The Well-Tempered Ear

Classical music: This weekend the Madison Symphony Orchestra opens its new season with Mendelssohn’s “Reformation” Symphony and music by Bach. It also highlights principal violist in music by Berlioz

September 13, 2017
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By Jacob Stockinger

This coming weekend, the Madison Symphony Orchestra (MSO, below in a photo by Peter Rodgers), with music director John DeMain conducting, opens its 92nd season with a celebration of the 500th anniversary of the Lutheran Reformation.

The season-opening concert also showcases the Madison Symphony Orchestra as an ensemble with no guest soloist. The MSO’s Principal Violist Chris Dozoryst (below) will solo in Hector Berlioz’sHarold in Italy.”

Also featured is Leopold Stokowski’s famous orchestral arrangement of Johann Sebastian Bach’s Toccata and Fugue in D Minor, and the 500th anniversary of the Lutheran Reformation will be honored with Felix Mendelssohn’s “Reformation” Symphony.

The concerts in Overture Hall of the Overture Center, 201 State Street, are on Friday night, Sept. 15, at 7:30 p.m.; Saturday night, Sept. 16, at 8 p.m., and Sunday afternoon, Sept. 17, at 2:30 p.m.

Ticket information is below.

According to the MSO press release: “The concerts present the music of two composers who shared a deeply spiritual relationship with the Lutheran faith, and passion for music. It is said that Johann Sebastian Bach set faith to music, and Felix Mendelssohn clarified faith for all to hear.

MSO Music Director John DeMain (below, in a photo by Greg Anderson) chose to pair Bach and Mendelssohn specifically for this program.

“Both Bach (below top) and Mendelssohn (below bottom) were devout Lutherans, Mendelssohn having converted from Judaism when he was 12 years old,” DeMain says.

“I decided to open the season with Leopold Stokowski’s great transcription of Bach’s Toccata and Fugue in D Minor for organ, and then give the first performance by the MSO of Mendelssohn’s Symphony No. 5, subtitled the Reformation. Indeed, this symphony quotes extensively from one of the greatest Christian hymns of all time — “A Mighty Fortress Is Our God.””

Bach’s Toccata and Fugue in D minor is a transcription for orchestra by Leopold Stokowski (below) and became well-known after its inclusion in Disney’s film Fantasia. The piece was originally cut from the theatrical release of the film, but was later added back in a 1946 re-release and included Stokowski directing the orchestra at the beginning of the piece. (You can hear the original version for organ, with an unusual graphic display, in the YouTube video at the bottom.)

Hector Berlioz’sHarold in Italy” is considered an autobiographical vignette recounting the composer’s Italian experience. The piece is filled with youthful vitality, tinged with an appealing Romantic sensibility that Berlioz (below)  borrowed freely from literature, most specifically Lord Byron’s poem “Childe Harold’s Pilgrimage.” Playing the solo viola part is MSO’s Principal Violist Chris Dozoryst.

The 2017–18 season will mark Christopher Dozoryst’s 10th season as principal viola with the Madison Symphony Orchestra. In addition to his orchestral duties, Chris also performs with the MSO’s HeartStrings Program as violist with the Rhapsodie Quartet. He also performs and records, working locally and regionally in Madison and Chicago. He has performed numerous engagements with well-known musicians including Tony Bennett, Ray Charles, and Smokey Robinson.

Originally commissioned in 1830 for a celebration of the 300th anniversary of the Augsburg Confession, Mendelssohn honors Martin Luther (below) in his Symphony No. 5Reformation” by including in the finale the beloved hymn Ein’ feste Burg is unser Gott (A Mighty Fortress Is Our God) that Luther had written while the Augsburg Confession was in session. This year marks the 500th anniversary of Luther’s Ninety-Five Theses and the establishment of the Lutheran Church.

One hour before each performance, Amy Hartsough (below), acting director of music at Bethel Lutheran Church, will lead a FREE 30-minute Prelude Discussion in Overture Hall to enhance concertgoers’ understanding and listening experience.

For more background on the music, please read the Program Notes by MSO trombonist and UW-Whitewater professor Michael Allsen at: http://www.allsenmusic.com/NOTES/1718/1.Sep17.html.

The MSO recommends that concert attendees arrive early for each performance to make sure they have time to pass through Overture Center’s security stations, and so they can experience the pre-concert talk (free for all ticket-holders).

Single Tickets are $18-$90 each and are on sale now at https://www.madisonsymphony.org/singletickets, through the Overture Center Box Office at 201 State Street, or by calling the Box Office at (608) 258-4141.

Groups of 15 or more can save 25% by calling the MSO office at (608) 257-3734. For more information, go to: https://www.madisonsymphony.org/groups.

