The Well-Tempered Ear

Classical music: The successful centennial celebration of the Concert Series at the Wisconsin Union Theater continues this Friday night with a concert by the Kalichstein, Laredo and Robinson piano trio

December 5, 2019
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By Jacob Stockinger

This season marks the centennial of the Concert Series at the Wisconsin Union Theater (below are photos of the Memorial Union and Shannon Hall).

And so far, so good.

The anniversary features a variety of genres, and both individuals and ensembles, during the season-long event. Plus, many of the performers are returning to what The Ear calls “The Carnegie Hall of Madison.”

The anniversary started with a sold-out performance of the a cappella singing group Chanticleer and continued with a close to sold-out house for pianist Emanuel Ax in an all-Beethoven recital.

The first semester winds up this Friday night, Dec. 6, at 7:30 p.m. with the acclaimed piano trio of pianist Joseph Kalichstein, violinist Jaime Laredo and cellist Sharon Robinson (below).

The trio will be returning to Shannon Hall for the third time, this time as part of the new David and Kato Perlman Chamber Music Series.

The program features both the familiar and the unfamiliar.

It starts with the rarely heard Canonic Etudes by Robert Schumann. Then it continues with two of the most popular piano trios in the repertoire: the Piano Trio No. 1 in D Minor by Felix Mendelssohn and the “Archduke” Trio in B-Flat Major, Op. 97, by Ludwig van Beethoven. (You can hear the trio play the slow movement and finale of the “Archduke” Trio in the YouTube video at the bottom.)

Tickets are $10 to $50. For more information, go to: https://union.wisc.edu/events-and-activities/event-calendar/event/kalichstein-laredo-robinson-trio/

The trio will also give a FREE and PUBLIC one-hour master class TODAY – Thursday, Dec. 5 — at 1:30 p.m. in the Collins Recital Hall of the new Hamel Music Center, 740 University Ave.

Such an activity is not unusual. Not only are the members of the trio active performers, they are also devoted to teaching and music education.

For more information about that side of the trio, read: https://union.wisc.edu/visit/wisconsin-union-theater/the-green-room/kalichstein-laredo-robinson-trio-shapes-future-performers/

And to learn more about the history of the trio, which recently celebrated its 40th anniversary, here is a link to its home website: http://www.kalichstein-laredo-robinson-trio.com

 


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Classical music: A busy week at the UW-Madison brings FREE concerts in new halls with an emphasis on new music for winds, chamber ensembles, orchestra and band

October 6, 2019
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ALERT: Tonight’s performance by the a cappella vocal group Chanticleer is SOLD OUT.

By Jacob Stockinger

It’s going to be a busy week at the University of Wisconsin-Madison Mead Witter School of Music and especially in its new Hamel Music Center (below), 740 University Ave., next to the new wing of the Chazen Museum of Art.

On tap is a variety of FREE concerts, with an emphasis on new music, including compositions for winds, chamber ensembles, orchestra and band.

Earlier mistakes on dates and time have been corrected. To double check dates, times and venues as well programs, go to: https://www.music.wisc.edu/events/

Here is a schedule:

TUESDAY, OCT. 8

At 7:30 p.m. in the Mead Witter Foundation Concert Hall, the UW Wind Ensemble (below), conducted by director Scott Teeple and guest conductor Ross Wolf, will perform a FREE program of contemporary wind music.

The program includes works by Augusta Read Thomas (below top), Jake Runestad, Larry Tuttle, Xi Wang (below bottom) and Carlos Simon.

There will be one world premiere and two Wisconsin premieres.

For more information and the complete program, go to: https://www.music.wisc.edu/event/uw-wind-ensemble-5/

THURSDAY, OCT. 10

At 8 p.m. in Collins Recital Hall of the new Hamel Music Center, the Contemporary Chamber Ensemble will perform a FREE recital of new music, including two works — “Wet Ink” and ” Treetop Studio” — by the critically acclaimed UW-Madison composer Laura Schwendinger (below).

