By Jacob Stockinger
The time for announcing new seasons has arrived.
Pretty soon, over the next several weeks and months, The Ear will hear from larger and smaller presenters and ensembles in the Madison area, and post their new seasons.
First out of the gate is the critically acclaimed and popular summer group, the Madison-based Bach Dancing and Dynamite Society. (You can see a short promo video about BDDS on the YouTube video at the bottom.)
It has just announced its upcoming summer season this June, and sent out brochures with the season’s details.
This will be the 26th annual summer season and it has the theme of “Alphabet Soup.”
The concept is explained online and in a brochure newsletter (also online) in an editorial essay by BDDS co-founder and co-artistic director flutist Stephanie Jutt (seen below with co-founder and co-director pianist Jeffrey Sykes).
In many ways it will be a typical season of the eclectic group. It will feature local and imported artists. Many of both are favorites of The Ear.
His local favorites include UW-Madison pianist Christopher Taylor; violist Sally Chisholm of the UW-Madison’s Pro Arte Quartet; UW violinist Soh-Hyun Park Altino (below top, in a photo by Caroline Bittencourt); and Pro Arte cellist Parry Karp (below bottom).
Among The Ear’s favorite guest artists are violinist Carmit Zori, clarinetist Alan Kay, the San Francisco Piano Trio (below top); UW alumna soprano Emily Birsan; pianist Randall Hodgkinson; and baritone Timothy Jones (below bottom).
As usual, the season features 12 concerts of six programs over three weeks (June 9-25) in three venues – the Playhouse in the Overture Center (below top), the Hillside Theater (below middle) at Frank Lloyd Wright’s Taliesin compound in Spring Green and the Stoughton Opera House (below bottom).
In addition, there is a FREE family concert in the Overture Playhouse on June 10.
What does seem somewhat new is the number of unknown composers and an edgier, more adventurous choice of pieces, including more new music and more neglected composers.
Oh, there will be classics by such composers as Joseph Haydn, Wolfgang Amadeus Mozart, Luigi Boccherini, Franz Schubert, Johannes Brahms, Peter Tchaikovsky, Sergei Prokofiev, Maurice Ravel, Bela Bartok, Arnold Schoenberg, Benjamin Britten and others. These are the ABC’s of the alphabet soup, according to BDDS.
But also represented are composers such as Philippe Gaubert, Czech Holocaust victim Gideon Klein (below), Guillaume Conneson, Carl Czerny, Paul Moravec and Franz Doppler. These are the XYZ’s of the alphabet soup.
In between come others. Contemporary American composer, and Pulitzer Prize winner, Kevin Puts (below) is a BDDS favorite and is well represented. You will also find less performed works by Ned Rorem, Erich Wolfgang Korngold and Gerald Finzi.
For the complete programs and schedules as well as the list of performers, some YouTube videos and ticket prices, both for season tickets ($109.50, $146, $182 and $219) and for individual concerts ($43), and other information, go to:
ALERT: This week’s FREE Friday Noon Musicale at the First Unitarian Society of Madison, 900 University Bay Drive, features Eric Miller (below) playing early music for viola da gamba by Le Sieur de Machy, Johann Schenk and Carl Abel. The concert runs from 12:15 to 1 p.m.
By Jacob Stockinger
This week brings four major public events at the University of Wisconsin-Madison School of Music: one on Friday; two on Saturday; and one on Sunday.
On Friday at 5:30 p.m. in Morphy Hall, the students in the studio of soprano and UW-Madison voice professor Mimmi Fulmer (below) will present a FREE concert. Sorry, no word on the program.
For more information, go to: http://www.music.wisc.edu/event/mimmi-fulmer-studio-recital/
On Saturday at 4 p.m. in Morphy Hall the four winners of the annual Irving Shain Wood-Piano Duo Competition will give a FREE recital.
The pairs of winners are: bassoonist Chia-Yu Hsu with pianist Kangwoo Jin; and bassoonist Eleni Katz with pianist Rayna Slavova.
The program features music by Noël-Gallon (1891-1966); Henri Dutilleux (1916-2013); Gabriel Grovlez (1979-1944); Eugène Bourdeau (1850-1926); Robert Schumann (1810-1856); Gabriel Pierne (1863-1937); Eugène Bourdeau (1850-1926); and Charles Koechlin (1867-1950)
On Saturday at 5 p.m. in Mills Hall, there is a FREE concert by University Bands. Conductors are Darin Olson (below), Nathan Froebe and Justin Lindgre. Sorry, no word on the program.