Student rush tickets can be purchased in person on the day of the concert at the Overture Center Box Office at 201 State Street. Students must show a valid student ID and can receive up to two $12 or $18 tickets.

More information is at: https://www.madisonsymphony.org/studentrush

Seniors age 62 and up receive 20% savings on advance and day-of-concert ticket purchases in select areas of the hall.

Discounted seats are subject to availability, and discounts may not be combined.  

Major funding for the September concerts is provided by: the Wisconsin State Journal and Madison.com, Rosemarie and Fred Blancke, Capitol Lakes, The Gialamas Company, Inc., Marvin J. Levy, Nancy Mohs, and Peggy and Tom Pyle. Additional funding is provided by: DeWitt Ross & Stevens S.C., Forte Research Systems and Nimblify, the Wisconsin Arts Board with funds from the State of Wisconsin, and the federal National Endowment for the Arts.

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Classical music: The Madison Bach Musicians perform Bach’s “St. John Passion” this Friday night and Saturday night in authentic early music style

April 11, 2017
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By Jacob Stockinger

The Madison Bach Musicians (below), which specializes in authentic period performances of early music, will perform Johann Sebastian Bach’s “St. John Passion” this coming Friday  and Saturday nights, both at 7:30 p.m., in the Atrium Auditorium of the First Unitarian Society of Madison, 900 University Bay Drive.

On both nights at 6:45 p.m., MBM founder and music director Trevor Stephenson (below) will give a free pre-concert lecture on the “Structure and Performance History of the St. John Passion.” In his remarks, Stephenson said he will discuss the question of anti-Semitism in the famous work.

(NOTE: Stephenson and some of the players will also be on Wisconsin Public Radio’s “The Midday” with Norman Gilliland TODAY at noon.)

At the end of Part I, the Rev. Michael Schuler of the Unitarian Society will give a talk focusing on “Theological Reflections on Bach and the St. John Passion.”

This is only the second time the work has been performed in historical style in the state of Wisconsin. For more information and explanation, see the story in the Wisconsin State Journal:

http://host.madison.com/wsj/entertainment/music/st-john-passion-to-be-performed-on-all-historical-period/article_0e6e3d51-c03e-5803-9230-faed6a48ed1d.html

Tickets are $28-$33 and are available online, at Orange Tree Imports and at the door. Ticket information is at www.madisonbachmusicians.org

Trevor Stephenson writes the following about the work and the performance:

Bach was 38 years old when he composed the monumental St. John Passion during his initial year of employment in Leipzig, 1723-24. The work was first performed at the Nikolai Church during the Good Friday service on April 7, 1724.

As was the custom, no concerted music had been played in church during the previous six weeks of Lent, and the airing of the St. John Passion ― music of unprecedented complexity, lasting for over two hours — must have had an overwhelming effect on the fresh ears and devoted souls of the parishioners.

From its outset—with the whirling gear-like figures in the strings beneath the moiling of the oboes—the St. John Passion has an otherworldly aura of a story that has been foretold. Bach’s genius is in how he balances this inevitability with a sense of forward dramatic thrust: the passion story must happen, has already happened, but it also must be played out in real-time by living people, step by painful step. Time is at once both linear and circular. (Below is the manuscript for the “St. John Passion.”)

I believe that the objective of Bach (below) in setting the St. John Passion was to tell as vividly as possible the story of Jesus’ cruel earthly demise while at the same time tempering this vividness with frequent textual reminders, as well as an overarching tone, that convey the firm belief that Jesus’ Passion had not only been prophesied long before his birth but that Jesus’ suffering and death on earth was the only solution for the forgiveness of humanity’s sins.

 

The Evangelist John is our guide for the story of Jesus’ arrest, trial, crucifixion and burial. John sings his narration in the dry and angular recitative style, addressing the audience directly. He summarizes some scenes and introduces others, which are then played out in present-tense tableau format by various characters: Jesus, Peter, Pilate, Court officers, the angry mob.

Bach uses two techniques to pause and comment upon the narrative: first, with arias for solo voices and instrumental obbligato, that employ freely-composed poetry to reflect upon the story in a personal way — like the thoughts of someone observing the action; and second, by chorales which use tunes and texts that would have been familiar to Bach’s parishioners to elicit a broader communal response to the passion story. Many of the chorales are like a spiritual balm, providing moments of much needed rest throughout the work.

For the upcoming April 14 and 15 concerts of the St. John Passion on Good Friday and Holy Saturday ― the Madison Bach Musicians has endeavored as much as possible to recreate the early 18th-century sound world of that first Leipzig performance in 1724. MBM will use a 17-member baroque orchestra, conducted by UW-Madison bassoonist and performance-practice specialist Marc Vallon (below, in a photo by James Gill).