Also on the “Fall Notes” program are “Wing and Prayer” by Melinda Wagner (below top) and “Pentacle” by Irish composer Raymond Deane (below bottom) who will make his UW-Madison debut.

Performers for “Fall Notes” will feature UW-Madison musicians, including clarinetist Alicia Lee, cellist James Waldo, violist Sally Chisholm, pianist Christopher Taylor and student performers.

FRIDAY, OCT. 11

At 8 p.m. in the Mead Witter Foundation Concert Hall, the UW-Madison Symphony Orchestra (below) will open its season with a FREE concert under its new conductor Oriol Sans, a native of Catalonia, Spain, who studied at the Barcelona Conservatory and  who came to Madison from the University of Michigan at Ann Arbor.

The program is: “aequilibria” by contemporary Icelandic composer Anna Thorvaldsdottir (heard in the YouTube video at the bottom); “Death and Transfiguration; by Richard Strauss; and “Symphonic Dances” by Sergei Rachmaninoff.

For more information about conductor Oriol Sans (below), go to: https://www.music.wisc.edu/oriol-sans/

For more information, from Wikipedia, about composer Anna Thorvaldsdottir (below), go to: https://en.wikipedia.org/wiki/Anna_S._Þorvaldsdóttir

SUNDAY, OCT. 13

At 2 p.m., in the Mead Witter Foundation Concert Hall, the University Bands will perform a FREE concert under conductor Darin Olson (below), the assistant director of bands at the UW-Madison.

No program is available.


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Classical music: The Pro Arte Quartet minus one plays string trios this Friday night and Sunday afternoon, then starts its Beethoven string quartet cycle on Friday, Nov. 22. Plus 3 UW profs premiere a new fusion work tonight

October 3, 2019
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CORRECTION: The all-Telemann concert by the Madison Bach Musicians on this Saturday night at the First Unitarian Society of Madison is at 8 p.m. — NOT 7:30 as it was mistakenly listed in the early version of yesterday’s post. The Ear apologizes for the error. The pre-concert lecture is at 7:15 p.m. There is also a performance on Sunday at Holy Wisdom Monastery in Middleton at 3:30 p.m., with a lecture at 2:45 p.m. For more information, go to: https://welltempered.wordpress.com/2019/10/02/classical-music-how-did-baroque-composer-telemann-get-overshadowed-and-why-is-he-being-rediscovered-trevor-stephenson-talks-about-his-all-telemann-concerts-this-weekend/

ALERT: TONIGHT, Thursday, Oct. 3, at 8 p.m., three UW-Madison music professors — Anthony Di Sanza (percussion), Tom Curry (tuba, keyboard and electronics) and Mark Hetzler (trombone and electronics) — will perform their new composition “Don’t Look Down” at the Arts + Literature Laboratory, located at 2021 Winnebago Street on Madison’s near east side. (Phone is 608 556-7415.)

The trio’s goal to showcase their instruments using a combination of electro-acoustic techniques, improvisation and traditional chamber music applications to create an array of sonic environments and musical languages.

The result is a work that looks at the impact of media and technology on society, while featuring shifting soundscapes and a variety of styles including classical, rock, jazz and experimental.

Tickets are $10 in advance at: https://dontlookdown.brownpapertickets.com; and $15 at the door. Student tickets are $5 off with a valid school ID. Advance ticket sales end one hour before the show. Doors open at 7:30 p.m.

By Jacob Stockinger

First, a news flash: The University of Wisconsin-Madison’s critically acclaimed Pro Arte Quartet (below, in a photo by Rick Langer) will begin its complete cycle of Beethoven’s 16 string quartets on Friday, Nov. 22.

The program, time and other dates are not available yet, but should be announced soon.

The performances are part of the 2020 Beethoven Year, which will celebrate the 250th anniversary of the composer’s birth. Stayed tuned for more details.

