The Well-Tempered Ear
What classical music is good for studying, reading and writing?
Leave a Comment
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
It is about to be Finals Week here at the University of Wisconsin-Madison and in many other places.
Little wonder, then, that The Ear recently read a good story about the role of of music in studying.
It was written by a student journalist for The State Press at Arizona State University in Tempe. It covered more kinds of music than classical, but it had some good comments about the ability of music and its various components — melody, rhythm, tempo, text — to focus one’s attention or to distract from the necessary focus.
Here is a link to the story, which also includes 100 music selections from mixed genres:
It got me to wondering what classical music do you readers like for studying, reading and writing — if you like it at all for such serious and intense tasks.
The Ear tends to love listening to Baroque music — especially Vivaldi violin concertos and Bach harpsichord concertos such as the one in the YouTube video at the bottom — and to chamber music and solo piano music.
So, what music do you like to listen to when you are: studying? reading? writing?
Do you have a favorite style, or favorite composer, or favorite pieces?
The Ear wants to hear.
Tags: #BlogPost, #BlogPosting, #FacebookPost, #FacebookPosting, #YouTubevideo, America, American, Android, Antonio Vivaldi, Apple, Arizona State University, Arts, Asia, asian, attention, audience, Bach, Baroque, Beethoven, Bing, blog, Cello, Chamber music, Chinese, Chiuna, choral music, Classical music, component, composer, concentrate, Concert, concerto, distract, duckduckgo, ear, Early music, Education, Europe, European, exam, Facebook, favorite, feature, final, final exams, finals week, Focus, genre, Google, Google Alert, Google news, Google Search, harpsichord, Harpsichord concerto, hear, higher education, hip-hop, instrumental, Jacob Stockinger, Japan, Japanese, Jazz, Johann Sebastian Bach, journalism, journalist, link, listen, Ludwig van Beethoven, Madison, melody, Microsoft, Microsoft Bing, mixed, Mozart, Music, news, Newspaper, opera, Orchestra, OS, Piano, piece, pop, post, posting, rap, read, reader, reading, rhtyhm, Romantic, Safari, share, sing, singer, Singing, solo, Sonata, southwestr, story, student'journalism, study, studying, style, symphony, tag, Taiwan, Taiwanese, Tempe, text, The Ear, The State Press, The Well-Tempered Ear, Twitter, UK, United States, universities, university, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, US, Viola, Violin, Vivaldi, vocal, vocal music, week, Well-Tempered, Well-tempered Ear, welltempered, Wisconsin, Wolfgang Amadeus Mozart, WordPress, Wordpress.com, write, writing, X, you, YouTube
Just Bach’s FREE concert for April welcomes back woodwinds and will be posted early this Wednesday morning
Leave a Comment
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
The Ear has received the following notice from Just Bach about the FREE concert they will post starting at 8 a.m. this Wednesday morning, April 21.
Our April concert program opens with a welcome and overview from our co-director, Grammy-winning soprano and UW-Madison graduate student Sarah Brailey (below, in a photo by Miranda Loud).
And then comes the music: after a season of pieces for strings and keyboards, we’re delighted to welcome woodwinds back to our stage! (Below from left, in a photo by Barry Lewis, are Monica Steger, Linda Pereksta and UW-Madison Professor Marc Vallon.)
The exuberant Sinfonia from Cantata 42 was composed for the first Sunday after Easter, and its jubilant writing is the perfect way to celebrate spring and the expanded musical forces (below, in a photo by Barry Lewis) made possible by the vaccine.
Linda Pereksta follows this up with a performance of the Sonata in E Minor for Flute and Keyboard, BWV 1034. Her musical partner is harpsichordist Jason Moy (below, in a photo by Barry Lewis), making his Just Bach debut.
The program closes with our popular chorale sing-along, this time “Der Herr ist mein getreuer Hirt” (The Lord Is My Faithful Shepherd), BWV 104. (You can hear it in the YouTube video at the bottom.)
Sarah Brailey introduces the text, Andrew Schaeffer plays the music on the organ, and then Sarah and Andrew perform it together. The music and text are displayed on the computer screen, so please join in, if you’d like!
Our concerts are posted on the Just Bach and Luther Memorial YouTube Channels at 8 a.m. on the third Wednesday of every month: https://www.youtube.com/channel/UCcyVFEVsJwklHAx9riqSkXQ
Concert viewers are invited to a half-hour live Zoom Post-concert Reception is this Wednesday night, April 21, at 7 p.m. Chat with the performers and other audience members, via this link: https://us02web.zoom.us/j/85490470546…
Viewing the concerts is free, but we ask those who are able, to help us pay our musicians with a tax-deductible donation: https://justbach.org/donate/
The final Just Bach concert of this season launches on Wednesday, May 19.
Performers are: Linda Pereksta, traverso 1; Monica Steger, traverso 2; Marc Vallon, bassoon; Leanne League, violin 1; Aaron Yarmel, violin 2; Marika Fischer Hoyt, viola; Lindsey Crabb, cello; Jason Moy, harpsichord; Sarah Brailey, soprano; Andrew Schaeffer, organ.
Dave Parminter is the videographer and Barry Lewis is the photographer.
Tags: #AndrewSchaeffer, #BachCantata, #BaroqueBassoon, #BaroqueFlute, #BaroqueMusic, #BarryLewis, #BlogPost, #BlogPosting, #ChamberMusic, #ChoralMusic, #ChristianChurch, #ComputerScreen, #CoronavirusPandemic, #CountyHighway, #DaveParminter, #EasterSunday, #FacebookPost, #FacebookPosting, #GraduateStudent, #Grammy-winning, #GrammyAward, #JacobStockinger, #Jason Moy, #JasonMoy, #JesusChrist, #JohannSebastianBach, #JustBach, #LindaPereksta, #LindseyCrabb, #LutherMemorialChurch, #MadisonSymphonyOrchestra, #MarcVallon, #MarikaFischerHoyt, #MeadWitterSchoolofMusic, #MonicaSteger, #Musicfaculty, #OnlineConcert, #OrganMusic, #SarahBrailey, #SopranoSinger, #StringMusic, #TheEar, #TheUW, #TraversoFlute, #UniversityofWisconsin-Madison, #VirtualConcert, #VocalMusic, #WisconsinChamberOrchestra, #WoodwindMusic, #YouTubeChannel, #YouTubevideo, #ZoomMeeting, Andrew Schaeffer, April, Arts, audience, Bach, Baroque, Baroque music, Barry Lewis, Bassoon, blog, Blog post, blog posting, BWV, Cantata, celebrate, Cello, Chamber music, chat, choral music, Chorale, Christ, Christian, Christian church, Christianity, church, Classical music, close, compose, composer, computer, computer screen, Concert, coronavirus, coronavirus pandemic, Dave Parminter, debut, delighted, display, donation, Early music, Easter, exuberant, Facebook, Facebook post, Facebook posting, faithful, flute, force, forward, free, Grammy, harpsichord, Jacob Stockinger, Jesus, Johann Sebastian Bach, Just Bach, Keyboard, like, Linda Pereksta, Lindsey Crabb, link, live, Lord, Luther Memorial Church, lyrics, Madison, Madison Symphony Orchestra, Marc Vallon, Marika Fischer Hoyt, Mead Witter School of Music, members, Monica Steger, Music, music faculty, musical, notice, online, organ, pandemic, partner, perfect, performance, photo, photographer, piece, pieces, popular, possibe, possible, post, post-concert, professor, program, reception, Sarah Brailey, screen, Season, share, shepherd, sinfonia, sing-along, singer, Singing, Sonata, soprano, Spring, stage, string music, strings, Student, Sunday, tag, tax-deductible, text, The Ear, traverso, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, UW, vaccine, videographer, viiola, Viola, Violin, virtual, vocal music, way, WCO, Wednesday, welcome, Wisconsin, Wisconsin Chamber Orchestra, woodwind, YouTube, Zoom
A busy weekend of online concerts features the UW Symphony, Edgewood College, Madison Opera, Wisconsin Chamber Orchestra, Bach Around the Clock and more
2 Comments
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
With only a little over a month left before the academic year ends at the University of Wisconsin-Madison, it’s not surprising that the last weekend in March is very busy with noteworthy – and competing – online concerts.
Each morning at 8 through Friday, Bach Around the Clock will release the last concerts of its 10-day online festival. You can find the programs – including the finale Friday night at 7 with Brandenburg Concerto No. 6 — and link for streaming here: https://bachclock.com/concert-schedule
The weekend starts tonight with one of The Ear’s favorite groups during the Pandemic Year: the UW-Madison Symphony Orchestra
Here is a day-by-day lineup. All times are Central Daylight Time:
TONIGHT, MARCH 25
The UW-Madison Symphony Orchestra (below) performs a FREE virtual online concert TONIGHT starting at 7:30 p.m.
The concert will be preceded by a 7 p.m. talk about Igor Stravinsky with modern musicologist and Penn State Professor Maureen Carr as well as conductor Oriol Sans and Susan Cook, UW musicologist and director of the Mead Witter School of Music.
