The Well-Tempered Ear

Classical music: The weeklong 21st annual Madison Early Music Festival is virtual and will be free online here and worldwide starting this Saturday

July 8, 2020
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By Jacob Stockinger

The Ear has received the following announcement from the directors of the Madison Early Music Festival and the UW-Madison Division of the Arts to post:

Due to the coronavirus pandemic and concerns about public health for performers and audiences, the 21st annual Madison Early Music Festival (MEMF) will be virtual.

It will be held as MEMF Online! from this Saturday, July 11, through next Saturday, July 18. It can be accessed at Facebook.com/MadisonEarly or madisonearlymusic.org.

All events are FREE. Lectures and special features begin at NOON (not 11 a.m., as first listed) and concerts begin at 7 p.m. (CDT). All events will be available nationwide and internationally.

The Madison Early Music Festival is internationally recognized as a top early music festival that features music from medieval, Renaissance and baroque eras from award-winning performers and distinguished faculty.

The uncertainty of the future for the arts and MEMF is daunting, but we have persevered and put together a virtual experience to showcase the musicians and faculty members that were supposed to perform this summer.

Each ensemble prepared a special video of highlights from past performances, and other faculty members recorded lectures.

Our focus was going to be “Musical Life from the Burgundian Court,” and the videos of the Orlando Consort, Piffaro, performances and lectures by Michael Allsen and Peggy Murray reflect that theme.

The other two ensembles, Trefoil and Nota Bene, sent us live concert recordings of Trecento and Italian repertoire.

Due to the coronavirus pandemic, we are launching a fundraiser campaign to help support the artists that were to perform this season. It is critical that we help these musicians as many of them have lost substantial and irreplaceable income for the foreseeable future.

People can donate online at madisonearlymusic.org — where you can also see the concert programs — and click on the Support tab at the top of our home page. All money raised is for the MEMF musicians.

HERE IS A COMPLETE SCHEDULE OF MEMF ONLINE:

Different events will be released each day of the festival, but the content will be available after that time for later viewing.

Saturday, July 11, at 7 p.m.: Orlando Consort (below) in 15th-Century Chansons from the Library of Congress

Sunday, July 12, at 7 p.m.: Piffaro, The Renaissance Band: (below) Excerpts from Burgundian Beginnings and Beyond, Philadelphia

Monday, July 13, at noon: Michael Allsen (below), Musical Life and History at the Burgundian Court

Tuesday, July 14, at 7 p.m.: Trefoil (below): Trecento Music from Bowerbird Concert Series, Philadelphia

Wednesday, July 15, at noon: T-shirt challenge!  Post a photo wearing a MEMF T-shirt!  #MEMF2020; plus Lecture by William Hudson (below) on style in singing and ornamenting Baroque songs

Thursday, July 16, noon: Renaissance Valois Dance at the Burgundian Court, a lecture by Peggy Murray (below)

Friday, July 17, at 7 p.m.: Nota Bene viol consort (below) in Sonetti Spirituali; Italian Madrigals and Divine Poetry of the High Renaissance composed by Pietro Vinci (c.1525–1584) to settings of the poetry of Vittoria Colonna (1492-1547) Brandeis University in Boston

Saturday, July 18, at 7 p.m.: All-Festival Concert videos from previous festivals. There will be a sing-along of Pastime With Good Company! by King Henry VIII (below). It will be led by a virtual MEMF Faculty Ensemble. You can hear the popular song — also known as “The King’s Ballad” — in the YouTube video at the bottom. (You can download the music and lyrics at: https://memf.wisc.edu/annual/online-program/)

We hope to see everyone in 2021, and that a vaccine is approved to help us gather again as a community experiencing all the arts with musicians, artists and audiences — at MEMF in Madison and around the world.

 


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Classical music: This summer’s Madison Early Music Festival in July has been cancelled and postponed until next summer

April 9, 2020
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By Jacob Stockinger

The Ear has received the following announcement from the Madison Early Music Festival (MEMF) to share:

Dear MEMF Family,

Due to the University of Wisconsin-Madison’s decision to

suspend in-person courses, workshops and conferences

for the summer term because of the ongoing COVID-19

pandemic, the Madison Early Music Festival (MEMF)

has been postponed until July 10–17, 2021.

