#Yo-YoMa | The Well-Tempered Ear

Check out the 2022 classical music Grammys for trends and suggested listening

April 9, 2022
4 Comments

PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.

By Jacob Stockinger

No doubt you have already heard about the 64th annual Grammy Awards, which were awarded last Sunday night.

But chances are you haven’t heard much about the classical music Grammys.

That’s just not where the money and publicity are for major record companies and for the music industry in general, compared to other, much more profitable genres such as hip-hop, rock and pop.

But the classical Grammy nominations and winners can be a good source about what composers, performers and music you might want to check out via streaming or by buying a CD.

You can also get a good idea of trends in classical music.

Contemporary or new music is big again this year, dominating the old standard classics.

Just like local, regional, national and international performers, both individuals and groups, the Grammys show an emphasis on female composers and performers, and a similar emphasis on rediscovering composers and performers of color from both the past and the present.

You might also notice that the New Orleans-born, Juilliard-trained jazz pianist and singer Jon Batiste (below) — who plays on CBS’ The Late Show with Stephen Colbert and directs the house band Stay Human and who seems a one-man Mardi Gras — was nominated for a record 11 Grammys and won five in other categories, seems to be the new Wynton Marsalis. Like Marsalis, with whom Batiste worked, Batiste seems perfectly at home in classical music as well as jazz, soul, blues and pop. And his original classical work Movement 11 was nominated for a Grammy this year.

Social activism, in short, has finally brought diversity and inclusion into the Grammys in a way that seems permanent.

Below are the nominations and winners of the 2022 classical music Grammys. Winners are boldfaced. I have also offered a few examples of those musicians who have performed in Madison and for what venue, although there are many more connections than indicated.

If you want to see the nominations and winners in other categories, here is a link:

https://www.npr.org/2022/04/03/1090342877/2022-grammys-full-list-winners-nominees

75. Best Engineered Album, Classical

Archetypes — Jonathan Lackey, Bill Maylone and Dan Nichols, engineers; Bill Maylone, mastering engineer (Sérgio Assad, Clarice Assad and Third Coast Percussion)
Beethoven: Cello Sonatas – Hope Amid Tears — Richard King, engineer (Yo-Yo Ma and Emanuel Ax)
Beethoven: Symphony No. 9 — Mark Donahue, engineer; Mark Donahue, mastering engineer (Manfred Honeck, Mendelssohn Choir Of Pittsburgh and Pittsburgh Symphony Orchestra)
Chanticleer Sings Christmas — Leslie Ann Jones, engineer (Chanticleer)
Mahler: Symphony No. 8, ‘Symphony Of A Thousand’ — Alexander Lipay and Dmitriy Lipay, engineers; Alexander Lipay and Dmitriy Lipay, mastering engineers (Gustavo Dudamel, Fernando Malvar-Ruiz, Luke McEndarfer, Robert Istad, Grant Gershon, Los Angeles Children’s Chorus, Los Angeles Master Chorale, National Children’s Chorus, Pacific Chorale and Los Angeles Philharmonic)

76. Producer Of The Year, Classical

Blanton Alspaugh
Steven Epstein
David Frost
Elaine Martone
Judith Sherman (below, who also recorded the UW-Madison Pro Arte Quartet’s centennial commissions)

CLASSICAL

77. Best Orchestral Performance

“Adams: My Father Knew Charles Ives; Harmonielehre” — Giancarlo Guerrero, conductor (Nashville Symphony Orchestra)
“Beethoven: Symphony No. 9” — Manfred Honeck, conductor (Mendelssohn Choir Of Pittsburgh and Pittsburgh Symphony Orchestra)
“Muhly: Throughline” — Nico Muhly, conductor (San Francisco Symphony)
“Florence Price: Symphonies Nos. 1 and 3″ — Yannick Nézet-Séguin, conductor; Philadelphia Orchestra (below)
“Strauss: Also Sprach Zarathustra; Scriabin: The Poem Of Ecstasy” — Thomas Dausgaard, conductor (Seattle Symphony Orchestra)

78. Best Opera Recording

“Bartók: Bluebeard’s Castle” — Susanna Mälkki, conductor; Mika Kares and Szilvia Vörös; Robert Suff, producer (Helsinki Philharmonic Orchestra)
“Glass: Akhnaten” — Karen Kamensek, conductor; J’Nai Bridges, Anthony Roth Costanzo, Zachary James and Dísella Lárusdóttir; David Frost, producer (The Metropolitan Opera Orchestra; The Metropolitan Opera Chorus)
“Janáček: Cunning Little Vixen” — Simon Rattle, conductor; Sophia Burgos, Lucy Crowe, Gerald Finley, Peter Hoare, Anna Lapkovskaja, Paulina Malefane, Jan Martinik & Hanno Müller-Brachmann; Andrew Cornall, producer (London Symphony Orchestra; London Symphony Chorus and LSO Discovery Voices)
“Little: Soldier Songs” — Corrado Rovaris, conductor; Johnathan McCullough; James Darrah and John Toia, producers (The Opera Philadelphia Orchestra)
“Poulenc: Dialogues Des Carmélites” — Yannick Nézet-Séguin, conductor; Karen Cargill, Isabel Leonard, Karita Mattila, Erin Morley and Adrianne Pieczonka; David Frost, producer (The Metropolitan Opera Orchestra; The Metropolitan Opera Chorus)

79. Best Choral Performance

“It’s A Long Way” — Matthew Guard, conductor (Jonas Budris, Carrie Cheron, Fiona Gillespie, Nathan Hodgson, Helen Karloski, Enrico Lagasca, Megan Roth, Alissa Ruth Suver and Dana Whiteside; Skylark Vocal Ensemble)
“Mahler: Symphony No. 8, ‘Symphony Of A Thousand'” — Gustavo Dudamel, conductor; Grant Gershon, Robert Istad, Fernando Malvar-Ruiz and Luke McEndarfer, chorus masters (Leah Crocetto, Mihoko Fujimura, Ryan McKinny, Erin Morley, Tamara Mumford, Simon O’Neill, Morris Robinson and Tamara Wilson; Los Angeles Philharmonic; Los Angeles Children’s Chorus, Los Angeles Master Chorale, National Children’s Chorus and Pacific Chorale)
“Rising w/The Crossing” — Donald Nally, conductor (International Contemporary Ensemble and Quicksilver; The Crossing)
“Schnittke: Choir Concerto; Three Sacred Hymns; Pärt: Seven Magnificat-Antiphons” — Kaspars Putniņš, conductor; Heli Jürgenson, chorus master (Estonian Philharmonic Chamber Choir)
“Sheehan: Liturgy Of Saint John Chrysostom” — Benedict Sheehan, conductor (Michael Hawes, Timothy Parsons and Jason Thoms; The Saint Tikhon Choir)
“The Singing Guitar” — Craig Hella Johnson, conductor (Estelí Gomez; Austin Guitar Quartet, Douglas Harvey, Los Angeles Guitar Quartet and Texas Guitar Quartet; Conspirare)

80. Best Chamber Music/Small Ensemble Performance

“Adams, John Luther: Lines Made By Walking” — JACK Quartet
“Akiho: Seven Pillars” — Sandbox Percussion
“Archetypes” —Sérgio Assad, Clarice Assad and Third Coast Percussion
“Beethoven: Cello Sonatas – Hope Amid Tears” — Yo-Yo Ma and Emanuel Ax (who have frequently performed individually and together at the Wisconsin Union Theater)
“Bruits” — Imani Winds

81. Best Classical Instrumental Solo

“Alone Together” — Jennifer Koh (below, who has performed with the Wisconsin Chamber Orchestra)
“An American Mosaic” — Simone Dinnerstein
“Bach: Solo Violin Sonatas and Partitas” — Augustin Hadelich (a favorite of the Madison Symphony Orchestra)
“Beethoven and Brahms: Violin Concertos” — Gil Shaham; Eric Jacobsen, conductor (The Knights)
“Mak Bach” — Mak Grgić
“Of Power” — Curtis Stewart

82. Best Classical Solo Vocal Album

Confessions — Laura Strickling; Joy Schreier, pianist
Dreams Of A New Day – Songs By Black Composers — Will Liverman (who has sung with the Madison Opera); Paul Sánchez, pianist (below at in the YouTube video at the bottom)
Mythologies — Sangeeta Kaur and Hila Plitmann (Virginie D’Avezac De Castera, Lili Haydn, Wouter Kellerman, Nadeem Majdalany, Eru Matsumoto and Emilio D. Miler)
Schubert: Winterreise — Joyce DiDonato; Yannick Nézet-Séguin, pianist
Unexpected Shadows — Jamie Barton; Jake Heggie, pianist (Matt Haimovitz)

