The Well-Tempered Ear

To celebrate Pride month, here are lists of LGBTQ+ composers, performers and musical ensembles 

June 27, 2021
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By Jacob Stockinger

June is Pride month.

And this weekend will see Pride marches and celebrations in some major cities including New York City, Chicago, Paris and Rome.

As time passes, scholars are finding out more about the LGBTQ+ composers, performers and musical groups that have been hidden by history.

And some ironies emerge. One can only imagine the response of conservative, right-wing Evangelical Christians who find out that the composer of “Messiah” – George Frideric Handel (below) — was queer, at least according to some researchers.

For most listeners, surprises abound.

Here is a good place to start. It is the very large Wikipedia entry of LGBTQ+ composers and performers, both contemporary and historical. The Ear finds it very informative. It is organized by the kind of musicians they are and the category of their sexual identity. https://en.wikipedia.org/wiki/Category:LGBT_musicians

If you want to be more selective, try these: https://www.classicfm.com/discover-music/greatest-lgbtq-conductors-you-should-know/. They include Marin Alsop (below top) and her teacher and mentor Leonard Bernstein (below bottom).

Here is longer essay that focuses on lesbian conductors as well as gay men and reaches back to the Middle Ages: http://www.glbtqarchive.com/arts/conductors_A.pdf

And here is one with some great photos or pictures of the individuals: https://www.classicfm.com/discover-music/great-classical-composers-who-were-gay/

Finally, here are some of the international music ensembles – with audio samples of their performances — made up of LGBTQ+ singers and instrumentalists, including the Rainbow Symphony of Paris (in the YouTube video at the bottom, performing the beautiful Gloria by the gay French composer Francis Poulenc in a benefit Concert Against Homophobia for UNESCO): https://www.classicfm.com/discover-music/best-lgbtq-classical-music-ensembles/

Inevitably, some readers will react by asking: What difference does the sexual identity of composer or performer make? All that matters, they argue, is the music.

Here is a reply to that specious argument that focuses on Yannick Nézet-Séguin (below), the music director of the Metropolitan Opera, the Philadelphia Orchestra and the City Symphony of Montreal. It appeared in The New York Times: https://www.nytimes.com/2019/01/15/arts/music/yannick-nezet-seguin-met-opera-gay.html

Happy Pride – this month and every day of the year!

Do you have questions, additions or comments?

Leave them below.

The Ear wants to hear.


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Just Bach free concert series seeks Interim Co-Artistic Director. Apply by July 5

June 23, 2021
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By Jacob Stockinger

The Ear has received the following announcement to post about an interim job at Just Bach:

Do you love the music of Johann Sebastian Bach (below)? 

Would you love to perform it every month in one of the most beautiful churches (below, in a photo by Barry Lewis) in Madison?

Are you a professional instrumentalist with training and experience in period performance practice?

Do you have strong organizational skills?

If the answer to all these questions is yes, then Just Bach needs you!

Because Co-Artistic Director Marika Fischer Hoyt (below) will leave on a sabbatical starting in November, Just Bach is looking for an instrumentalist to join the Artistic Team. (You can check out the typical format by using the search engine on this blog or going to Just Bach’s Facebook page or YouTube Channel.)

 

The popular monthly concert series, which made it to the final round of the 2021 “Best of Madison” awards, seeks an Interim Artistic Co-Director for its upcoming fourth season.

POSITION SUMMARY

The Interim Artistic Co-Director works with the Just Bach team and the staff at Luther Memorial Church to program, produce, promote and perform monthly Bach concerts (below) from September through May.

The Interim Co-Artistic Director helps finalize the programming, contract any remaining needed players, schedule rehearsals and performances, perform in the concerts as needed, and upload the concert video to the Just Bach YouTube channel.

The Co-Artistic Director devotes about 4 hours per month to administrative tasks, on a volunteer basis.