This Friday night, Oct. 4, at 8 p.m. in Mills Hall, three members of the Pro Arte will perform a FREE concert of string trios. Performers are second violinist Suzanne Beia, violist Sally Chisholm and cellist Parry Karp.

Featured on the program are: the Serenade in C Major, Op. 10 (1902), by the Hungarian composer Ernst von Dohnanyi (below top); the String Trio, Op. 48 (1950), by the Polish composer Mieczyslaw Weinberg (below bottom); and the Serenade in D Major, Op. 8 (1796-97), by Ludwig van Beethoven.) You can hear the opening movement of the Weinberg Trio in the YouTube video at the bottom.

For more information about the quartet and the program, go to: https://www.music.wisc.edu/event/pro-arte-quartet-5/

This Sunday afternoon, the Pro Arte Quartet will also perform FREE at the Chazen Museum of Art on Sunday Afternoon Live at the Chazen. The same program of string trios will be repeated. The performance will be held starting at 12:30 in the Brittingham Gallery 3.

For details about attending, go to: https://www.chazen.wisc.edu/index.php?/events-calendar-demo/event/sunday-afternoon-live-at-the-chazen9/

It will also be streamed live at the following portal: https://c.streamhoster.com/embed/media/O7sBNG/OS1C0ihJsYK/iqf1vBMs3qg_5


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Classical music: The UW-Madison School of Music will NOT have a complete brochure for the new season. Use the website and sign up for an email newsletter. The 40th Karp Family Labor Day Concert is Sept. 3

August 19, 2019
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By Jacob Stockinger

Summer is almost over and the new concert season is about to begin in just a couple weeks.

Just about all the groups in the Madison area, large and small, have announced their upcoming seasons.

But it you are wondering why the brochure for the hundreds of events that will take place at the University of Wisconsin-Madison’s Mead Witter School of Music hasn’t arrived yet, here is the answer.

There isn’t one this year.

For many years the UW-Madison’s SOM  — as the School of Music is often abbreviated – has issued a handsome season brochure (below) with names and dates, if not always complete programs.

In the past couple of years, the brochure has been particularly informative with background about performers and events at the school as well as about students and alumni.

But due to a variety of factors, there will be no season brochure although there will be a special brochure for the opening weekend on the new Hamel Music Center (below), which is Oct. 25-27.

A variety of reasons has caused the lack of a brochure, says Publicist and Concert Manager Katherine Esposito. But the familiar full-season brochure will return for the 2020-21 season.

It the meantime, Esposito recommends that you go to the Concert and Events calendar, which has been updated and made more user-friendly, on the website for the school of music. It also features information about faculty and staff as well as news about the school. Here is a link:

https://www.music.wisc.edu/events/

On the right hand side is a menu that allows you to view the calendar as a running list or by the month, week or day with maps or photos.

On the left hand side is another menu that allows you to search by musical category (performers and ensemble) as well as concert date, time, venue and admission cost, if any.

Esposito always recommends that you subscribe to the email newsletters. You can see past ones and sign up to receive future ones if you go to this part of the home website: https://www.music.wisc.edu/recent-newsletters/

As usual, the season at the UW-Madison will open with 40th FREE Karp Family Labor Day Concert, which now takes place the day after the holiday, on Tuesday, Sept. 3, at 7:30 p.m. in Mills Hall.

Over four decades, the Karps (below are the brothers pianist Christopher Karp with cellist Parry Karp, who will team up again this year) have never repeated a piece on the the Labor Day concerts.

The program this year includes the sublime Piano Quartet No. 2 in E-Flat Major, K. 493, by Wolfgang Amadeus Mozart (you can hear the first movement with a visual schematic in the YouTube video at the bottom); the late Sonata No. 10 for Violin and Piano in G major, Op. 96, by Ludwig van Beethoven, which has been transcribed by Parry Karp for cello and piano; and lesser known works by Robert Schumann and Antonin Dvorak.

