The Well-Tempered Ear
Con Vivo woodwind quintet plays a FREE outdoor concert TONIGHT on Madison’s west side
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By Jacob Stockinger
The Ear wants to thanks the many readers who sent congratulations and best wishes to him on the return of his blog.
He also wants to post the following announcement:
Con Vivo! … music with life has been opening its 18th season of chamber music concerts with free concerts in city parks performed by CVQ — the con vivo! woodwind quintet (below).
The last FREE performance will take place TONIGHT – Saturday, June 12 — at 7 p.m. at Rennebohm Park (below, the exterior and interior of the shelter), 115 North Eau Claire Ave., on Madison’s west side not far where the old state DMV building used to be.
The concert will include music by Aaron Copland, Louis Moreau Gottschalk, Franz Danzi and Beethoven.
The woodwind quintet is composed of flute, oboe, clarinet, bassoon and French horn.
The event is free and everyone is welcome. So bring a lawn chair or blanket, and join us for what will prove to be an enjoyable evening of live music!
For more information, visit www.convivomusicwithlife.org or call (608) 277-8087.
This project is supported in part by Dane Arts with additional funds from the Endres Mfg. Company Foundation; The Evjue Foundation, Inc., the charitable arm of The Capital Times; the W. Jerome Frautschi Foundation; and the Pleasant T. Rowland Foundation.
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Bach Around the Clock 2021 will be virtual again. It runs March 17-26, and will feature daily performances plus new activities
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By Jacob Stockinger
The Ear has received the following announcement to post from violist Marika Fischer Hoyt – the founder, participant and artistic director of the annual Bach Around the Clock (BATC). It is one of the most enjoyable events in the area and celebrates the birthday of Johann Sebastian Bach (1685-1750, below).
It features performances by student, amateur and professional individuals and groups — local, regional and national. (Performance photos come from last year’s videos, thanks to Rich Samuels, who recorded and edited the WORT-FM radio show devoted to BATC 2020, which you can hear in the impressive 3-hour YouTube video at the bottom. Listen to it in its entirety or skip around.)
The Bach Around the Clock (BATC) Board of Directors is delighted to present the BATC 2021 Festival, a series of online and virtual events designed to make the joy of Bach’s music as widely available as possible.
Our theme this year is Building Bridges with Bach, and we look forward to expanding our activities to reach new performers and new audiences. (Below is pianist Vibhu Akella playing an electric keyboard.)
The 2021 Virtual Festival launches on Wednesday, March 17, with a concert by our Ensemble-In-Residence, Sonata à Quattro (below, in a photo by Barry Lewis). SAQ will present a program recorded in Luther Memorial Church, as part of the monthly Just Bach concert series.
BATC will add a new festival program every day for 10 days, through March 26, with all programs posted FREE on our home website at https://bachclock.com. (Below is the Webb Trio.)
Interested performers should visit the “Contact/Sign Up” page to submit their proposals and ideas.
BATC participants, who are located far and wide, have two options this year: they can pre-record their performances at home or elsewhere and submit them electronically; or they can request to perform in a BATC concert venue with a professional recording crew. (Below is cellist Derick Handley.)
We will provide keyboard players with the use of a concert-level piano, organ and harpsichord in a space roomy enough to safely accommodate small ensembles. (Below is harpsichordist Dan Sullivan.)
The resulting videos will be incorporated into one of the festival day’s free public programs, and will be available to the performers to keep. This option might be particularly attractive for high school seniors, looking to augment their college applications. (Below is clarinetist Brian Gnojek.)
Other new festival initiatives include Bach Chorale sing-alongs; evening Zoom receptions; mini-courses to help participants of all ages take part; and possibly a Guest Artist. More details will be announced closer to the festival.
The BATC Board hopes the 2021 Festival provides an outlet for musicians to share their talent and passion with the warmly appreciative local community.
Live music nourishes the soul of performer and audience member alike, and the transcendent, life-giving joy woven into the music of Johann Sebastian Bach is something we need now more than ever.
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Classical music: FREE percussion, brass and wind concerts are featured this week at the UW-Madison
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By Jacob Stockinger
In the week before Spring Break, the Mead Witter School of music at the UW-Madison will feature FREE concerts of percussion, brass and wind music.