The Co-Artistic Director rehearses and performs as needed in the monthly concerts — and is paid $100 per concert. (You can hear and see the closing concert of this past season in the YouTube video at the bottom. Click on Show More to see other instruments, players, singers and the program.)

The current Artistic Team will provide training for this position, and will be available for assistance once the season begins.

A detailed job description is available at:: https://docs.google.com/document/d/1CDis-RSY5FUnfUGCBvYunWZ1fR4EtyfzSo3xYiMyjUs/edit#

For more information, please contact and apply to Just Bach at: justbachseries@gmail.com

APPLICATION ARE DUE BY JULY 5.


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Just Bach concludes its season this Wednesday morning with highlights of the past season

May 18, 2021
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By Jacob Stockinger

The Ear has received the following announcement to post about this season’s final Just Bach online concert this Wednesday:

Greetings from Just Bach!

We hope this finds you all well, enjoying the spring, and ready to experience more of the timeless beauty of Bach’s music.

Our May concert features musical highlights from this extraordinary past season.

The complete program listing is below. It is organized in two parts, corresponding to the two semesters.

Indoor singing was risky during the pandemic, so the bulk of our programming was instrumental, with strings and keyboard for the most part (below in a photo by Barry Lewis).

The Sinfonia from the Christmas Oratorio was recorded at St. Matthias Episcopal Church in Waukesha, because of the Dane County Emergency Order prohibiting indoor gatherings in November and December during the pandemic.

We were back at Luther Memorial Church for the January concert, and by April we were able to include woodwinds (below, in a photo by Barry Lewis)

You can view the May concert here, starting at 8 a.m. this Wednesday, May 19, and then staying available indefinitely:  https://justbach.org/concerts/

Please join us for a half-hour live Zoom post-concert reception on Wednesday night, May 19, at 7 p.m. Chat with the performers by following the link: https://us02web.zoom.us/j/85144014343?pwd=RmVURXBBU1hMcloyalJhbUdCQ1NmQT09

Viewing the concerts is FREE, but we ask those who are able, to help us pay our musicians by making a tax-deductible donation at: https://justbach.org/donate

Just Bach will take a break for the summer, and concerts will resume in September.

Here is the May program:

• Welcome

Part I – Fall Semester

• Cantata 146: Sinfonia

• Violin Sonata, BWV 1001: movement 4 Presto

• Double Violin Concerto: movement 3 Allegro (in the YouTube video, with an animated graphic, at the bottom)

• Christmas Oratorio, Part II: Sinfonia

• Christmas Oratorio: Chorale “Ich steh’ an deiner Krippen hier” (I stand here by your crib)

Part II – Spring Semester

• Cantata 35: Sinfonia

• Trio Sonata, BWV 526: movement 2 Largo

• Violin Sonata, BWV 1019: movement 5 Allegro 

• Flute Sonata BWV 1034: movement 1 Adagio ma non tanto

• Cantata 42: Sinfonia

• Cantata 149: Chorale “Ach Herr, laß dein lieb Engelein” (O Lord, let your dear little angel)

Performers are: Kangwon Kim, Christine Hauptly Annin, Leanne League, Xavier Pleindoux, Nathan Giglierano and Aaron Yarmel, violin; Marika Fischer Hoyt, viola; Charlie Rasmussen and Lindsey Crabb, cello; Linda Pereksta and Monica Steger, traverse flute; Marc Vallon, bassoon; Grammy-winner Sarah Brailey, soprano; John Chappell Stowe and Jason Moy, harpsichord; Mark Brampton Smith, organ; and Bruce Bengston, organ.

Dave Parminter is the videographer and Barry Lewis is the photographer.

For more information, go to:

https://justbach.org

facebook.org/JustBachSeries

youtube.com/channel/UCcyVFEVsJwklHAx9riqSkXQ


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Just Bach’s FREE concert for April welcomes back woodwinds and will be posted early this Wednesday morning

April 18, 2021
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By Jacob Stockinger

The Ear has received the following notice from Just Bach about the FREE concert they will post starting at 8 a.m. this Wednesday morning, April 21.