The orchestra will play entirely on 18th-century style instruments:

  • Gut-strung violins, violas, cellos, and bass played with baroque bows which facilitate articulation and phrase grouping
  • Early 18th-century single-keyed wooden traverso flutes and single-keyed wooden oboes―uniquely warm-sounding and clear-toned. Plus the baroque ancestor of the modern English horn, the tenor oboe da caccia
  • A baroque chamber organ with wooden pipes tuned in 18th-century Well Temperament
  • And specialty instruments—even by 18th-century standards. The viola da gamba, featured during the tombeau– or tomb-like Es ist vollbracht (It is fulfilled) aria heard after Jesus’ death; and two violas d’amore, delicate and velvet toned, replete with sympathetic strings for a haunting after-glow of sound. (You can hear that aria in the YouTube video at the bottom.)

These instruments will join with 10 outstanding vocalists—specialists in singing both solo and choral baroque repertoire.

Internationally recognized, and Grammy Award winning tenor, Dann Coakwell (below, in a photo by Mary Gordon) will sing the part of John the Evangelist.

The Passion will be sung in its original German; but an English translation of the text will be projected in supertitles scene-by-scene throughout the performance.

MBM is thrilled to be presenting this masterwork in the Atrium Auditorium (below, in a  photo by Zane Williams) at First Unitarian Society, a space beautifully suited to early music. The sightlines are superb, and the acoustics offer a great balance of clarity, crispness, and spaciousness.

Seating is limited, so advance ticket purchase is suggested.


Classical music: The fourth annual Schubertiade at the UW-Madison takes place this Sunday afternoon – with some important changes

January 25, 2017
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By Jacob Stockinger

The fourth annual Schubertiade – a concert to mark the birthday of the Austrian early Romantic composer Franz Schubert (below top, 1797-1828) – is now a firmly established tradition at the University of Wisconsin-Madison School of Music (below bottom, in Mills Hall, which is rearranged for more intimate and informal on-stage seating.)

Franz Schubert big

Schubertiade 2016 stage

Over the past there years, the Schubertiade has become a popular and well-attended event. And with good reason.

Every time The Ear has gone, he has enjoyed himself immensely and even been moved by the towering and prolific accomplishments, by the heart-breaking beauty of this empathetic and congenial man who pioneered “Lieder,” or the art song, and mastered so many instrumental genres before g his early death at 31.

But there are some important changes this year that you should note.

One is that the time has been shifted from the night to the afternoon – specifically, this Sunday afternoon at 3 p.m. in Mills Hall.

Admission is $15 for adults, $5 for students. (Below is this year’s poster, mistaking this year’s event of the third, with a painting by Gustav Klimt of Schubert playing piano at a salon musicale.)

schubertiade-2017-painting-by-gustav-klimt

After the concert, there is another innovation: a FREE reception, with a cash bar, at the nearby University Club. There you can meet the performers as well as other audience members.

The program, organized by pianist-singers wife-and-husband Martha Fischer and Bill Lutes (below), will last a little over two hours.

martha fischer and bill lutes

Usually there is a unifying theme. Last year, it was nature.

This year, it is friends Schubert knew and events that happened to him. It is called “Circle of Friends” and is in keeping with the original Schubertiades, which were informal gatherings (depicted below, with Schubert at the keyboard) at a home where Schubert and his friends premiered his music.

Schubertiade in color by Julius Schmid

Performers include current students, UW-Madison alumni and faculty members. In addition, soprano Emily Birsan, who is a graduate of the UW-Madison and a rising opera star, will participate.

Emily Birsan 2016

For more about the event, the performers and how to purchase tickets, go to:

http://www.music.wisc.edu/2016/12/19/schubertiade_birsan2017/

Here is a complete list of performers and the program with the initials of the perfomer who will sing the pieces:

Performers

Emily Birsan (EB), Rebecca Buechel (RB), Mimmi Fulmer (MFulmer), Jessica Kasinski (JK), Anna Polum (AP), Wesley Dunnagan (WD,) Daniel O’Dea (DO), Paul Rowe (PF), Benjamin Schultz (BS), singers. Bill Lutes (BL) and Martha Fischer (MF), pianists.

Program

Trost im Liede (Consolation in Song ), D. 546 (MF, BL)

Franz von Schober (1796-1882)

Der Tanz (The Dance), D. 826 (AP, RB, WD, PR, MF)

Kolumban Schnitzer von Meerau (?)