83. Best Classical Compendium

American Originals – A New World, A New Canon — AGAVE and Reginald L. Mobley; Geoffrey Silver, producer
Berg: Violin Concerto; Seven Early Songs and Three Pieces For Orchestra — Michael Tilson Thomas, conductor; Jack Vad, producer
Cerrone: The Arching Path — Timo Andres and Ian Rosenbaum; Mike Tierney, producer
Plays — Chick Corea; Chick Corea and Birnie Kirsh, producers
Women Warriors – The Voices Of Change — Amy Andersson, conductor; Amy Andersson, Mark Mattson and Lolita Ritmanis, producers (below)

84. Best Contemporary Classical Composition

“Akiho: Seven Pillars” — Andy Akiho, composer (Sandbox Percussion)
“Andriessen: The Only One” — Louis Andriessen, composer (Esa-Pekka Salonen, Nora Fischer and Los Angeles Philharmonic)
“Assad, Clarice and Sérgio, Connors, Dillon, Martin & Skidmore: Archetypes” — Clarice Assad, Sérgio Assad, Sean Connors, Robert Dillon, Peter Martin and David Skidmore, composers (Sérgio Assad, Clarice Assad and Third Coast Percussion)
“Batiste: Movement 11′” — Jon Batiste, composer (Jon Batiste)
“Shaw: Narrow Sea” — Caroline Shaw, composer (Dawn Upshaw, Gilbert Kalish and Sō Percussion)

Posted in Classical music
Tags: #AlbanBerg, #AlexanderScriabin, #AlfredSchnittke, #AmericanSymphonyOrchestra, #ArtExhibition, #ArvoPärt, #AugustinHadelich, #BelaBartok, #BestPerformance, #BlackComposer, #BlackMusic, #BlogPost, #BlogPosting, #Bluebeard'sCastle, #BluesMusic, #CarolineShaw, #CelloSonata, #CelloSuite, #ChamberChoir, #ChamberMusic, #CharlesIves, #ChickCorrea, #ChoralMusic, #ChristmasMusic, #ClassicalGuitar, #CompactDisc, #ComposersofColor, #ConcertHall, #ContemporaryComposer, #ContemporaryMusic, #CoronavirusPandemic, #CorradoRavaris, #COVID-19, #DavidFrost, #DialoguesoftheCarmelites, #EmanuelAx, #FacebookPost, #FacebookPosting, #FemaleComposers, #FemaleMusicians, #FlorencePrice, #FrancisPoulenc, #FranzSchubert, #GasparCassado, #GilShaham, #GrammyAward, #GrammyAwards, #GrammyNominations, #GuitarMusic, #GustavMahler, #GustavoDudamel, #Hip-hopmusic, #HispanicMusic, #ImaniWinds, #J'NaiBridges, #JacobStockinger, #JakeHeggie, #JenniferKoh, #JohannesBrahms, #JohannSebastianBach, #JohnAdams, #JonBatiste, #JoyceDiDonato, #JudithSherman, #LatinAmerican, #LeosJanacek, #LiveStreaming, #londonSymphonyOrchestra, #LosAngelesPhilharmonic, #LouisAndriessen, #LudwigVanBeethoven, #MadisonOpera, #MadisonSymphonyOrchestra, #ManfredHoneck, #MardiGras, #MattHaimovitz, #MeadWitterSchoolofMusic, #MetropolitanOpera, #MichaelTilsonThomas, #NashvilleSymphony, #NashvilleTennessee, #NewOrleans, #NicoMuhly, #OfColor, #OperaMusic, #OrchestralMusic, #PacificChorale, #PercussionMusic, #PerformersofColor, #PeterIlyichTchaikovsky, #PhiladelphiaOrchestra, #PhilipGlass, #PianoAccompaniment, #PopMusic, #ProArteQuartet, #RacialJustice, #RichardStrauss, #RockMusic, #SaintJohn, #SandboxPercussion, #SanFranciscoSymphony, #SeattleSymphony, #SimoneDinnerstein, #SimonRattle, #SocialActivism, #SocialJustice, #SoulMusic, #SoundEngineer, #SouthKorea, #SouthKorean, #StayHuman, #StephenColbert, #StreamingService, #StringMusic, #SundayNight, #SusannaMalkki, #SymphonyofaThousand, #TexasGuitarQuartet, #TheEar, #TheGrammys, #TheKnights, #TheMet, #TheUW, #TheUW-Madison, #ThirdCoastPercussion, #ThomasDausgaard, #UniverstyofWisconsin, #ViolinMusic, #VocalMusic, #WillLivermore, #WindMusic, #WisconsinChamberOrchestra, #WisconsinPublicRadio, #WisconsinUnionTheater, #WORT-FM89.9, #WyntonMarsalis, #YannickNezet-Seguin, #Yo-YoMa, #YouTubevideo, Activism, activity, African American, Akhnaten, Alban Berg, Alexander Scriabin, Alfred Schnittke, alone, American, annual, arrt, art exhibition, Arts, Arvo Part, asian, Asian American, audience, Augustin Hadelich, Bach, band, Baroque, Bartok, Batiste, Béla Bartók, Beethoven, Berg, best, BIPOC, black, black music, blog, Bluebeard, Bluebeard's Castle, blues, Book, Brahms, Brahms Violin Concerto, brown, buy, Canon, Caroline Shaw, category, CBS, CBS-TV, CD, Cello, chamber, Chamber choir, Chamber music, change, Chanticleer, Charles Ives, checm, Chick Correa, children, China, Chinese, Choir, choral, choral music, chorus, Christmas, Classical, Classical music, classics, collaboration, color, commission, Compact Disc, compendium, compose, composer, composer of color, Composition, Concert, concert hall, concerto, conductor, contemporary, coronavirus, coronavirus pandemic, Corrado Ravaris, covid, David Frost, day, dialogue, Dialogues of the Carmelites, Dinnerstein, diversity, dominate, Dreams, Dudamel, Early music, ecstasy, Emanuel Ax, emphasis, engineer, Estonia, examples, Facebook, female, Florence Price, Franz Schubert, gender, genre, Gil Shaham, Glass, Grammy, Grammy Award for Best Classical Compendium, group, guitar, guitar music, Gustav Mahler, Gustavo Dudamel, Hadelich, hip-hop, Hispanic, Home, hope, House, hymn, idea, Imani Winds, inclusion, indicate, individual, industry, international, Ives, J'Nai Bridges, Jacob Stockinger, Jake Heggie, Janacek, Jazz, Jennifer Koh, Johann Sebastian Bach, Johannes Brahms, John Adams, Jon Batiste, Joyce DiDonato, Judith Sherman, Juilliard, Juilliard School, justice, Koh, Korean, LA, LateShowwithStephenColbert, Latin, Leos Janacek, like, link, liturgy, Livermore, local, London, London Symphony Orchestra, Los Angeles, Los Angeles Guitar Quartet, Los Angeles Philharmonic, Louis Andriessen, Ludwig van Beethoven, Madison, Madison Opera, Madison Symphony, Madison Symphony Orchestra, Magnificat, Mahler, Manfred Honeck, Mardi Gras, Marsalis, Matt Haimovitz, Mead Witter School of Music, Mednelssohn, Met, Metropolitan Opera, Michael Tilson Thomas, mosaic, movement, Mozart, MSO, MTT, Music, Nashville, Nashville Symphony, national, new, New Orleans, Nico Muhly, nomination, nominee, of color, old, one-man, opera, Orchestra, orchestral music, original, Overture Center, Pacific, Pacific Chorale, pandemic, part, partita, pasrt, percussion, performance, performer, performers of color, permanent, Peter Ilyich Tchaikovsky, Philadelphia, Philip Glass, Pianist, Piano, piano accompaniment, piece, pillar, Pitssburgh, poem, Poem of Ecstasy, pop, Poulenc, power, present, price, Pro Arte Quartet, producer, profit, profitable, project, publisher, Publishing, racial justice, Radio, recording, rediscover, regional, Richard Strauss, Rock, sacred, Saint John, San Francisco, San Francisco Symphony, Sandbox Percussion, Schnittke, School of Music, Schubert, Scriabin, sea, Seattle, Seattle Symphony, sex, share, Shaw, show, Simon Rattle, Simone Dinnerstein, sing, singer, Singing, social, social activism, social justice, soldier, solo, solo violin, Sonata, song, soul, source, South Korea, standard, Stay Human, Stephen Colbert, Strauss, streaming, string, string music, subscriber, Sunday night, Susanna Malkki, symphony, Symphony of a Thousand, tag, Tchaikovsky, tears, Tennessee, Texas, Texas Guitar Quartet, The Ear, The Knights, Third Coast Percussion, Thomas Dausgaard, together, trend, TV, United States, University of Wisconsin, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, UW, UW School of Music, UW-Madison, venue, video, Violin, Violin concerto, violinist, vixen, vocal music, voice, warrior, way, WCO, Will Livermore, wind music, winner, Winterreise, Wisconsin, Wisconsin Chamber Orchestra, wisconsin public radio, Wisconsin Union Theater, Wolfgang Amadeus Mozart, women, work, world, WORT-FM 89.9, WPR, Wynton Marsalis, Yannick Nézet-Séguin, year, Yo-Yo Ma, YouTube

Classical music: As superstar Itzhak Perlman turns 75, a critic assesses his virtues and shortcomings in playing both the violin and his audiences

September 6, 2020
Leave a Comment

By Jacob Stockinger

Last Monday, Aug. 31, superstar violin virtuoso Itzhak Perlman (below, in a photo by Yael Malka of The New York Times) turned 75.