TUESDAY, MARCH 10
At 7:30 p.m. in the Collins Recital Hall of the new Hamel Music Center, 740 University Ave., the percussion department will give a FREE recital. No program is listed.
WEDNESDAY, MARCH 11
At 7:30 p.m. in Collins Recital Hall, guest percussionist-composer Mark Stone (below) will give a FREE solo recital of original compositions for mbira and gyil.
The program will include music for the newly invented array mbira, an American-made 120 key lamellaphone. Stone will also share music composed for the Dagara gyil, a xylophone from Ghana as well as mbira traditions of South Africa and Uganda.
Also on Wednesday night at 8 p.m. in the Mead Witter Foundation Concert Hall, the acclaimed Wisconsin Brass Quintet will give a FREE faculty recital.
The program is:
Johann Sebastian Bach – Contrapunctus IV from “Die Kunst Der Fuge” (The Art of Fugue). You can hear Canadian Brass perform it in the YouTube video at the bottom.
Andre Lafosse – “Suite Impromptu”
Werner Pirchner – “L’Homme au marteau dans la poche” (Man With a Hammer in His Pocket)
Rich Shemaria – “Pandora’s Magic Castle”
Per Nørgård – “Vision”
The 2019-2020 Wisconsin Brass Quintet (below) is: Jean Laurenz and Gilson Silva, trumpets; Daniel Grabois, horn; Mark Hetzler, trombone; and Tom Curry, tuba.
Please note: In spring 2020, Mark Hetzler will be on sabbatical. His replacement will be Will Porter (below), instructor of trombone at Eastern Illinois University . Read about Porter here
THURSDAY MARCH 12
At 7:30 p.m. in the Mead Witter Foundation Concert Hall, the UW Wind Ensemble will give a FREE concert.
The ensemble will perform under the batons of director Scott Teeple (below) and guest conductor Ross Wolf.
The program is:
Frank Ticheli: “Apollo Unleashed” from Symphony No. 2
Ching–chu Hu: In Memory Of…*
With special guest The Hunt Quartet
*World Premiere Performance/UW Band Commissioning Member
Morten Larudisen/Reynolds: “Contre Qui, Rose”
Beverly Taylor, guest conductor.
Jodie Blackshaw: Symphony, “Leunig’s Prayer Book”*
*Wisconsin Premiere
Tags: #AfricanMusic, #American-made, #AndreLafosse, #ArtofFugue, #BaroqueMusic, #BeverlyTaylor, #BlogPost, #BlogPosting, #BrassMusic, #BrassQuintet, #CanadianBrass, #ChamberMusic, #Ching-chuHu, #ChoralMusic, #CollinsRecitalHall, #CommissionedMusic, #ConcertProgram, #CriticalAcclaim, #DanielGrabois, #EasternIllinoisUniversity, #FacebookPost, #FacebookPosting, #FacultyConcert, #FacultyMember, #FrankTicheli, #FrenchHorn, #GilsonSilva, #GuestArtist, #GyilMusic, #HamelMusicCenter, #HornMusic, #HuntQuartet, #InMemoryof, #JacobStockinger, #JeanLaurenz, #JodieBlackshaw, #JohannSebastianBach, #MarkHetzler, #MarkStone, #MeadWitterFoundationConcertHall, #MeadWitterSchoolofMusic, #MortenLauridsen, #PercussionMusic, #PerNørgård, #PrayerBook, #RichShemaria, #RossWolf, #ScottTeeple, #SouthAfrica, #SpringBreak, #StringQuartet, #TheEar, #TomCurry, #TromboneMusic, #TrumpetMusic, #TubaMusic, #UniversityofWisconsin-Madison, #UWBand, #UWWindEnsemble, #VocalMusic, #WernerPirchner, #WillPorter, #WindMusic, #WisconsinBrassQuintet, #WisconsinPremiere, #WorldPremiere, #YouTubevideo, acclaim, Africa, African, American, and, Andre Lafosse, Apollo, array, Art of Fugue, artist, Arts, audience, Bach, band, Baroque, baton, Beverly Taylor, blog, Book, brass, Brass quintet, Canadian Brass, castle, Chamber music, Ching-chu Hu, choral music, Classical music, classicalmusic, Collins Recital Hall, commission, commissioned music, composer, Concert, conductor, Contrapunctus, counterpoint, Dagara, Daniel