Sunday at 8 p.m. in Mills Hall, the UW Symphony Orchestra will perform with soloist and UW-Madison alumnus, bassoonist Anthony Georgeson who is Principal Bassoon of the Florida Orchestra. Retiring UW-Madison professor James Smith (below top) will conduct, but the former clarinetist will NOT be a featured performer.
The program is:
Concerto for Bassoon Concerto in B-Flat Major, K. 191, by Wolfgang Amadeus Mozart with alumnus Anthony Georgeson (below bottom) as bassoon soloist. (You can hear Anthony Georgeson talk about music and the cadenzas in Mozart’s Bassoon Concerto in the YouTube video at the bottom.)
“Un Sourire pour Orchestra” (A Smile for Orchestra) by Olivier Messiaen
“Scheherazade” by Nikolai Rimsky-Korsakov
For more information, go to:
ALERT: This week’s FREE Friday Noon Musicale, at the First Unitarian Society of Madison, 900 University Bay Drive, will feature flutist Iva Ugrčić, flute and pianist Kyle Johnson performing an all-French program of music by Francis Poulenc, Olivier Messiaen, Claude Debussy and Jules Bouquet. The concert runs from 12:15 to 1 p.m.
By Jacob Stockinger
The Ear has received the following information to post:
The 14th annual Wisconsin Flute Festival will take place this coming Saturday, March 4.
The Wisconsin Flute Festival brings together flutists and music lovers of all ages from Wisconsin and the greater Midwest.
The day’s events include workshops, performances, youth and collegiate competitions, a master class, and a 2,300-plus square foot exhibition hall with purveyors of fine flutes, music and accessories.
The 14th annual Wisconsin Flute Festival will begin at 8 a.m. in the Pyle Center at UW-Madison and will culminate in a FREE public concert beginning at 5 p.m. in Mills Concert Hall, in the Mosse Humanities Building, at UW-Madison.
This concert, “Landscapes and Love Songs,” will be performed by featured guest artist Lorna McGhee. (Sorry, The Ear has no details on the program.)
This year, an expanded variety of workshops and performances will be offered. Workshop topics will include circular breathing, articulation and vibrato, in addition to sessions on maximizing practice time, musicians’ health and interpreting musical pieces.
Participants will also have the opportunity to experience an interactive session with low flutes including; alto flutes, bass flutes and a contrabass flute (below).
Performances during the day will feature: electro-acoustic music; Telemann (below top) on historical flutes; lesser-known modern masters; Romanian composers; Latin music; Bach (below bottom) transcriptions; contemporary interpretation; and works for flute, clarinet and voice. Student soloists and chamber ensembles from UW-Whitewater and UW-Madison will present concerts.
For flutists shopping for an instrument, music or accessories, over a dozen companies and organizations from across the US will be on-site in the Festival’s exhibit hall. Technicians will be also available to evaluate instruments and conduct minor repairs.
Exhibitors include Altus Flutes, Atlantic Crossing Records, Brannen Brothers Flutemakers, Inc., Burkart Flutes & Piccolos, Di Zhao Flutes, Flute Center of New York, Flute Specialists, Flute World, Heid Music, The National Flute Association, Ward-Brodt, White House of Music and Wisconsin Youth Symphony Orchestras.
Tickets are $20 to $35 for Festival participants. Tickets for non-flutist family members of participants (parents, siblings) are available for at a special rate of $5. Registration information is available online at wisconsinflutefestival.org. Tickets can be purchased at the Festival.
The evening concert beginning at 5 p.m. in Mills Hall, is FREE and OPEN TO THE PUBLIC.
The Wisconsin Flute Festival is a program of the Madison Flute Club.
About the Madison Flute Club
The Madison Flute Club was founded in 2002 and currently presents over 20 concerts each year to an audience of more than 1,500 community members. The club involves, on average, 35 active adult members and over 30 youth from the surrounding area.
To advance and achieve its mission, the Madison Flute Club has undertaken several large projects and partnered with numerous organizations and events in Dane County.
These projects include the commissioning and world premiere of a work for flute choir for Design MMoCA, successfully fundraising for a contrabass flute (the first such instrument in Wisconsin) and performing at the National Flute Association Convention.
Madison Flute Club ensembles and members have been featured on Wisconsin Public Radio’s The Midday with Norman Gilliland, WORT 89.9FM Madison and in the publication The Flutist Quarterly.
The 2017 Wisconsin Flute Festival is co-hosted by Madison Flute Club and UW-Madison Flute Studio.