To celebrate, Sony Classical released a boxed set of 18 CDs (below) with many performances by Perlman – solo, chamber music and concertos – recorded over many years.

On the occasion of Perlman’s birthday, critic Corinna da Fonseca-Wollheim of The New York Times wrote a retrospective review of Perlman’s long career. (You can hear his most popular performance ever — with more than 6 million hits — in the YouTube video at the bottom.)

The Ear finds the opinion piece both brave and truthful, pointing out Perlman’s mastery of the Romantic repertory but also criticizing his stodgy treatment of Vivaldi and other Baroque music that has benefitted from the period-instrument movement and historically informed performance practices

Yet the essay, which also touches on ups and down of Perlman’s career, always remains respectful and appreciative even when discussing Perlman’s shortcomings.

Offering many historical details and photos as well as sample videos, the critical assessment of Perlman seems perfectly timed.

The Ear hopes you enjoy it as much as he did. Here is a link: https://www.nytimes.com/2020/08/26/arts/music/itzhak-perlman-violin.html

If you have heard Itzhak Perlman either on recordings or live – at the Wisconsin Union Theater, the old Civic Center or Overture Hall — let us know what you think.

The Ear wants to hear.

Posted in Classical music
Tags: #AntonioVivaldi, #BaroqueMusic, #BlogPost, #BlogPosting, #BostonSymphony, #BoxSet, #ChamberMusic, #CivicCenter, #ClassicalRecording, #CompactDisc, #ConcertPianist, #CorinnadaFonseca-Wollheim, #DanceMovement, #DisabilityRights, #DorothyDeLay, #EricLeinsdorf, #FacebookPost, #FacebookPosting, #FelixMendelssohn, #FilmScore, #FourSeasons, #HistoricallyInformedPerformancePractices, #IsraeliMusician, #ItzhakPerlman, #JacobStockinger, #JeanSibelius, #Jewishmusician, #JohannesBrahms, #JohannSebastianBach, #JohnWilliams, #JuilliardSchool, #KlezmerMusic, #LudwigVanBeethoven, #MauriceRavel, #MaxBruch, #MovieMusic, #MusicCritic, #MusicEducation, #NewYorkTimes, #NiccoloPaganini, #OvertureCenter, #PablodeSarasate, #PeriodInstrument, #PeterIlyichTchaikovsky, #PeterTchaikovsky, #RobertSchumann, #RomanticMusic, #Schindler'sList, #SergeiProkofiev, #SesameStreet, #SonyClassical, #StevenSpielberg, #TheEar, #TheHolocaust, #TheViolin, #ViolinConcerto, #ViolinistVirtuoso, #VirtuosoViolinist, #VladimirAshkenazy, #WisconsinUnionTheater, #WolfgangAmadeusMozart, #Yo-YoMa, #YouTubevideo, 75, acrobatic, Antonio Vivaldi, appreciative, Arts, assessment, audience, audiences, Audio, Bach, Baroque, Baroque music, Beethoven, benefit, birthday, blog, Boston Symphony Orchestra, bow, Box set, Brahms, brave, Bruch, career, CDs, celebrate, cellist, Cello, Chamber music, charm, Classical music, classicalmusic, communicate, Compact Disc, Concert, concerto, Corinna da Fonseca-Wollheim, critical, de Sarasate, details, disability, disability right, disability rights, disappointment, discuss, Dorothy DeLay, downs, Early music, enjoy, Eric Leinsdorf, ever, Facebook, fans, Felix Mendelssohn, Film score, forward, Four Seasons, hear, historical, historically informed performance practices, hit, Holocaust, hope, intonation, Israel, Itzhak Perlman, Jacob Stockinger, Jean Sibelius, Jewish, Johann Sebastian Bach, Johannes Brahms, John Williams, Juilliard School, Juilliard School of Music, klezmer, legend, like, link, long, Ludwig van Beethoven, Madison, Master, mastery, Maurice Ravel, Max Bruch, Mendelssohn, million, movement, movie music, Mozart, Music, music critic, Music education, New York City, New York Times, Nicolo Paganini, offer, offering, old, opinion, Orchestra, Overture Center, Overture Center for the Arts, Paganini, PBS, performance, period instruments, Peter Ilyich Tchaikovsky, photo, Pianist, Piano, piece, play, polio, popular, post, posting, Prokofiev, Ravel, recital, recording, remain, repertoire, repertory, respectful, retrospective, review, rights, Robert Schumann, Romantic, Sarasate, Schindler's List, Schumann, self-assurance, Sergei Prokofiev, Sesame Street, share, shortcomings, Sibelius, solo, Sonata, SONY, Sony Classical, Steven Spielberg, Student, superstar, tag, Tchaikovsky, Teacher, Television, The Ear, the violin, tone, truthful, TV, United States, ups, vibrant, video, vigorous, Violin, violinist, virtue, virtuoso, Vivaldi, Vladimir Ashkenazy, Wisconsin, Wisconsin Union Theater, Wolgang Amadeus, Yo-Yo Ma, YouTube

Classical music: During the COVID-19 pandemic, hosts at Wisconsin Public Radio suggest music that expresses gratitude and hope

May 13, 2020
1 Comment

By Jacob Stockinger

The various hosts of Wisconsin Public Radio (WPR) — an indispensable companion during self-isolation at home — listen to a lot of music and think a lot about it, especially about its meaning and appeal to the public.

So it comes as no surprise that they have once again suggested music to listen to during the coronavirus pandemic and the mounting toll of COVID-19.

Almost two months ago, the same radio hosts suggested music that they find calming and inspiring. They did so on the WPR home page in an ongoing blog where they also included YouTube audiovisual performances.

Here is a link to that earlier posting, which is well worth reading and following: https://welltempered.wordpress.com/?s=Wisconsin+Public+Radio

This time, the various hosts – mostly of classical shows but also of folk music and world music – suggest music that inspires or expresses hope and gratitude. (Below is Ruthanne Bessman, the host of “Classics by Request,” which airs at 10 a.m. on Saturdays.)

Here is the genesis of the list and public service project:

“At a recent WPR music staff meeting, we talked about the many ways music can unite us and about how music can express the gratitude we feel for people and things that are important to us, often much better than words.

“That discussion led to this collection of music, which we wanted to share with you. It’s eclectic and interesting, just like our music staff.”

The composers cited include some familiar names such as Johann Sebastian Bach, Peter Ilyich Tchaikovsky, Benjamin Britten and John Williams.

But some new music, based on historical events and written by contemporary or modern composers, is also named. It includes works by the American composer Daniel Gawthrop (b. 1949, below top) and the Israeli composer David Zehavi (1910-1977, below bottom). Here are links to their biographies.

https://en.wikipedia.org/wiki/Daniel_E._Gawthrop

https://www.encyclopedia.com/religion/encyclopedias-almanacs-transcripts-and-maps/zehavi-david

Sound-wise, it is quite an eclectic list that runs from solo harpsichord music to orchestral and choral music as well as chamber music.

Many of the performers have played in Madison at the Overture Center, with Wisconsin Chamber Orchestra, at the Wisconsin Union Theater, at the UW-Madison and on the Salon Piano Series at Farley’s House of Pianos.

They include: the Milwaukee Symphony Orchestra and Chorus; cellist Amit Peled and pianist Eli Kalman, who received his doctorate from the UW-Madison and now teaches at the UW-Oshkosh; conductor-composer John Rutter and the Cambridge Singers; and superstars violinist Itzhak Perlman, cellist Yo-Yo Ma along with Venezuelan pianist-improviser Gabriela Montero in a quartet that played at the inauguration of President Barack Obama.

Here is a link to the new WPR suggestions: https://www.wpr.org/wpr-hosts-share-music-gratitude-and-hope

Happy listening!

If you read the blog or listen to the music, let us know what you think in the Comment section.

The Ear wants to hear.