Grabois, department, director, Early music, Eastern Illinois University, ensemble, Facebook, faculty, Frank Ticheli, free, French horn, fugue, Ghana, Gilson Silva, Grabois, guest, guest artist, gyil, Hamel Music Center, hammer, Horn, Hunt Quartet, impromptu, In memory of, invented, Jacob Stockinger, Jean Laurenz, Jodie Blackshaw, Johann Sebastian Bach, Lafosse, lamellaphone, Madison, magic, man, Mark Hetzler, Mark Stone, mbira, Mead Witter Foundation Concert Hall, Mead Witter School of Music, memory, Morten Lauridsen, Music, new, note, Orchestra, Pandora, Per Norgard, percussion, percussionist, perform, performer, Pirchner, pocket, post, posting, prayer, prayer book, professor, program, public, Quartet, quintet, recital, replacement, Rich Shemaria, rose, Ross Wolf, sabbatical, Scott Teeple, Shemaria, solo, South Africa, Spring Break, String quartet, Student, Suite, symphony, Taylor, The Ear, Ticheli, Tom Curry, tradition, Trombone, trombonist, Trumpet, Tuba, Uganda, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, unleashed, UW, UW Band, UW Wind Ensemble, UW-Madison, Viola, Violin, vision, vocal music, Werner Pirchner, Will Porter, Wind, wind music, Wisconsin, Wisconsin Brass Quintet, Wisconsin Premiere, world premiere, xylophone, YouTube
Classical music: World-famous Japanese violist Nobuko Imai will teach and perform two FREE concerts with students and the Pro Arte Quartet during her UW residency today and Thursday
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By Jacob Stockinger
Think of it as Viola Week at the University of Wisconsin-Madison Mead Witter School of Music — a chance to celebrate the gorgeous, mellow sound of a frequently but unjustly maligned instrument (below) the range of which falls between the higher violin and the lower cello.
The world-famous Japanese violist Nobuko Imai (below) is returning to the UW-Madison campus this week for a two-day residency where she will give master classes and perform.
Imai will be joined by two other distinguished guest violists, both Taiwanese: Wei-Ting Kuo (below top, in a photo by Todd Rosenberg) now of the Chicago Symphony Orchestra and formerly the Milwaukee Symphony Orchestra; and En-Chi Cheng (below bottom), a prize-winning, concertizing student of Imai now studying at the Juilliard School.
For detailed biographies of all three violists go to: https://www.music.wisc.edu/event/nobuko-imai-with-wei-ting-kuo-and-the-uw-madison-viola-studio/
The violists will give two FREE concerts in the new Hamel Music Center, 740 University Avenue.
At 7 p.m. TONIGHT, Wednesday, Oct. 30, in Collins Recital Hall, Nobai and the two other guest artists will perform with viola students at the UW-Madison Mead Witter School of Music. No program has been given for them. Nobuko will also perform a chorale by Johann Sebastian Bach with UW-Madison collaborative pianist Martha Fischer (below).
Then at NOON tomorrow, Thursday, Oct. 31, in the Mead Witter Foundation Concert Hall, the UW’s Pro Arte Quartet (below, in a photo by Rick Langer) will perform the melodious “American” Viola Quintet by Antonin Dvorak with Imai. (You can hear the second movement of the Dvorak quintet in the YouTube video at the bottom.)
In addition to a viola arrangement of the “Song of the Birds” by Pablo Casals, Imai will perform the Adagio movement from Beethoven’s Trio in C Major for Two Oboes and English Horn, Op. 87, with Wei-Ting Kuo and Pro Arte Quartet violist Sally Chisholm (below, second from right).