 

This extraordinary situation has affected all of us and

we will miss seeing you this summer. Updates will be

posted on our website as they are available.

 

 

 

As you can imagine, this was a difficult decision

but a necessary one. We will miss sharing

the Burgundian experience with everyone —

MEMF is always the highlight of our summer.

 

We already miss our community of participants

gathering together in Madison, listening to concerts

in the new Hamel Music Center, learning from

our extraordinary faculty, dancing together in Great Hall

and relaxing on the Union Terrace. (In the YouTube video

at the bottom is an excerpt from the All-Festival Concert last year.)

 

 

 

 

 

 

 

The good news is, we have decided to simply move

the scheduled program forward to next season.

We sincerely hope that The Good, the Bold and the

Fearless: Musical Life at the Burgundian Court

will feature the same guest artists and faculty next year

and we hope you will be able to join us in 2021.

 

In the meantime, the Madison Early Music Festival

will continue to operate. For those who have already

registered, we will contact you about issuing refunds

and answering any other questions you might have.

 

Finally, we appreciate your support — you are the reason

that MEMF continues to offer such extraordinary programming,

concerts and instruction year after year. But we appreciate it

even more now.

 

If you can make a donation to help offset some

of the costs that this year’s Festival can’t recoup,

we would be extremely grateful. Your gift today

will ensure that we can return “better than ever” next year.

 

Please stay safe and healthy,

Cheryl, Paul and Sarah

Cheryl Bensman-Rowe and Paul Rowe, Co-Artistic Directors (below)

Sarah Marty, Program Director

 


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Classical music: Starting this Sunday, radio station WORT-FM 89.9 will air recordings that Rich Samuels made of many live performances in the Madison area

March 21, 2020
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ALERT: The Wisconsin Youth Symphony Orchestras (WYSO) will be suspending the remainder of its spring season until further notice. Music director Kyle Knox and executive director Bridget Fraser says they are hopeful that an adjusted end-of-year schedule might be possible. Many ideas are under consideration. But they say they have no idea at this point what might be possible given the restrictions currently in place at the UW-Madison. “All we can do is explore possible scenarios and be ready to react if the restrictions are lifted,” they add.

By Jacob Stockinger

The Ear has received the following note from Rich Samuels (below), a retired Chicago reporter and broadcaster who is often seen at concerts with microphones and a laptop computer. His public service is especially commendable and useful during the current coronavirus pandemic when almost all live concerts in music-rich Madison have been canceled or postponed for the foreseeable future.

Jake:

WORT (89.9 FM and at wortfm.org) will shortly start to air recordings of past public performances by Madison area classical musicians within its regularly scheduled classical music broadcasts.


This should help keep our local musician friends in the public ear even though their local venues have been shuttered and their gigs canceled.

I’ve had the good fortune to record hundreds of hours of local performances since 2012. I’m now editing them into segments that can be inserted into the shows of WORT’s classical music hosts.

The first segment to air, if all goes well, will be part of the “Musica Antiqua” early music program, hosted by Carol Moseson, this Sunday, March 22, from 8 to 11 a.m.

It will feature Eric Miller on viola da gamba and Daniel Sullivan on harpsichord performing a suite by French Baroque composer Louis Couperin. I recorded the concert (below) last Oct. 11 in the Landmark Auditorium of the First Unitarian Society of Madison (FUS).

Other such segments will follow on the weekday classical music shows that air from 5 to 8 a.m. We are still working on the details.

Additionally, I’ll be pre-recording three-hour broadcasts that can be run in place of the regularly scheduled classical music shows, assuming the host, for whatever reason, is unable to make it to the station.

These will hopefully include complete concert performances from the FUS Friday Noon Musicale, Grace Presents (in the YouTube video at the bottom) and Willy Street Chamber Players (below) series.

I gave up my own Thursday morning WORT show about a year ago after my wife developed some health issues. But I’ve continued to record local musicians whenever possible. (My wife, by the way, is presently in good shape).

Hopefully, this WORT effort will benefit both local musicians and their audiences. (Below is Samuels recording at Bach Around the Clock, which has been canceled this year.)

Please join The Ear in thanking Rich Samuels and WORT for their service to the community by leaving word in the Comment section.

What do you think of his project?