The program is: Suite from the opera “Dido and Aeneas” by Henry Purcell, with student conductor Alison Norris; Duet for Two Violins and String Orchestra by the contemporary American composer Steve Reich; and the Neo-Classical “Apollon musagète” (Apollo, Leader of the Muses) by Stravinsky. (In the YouTube video at the bottom, you can hear an excerpt of the Stravinsky played by the Berlin Philharmonic with Simon Rattle conducting.)
Here is the link to the talk and concert. Click on more and you can also see the members of the orchestra and the two violin soloists: https://youtu.be/2rgHQ4lWTV8
For more information about the program, including notes, go to: https://www.music.wisc.edu/event/uw-madison-symphony-orchestra/
FRIDAY, MARCH 26
At 7:30 p.m. the Wisconsin Chamber Orchestra will post for three days the third of its four online chamber music concerts (below). There will be excerpts of music by Beethoven and Brahms as well as complete works by Jessie Montgomery and Alyssa Morris.
Tickets to the online on-demand event are $30, with some discounts available, and are good through Monday evening.
Here is a link to more about this concert, including program notes by conductor and music director Andrew Sewell, and how to purchase tickets: https://wcoconcerts.org/events/winter-chamber-series-no-iii
At 8 p.m., the music department at Edgewood College will give a FREE online Spring Celebration concert. It will be livestreamed via music.edgewood.edu
The performers include: the Chamber Orchestra, under the direction of Sergei Pavlov (below); the Guitar Ensemble, under the direction of Nathan Wysock; and the Chamber Winds, directed by Carrie Backman.
Highlights include the Guitar Ensemble’s performance of Wish You Were Here, by David Gilmour and Rogers Waters, and the Chamber Winds epic Star Wars: The Force Awakens. The Chamber Orchestra, which will perform live, will feature Musical moment No. 3, by Franz Schubert and Peer Gynt Suite by Edvard Grieg.
SATURDAY, MARCH 27
At noon, in Grace Episcopal Church on the Capitol Square downtown, there will be a FREE online concert. Grace Presents: “A Patient Enduring”: This early music program of medieval conductus (a musical setting of metrical Latin texts) and ballade, English lute song, and duets from the early Italian Baroque features two sopranos, Grammy-winnner Sarah Brailey (below) and Kristina Boerger, with Brandon Acker on lute and theorbo.
Here is a link: YouTube.com/GracePresentsConcerts
You can also go to this webpage for a link: https://www.music.wisc.edu/event/grace-presents-a-patient-enduring/
At 3 p.m. the Perlman Trio, a piano trio that is made up of UW-Madison graduate students, will give a FREE online concert. The program includes piano trios by Haydn, Beethoven and Schubert.
Here is a link to the YouTube video: https://youtu.be/EAjK0DfWB3A
Here is a link to the complete program plus background, names and photos of the performers as well as to the performance: https://www.music.wisc.edu/event/perlman-piano-trio/
At 7 p.m. the UW-Madison’s Wingra Wind Quntet (below) will perform a FREE pre-recorded online concert. Here is a link to the video https://www.youtube.com/watch?v=Bn7eobSnfr8
And here is a link to the page with more background information about the faculty members – including bassoonist Marc Vallon (below top) and flutist Conor Nelson (below bottom) – and to the complete program: https://www.music.wisc.edu/event/wingra-wind-quintet/
SUNDAY, MARCH 28
From 4 to 5:30 p.m., guest mezzo-soprano Julia Ubank (below) will give a free online recital with pianist Thomas Kasdorf.
The program features songs by Mahler, Debussy, deFalla, Jake Heggie and Ellen Cogen.
Here is the complete program plus a link to the recital: https://www.music.wisc.edu/event/julia-urbank-voice-recital/
From 4 to 5:30 p.m. the Madison Opera will host a Opera Up Close cocktail hour discussion with four general directors of opera companies. Here is the website’s description:
“Four opera general directors walk into a chat room…. Stepping outside the Madison Opera family, Kathryn Smith (below, in a photo by James Gill) is joined by three colleagues: Michael Egel of Des Moines Metro Opera, Ashley Magnus of Chicago Opera Theater, and Lee Anne Myslewski of Wolf Trap Opera.
“From how they got into opera, to the ups and downs of running an opera company, their favorite productions, funniest moments, and more, it will be a unique and entertaining afternoon.
Here is a link with more information including the cost of a subscription: https://www.madisonopera.org/class/general-directors/?wcs_timestamp=1616947200
At 6 p.m., Rachel Reese, a UW-Madison doctoral student in violin, will give a lecture-concert about the Violin Concerto No. 2 by the rediscovered African-American composer Florence Price (below). She will be accompanied by pianist Aubrie Jacobson.
Here is a link to the concert plus background about Rachel Reese: https://www.music.wisc.edu/event/rachel-reese-lecture-recital/
Tags: #African-AmericanComposer, #AlyssaMorris, #AndrewSewell, #BachAroundtheClock, #BaroqueMusic, #BerlinGermany, #BerlinPhilharmonic, #BlackComposer, #BlogPost, #BlogPosting, #BrandenburgConcerto, #CapitolSquare, #CarrieBackman, #CentralDaylightTime, #CentralTime, #ChamberMusic, #ChamberOrchestra, #ChamberWinds, #ChicagoIllinois, #ChicagoOperaTheater, #ChristianChurch, #ClassicalGuitar, #ClaudeDebussy, #CocktailHour, #ConorNelson, #CoronavirusPandemic, #DesMoines, #DesmoinesIowa, #DesMoinesMetroOpera, #EdgewoodCollege, #EdvardGrieg, #EllenCogen, #FacebookPost, #FacebookPosting, #FemaleComposer, #FlorencePrice, #FranzJosephHaydn, #FranzSchubert, #GeneralDirector, #GracePresents, #GraduateStudent, #Grammy-winning, #GrammyAward, #GustavMahler, #HenryPurcell, #HomeWebsite, #IgorStravinsky, #ItalianBaroque, #JacobStockinger, #JakeHeggie, #JessieMontgomery, #JohannesBrahms, #JohannSebastianBach, #JuliaUrbank, #LatinLanguage, #LiveStreaming, #LivingComposer, #LudwigVanBeethoven, #MadisonOpera, #ManuelDeFalla, #MarcVallon, #MaureenCarr, #MedievalMusic, #Mezzo-sopranoSinger, #MusicDirector, #MusicEducation, #Musicfaculty, #NathanWysock, #OnlineConcert, #OnlineFestival, #OriolSans, #PanelDiscussion, #PeerGynt, #PeerGyntSuite, #PennState, #PerlmanTrio, #PianoAccompanist, #Pre-concertTalk, #ProgramNotes, #SarahBrailey, #SimonRattle, #SopranoSinger, #StarWars, #SteveReich, #StringMusic, #SusanCook, #TheEar, #TheForceAwakens, #TheUK, #TheUW, #TicketPrice, #UniversityofWisconsin-Madison, #UW-MadisonSymphonyOrchestra, #UWSymphonyOrchestra, #ViolinConcerto, #VirtualConcert, #VocalMusic, #WebPage, #WindQuintet, #WingraWindQuintet, #WisconsinChamberOrchestra, #WolftrapOpera, #WomenComposer, #YouTubeChannel, #YouTubevideo, academic, African American, Alyssa Morris, America, American, Andrew Sewell, Apollo, Arts, audience, Bach, Bach Around the Clock, background, Ballade, Baroque, Bassoon, bassoonist, BATC, Beethoven, Berlin, Berlin Philharmonic, black composer, blog, Blog post, blog posting, Brahms, Brailey, Brandenburg Concerto, British, busy, Capitol, Capitol Square, Carrie Backman, CDT, celebration, Cello, central, Central Daylight Time, Central Time, Chamber music, chamber orchestra, Chamber Winds, channel, Chicago, Chicago Opera Theater, Christian, church, classical guitar, Classical music, Claude Debussy, click, cocktail, cocktail hour, Cogen, companies, competing, complete, composer, Concert, concerto, conductor, conductus, Conor Nelson, coronavirus, coronavirus pandemic, de Falla, Debussy, Des Moines Metro Opera, discount, discussion, downtown, duet, Early music, Edgewood College, Edvard Grieg, Ellen Cogen, end, England, English, excerpts, Facebook, faculty, female, festival, Florence Price, flute, flutist, Franz Joseph Haydn, Franz Schubert, free, Friday, General director, Germany, Grace Episcopal, Grace Episcopal Church, Grace Presents, graduate student, Grammy, Grammy Award, Grave Presents, Grieg, guitar, Gustav Mahler, Haydn, Heggie, Henry Purcell, Igor Stravinsky, information, Iowa, Italian, Italy, Jacob Stockinger, Jake Heggie, Jessie Montgomery, Johann Sebastian Bach, Johannes Brahms, Julia Urbank, Latin, lecture, like, lineup, link, Living composer, Ludwig van Beethoven, lute, Madison, Madison Opera, Mahler, Manuel DeFall, Marc Vallon, march, Maureen Carr, Medieval, member, metrical, Mezzo-soprano, minimalism, minimalist, Monday, Montgomery, morning, Morris, Music, Music director, Music education, music faculty, musicology, name, names, Nathan Wysock, Nelson, neo-Classical, noteworthy, oiano, on-demand, online, online festival, opera, Orchestra, Oriol Sans, Overture Center, pandemic, Peer Gynt, Penn State, perform, performer, Perlman Trio, photo, Pianist, Piano, Piano accompanist, Piano Trio, post, pre-concert, price, program, program notes, Purcell, purchase, recital, Reich, releaseconcert, Sarah Brailey, Saturday, Schubert, series, setting, Sewell, share, Simon Rattle, sing, Singing, soloist, song, soprano, Spring, Star Wars, Steve Reich, Stravinsky, stream, streaming, string music, strings, Suite, Sunday, surprising, Susan Cook, symphony, tag, talk, text, The Ear, The Force Awakens, theater, theorbo, third, Thursday, tickets, tonight, trio, UK, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, UW, UW Symphony Orchestra, UW-Madison, UW-Madison Symphony Orchestra, Vallon, video, Viola, Violin, Violin concerto, violinist, virtual, vocal music, web, Website, weekend, wind music, Wind quintet, winds, Wingra Wind Quintet, Wisconsin Chamber Orchestra, Wolf Trap Opera, women, women composer, works, year, YouTube
Today’s Just Bach concert starts the 10-day Bach Around the Clock festival that runs through March 26. All events are free and online. Here are the lineups
Leave a Comment
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
Today — Wednesday, March 17 – brings the free monthly Just Bach concert that is online for 30 minutes.