For more about the program and the performers, who include guest violinist Suzanne Beia of the Pro Arte Quartet, the Madison Symphony Orchestra and the Wisconsin Chamber Orchestra, go to: https://www.music.wisc.edu/event/40th-karp-family-concert/


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Classical music:  Two Madison pianists perform four-hand American music Monday night at a concert for the Rural Musicians Forum at Taliesin in Spring Green

July 20, 2019
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By Jacob Stockinger

For the first time ever, the Rural Musicians Forum will present music for piano 4-hands, where two pianists play simultaneously on one piano.

On this coming Monday, July 22, at 7:30 p.m. in the Hillside Theater at architect Frank Lloyd Wright’s Taliesin compound in Spring Green, Madison-based pianists Satoko Hayami (below top) and Jason Kutz (below bottom) will showcase four-hand piano music by American composers, spanning from 1864 to 2019.

The concert by the two graduate students at the University of Wisconsin-Madison’s Mead Witter School of Music will present a variety of composers and works created for this ensemble: pre-ragtime composer Louis Moreau Gottschalk’s virtuosic arrangement of Gioachino Rossini’s William Tell Overture; excerpts from Samuel Barber’s Souvenirs, a ballet suite (heard played tag-team style in the YouTube video below); a lush arrangement of themes from the Wizard of Oz by William Hirtz; and the riveting Gazebo Dances by John Corigliano, a four-movement work that, in his own words, suggests “the pavilions often seen on village greens in towns throughout the countryside, where public band concerts are given on summer evenings.”

Additionally, the audience will hear the world premiere arrangement of Music in 3/4 for Four by Kutz, excerpts from his solo piano suite, Music in 3/4.

Admission is by free will offering, with a suggested donation of $15.

Taliesin’s Hillside Theater (below) is located at 6604 State Highway 23, about five miles south of Spring Green.


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Classical music: This Saturday night and Sunday afternoon, the Oakwood Chamber Players finish their “Vignettes” season with an American audio-visual work and music by French, Italian and British composers

May 14, 2019
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By Jacob Stockinger

This weekend, the Oakwood Chamber Players — known for highlighting neglected composers and works — perform the last concert of their current season series “Vignettes” with an array of contrasting and generally neglected works from the late 19th to 21st century.

Performances will take place on Saturday night, May 18, at 7 p.m. and on Sunday afternoon, May 19, at 2 p.m. Both concerts will be held at the Oakwood Village Center for Arts and Education, 6209 Mineral Point Road, on Madison’s far west side near West Towne Mall.

Tickets can be purchased with cash or personal checks at the door: $25 for general admission, $20 for seniors and $5 for students.

Members of the Oakwood Chamber Players (below) are: Marilyn Chohaney, flute; Nancy Mackenzie, clarinet; Amanda Szyczs, bassoon; Anne Aley, horn; and Maggie Townsend, cello.

They are joined by guest artists: Valree Casey, oboe; Hillary Hempel, violin; Michael Koszewski, percussion; Jason Kutz, piano; and Carrie Backman, conductor.

American composer Michael Gandolfi (below top) collaborated with MIT computer animator Jonathan Bachrach (below bottom) to create a unique musical and visual partnership for his Abridged History of the World in Seven Acts. Six instrumentalists create overlapping textures and rhythmic interplay in response to mesmerizing images.

Four French composers from the late 19th to mid-20th century are featured: The piano, four-hand “Dolly Suite” by Gabriel Fauré (below top) in an arrangement for woodwind quintet and piano; Petite Pièces (Small Pieces) for violin, horn and piano by his student Charles Koechlin (below middle; the sweetly engaging quartet Sérénade  (Serenade) by Reynaldo Hahn (below third)and five Pièces en Trio (Trio Pieces) for oboe, clarinet and bassoon by Jacques Ibert (below bottom).

