The Well-Tempered Ear
Public ‘autopsy’ of UW Choral Union is Monday, Oct. 23
7 Comments
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
What was the cause of death?
Ever since last June — when the University of Wisconsin Mead Witter School of Music announced it was killing off the UW Choral Union after 130 years — the school has not issued any kind of public statement, specific explanation or response to the overwhelming negative reactions from the community.
That is finally about to change.
On Monday, Oct. 23, 2023 from 7:30 p.m. to 8:15 p.m. in the Mead Witter Foundation Concert Hall of the Hamel Music Center, the School of Music’s new director Dan Cavanagh will meet with former Choral Union singers and others members of the public to discuss the decision to cancel and to explore the future off campus-community choral activities.
Here is the email invitation that Cavanagh (below) sent out this week:
October 10, 2023
Dear Choral Union Singers,
I have been fortunate to meet several of you in my first few months in Madison as the new Director of the Mead Witter School of Music (MWSoM). I have felt welcomed and excited to make Madison my home, both personally and professionally.
As you know well, I started my position during a time of change here at the University of Wisconsin-Madison. I have learned much over the past few months about the long history, impact, and value that the Choral Union has had here in Madison and beyond.
I understand that many have felt disappointed by the decision to discontinue the Choral Union (shown below under longtime but now retired choral director Beverly Taylor) as it has been a longstanding and stalwart example of the Wisconsin Idea in action. I have begun having discussions with the local choral community writ large to explore ways to serve the Madison area in a way that honors that tradition while ensuring that we are able to serve our students in the most pedagogically and fiscally responsible way.
With the above in mind, I am writing to invite you and those interested to a conversation on Monday, October 23, from 7:00 p.m.-8:15 p.m. in the Mead Witter Foundation Concert Hall in the Hamel Music Center.
Janet Murphy has, in parallel, reached out to me about the new “Friends of the Choral Union” group, and I plan to meet with her and a few others prior to this larger meeting so that I can come prepared to be responsive and engaged in the discussion.
I hope to come away from our conversation having had a chance to explain in more detail why the original decision was made last spring before I arrived, as well as having had a chance to hear your concerns and hopes for how we can partner together in the future to serve the choral community around us.
When I interviewed for this position back in early March, I talked a lot about how Music is one of the “front doors” to the University, and how our public charge includes engaging outside the walls of the “ivory tower.”
This philosophy is uniquely enacted through the Wisconsin Idea, and I do not use that phrase lightly. While our focus needs to remain first and foremost on our students and our ability (and resources) to adapt our pedagogical practices to a rapidly changing arts and cultural environment in this country, I am excited to work together with you and others to find ways to connect that pedagogical work with the wider community in our state and nationally.
Please consider joining me for this important conversation on October 23. No RSVP is needed. I look forward to meeting each of you in person and to hearing your passion, ideas, and concerns.
With deep respect,
Dan Cavanagh
Pamela O. Hamel/Board of Advisors Director; Mead Witter School of Music Professor of Jazz Studies and Composition
University of Wisconsin-Madison: music.wisc.edu
NOTE: If you want more to see more background and reader public reactions to it, here are links to three previous blog posts:
The Ear wonders how well attended the meeting will be?
Will you attend or not? Why or why not?
Will anything change about the future of the Choral Union?
Will Mariana Farah (below top) — the highly acclaimed new Director of Choral Activities — be on hand to answer questions and offer her perspective?
Will former music school director Susan C. Cook (below bottom), who made the decision, also be there?
How convincing will the explanations for the past decision and for possible future activities be?
Did it change your mind or thinking? How?
The Ear wants to hear.