Posted in Classical music
Tags: #AmericanComposer, #AmitPeled, #BarackObama, #BaroqueMusic, #BenjaminBritten, #BlogPost, #BlogPosting, #CambridgeSingers, #CambridgeUniversity, #CelloMusic, #ChamberMusic, #ChoralMusic, #ClassicsByRequest, #COVID-19, #DanielGawthrop, #DavidZehavi, #EclecticMusic, #EliKalman, #EnglishComposer, #FacebookPost, #FacebookPosting, #Farley'sHouseofPianos, #FolkMusic, #GabrielaMontero, #GayComposer, #GayHistory, #GreatBritain, #HarpsichordMusic, #IsraeliComposer, #IsraeliMusician, #ItzhakPerlman, #JacobStockinger, #JewishComposer, #JewishReligion, #JohannSebastianBach, #JohnRutter, #JohnWilliams, #LivingComposer, #MeadWitterSchoolofMusic, #MilwaukeeSymphonyOrchestra, #ModernComposers, #NaziGermany, #NewMusic, #OrchestralMusic, #OvertureCenter, #PabloCasals, #PeterIlyichTchaikovsky, #PresidentObama, #PublicService, #RadioHost, #RuthanneBessman, #SalonPIanoSeries, #Self-Isolation, #TheEar, #TheHolocaust, #TheUK, #UniversityofWisconsin-Madison, #UniversityofWisconsin-Oshkosh, #VocalMusic, #Wikipediabiography, #Wikipediaentry, #WisconsinChamberOrchestra, #WisconsinPublicRadio, #WisconsinUnionTeater, #WolfgangAmadeusMozart, #WorldMusic, #WorldWarll, #Yo-YoMa, #YouTubevideo, African American, air, airs, American, Amit Peled, appeal, Arts, audience, Audio, audiovisual, Auschwitz, Auschwitz concentration camp, Bach, Barack Obama, Baroque, Baroque music, Benjamin Britten, better, biography, blog, Britten, calm, calming, Cambridge Singers, Cambridge University, Capriccio, cellist, Cello, cello music, Chamber music, choral music, chorus, Classical music, classicalmusic, classics, Classics by Request, collection, comment, companion, composer, Concert, conductor, contemporary, coronavirus, Daniel Gawthrop, David Zehavi, discussion, doctorate, Early music, eclectic, Eli Kalman, encyclopedia, England, English, event, expresses, Facebook, Farley's House of Pianos, feel, folk, Folk music, forward, Gabriela Montero, Gawthrop, gay, gay composer, Genesis, German, Germany, gratitude, Great Britain, harpsichord, hear, historical, History, Holocaust, Home, honor, hope, host, important, improvise, inauguration, indispensable, inspiration, inspires, inspiring, isolation, Israel, Israeli, Itzhak Perlman, Jacob Stockinger, Jewish, Johann Sebastian Bach, John Rutter, John Williams, Kalman, know, LGBT, LGBTQ, like, link, list, listen, Living composer, Ma, Madison, Mead Witter School of Music, meaning, Milwaukee Symphony Orchestra, modern, Montero, Mozart, Music, Musician, Nazi, New Music, Orchestra, orchestral music, Oshkosh, Overture Center, Overture Center for the Arts, Pablo Casals, pandemic, Peled, People, performer, Perlman, Peter Ilyich Tchaikovsky, Pianist, Piano, post, posting, President, President Obama, project, public, public service, Quartet, Radio, read, reading, Religion, request, Russian, Ruthanne Bessman, Rutter, Salon Piano Series, Saturday, section, share, show, singer, solo, Sound, staff\, subscriber, suggest, superstar, symphony, tag, Tchaikovsky, The Ear, things, think, U.S., UK, unite, United States, university, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, University of Wisconsin–Oshkosh, US, UW-Madison, Venezuela, Venezuelan, venue, Violin, violinist, visual, vocal, vocal music, war, Wikipedia, Williams, Wisconsin, Wisconsin Chamber Orchestra, wisconsin public radio, Wisconsin Union Theater, Wolfgang Amadeus Mozart, words, World music, World War II, WPR, Yo-Yo Ma, YouTube, Zehavi

Classical music: Meet the “Stay at Home” Symphony Orchestra. How do they sound so close and tight? Plus, today is May Day. What music would you play to celebrate workers?

May 1, 2020
2 Comments

ALERT: Today is May Day, a time to honor workers. What music would you play to celebrate and thank all the frontline workers — doctors, nurses, EMTs, police officers, firefighters, bus drivers, cleaners and janitors, grocery store workers, delivery people and others — who are now so indispensable?

By Jacob Stockinger

Many musicians — both singers and instrumentalists (below) — are self-isolating and doing their at-home best to keep those of us also sheltering in place entertained by performing virtual concerts.

It is something listeners can be grateful for. The players do an admirable and free public service during the COVID-19 crisis and coronavirus pandemic.

Of course, the virtual performances also have practical purposes.

The musicians keep their skills sharp during isolation.

And the virtual performances help to keep the names of individuals and groups, of composers and pieces, in the public’s mind at a time when live concerts have all been canceled or postponed.

There are many, many virtual concerts to choose from – made by local, regional, national and international musicians, some amateurs and some professional.

Many of them are solo performances given by an individual member of an orchestra, chamber music group or choral ensemble as well as big-name soloists such as pianist Emanuel Ax and cellist Yo-Yo Ma.

The individual ones are appreciated and impressive, even if some of the performances seem amateur-like in the sound or awkwardness.

What really impresses The Ear is when large groups, such as symphony orchestras and choirs, perform something with all the players at home and yet somehow the whole finished product sounds incredibly tight in and incredibly professional.

Last Saturday, the Metropolitan Opera even held a four-hour online gala with singers and instrumentalists from all over the world.

It makes The Ear wonder why they sound so good. How they do it, with all the complications and variables of timing and tempo, of rhythm, pitch and dynamics?

Is it the planning?

The processing and editing?

In any case, a very good example comes from the “Stay at Home” Symphony Orchestra playing Mozart’s Overture to the opera “The Marriage of Figaro.”

You can hear the YouTube video of the performance below.

Are there other such performances that you can point out to The Ear and you would like to see posted on this blog?

The Ear wants to hear.

Posted in Classical music
Tags: #AmateurMusician, #BaroqueMusic, #BlogPost, #BlogPosting, #BusDriver, #ChoralMusic, #Classicalera, #COVID-19, #EmanuelAx, #FacebookPost, #FacebookPosting, #GroceryStore, #LiveMusic, #MarriageofFigaro, #MayDay, #MetropolitanOpera, #OrchestralMusic, #PoliceOfficers, #ProfessionalMusician, #PublicHealth, #Self-Isolation, #ShelterinPlace, #SocialDistance, #SocialDistancing, #Stayathome, #StayatHomeSymphonyOrchestra, #SymphonyOrchestra, #TheMet, #VirtualConcert, #VocalMusic, #WolfgangAmadeusMozart, #Yo-YoMa, #YouTubevideo, admiran;e, amateur, Arts, at home, Bach, Baroque, Beethoven, big-name, blog, bus driver, cancel, canceled, celebrate, cellist, Cello, Chamber music, Choir, choral music, Classical, Classical music, cleaner, complications, composer, Concert, coronavirus, crisis, delivery, doctors, dynamics, editing, Emanuel Ax, EMT, entertain, era, example, execution, Facebook, finish, firefighters, forward, free, frontline, gala, good, grateful, grocery, grocery store, group, hear, Home, honor, impress, impressive, indispensible, individual, instrumentalists, international, isolation, Jacob Stockinger, janitor, Johann Sebastian Bach, like, link, listeners, live music, local, Ludwig van Beethoven, Ma, Marriage of Figaro, May Day, member, Metropolitan Opera, mind, Mozart, Music, national, nurses, online, opera, Orchestra, Overture, pandemic, perform, performer, Pianist, Piano, piece, pitch, planning, play, police, police officers, post, posting, postpone, practical, processing, product, professional, Public health, purpose, regional, self-isolating, share, sharp, shelter, shelter in place, singer, skill, social distance, social distancing, solo, soloists, Sound, stay at home, Stay at Home Symphony Orchestra, symphony, symphony orchestra, tag, Tempo, The Marriage of Figaro, the Met, tight, time, timing, United States, variable, Viola, Violin, virtual, vocal music, Wisconsin, Wolfgang Amadeus Mozart, work, workers, Yo-Yo Ma, YouTube

Classical music: This week the UW-Madison hosts a faculty horn recital and two orchestral concerts – one by the visiting and innovative chamber orchestra The Knights and the other by UW students

February 4, 2020
1 Comment

By Jacob Stockinger

This week is a busy one at the UW-Madison’s Mead Witter School of Music with concerts on Wednesday, Thursday and Saturday.

There are also FREE and PUBLIC master classes on Friday.

Here are details:

WEDNESDAY, FEB. 5

At 7:30 p.m. in the Collins Recital Hall of the new Hamel Music Center, 740 University Ave., UW horn professor Daniel Grabois (below, in a photo by James Gill) – a member of the acclaimed Wisconsin Brass Quintet – will perform a FREE faculty recital.