The Piano Trio in One Movement” by British composer Norman O’Neill (below) is full of verve and heart-felt melodies.

The woodwind quintet Piccolo Offerta Musicale” by noted Italian film composer Nino Rota (below), who wrote the scores for many films by Federico Fellini, is a short homage to Johann Sebastian Bach. (You can hear in the YouTube video at the bottom.)

The Oakwood Chamber Players are a group of Madison-area professional musicians who have rehearsed and performed at Oakwood Village for over 30 years. They perform in other groups, including the Madison Symphony Orchestra, the Wisconsin Chamber Orchestra and the Willy Street Chamber Players.

For more information, go to www.oakwoodchamberplayers.com or call (608) 230-4316.

The Oakwood Chamber Players are a professional music ensemble supported by Oakwood Lutheran Senior Ministries and the Oakwood Foundation.


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Music education: The Madison Youth Choirs explore the theme of “Legacy” in three concerts this Saturday and Sunday in the Capitol Theater of the Overture Center

May 8, 2019
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By Jacob Stockinger

The Ear has received the following announcement to post from the Madison Youth Choirs about their upcoming concerts this weekend:

This spring, Madison Youth Choirs singers are exploring the meaning of “Legacy,” studying works that have endured throughout history, folk traditions that have been passed on, and musical connections that we maintain with those who have come before us. Along the way, we’re discovering how our own choices and examples are leaving a lasting impact on future generations.

In our upcoming concert series in the Capitol Theater of the Overture Center, 201 State Street, on this Saturday, May 11, and Sunday, May 12, we’ll present a variety of works. They  include Benjamin Britten’s “The Golden Vanity,” Palestrina’s beloved “Sicut Cervus,” Sweet Honey in the Rock’s “Wanting Memories,” the final chorus of Handel’s oratorio Samson, American and Scottish folk songs, and Zoe Mulford’s powerful modern folk piece, “The President Sang Amazing Grace.”

The concert will also pay tribute to our alumni, with selections featured on the very first Madison Boychoir album, and past Cantabile singers invited to join us on stage for “Sisters, Now Our Meeting is Over.”

At the Saturday concert, MYC will present the 2019 Carrel Pray Music Educator of the Year award to Diana Popowycz (below), co-founder of Suzuki Strings of Madison.

DETAILS ABOUT “LEGACY” MYC’S SPRING CONCERT SERIES

Saturday
7:30 p.m. Purcell, Britten, Holst and Ragazzi (boychoirs)

Sunday
3:30 p.m. Choraliers, Con Gioia, Capriccio, Cantilena and Cantabile (girlchoirs)

7:30 p.m. Cantilena, Cantabile and Ragazzi (high school ensembles)

THREE WAYS TO PURCHASE TICKETS:

  1. In person at the Overture Center Box Office (lowest cost)
  2. Online (https://www.overture.org/events/legacy)
  3. By phone (608-258-4141)

Tickets are $15 for adults and $7.50 for students. Children under 7 are free, but a ticket is still required and can be requested at the Overture Center Box Office. Seating is General Admission.

This concert is supported by the Pleasant T. Rowland Foundation, American Girl’s Fund for Children, BMO Harris Bank, the Green Bay Packers Foundation, the Kenneth A. Lattman Foundation and Dane Arts with additional funds from the Endres Mfg. Company Foundation, The Evjue Foundation, charitable arm of The Capital Times, and the W. Jerome Frautschi Foundation. This project is also made possible by a grant from the Wisconsin Arts Board with additional funds from the State of Wisconsin and the National Endowment for the Arts.

ABOUT MADISON YOUTH CHOIRS (MYC):

Recognized as an innovator in youth choral music education, Madison Youth Choirs (MYC) welcomes singers of all ability levels, annually serving more than 1,000 young people, ages 7-18, through a wide variety of choral programs in our community. Cultivating a comprehensive music education philosophy that inspires self-confidence, responsibility, and a spirit of inquiry leading students to become “expert noticers,” MYC creates accessible, meaningful opportunities for youth to thrive in the arts and beyond.