 


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Classical music: Friday night, the UW Concert Choir marks the assassination of JFK and the opening of Hamel Music Center. Plus, WYSO gives a Wisconsin premiere with a returning alumna as soloist

November 21, 2019
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ALERT: This Friday night, Nov. 22, at 7 p.m. in Mills Hall, the Wisconsin Youth Symphony Orchestra’s Youth Orchestra, under conductor Kyle Knox, will present a concert with two guest artists performing the Wisconsin premiere of the Double Concerto for Clarinet and Bassoon composed for them by American composer Jonathan Leshnoff, who is known for his lyricism. (Sorry, there is no word about other works on the program.) Tickets are $10, $5 for 18 years and under, and are available at the door starting at 6:15 p.m.)

The two soloists are principals with the Pittsburgh Symphony Orchestra. The bassoonist is Nancy Goeres, a Lodi native who is a returning WYSO alumna. If you want to read an interview with her and get more background, you can’t do better for a preview than the piece by Greg Hettmansberger for Madison Magazine and Channel 3000. Here is a link: https://www.channel3000.com/madison-magazine/arts-and-culture/wisconsin-youth-symphony-welcomes-two-special-guests/1143372727

By Jacob Stockinger

At 8 p.m. this Friday, Nov. 22, in the Mead Witter Foundation Concert Hall, the UW-Madison Concert Choir (below) will perform its first solo concert in the new Hamel Music Center.

Conductor Beverly Taylor (below), the director of choral activities at the UW-Madison who will retire at the end of this academic year, sent the following announcement:

“The a cappella program is entitled “Fall Favorites: Houses and Homecomings.”

“This year I’m particularly picking some of the pieces I like the best from my years here, although I’ll still add a few new things.

“The “Houses” part is primarily “Behold I Build an House” by American composer Lukas Foss (below), which was written for the dedication of Marsh Chapel at Boston University, and which I thought was a good piece for the opening of the Hamel Music Center.

“We’re also performing the wonderful -and difficult —“Take Him, Earth, for Cherishing,” which British composer Herbert Howells (below top) wrote in memory of John F. Kennedy (below bottom). You’ll notice our concert is also on Nov. 22, the same day in 1963 when JFK was assassinated in Dallas, Texas. (You can hear the Howells work in the YouTube video at the bottom.)

“Besides these two big works are wonderful motets by Orlando di Lasso, Maurice Duruflé, Heinrich Schütz and Melchior Vulpius, plus some African, American and African-American folk songs.”

 


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Classical music: This week brings Baroque music from Just Bach this Wednesday at noon and Sonata a Quattro next Sunday afternoon

November 17, 2019
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By Jacob Stockinger

This week brings authentic Baroque music from two newer groups that employ period instruments and historically informed performance practices: Just Bach and Sonata a Quattro.

The concert for November by Just Bach (below, in a photo by John W. Barker, takes place this Wednesday, Nov. 20, from noon to 12:30 p.m. at Luther Memorial Church, 1021 University Ave, in Madison.

The performance is free and open to the public, with a good will offering collected.

Performers are: Sarah Brailey, soprano; Lindsey Meekhof, mezzo-soprano; Thore Dosdall, tenor; Paul Rowe, baritone; Linda Pereksta, flute; Kangwon Lee Kim and Nathan Giglierano, violins; Marika Fischer Hoyt, viola; James Waldo, cello; and Mark Brampton Smith, organ.

The program opens with the six-minute instrumental Sinfonia from Cantata 209. Just Bach favorite Linda Pereksta will be the featured flute soloist, backed up by the strings-and-organ band. (You can hear the Sinfonia in the YouTube video at the bottom.)

Cantata 151 ‘Süßer Trost, mein Jesus kommt‘ (Sweet comfort, my Jesus comes) closes the program. Each of the first four movements of this cantata features a different vocal soloist — the serene soprano aria also boasts a lovely flute obbligato — concluding with the chorale in which all take part.

Those who attend are invited to “bring your lunch, bring your ears and your voice, bring a friend, but most of all bring yourself to this stirring program of J.S. Bach.”

The next Just Bach program is Wednesday, Dec. 18, at noon.