Our April concert program opens with a welcome and overview from our co-director, Grammy-winning soprano and UW-Madison graduate student Sarah Brailey (below, in a photo by Miranda Loud).

And then comes the music: after a season of pieces for strings and keyboards, we’re delighted to welcome woodwinds back to our stage! (Below from left, in a photo by Barry Lewis, are Monica Steger, Linda Pereksta and UW-Madison Professor Marc Vallon.)

The exuberant Sinfonia from Cantata 42 was composed for the first Sunday after Easter, and its jubilant writing is the perfect way to celebrate spring and the expanded musical forces (below, in a photo by Barry Lewis) made possible by the vaccine.

Linda Pereksta follows this up with a performance of the Sonata in E Minor for Flute and Keyboard, BWV 1034. Her musical partner is harpsichordist Jason Moy (below, in a photo by Barry Lewis), making his Just Bach debut.

The program closes with our popular chorale sing-along, this time  “Der Herr ist mein getreuer Hirt” (The Lord Is My Faithful Shepherd), BWV 104. (You can hear it in the YouTube video at the bottom.)

Sarah Brailey introduces the text, Andrew Schaeffer plays the music on the organ, and then Sarah and Andrew perform it together. The music and text are displayed on the computer screen, so please join in, if you’d like!

Our concerts are posted on the Just Bach and Luther Memorial YouTube Channels at 8 a.m. on the third Wednesday of every month: https://www.youtube.com/channel/UCcyVFEVsJwklHAx9riqSkXQ

Concert viewers are invited to a half-hour live Zoom Post-concert Reception is this Wednesday night, April 21, at 7 p.m. Chat with the performers and other audience members, via this link: https://us02web.zoom.us/j/85490470546…

Viewing the concerts is free, but we ask those who are able, to help us pay our musicians with a tax-deductible donation: https://justbach.org/donate/

The final Just Bach concert of this season launches on Wednesday, May 19.

Performers are: Linda Pereksta, traverso 1; Monica Steger, traverso 2; Marc Vallon, bassoon;  Leanne League, violin 1; Aaron Yarmel, violin 2; Marika Fischer Hoyt, viola; Lindsey Crabb, cello; Jason Moy, harpsichord; Sarah Brailey, soprano; Andrew Schaeffer, organ.

Dave Parminter is the videographer and Barry Lewis is the photographer.


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New York Times critics name their Top 10 online concerts in April. They start today with a Good Friday performance of Bach’s “St. John Passion.”

April 2, 2021
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By Jacob Stockinger

More people are getting COVID vaccines, but concerts will remain virtual and online for quite a while yet, especially if a fourth wave or another spike hits the U.S. and the world.

So here, once again, are the Top 10 online choices for April listening picked by the classical music critics for The New York Times.

This being the weekend of Good Friday and Easter Sunday, it couldn’t be more timely.

The first choice, which starts steaming today, is perfect for both occasions. It is a production of Johann Sebastian Bach’s “St. John Passion.” It is conducted by THE Bach performers – the Monteverdi Choir and the English Baroque soloists, all conducted by Bach expert John Eliot Gardiner.

Gardiner has recorded and toured the world with Bach’s cantatas and oratorios. He also wrote the well criticially acclaimed book “Bach: Music in the Castle of Heaven.”

If you like Bach, you are in for some good listening this month. Pianist Jeremy Denk (below) will also perform the complete first book of Bach’s “The Well-Tempered Clavier” at the end of the month. (You can hear the famous first prelude, popular with students and amateurs  but also used in a sacred setting by Schubert and Gounod, in the Youtube video at the bottom.)

You may recall that Denk performed Bach’s “Goldberg Variations” several years ago at the Wisconsin Union Theater, which also hosted an online concert by Denk this season in a program of Brahms and the two Schumann’s – Robert and Clara. 

You can also hear chamber music, including a concert of contemporary composers by the Attacca Quartet.