This year that concert will also serve as the opening event of the annual Bach Around the Clock (BATC) festival to celebrate the birthday of Johann Sebastian Bach.
Here is a link to the lineup of the Bach Around the Clock events. As of this writing, many of the special morning and evening guests and events are listed. But the daytime programs and performers are listed only for today, tomorrow and the final concert. The Ear understands the rest of the listings will be up by the end of today: https://bachclock.com/concert-schedule
There might be frequent additions, changes and updates, so it is best to check back often.
The Ear has heard that, as usual, the festival will include students, amateurs and professionals; young people and adults; individuals, smaller chamber music ensembles and larger groups; and many well-known and neglected works from many genres.
Those genres include vocal and choral music; keyboard music for clavichord, harpsichord, piano and organ; string music for violin, viola and cello; wind and brass music; and much more.
Daily festival concerts will be posted starting at 8 a.m. Central Daylight Time and evening segments will begin at 7 p.m CDT. All events and concerts will be posted and available during the entire festival.
As for today’s Just Bach concert, here is the announcement from Marika Fischer Hoyt (below), the artistic director of Bach Around the Clock and a co-founder and co-director of Just Bach:
Greetings from Just Bach! We hope this finds you well, and ready to experience more of the timeless beauty of Bach, this month in music for organ and strings.
Our concert TODAY opens with a welcome and program overview from me. We figure when Just Bach and Bach Around The Clock join forces, the Master himself (below, in a cutout, in a photo by Barry Lewis) is summoned.
Today’s program opens with organist Mark Brampton Smith (below) playing two Sinfonias from Cantata 35.
These are arrangements of two dramatic organ concerto movements, and Mark brings off the virtuosic passages with flair, while the strings provide a spirited accompaniment.
Then the strings take center stage – in arrangements for string quartet — bringing a yearning melancholy to the slow Andante movement of Brandenburg Concerto No. 2, BWV 1047, and energy and excitement to Brandenburg Concerto No. 3, BWV 1048.
The program closes with our popular chorale sing-along, “Befiehl du deine Wege” (Commend Your Ways), BWV 271. I will introduce the piece and the text, and my sister, soprano Barbara Fischer, will sing it — with Mark on the organ.
We encourage viewers to sing along by following the chorale sheet music, which will be displayed on the computer screen.
Do you have a question for the performers? Would you like to listen in as they chat about the program? Please join us for a half-hour live Zoom post-concert reception tonight, March 17, at 7 p.m. The link is posted on the Just Bach website: https://justbach.org/concerts/
As regular performers on Luther Memorial Church’s weekly “Music at Midday” concert series, Just Bach presents half-hour programs starting at 8 a.m. on the third Wednesday of each month and then remain posted. Remaining dates this semester: March. 17, April 21, and May 19. Our concerts are posted on the Just Bach and Luther Memorial YouTube Channels: https://www.youtube.com/channel/UCcyVFEVsJwklHAx9riqSkXQ
Viewing the concerts is free, but we ask those who are able, to help us pay our musicians with a tax-deductible donation at: https://justbach.org/donate/
Today’s performers include members of the Madison-based early music group Sonata à Quattro (below in photo by Barry Lewis) and are: Christine Hauptly Annin and Aaron Yarmel, violin; Marika Fischer Hoyt, viola; Charlie Rasmussen, cello; Mark Brampton Smith, organ; and Barbara Fischer, guest soprano.
Dave Parminter is the videographer and Barry Lewis is the photographer.
Tags: #AaronYarmel, #AmateurMusician, #ArtisticDirector, #artsorganization, #ArtsWisconsin, #BachAroundtheClock, #BachCantata, #BarbaraFischer, #BaroqueMusic, #BarryLewis, #BlogPost, #BlogPosting, #BoySoprano, #BrandenburgConcerto, #BrassMusic, #CentralTime, #ChamberMusic, #CharlieRasmussen, #ChoralMusic, #ChristianChurch, #ChristineHauptlyAnnin, #CityofMadison, #ConcertoGrosso, #DaveParminter, #FacebookPost, #FacebookPosting, #HistoricallyInformedPerformancePractices, #HomeWebsite, #JacobStockinger, #JesusChrist, #JohannSebastianBach, #JustBach, #KeyboardMusic, #LutherMemorialChurch, #MadisonSymphonyOrchestra, #MadisonWisconsin, #MarikaFischerHoyt, #MarkBramptonSmith, #MeadWitterSchoolofMusic, #MusicatMidday, #MusicEducation, #OnlineConcert, #OnlineFestival, #OrganConcerto, #PeriodInstruments, #SarahBrailey, #SheetMusic, #StringMusic, #StringQuartet, #TheEar, #TheUW, #UniversityofWisconsin-Madison, #VirtualConcert, #VirtualFestival, #VocalMusic, #WindMusic, #WisconsinChamberOrchestra, #YoungPeople, #YouTubeChannel, #YouTubevideo, #ZoomMeeting, 2021, Aaron Yarmel, accompaniment, adult, amateur, Andante, announcement, April, arrangement, Artistic director, Arts, audience, Bach, Bach Around the Clock, Barbara Fischer, Baroque, Barry Lewis, BATC, beauty, birthday, blog, Brandenburg Concerto, brass music, BWV, Cantata, CDT, celebrate, cellist, Cello, center, Central Daylight Saving Time, Central Time, Chamber music, Charlie Rasmussen, chat, check, choral music, Chorale, Christ, Christian, Christine Hauptly Annin, church, Classical music, clavichord, composer, computer, Concert, concerto, Concerto Grosso, cutout, date, Dave Parminter, daytime, display, donation, drama, dramatic, Early music, encourage, energy, evening, event, excitement, experience, Facebook, festival, final, flair, forces, forward, founder, frequent, genre, greet, group, groups, guests, harpsichord, historically informed performance practices, hope, individual, introduce, Jacob Stockinger, Jesus, Jesus Christ, Johann Sebastian Bach, join, Just Bach, keyboard music, large, like, lineup, link, live, Lord, Luther Memorial Church, Madison, Madison Symphony Orchestra, march, Marika Fischer Hoyt, Mark Brampton Smith, Master, May, Mead Witter School of Music, melancholy, monthly, morning, movement, Music, Music at Midday, Music education, neglected, online, open, opening, Orchestra, organ, organ concerto, organist, passage, paticipating, pay, performer, period instruments, photo, photographer, Pianist, Piano, popular, post, posted, posting, professional, program, public, question, reception, Sarah Brailey, schedule, screen, segment, share, sheet music, sinfonia, sing, sing-along, singer, Singing, sister, slow, small, Sonata, song, soprano, spirit, stage, start, string music, String quartet, Student, summon, tag, tax-deductible, Teacher, text, The Ear, timeless, transcription, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, unusual, updates, UW, UW-Madison, videographer, viewer, Viola, Violin, violinist, violist, virtual, virtuosic, vocal music, Website, Wednesday, welcome, well-known, wind music, Wisconsin, Wisconsin Chamber Orchestra, work, writing, yearning, young people, YouTube, Zoom
The eighth annual UW Schubertiade is this Sunday afternoon. It features a FREE online retrospective of the past seven years plus a new four-hand piano performance
Leave a Comment
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
The University of Wisconsin has posted the following announcement:
For the eighth consecutive year, the University of Wisconsin-Madison’s Mead Witter School of Music will present its annual Schubertiade — a special concert celebrating the music of Franz Schubert (below).