Tags: #BlogPost, #BlogPosting, #FacebookPost, #FacebookPosting, #YouTubevideo, ability, acclaim, acclaimed, activity, alto, answer, Arts, audience, autopsy, Bach, background, Baroque, bass, Beethoven, Beverly Taylor, blog, Brahms, Campus, cause, change, choral music, Choral Union, chorus, Classical music, community, composer, Composition, concern, Concert, conversation, critically acclaimed, cultural, culture, Dan Cavanagh, death, decision, director, Early music, environment, explanation, Facebook, faculty, Focus, friends, Friends of the Choral Union, future, group, Hamel Music Center, hear, History, idea, impact, invitation, invite, ivory tower, Jacob Stockinger, Janet Roberts, Jazz, Johann Sebastian Bach, kill, link, Ludwig van Beethoven, Madison, Madison Symphony Orchestra, Mariana Farah, mass, Mead Witter Foundation Concert Hall, Mills Hall, mind, Mozart, Music, music faculty, needs, oratorio, Orchestra, Overture Center, Passion, past, pedagogical, perspective, philosophy, Piano, public, reply, Requiem, resources, response, RSVP, school, share, singer, Singing, soprano, students, Susan C. Cook, symphony, tag, tenor, The Ear, The Wisconsin Idea, think, thinking, tradition, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, UW, UW Choral Union, UW Symphony Orchestra, UW-Madison, value, vocal music, week, Wisconsin, Wisconsin Idea, Wolfgang Amadeus Mozart
15-year-old South Korean pianist wins the Cliburn Junior
2 Comments
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
NOTE: More on the unpopular move by the UW-Madison Mead Witter of Music to kill off the 130-year-old, campus-community Choral Union will be coming shortly. The Ear as received some very interesting replies and information.
By Jacob Stockinger
Boy, are the kids ever good — and getting better!
A 15-year-old Korean boy — Seokyoung Hong (below) — has won the 2023 Cliburn International Junior Piano Competition.
He won the demanding contest with an outstanding performance of “Rhapsody on a Theme of Paganini,” the technically challenging concerto by Sergei Rachmaninoff.
When out comes to pianists, South Korea is on a roll.
Hong’s triumph follows the impressive win by his fellow South Korean Yunchan Lim, 18, in the senior competition last year. He is the youngest ever pianist to win the prestigious competition.
Here is a link to the story on the British website Classical FM, with a sample of his playing in the finale of the concerto performance with the Dallas Symphony Orchestra:
https://www.classicfm.com/discover-music/instruments/piano/rachmaninov-2023-cliburn-junior-winner/
And in the YouTube video at the bottom you can hear Hong play his quarter-round solo recital of Rachmaninoff, Haydn, Chopin and Dutilleux.
The 14-year-old Chinese pianist Yufan Wu placed second. In third place was Jan Schulmeister, 16, of Czechs (Czech Republic).
And 21 of the 23 competitors, chosen out of 248 applicants from 44 countries, were Asian. Click on the profile to see their biographies and personal statements.
Asian players keep racking up wins in international music competitions. Here is a link to a recent blog post about why Asian musicians seem to dominate Western classical music right now:
You can hear other competitors in many rounds of recitals and concertos on YouTube if you put “Cliburn Junior 2023” in the search engine.
Check them out at all stages of the competition.
The Ear promises: You will be impressed.
Tags: #BlogPost, #BlogPosting, #FacebookPost, #FacebookPosting, #YouTubevideo, America, American, Arts, Asia, asian, audience, Baroque, Beethoven, better, biography, blog, boy, British, Campus, Canada, Canadian, challenge, China, Chinese, Chopin, choral music, Choral Union, Classical FM, Classical music, Cliburn, Cliburn Junior, click, community, composer, Concert, concerto, contest, Czech Republic, Czechia, Dallas, Dallas Symphony Orchestra, demanding, dominate, Early music, England, Europe, Facebook, final, first, Franz Joseph Haydn, Frédéric Chopin, girl, good, Haydn, Hong, impress, impressed, information, interesting, Jacob Stockinger, Jan Schulmeister, Japan, Japanese, Johann Sebastian Bach, kill, Korea, Korean, Lim, link, Ludwig van Beethoven, Madison, minor, move, Mozart, Music, music school, old, Orchestra, Paganini, performance, personal, Pianist, Piano, player, popular, prestigious, profile, promise, quarter-final, Rachmaninoff, Rachmaninov, Radio, recital, reply, Rhapsody on a Theme by Paganini, Rhapsody on a Theme of Paganini, round, search, search engine, second, semi-final, Seokyoung Hong, Sergei Rachmaninoff, Sergei Rachmaninov, share, solo, Sonata, South Korea, South Korean, stage, statement, symphony, tag, Taiwan, Taiwanese, technical, Texas, The Ear, U.S., UK, United States, University of Wisconsin, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, unpopular, UW, UW Choral Union, UW-Madison, UW-Madison Mead Witter School of Music, Van Cliburn, Van Cliburn International Piano Competition, vocal music, Website, win, Wolfgang Amadeus Mozart, Wu, Yekwon Sunwoo, young, YouTube, Yufan Wu, Yunchan Lim
Does Wisconsin Public Radio play too much harp music?