Grabois will be accompanied by pianist Shuk-Ki Wong.

No specific program has been posted. But composers on the program include Eugene Bozza, Charles Gounod, Francis Poulenc, Wolfgang Plagge and a world premiere by Daniel Kessner.

THURSDAY, FEB. 6

At 7:30 p.m. in the Mead Witter Foundation Concert Hall, also in the Hamel Music Center, the UW Symphony Orchestra (below, with the UW Choral Union in the background) will give a FREE concert.

UW professor Oriol Sans (below), who is new to campus this year, will be the main conductor with Michael Dolan serving as a guest conductor.

The program is the “Appalachian Spring” Suite by Aaron Copland and the Symphony No. 9 by Dmitri Shostakovich.

SATURDAY, FEB. 8

At 8 p.m. in the Mead Witter Foundation Concert Hall, guest artists The Knights will give a concert that features UW clarinetist Alicia Lee (below), who is a member of the Wingra Wind Quintet and who toured with The Knights chamber orchestra during the decade she lived and worked in New York City.

Says Lee: “We are excited to bring a group with a fresh perspective that is run in perhaps a less traditional way,” Lee says of the residency. “This is a group of people with interesting, diverse approaches to a life in music. Many have been making music together for nearly 20 years, so the roots of both friendship and musical values run very deep.”

On Friday, Feb. 7, The Knights (below) will offer a one-day, on-campus residency that is FREE and OPEN TO THE PUBLIC.

Opportunities include access to strings, wind, percussion and horn master classes; a workshop on music business; a side-by-side orchestral reading; and attendance at their rehearsal. All activities will take place in the Hamel Music Center. For a day-long schedule, go to: https://www.music.wisc.edu/the-knights/

You can hear rehearsals and commentaries by The Knights in the YouTube video at the bottom.

According to program notes: “The Knights is a collective of adventurous musicians, dedicated to transforming the orchestral experience and eliminating barriers between audiences and music.

“Driven by an open-minded spirit of camaraderie and exploration, they inspire listeners with vibrant programs that encompass their roots in the classical tradition and passion for artistic discovery.

“The orchestra has toured and recorded with renowned soloists including Yo-Yo Ma, Dawn Upshaw, Bela Fleck and Gil Shaham, and have performed at Carnegie Hall, Tanglewood and the Vienna Musikverein. Read more at: https://theknightsnyc.com”

The program for The Kreutzer Project concert on Saturday night is:

Colin Jacobsen: World premiere of a new work

Ludwig van Beethoven: Kreutzer Concerto  (based on the famous Kreutzer Sonata) arranged by The Knights for solo violin and chamber orchestra

INTERMISSION

Leos Janacek: The “Kreutzer Sonata”  String Quartet arranged by The Knights for chamber orchestra

Johannes Brahms: Hungarian Dances  arranged by The Knights for chamber orchestra

General admission tickets are $30 and are available at the Campus Ticketing Office in the Memorial Union and by calling (608) 265-ARTS (2787) or visiting: https://artsticketing.wisc.edu/Online/default.asp?doWork::WScontent::loadArticle=Load&BOparam::WScontent::loadArticle::article_id=83A6D957-B006-4ABC-AFB2-6485A8C4D94C.

Free rush tickets for UW-Madison students and music faculty are subject to availability. Visit the Hamel box office one hour before the concert.

Posted in Classical music
Tags: #AaronCopland, #AliciaLee, #AppalachianSpring, #BandConcert, #BelaFleck, #BrassMusic, #CampusArtsTicketing, #CarnegieHall, #ChamberMusic, #ChamberOrchestra, #CharlesGounod, #ColinJacobsen, #CollaborativePianist, #ConcertoCompetition, #DanielGrabois, #DanielKessner, #DawnUpshaw, #DmitriShostakovich, #EugeneBozza, #FrancisPoulenc, #FrenchHorn, #GeneralAdmission, #GilShaham, #HamelMusicCenter, #HungarianDances, #JohannesBrahms, #KreutzerSonata, #LeosJanacek, #LudwigVanBeethoven, #MeadWitterFoundationConcertHall, #MichaelDolan, #MusicBusiness, #NewMusic, #NewYorkCity, #OrchestralArrangement, #OriolSans, #PianoAccompaniment, #PianoAccompanist, #Shuk-KiWong, #StringQuartet, #TanglewoodFestival, #TheEar, #TheKnights, #UniversityofWisconsin-Madison, #UWChoralUnion, #UWProfessor, #UWSymphonyOrchestra, #ViennaAustria, #ViennaMusikverein, #ViolinMusic, #ViolinSonata, #WindQuintet, #WingraWindQuintet, #WisconsinBrassQuintet, #WolfgangPlagge, #WorldPremiere, #Yo-YoMa, #YouTubevideo, Aaron Copland, activity, Alicia Lee, Appalachian Spring, arrange, arrangement, audience, available, Beethoven, Bela Fleck, blog, box office, Brahms, brass, brass music, Business, call, Campus, Campus Arts Ticketing, Carnegie Hall, Chamber music, chamber orchestra, Charles Gounod, choral, clarinet, clarinetist, Colin Jacobsen, commentary, Concert, concerto, conductor, Copland, dance, Daniel Grabois, Daniel Kessner, Dawn Upshaw, day, decade, diverse, Dmitri Shostakovich, Eugene Bozza, event, faculty, forward, France, Francis Poulenc, free, French, French horn, fresh, Friday, friendship, general admission, Gil Shaham, Gounod, group, guest, Hamel Music Center, Horn, hornist, hour, Hungarian, Hungarian Dances, Hungary, inspire, Janacek, Johannes Brahms, Kreutzer, Kreutzer Sonata, Leos Janacek, life, like, link, listener, live, Ludwig van Beethoven, master class, masterclass, Mead Witter Foundation Concert Hall, Mead Witter School of Music, Michael Dolan, Music, music business, new, New Music, New York City, night, online, orchestral, Oriol Sans, People, performer, perspective, phone, Pianist, Piano, post, posting, Poulenc, professor, public, reader, recital, rehearsal, residency, rush, Saturday, schedule, share, Shostakovich, Shuk-Ki Wong, Sonata, specific, String quartet, Student, Suite, symphony, tag, Tanglewood, The Ear, The Knights, Thursday, tickets, tour, traditional, transcription, union, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, UW Choral Union, UW Symphony Orchestra, UW-Madison, values, Vienna, Vienna Musikverein, Violin, Violin Sonata, Wednesday, Wind quintet, Wingra Wind Quintet, Wisconsin Brass Quintet, Wolfgang Plagge, Wong, work, workshop, world premiere, Yo-Yo Ma, YouTube

Classical music: This Saturday night, pianist Emanuel Ax returns to the Wisconsin Union Theater in an all-Beethoven recital, and also is in a FREE and PUBLIC Q&A that afternoon. That same night, UW-Madison professor Alicia Lee gives a free clarinet recital

November 1, 2019
1 Comment

PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, PLEASE SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.

By Jacob Stockinger

This Saturday night, Nov. 2, brings two separate but noteworthy recitals by Grammy-winning pianist Emanuel Ax and by UW-Madison clarinetist Alicia Lee.

Here are details:

EMANUEL AX

Emanuel Ax and Madison go way back.

Since 1974, the Wisconsin Union Theater has often seen Emanuel Ax (below, in a photo by Lisa-Marie Mazzucco) perform both as a soloist and a chamber musician with the legendary violinist Nathan Milstein and the superstar cellist Yo-Yo Ma, who is also a close friend. (Ax has also performed with the Franz Liszt Chamber Orchestra at the old Civic Center and with the Madison Symphony Orchestra in the Overture Center.)

This Saturday night, Nov. 2, Emanuel Ax returns again to help celebrate the centennial of the Union Theater’s Concert Series and to help kick off the Beethoven Year in 2020, which marks the 250th anniversary of the composer’s birth.

The concert is at 7:30 p.m. in Shannon Hall with a pre-concert lecture, given by Andrea Fowler, a UW-Madison graduate student in musicology. Her lecture is at 6 p.m. in the Memorial Union’s Play Circle.

The program centers on the first three piano sonatas, Op. 2, by Beethoven (below) plus two rarely heard sets of theme-and-variations. In addition, he will start the performance with the popular “Für Elise” Bagatelle known to so many piano students, their parents and the public. (You can hear “Für Elise” and see a graphic depiction of it in the YouTube video at the bottom.)

Tickets run from $15 for UW-Madison students to $70. For more information about tickets, Emanuel Ax, the program, sample reviews and links to Ax’s website, go to:

https://union.wisc.edu/events-and-activities/event-calendar/event/emanuel-ax/

NOTE: This time, there will also be a special event as part of his appearance.