Traditionally these concerts have been held around the composer’s birthday. This year’s concert will in fact occur on his birthday — this Sunday, Jan. 31, at 3-4:30 p.m. CST. The pre-recorded premiere is at: https://youtu.be/7sshhKiFPAg
You can also use the link to prepare for the concert before or during the concert. You will find the program with song titles, the original German texts and English translation, and biographies of the performers by simply clicking on “SHOW MORE” on the YouTube website and follow the links to PDFs.
BECAUSE THERE ARE NO COPYRIGHT ISSUES, ACCORDING TO UW OFFICIALS, THE POST SHOULD BE UP AND AVAILABLE INDEFINITELY AFTER ITS PREMIERE.
As in past years, founders and performers Martha Fischer (below left), professor of piano and head of the collaborative piano program at UW-Madison, and her husband Bill Lutes (below right), an independent piano teacher, and UW emeritus artist-in-residence, will host the program.
These concerts have been presented in the sprit of the first Schubertiades (below, in a painting by Julius Schmid) that took place during the composer’s lifetime (1797-1828) in the homes of his friends and fellow artists, poets and fans.
These were social as well as musical occasions with Schubert himself presiding at the piano, giving his audience a chance to hear his latest songs, piano duets and chamber music, as well as pieces that had already become favorites.
This year’s Schubertiade will be different in response to the restrictions imposed by the Covid-19 pandemic. It will be an online look back — or Rückblick — at past concerts, with songs chosen from performances that have been preserved in the audio and video archive.
The featured performers will include faculty members, students and alumni from the Mead Witter School of Music, along with special guests.
In addition, pianists Fischer and Lutes will give a “new” performance recorded for this occasion of the great Fantasie in F minor for piano duet. (In the YouTube video at the bottom, you can hear that work, performed by Dutch brothers Lucas and Arthur Jussen and recorded live in Seoul, South Korea.)
The songs have been chosen to reflect themes that were not only relevant to Schubert and his circle, but also to all of us in the midst of this challenging time: hope for a brighter future; the need for connection with others; remembrance of happier times; and the consolation to be found in nature.
Schubert left a vast and precious legacy of beauty — an enormous output of music that he composed in his short lifetime.
In a sense, each time his music is performed and heard, it is a journey from the past to our own time, the sounds speaking to us today as vividly and consolingly as they did when they were created 200 years ago.
Performers
Martha Fischer and Bill Lutes, pianists
Alumni:
Jamie-Rose Guarrine, soprano (below, in a photo by Peter Konerko)
Emily Birsan, soprano
Michael Roemer, baritone
Jennifer D’Agostino, soprano
Daniel O’Dea, tenor
Wesley Dunnagan, tenor
Sarah Brailey (alumna and current DMA student)
Sara Guttenberg
Guests:
Marie McManama, soprano
Cheryl Bensman-Rowe, mezzo-soprano
Faculty:
Mimmi Fulmer, soprano
Paul Rowe, baritone (below)
Julia Rottmayer, soprano
Staff
David Alcorn, videographer, editor, etc.
Katrin Talbot, images for audio only tracks
Tags: #ArcticCircle, #ArthurJussen, #ArtSong, #AustrianComposer, #BassBaritone, #BillLutes, #BlogPost, #BlogPosting, #CentralTime, #ChamberMusic, #CherylBensman-Rowe, #CollaborativePianist, #CollaborativePIano, #CoronavirusPandemic, #COVID-19, #DanielO'Dea, #DavidAlcorn, #EmilyBirsan, #EnglishTranslation, #FacebookPost, #FacebookPosting, #FranzSchubert, #GuestArtist, #husband-and-wife, #JacobStockinger, #Jamie-RoseGuarrine, #JenniferD'Agostino, #JuliaRottmayer, #JussenBrothers, #KatrinTalbot, #LiveMusic, #LiveRecording, #LookBack, #LucasJussen, #MarthaFischer, #MeadWitterSchoolofMusic, #Mezzo-sopranoSinger, #MichaelRoemer, #MimmiFulmer, #MusicProfessor, #OnlineConcert, #PaulRowe, #SaraGuttenberg, #SarahBrailey, #SeoulSouthKorea, #SopranoSinger, #SouthEastAsia, #SouthKorea, #SpecialGuest, #Sundayafternoon, #TenorSinger, #TheEar, #TheNetherlands, #TheUW, #UniversityofWisconsin-Madison, #UWSchubertiade, #VirtualConcert, #VocalMusic, #WesleyDunnagan, #Wife-and-Husband, #YouTubeChannel, #YouTubevideo, alumni, announcement, archive, art song, Arthur Jussen, artist, artist-in-residence, Arts, Asia, asian, audience, Audio, Austria, bass, bass-baritone, before, Bill Lutes, bio, biography, birthday, blog, brighter, celebrate, Central Time, challenging, Chamber music, Cheryl Bensman Rowe, chosen, circle, Classical music, collaborative, composer, Concert, connections, consolation, copyright, coronavirus, Daniel O'Dea, David Alcorn, different, duet, Dutch, editor, emeritus, Emily Birsan, English, Europe, European, Facebook, Facebook post, Facebook posting, fans, Fantasie, fantasy, favorite, forward, found, founder, Franz Schubert, friends, future, German, Germany, good-natured, great, guest artists, happier, Home, hope, host, images, indefinitely, independent, issue, Jacob Stockinger, Jamie-Rose Guarrine, Jennifer D'Agostino, Julia Rottmayer, Jussen, Jussen brothers, Katrin Talbot, Korea, lieder, lifetime, like, link, live music, Live Recording, look back, Lucas Jussen, Madison, Martha Fischer, Mead Witter School of Music, Mezzo-soprano, Michael Roemer, Mimmi Fulmer, Music, music professor, nature, occasion, occur, online, original, other, painting, pandemic, past, Paul Rowe, performance, performer, photographer, photographs, Pianist, Piano, piano duets, pieces, poets, post, postih, pre-recorded, premiere, prepare, present, preserved, professor, program, reflect, remembrance, response, restrictions, retrospective, Sara Guttenberg, Sarah Brailey, Schubert, Schubertiade, Seoul, share, sing, singers, Singing, social, song, songs, soprano, South Korea, Southeast Asia, special, special guest, spirit, students, Sunday afternoon, tag, Teacher, tenor, text, The Ear, the Netherlands, theme, time, trabslatio, tradition, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, UW, UW-Madison, video, Vienna, virtual, vocal music, Website, Wesley Dunnagan, Wisconsin, year, YouTube
University Opera’s original online video project celebrates the life and music of American composer Marc Blitzstein. It will be posted for FREE on YouTube this Friday night, Oct. 23, at 8 p.m.
2 Comments
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
This fall, University Opera presents its first project of 2020-21 in video format as it turns to the music of the American composer Marc Blitzstein (1905-1964).
“I Wish It So: Marc Blitzstein – the Man in His Music” will be released free of charge on the University of Wisconsin-Madison Mead Witter School of Music’s YouTube channel this Friday night, Oct. 23, at 8 p.m. CDT at the general site www.youtube.com/meadwitterschoolofmusic or the official specific link: https://youtu.be/77FXFZucrWc.
Director of University Opera David Ronis (below top) is the director of the original production and will give introductory remarks. UW-Madison graduate Thomas Kasdorf (below bottom) is the musical director. The production lasts 1 hour and 40 minutes, and features four singer-actors, a narrator and a piano.
Marc Blitzstein’s life story parallels some of the most important cultural currents in American history of the mid-20th-century.
Known for his musicals — most notably The Cradle Will Rock in 1937 (you can hear Dawn Upshaw sing the lovely song “I Wish It So” from “Juno” in the YouTube video at the bottom) — his opera Regina and his translation of Kurt Weill’s The Threepenny Opera, Blitzstein was an outspoken proponent of socially engaged art. Like many artists of his time, he joined the American Communist Party. But he also enthusiastically served in the U.S. Army during World War II (below, in 1943).
Nevertheless, in 1958, long after he had given up his Communist Party membership, Blitzstein (below) was called before the House Un-American Activities Committee (HUAC) where he “named no names.”
An extremely gifted yet underappreciated composer, he was a close friend of and mentor to Leonard Bernstein (below right, with Blitzstein on the left) and traveled in a close circle of American composers including David Diamond and Aaron Copland.
Although openly gay, he married Eva Goldbeck in 1933. Sadly, she died three years later from complications due to anorexia.
Blitzstein’s own death was likewise tragic. In 1964, while in Martinique working on an opera about the anarchists Sacco and Vanzetti, a commission from the Metropolitan Opera, he was robbed and badly beaten by three Portuguese sailors whom he had picked up at a bar. He died the next day of internal injuries.