7 Comments
PLEASE NOTE: Due to a technical glitch, the following commentary was posted briefly yesterday and then withdrawn. That also disabled the commentary function temporarily. Once the glitch is solved, The Ear will post it again. That means some of you will get it twice. I apologize for any inconvenience. And to the fans who have kindly greeted my return, heartfelt thanks. I will be posting more details about the use and frequency of this blog in the near future.
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
Can’t help it.
The harp always reminds The Ear of a giant egg slicer.
Still, The Ear loves the sound of the harp — in the right works.
That usually means when it is blended into orchestral works (Brahms, Wagner, Tchaikovsky and Mahler come to mind) and chamber music works (Debussy and Ravel come to mind).
But when it comes to solo harp and harp concertos, no thanks. Barring some Baroque music and Classical works — Handel’s concerti grossi and Mozart’s “Brunch” Concerto for Flute and Harp — he’ll pass for the most part.
So much harp music, both original and arranged, just sounds second-rate or worse. Can anyone name a masterpiece for the solo harp written by a great composer? And I don’t mean Louis Spohr who composed for his harpist wife.
The solo harp repertoire is very small, hence the need for so many transcriptions.
That’s a problem.
The harp tends to make music for other instruments sound so .. so … so pleasant! Even when the original is dramatic, it’s all pluck pluck, twang twang, zing zing. Just listen to the YouTube video at the bottom of J.S. Bach’s mighty Toccata and Fugue in D minor for Organ played on the harp.
So, The Ear asks, why has Wisconsin Public Radio started playing so much harp music on almost every show? (Below is WPR host, accomplished harpist and harp evangelist Ruthanne Bessman, who often includes harp music in her Saturday Morning program “Classics by Request.”)
Is it because the public really loves hearing the harp so much?
Is it because the radio show hosts do?
Do listener surveys indicate a preference for the harp?
Does the covid pandemic play a role in seeking bland but soothing music?
What do you think?
Do you like or even crave harp music?
Do you think WPR is programming too much harp music these days?
Too little?
Or the right amount?
Leave a comment, please.
The Ear wants to hear.
Tags: #BlogPost, #BlogPosting, #ClassicsByRequest, #ClaudeDebussy, #ConcertoGrosso, #CoronavirusPandemic, #FacebookPost, #FacebookPosting, #FluteMusic, #GeorgeFridericHandel, #HarpMusic, #InstrumentalMusic, #JohannesBrahms, #JohannSebastianBach, #LouisSpohr, #MauriceRavel, #OrganMusic, #PeterIlyichTchaikovsky, #PluckedInstruments, #PublicRadio, #RadioHost, #RichardWagner, #TechnicalGlitch, #ToccataandFugueinDminor, #WisconsinPublicRadio, #WolfgangAmadeusMozart, #YouTubevideo, arrangement, Arts, audience, Bach, Baroque, bland, blog, Brahms, Chamber music, choral music, classic, Classic By Request, Classical music, comment, commentary, compose, composer, Concert, concerto, Concerto Grosso, coronavirus, coronavirus pandemic, crave, Debussy, details, Early music, egg, evangelist, Facebook, flute, frequency, future, George Frideric Handel, glitch, great, Handel, harp, harpist, heart, heartfelt, host, husband, instrument, instrumental music, Jacob Stockinger, Johann Sebastian Bach, Johannes Brahms, link, listener, Louis Spohr, Love, Madison, masterpiece, Maurice Ravel, Mozart, Music, near, Orchestra, organ, pandemic, play, pleasant, pluck\, poll, preference, programming, public, public radio, Radio, Ravel, reply, Richard Wagner, right amount, role, Ruthanne Bessman, share, solo, Sonata, soothing, Spohr, survey, symphony, tag, Tchaikovsky, technology, thanks, think, Toccata and Fugue in D minor, too little, too much, transcription, twang, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, use, Wagner, wife, Wisconsin, wisconsin public radio, Wolfgang Amadeus Mozart, WPR, you, YouTube, zing
Classical music: The Middleton Community Orchestra and violinist Naha Greenholtz perform this Wednesday night in the new Hamel Music Center at the UW-Madison. At noon, the FREE Just Bach concert celebrates Christmas
Leave a Comment
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
ALERT 1: This Wednesday, Dec. 18, at noon in Luther Memorial Church, 1021 University Avenue, Just Bach wraps up its FREE one-hour period-instrument concerts for this semester. The program features “joyous selections” from the Christmas Oratorio, the Magnificat, and the Advent Cantata 36. For more information about the program and the performers, go to: https://justbach.org
ALERT 2: The Madison Symphony Orchestra, which just gave three sold-out performances of its Christmas concert, is holding its annual holiday ticket sale. It started Monday and runs through Dec. 31. You can save up to 50 percent on tickets to the remaining concerts of the season. For more information and to order, go to: https://madisonsymphony.org/holidaysale/
By Jacob Stockinger
Looking for a break from holiday music?