Major funding is provided by: Heid Music, American Printing Company, Eric and Tobi Breisach, Distillery Marketing and Design, Karl Sandelin in honor of Joyce Sandelin and Wisconsin Youth Symphony Orchestras.
Additional funding is provided by Altus Handmade Flutes, Breisach Cordell PLLC, and Dane Arts with additional funds from the Endres Mfg. Company Foundation, The Evjue Foundation, Inc., charitable arm of The Capital Times, the W. Jerome Frautschi Foundation and the Pleasant T. Rowland Foundation.
ALERT: This week’s FREE Friday Noon Musicale at the First Unitarian Society of Madison features Danielle Breisach and Taya König-Tarasevich playing music for baroque and modern flutes. They will play works by Johann Sebastian Bach, Georg Philipp Telemann, Jacques-Martin Hottetere and Yuko Uebayashi. The concert runs from 12:15 to 1 p.m.
By Jacob Stockinger
“Con Vivo! … music with life,” (below) continues its 15th season with a chamber music concert entitled “Capital Europeans” on this Sunday afternoon, Feb. 12, at 2:30 p.m. at First Congregational United Church of Christ, 1609 University Ave. across from Camp Randall Stadium.
Tickets can be purchased at the door. Admission is $18 for adults and $15 for seniors and students.
The winter concert, called, “Capital Europeans,” features pieces from three distinct European composers, each with his own style.
Representing Paris, the program includes selections from the Organ Preludes by French composer Darius Milhaud.
Audience members are invited to join the musicians after the concert for a free reception to discuss the concert.
Adds Con Vivo’s artistic director Robert Taylor: “With this concert, we are performing a Sunday matinee with three unique composers, each with his own musical language. Our Madison audience will be able to hear our musicians up close and personal playing music of extreme delight and depth.”
Con Vivo is a professional chamber music ensemble comprised of Madison area musicians assembled from the ranks of the Madison Symphony Orchestra, the Wisconsin Chamber Orchestra and various other performing groups familiar to Madison audiences.
For more information about Con Vivo and its upcoming concerts, go to: http://www.convivomusicwithlife.org
By Jacob Stockinger
Pianist Gabriela Montero (below, in a photo by Shelley Mosman) will perform in Shannon Hall at the Wisconsin Union Theater on this Saturday night, Feb. 11, at 8 p.m. Montero last performed in Madison with the Madison Symphony Orchestra and wowed the house at the Overture Center.
On this Friday, from 4:30 to 6 p.m. in Mills Hall, Montero will also hold a master class, FREE and OPEN TO THE PUBLIC, at the University of Wisconsin-Madison School of Music.
Here are ticket prices for her recital: UW-Madison students are $10; Union members and non-UW students are $42, $38 and $25; UW-Madison faculty and staff are $44, $40 and $25; the general public is $46, $42 and $25; and young people 18 and under are $20.
The first half of Montero’s program features the first set of Four Impromptus, Op. 99, D. 899, by Franz Schubert and the playfully Romantic “Carnival” by Robert Schumann.
After intermission, the former prodigy will perform the spontaneous improvisations – usually on themes suggested by the audience – that she is acclaimed for.
According to The New York Times, “[Gabriela] Montero’s playing has everything: crackling rhythmic brio, subtle shadings, steely power in climactic moments, soulful lyricism in the ruminative passages and, best of all, unsentimental expressivity.”
Here she is performing the third Schubert impromptu, in G-flat major, in the set of four that she will play here:
Montero was born in Venezuela and gave her first performance to a public audience at the age of five. When she was eight, she made her concerto debut in Caracas, which led to a scholarship for private study in the United States.
She has been invited to perform with the world’s most respected orchestras, including the New York Philharmonic, Los Angeles Philharmonic, Liverpool Philharmonic, Vienna Symphony and more, performing in the Kennedy Center, Avery Fisher Hall and Wigmore Hall, among others.
Celebrated for her ability to brilliantly improvise, compose and play new works, Montero is an award-winning and best-selling recording artist.
She has received the Bronze Medal at the Chopin Competition, two Echo Klassik Awards in 2006 and 2007, and a Grammy nomination for her Bach and Beyond follow-up Baroque work in 2008.
She participated in the 2013 Women of the World Festival in London and spoke at the World Economic Forum in Switzerland. She has also been recognized as a composer for her Piano Concerto No. 1.