Der Jüngling und der Tod (The Youth and Death), D. 545 (PR, BL)

Josef von Spaun (1788-1865)

4 Canzonen, D. 688 (EB, BL)

No. 3, Da quel sembiante appresi (From that face I learnt to sigh) 

No. 4, Mio ben ricordati (Remember, beloved) 

Pietro Metastasio (1698-1782)

From the Theresa Grob Album (November, 1816)

Edone, D. 445 (WD, MF)

Friedrich Gottlieb Klopstock (1724-1803)

Pflügerlied (Ploughman’s Song), D. 392 (BS, MF)

Johann Gaudenz von Salis-Seewis (1762-1834)

Am Grabe Anselmos (At Anselmo’s Grave), D. 504A (JK, MF)

Matthias Claudius (1740-1815)

Mailied (May Song), D. 503 (DO, BL)

Ludwig Hölty (1748-1776)

Marche Militaire No. 1, D. 733 (MF, BL)

Viola (Violet), D. 786 (EB, BL)

Schober

Ständchen (Serenade), D. 920A (RB, DO, WD, PR, PR, MF)

Franz Grillparzer (1791-1872)

Epistel ‘An Herrn Josef von Spaun (Letter to Mr. Joseph von Spahn), Assessor in Linz, D. 749 (EB, MF) Matthäus von Collin (1779-1824)

Intermission

Geheimnis (A Secret), D. 491 (EB, MF)

Johann Mayrhofer (1787-1836)

Des Sängers Habe (The Minstrel’s Treasure), D. 832 (PR, MF)

Franz Xavier von Schlechta (1796-1875)

An Sylvia, D. 891 (MF, BL)

Shakespeare, trans. Eduard von Bauernfeld (1802-1890)

Nachtstück (Nocturne), D. 672 (DO, BL)

Mayrhofer

Das Lied in Grünen (The Song in the Greenwood), D. 917 (MFulmer, BL)

Johann Anton Friedrich Reil (1773-1843)

8 Variations sur un Thème Original, D. 813 (MF, BL)

Cantate zum Geburtstag des Sängers Johann Michael Vogl, D. 666 (AP, DO, PR, BL) Albert Stadler (1794-1888)

Ellens Gesang No. 3, Ave Maria, D. 839 (EB, MF)

Sir Walter Scott (1771-1832), from The Lady of the Lake, trans. Adam Storck (1780-1822)

An die Musik, D. 547 (You can hear it performed by the legendary soprano Elisabeth Schwarzkopf and pianist Gerald Moore in the YouTube video at bottom)

Schober

Everyone is invited to sing along. You can find the words in your texts and translations.

Schubert etching

Here is a link to a story in The Wisconsin State Journal with more background:

http://host.madison.com/entertainment/music/bringing-back-the-schubert-house-party/article_a0d27e9d-7bc7-5f32-bb57-590eb0bc7b91.html

And if you want to get the flavor of the past Schubertiades, here are two reviews from past years:

https://welltempered.wordpress.com/2014/02/02/classical-music-what-classical-music-goes-best-with-the-nfls-super-bowl-48-football-championship-today-plus-university-of-wisconsin-madison-singers-and-instrumentalists-movingly-celebrate-franz-s/

https://welltempered.wordpress.com/2016/02/04/classical-music-the-third-annual-schubertiade-at-the-university-of-wisconsin-madison-school-of-music-was-so-popular-and-so-successful-it-should-serve-as-a-model-for-other-collaborative-concerts-feat/


Classical music education: Here are 10 tips from China for productive practicing. Also, this afternoon is your last chance to hear the Madison Symphony Orchestra and violinist-composer Henning Kraggerud

October 23, 2016
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ALERT: This afternoon at 2:30 p.m. in Overture Hall is your last chance to hear the Madison Symphony Orchestra with violinist-composer Henning Kraggerud (below). The popular “Pastorale” Symphony by Ludwig van Beethoven is also on the program. Here are some reviews, all positive:

Here is the review that John W. Barker wrote for Isthmus:

http://isthmus.com/music/something-old-something-new/

Here is Jessica Courtier’s review for The Capital Times and The Wisconsin State Journal:

http://host.madison.com/ct/entertainment/music/concert-review-madison-symphony-orchestra-takes-listeners-on-a-trip/article_6ccb102f-2f5a-5f81-8df0-84323c05ca44.html

And here is the review written by Greg Hettmansberger for his blog “What Greg Says”:

https://whatgregsays.wordpress.com/2016/10/22/no-place-like-a-second-home/

henning-kraggerud-2016

By Jacob Stockinger

The Ear, who is an avid amateur pianist, ran across these 10 tips for productive practicing – something he can always use.

He knew some of them before. But it never hurts to review the basics. That’s why they are called the basics.

And some tips — included on a website based in Hong Kong, China, where music education is booming — were new.

Steinway Grand Piano

string trio violin, viola and cello

He thought that you too – no matter what instrument you play or if you sing – would find them helpful too.

And if you don’t play or sing, maybe these tips will still enhance your appreciation of the hard work that goes into playing and practicing.

So here they are:

http://www.interlude.hk/front/ten-tips-productive-practice/

If you have some practice tips of your own to add, just leave them in the COMMENT section.