This Wednesday night, Dec. 18, the mostly amateur but critically acclaimed Middleton Community Orchestra (below) will perform in the Mead Witter Foundation Concert Hall of the new Hamel Music Center at the UW-Madison – NOT at its usual venue, the Middleton Performing Arts Center that is attached to Middleton High School.
The appealing program under guest conductor Kyle Knox starts at 7:30 p.m. It features the dramatic Overture to “Die Meistersinger” (The Master Singers) by Richard Wagner (you can hear the Overture in the YouTube video at the bottom); the popular and virtuosic Symphonie Espagnole (Spanish Symphony) by French composer Edouard Lalo, with violin soloist Naha Greenholtz; and the lovely Suite from the opera “Der Rosenkavalier” by Richard Strauss.
There will be a post-concert reception in the lobby.
Admission is $15; free for students. Tickets are available at the door – student tickets are available at the door only — and at the Willy Street Coop West. The hall is at 740 University Avenue with parking in the nearby Lake Street Ramp. The box office opens at 6:30 p.m. and doors to the hall open at 7 p.m.
The Ear asked the co-founders and co-directors of the group – Mindy Taranto and Larry Bevic — why they chose to play in the Hamel Music Center this time. He recieved the following reply:
“We decided to rent the Mead Witter Foundation Concert Hall (below top, in photo by Bryce Richter for University Communications) in the Hamel Music Center (below bottom) for several reasons.
“This is our 10th anniversary season and we wanted to give our musicians a really special experience. Many of us are curious about the new hall and are really excited to be playing there.
“Also, Kyle Knox (below) – a UW-Madison graduate and the music director of the Wisconsin Youth Symphony Orchestras — is a phenomenal conductor and this program is exceptionally difficult and beautiful.
“It is an honor to get to perform at the UW-Madison with Kyle conducting such a beautiful program. He has brought this orchestra along so far, and for that we are incredibly grateful. He is a brilliant musician and our work with him has improved the orchestra so remarkably over the eight years he has been regularly working with us.
“We also thought that so many of our patrons enjoy our concerts when violinist Naha Greenholtz (below, in a photo by Chris Hynes) – the concertmaster of the Madison Symphony Orchestra — is our soloist, and with the MSO connection, holding the concert at Hamel will hopefully boost attendance at the concert.
Naha sounds amazing and if you could see how much our musicians enjoy her annual appearance with MCO, you’d know why we want to play with her every year.
“As we conclude the first half of our 10th season, we are grateful to the musicians in MCO and to the community that supports us.
“We are probably one of the few organizations on the Madison arts scene that puts literally every dollar into music. As the two co-founders, we run the organization on a volunteer basis and we don’t spend any money on advertising.
“All of our resources go to hiring astonishing local musicians, renting performance space, and buying music to provide meaningful musical experiences for our musicians and our patrons.”
For information about how to join the orchestra, how to support it and what its remaining concerts are this season, go online to: http://middletoncommunityorchestra.org or call 608-212-8690.