REPERTOIRE

SATURDAY

For the 7:30 p.m. Concert (featuring MYC Boychoirs)

Britten

“The Golden Vanity,” by Benjamin Britten (to our knowledge, this will be the first time the work has ever been performed in Madison)

Purcell

“Simple Gifts” by Joseph Brackett, arr. Aaron Copland

“Tallis Canon” by Thomas Tallis

“Sound the Trumpet” from Come Ye Sons of Art by Henry Purcell

Britten   

“Ich jauchze, ich lache” by Johann Sebastian Bach

Holst

“Hallelujah, Amen” from Judas Maccabeus by George Frideric Handel

“Sed diabolus” by Hildegard von Bingen

“Bar’bry Allen” Traditional ballad, arr. Joshua Shank

“Ella’s Song” by Bernice Johnson Reagon

Ragazzi

“Let Your Voice Be Heard” by Abraham Adzenyah

“Sicut Cervus” by Giovanni Pierluigi da Palestrina

“Agincourt Carol,” Anonymous, ca. 15th century

Ragazzi & Holst

“The President Sang Amazing Grace” by Zoe Mulford, arr. Randal Swiggum

Holst

“Shosholoza,” Traditional song from Zimbabwe

Combined Boychoirs

“Will Ye No Come Back Again?” Traditional Scottish, arr. Randal Swiggum

Legacy Choirs

“Day is Done” by Peter Yarrow, arr. Randal Swiggum

SUNDAY

For the 3:30 p.m. Concert (featuring MYC Girlchoirs)

Choraliers

“Music Alone Shall Live,” Traditional German canon

“Ut Queant Laxis,” Plainsong chant, text attributed to Paolo Diacono

“This Little Light of Mine” by Harry Dixon Loes, arr. Ken Berg

“A Great Big Sea,” Newfoundland folk song, arr. Lori-Anne Dolloff

Con Gioia

“Seligkeit” by Franz Schubert

“Blue Skies” by Irving Berlin, arr. Roger Emerson

“When I am Laid in Earth” from Dido and Aeneas by Henry Purcell

“Pokare Kare Ana” by Paraire Tomoana

“Ah, comme c’est chose belle” Anonymous, 14th century

“Hope” by Marjan Helms, poem by Emily Dickinson

Capriccio

“Non Nobis Domine,” attributed to William Byrd

“Ich Folge Dir Gleichfalls” from St. John Passion by Johann Sebastian Bach

“Dirait-on” by Morten Lauridsen

Cantilena

“Aure Volanti” by Francesca Caccini

“Ella’s Song” by Bernice Johnson Reagon

Cantabile

“Come All You Fair and Pretty Ladies” Traditional Ozark song, adapted by Mike Ross

“Wanting Memories” by Ysaye M. Barnwell

Legacy Choir

“Music in My Mother’s House” by Stuart Stotts

For the 7:30 p.m. concert (featuring High School Ensembles)

Cantilena

“Aure Volanti” by Francesca Caccini

“Una Sañosa Porfía by Juan del Encina

“Ella’s Song” by Bernice Johnson Reagon

“O Virtus Sapientiae” by Hildegard von Bingen

Ragazzi

“Sicut Cervus” by Giovanni Pierluigi da Palestrina

“Agincourt Carol,” Anonymous, ca. 15th century

“Let Your Voice Be Heard” by Abraham Adzenyah

“The President Sang Amazing Grace” by Zoe Mulford, arr. Randal Swiggum

Cantabile

“In a Neighborhood in Los Angeles” by Roger Bourland

“Sed Diabolus” by Hildegard von Bingen

“Come All You Fair and Pretty Ladies” Traditional Ozark song, adapted by Mike Ross