For more information, go to:

https://justbach.org/

https://www.facebook.com/events/451732972120968/

SONATA A QUATTRO

This week the Madison-based group Sonata à Quattro (below) will give two performances of its program “A Dark and Stormy Night”:

The program is:

  • Motet: “In furore iustissimae irae” (In the fury of most righteous wrath), RV 626 by Antonio Vivaldi
  • Quartet No. 1 in D Major by Johann Joachim Quantz
  • Cello Sonata in C Minor, Book II No. 6 by Jean-Baptiste Barrière
  • Concerto for 4 in D Minor, TWV 43:d2 by Georg Philipp Telemann
  • Cantata 209: “Non sa che sia dolore” (He does not know what sorrow is) by Johann Sebastian Bach

Sonata à Quattro performers are: Christine Hauptly Annin and Nathan Giglierano, violins; Marika Fischer Hoyt, viola; Charlie Rasmussen, cello; Daniel Sullivan, harpsichord; and Kristin Knutson, soprano. Special guest artist is flutist Linda Pereksta (below, in a photo by Katrin Talbot).

Says founder and violist Marika Fischer Hoyt (below): “Join us for a program of dark and stormy pieces, on period-instruments. Sonata à Quattro’s third season opens with a program exploring the darker side of human experience, from Vivaldi’s motet, burning with godly rage, to Bach’s secular Cantata, deploring the departure of a beloved friend.

“Quantz’ bubbly Flute Quartet in D Major provides some needed moments of optimism, before we turn to the poignant, brooding Cello Sonata by Barrière. Even the viola gets a turn, in the Telemann, to unfold a haunting saga of tragic beauty.

“But the composers do not leave us in despair; each one leads the listener through the dark night of the soul, to the morning after.”

The Bach Cantata opens with an instrumental Sinfonia, heard in the YouTube video at the bottom, that features flutist Linda Pereksta, who also plays in the works by Quantz and Telemann.

For more information, go to:

https://sonataaquattro.com

facebook.com/sonataaquattro

 


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Classical music: Veterans Day is a good time to hear Bach’s musical prayer for peace

November 11, 2019
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By Jacob Stockinger

Today – Nov. 11, 2019 – is Veterans Day.

There is a lot of classical music that can be used to honor the holiday and the men and women who serve in the military.

This is not the day to remember the dead. That is Memorial Day.

So it is worth recalling that Veterans Day started out as Armistice Day in 1918 when World War I ended on the 11th hour of the 11th day of the 11th month.

Here is a link to more about the holiday found on Wikipedia: https://en.wikipedia.org/wiki/Veterans_Day

One could celebrate by using brass bands and other military ensembles playing patriotic music and marches.

But there seems to be too much conflict in the world, and the dream of ending war and armed conflict seems as distant as ever, given certain political trends and unfortunately regressive and destructive forces at work right now.

Instead, The Ear wants to honor what should be the deeper purpose of the military: To secure peace.

For that reason, here is a YouTube video of a  memorable performance of “Dona Nobis Pacem” (Grant Us Peace), the ending prayer from the Mass in B Minor by Johann Sebastian Bach.

The four-minute work is performed more slowly than usual, but also more movingly and soulfully, by the famed Monteverdi Choir and the English Baroque Soloists, all under the direction of John Eliot Gardiner.

Do you agree that it is a wish that honors the true purpose of the military?

If you know of other appropriate music to mark the holiday, please leave the title of the work and the names of the composer and the performers along with, if possible, a YouTube link.

The Ear wants to hear.

 


Classical music: The Middleton Community Orchestra honors retired music critic John W. Barker with a special performance of Brahms and a season dedication

September 11, 2019
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By Jacob Stockinger

How does an individual  musician or musical group pay tribute and say thank you to a critic?

By performing, of course.

And that is exactly what 30 members of the Middleton Community Orchestra did, playing under guest conductor Kyle Knox (below top), last Friday night for the veteran music critic John W. Barker (below bottom).

The orchestra performed for him at the downtown Capitol Lakes Retirement Community, near the Capitol Square, where the ailing Barker lives with his wife Margaret.

Because of space limitations, word of the special performance never went public. But the large basement room was packed with affectionate and respectful fans and friends.

The MCO members played the lyrical and sunny Serenade No. 1, Op. 11, of Johannes Brahms. (You can hear the opening movement of the Serenade by Brahms in the YouTube video at the bottom.)

The orchestra also announced that it would dedicate its upcoming 10th anniversary season to Barker as a gesture of thanks for all he has done over the past nine years to promote the mostly amateur orchestra — which opens its new season on Wednesday, Oct. 9. 

“I’ve known this piece most of my life,” said Barker, who soon turns 86 and who started reviewing in his teens. “It’s lots of fun.”

And so was the unusual honor.

“An orchestra paying tribute to a critic? It’s unprecedented,” Barker quipped, as both he and the audience laughed. Barker also quoted the Finnish composer Jean Sibelius who once said, “A statue has never been erected in honor of a critic.”

After the 40-minute performance, Barker spoke briefly to the players and audience.

“The job of the critic,” he said, “is to stimulate performers to play up to their best standards and to give readers some background and context. Being critical doesn’t mean being negative, although at times I have made some negative comments. But you never have to be nasty. I guess I’ve succeeded,” he said looking around at the players and the public, both of whom generously applauded his remarks.

Barker’s list of personal accomplishments is impressive. He has written local music reviews for The Capital Times, Isthmus and this blog.

But he is a participant as well as a critic. He has sung in many choirs, including 47 years in the one at the local Greek Orthodox Church, and has performed with the Madison Opera. He directed Gilbert and Sullivan productions for the Madison Savoyards.

Barker is an emeritus professor of Medieval history at the University of Wisconsin-Madison, which may help to explain his general taste for the traditional. He also is a well-known classical music critic, with a national reputation, who has written for 63 years for the American Record Guide. For many years, he hosted an early music radio show on Sunday mornings for WORT-FM 89.9.

He also worked with Opera Props, the support group for University Opera, and was a member of the Board of Advisors for the Madison Early Music Festival. And he frequently gave pre-concert lectures in Madison. He has published two books on Wagner and written a definitive history of the Pro Arte Quartet.

But this time even the voluble Barker had to admit, “I am grateful and thankful. I am very moved, even floored. But I’m afraid I’m finally at a loss for words.”

You can leave your own words of tribute in the Comment section.

To see the full “Barker season” schedule for the Middleton Community Orchestra and to read many of Barker’s past reviews of the MCO, go to: http://middletoncommunityorchestra.org

Thank you, John, for all you have done to enrich the cultural and musical life of Madison!


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Classical music: A veteran reviewer bids farewell with a rave review of this summer’s last concert by the Willy Street Chamber Players and UW-Madison pianist Christopher Taylor

July 29, 2019
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By Jacob Stockinger

Here is a very special posting, the final review that will be written by frequent guest critic and writer for this blog, John W. Barker.

Barker (below), who is dealing with medical issues, is an emeritus professor of Medieval history at the University of Wisconsin-Madison. He also is a well-known classical music critic who wrote for The Capital Times, Isthmus and the American Record Guide, and who, until two weeks ago, hosted an early music show once a month on a Sunday morning on WORT-FM 89.9. For years, he served on the Board of Advisors for the Madison Early Music Festival and frequently gave pre-concert lectures in Madison.

Please use the comment section to join The Ear in thanking Barker for his many years of public service and wishing him well.

By John W. Barker

I had to miss the first concert this summer by the Willy Street Chamber Players (below) on July 12; and the next one, on July 19, was cancelled because of power failures. But the final one, last Friday night, was well worth waiting for — one of the really memorable events of the year, I think.

The program, performed at the usual near East Side venue of the Immanuel Lutheran Church, 1021 Spaight Street, began with some short items.

First, there was a set of Three Nocturnes (1924) for piano trio — violin, cello and piano — by Ernest Bloch. They contain elements of the Hebraic sound that Bloch cultivated but also had their own individualities, the first two contemplative and the third marked “tempestuoso.” Interesting was Bloch’s alternating uses of muting the strings.

After this came an example of the short pieces for string quartet by the contemporary composer Jessie Montgomery, her “Voodoo Dolls” (2008). Much is packed into this five-minute piece. A few lyrical touches aside, it sounded like a hoedown gone crazy, full of quite novel sounds, including rhythmic thumping on the wood of the instruments.