On Saturday afternoon from 1 to 2 p.m. in Collins Recital Hall at the new Hamel Music Center, 740 University Ave., Ax will participate in a FREE and public Q&A.

Here is a publicity blurb about that event: “Join us for a Q&A with Grammy Award-winning pianist Emanuel Ax. Now is your chance to ask how he selects repertoire, what his practice schedule is like, if he has any pre-recital rituals, or whatever you would like to know!”

“This event is intended for UW-Madison students and UW campus community, however the Madison community is welcome.”

For more information about the Q&A, go to: https://union.wisc.edu/events-and-activities/event-calendar/event/q-and-a-with-emanuel-ax/

ALICIA LEE

At 8 p.m. in Collins Recital Hall, UW-Madison clarinetist Alicia Lee (below), who also plays in the UW Wingra Wind Quintet, will give a FREE recital of chamber music.

The program includes music by Robert Schumann, Bela Bartok, Isang Yun, Eugene Bozza and Shulamit Ran.

Two faculty colleagues will join Lee: pianist Christopher Taylor and violinist Soh-Hyun Park Altino.

For more information about the event, go to: https://www.music.wisc.edu/event/alicia-lee-faculty-clarinet/

For an extensive biography of Alicia Lee, go to: https://www.music.wisc.edu/alicia-lee/

Posted in Classical music
Tags: #AliciaLee, #All-Beethoven, #BeethovenYear, #BelaBartok, #BlogPost, #BlogPosting, #ChamberMusic, #ChamberMusician, #ChamberOrchestra, #CivicCenter, #ClarinetMusic, #CollinsRecitalHall, #ConcertSeries, #EmanuelAx, #EugeneBozza, #FacebookPost, #FacebookPosting, #FranzLiszt, #FranzLisztChamberOrchestra, #FurElise, #GraduateStudent, #GrammyAward, #HamelMusicCenter, #HomeWebsite, #IsangYun, #LudwigVanBeethoven, #MadisonSymphonyOrchestra, #MadisonWisconsin, #MeadWitterSchoolofMusic, #MemorialUnion, #Musicfaculty, #MusicProfessors, #NathanMilstein, #NewMusic, #OvertureCnter, #PianoSonata, #PianoStudent, #PlayCircle, #Pre-concertLecture, #RobertSchumann, #ShannonHall, #ShulamitRan, #Soh-HyunParkAltino, #SpecialEvent, #TheEar, #ThemeAndVariations, #UniversityofWisconsin-Madison, #WingraWindQuintet, #WisconsinUnionTheater, #Yo-YoMa, #YouTubevideo, Alicia Lee, anniversary, answer, appearance, Arts, bagatelle, Béla Bartók, Beethoven, Beethoven Year, biography, birth, birthday, blog, blurb, Campus, celebrate, cellist, Cello, centennial, Chamber music, chamber orchestra, Civic Center, clarinet, Classical music, colleague, colleagues, Collins Recital Hall, community, composer, Concert, concert series, depiction, Emanuel Ax, Eugene Bozza, event, Facebook, Für Elise, first, foward, Franz Liszt, Franz Liszt Chamber Orchestra, free, graduate student, Grammy Award, graphic, Hamel Music Center, heard, Isang Yun, Jacob Stockinger, lecture, legendary, like, link, Ludwig van Beethoven, Madison, Madison Symphony Orchestra, Mead Witter School of Music, Memorial Union, Music, Musician, Nathan Milstein, New Music, Orchestra, Overture Center, Parent, perform, performer, Pianist, Piano, Piano sonata, piano student, Play Circle, popular, post, posting, practice, professor, program, public, publicity, Q&A, question, question-and-answer, recital, repertoire, repertory, return, reviews, rituals, Robert Schumann, sample, schedule, select, Shannon Hall, share, Shulamit Ran, Soh-Hyun Park Altino, soloist, Sonata, special event, start, Student, superstar, tag, The Ear, theme, theme and variations, tickets, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, UW, UW-Madison, variations, Violin, violinist, Website, Wingra Wind Quintet, Wisconsin, Wisconsin Union Theater, Yo-Yo Ma, YouTube

Classical music: Saturday brings percussion music, chamber music and choral music, much of it free

April 5, 2019
3 Comments

IF YOU LIKE A CERTAIN BLOG POST, PLEASE SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event.

By Jacob Stockinger

As you can tell from earlier posts this week, this weekend will be very busy with music.

But Saturday is especially, offering percussion music, chamber music and vocal music, much of it FREE.

PERCUSSION MUSIC

At 1:30 p.m. in Mills Hall, the Percussion Ensemble of the Wisconsin Youth Symphony Orchestras will perform its 18th annual Percussion Extravaganza.

It features the world premiere of “Common Mind” by composer and WYSO alumnus Jon D. Nelson (below). For more a bout Nelson and his music, go to: http://jondnelson.com

More than 150 performers – instrumentalists, singers and dancers – will be featured.

Here is a link to details about the event, including ticket prices:

https://www.wysomusic.org/wyso-percussion-ensemble-to-present-the-2019-percussion-extravaganza/

CHAMBER MUSIC

At 3:30 p.m. in Morphy Hall, the Perlman Piano Trio plus two guest artists will give a FREE concert.

The program is the “Kakadu”Variations in G major, Op. 121a, by Ludwig van Beethoven; the Piano Trio No. 1 in D minor, Op. 49, by Felix Mendelssohn; and the Piano Quintet in F minor by Cesar Franck. (You can her the first movement of the Mendelssohn Trio performed in the YouTube vide at the bottom, by pianist Emanuel Ax, violinist Itzhak Perlman and cellist Yo-Yo Ma.)

Members of the quintet, based on an annual student piano trio supported by Kato Perlman (below), are: Kangwoo Jin, piano; Mercedes Cullen, violin; Micah Cheng, cello; Maynie Bradley, violin; and Luke Valmadrid, viola.

A reception will follow the concert.

CHORAL MUSIC

At 8 p.m. in Mills Hall, the UW-Madison Concert Choir (below top) will perform a FREE concert under conductor Beverly Taylor (below bottom), who is the director of choral activities at the university.

AN UPDATE: Conductor Beverly Taylor has sent the following update about the program:

“I’m happy to update our Saturday, April 6, free concert at 8 p.m. in Mills Hall:

“The Concert Choir is singing a program called “Half a Bach and other good things.”

“We’re singing just half of the B Minor Mass: the Kyrie and Gloria (12 movements), which were what Bach originally wrote and sent off for his job interview!

We have a small orchestra and a mixture of student and professional soloists: Julia Rottmayer, Matthew Chastain, Wesley Dunnagan, Miranda Kettlewell, Kathleen Otterson, Elisheva Pront and Madeleine Trewin.

The remaining third of the concert is an eclectic mix of modern composers (Petr Eben’s “De circuitu eternal,” Gerald Finzi’s “My Spirit Sang All Day”), Renaissance music (Orlando Gibbons’ “O Clap your Hands”), spirituals and gospel.

Posted in Classical music
Tags: #BeverlyTaylor, #BlogPost, #BlogPosting, #CesarFranck, #ChamberMusic, #ChoralMusic, #ConcertChoir, #EmanuelAx, #FacebookPosting, #FelixMendelssohn, #GeraldFinzi, #GospelMusic, #GuestArtist, #ItzhakPerlman, #JohannSebastianBach, #JonD.Nelson, #KakaduVariations, #KatoPerlman, #LudwigVanBeethoven, #MassinBMinor, #MeadWitterSchoolofMusic, #MillsHall, #ModernComposers, #MorphyHall, #OrlandoGibbons, #PercussionEnsemble, #PercussionMusic, #PetrEben, #PianoQuintet, #PianoTrio, #RenaissanceMusic, #SpiritualMusic, #ThemeAndVariations, #UniversityofWisconsin-Madison, #VocalMusic, #WisconsinYouthSymphonyOrchestras, #WorldPremiere, #Yo-YoMa, #YouTubevideo, activities, alumnus, audience, B Minor Mass, Beverly Taylor, blog, cellist, Cello, Cesar Franck, Chamber music, choral music, common, composer, Concert Choir, conductor, dancer, director, eclectic, Emanuel Ax, extravaganza, Facebook, Facebook post, Felix Mendelssohn, forward, free, Gerald Finzi, Gloria, gospel, guest artist, instrumentalist, Itzhak Perlman, Johann Sebastian Bach, Jon D. Nelson, Kakadu Variations, Kato Perlman, Kyrie, like, link, Ludwig van Beethoven, Madison, Mass in B Minor, Mead Witter School of Music, Mills Hall, mind, mix, modern, Morphy Hall, movement, movements, Music, Orchestra, Orlando Gibbons, percussion, performer, Petr Eben, Pianist, Piano, Piano Quintet, Piano Trio, price, professional, program, Renaissance, Saturday, share, singer, small, soloist, spiritual, spirituals, tag, theme, theme and variations, ticket, University of Wisconsin, variations, Viola, Violin, violinist, violist, vocal music, Website, week, weekend, Wisconsin Youth Symphony Orchestras, world premiere, WYSO, Yo-Yo Ma, YouTube

Classical music: This weekend pianist Emanuel Ax helps conductor John DeMain celebrate his 25th anniversary season with the Madison Symphony Orchestra

September 26, 2018
4 Comments

By Jacob Stockinger

This weekend the Madison Symphony Orchestra (below top, in a photo by Peter Rodgers) will open its season by celebrating the 25th anniversary of its music director and conductor John DeMain, who will collaborate with renowned pianist Emanuel Ax (below bottom, in a photo by Lisa-Marie Mazzucco).