And there is a period performance of “Pelleas and Melisande” by Debussy (below). It will attempt to recreate how the opera score sounded when it was first performed in 1902.

The ever-inventive music educator Leon Botstein will conduct a concert of music by Stravinsky, Leonard Bernstein and Tania Leon. 

German baritone Benjamin Appl will perform the famous song cycle “Die Schöne Müllerin” (The Beautiful Miller’s Daughter) by Franz Schubert. It streams from the faned Wigmore Hall in London.

One of the most intriguing choices is the score to Philip Glass’ “pocket opera” based on the short story “In the Penal Colony” by Franz Kafka.

The well-known conductor and composer Esa-Pekka Salonen (below), who is also the new music director of the San Francisco Symphony after Michael Tilson Thomas retired last year. Much of the program is Salonen’s own music, along with Minimalist music by Steve Reich and Terry Riley.

There are also “Monumental Trios, featuring piano trios by Brahms and Beethoven, performed by members of the Chamber Music of Society.

And of course there will be a world premiere of the Symphony No. 2 by Huw Watkins  (below is his Wikipedia bio with a photo in case you haven’t heard of the composer).

https://en.wikipedia.org/wiki/Huw_Watkins

For more details, here is a link to the Times story. Click on the headline. It includes some commentary by the critic who chose each piece. You will also find links to the artist and organization plus the debut date and how long the post will remain available. Please note that all times are Eastern Daylight Time.

Do you have other concerts you recommend for streaming – local, regional, national or international?

Please leave your selection in the Comment section.

The Ear wants to hear.

Happy listening.


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Today – Monday, March 22 — is Day 6 of the 2021 online Bach Around the Clock festival. The program features string, keyboard, percussion and vocal music with some interesting transcriptions

March 22, 2021
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By Jacob Stockinger

Yesterday – Sunday, March 21 — was the actual birthday, the 336th, of Johann Sebastian Bach (1685-1750).

But the 10-day virtual and online celebration being held by Bach Around the Clock (BATC) continues.

Here are the pieces and performers that will take place.

The Ear is especaially pleased by some of the transcriptions, which offer more proof of just how indestructible and versatile Bach’s music remains.

Particularly interesting is the string quartet version of the famous cantata “Wachet auf” (Sleepers, Wake) and the Three-Part Inventions or Sinfonias transcribed for marimba, and played by Sean Kleve (below), a UW-Madison graduate who performs with the critically acclaimed experimental Madison-based percussion ensemble Clocks in Motion.

Monday’s program is available starting at 8 a.m.

Click here and scroll down to Day 6 to view.

Performers

•  Minuet 2 in G  Major, Anh 116; Suite in G Minor,  BWV 822; Gavotte 
from Double Concerto in  D Minor, BWV 1043, I. Vivace. Suzuki Strings Sonora Ensemble

•  Cantata 140: “Wachet Auf” (Sleeper, Wake), arranged for string quartet. St. Croix Valley String Quartet: Janette Cysewski and Debbie Lanzen, violins; Dianne Wiik, viola; and Joel Anderson, cello.

•  French Suite No. 3 in B Minor for keyboard, BWV 814: Sarabande, Anglaise, Menuett and Trio. Kris Sankaran

•  Sinfonia 1 in C Major, BWV 787; Sinfonia 7 in E Minor, BWV 793; Sinfonia 10 in G Major, BWV 796; Sinfonia 11 in G Minor, BWV 797; Sinfonia 15 in B Minor, BWV 801. Sean Kleve, marimba. (You can hear Glenn Gould playing the original version of the first Sinfonia in the YouTube video at the bottom.)

•  Chorale: We thank Thee, Lord, for sending. Katie Hultman, soprano, and Kenneth Stancer, organ  

Live and Recorded Evening Program at 7 p.m. 

Click here and scroll down to Day 6 to view.

BATC audiences will remember pianist Lawrence Quinnett (below) from his exquisite renderings of selections from The Well-Tempered Clavier, at the 2018 Festival. 

Quinnett, on the piano faculty of Livingstone College, returns in 2021 to give a brief talk on his approach to ornamentation in the six French Suites, as a prelude to his live performance of Suite No. 5. The floor will open for questions, followed by Quinnett’s recorded performance of the remaining five Suites.


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Today’s Just Bach concert starts the 10-day Bach Around the Clock festival that runs through March 26. All events are free and online. Here are the lineups

March 17, 2021
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By Jacob Stockinger

Today — Wednesday, March 17 – brings the free monthly Just Bach concert that is online for 30 minutes.

This year that concert will also serve as the opening event of the annual Bach Around the Clock (BATC) festival to celebrate the birthday of Johann Sebastian Bach.

Here is a link to the lineup of the Bach Around the Clock events. As of this writing, many of the special morning and evening guests and events are listed. But the daytime programs and performers are listed only for today, tomorrow and the final concert. The Ear understands the rest of the listings will be up by the end of today: https://bachclock.com/concert-schedule

There might be frequent additions, changes and updates, so it is best to check back often.

The Ear has heard that, as usual, the festival will include students, amateurs and professionals; young people and adults; individuals, smaller chamber music ensembles and larger groups; and many well-known and neglected works from many genres. 

Those genres include vocal and choral music; keyboard music for clavichord, harpsichord, piano and organ; string music for violin, viola and cello; wind and brass music; and much more.

Daily festival concerts will be posted starting at 8 a.m. Central Daylight Time and evening segments will begin at 7 p.m CDT. All events and concerts will be posted and available during the entire festival.

As for today’s Just Bach concert, here is the announcement from Marika Fischer Hoyt (below), the artistic director of Bach Around the Clock and a co-founder and co-director of Just Bach:

Greetings from Just Bach! We hope this finds you well, and ready to experience more of the timeless beauty of Bach, this month in music for organ and strings.

Our concert TODAY opens with a welcome and program overview from me. We figure when Just Bach and Bach Around The Clock join forces, the Master himself (below, in a cutout, in a photo by Barry Lewis) is summoned.

Today’s program opens with organist Mark Brampton Smith (below) playing two Sinfonias from Cantata 35. 

These are arrangements of two dramatic organ concerto movements, and Mark brings off the virtuosic passages with flair, while the strings provide a spirited accompaniment. 

Then the strings take center stage – in arrangements for string quartet — bringing a yearning melancholy to the slow Andante movement of Brandenburg Concerto No. 2, BWV 1047, and energy and excitement to Brandenburg Concerto No. 3, BWV 1048.

The program closes with our popular chorale sing-along, “Befiehl du deine Wege” (Commend Your Ways), BWV 271. I will introduce the piece and the text, and my sister, soprano Barbara Fischer, will sing it — with Mark on the organ.

We encourage viewers to sing along by following the chorale sheet music, which will be displayed on the computer screen.

Do you have a question for the performers? Would you like to listen in as they chat about the program? Please join us for a half-hour live Zoom post-concert reception tonight, March 17, at 7 p.m. The link is posted on the Just Bach website: https://justbach.org/concerts/

As regular performers on Luther Memorial Church’s weekly “Music at Midday” concert series, Just Bach presents half-hour programs starting at 8 a.m. on the third Wednesday of each month and then remain posted. Remaining dates this semester: March. 17, April 21, and May 19. Our concerts are posted on the Just Bach and Luther Memorial YouTube Channels: https://www.youtube.com/channel/UCcyVFEVsJwklHAx9riqSkXQ

Viewing the concerts is free, but we ask those who are able, to help us pay our musicians with a tax-deductible donation at: https://justbach.org/donate/

Today’s performers include members of the Madison-based early music group Sonata à Quattro (below in photo by Barry Lewis) and are: Christine Hauptly Annin and Aaron Yarmel, violin; Marika Fischer Hoyt, viola; Charlie Rasmussen, cello; Mark Brampton Smith, organ; and Barbara Fischer, guest soprano.

Dave Parminter is the videographer and Barry Lewis is the photographer.


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Soprano and UW-Madison graduate student Sarah Brailey wins a Grammy Award

March 15, 2021
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By Jacob Stockinger

Soprano Sarah Brailey (below), a native of Wisconsin — who now lives, works and studies in Madison — won a Grammy Award last night.

Brailey received the prestigious award (below) in the category “Best Classical Solo Album” category. It was for her role in the long-neglected, opera-like choral symphony “The Prison” by English composer Dame Ethel Smyth on the Chandos label. (You can hear an excerpt from the Brailey recording in the YouTube video at the bottom.)

Brailey’s win is especially noteworthy because it comes early in her career.

Although she has toured nationally and internationally, and has established herself as a professional singer of note, Brailey is a busy graduate student at the University of Wisconsin-Madison’s Mead Witter School of Music, where she is finishing her doctoral degree.

Here is a link to her website: https://sarahbrailey.com

Brailey is also one of the city’s busiest and most respected musicians.

During the pandemic year, she explained and help spark benefit concerts and fundraising for musicians whose livelihoods suffered due to cancelled performances. Here is a link: https://welltempered.wordpress.com/?s=sarah+brailey

She also hosts the Sunday morning radio show “Musica Antiqua” – which features early music — on WORT-FM 89.9.

Recently, Brailey became the artistic director of “Grace Presents,” a series of free concerts at the downtown Grace Episcopal Church across from the state  Capitol.

An avid early music performer, Brailey — who won and now directs the annual Handel Aria Competition — also co-founded and co-directs the free monthly series of Just Bach concerts (below, second from right), the lastest of which takes place this Wednesday, March 17. She sings solos, greets listeners and viewers, and often leads the final sing-along chorale from a Bach cantata.

You can hear many of her performances duing the Just Bach concerts on the Just Bach channel on YouTube.

Leave your own congratulations and thoughts about her performances in the Coment section.

The Ear will post a complete list of the classical music Grammy Award nominees and winners later this week.

PS: Another native of the Madison area was nominated for a non-classical Grammy is Bill Rahko, who co-produced the album “Everyday Life” for the rock band Coldplay. The album was nominated for Album of the Year, but lost to Taylor Swift’s “Folklore.”

Here is a link to a story on NBC 15 about Rahko, who attended Middleton High School: https://www.nbc15.com/2021/03/14/madison-area-native-up-for-grammy-award-for-album-of-the-year/


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Just Bach will release its FREE online concert for this month on this Wednesday, Feb. 17, at 8 a.m. The program features a virtuosic violin and harpsichord sonata and a sing-along cantata chorale

February 16, 2021
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By Jacob Stockinger

The Ear has received the following announcement to post from violist Marika Fischer Hoyt of the group Just Bach:

February greetings from Just Bach!

We hope this finds you all well, keeping warm and ready to experience more of the timeless beauty of Bach’s music.

As regular performers on Luther Memorial Church’s weekly “Music at Midday” concert series (below, in a photo by Barry Lewis), Just Bach presents half-hour programs on the third Wednesday of each month. This semester’s dates: Jan. 20, Feb. 17, March 17, April 21 and May 19.

Our concerts are FREE and online indefinitely once they are released at 8 a.m. They are posted on the Just Bach and Luther Memorial YouTube Channels.  

https://www.youtube.com/channel/UCcyVFEVsJwklHAx9riqSkXQ

Concert viewers are invited to a 30-minute live Zoom Post-concert reception on this Wednesday, Feb. 17,at 7:30 p.m. Those who would like to join us and chat with the performers can follow this link: https://us02web.zoom.us/j/84516271617?pwd=THR5bTFwRkh0VTBIWDlzR2VxSGIrUT09

Viewing the concerts is free, but we ask those who are able, to help us pay our musicians with a tax-deductible donation. https://justbach.org/donate/

Our February concert opens with Just Bach co-founder, Grammy-nominated soprano and UW-Madison graduate student Sarah Brailey (below), providing welcoming remarks.