Although throughout his life and afterwards, Blitzstein’s work was championed by Bernstein and others, many claim that neither the composer nor his stunning music and beautiful lyrics ever received the attention they deserved. So University Opera is proud to present this show celebrating his life and his works.
“I Wish It So: Marc Blitzstein – the Man in His Music” is a unique production put together by David Ronis. A biographical pastiche, it tells the story of Blitzstein’s life by recontextualizing 23 songs and ensembles from his shows, juxtaposing them with spoken excerpts from his working notes and letters, and tying it all together with a narration.
The result is a dramatic, evocative and enjoyable portrait of Blitzstein’s life and his art, according to Ronis.
“We’ve discovered a lot of “silver linings” while working on this production,” says Ronis. “We were disappointed at not being able to do a normal staged show. But working with video has had tremendous artistic and educational value.
“Our students are learning on-camera technique, not to mention how to work with a green screen (below, with soprano Sarah Brailey), which allows for post-production editing and digital manipulation of backgrounds. They’re also working with spoken text as well as sung pieces. Mostly, we’re just very grateful to have a creative project to sink our teeth into during the pandemic.
“And the music of Blitzstein is so fantastic, we’re very happy to be able to share it with our audience. This project is like none other I’ve ever done and we’re thinking that it’s going to be pretty cool.”
Research on the project was completed at the Wisconsin Historical Society, where Blitzstein’s archives are housed. University Opera gratefully acknowledges the help of both Mary Huelsbeck of the Wisconsin Center for Film and Television Research, and the Kurt Weill Foundation for their assistance with this project.
The cast features five UW-Madison graduate students: Sarah Brailey, Kenneth Hoversten, Justin Kroll, Lindsey Meekhof (below) and Steffen Silvis.
The video design was done by Dave Alcorn with costumes by Hyewon Park.
Others on the production staff include Will Preston, rehearsal pianist; Elisheva Pront, research assistant and assistant director; Dylan Thoren, production stage manager; Alec Hansen, assistant stage manager; Teresa Sarkela, storyboard creator; and Greg Silver, technical director.
The video will be accessible for 23 hours starting at 8 p.m. this Friday, Oct. 23. Although there will be no admission price for access, donations will be gratefully accepted. A link for donations will be posted with the video.
University Opera, a cultural service of the Mead Witter School of Music at the University of Wisconsin-Madison, provides comprehensive operatic training and performance opportunities for students and operatic programming to the community. For more information, email opera@music.wisc.edu or visit music.wisc.edu.
Tags: #20thCentury, #AaronCopland, #AmericanCommunistParty, #AmericanComposer, #Americanhistory, #ArcticCircle, #BlogPost, #BlogPosting, #BroadwayMusical, #BroadwayShows, #CentralDaylightSavingTime, #CentralDaylightTime, #CityofMadison, #CommissionedMusic, #CommunistParty, #CoronavirusPandemic, #COVID-19, #DaveAlcorn, #DavidDiamond, #DavidRonis, #DawnUpshaw, #DigitalMedia, #EngagedArt, #EnglishTranslation, #EvaGoldbeck, #FacebookPost, #FacebookPosting, #Fridaynight, #GiveUp, #GreenScreen, #HouseUn-AmericanActivities Committee, #HouseUnAmericanActivitiesCommittee, #InternalInjuries, #IWIshItSo", #JacobStockinger, #KurtWeill, #KurtWeillFoundation, #LeonardBernstein, #LGBTRights, #LifeStory, #MadisonWisconsin, #MarcBlitzstein, #MeadWitterSchoolofMusic, #MetropolitanOpera, #MusicalDirector, #MusicEducation, #NewYorkCity, #OnlineConcert, #OperaMusic, #OriginalWork, #PianoAccompaniment, #PianoAccompanist, #PickUp, #RedScare, #SaccoandVanzetti, #SarahBrailey, #SilverLining, #SociallyEngaged, #SpokenWord, #StageManager, #TechnicalDirector, #The CradleWillRock, #TheEar, #TheThreepennyOpera, #TheUW, #ThomasKasdorf, #UniversityofWisconsin-Madison, #UniversityOpera, #USArmy, #VirtualConcert, #VocalMusic, #WisconsinCenterforFilmandTelevisionResearch, #WisconsinHistoricalSociety, #WorkingNotes, #WorldWarII, #YouTubeChannel, #YouTubevideo, 20th-century, Aaron Copland, accept, acknowledge, Actor, admission, American, American Community Party, American composer, American history, anarchism, anarchist, anorexia, Army, Art, artistic, artists, Arts, assistance, attention, audience, background, bar, Bashar al-Assad, Beat, beaten, beautiful, biographical, blog, camera, CDT, celebrate, Central Daylight Saving Time, Central Daylight Time, champion, circle, Classical music, close, commission, Communist, Communist Party, community, complications, composer, comprehensive, Concert, Congress, cool, coronavirus, costumes, creative, creative process, cultural, currents, Dave Alcorn, David Diamond, David Ronis, Dawn Upshaw, death, deserve, design, died, digital, director, disappointed, donation, donations, done, dramatic, editing, educational, engaged art, English, English translation, enjoyable, ensemble, enthusiastic, Eva Goldbeck, evocative, excerpts, fabtastic, Facebook, fantastic, format, forward, foundation, free, Friday, friend, gay, gift, gifted, give up, graduate, graduate student, grateful, green screen, happy share, happy', History, House Un-American Activities Committee, House UnAmerican Activities Committee, HUAC, I Wish it So, important, information, injuries, internal, internal injuries, Jacob Stockinger, join, Joseph McCarthy, Juno, juxtapose, Kurt Weill, Kurt Weill Foundation, learning, Leonard Bernstein, letters, LGBT, life, life story, like, link, lyrics, Madison, man, Marc Blitzstein, marry, Martinique, McCarthyism, Mead Witter School of Music, membership, mentor, Metropolitan Opera, Music, Music education, musical, musical director, name, narration, narrator, New York City, night, normal, notes, October, on-camera, online, opera, operatic, opportunity, original, outspoken, pandemic, parallel, pastiche, performance, Pianist, Piano, piano accompaniment, Piano accompanist, pick-up, Portugal, Portuguese, post, posting, present, price, production, program, programming, proponent, proud, receive, Red Scare, Regina, research, revue, rob, Sacco and Vanzetti, sad, sailors, Sarah Brailey, Sen. Joseph McCarthy, serve, share, show, silver lining, singer, singers, Singing, sink, socialist, socially engaged, song, spoken, spoken word, stage, stage manager, story, students, stunning, tag, technical director, technique, teeth, text, The Cradle Will Rock, The Ear, the Met, The Threepenny Opera, Thomas Kasdorf, together, Tragic, training, translation, travel, tremendous, U.S. Army, underappreciated, unique, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, University Opera, US Army, UW, UW-Madison, value, video, virtual, vocal music, Wisconsin, Wisconsin Center for Film and Television Research, Wisconsin Historical Society, wish, words, work, working, working notes, World War II, years, YouTube, YouTube channel
The Madison Bach Musicians will open its new season with a virtual online concert of Haydn and Mozart this Saturday night and Sunday afternoon
Leave a Comment
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
The Ear has received the following announcement, about a promising contrast-and-compare concert, from the Madison Bach Musicians:
The Madison Bach Musicians (MBM) will start its 17th season this Saturday night and Sunday afternoon, Oct. 3 and 4, with a virtual chamber music concert and livestream event featuring the irrepressibly joyous, witty and poised music of Classical-era masters Joseph Haydn (1732-1809) and Wolfgang Amadeus Mozart (1756-1791).
The performances features period instruments and historically informed performance practices.
See details near the bottom about the schedules and how to buy tickets.
Performers are violinist Kangwon Kim and cellist James Waldo (on gut-strung period instruments), fortepianist Trevor Stephenson, and soprano soloist Morgan Balfour — winner of the 2019 Handel Aria Competition. (Below top is Kangwon Kim; below middle is James Waldo; and below bottom is Morgan Balfour.)
The broadcast will begin with a 30-minute pre-concert lecture by MBM artistic director Trevor Stephenson (below, in a photo by Kent Sweitzer) illuminating the program’s repertoire, the lives of Haydn and Mozart, and the aesthetic aims of the period instruments.
While most of the pieces on the program are buoyant and full of celebration, the concert will begin with a pensive and melancholy work commensurate with our current pandemic times.
Mozart composed the Sonata in E minor for violin and fortepiano in 1778 at the age of 22 while on tour in Paris. His mother, who was with him on the tour, became suddenly ill and died unexpectedly. This sonata is the only piece of instrumental music Mozart ever composed in the key of E minor, and its blend of gravitas, sparseness and tenderness is heartbreakingly poignant.
Mozart’s Piano Trio in G major, composed in 1788, shows him at his sunniest and most affable, with one brilliant and catchy tune after another suspended effortlessly — at least in Mozart’s hands! ― within the balance of Classical form.
The program’s first half ends with five of Mozart’s songs. Mozart truly loved the soprano voice, and he lavished some of his greatest writing upon it. The set includes perhaps his best-known song, Das Veilchen (The Violet)―which is also, oddly enough, Mozart’s only setting of a text by the German poet Goethe.