The program opens with the “Fanfare Ritmico” by Jennifer Higdon, the contemporary American composer and Pulitzer Prize winner. Then comes a special suite of favorite movements, cobbled together by DeMain, from the ballet score for “Romeo and Juliet” by Sergei Prokofiev. The grand finale is the monumental Piano Concerto No. 2 by Johannes Brahms.

Performances will be held in Overture Hall, 201 State Street, on Friday night, Sept. 28, at 7:30 p.m.; Saturday night, Sept. 29, at 8 p.m.; and Sunday afternoon, Sept. 30, at 2:30 p.m.

Jennifer Higdon’s “Fanfare Ritmico” celebrates the rhythm and speed of life. Written on the eve of the new millennium, the work reflects on the quickening pace of life as time progresses.

Higdon (below) herself notes, “Our lives now move at speeds much greater than what I believe anyone would have imagined in years past. As we move along day-to-day, rhythm plays an integral part of our lives — from the individual heartbeat to the lightning speed of our computers. This fanfare celebrates that rhythmic motion, of man and machine, and the energy which permeates every moment of our being in the new century.”

Soviet composer Sergei Prokofiev (below) originally wrote the Romeo and Juliet Suite in 1935 for the titular ballet produced by the Kirov (now Mariinsky) Theatre. In addition to the somewhat standard instrumentation, the ballet orchestration also requires the use of tenor saxophone, a voice that adds a unique sound and contributes to the sense of drama prevalent in Shakespeare’s original tragedy.

For this performance, John DeMain (below, in a photo by Greg Anderson) has hand-picked the best excerpts from across the work to create one orchestra piece.

The epic Piano Concerto No. 2 in B-Flat Major, Op. 83, is separated by 22 years from Johannes Brahms’ first piano concerto and is dedicated to Brahms’ teacher Eduard Marxsen. It was premiered in 1881 in Budapest, Hungary, with Brahms (below) playing the piano solo.

The work was an immediate success and demonstrates Brahms’ ability to blend beauty with fire, tenderness with drama. (You can hear the unusual and fiery Scherzo movement, played by Krystian Zimmerman and Leonard Bernstein with the Vienna Philharmonic Orchestra, in the YouTube video at the bottom.)

Emanuel Ax (below) is considered one of the best-known concert pianists of the 21st century. As the Seattle Times reports, “[Ax’s] touch is amazing. The keys are not so much struck as sighed upon — moved as if by breath. There is no sense of fingers or hammers or material mechanisms…[it] simply materializes and floats in the air.”

Ax captured public attention in 1974 when he won the first Arthur Rubinstein International Piano Competition in Tel Aviv. In 1975 he won the Michaels Award of Young Concert Artists, followed by the coveted Avery Fisher Prize four years later. In 1975, he made his Madison solo recital debut at the Wisconsin Union Theater and he has frequently performed here since then.

Ax is a particular supporter of contemporary composers and new music, and he has given three world premieres in the last few seasons: “Century Rolls” by John Adams; “Seeing” by Christopher Rouse; and “Red Silk Dance” by Bright Sheng. He has also received Grammy awards for the second and third volumes of his cycle of Haydn’s piano sonatas and has made a series of Grammy-winning recordings with cellist Yo-Yo Ma of the Beethoven and Brahms sonatas for cello and piano.

Emanuel Ax (below, in a photo by Lisa-Marie Mazzucco) is currently a faculty member of the Juilliard School of Music, a Fellow of the American Academy of Arts and Sciences, and a recipient of Yale University’s Sanford Medal.

One hour before each performance, MSO retired trombonist and longtime program annotator J. Michael Allsen will lead a 30-minute Prelude Discussion in Overture Hall to enhance concertgoers’ understanding and listening experience. It is free to ticketholders.

Allsen’s program notes for the concerts are available online at this address: http://www.allsenmusic.com/NOTES/1819/1.Sep18.html

The MSO recommends that concert attendees arrive early for each performance to make sure they have time to pass through Overture Center’s security stations, and so they can experience the Prelude Discussion.

The lobby opens 90 minutes prior to each concert.

Tickets can be purchased in the following ways:

Single Tickets are $18-$93 each and are on sale now at: https://madisonsymphony.org/axthrough the Overture Center Box Office at 201 State Street, or by calling the Box Office at (608) 258-4141.
Groups of 10 or more can save 25% by calling the MSO office at (608) 257-3734. For more information, visit, https://www.madisonsymphony.org/groups.
Student rush tickets can be purchased in person on the day of the concert at the Overture Center Box Office at 201 State Street. Students must show a valid student ID and can receive up to two $15 or $20 tickets. More information is at: https://www.madisonsymphony.org/studentrush
Seniors age 62 and up receive 20% savings on advance and day-of-concert ticket purchases in select areas of the hall.
Subscribers to 5 or more symphony subscription concerts can save up to 50% off single ticket prices. More information is available about the season at: https://madisonsymphony.org/18-19
Flex-ticket booklets of 10 vouchers for 18-19 symphony subscription concerts are available. Learn more at: https://madisonsymphony.org/flex

NOTE: Discounted seats are subject to availability, and discounts may not be combined.

The Madison Symphony Orchestra is celebrating its 93rd season in 2018–2019 and its 25th season under the leadership of Music Director John DeMain. Find more information about the rest of the MSO season at madisonsymphony.org

The Presenting Sponsors for the September concerts are: Joel and Kathryn Belaire. Major funding is provided by: The Wisconsin State Journal and Madison.com; the Irving and Dorothy Levy Family Foundation, Inc.; the Kenneth A. Lattman Foundation, Inc.; Rosemarie and Fred Blancke; and David and Kato Perlman. Additional funding is provided by Jeffrey and Angela Bartell, Martin L. Conney and the Wisconsin Arts Board, with funds from the State of Wisconsin and the National Endowment for the Arts.

Posted in Classical music
Tags: #21stCentury, #AmericanAcademyofArtsandSciences, #AmericanComposer, #ArthurRubinstein, #AveryFisher, #BalletScore, #BrightSheng, #BudapestHungary, #CenturyRolls, #ChristopherRouse, #ConcertArtist, #EduardMarxsen, #EmanuelAx, #FacultyMember, #FanfareRitmico, #FranzJosephHaydn, #Fridaynight, #GrammyAward, #JenniferHigdon, #JohannesBrahms, #JohnAdams, #JohnDeMain, #JuilliardSchool, #KatoPerlman, #KIrovTheatre, #KrystianZimerman, #LeonardBernstein, #LivingComposer, #LudwigVanBeethoven, #MadisonSymphonyOrchestra, #ManandMachine, #MariinskyTheatre, #MusicDirector, #NationalEndowmentfortheArts, #NewMusic, #OvertureCenter, #OvertureHall, #PianoConcerto, #PIanoRecital, #ProgramNotes, #PulitzerPrize, #RedSilkDance, #RomeoandJuliet, #RussianComposer, #SanfordMedal, #SaturdayNight, #SeattleTimes, #SergeiProkofiev, #SilverAnniversary, #Sovietcomposer, #SovietUnion, #StateOfWisconsin, #Sundayafternoon, #TelAviv, #ViennaPhilharmonic, #WilliamShakespeare, #WisconsinArtsBoard, #WisconsinStateJournal, #WisconsinUnionTheater, #WorldPremiere, #YaleUniversity, #Yo-YoMa, #YouTubevideo, 21st century, anniversary, Arthur Rubinstein, Arthur Rubinstein International Piano Competition, Arts, Avery Fisher, ballet, beauty, Beethoven, being, Bright Sheng, Budapest, Cello, Century Rolls, Chamber music, Christopher Rouse, Classical music, Compact Disc, composer, computers, concerto, conductor, dance, debut, discount, discussion, drama, Eduard Marxsen, Emanuel Ax, energy, epic, eve, excerpt, faculty member, Fanfare, Fellow, fire, funding, Grammy Award, group, Haydn, heartbeat, Hungary, instrumentation, Jacob Stockinger, Jennifer Higdon, Johannes Brahms, John Adams, John DeMain, Julliard School, Kato Perlman, Kirov, Krystian Zimerman, Leonard Bernstein, life, lightning, live, Living composer, Ludwig van Beethoven, Machine, Madison, Madison Symphony Orchestra, man, Mariinsky, millenium, movement, Music, National Endowment for the Arts, NEA, New Music, Orchestra, orchestration, Overture Center, Overture Hall, past, performance, Pianist, Piano, Prelude, prize, program notes, public #ArthurRubinsteinInternationalPianoCompetition, Pulitzer Prize, recital, red silk, rhythm, Romeo and Juliet, Sanford Medal, Saxophone, Scherzo, Season, Seattle, security, senior, September, Sergei Prokofiev, Shakespeare, silver anniversary, solo, Sonata, Sound, Soviet, Soviet Union, speed, sponsor, Student, success, Suite, symphony, Tel Aviv, tender, tenderness, tenor, time, tragedy, Trombone, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, Vienna Philharmonic, Viola, Violin, weekend, Wisconsin, Wisconsin Arts Board, Wisconsin State Journal, Wisconsin Union Theater, Yale University, Yo-Yo Ma, YouTube