All that was a curtain-raiser to the big event of the program: the Piano Quintet No. 2 in A major, Op. 81, by Antonin Dvorak. This 40-minute work is one of the composer’s best-known chamber music compositions, and one of the standouts in the whole chamber music literature.

The very opening notes of the first movement bring a flood of warm well-being.  (After hearing just that, I commented, “I haven’t felt such happiness in months.”)

The fecundity and richness of invention pervaded the entire work. For me, its high point is the second movement, in which Dvorak (below) used the Czech formula of the dumka, a kind of folk music lament that is paced slow-fast-slow-fast. (You can hear the Dumka movement, played by the Jerusalem Quartet and pianist Stefan Vladar, in the YouTube video below.)

Dvorak liked to play viola in chamber music, and so he always wrote some good things for himself. The sublime passages for viola in this movement were played with such transcendent beauty by Rachael Hauser (below) – who is leaving Madison for New York City — that I felt I was hearing the composer’s voice directly. Put simply, this was one of the greatest examples of chamber-music performance that I have ever heard.

All of the players, many of whom play in the Madison Symphony Orchestra,  of course matched remarkable skill with humane vitality and vibrancy.

And a measure of the Willys’ standards was the fact that they were able to draw as a partner no less than that magnificent UW-Madison music school pianist, Christopher Taylor (below), who also performed the same Dvorak Piano Quintet in the 1993 Van Cliburn International Piano Competition, where he won a bronze medal. Much of his excellence here was demonstrated by the fact that he did not play the star, but joined with the Willys in perfect collegial integration.

This ends the Willy Street group’s fifth summer season. As a symbol of vibrancy and fresh spirit, they are among the most important of Madison’s classical music world today. They have drawn steadily growing audiences, and the house was truly packed for this concert.  We can only hope that they will continue to brighten that world in the years ahead.

I am now ending my time as a music critic. I can think of no more satisfying a final review to write than of the Willy Street Chamber Players.


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Classical music: This week brings three period-instrument concerts — two of them FREE — of early music from the Baroque and Classical eras including works by Bach, Telemann and Haydn

April 23, 2019
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CORRECTION: The concert listed below by Sonata à Quattro on Thursday night at Oakwood Village West, near West Towne Mall, is at 7 p.m. — NOT at 8 as erroneously first listed here. The Ear regrets the error.

IF YOU LIKE A CERTAIN BLOG POST, PLEASE SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event.

By Jacob Stockinger

This week features three concerts of music from the Baroque and early Classical eras that should attract the attention of early music enthusiasts.

WEDNESDAY

This Wednesday, April 24, is the penultimate FREE Just Bach concert of the semester. It takes place at 1 p.m. in Luther Memorial Church, 1021 University Avenue.

This month’s program, featuring the baroque flute, presents the program that was canceled because of the blizzard in January.

First on the program is the Trio Sonata in G Major, BWV 1038, for flute, violin and continuo, a gorgeous example of baroque chamber music.

Following that comes the Orchestral Suite No. 2, BWV 1067, for flute, strings and harpsichord, really a mini flute concerto.

The program ends with Cantata 173 “Erhoehtes Fleisch und Blut” (Exalted Flesh and Blood), scored for two flutes, strings and continuo, joined by a quartet of vocal soloists: UW-Madison soprano Julia Rottmayer; mezzo-soprano Cheryl Bensman-Rowe; tenor Wesley Dunnagan; and UW-Madison bass-baritone Paul Rowe.

The orchestra of baroque period-instrument specialists, led by concertmaster Kangwon Kim, will include traverse flutists Linda Pereksta and Monica Steger.

The last Just Bach concert of this semester is May 29. For more information, go to: https://justbach.org

THURSDAY

On Thursday night, April 25, at 7 p.m. — NOT 8 as mistakenly listed here at first –at Oakwood Village West, 6209 Mineral Point Road, the Madison group Sonata à Quattro (below) will repeat the Good Friday program it performed last week at a church in Waukesha.

The one-hour concert – featuring “The Seven Last Words of Christ” by Franz Joseph Haydn — is FREE and OPEN TO THE PUBLIC. (You can sample the first part of the Haydn work in the YouTube video at the bottom.)