Tags: #AmateurMusicians, #ArtsPatron, #BachCantata, #BaroqueMusic, #BaroqueOratorio, #Beautifulmusic, #BlogPost, #BlogPosting, #BoxOffice, #ChristianChurch, #ChristmasOratorio, #CommunitySupport, #CriticallyAcclaimed, #DerRosenkavalier, #DieMeistersinger, #EdouardLalo, #FacebookPost, #FacebookPosting, #Frenchcomposer, #HamelMusicCenter, #HolidayMusic, #HomeWebsite, #JesusChrist, #JohannSebastianBach, #JustBach, #KyleKnox, #KyleT.Strauss, #LakeStreet, #LarryBevic, #LutherMemorialChurch, #MadisonSymphonyOrchestra, #MadisonWisconsin, #MeadWitterFoundationConcertHall, #MeadWitterSchoolofMusic, #MiddletonCommunityOrchestra, #MiddletonHighSchool, #MiddletonPerformingArtsCenter, #MindyTaranto, #MusicDirector, #NahaGreenholtz, #PerformanceSpace, #PopularMusic, #RichardStrauss, #RichardWagner, #SymphonieEspagnole, #TheEar, #TheMagnificat, #TicketSale, #UniversityAvenue, #UniversityofWisconsin-Madison, #ViolinConcerto, #WillyStreetCoopWest, #WisconsinYouthSymphonyOrchestras, #YouTubevideo, acclaimed, Advent, advertising, amateur, anniversary, annual, Arts, attendance, Baroque music, beautiful, blog, boost, box office, brilliant, buy, Cantata, Christ, Christian, Christianity, Christmas, Christmas Oratorio, church, Classical music, classicalmusic, co-director, co-founder, community, composer, Concert, concertmaster, concerto, conclude, conductor, critically acclaimed, curious, daving, Der Rosenkavalier, Die Meistersinger von Nürnberg, difficult, door, doors, dramatic, Edouard Lalo, ensemble, excited, experience, Facebook, forward, France, free, French, graduate, grateful, group, guest soloist, hall, Hamel Music Center, hiring, Holiday, holiday music, home website, improve, information, Jacob Stockinger, Jesus, Jesus Christ, Johann Sebastian Bach, join, Joy, Just Bach, Kyle Knox, Lake Street, Lalo, Larry Bevic, like, link, lobby, local, Luther Memorial Church, Madison, Madison Symphony Orchestra, Magnificat, Mead Witter Foundation Concert Hall, Mead Witter School of Music, meaningful, Middleton Community Orchestra, Middleton High School, Middleton Performing Arts Center, Mindy Taranto, money, Music, Music director, Musician, Naha Greenholtz, online, opera, oratorio, Orchestra, organization, Overture, parking, patron, performance space, performers, play, playing, popular, post, posting, reason, reception, remarkable, Rent, reply, Richard Strauss, Richard Wagner, sale, save, scene, Season, semester, share, special, spend, Strauss, Suite, support, Symphonie Espagnole, tag, The Ear, ticket, ticket sale, United States, University Avenhue, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, UW-Madison, venue, Violin, violinist, virtuosic, virtuoso, volunteer, Wagner, Website, Willy Street Coop West, Wisconsin, Wisconsin Youth Symphony Orchestras, work, WYSO, YouTube
Classical music: Let us celebrate Brit Grit after the Manchester terrorist attack with Elgar’s Symphony No. 1
5 Comments
By Jacob Stockinger
First came the unforgettable.
Then came the unforgivable.
In the first case, I am talking about the woefully under-attended performance on Sunday afternoon at the Wisconsin Union Theater by the Milwaukee Symphony Orchestra (below) under its outgoing maestro Edo de Waart.
The MSO played the Overture to the opera “Don Giovanni” by Wolfgang Amadeus Mozart; “Schelomo: A Hebraic Rhapsody” by Ernest Bloch, with principal cellist Susan Babini as soloist; and the Symphony No. 1 by Sir Edward Elgar.
In each case, all sections of the orchestra performed stunningly well and the caliber of performance made you wonder: “Why don’t we hear this group more often?”
The Milwaukee Symphony Orchestra used to tour to Madison every year or so. It should do so again.
Then not long after the concert came word of the deadly terrorist attack by a suicide bomber at a pop concert in Manchester, England.
Sure, sometimes these things just happen. But coincidences can have power.
The Ear can’t think of a more stately and forceful statement of British fortitude and stoicism – the same grit that saw Britain through the Nazi blitz — than the poignant march-like opening of the first movement of Sir Edward Elgar’s Symphony No. 1.
Chances are you don’t know the symphony.
Chances are you know Elgar from his “Pomp and Circumstance” Marches, from his “Enigma Variations” for orchestra, from his Cello Concerto, from his Violin Concerto, from the violin miniature “Salut d’amour.”
But this is grand and great Elgar (below) who, like Brahms, turned to writing symphonies only late in his life.
We don’t hear Elgar’s first symphony often enough.
And this just happens to be the right time, both because of the world-class performance by the Milwaukee Symphony Orchestra and because the symphony was premiered in 1908 — in Manchester — and then went on to be popular enough to have some 100 performances in its first year.