The second half of the concert is devoted to the music of Mozart’s near contemporary, Joseph Haydn, who was just 24 years older than Mozart.
Though the two composers came from very different musical and socioeconomic backgrounds.
Haydn (below) was lower working class, rural, and musical but not professionally trained.
Mozart (below) was urban, solid middle class, musically trained, sophisticated, and ambitious.
Both managed to carve out successful careers in the fertile musical culture of Vienna and its environs. They certainly knew each other and even made music together on occasion, playing in string quartets — with Haydn on violin and Mozart on viola.
Haydn composed two sets of English Canzonettas (songs) during his visits to England during the early 1790s.
The Mermaid, with its flirtatious beckoning, stretches the confines of the parlor setting (where this music was most likely performed) and suggests a cabaret environment. Fidelity, on the other hand, stays within the parlor style, emphasizing how the bond of devotion can overcome physical separation. Haydn brilliantly interweaves stormy, naturalistic episodes with declarations of unbending loyalty.
The concert will close with Haydn’s mercurial Piano Trio No. 27 in C major. Also composed during his London visits in the 1790s, this trio is the first of a set of three dedicated to the London-based virtuoso pianist Therese Bartolozzi. The Presto finale―with its unbridled high spirits―is a supreme example of Classical Era cheeky, theatrically conceived wit. (You can hear the finale in the YouTube video at the bottom.)
SCHEDULE AND TICKETS
As a result of public health guidelines in response to Covid-19 that do not allow for an in-person audience, we will livestream our concert from Grace Episcopal Church, downtown on Capitol Square, on Saturday evening for at-home viewing. (Below are Trevor Stephenson and Kangwon Kim rehearsing in masks at Stephenson’s home.)
The event will begin with a pre-concert talk by Trevor Stephenson at 7:30 p.m., and after the 8 p.m. concert, the musicians will remain on stage to answer questions submitted by our audience.
On Sunday, starting at 3 p.m. we will rebroadcast the Saturday evening recording and follow that with a live question-and-answer session with our musicians from their homes.
After purchasing tickets for $15 per household, you will be sent a link to access the performance. The recorded lecture and video will be available for up to 72 hours after they take place.
To purchase tickets, go to: https://madisonbachmusicians.org/oct-3-4-haydn-mozart/ or to: https://madison-bach-musicians.square.site/product/haydn-mozart-oct-3-4-livestream/54?cs=true
For information about the Madison Bach Musicians’ full season, go to: https://madisonbachmusicians.org/season-overview/
Tags: #ArtistcDirector, #BaroqueChamberMusic, #Baroquesinging, #BaroqueViolin, #BlogPost, #BlogPosting, #CapitolSquare, #ChamberMusic, #ChristianChurch, #Classicalcomposer, #Classicalera, #Classicalform, #ClassicalStyle, #ConcertSeason, #Contrast-and-Compare, #CoronavirusPandemic, #COVID-19, #FacebookPost, #FacebookPosting, #FranzJosephHaydn, #GeorgeFridericHandel, #GraceEpiscopalChurch, #GreatBritain, #GutStrings, #HandelAriaCompetition, #HistoricallyInformedPerformancePractices, #InstrumentalMusic, #JacobStockinger, #James Waldo, #JohannSebastianBach, #JohannWolfgangvonGoethe, #KangwonKim, #LifeandDeath, #LiveStreaming, #LondonEngland, #MadisonBachMusicians, #MadisonWisconsin, #MajorKey, #MakeMusic, #Middle-Class, #MiddleClass, #MinorKey, #MusicalStyle, #OnlineConcert, #ParisFrance, #PeriodInstruments, #PianoTrio, #PianoVirtuoso, #Pre-concertLecture, #PublicHealth, #RecordedMusic, #SharonLynneWilsonCenterfortheArts, #SopranoSinger, #StringQuartet, #TheEar, #TheFortepiano, #TheMermaid, #TheViolet", #TrevorStephenson, #ViennaAustria, #ViolinSonata, #VirtualConcert, #VocalMusic, #WolfgangAmadeusMozart, #WorkingClass, #YouTubevideo, aesthetic, afternoon, ambitious, answer, aria, Artistic director, Arts, at home, audience, Austria, Austrian, available, Bach, background, Baroque, Baroque music, beckoning, begin, best-known, blog, bond, bouyant, brilliant, Broadcast, buy, cabaret, canzonetta, Capitol Square, career, carve, catachy, celebration, cellist, Cello, Chamber music, cheeky, Christian, church, Classical era, Classical form, Classical music, compare, composed, composer, conceived, Concert, contemporary, contrast, coronavirus, culture, death, deatils, declaration, dedicated, devoted, devotion, different, downtown, Early music, effortless, effortlessly, eit, emphasize, England, English, environment, environs, episode, esthetic, Facebook, fertile, fidelity, fie, finale, flirtatious, fortepiano, forward, Franz Joseph Haydn, George Frideric Handel, German, Germany, Goethe, grace, Grace Episcopal Church, gravitas, great, Great Britain, greatest, guidelines, gut, gut strings, gut-strung, half, Handel, Handel Aria Competition, hands, Haydn, Health, hear, heartbreaking, help, historically informed performance practices, Home, household, illuminate, in person, information, instrument, instrumental music, interweave, Jacob Stockinger, Johann Sebastian Bach, Johann Wolfgang von Goethe, Joy, joyous, Kangwon Kim, key, Kim, lavished, lecture, like, link, live, lives, livestream, London, Love, loved, lower, loyalty, lyric, Madison, Madison Bach Musicians, major key, Make Music, manage, masks, Master, melancholy, mermaid, minor key, minute, Morgan Balfour, MorganBalfour, Mother, Mozart, Music, musica, musical, Musician, naturalistic, night, odd, oddly, older, on-stage, online, only, onstage, overcome, pandemic, Paris, parlor, pensive, performer, period instruments, physicsl, Piano, Piano Trio, piece, play, poet, Poetry, poignancy, poignant, poise, post, posting, pre-concert, pre-concert lecture, professional, professionally, program, public, Public health, Q&A, question, recorded, rehearsal, rehearse, remain, repertoire, repertory, response, result, rural, Saturday, schedule, Season, separation, session, set, setting, share, Singing, socio-economic, solid, Sonata, song, sophisticated, soprano, sparseness, stormy, String quartet, style, subscriber, suddenly, sun, Sunday, sunny, suspended, tag, talk, tenderly, tenderness, text, The Ear, The Violet, theatrical, ticket, together, tour, trained, Trevor Stephenson, trio, tune, UK, unbendng, unexpected, United States, urban, Vienna, viewing, Viola, violet, Violin, Violin Sonata, violinist, violist, virtual, virtuoso, visit, vocal music, voice, winner, Wisconsin, wit, witty, Wolfgang Amadeus Mozart, work, working class, writing, year, YouTube
Classical music: Joel Thompson’s “The Seven Last Words of the Unarmed” is an eloquent and timely testament to Black victims of racism. It deserves to be performed in Madison and elsewhere
2 Comments
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
A reader recently wrote in and suggested that fellow blog fans should listen to “The Seven Last Words of the Unarmed” by the Atlanta-based American composer Joel Thompson (below).
So The Ear did just that.
He was both impressed and moved by the prescient piece of choral and orchestral music. It proved both powerful and beautiful.
The title alludes to the Bible’s depiction of the crucifixion of Jesus Christ, but also to the musical setting of it that was composed by Franz Joseph Hadyn in the 18th century. But it stands on its own as a much needed and very accomplished updating, especially with the “last word” or phrase “I can’t breathe.”
It is hard to believe the work was written five years ago, and not last week or last month. But it couldn’t be more relevant to today.
It shows how deeply artists have been engaging with the social and political issues of the day, particularly the role of personal and structural racism in national life, and the plight of young Black men and women who face discrimination, brutality and even death at the hands of the police and a bigoted public.
The work was premiered by the Men’s Glee Club at the University of Michigan-Ann Arbor in 2015. This performance comes from the San Francisco Symphony Orchestra.
The SSO and featured guest University of Michigan-Ann Arbor Men’s Glee Club, led by conductor Eugene Rogers (below) – who directs choral music and teaches conducting at the UM — premiered a 2017 commissioned fully orchestrated version of “The Seven Last Words of the Unarmed.” You can hear it in the YouTube video below.
It is an eminently listenable and accessible, multi-movement work honoring the lives, deaths and personal experiences of seven Black men.
The seven last words used in the work’s text are: “Why do you have your guns out?” – Kenneth Chamberlain, 66; “What are you following me for?” – Trayvon Martin, 16; “Mom, I’m going to college.” – Amadou Diallo, 23; “I don’t have a gun. Stop shooting.” – Michael Brown, 18; “You shot me! You shot me!” – Oscar Grant, 22; “It’s not real.” – John Crawford, 22; “I can’t breathe.” – Eric Garner, 43.