This performance is presented by the Wisconsin Union Directorate’s Performing Arts Committee and was supported in part by a grant from the Wisconsin Arts Board with funds from the State of Wisconsin and the National Endowment for the Arts. Media sponsors are WORT 89.9 FM and the UW-Madison student station WSUM 91.7 FM.
By Jacob Stockinger
It’s the weekend — a good time for another reader poll.
Last weekend, The Ear heard the Violin Sonata No. 1 by the French composer Gabriel Faure (below), in a wonderful performance by UW-Madison faculty members violinist Soh-Hyun Park Altino and pianist Christopher Taylor, who make an outstanding partnership that The Ear hopes to heard more often.
The Ear has long thought that Faure, who was the teacher of Ravel, has been neglected. His work, especially his solo piano pieces and chamber music, is subtle and appealing but unjustly overshadowed by the Germanic school.
Yet Faure seems to be getting more performances, although still not as many as he deserves.
So maybe The Ear will switch to say that the 20th-century English composer Gerald Finzi (below) is now his favorite neglected composer.
You can hear Finzi’s haunting and exquisite “Eclogue” for piano and strings, which was originally the slow movement for a piano concerto, in the YouTube video at the bottom.
But The Ear also likes Finzi’s Clarinet Concerto and his Five Bagatelles — especially the “Romance” movement — for Clarinet and Piano.
There are so many composers who deserve a wider hearing — including big mainstream composers like the prolific master Franz Joseph Haydn whose name is better known than most of his works.
Recently, on Wisconsin Public Radio, The Ear heard rarely performed solo piano works by the Czech Josef Suk (below top) and really liked them. Same goes for some solo piano works and violin works by Clara Schumann (below bottom).
There are so many other composers, including ones from Scandinavia, Asia and the United States, who fly under the radar but deserve better recognition and more performances.
So here is what The Ear wants to know:
Who is your favorite neglected composer?
And what is your favorite piece by that composer and why?
Please tell the rest of us, with a link to a YouTube performance, if possible, and help us expand our horizons.
The Ear wants to hear.
ALERT: This week’s FREE Friday Noon Musicale at the First Unitarian Society of Madison, 900 University Bay Drive, features the Ann Arbor Ensemble. The group consists of Berlinda Lopez, flute; Marie Pauls, viola; and Stacy Feher-Regehr, piano. The all-French program includes the Trio Sonata by Claude Debussy and the Trio No. 2 in A minor, Op. 34, by Cecile Chaminade.
By Jacob Stockinger
The Oakwood Chamber Players (below) continue their 2016-2017 season with a concert titled Looking Within on this coming Saturday, Jan. 21, at 7 p.m. and Sunday, Jan. 22, at 2 p.m.
The concerts will both be held at the Oakwood Center for Arts and Education, 6209 Mineral Point Road, on Madison’s far west side near West Towne.
Tickets can be purchased with cash or personal checks at the door: $20 for general admission, $15 for seniors and $5 for students. Visit www.oakwoodchamberplayers.com for more information.
Here are notes to the eclectic and unusually noteworthy program:
In 2011, American composer Byron Adams (below top) wrote a piece to honor the notable Czech-American composer Karel Husa (below bottom), who was also his composition teacher at Cornell University. The Serenade (Homage de Husa) not only illuminates Husa’s Czech heritage through musical references but also captures the essence of his positive influence in a piece that shows musical charm and wit. With the death of the Pulitzer Prize-winning Husa this past December, the intended tribute is particularly appropriate.
The Notturno (Nocturne) by Arnold Schoenberg (below) is a sweetly atmospheric, late Romantic work for harp and strings. After premiering in 1896 to an appreciative audience, this lovely piece of music was lost for decades and not rediscovered until 2001.
Originally written by French composer Maurice Ravel (below) in 1914, Kaddisch was set as a song using Aramaic text from the Jewish prayer book. The Oakwood Chamber Players will perform an evocative arrangement by David Bruce for a mixed ensemble of strings, winds, harp and English horn.
Music by British composer Gabriel Jackson (below, in a photo by Joel Garthwaite) is written with directness and clarity. In the Mendips, written in 2014, depicts the natural beauty of limestone hills in Somerset, England. The influence of generations of British composers, such as Vaughan Williams who was also inspired by pastoral beauty, is deftly woven into this piece for flute, clarinet, string trio, and harp.
Composer Frances Poulenc (below) was surrounded by the impressionist influence of his fellow French contemporaries Debussy and Ravel.
However, known for humor in how he approached his compositions, his creativity is resoundingly experienced in the high-energy Sextet for piano and woodwind quintet.