The program offers the sonata for that belongs to a set of six that Bach wrote for violin and harpsichord. 

Violinist Kangwon Kim (below left, in a photo by Dave Parminter) and harpsichordist Professor John Chappell Stowe (below right), of the UW-Madison, join forces for a performance of the Sonata No. 6 in G Major, BWV 1019. 

This five-movement work includes an extraordinary middle movement for solo keyboard — a jaunty Allegro in E minor that has more attitude than any Allegro has a right to!

Sarah closes the program with the final chorale from Cantata 159, “Jesu, deine Passion ist mir lauter Freude” (Jesus, Your passion is pure joy to me), which you can hear in the YouTube video at the bottom.

We encourage viewers to sing along by following the chorale sheet music, which will be displayed on the computer screen as Sarah sings and Professor Stowe accompanies on the organ.

The videographer is Dave Parminter.

For more information, contact Marika Fischer Hoyt, a co-founder and performer, at the Just Bach Concert Series: justbach.marika@gmail.com

Here are more links, including a preview with the Allegro movement in the last one:

https://justbach.org

facebook.org/JustBachSeries

youtube.com/channel/UCcyVFEVsJwklHAx9riqSkXQ?

 


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This Wednesday, Just Bach debuts its free 30-minute online concert of solo and chamber organ music with a sing-along cantata chorale

January 19, 2021
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By Jacob Stockinger

The Ear has received the following announcement to post: 

Happy New Year from Just Bach!

We hope this finds you all well, and ready to experience more of the timeless beauty of music by Johann Sebastian Bach (below, 1685-1750) in 2021, because we have a lovely new program ready to debut on this Wednesday, Jan. 20, at 8 a.m. (It will stay up indefinitely after the premiere, so you can listen to it before or after the Inauguration of President Joe Biden and Vice-President Kamala Harris.)

As regular performers on Luther Memorial Church’s weekly “Music at Midday” concert series, Just Bach presents half-hour programs on the third Wednesday of each month. The spring semester’s dates are: Jan. 20, Feb. 17, March 17, April 21 and May 19. 

Our online concerts — Dave Parminter is the videographer — are posted early Wednesday mornings at 8 a.m. on the Just Bach and Luther Memorial YouTube Channels. https://www.youtube.com/channel/UCcyVFEVsJwklHAx9riqSkXQ

Viewing the virtual concerts is free to the public, but we ask those who are able to help us pay our musicians with a tax-deductible donation at https://www.paypal.com/donate/?cmd=_s-xclick…

Our January concert opens with Just Bach co-founder and Grammy-nominated soprano Sarah Brailey (below) – a graduate student at the UW-Madison — providing welcoming remarks. 

The program offers two trio sonatas from the set of six that Bach composed for solo organ. Bruce Bengston (below) will perform Sonata No. 4 in E Minor, BWV 528, on the big Austin organ up in the church’s balcony.

Then Bruce will switch to the small portative organ and join violinist Kangwon Kim (below top) and violist Marika Fischer Hoyt (below middle) in a performance of Sonata No. 2 in C Minor, BWV 526, arranged for violin, viola and organ continuo (a rehearsal photo is below bottom).

Sarah, who also recorded herself paying a cello part, closes the program with the final chorale from Cantata 149 —Ach Herr, laß dein lieb Engelein (Ah, Lord, let your dear little angel) — a powerfully transcendent movement that Bach also used to close the St. John Passion. (You can hear it in the YouTube video at the bottom.)

We encourage viewers to sing along by following the chorale sheet music, which will be displayed on the computer screen as Sarah sings and Bruce accompanies on the organ.

The world needs this soul-centering music now more than ever. Please join us this Wednesday, Jan. 20.

 


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