The Ear thinks that once live concerts begin again after the coronavirus pandemic is contained, it should be programmed locally. It could and should be done by, among others, the Madison Symphony Orchestra and Choir; or the UW-Madison Symphony Orchestra and Choral Union; or the Wisconsin Chamber Orchestra with the Festival Choir of Madison; or the Wisconsin Chamber Choir.
They have all posted messages about standing in solidarity with Black Lives Matter and the protesters against racism. But will words lead to commitment and action?
It will be interesting to see who responds first. In addition to being timely, such a performance certainly seems like a good way to draw in young people and to attract Black listeners and other minorities to classical music.
Here is a link if you also want to check out the almost 200 very pertinent comments about the work, the performance, the performers and of course the social and political circumstances that gave rise to the work — and continue to do so with the local, regional, national and international mass protests and demonstrations.
https://www.youtube.com/watch?v=zdNXoqNuLRQ&app=desktop
And here is the performance itself:
What do you think of the work?
How did you react to it?
Would you like to see and hear it performed live where you are?
The Ear wants to hear.
Tags: #18thCentury, #African-AmericanComposer, #African-Americanmusician, #AmadouDiallo, #AmericanComposer, #Americanconductor, #BlackLivesMatter, #BlackMen, #BlogPost, #BlogPosting, #ChoralMusic, #ChoralUnion, #ChristianReligion, #CommissionedMusic, #CoronavirusPandemic, #COVID-19, #DeadlyForce, #EricGarner, #EugeneRogers, #FacebookPost, #FacebookPosting, #FranzJosephHaydn, #GleeClub, #GuestArtist, #HolyBible, #ICan'tBreathe, #JacobStockinger, #JesusChrist, #JoelThompson, #JohnCrawford, #KennethChamberlain, #LastWord, #MadisonSymphonyOrchestra, #MassProtests, #MeadWitterSchoolofMusic, #MichaelBrown, #OrchestralMusic, #OscarGrant, #PersonalExperience, #PoliceBrutality, #PoliticalActivism, #PoliticallyRelevant, #PoliticalNews, #RacialDiscrimination, #SanFranciscoSymphony, #SevenLastWords, #SevenLastWordsofChrist, #SociallyRelevant, #TheBible, #TheCrucifixion, #TheEar, #TheSevenLastWordsoftheUnarmed, #TheUW, #TrayvonMartin, #UniversityOfMichigan, #UniversityofMichigan-AnnArbor, #UniversityofWisconsin-Madison, #UW-MadisonSymphonyOrchestra, #UWChoralUnion, #VocalMusic, #WisconsinChamberChoir, #WisconsinChamberOrchestra, #WisconsinChamberOrchestraChorus, #WorldPremiere, #YoungPeople, #YouTubevideo, 18th century, accessible, accomplish, action, African American, ago, allude, Amadou Diallo, American, Arts, Atlanta, attract, audience, be, beautiful, Bible, bigot, bigoted, black, Black Lives Matter, black men, blog, brutality, choral music, Choral Union, Christian, Christianity, circumstance, Classical music, college, comments, commission, commitment, compose, composer, Concert, Conducting, conductor, contain, coronavirus, crucifixion, deadly force, death, demonstration, depiction, direct, discrimination, Eric Garner, Eugene Rogers, experience, Facebook, fan, forward, Franz Joseph Haydn, Georgia, Glee Club, guest, guest artist, guns, gunshot, Hadyn, hear, honor, I can't breathe, impress, impressed, international, issue, Jacob Stockinger, Jesus Christ, Joel Thompson, John Crawford, Kenneth Chamberlain, last, last word, lead, life, like, link, listenable, listeners, lives, local, locally, Madison, Madison Symphony Chorus, Madison Symphony Orchestra, mass protests, Mead Witter School of Music, men, men's, message, Michael Brown, minorities, minority, month, move, moved, movement, Music, musical, must, national, need, Orchestra, orchestral music, orchestrated, Oscar Grant, pandemic, performer, pertinent, phrase, police, police brutality, political, Politics, post, posting, powerful, premiere, prescient, program, protest, protesters, public, racial discrimination, racism, racist, react, reaction, regional, relevant, Religion, religious, respond, rise, San Francisco Symphony, school, see, setting, seven, Seven Last Words, Seven Last Words of Christ, share, shoot, shooting, shot, singer, Singing, social, socially relevant, solidarity, stand, standing, suggest, symphony, tag, teach, testament, text, The Ear, The Seven Last Words of the Unarmed, timely, title, today, Trayvon Martin, unarm, unarmed, United States, University of Michigan, University of Michigan-Ann Arbor, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, update, updating, use, UW, UW Choral Union, UW-Madison, UW-Madison Symphony Orchestra, victim, vocal music, week, Wisconsin, Wisconsin Chamber Orchestra, Wisconsin Chamber Orchestra Chorus, women, word, words, work, world premiere, wrote, year, young people, YouTube
Classical music: Madison Opera announces its 2020-21 season and plans for Opera in the Park on July 25. Plus, today is the 50th anniversary of Earth Day. What music would you choose to mark the event?
3 Comments
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
ALERT: Today, April 22, is the 50th anniversary of Earth Day, which was founded by Gaylord Nelson, a former Wisconsin governor and senator. To celebrate it, in the YouTube video at the bottom is “The Earth Prelude” — a long work, both Neo-classical and minimalist, with beautiful photos, by the best-selling, award-winning Italian composer Ludovico Einaudi. It has more than 2.3 million views.
What music would you listen to to mark the event? Leave suggestions with YouTube links, if possible, in the Comment section.
By Jacob Stockinger
The Madison Opera has just announced its upcoming 2020-21 season.
As usual, there are three works. The fall and spring operas take place in Overture Hall and the winter production, a Broadway musical, will use the Capitol Theater.
Below are the titles with links to Wikipedia entries for more information about the works and their creators:
Here are the titles:
“Il Trovatore” (The Troubadour) – with the popular “Anvil Chorus” — by Giuseppe Verdi (below) in Overture Hall on Friday night, Nov. 6, at 8 p.m. and Sunday afternoon, Nov. 8, at 2:30 p.m. It will be sung in Italian with projected English translations.
https://en.wikipedia.org/wiki/Il_trovatore
“She Loves Me” with music by Jerry Bock and lyrics by Sheldon Harnick (below) – the same team that created “Fiddler on the Roof” — in the Capitol Theater on Friday night, Jan. 29, at 8 p.m. and Sunday afternoon, Jan. 31, at 2:30 p.m. It will be sung in English with projected text.
https://en.wikipedia.org/wiki/She_Loves_Me
“The Marriage of Figaro,” by Wolfgang Amadeus Mozart (below) in Overture Hall on Friday night, April 30, at 8 p.m. and Sunday afternoon, May 2, at 2:30 p.m. It will be sung in Italian with projected English translations.
https://en.wikipedia.org/wiki/The_Marriage_of_Figaro
You can see a short preview peek — with music but no word about casts, sets or production details — on Vimeo by using the following link: https://vimeo.com/398921274
For more forthcoming information about the season, go to: https://www.madisonopera.org
OPERA IN THE PARK
You may recall that this spring the Madison Opera had to cancel its production of “Orpheus in the Underworld” by Jacques Offenbach because of the COVID-19 pandemic.
What about this summer’s 19th annual Opera in the Park (below, in a photo by James Gill)?
It is still slated for Saturday, July 25, in Garner Park, on Madison’s far west side, with a rain date of Sunday, July 26.
But the opera company is being understandably cautious and says: “At this time, we are proceeding with Opera in the Park as scheduled.
“The safety and wellbeing of our community are our top priority, and we are closely following the guidelines and recommendations of public health officials. We are prepared to make necessary decisions in response to rapidly changing conditions.
“We appreciate your patience and understanding as we navigate these circumstances.”