Tags: #AmericanQuintet, #AntoninDvorak, #AsianMusicians, #BaroqueMusic, #BlogPost, #BlogPosting, #ChamberMusic, #ChicagoSymphonyOrchestra, #ChineseMusicians, #CollaborativePianist, #CollegeStudent, #CollinsRecitalHall, #ConcertHall, #En-ChiCheng, #FacebookPost, #FacebookPosting, #FrenchHorn, #GraduateStudent, #HamelMusicCenter, #JohannSebastianBach, #JuilliardSchool, #LudwigVanBeethoven, #MarthaFischer, #MeadWitterFoundationConcertHall, #MeadWitterSchoolofMusic, #MilwaukeeSymphonyOrchestra, #NobukoImai, #PabloCasals, #PianoAccompaniment, #PianoAccompanist, #Prize-Winning, #ProArteQuartet, #SallyChisholm, #SongoftheBirds, #StringMusic, #TheEar, #TheViola, #UniversityofWisconsin-Madison, #ViolaMusic, #ViolaQuintet, #Wei-TingKuo, #World-famous, #YouTubevideo, accompany, adagio, America, American, Antonín Dvořák, arrangement, Arts, Asia, audience, Bach, Baroque music, Beethoven, bird, birds, blog, Campus, celebrate, Cello, Chamber music, Chicago Symphony Orchestra, China, Chinese, Chinese musicians, Chorale, Classical music, classicalmusic, collaborative pianist, Collins Recital Hall, composer, Concert, concert hall, concertize, concertizing, Dvorak, En-Chi Cheng, Facebook, famous, forward, foundation, free, French horn, frequent, gorgeous, Hamel Music Center, higher, instrument, Jacob Stockinger, Japan, Japanese, Johann Sebastian Bach, Juilliard School, like, link, lower, Ludwig van Beethoven, Madison, malign, Martha Fischer, master class, masterclass, Mead Witter Foundation Concert Hall, Mead Witter School of Music, mellow, melodious, melody, Milwaukee Symphony Orchestra, Music, New York City, night, Nobuko Imai, noon, Oboe, Pablo Casals, perform, performer, Pianist, Piano, post, posting, prize, Pro Arte Quartet, quintet, range, reader, residency, resident, Sally Chisholm, share, song, Song of the Birds, Sound, string music, Student, study, studying, subscriber, tag, Taiwan, Taiwanese, teach, The Ear, Thursday, tomorrow, tonight, transcription, trio, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, unjust, UW-Madison, vioist, Viola, viola music, viola quintet, Violin, week, Wei-Ting Kuo, Wind, wind trio, Wisconsin, world, YouTube
Classical music: This coming week at the UW-Madison brings a FREE concert of flute and piano music by guest artists on Monday night and a FREE performance by the Wisconsin Brass Quintet on Wednesday night
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By Jacob Stockinger
This coming week at the University of Wisconsin-Madison Mead Witter School of Music brings two FREE chamber music concerts of flute music and brass music.
On Monday night, Oct. 14, at 7 p.m. in the Collins Recital Hall in the new Hamel Music Center, 740 University Ave., located next to the new wing of the Chazen Museum of Art, guest artists flutist Elise Blatchford (below top) from the University of Memphis and pianist Jacob Coleman (below bottom) from the University of Kentucky will perform a FREE recital.
No program is listed.
For more biographical information, go to: https://www.music.wisc.edu/event/guest-artists-elise-blatchford-flute-with-jacob-coleman-piano/
On Wednesday night, Oct. 16, at 7:30 p.m. in the Mead Witter Foundation Concert Hall of the new Hamel Music Center, the Wisconsin Brass Quintet (below) will give a FREE performance.
The quintet is a critically acclaimed, longtime faculty group at the UW-Madison. For background about the ensemble, go to: https://www.music.wisc.edu/wisconsin-brass-quintet/
Members of the 2019-20 Wisconsin Brass Quintet are Jean Laurenz and Gilson Silva, trumpets; Daniel Grabois, horn; Mark Hetzler, trombone; and Tom Curry, tuba.
Please note: In fall 2019, Daniel Grabois will be on sabbatical. His replacement will be Jeff Scott (below), hornist with the Grammy-nominated Imani Winds. Read about Jeff here.