The Ear wants to hear.

And to play better.


Classical music: “Out of the Shadows: Playing the Jewish Archive” runs from Sunday through Thursday at the UW-Madison, one of only five venues around the world for this ambitious project to rescue Jewish music endangered by World War II and the rise of the Nazis.

April 30, 2016
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By Jacob Stockinger

Talk about world-class honors.

The University of Wisconsin-Madison is one of only five venues worldwide — and the only one in the United States —  selected to host, perform and participate in “Playing the Jewish Archive: Rediscovering Jewish Music, Literature and Theater.”

The ambitious project, launched by the University of Leeds in the United Kingdom, is designed to rediscover and revive Jewish and Yiddish music, and culture in general, that were threatened with extinction by World War II and the rise of Hitler and the anti-Semitism of the Nazis in Europe during the Holocaust.

OLYMPUS DIGITAL CAMERA

A preview of the project happened last fall. Here is a link to a previous two-part posting about that event:

https://welltempered.wordpress.com/2015/08/26/classical-music-the-uw-madison-and-the-bach-dancing-and-dynamite-society-will-hold-free-events-this-coming-sunday-to-help-bring-neglected-jewish-music-and-culture-out-of-the-shadows/

https://welltempered.wordpress.com/2015/08/27/classical-music-the-bach-dancing-and-dynamite-society-will-perform-a-free-concert-this-sunday-afternoon-to-help-bring-neglected-jewish-music-out-of-the-shadows-of-history-part-2-of/

Out of shadows poster

But this time the ticketed events (usually $10, $5 for students) – which start this Sunday, May 1, and run through Thursday, May 5 — are longer and more ambitious.

Programs and concerts will take place at the UW’s Mills Hall, the Wisconsin Union Theater, the First Unitarian Society of Madison Meeting House and the Overture Center among other places.

Local performers include the Bach Dancing and Dynamite Society; the Madison Youth Choirs; the Wisconsin Youth Symphony Orchestras (WYSO) the UW Concert Choir; the Pro Arte Quartet; and others.

Performing the Jewish Archive images

Here is a link to the preview and complete day-by-day programs of composers, works and performers that is on the website of the University of Wisconsin-Madison School of Music. It also has information about obtaining tickets and a lot of background and context:

http://www.music.wisc.edu/performing-the-jewish-archive-may-2016-events/

And here are two links to other stories in Isthmus and the Wisconsin State Journal, which also highlight the pivotal role that Teryl Dobbs, a professor of music education and the department chair of music education at the UW, played in securing this prestigious as well as historically and artistically important event for Madison and the UW-Madison:

http://isthmus.com/music/jewish-culture-in-spotlight-yiddish-music/

http://host.madison.com/wsj/entertainment/music/global-jewish-music-project-comes-to-madison/article_2db64114-21c1-55ba-b639-c35bc43c2ce8.html

Finally, here is a link to a list of the many programs and performers with times and venues:

http://isthmus.com/events/performing-the-jewish-archive-may/

 


Classical music: This afternoon is your last chance to hear pianist Emanuel Ax and soprano Alisa Jordheim with the Madison Symphony Orchestra in Beethoven and Mahler. Plus, the Madison Bach Musicians will hold a chamber music workshop this summer for players of early music and Baroque music

March 13, 2016
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ALERT: Today at 2:30 p.m. in Overture Hall is your last chance to hear pianist Emanuel Ax perform the Piano Concerto No. 4 by Ludwig van Beethoven and soprano Alisa Jordheim in the Symphony No. 4 by Gustav Mahler.

Here is a rave review for Madison Magazine by Greg Hettmansberger:

https://whatgregsays.wordpress.com/2016/03/12/madison-symphony-dealt-a-pair-of-4s-and-makes-it-a-winning-hand/

And here is another rave review for Isthmus by John W. Barker:

http://isthmus.com/music/madison-symphony-orchestra-with-soloist-emanuel-ax/

And here is third rave review by Jessica Courtier for The Capital Times and the Wisconsin State Journal:

http://host.madison.com/ct/entertainment/arts-and-theatre/concert-review-pianist-emanuel-ax-highlights-a-madison-symphony-program/article_deba2728-e86f-11e5-a953-97da4b10222f.html

Emanuel Ax portrait 2016

By Jacob Stockinger

The Ear has received the following information to pass along:

The Madison Bach Musicians will offer a Summer Chamber Music Workshop July 26-29 focusing on historically-informed performance of baroque and classical music.

This workshop is co-directed by MBM founder and director, harpsichordist Trevor Stephenson (below top, in a photo by Kent Sweitzer), and MBM member, violinist Kangwon Kim (below bottom). There will also be guest instructors.