“Wanting Memories” by Ysaye M. Barnwell

Combined Choirs

“Let Their Celestial Concerts All Unite” by George Frideric Handel

 Cantabile and Alumnae

“Sisters, Now Our Meeting is Over,” Traditional Quaker meeting song


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Classical music: On Saturday, concerto competition winners perform with the Wisconsin Youth Symphony Orchestras (WYSO). On Sunday, Edgewood College gives a FREE concert of choral and guitar music

May 3, 2019
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ALERT: This weekend at Edgewood College, the Women’s Choir, Chamber Singers, Guitar Ensemble and Chorale will give FREE concerts. The performances are on Sunday, May 5, at 2:30 p.m. in the St. Joseph Chapel, 1000 Edgewood College Drive.

The concert features the Women’s Choir, directed by Kathleen Otterson; the Chorale and Chamber Singers, both conducted by Sergei Pavlov; and the Guitar Ensemble, directed by Nathan Wysock. 

The Women’s Choir will perform works including “One Voice” by Ruth Moody; the Chamber Singers continue with a variety of works, including “Ballad to the Moon” by Daniel Elder. The Guitar Ensemble performs “Walk, Don’t Run,” arranged by Nathan Wysock, and “New Beatles Medley,” arranged by Guitar Ensemble member Dick Stransky. The concert concludes with the Chorale performing works including “Schlof Mayn Fegeleby” by Mikhail Lermontov.

The Women’s Choir and Chamber singers are student ensembles, while the Chorale and Guitar Ensemble have both student and community members. 

By Jacob Stockinger

This weekend, the Wisconsin Youth Symphony Orchestras (WYSO) will start presenting the Eugenie Mayer Bolz Family Spring Concerts series on Saturday, May 4 and Saturday, May 18 in Mills Concert Hall, 455 North Park Street, in Madison. A schedule of times and groups is below.

Winners of the annual Youth Orchestra (below) and Philharmonia Orchestra Concerto Competitions will perform a concerto with their orchestra.

Youth Orchestra cellist Grace Kim (below), of Waunakee, will perform the Cello Concerto No. 1 by Camille Saint-Saens.

Youth Orchestra violinist Ellen Zhou (below), of Middleton, will perform the Violin Concerto by Felix Mendelssohn.

Philharmonia Orchestra percussionist Anais Griffith-Oh (below), of Madison, will perform the Concertino for Xylophone and Orchestra by Toshiro Mayuzumi.

WYSO orchestras will also perform pieces from Modest Mussorgsky, Lili Boulanger, Jean Sibelius, Antonin Dvorak and more. Visit wysomusic.org to view the concert repertoire and learn more about the WYSO program. You can listen to young participants talk about WYSO in the YouTube video at the bottom.

Tickets for each concert are available at the door 45 minutes prior to each concert, and are $10 for adults and $5 for youth 18 and under.

WYSO students travel from communities throughout southern Wisconsin and northern Illinois during the concert season to rehearse on the UW-Madison campus.

Each orchestra performs three concerts per season, with additional performance opportunities available to students.

Eugenie Mayer Bolz Family Spring Concerts

Saturday, May 4, in Mills Hall at 4 p.m. — 
Youth Orchestra

Saturday, May 18, in Mills Hall — 1 p.m. Opus One and Sinfonietta; 4 p.m. Harp Ensemble and Concert Orchestra; 7 p.m. Percussion Ensemble and Philharmonia Orchestra


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Classical music: The 16th annual all-day Wisconsin Flute Festival will be held this Saturday and will present a FREE public concert on Saturday afternoon

April 3, 2019
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By Jacob Stockinger

The Ear has received the following announcement to post:

The 16th annual Wisconsin Flute Festival will be held on this coming Saturday, April 6, at the Pyle Center, 702 Langdon Street, at the University of Wisconsin-Madison.