Commissioned by the southern Spanish episcopal city of Cadiz, this piece was originally scored for orchestra, but it enjoyed such an immediate, widespread acclaim, that the publication in 1787 also included arrangements for string quartet, and for piano. In nine movements beginning with an Introduction, Haydn sets the phrases, from “Father, forgive them, for they know not what they do” to “Into Thy hands I commend my spirit,” concluding with one final movement depicting an earthquake.

Performers for this program are:  Kangwon Kim, Nathan Giglierano, Marika Fischer Hoyt and Charlie Rasmussen. Modern string instruments will be used, but played with period bows.

The period-instrument ensemble Sonata à Quattro was formed in 2017 as Ensemble-In-Residence for Bach Around The Clock, the annual music festival in Madison.

The ensemble’s name refers to baroque chamber music scored for three melody lines plus continuo. The more-familiar trio sonata format, which enjoyed great popularity in the 17th and 18th centuries, employs a continuo with only two melody instruments, typically treble instruments like violins or flutes. 

In contrast, a typical sonata à quattro piece includes a middle voice, frequently a viola, in addition to the two treble instruments and continuo; this scoring has a fuller, richer sonority, and can be seen as a precursor to the string quartet. For more information, go to: https://www.facebook.com/sonataaquattro/

SATURDAY

On Saturday, April 27, at 7:30 p.m. at Saint Andrew’s Episcopal Church, 1833 Regent Street, the veteran Wisconsin Baroque Ensemble (below) will perform a concert of baroque chamber music.

Tickets are at the door only: $20 for the public, $10 students.

Performers are: Brett Lipshutz, traverse flute; Sigrun Paust, recorder; Monica Steger, traverse; Anton TenWolde, baroque cello; and Max Yount, harpsichord.

The program is:

Johann Baptist Wendling – Trio for two flutes and bass

Johann Pachelbel – Variations on “Werde Munter, mein Gemuethe” (Be Happy, My Soul)

Friedrich Haftmann Graf – Sonata or Trio in D major for two German flutes and basso continuo

Daniel Purcell – Sonata in F Major for recorder

INTERMISSION

Georg Philipp Telemann – Trio for recorder, flute,and basso continuo TWV 42:e6

Franz Anton Hoffmeister – Duo for two flutes, Opus 20, No. 1

Joseph Bodin de Boismortier – Trio Sonata, Op. 37, No. 5

Telemann – Trietto Methodicho (Methodical Sonata) No 1. TWV 42: G2

After the concert, a reception will be held at 2422 Kendall Avenue, second floor.

For more information, go to: https://wisconsinbaroque.weebly.com


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Classical music: The Madison New Music Ensemble makes its debut this Friday night. A FREE harpsichord recital is Friday at noon

April 10, 2019
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IF YOU LIKE A CERTAIN BLOG POST, PLEASE SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event.

ALERT: This Friday’s FREE Noon Musicale at the First Unitarian Society of Madison, 900 University Bay Drive, features harpsichordist Faythe Vollrath (below). She has been hailed by the Wall Street Journal for her “subtly varied tempo and rhythm that sounds like breathing.” Her programs do not focus solely on early music, but also incorporate new music written for historic instruments. The concert runs from 12:15 to 1 p.m. (In the YouTube video at the bottom, you can hear and see her playing the 1993 “Toccata” by Emma Lou Diemer.)

By Jacob Stockinger

On this coming Friday night, April 12, at 7:30 p.m. at the First Unitarian Society of Madison, 900 University Bay Drive, the Madison New Music Ensemble will give its debut concert.

Tickets are $10 for adults, $5 for students and seniors. Only cash and personal checks will be accepted at the door.

The program features music by the group’s artistic director and Madison-based composer Joseph Koykkar — the director of music in the Dance Department at the University of Wisconsin-Madison —  Robert Muczynski, Ed Martin, Lennon/McCartney and others.

Special guests are The Vine Street Trio, a faculty trio from the University of Wisconsin-Oshkosh, playing works by contemporary composers and saxophonist Peterson Ross.

Members of the Madison New Music Ensemble (below, from left) are: Danielle Breisach; Joseph Koykkar; Monica Jiang; Joseph Ross; Amy Harr; Elena Ross; and Bethany Schultz

For more information about the performers and the group, go to the Madison New Music Ensemble page on Facebook at: https://www.facebook.com/madisonnewmusicensemble/


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