Trevor Stephenson at harpsicord CR Kent Sweitzer

Kangwon Kim close up

The workshop, which costs $400, is open to intermediate and advanced players who are high school age and older.

The public can attend master classes and concerts. Four-day passes for auditors are available for $75. A single-day pass costs $25.

Instruments included are: violin, viola, cello, harpsichord, fortepiano, piano, flute, recorder and oboe.

BrandenburgsHarpsichord

Participants will be assigned to an ensemble group, and music will be sent in advance to allow musicians to learn their parts beforehand.

The workshop will include personalized coaching, master classes, a faculty concert, community lunches and a final closing concert for a supportive and appreciative audience.

All of this will take place in the beautiful and acoustically rich spaces of First Unitarian Society of Madison (below, in a photo by Kent Sweitzer), located at 900 University Bay Drive.

FUS by Kent Sweitzer USE

Applications are being be accepted on a first-come, first-served basis since Jan. 1, 2016. (There is an early application discount until March 15.)

For information, including the local and guest faculty members, and an online application, visit: http://madisonbachmusicians.org/education-and-outreach/summer-workshop/

A spokesperson for the Madison Bach Musician adds:

“Some people might ask how this workshop relates to the Madison Early Music Festival. The MBM workshop stands independent of the Madison Early Music Festival, and we do not intend to compete with the festival but to just add another great music option for Madison-area musicians. We intentionally set the dates for our workshop well after the Early Music Festival so as not to compete with it.

“The focus of the Madison Bach Musicians Summer Chamber Music Workshop is to create a supportive music community where participants can further develop their appreciation and playing ability of baroque and early classical chamber music through personalized coaching and performance experience.”

 


Classical music: Five alumni composers return to UW-Madison for two FREE concerts of their work this Thursday and Friday nights. On Tuesday night, UW trombonist Mark Hetzler and friends premiere four new works.

November 2, 2015
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ALERT: On Tuesday night at 7:30 in Mills Hall, UW-Madison trombone professor Mark Hetzler with be joined by Anthony DiSanza, drums/percussion; Vincent Fuh, piano; Ben Ferris, bass; Tom Ross-percussion; Garrett Mendelow, percussion.

Mark Hetzler and friends present a FREE concert titled “Mile of Ledges” with the premiere of four new works. Two new compositions (Falling and Mile of Ledges) by Mark Hetzler will feature lyrical and technical trombone passages, soulful and spirited piano writing, complex percussion playing and a heavy dose of electronics. In addition, the group will showcase new music by UW-Madison alum Ben Davis (his $$$$$$$$$$$$$$$$$$ for quartet and electronics) and Seattle composer David P. Jones (a chamber work for trombone, piano, bass and two percussionists).

Read a Wisconsin State Journal about Mark Hetzler. Download PDF here.

By Jacob Stockinger

If The Ear recalls correctly, alumni who return to the University of Wisconsin-Madison School of Music are generally performers or scholars.

All the more reason, then, to celebrate this week’s major UW event, which was organized by UW-Madison composer and teacher Stephen Dembski (below). It features five composers who trained at the UW-Madison and who are now out in the world practicing their art and teaching it to others.

Steve Dembski's class

Steve Dembski’s class

Dembski writes:

This week, the UW-Madison School of Music will welcome back five graduates of the composition studio who have developed creative, multi-dimensional careers in a range of fields: acoustic and electronic composition, musicology, theory, audio production, conducting, education, concert management and administration, performance, and other fields as well.

The two-day event is intended to show the breadth of talent at UW-Madison as well as demonstrating that music students focus on much more than performance as a way to shape successful careers.

The composers include: Jeffrey Stadelman (below), who is now associate professor of music composition at the University at Buffalo.

jefffey stadelman

Paula Matthusen (below, BM, 2001), who is assistant professor of music at Wesleyan University.

paula matthusen

William Rhoads (below, BM, 1996), who is vice-president of marketing and communications for Orchestra of St. Luke’s in New York City.

William Rhoads

Andrew Rindfleisch (below, BM, 1987), who is a full-time composer living in Ohio. (You can hear his introspective and microtonal work “For Clarinet Alone” in a YouTube video at the bottom.)

Andrew Rindfleisch portrait

Kevin Ernste (below, BM, 1997), who is professor of composition at Cornell University.

kevin ernste

The UW-Madison School of Music will present two FREE concerts of their music, performed by the Wisconsin Brass Quintet (below top), the Wingra Woodwind Quintet (below bottom, in a photo by Michael Anderson), the UW Wind Ensemble, and other faculty members and students.

Wisconsin Brass Quintet

Wisconsin Brass Quintet

Wingra Woodwind Quintet 2013 Michael Anderson

The FREE concerts are on this Thursday, Nov. 5, at 7:30 p.m. in Mills Hall; and on this Friday, Nov. 6, 7:30 p.m. in Mills Hall. There will be workshops and colloquia yet to be announced.