The listener will experience quicksilver shifts from the zesty vivace opening to glimpses of introspection to a dazzling high velocity finale. (You can hear the opening of the Sextet in the YouTube video at the bottom.)
The Oakwood Chamber Players are joined by guests Geri Hamilton and Maureen McCarty, violins; Brad Townsend, string bass; Aaron Hill, oboe and English horn; and Mary Ann Harr, harp (below).
This is the third of five concerts in the Oakwood Chamber Players’ 2016-2017 season series entitled Perspective. Remaining concerts will take place on March 18 and 19, and May 13 and 14.
The Oakwood Chamber Players are a group of Madison-area professional musicians who have rehearsed and performed at Oakwood Village for over 30 years.
The Oakwood Chamber Players are a professional music ensemble proudly supported by Oakwood Lutheran Senior Ministries and the Oakwood Foundation
By Jacob Stockinger
You may recall that several days ago, The Ear named the Willy Street Chamber Players (below) as Musicians of the Year for 2016.
He also mentioned that although there were not yet any YouTube videos of the group, which will have its third season this summer, the alternative radio station WORT-FM 89.9 has broadcast recordings of live performances.
Here is a link to that posting:
If you haven’t yet heard the Willy Street Chamber Players live, you can hear them this Thursday morning on WORT FM 89.9.
Here is what Rich Samuels, radio host and friend of the Willys, writes:
“Thursday morning, Jan. 5, at 7:28 a.m. on my WORT “Anything Goes” broadcast, I’ll be airing the Willy Street Chamber Players performing the Clarinet Quintet in A Major, K. 581, by Wolfgang Amadeus Mozart, which I recorded last July 29 at Madison’s Immanuel Lutheran Church.
(In the YouTube video at the bottom, you can hear the opening movement of Mozart’s beautiful Clarinet Quintet performed by the Emerson String Quartet with clarinetist David Shifrin of the Lincoln Center Chamber Music Players in New York City.)
“Michael Maccaferri is the clarinet soloist (below). He’s a member of the eighth blackbird ensemble of Chicago. He’s participated in four eighth blackbird Grammy-winning releases on the Cedille label, the local nonprofit recording label that is also in Chicago and that recently turned 25.
“Violinist Eleanor Bartsch (below), who presently freelances in Chicago, recruited Maccaferri for this event. In addition to Eleanor, this performance features Willy Street violinist Beth Larson, violist Rachel Hauser and cellist Lindsay Crabb.
“It was my privilege to record most of the first two seasons of the Willy Street Chamber Players for broadcast on WORT.
“Hopefully I’ll be able to continue that tradition in 2017.”
Here is a link about upcoming strong quartet concert on Jan. 21 and 22 and about the Willy Street Chamber Players in general:
ALERT: In yesterday’s post about the upcoming house concert of keyboard music by Trevor Stephenson, The Ear listed the wrong date in the headline. It was corrected, but The Ear apologizes and feels a correction is still needed for those who missed it: The concert is on Friday, Jan. 6, at 7 p.m. For more information, go to:
By Jacob Stockinger
It comes as welcome and heart-warming news at a time when so much news is negative, accusatory and depressing.
Maestro James Smith (below, in a photo by Michael Anderson) — who has been conducting the UW-Madison Symphony Orchestra, the UW-Madison Chamber Orchestra and the University Opera as well as the Wisconsin Youth Symphony Orchestras for 32 years — has received a fine piece of community recognition.
Smith has just received the monthly “Making a Difference” award from NBC TV Channel 15, which also broadcast once again three times WYSO’s traditional concert “Sounds of the Season” on Christmas Eve and Christmas Day.
Here is the 3-1/2 minute video, which includes an interview with Smith as well as testimony from a former student who has gone on to have a professional career in music, about the NBC award:
Such recognition is nothing new for Smith, who has won many honors as well as the esteem of his colleagues, his students and his audiences.
Six years ago, The Ear named Smith as ‘Musician of the Year’ for 2010:
Here is that post:
More recently, The Ear talked about Smith’s upcoming retirement and his post-retirement plans in a post about four major people who will retire this spring from the UW-Madison School of Music:
The Ear loves Smith’s reply when he was asked by anchor John Stofflet of NBC for advice to his successor:
“Learn from the students,” said Smith, a trained professional and concertizing clarinetist who turned to conducting.
The Ear, who was a longtime teacher himself, knows the truth of that answer.
Thank you and bravo, Maestro Smith.