The program of modern classics includes:
“Mini Overture” by Witold Lutoslawski (heard in the YouTube video at the bottom)
“Celestial Suite” by James Stephenson
“Reflecting Light” by Adam Schoenberg
“Adam’s Rib” by James MacMillan
Quintet No. 2 by Victor Ewald
For more information, go to: https://www.music.wisc.edu/event/wisconsin-brass-quintet-faculty-ensemble/
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Classical music: Madison native and virtuoso trumpeter Ansel Norris has made it to the final round of the 16th International Tchaikovsky Competition. You can hear him perform live on Thursday morning or in replay
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A REMINDER and CORRECTION: American pianist Kenneth Broberg, who performed last season in Madison on the Salon Piano Series at Farley’s House of Pianos, will be the last finalist – not the second-to-last – in the final concerto round of the 16th International Tchaikovsky Competition. The pianist from China that was to play after him played yesterday instead.
Broberg will play the “Rhapsody on a Theme of Paganini” by Sergei Rachmaninoff and the Piano Concerto No. 1 in B-flat minor, Op. 23, by Tchaikovsky. You can watch his performance live still on Thursday morning at 11:45 a.m. by going to https://tch16.medici.tv/en/ and clicking on PIANO LIVE or REPLAY after the performance.
By Jacob Stockinger
This news came to The Ear late or he would have passed along more information much earlier.
Ansel Norris (below), a 26-year-old Madison native and virtuoso trumpeter, has made it as one of the nine finalists — the contest started with 47 contestants in trombone, French horn, trumpet and tuba — in the first-ever Brass Competition at the 16th International Tchaikovsky Competition.
You can hear Norris perform live on Thursday morning at 7:45 a.m. via live-streaming or afterwards via replay. Just go to https://tch16.medici.tv/en/
Then click on BRASS and choose WATCH or REPLAY.
You can also listen to his earlier performances.
Here is a link to his performance in the first round, when he played a concerto by Franz Joseph Haydn plus works by Allen Vizzutti and Georges Enescu:
https://tch16.medici.tv/en/replay/first-round-with-ansel-norris/
And here is a link to his performance in the semi-final round, where he played concertos by Johann Friedrich Fasch and Vladimir Peskin — you can hear a much younger Norris play the first movement with piano in the YouTube video at the bottom — as well as a solo competition piece by Théo Charlier:
https://tch16.medici.tv/en/replay/semi-final-with-ansel-norris/#filter?instrument=brass
His performance in the finals, with an orchestra in St. Petersburg instead of Moscow, will take place on Thursday, June 27, at 7:45 a.m.
He will play Lensky’s aria “Where, Where Have You Gone?” from the opera “Eugene Onegin” by Tchaikovsky and the Trumpet Concerto by Rodion Shchedrin. Playing opera arias and art songs on the trumpet is a Norris specialty.
Norris, a graduate of Northwestern University who was also a member of the well-known New World Symphony in Miami, studied with John Aley, University of Wisconsin-Madison Emeritus Professor and Principal Trumpet of the Madison Symphony Orchestra, and played for many years in the Wisconsin Youth Symphony Orchestras.
Norris is the son of Katherine Esposito, the concert manager and publicity coordinator at the UW-Madison’s Mead Witter School of Music.
Here is a link to the more complete and current biography posted by the Tchaikovsky Competition:
https://tch16.medici.tv/en/competitors/ansel-norris/
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Classical music: The Middleton Community Orchestra and UW-Madison horn player Dafydd Bevil excel in a concerto by Richard Strauss and a theater suite by Ralph Vaughan-Williams. Plus, the UW’s Perlman Trio performs Saturday afternoon
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ALERT: On SATURDAY – (not today as first mistakenly listed) –at 3:30 p.m. in Morphy Recital Hall, the annual FREE concert by the UW’s Perlman Trio — named after benefactor Kato Perlman — will perform piano trios by Franz Joseph Haydn and Robert Schumann, and a piano quartet by Johannes Brahms. A reception will follow For more information about the student performers and the full program, go to: https://www.music.wisc.edu/event/the-perlman-trio/
By Jacob Stockinger
Here is a special posting, a review written by frequent guest critic and writer for this blog, John W. Barker. Barker (below) is an emeritus professor of Medieval history at the University of Wisconsin-Madison. He also is a well-known classical music critic who writes for Isthmus and the American Record Guide, and who hosts an early music show once a month on Sunday morning on WORT FM 89.9 FM. For years, he served on the Board of Advisors for the Madison Early Music Festival and frequently gives pre-concert lectures in Madison. Barker also took the performance photos.