For complete composer biographies, along with comments about their works, and more information about the two-day event, visit this site:

http://www.music.wisc.edu/2015/10/08/uw-madison-composers-return/


Classical music: Here is music to greet Fall, which arrives today. Plus, up-and-coming coloratura soprano Brenda Rae returns to her alma mater UW-Madison from this Friday through Sunday to raise money for University Opera.

September 23, 2015
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ALERT: Autumn is here. The Fall equinox arrives today at 3:31 a.m. CDT. If you are looking for some appropriate music to listen to, here is a good selection — complete with audio samples – from Minnesota Public Radio:

http://www.classicalmpr.org/story/2014/09/23/classical-music-for-fall-autumn

Plus: The long-term weather prediction is for a warm Fall , according to the Web site Accuweather. Here is a link:

http://www.accuweather.com/en/weather-news/warmth-to-continue-in-midwest/52475030

By Jacob Stockinger

Attention all opera fans!

Here is a press release for you from the University of Wisconsin–Madison School of Music, written by concert manager and publicity director Kathy Esposito:

“Gazing at herself in a bewitched mirror, she is obsessed with her radiant beauty; she caresses her own face and simpers at an imagined lover.”

“That would be the Appleton, Wisconsin coloratura soprano Brenda Rae (below) in the Seattle Opera’s February production of George Frideric Handel’s “Semele,” in which she was described by Opera News as “sensual,” “dazzling” and “moving.” (You can see a clip in a YouTube video at the bottom.)

Soprano Brenda Rae

Brenda will be on the UW-Madison campus September 25-27 as part of a larger three-day fund drive to put University Opera -– which has existed at UW-Madison for 57 years, but which relies mostly on ticket sales and donations to finance productions -– on a secure financial footing.

For a more detailed biography of Benda Rae, go to:

http://www.music.wisc.edu/event/soprano-brenda-rae-with-the-uw-symphony-orchestra/

Here is a link to a story about Brenda Rae and the University Opera written  by Gayle Worland in The Wisconsin State Journal:

http://host.madison.com/entertainment/music/dollars-bring-new-era-to-university-opera/article_677707d4-fbd6-5dfd-acf6-f50525ae73c4.html

On Friday, there will be a FREE and PUBLIC master class in Music Hall from 5 to 7 p.m.

On Saturday, two special donor events are planned: the first, a VIP dress rehearsal followed by a private University Club reception for event sponsors.

For more about level of sponsorship and the fundraising drive visit:

https://uwmadisonschoolofmusic.wordpress.com

And on Sunday at 7:30 p.m. in Mills Hall, a ticketed public concert ($25 for adults) will feature Brenda Rae singing Reinhold Gliere’s rarely heard Concerto for Coloratura Soprano, accompanied by the UW Symphony Orchestra, conducted by James Smith. Also on the program are scenes and an aria from Giuseppe Verdi’s opera “La Traviata” and “Symphonic Dances” by Sergei Rachmaninoff.

The two events are part of a fund-raising drive that honors opera alumna Karen K. Bishop, who passed away in January. We hope you will consider becoming a supporter of University Opera by sponsoring this event and attending one or more performances.


Classical music: Sound Ensemble Wisconsin opens its return season this Sunday night with an event that combines music, food and poetry.

September 8, 2015
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By Jacob Stockinger

The Ear’s friends at Sound Ensemble Wisconsin (SEW) write:

After Sound Ensemble Wisconsin’s 2014-2015 hiatus, which allowed director Mary Theodore to care for her new baby, SEW is pleased to announce its return for the 2015-16 season. Please stay tuned for news on the rest of the season.

What does food sound like? What does music taste like? This coning Sunday night, participants can enjoy a lovely evening out as they explore their senses as the pathway to their souls through the performing arts of food and music, accompanied by poetry.

The 2015 realization of 2014’s highly successful “SEWing Taste and Sound, Bite by Byte” is a collaboration between Sound Ensemble Wisconsin’s Mary Theodore (below left in a photo by Katrin Talbot); Chef Dan Bonanno (below right) of Madison’s celebrated restaurant Pig in a Fur Coat; and poet-violist Katrin Talbot (center).

SEW dinner poetry photon2

The event centers around the aesthetic similarities of food and music, both of which Mary Theodore, SEW’s director and violinist, considers performing arts.

This year, SEW has based the evening on a set of six Duos for Two Violins by Bela Bartok. (You can hear many of them performed by Itzhak Perlman and Pinchas Zukerman in the YouTube video at the bottom.)

Each duo, or byte of music, will inspire Chef Bonnano and be paired with one course, or bite, of food — and performed/served as such to create a six-course meal, including a beverage pairing for each course. Talbot will also read her original poems, composed for each variation.