Classical music: Superstar cellist Yo-Yo Ma goes to NPR to perform and talk about spending 58 years learning and playing Bach

August 18, 2018
1 Comment

By Jacob Stockinger

Superstar cellist Yo-Yo Ma has just recorded the six suites for solo cello by Johann Sebastian Bach for the third time.

Ma, now 62, started learning them when he was four years old.

Over so many years, his approach has changed. He says he finds new things in the music as he himself changes and matures, much the way you see different things in the same novel you read at 18 and then again at 55 after you have experienced more of life.

That’s why Ma calls his latest recording “Six Evolutions.” And truth be told, to The Ear his interpretations seem lighter, dancier and more up-tempo while his earlier readings seemed heavier, sometimes even gooey thick.

Anyway, the cellist (below), who has won 19 Grammy Awards and has often performed in Madison at the Wisconsin Union Theater, recently stopped by the studios of National Public Radio (NPR) for a Tiny Desk Concert.

He played three movements, and he talked about his long experience with playing and learning and exploring Bach to students, who loved him.

It is well worth listening to.

Here is a link: https://www.npr.org/2018/08/16/639206471/yo-yo-ma-tiny-desk-concert

What do you think?

Do you have an opinion about Ma’s current readings of solo Bach versus his past ones?

The Ear wants to hear.

Classical music: Is Royal Wedding cellist Sheku Kanneh-Mason the next Yo-Yo Ma?

May 22, 2018
5 Comments

By Jacob Stockinger

If you watched the Royal Wedding of Prince Harry and American Meghan Markle – who are now known as the Duke and Duchess of Sussex – you were probably impressed by many things.

Not the least of them was the performance by the young Afro-British cellist Sheku Kanneh-Mason, who performed three pieces: “After a Dream” by Gabriel Faure; “Ave Maria” by Franz Schubert; and “Sicilienne” (an ancient dance step) by Maria Theresia von Paradis.

The young player acquitted himself just fine, despite the pressure of the event, with its avid public interest in the United Kingdom and a worldwide TV viewership of 2 billion.

But that is to be expected. He is no ordinary teenage cellist. Now 19, he was named BBC Young Musician of the Year in 2016 — the first black musician of African background to be awarded the honor since it started in 1938. A native of Nottingham, even as he pursues a busy concert and recording schedule, he continues his studies at the Royal Academy of Music in London.

So it was with great anticipation that The Ear listened to “Inspiration,” Kanneh-Mason’s new recording from Decca Records, which is already a bestseller on Amazon.com and elsewhere, and has topped the U.S. pop charts. (There are also many performances by him on YouTube.)

Unfortunately, The Ear was disappointed by the mixed results.

The cellist’s playing is certainly impressive for its technique and tone. But in every piece, he is joined by the City of Birmingham Orchestra or its cello section. The collaboration works exceptionally well with the Cello Concerto No. 1 by Dmitri Shostakovich.

However, so many of the other works seem too orchestrated and overly arranged. So much of the music becomes thick and muddy, just too stringy. The Ear wanted to hear more of the young cellist and less of the backup band.

One also has to wonder if the recording benefits from being a mixed album with a program so full of crossovers, perhaps for commercial reasons and perhaps to reach a young audience. There is a klezmer piece, “Evening of the Roses” as well as a reggae piece, “No Woman, No Cry” by Bob Marley and the famous song “Hallelujah” by Leonard Cohen.

In addition, there are the familiar “The Swan” from “The Carnival of the Animals” by Camille Saint-Saens and two pieces by the inspiring cellist referred to in the title of the recording, Pablo (or Pau in Catalan) Casals (below).

A great humanist and champion of democracy who spent most of his career in exile from dictator Franco’s Spain, Casals used the solo “The Birds” as a signature encore. Played solo, it is a poignant piece — just as Yo-Yo Ma played it as an encore at the BBC Proms, which is also on YouTube). But here it simply loses its simplicity and seems overwhelmed.

Clearly, Sheku Kanneh-Mason is a musician of great accomplishment and even greater promise who couldn’t have wished for better publicity to launch a big career than he received from the royal wedding. He handles celebrity well and seems a star in the making, possibly even the next Yo-Yo Ma, who has also done his share of film scores and pop transcriptions

But when it comes to the recording studio, a smaller scale would be better. Sometimes less is more, and this is one of those times. (Listen to his beautiful solo playing and his comments in the YouTube video at the bottom.)

To take the full measure of his musicianship, The Ear is anxious to hear Kanneh-Mason in solo suites by Johann Sebastian Bach and concertos by Antonio Vivaldi; in sonatas by Ludwig van Beethoven, Franz Schubert and Johannes Brahms; in concertos by Antonin Dvorak and Edward Elgar; and in much more standard repertory that allows comparison and is less gimmicky.

Did you hear Sheku Kanneh-Mason’s live performance at the royal wedding? What did you think?

And if you have heard his latest recording, what do you think of that?

Do you think Sheku Kanne-Mason is the next Yo-Yo Ma?

The Ear wants to hear.

Posted in Classical music
Tags: #Afro-British, #AntoninDvorak, #AntonioVivaldi, #AveMaria, #BBCProms, #BBCYoungMusicianoftheYear, #BobMarley, #CamilleSaint-Saens, #CelloConcerto, #CelloMusic, #CelloSonata, #CityofBirminghamOrchestra, #DeccaRecords, #DmitriShostakovich, #DukeandDuchessofSussex, #EdwardElgar, #FranciscoFranco, #FranzSchubert, #GabrielFaure, #JohannesBrahms, #JohannSebastianBach, #KlezmerMusic, #LeonardCohen, #LudwigVanBeethoven, #MariaTheresiavonParadis, #MeghanMarkle, #PabloCasals, #PauCasals, #PopChart, #PopMusic, #PrinceHarry, #PublicInterest, #RecordingStudio, #ReggaeMusic, #RoyalAcademyofMusic, #RoyalWedding, #ShekuKanneh-Mason, #SoloSuite, #TVaudience, #TVviewership, #UnitedKingdom, #UnitedStates, #Yo-YoMa, #YoungAudience, #YoungListeners, accomplishment, Africa, African, Amazon, amazon.com, American, ancient, arranged, arrangement, Arts, Bach, Baroque, BBC, BBC Young Musician of the Year, Beethoven, bestseller, bird, birds, black, Black people, Bob Marley, British, career, celebrity, Cello, Chamber music, Classical music, commercial, Compact Disc, comparison, composer, Concert, concerto, dance, Decca Records, dictator, duchess, duke, Duke and Duchess of Sussex, Faure, film, gimmick, gimmicky, Hallelujah, humanism, humanist, inspiration, Jacob Stockinger, Johann Sebastian Bach, Johannes Brahms, klezmer, Ludwig van Beethoven, Madison, Meghan, Meghan Markle, Music, Nottingham, Orchestra, orchestrated, poignant, pop, Pop chart, pops, popular, Prince Harry, publicity, recording, repertory, royal, Royal Academy of Music, royal wedding, schedule, score, solo, Sonata, song, Spain, star, step, studio, stufies, Suite, Sussex, technique, Television, tone, transcription, TV, U.S., UK, United Kingdom, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, Viola, Violin, wedding, weekend, Wisconsin, worldwide, Yo-Yo Ma, YouTube

	welltemperedear on What do you think of the…
	Scott on What do you think of the…
	welltemperedear on Yunchan Lim’s Chopin etudes ar…
	bratschespeilerin on What do you think of the…
	MARVIN P WICKENS on Yunchan Lim’s Chopin etudes ar…

Share this:

Share this:

Share this:

Share this:

Share this:

Share this:

Share this:

Share this:

Share this:

Share this: