arts.
• Each program will feature highlights from past LunART Festival performances.
• Each program will be approximately 45 minutes long.
DATES AND PROGRAMS
Each video will become available at noon on the indicated date, and will remain available for viewing in perpetuity.
This Friday, March 12 — Works by living composers Jocelyn Hagen, Salina Fisher and Missy Mazzoli (below top), as well as Romantic-era composer Clara Schumann (below bottom, Getty Images). Specific titles are not named.
Performers include: Iva Ugrcic, flute; Matthew Onstad, trumpet; Tom Macaluso, trombone; Elena Ross and Todd Hammes, percussion; Kyle Johnson, Jason Kutz, Satoko Hayami and Yana Avedyan, piano; Beth Larson and Isabella Lippi, violin; Karl Lavine, cello (below); ARTemis Ensemble.
Friday, March 19 — Works by living composers Linda Kachelmeier, Elsa M’bala, Doina Rotaru (below top) and Eunike Tanzil, as well as Medieval mystic Hildegard von Bingen (below bottom) and Romantic-era Fanny Mendelssohn-Hensel. Specific works are not named. (In the YouTube video at the bottom, you can hear flutist Iva Ugrcic play Doina Rotaru’s haunting “Japanese Garden.”)
Performers include: Iva Ugrcic, flute; Jose Ignacio Santos Aquino, clarinet; Midori Samson, bassoon; Breta Saganski and Dave Alcorn, percussion; Satoko Hayami (below), Jason Kutz and Eunike Tanzil, piano; ARTemis Ensemble
Friday, March 26 — Alexandra Olsavsky, Edna Alejandra Longoria, Kate Soper and Jenni Brandon as well as post-Romantic era American composer Amy Beach (below bottom). Specific pieces are not named.
Performers include: ARTemis Ensemble; a string quartet with violinists Isabella Lippi and Laura Burns, violist Fabio Saggin, and cellist Mark Bridges (below); Jeff Takaki, bass; Vincent Fuh and Kyle Johnson, piano; Jennifer Lien, soprano; Iva Ugrcic, flute.
THREE OPTIONS FOR ATTENDING
• Website — https://www.fusmadison.org/musicales
• Facebook — https://www.facebook.com/fusmadison
• YouTube — https://www.youtube.com/fusmadison > “Playlists” > “Music at FUS”
ABOUT THE “FRIDAY NOON MUSICALES” RECITAL SERIES
• The Friday Noon Musicales at First Unitarian Society is a free noon-hour recital series offered as a gift to the community.
• Founded in 1971, 2020-2021 is the series’ 50th season.
• The series has featured some of the finest musicians in the Midwest, who flock to perform in the Frank Lloyd Wright-designed Landmark Auditorium.
• The music performed is mostly classical, but folk, jazz and musical theater styles are presented on occasion.
• During the pandemic, the Musicales have largely been on hiatus.
JUSTICE AND MUSIC INITIATIVE (JAM)
• The Justice And Music Initiative (JAM) at the First Unitarian Society of Madison represents a commitment to more socially equitable and earth-friendly music practices.
• This commitment includes music performed on our campus, both for worship and non-worship events.
• To help achieve our goal, we recognize and celebrate recognition days and months with our musical selections, such as Hispanic Heritage Month (9/15–10/15), LGBT History Month (October); Native American Indian Heritage Month (November), Black History Month (February), Women’s History Month (March), and African-American Music Appreciation Month (prev. Black Music Month; June).
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The Madison Early Music Festival joins the UW-Madison School of Music’s regular program and undergoes a major revamping. There will be no more separate summer events, and the two directors will retire next spring
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By Jacob Stockinger
After refining the format over the past 20 years, the Madison Early Music Festival (below) has grown into a popular event that is recognized regionally, nationally and internationally. It usually takes place for about 10 days in July.
But no longer.
The Ear has received the following updates from the two co-founders and co-directors, singers Cheryl-Bensman Rowe and UW-Madison Professor Paul Rowe.
Curiously, no reasons or causes are given for the major changes and revamping, or for the cancellation of the event this summer.
The Ear suspects it has something to do with the lack of funding and the reorganizations and consolidations being carried out because of the budgetary effects of the coronavirus pandemic on the UW-Madison, the whole UW System and the performing arts scene in general.
But that could be completely wrong. We will probably find out more details in the near future.
For more information and background, go to: https://www.music.wisc.edu/2021/02/01/memf-school-of-music-announce-administrative-partnership/
And to sound off, please leave your reactions to the news in the comment section.
Here is the letter from the Rowes (below, in a photo by Katrin Talbot):
Dear MEMF Supporters,
It is difficult to believe that February is over and spring is on its way. We hope everyone is having luck scheduling coronavirus vaccines, and that you have all stayed healthy throughout this past year.
We are writing to give you advance notice of the latest MEMF news before you read it in an upcoming press release.
Due to programming realignment in the UW-Madison Division of the Arts, the Madison Early Music Festival will become a program of the Mead Witter School of Music, which will be our new administrative home.
After much discussion with the Director of the School of Music and the Interim Director of the Division of the Arts, the details of the move have been finalized.
The School of Music is excited to bring MEMF into its programming, and would like MEMF to be an integral part of the academic year so more students can have an opportunity to work with professionals in the field of early music.
At this point, in order to focus on this goal, the decision has been made to discontinue the summer festival in its current (pre-pandemic) format.(You can hear a sample of that in the YouTube video at the bottom.)
We know this is disappointing news, but at the same time we are excited that MEMF concerts, lectures and classes will now be offered in some capacity throughout the year.
Although MEMF will be taking a different direction than the one we have all known and loved over the past 20 years, we are thrilled that it will continue to provide early music learning and presentation opportunities through this new collaboration.
We also want to announce that the two of us will be retiring from MEMF in the spring of 2022 and new leadership will take the helm.
Current plans are to present a celebratory MEMF concert and workshop next spring with School of Music students and faculty and former MEMF participants and faculty.
We want all of you to know that we appreciate everything you have done for MEMF. Some of you have been involved for 21 years!
We are grateful for your support, the friendships we have made, and all the beautiful music we have heard and made together. The success of the festival would not have been possible without each and every one of you.
This is an exciting new journey for MEMF, although different from what we have known and experienced. We hope that you will continue to be involved in MEMF in its new format, and we hope to see you in the spring of 2022!
Thank you for all your generosity in so many ways,
Cheryl Bensman-Rowe and Paul Rowe, co-founders and co-artistic directors of the Madison Early Music Festival
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The eighth annual UW Schubertiade is this Sunday afternoon. It features a FREE online retrospective of the past seven years plus a new four-hand piano performance
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By Jacob Stockinger
The University of Wisconsin has posted the following announcement:
For the eighth consecutive year, the University of Wisconsin-Madison’s Mead Witter School of Music will present its annual Schubertiade — a special concert celebrating the music of Franz Schubert (below).
Traditionally these concerts have been held around the composer’s birthday. This year’s concert will in fact occur on his birthday — this Sunday, Jan. 31, at 3-4:30 p.m. CST. The pre-recorded premiere is at: https://youtu.be/7sshhKiFPAg
You can also use the link to prepare for the concert before or during the concert. You will find the program with song titles, the original German texts and English translation, and biographies of the performers by simply clicking on “SHOW MORE” on the YouTube website and follow the links to PDFs.
BECAUSE THERE ARE NO COPYRIGHT ISSUES, ACCORDING TO UW OFFICIALS, THE POST SHOULD BE UP AND AVAILABLE INDEFINITELY AFTER ITS PREMIERE.
As in past years, founders and performers Martha Fischer (below left), professor of piano and head of the collaborative piano program at UW-Madison, and her husband Bill Lutes (below right), an independent piano teacher, and UW emeritus artist-in-residence, will host the program.
These concerts have been presented in the sprit of the first Schubertiades (below, in a painting by Julius Schmid) that took place during the composer’s lifetime (1797-1828) in the homes of his friends and fellow artists, poets and fans.
These were social as well as musical occasions with Schubert himself presiding at the piano, giving his audience a chance to hear his latest songs, piano duets and chamber music, as well as pieces that had already become favorites.
This year’s Schubertiade will be different in response to the restrictions imposed by the Covid-19 pandemic. It will be an online look back — or Rückblick — at past concerts, with songs chosen from performances that have been preserved in the audio and video archive.
The featured performers will include faculty members, students and alumni from the Mead Witter School of Music, along with special guests.
In addition, pianists Fischer and Lutes will give a “new” performance recorded for this occasion of the great Fantasie in F minor for piano duet. (In the YouTube video at the bottom, you can hear that work, performed by Dutch brothers Lucas and Arthur Jussen and recorded live in Seoul, South Korea.)
The songs have been chosen to reflect themes that were not only relevant to Schubert and his circle, but also to all of us in the midst of this challenging time: hope for a brighter future; the need for connection with others; remembrance of happier times; and the consolation to be found in nature.
Schubert left a vast and precious legacy of beauty — an enormous output of music that he composed in his short lifetime.
In a sense, each time his music is performed and heard, it is a journey from the past to our own time, the sounds speaking to us today as vividly and consolingly as they did when they were created 200 years ago.
Performers
Martha Fischer and Bill Lutes, pianists
Alumni:
Jamie-Rose Guarrine, soprano (below, in a photo by Peter Konerko)
Emily Birsan, soprano
Michael Roemer, baritone
Jennifer D’Agostino, soprano
Daniel O’Dea, tenor
Wesley Dunnagan, tenor
Sarah Brailey (alumna and current DMA student)
Sara Guttenberg
Guests:
Marie McManama, soprano
Cheryl Bensman-Rowe, mezzo-soprano
Faculty:
Mimmi Fulmer, soprano
Paul Rowe, baritone (below)
Julia Rottmayer, soprano
Staff
David Alcorn, videographer, editor, etc.
Katrin Talbot, images for audio only tracks
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The New York Times names the top 25 classical recordings of 2020 and includes sample tracks
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By Jacob Stockinger
What did the holidays bring you?
Did Hanukkah, Christmas or Kwanzaa bring you a gift card?
A subscription to a streaming service?
Maybe some cash?
Or maybe you just want to hear some new music or new musicians or new interpretations of old classics?
Every year, the music critics of The New York Times list their top 25 recordings of the past year. Plus at the end of the story, the newspaper offers a sample track from each recording to give you even more guidance.
This year is no exception (below).
In fact, the listing might be even more welcome this year, given the coronavirus pandemic with the lack of live concerts and the isolation and self-quarantine that have ensued.
The Ear hasn’t heard all of the picks or even the majority of them. But the ones he has heard are indeed outstanding. (In the YouTube video at the bottom, you can hear a sample of the outstanding Rameau-Debussy recital by the acclaimed Icelandic pianist Vikingur Olafssen, who scored major successes with recent albums of Philip Glass and Johann Sebastian Bach.)
Here is a link: https://www.nytimes.com/2020/12/17/arts/music/best-classical-music.html
Of course not all critics agree.
The Ear has already listed the nominations for the Grammy Awards (a link is below), and more critics’ picks will be featured in coming days.
You should also notice that a recording of Ethel Smyth’s “The Prison” — featuring soprano Sarah Brailey (below), a graduate student at the UW-Madison’s Mead Witter School of Music and a co-founder of Just Bach — is on the Times’ list as well as on the list of Grammy nominations.
What new recordings – or even old recordings — would you recommend?
The Ear wants to hear.
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It’s Thanksgiving Day. Conductor Marin Alsop, NPR, WQXR, WFMT and Wisconsin Public Radio offer music suggestions. What piece would you choose to mark the holiday?
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By Jacob Stockinger
Today – Thursday, Nov. 26, 2020 — is Thanksgiving Day.
Right now, the U.S. has had more than 12 million cases of COVID-19 with more than 260,000 deaths plus all the alarming signs and conditions that many more cases and deaths are coming in the next several months.
We might be sad that we can’t be with the family and friends we usually celebrate with. But we nonetheless have many things to give thanks for during this strange and tragic time.
We can thank the vaccine researchers; the doctors and nurses; and the other health care workers who take care of Covid patients, even those who don’t observe precautions and bring on their own illness.
We can thank all kinds of people on the front lines — food and transportation workers, for example — who help protect us and care for us.
We can thank the friends, family and others who stay in touch and help get us through these trying times.
And we can thank technology that makes isolating a lot less unbearable because we have telephones, radios, TVs, CD players, computers, cell phones and virtual online ZOOM meetings and gatherings and various other events including live-streamed concerts.
For The Ear, music has never meant more or brought more comfort than during this difficult year. He is giving thanks for that as well as for the other people and things just mentioned.
So what music should we celebrate this year’s emotionally complicated and mixed Thanksgiving holiday with?
Well, you can Google sources and go to YouTube to find compilations of music appropriate to the holiday. (See one playlist lasting 90 minutes in the YouTube video at the bottom.)
Famed classical radio station WQXR in New York City has five suggestions for being musically grateful: https://www.wqxr.org/story/top-five-expressions-thanks-classical-music/
And WFMT in Chicago is offering 20 suggestions based on holiday food: https://www.wfmt.com/2019/11/25/a-complete-thanksgiving-feast-in-20-food-inspired-pieces/
But here are a couple of other suggestions, some local.
Wisconsin Public Radio (WPR) is always a reliable source. And tomorrow is no exception.
If WPR programming stays true to past patterns, music by American composers will be emphasized.
Plus, starting at 10 a.m. WPR will broadcast performances from the Honors Concerts (below) by middle and high school students around the state and who participate in the Wisconsin School Music Association. This year, for the first time, the performances will be virtual. But as in past years, they are sure to be moving and even inspiring.
Other fine suggestions from the world-famous conductor Marin Alsop (below), a Leonard Bernstein protégée, who recently spoke for 7 minutes to NPR Weekend Edition host Scott Simon.
Here is a link, but you should listen rather than just read the transcript if you want to hear the musical samples: https://www.npr.org/2020/11/21/937448472/this-thanksgiving-put-on-some-music-to-soothe
Do you like any of those suggestions? Were any new to you?
What piece of music would you choose to express gratitude on this particular Thanksgiving?
The Ear wants to hear.
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The Well-Tempered Ear 
The Ear is back
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PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
The Ear is back!
For the first time since the May 18 posting about the season’s last concert by Just Bach, The Ear can post a new entry.
For three weeks, The Ear struggled to correct the situation, but to no avail. But then yesterday everything suddenly seemed to fall into place and new postings became possible.
Some readers and subscribers have contacted The Ear to ask if he was ill or something disabling had happened. Thank you for your concern.
But let me reassure you. The absence and silence were due simply to the technological glitch on the WordPress.com platform.
In some ways, though, the involuntary sabbatical was welcome. It provided The Ear with an opportunity to consider whether he wanted to continue the blog after the past 13 years.
After much consideration, The Ear has decided to continue, at least for the time being.
But the blog will see some changes.
Stay tuned and The Ear will explain more in detail.
In the mean time, thank you for continuing to subscribe and read the blog. It has been gratifying to see both the loyalty of the readers, many of whom used the hiatus to explore the archives.
And if you have any comments or suggestions to make about the blog, please leave them in the Comment section.
The Ear wants to hear.
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