For updates and more information about Opera in the Park, go to: https://www.madisonopera.org/2019-2020-season/oitp2020/
Tags: #AnvilChorus, #BlogPost, #BlogPosting, #BroadwayMusical, #CapitolTheater, #ChoralMusic, #COVID-19, #EarthDay, #EnglishLanguage, #EnglishTranslation, #FacebookPost, #FacebookPosting, #FiddlerontheRoof, #Fridaynight, #GarnerPark, #GaylordNelson, #GiuseppeVerdi, #IlTrovatore, #italianComposer, #ItalianLanguage, #JacquesOffenbach, #JamesGill, #JerryBock, #LudovicoEinaudi, #MadisonOpera, #MadisonOperaChorus, #MadisonSymphonyOrchestra, #MinimalistMusic, #NewsUpdate, #OperaCompany, #OperaComposer, #OperaInThePark, #OperaMusic, #OrchestralMusic, #OrpheusintheUnderworld, #OvertureCenter, #OvertureHall, #PublicHealth, #PublicOfficials, #RainDate, #SheldonHarnick, #SheLovesMe, #Sundayafternoon, #TheEar, #TheMarriageofFigaro, #VocalMusic, #WestSide, #Wikipediaentry, #YouTubevideo, 2020, 2021, afternoon, anniversary, announce, annual, Anvil Chorus, April, Arts, audience, award-winning, beautiful, best-selling, blog, Broadway, cancel, Capitol Theater, cast, cautious, celebrate, change, choral music, circumstances, Classical music, click, comment, community, company, composer, Concert, conditions, conductor, coronavirus, create, creator, day, decision, Earth, Earth Day, Einaudi, Facebook, fall, Fiddler on the Roof, found, Friday, Friday night, Garner Park, Gaylord Nelson, Giuseppe Verdi, governor, guidelines, help, icon, Il Trovatore, informaiton, Italian, Italy, Jacob Stockinger, Jacques Offenbach, James Gill, January, Jerry Bock, July, like, link, listen, long, Ludovico Einaudi, lyrics, Madison, Madison Opera, Madison Opera Chorus, Madison Symphony Orchestra, Marriage, May, minimalist, Music, musical, navigate, necessary, neo-Classical, night, November, Offenbach, officials, opera, Opera in the Park, orchestral music, Orpheus in the Underworld, Overture Center, Overture Center for the Arts, Overture Hall, pandemic, patience, peek, photo, photos, popular, post, posting, postpone, Prelude, prepared, preview, priority, proceed, production, project, projected, Public health, rain date, rapid, recommendations, response, safety, same, schedule, Season, section, senator, set, share, She Loves Me, Sheldon Harnick, short, sing, singer, Sound, speaker, Spring, subtitles, suggestion, summer, Sunday, Sunday afternoon, sung, supertitles, tag, team, text, The Ear, The Marriage of Figaro, titles, today, translation, troubadour, understandably, understanding, update, Verdi, view, Vimeo, vocal music, well-being, wellbeing, west side, Wikipedia, winter, Wisconsin, work, works, YouTube
Recent Comments
 | Brian Jefferies on Classical music: A major reass… |
 | welltemperedear on What made Beethoven sick and… |
 | rlhess5d5b7e5dff on What made Beethoven sick and… |
| welltemperedear on Beethoven’s Ninth turns 200… |
 | Robert Graebner on Beethoven’s Ninth turns 200… |
The Well-Tempered Ear 
New York Times music critics pick 10 MUST-HEAR online virtual classical concerts to stream for October
Leave a Comment
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
ALERT: Tonight’s concert by the choral group Roomful of Teeth for the Wisconsin Union Theater at the UW-Madison’s Hamel Music Center has been canceled and postponed indefinitely.
By Jacob Stockinger
Increasingly the coronavirus pandemic seems surging out of control. So it comes as no surprise that also more and more concerts of classical music are taking place virtually and online.
There are many ways to choose among local, regional, national and international concerts.
But one good guide was published this last week and featured the choice of must-hear classical concerts by critics for The New York Times.
It is an interesting and varied selection, and includes times, links and brief descriptions.
It features concerts that emphasize Black composers such as Florence Price (below top) and women composers. It covers many genres from a solo piano recital by Jeremy Denk (below bottom) – who is supposed to perform here on Dec. 11 at the Wisconsin Union Theater – to chamber music, vocal music, orchestral concerts and operas.
Curiously, there is quite bit of new music but little early music, either Renaissance or Baroque. Perhaps more will appear around the holiday times, when that music is part of the traditional holiday celebrations.
You will find contemporary composers but also lots of certified, tried-and-true classics and masterworks.
Some are one-day only events but many run from a week through a month.
Here is a link to the story. PLEASE NOTE THAT TIMES ARE ALL EASTERN: https://www.nytimes.com/2020/09/29/arts/music/classical-music-stream.html
Please let The Ear know if you like this kind of listing and find it useful.
And please feel free to leave in the comment section other guides or events that the public should know about.
Share this:
Tags: "Blind Tom" Wiggins, #92ndStreetY, #African-AmericanComposer, #African-AmericanMusic, #AndrewNorman, #BachCantata, #BaroqueComposers, #BaroqueMusic, #BenjaminBritten, #BerlinGermany, #BerlinPhilharmonic, #BlackAmericans, #BlackComposer, #BlindTom"Wiggins, #BlogPost, #BlogPosting, #BrentanoQuartet, #BrentanoStringQuartet, #CarnegieHall, #ChamberMusic, #ChamberMusicSocietyofLIncolnCenter, #ClaudeDebussy, #ClevelandOrchestra, #ConcertProgram, #CoronavirusPandemic, #CountertenorSinger, #COVID-19, #DetroitMichigan, #DetroitSymphonyOrchestra, #EasternTime, #EricGarner, #FacebookPost, #FacebookPosting, #FelixMendelssohn, #FlorenceItaly, #FlorencePrice, #folksongs, #FrankBridge, #FranzJosephHaydn, #FranzWelser-Möst, #FredericRzewski, #GeorgeWalker, #GillesVonsattel, #GustavoDudamel, #HamelMusicCenter, #HolidayConcert, #HolidayMusic, #J'NaiBridges, #JeremyDenk, #JessieMontgomery, #JohannSebastianBach, #JohnAdams, #KirillPetrenko, #LawrenceBrownlee, #LosAngelesPhilharmonic, #LudwigVanBeethoven, #MeadWitterSchoolofMusic, #MetropolitanOpera, #MichaelBrown, #MinimalistMusic, #MusicCritic, #NathalieJoachim, #NewMusic, #NewYorkTimes, #OnlineConcert, #OperaMusic, #OperaPhiladelphia, #OrchestralMusic, #OttorinoRespighi, #PeopleofColor, #PeterIlyichTchaikovsky, #PianoMusic, #PIanoRecital, #PianoSonata, #QuodlibetEnsemble, #RenaissanceMusic, #RoomfulofTeeth, #ScottJoplin, #SpektralQuartet, #SpokenWord, #StringQuartet, #StringQuintet, #TaniaLeon, #TenorSinger, #TheEar, #TheMet, #TheUW, #TrayvonMartin, #Tried-and-True, #UniversityofWisconsin-Madison, #VikingurOlafsson, #VirtualConcert, #VocalMusic, #WilliamGrantStill, #WisconsinUnionTheater, #WolfgangAmadeusMozart, #WomenComposers, #YouTubevideo, 92nd Street Y, Adams, Africa, African, African American, African-American music, America, American, Arts, audience, Bach, Baroque, Beethoven, Benjamin Britten, Berlin, Berlin Philharmonic, Bert, black, Black Americans, blog, Brentano Quartet, Brentano String Quartet, Britten, cancel, canceled, Cantata, Caramoor, Carnegie Hall, celebration, cellist, Cello, certified, Chamber music, Chamber Music Society of Lincoln Center, choose, choral music, Classical music, classicalmusic, classics, Claude Debussy, Cleveland Orchestra, comment, composer, Concert, conductor, contemporary, coronavirus, countertenor, critic, Debussy, Denk, description, Detroit, Detroit Symphony Orchestra, Dudamel, Early music, earlymusic, Eastern time, emphasize, Eric Garner, Europe, Facebook, Felix Mendelssohn, Florence, Florence Price, folk, folk song, forward, Frank Bridge, Franz Joseph Haydn, Franz Welser-Möst, George Walker, Germany, Gilles Vonsattel, good, guide, Gustavo Dudamel, Haiti, Haitian, Hamel Music Center, Haydn, Holiday, holiday music, Holidays, images, incarceration, interesting, internation, inventive, Italy, J'Nai Bridges, Jacob Stockinger, Jeremy Denk, Jessie Montgomery, Joachim, Johann Sebastian Bach, John Adams, kind, Kirill Petrenko, know, Lawrence Brownlee, like, link, live-stream, local, Los Angeles Philharmonic, Ludwig van Beethoven, masterpiece, Mead Witter School of Music, Mendelssohn, Metropolitan Opera, Mezzo-soprano, Michael Brown, Michigan, minimalism, month, Mozart, Music, music critic, must-hear, narrator, Nathalie Joachim, national, New Music, New York City, New York Times, October, Ohio, online, opera, Opera Philadelphia, Orchestra, orchestral music, Ottorino Respighi, pandemic, people of color, performer, Peter Ilyich Tchaikovsky, Pianist, Piano, post, posting, postpone, postponed, price, prison, program, public, Quodlibet Ensemble, recital, regional, Renaissance, Respighi, Roomful of Teeth, Rzewski, Scott Joplin, selection, share, singer, Singing, solo, Sonata, Spektral Quartet, spoken word, Still, stream, String quartet, string quintet, subscriber, surprise, symphony, tag, Tania Leon, Tchaikovsky, tenor, text, The Ear, the Met, theme, time, traditional, Trayvon Martin, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, useful, UW, UW-Madison, varied, Vikingur Olafsson, Viola, Violin, violinist, violist, virtual, virtually, vocal music, Walker, ways, week, William Grant Still, Wisconsin, Wisconsin Union Theater, Wolfgang Amadeus Mozart, women, YouTube