At the end of the meal, SEW musicians will perform the music from beginning to end with the aim of offering participants a new experience of the music, a new journey of taste and sound.

Please see the Wisconsin State Journal interview and the Madison Magazine review based on the highly successful 2014 “SEWing Taste and Sound, Bite by Byte” at SEW’s website: http://soundensemblewisconsin.org/press/

This performance will take place on Sunday, Sept. 13, at 6 p.m. at Pig in a Fur Coat, 940 Williamson Street. Tickets are currently on sale at www.soundensemblewisconsin.org and are $105 per person or $100 per person by check (with guests’ names) to: Sound Ensemble Wisconsin, 716 Edgewood Avenue, Madison, WI 53711.

Performing musicians are Mary Theodore and Eleanor Bartsch (below), a prize-winning graduate of the UW-Madison School of Music.

Eleanor Bartsch

“SEW will certainly bring a new dimension to Madison’s cultural scene,” veteran music critic John W. Barker has written.

 


Classical music: The Madison Symphony Orchestra presents a FREE Farmers’ Market Concert of music for organ and piano this Saturday morning. Plus, there is a FREE orchestra concert and viola concert at Capitol Lakes Retirement Center TONIGHT at 7.

June 15, 2015
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ALERT: A friend writes: TONIGHT at 7 p.m. at Capitol Lakes Retirement Community, 333 West Main Street, downtown off the Capitol Square, UW-Madison graduate student Kyle Knox (below with the Middleton Community Orchestra) will be conducting the Serenade No. 1 by Johannes Brahms (at bottom, you can hear the Berlin Philharmonic under conductor Claudio Abbado, in a YouTube video) performed by many members of the Middleton Community Orchestra, and past and future soloists. On the second half of the program, violist Vicki Powell, who is just in Madison for the week, will perform solo works.

The Brahms sounds great. We are lucky to be joined by Madison Symphony Orchestra concertmaster Naha Greenholtz; violinist Paran Amirinazari who will be Middleton Community Orchestra’s concertmaster in the fall; and violist Vicki Powell plus many other fine players.

THE CONCERT IS FREE AND OPEN TO THE PUBLIC.

Kyle Knox conducts MCO

By Jacob Stockinger

It could sound like a professional wrestling match: “This Saturday the Über Steinway meets the Colossal Klais!”

The Madison Symphony Orchestra’s (MSO) German (Hamburg) Steinway piano will meet the colossal Klais Overture Concert Organ (below) in a free concert featuring guest pianist Stephen Nielson and organist Samuel Hutchison.

Overture Concert Organ overview

The concert will take place during the Dane County Farmers’ Market (below) on this Saturday, June 20, at 11 a.m. in Overture Hall of the Overture Center for the Arts, 201 State Street.

No tickets or reservations are needed for this 45-minute concert.

dane county farmers' market

From familiar hymns to rousing patriotic medleys and stunning solos for piano and organ, this first and only Farmers’ Market organ concert of the summer promises to deliver thrills for all.

American pianist Stephen Nielson made his orchestral debut as a pianist at age 11. During a 30-year collaboration with his late colleague, Ovid Young, Nielson performed more than 3,500 concerts world-wide as part of the distinguished piano duo Nielson & Young.

His 2008 performance with Samuel Hutchison in Overture Hall garnered rave reviews from those in attendance. Nielson received his degree from Indiana University, where he also earned the Distinguished Performer and Phi Beta Kappa honors. Nielson was named a finalist in the Queen Elizabeth Competition in Brussels and has performed throughout Europe and Asia.

Stephen Nielson

Samuel Hutchison has served as Curator and Principal Organist for Madison Symphony Orchestra’s Overture Concert Organ since 2001. An honors graduate of Westminster Choir College in Princeton, New Jersey, Hutchison has presented many recitals in the U.S and in Europe in locations that include the Riverside Church, New York City; St. Paul’s Cathedral, London; and Notre Dame, St. Sulpice and St. Étienne-du-Mont, Paris. He also performed the complete works of J.S. Bach in a series of 11 weekly recitals for the 300th anniversary of the composer’s birth.

Sam Hutchison  close up

The Madison Symphony Orchestra and Overture Center for the Arts present the Farmers’ Market Concert in partnership with the Wisconsin State Journal/Madison.com.

Support for all Overture Concert Organ programs is provided by the Diane Endres Ballweg Fund. With a gift from Pleasant T. Rowland, the Madison Symphony Orchestra commissioned the Overture Concert Organ, which is the stunning backdrop of all MSO concerts.

To see the Overture Concert Organ series of concerts for 2015-16 or to subscribe at a 25% savings, visit: www.madisonsymphony.org/organseason15-16

 

 


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