But it has fallen out of favor. The last time the Ear heard it live was years ago when the UW Symphony Orchestra played it under the baton of guest conductor and UW-Madison alumnus Kenneth Woods (below), who now leads the English Symphony Orchestra and the Colorado Mahler Festival.
So here, in the YouTube video at the bottom, is a complete recording from the BBC Proms in 2012. Perhaps you will only listen to the opening movement, or even just the opening of the opening movement, with its moving theme that recurs throughout and then returns at the end.
But however much you listen to — and you shouldn’t miss the glorious slow movement – it seems a fitting choice to share today.
After all, as Leonard Bernstein once said: “This will be our reply to violence: to make music more intensely, more beautifully, more devotedly than ever before.”
If you have another choice of music to listen to on this deadly occasion, leave word and a YouTube link in the COMMENT section.
Solidarity through music!
Tags: Arts, attack, BBC, BBC Proms, blitz, Bloch, Britain, Cello, Classical music, Colorado, Concert, concerto, Don Giovanni, Edo de Waart, Elgar, England, English, English Symphony Orchestra, festival, fortitude, Great Britain, grit, Hebrew, Herbraic, Jacob Stockinger, Johannes Brahms, Kenneth Woods, Leonard Bernstein, Madison, Mahler, Mahler Fest, march, Milwaukee, Milwaukee Symphony Orchestra, Mozart, Music, Nazi, opera, Orchestra, Overture, poignant, pop, pop music, Proms, reply, Schelomo, soloist, stoic, stoicism, suicide, suicide bomber, Susan Babini, symphony, Symphony No. 1 (Elgar), terror, terrorism, The Proms, UK, United Kingdom, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, Viola, violence, Violin, Wisconsin, Wisconsin Union Theater, Wolfgang Amadeus Mozart, YouTube
Recent Comments
The Well-Tempered Ear 
What do current music and non-music students think about the UW-Madison killing off the Choral Union?
3 Comments
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
By now, the chances are good that you have heard about the University of Wisconsin-Madison Mead Witter School of Music’s decision to kill off the campus-community Choral Union after 130 years. (The Choral Union and UW Symphony Orchestra, under recently retired choral activities director Beverly Taylor, are shown below in Mills Hall, where they performed with soloists for 50 years — in this case Johann Sebastian Bach’s “St Matthew Passion” — before moving to the Hamel Music Center.)
It has had many more hits and many more replies than any other blog post in a long time.
All of the reactions so far have been strongly negative, even outraged, with no one defending or endorsing the move.
But so far those replies, often lengthy, have been received with deafening silence and no replies or detailed explanations from either faculty members or administrators in the UW-Madison School of Music. In fact, The Ear understands that the School of Music has blocked its website and Facebook site from allowing anyone to reply:
See for yourself. Here is a link to the original blog post with its many comments and replies:
Most of the replies come from people who attend the UW Choral Union concerts or those who used to sing in it or who have been singing in it as alumni or community members and taxpayers. Some threaten withdrawing financial support. Others say it is yet another attack on the Wisconsin Idea.
But this time The Ear would like to hear from CURRENT STUDENTS — music students and other student — about what they think of the move.
Do they favor the decision to end the Choral Union? Or oppose it?
Do they think ending the Choral Union will hurt their education? Or be harmless?
What would the students like the UW-Madison School of Music to do? Continue with the plan or reverse the decision? Explain the specific reasons rather than citing generalities and banalities?
End censorship by allowing the public to reply on websites and social media?
Please spread the word to family and friends, to music and non-music students at the UW-Madison and at other schools.
The Ear wants to hear.
Share this:
Tags: #BlogPost, #BlogPosting, #FacebookPost, #FacebookPosting, #YouTubevideo, administrator, alumna, alumni, alumnus, Arts, assault, attack, audience, Bach, Baroque, Beethoven, blog, Campus, censorship, Choral Union, comment, community, current, decision, faculty, faculty member, Hamel Music Center, Jacob Stockinger, Johann Sebastian Bach, kill, link, Ludwig van Beethoven, Madison, Mead Witter School of Music, Mills Hall, Mozart, Music, music students, oratorio, Orchestra, outrage, public, reply, school, share, silence, social media, St Matthew Passion, students, symphony, tag, taxpayer, taxpayers, The Ear, United States, university, University of Wisconsin, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, UW Choral Union, UW Symphony Orchestra, UW-Madison, vocal music, Website, Wisconsin, Wisconsin Idea, Wolfgang Amadeus Mozart