By John W. Barker
The Middleton Community Orchestra (below), under conductor Kyle Knox, brought off a splendid concert on last Wednesday evening.
The opening item was the Introduction and Allegro, Op. 47, for string quartet and string orchestra by Edward Elgar. This is a broad work of great Romantic sweep, featuring the lush textures pitting a large ensemble against a miniature one.
The largely amateur Middleton orchestra fields a very large string section. It has not yet completely fused into a suave entity, but the 30-odd players did a brave job of capturing the music’s rhetorical richness.
The soloist for the evening was Dafydd Bevil (below), a French horn player who is very active in a number of orchestras and ensembles in the Madison area while currently engaged in doctoral studies at the University of Wisconsin-Madison’s Mead Witter School of Music.
Bevil boldly chose as his vehicle the second of Richard Strauss’ two horn concertos. Neither is heard in concert very much, though the Concerto No. 1 is a little more familiar from recordings. That is a bravura piece, composed in 1882, when Strauss (below) was 18, and was written for his father, Germany’s foremost horn virtuoso.
The Concerto No. 2 dates from the other end of Strauss’s career, in 1942, the first of some wind concertos undertaken during and after World War II. Intended to recapture his earlier instrumental style, it is a much more studied piece than its predecessor.
Bevil, clearly a player of exceptional skill and musicality, powerfully met Strauss’ showy and florid solo writing. This is a virtuoso musician with a promising future.
The remainder of the concert was devoted to the first of what would be a number of scores Ralph Vaughan Williams (below) prepared to fit Classical Greek plays. (RVW was himself a very accomplished master of ancient Greek.)
In 1912, inspired by the translations of Gilbert Murray, he produced music to set Murray’s English texts for three of the plays by Euripides: The Bacchae, Electra, and Iphigenia in Tauris.
Before that, however, in 1909, still early in his career, Vaughan Williams composed incidental music to a production (in Greek) of the comedy by Aristophanes, The Wasps.
From that Aristophanic score, the composer put together an orchestral concert suite of an overture and five incidental numbers. The overture itself has enjoyed some frequency of concert performances, but the full suite is little known to the public over here.
It was a clever stroke of programming that Kyle Knox (below) led the orchestra in the full suite. This is delightful music, full of typical Vaughan Williams whimsy, inventiveness, and cleverness. Sounding simple, it creates balances and details not easy to manage, but Knox and the orchestra performed it with dazzling flair. (You can hear the rarely performed full suite in the YouTube video at the bottom)
This is exactly the kind of enterprise that makes the Madison area’s musical life so stimulating and joyous.
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Classical music: UW-Madison horn player Dafydd Bevil solos with the Middleton Community Orchestra this Wednesday night
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By Jacob Stockinger
This Wednesday night at 7:30 p.m., UW graduate horn student Dafydd Bevil (a Welsh named related to David, below top) will solo in the penultimate concert of the season by the mostly amateur but critically acclaimed Middleton Community Orchestra (below bottom).
The concert is held in the Middleton Performing Arts Center (below) that is attached to Middleton High School, 2100 Bristol Street.
The program, to be performed under the baton of guest conductor Kyle Knox (below), features the Horn Concerto No. 2 by Richard Strauss. (You can hear the opening movement of the horn concert in the YouTube video at the bottom.)
Also on the program are Sir Edward Elgar‘s Introduction and Allegro for Strings, Op. 47, and Ralph Vaughan-Williams “The Wasps: Aristophanic Suite.”
General admission is $15 general admission; students are admitted for free.
Tickets are available at Willy St. Co-op West and at the door.
Students can get tickets at the door only on the night of the show. The box office opens at 6:30 p.m. and concert hall doors open at 7 p.m.
As usual, there will be a meet-and-greet reception (below) for the musicians and the audience after the performance.
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Classical music: This week the UW-Madison hosts a faculty horn recital and two orchestral concerts – one by the visiting and innovative chamber orchestra The Knights and the other by UW students
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By Jacob Stockinger
This week is a busy one at the UW-Madison’s Mead Witter School of Music with concerts on Wednesday, Thursday and Saturday.
There are also FREE and PUBLIC master classes on Friday.
Here are details:
WEDNESDAY, FEB. 5
At 7:30 p.m. in the Collins Recital Hall of the new Hamel Music Center, 740 University Ave., UW horn professor Daniel Grabois (below, in a photo by James Gill) – a member of the acclaimed Wisconsin Brass Quintet – will perform a FREE faculty recital.
Grabois will be accompanied by pianist Shuk-Ki Wong.
No specific program has been posted. But composers on the program include Eugene Bozza, Charles Gounod, Francis Poulenc, Wolfgang Plagge and a world premiere by Daniel Kessner.
THURSDAY, FEB. 6
At 7:30 p.m. in the Mead Witter Foundation Concert Hall, also in the Hamel Music Center, the UW Symphony Orchestra (below, with the UW Choral Union in the background) will give a FREE concert.
UW professor Oriol Sans (below), who is new to campus this year, will be the main conductor with Michael Dolan serving as a guest conductor.
The program is the “Appalachian Spring” Suite by Aaron Copland and the Symphony No. 9 by Dmitri Shostakovich.
SATURDAY, FEB. 8
At 8 p.m. in the Mead Witter Foundation Concert Hall, guest artists The Knights will give a concert that features UW clarinetist Alicia Lee (below), who is a member of the Wingra Wind Quintet and who toured with The Knights chamber orchestra during the decade she lived and worked in New York City.
Says Lee: “We are excited to bring a group with a fresh perspective that is run in perhaps a less traditional way,” Lee says of the residency. “This is a group of people with interesting, diverse approaches to a life in music. Many have been making music together for nearly 20 years, so the roots of both friendship and musical values run very deep.”
On Friday, Feb. 7, The Knights (below) will offer a one-day, on-campus residency that is FREE and OPEN TO THE PUBLIC.
Opportunities include access to strings, wind, percussion and horn master classes; a workshop on music business; a side-by-side orchestral reading; and attendance at their rehearsal. All activities will take place in the Hamel Music Center. For a day-long schedule, go to: https://www.music.wisc.edu/the-knights/
You can hear rehearsals and commentaries by The Knights in the YouTube video at the bottom.
According to program notes: “The Knights is a collective of adventurous musicians, dedicated to transforming the orchestral experience and eliminating barriers between audiences and music.
“Driven by an open-minded spirit of camaraderie and exploration, they inspire listeners with vibrant programs that encompass their roots in the classical tradition and passion for artistic discovery.
“The orchestra has toured and recorded with renowned soloists including Yo-Yo Ma, Dawn Upshaw, Bela Fleck and Gil Shaham, and have performed at Carnegie Hall, Tanglewood and the Vienna Musikverein. Read more at: https://theknightsnyc.com”
The program for The Kreutzer Project concert on Saturday night is:
Colin Jacobsen: World premiere of a new work
Ludwig van Beethoven: Kreutzer Concerto (based on the famous Kreutzer Sonata) arranged by The Knights for solo violin and chamber orchestra
INTERMISSION
Leos Janacek: The “Kreutzer Sonata” String Quartet arranged by The Knights for chamber orchestra
Johannes Brahms: Hungarian Dances arranged by The Knights for chamber orchestra
General admission tickets are $30 and are available at the Campus Ticketing Office in the Memorial Union and by calling (608) 265-ARTS (2787) or visiting: https://artsticketing.wisc.edu/Online/default.asp?doWork::WScontent::loadArticle=Load&BOparam::WScontent::loadArticle::article_id=83A6D957-B006-4ABC-AFB2-6485A8C4D94C.
Free rush tickets for UW-Madison students and music faculty are subject to availability. Visit the Hamel box office one hour before the concert.
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