The Wisconsin Flute Festival brings together flutists and music lovers of all ages from Wisconsin, the greater Midwest, and across the country, for an engaging and educational day celebrating everything flute.

The festival includes: workshops; lectures; performances; junior, youth, and collegiate artist competitions; master classes and an extensive exhibit hall.

This year’s festival will feature guest artist Bonita Boyd (below in a photo by Kate Lemmon), an internationally renowned performer and Professor of Flute at the Eastman School of Music. (You can hear a sample of her teaching in the YouTube video at the bottom.)

The festival will begin at 8 a.m. at the Pyle Center at the University of Wisconsin-Madison and will culminate in a FREE 90-minute public concert beginning at 5:30 p.m. in Music Hall, at the bottom of Bascom Hill and a short walk from the Pyle Center.

The free evening concert will be performed by featured guest artist Bonita Boyd with Madison guitarist Christopher Allen (below).

Workshop topics will include yoga for flutists, orchestral audition preparation, recording techniques, a repair clinic, piccolo techniques, and more.

Participants will also have the opportunity to participate in an interactive session with low flutes including; alto flutes, bass flutes, and a contrabass flute, and take part in two flute choir reading sessions.

Performances during the day will feature an eclectic mix of music performed by professional and student flutists.

Festival attendees will hear music by composers from around the globe and from a variety of periods. Compositions by living composers will feature prominently in many of the recitals at the festival. Solo flute, flute and piano, flute quartet, and flute with mixed ensemble can be heard.

For flutists shopping for an instrument, music or accessories, companies from across the U.S. will be on-site in the Festival’s exhibit hall. Technicians will be also available to evaluate instruments and conduct minor repairs. Confirmed exhibitors include Burkart Flutes and Piccolos, Flute Specialists, Inc., Flute World, the Geoghegan Company, Heid Music and Verne Q. Powell Flutes.

Tickets range from $30 to $40 for festival participants. Tickets for non-flutist family members of participants (parents, siblings, etc.) are available for at a special rate of $7. Registration is now open and information is available online at https://wisconsinflutefestival.org. Tickets can also be purchased at the festival.

The evening concert, beginning at 5:30 p.m., will be held in Music Hall at the UW-Madison and is FREE and open to the public.

The program will include Mountain Songs by Robert Beaser, Histoire du Tango by Astor Piazzolla, Canyon Echoes by Katherine Hoover, Entr’acte by Jacques Ibert and Pièce en form de Habenera by Maurice Ravel.

The 2019 Flute Festival – which is a program of the Madison Flute Club — is sponsored by Heid Music. Major funding is provided by Verne Q. Powell Flutes, American Printing, Eric and Tobi Breisach, Distillery Marketing and Design, and Karl Sandelin – in memory of Joyce Sandelin.

Additional funding is provided by Audio for the Arts, Breisach Cordell PLLC, Dr. Danielle and Jeffrey Breisach, Madison Classical Guitar Society, Wisconsin Youth Symphony Orchestras, and Jessica and Jim Yehle.

ABOUT THE MADISON FLUTE CLUB

The Madison Flute Club was founded in 2002 and currently presents over 20 concerts each year to an audience of more than 1,500 community members. The club involves, on average, 35 active adult members and over 30 youth from the surrounding area.

To advance and achieve its mission, the Madison Flute Club has undertaken several large projects and partnered with numerous organizations and events in Dane County. These projects include the commissioning and world premiere of a work for flute choir for Design MMoCA, successfully fundraising for a contrabass flute — the first such instrument in Wisconsin — and performing at the National Flute Association Convention.

Madison Flute Club ensembles and members have been featured on Wisconsin Public Radio’s The Midday with Norman Gilliland, on WORT 89.9 FM in Madison and in the publication The Flutist Quarterly.

For more information about the Madison Flute Club, go to: http://www.madisonfluteclub.org


Posted in Classical music
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