The Well-Tempered Ear

Classical music: UW-Madison pianist Jessica Johnson celebrates International Women’s Day this Friday night with a FREE recital of all-female composers and a special keyboard for smaller hands

March 6, 2019
3 Comments

IF YOU LIKE A CERTAIN BLOG POST, PLEASE SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event.

ALERT: This week’s FREE Friday Noon Musicale at the First Unitarian Society of Madison, 900 University Bay Drive, features Ukrainian pianist Yana Avedyan in solo works by Ludwig van Beethoven, Sergei Prokofiev and Franz Liszt. The program will include music from her upcoming appearance at Carnegie Hall. The musicale runs from 12:15 to 1 p.m.

By Jacob Stockinger

March is Women’s History Month, and this Friday is International Women’s Day.

To mark the latter occasion, Jessica Johnson, who teaches piano and piano pedagogy at the University of Wisconsin-Madison’s Mead Witter School of Music, where she has won an award for distinguished teaching, will perform a program of all-women composers.

The FREE recital is this Friday night, March 8, at 8 p.m. in Mills Hall. Johnson (below, in a photo by M.P. King for The Wisconsin State Journal) will perform works from the 19th, 20th and 21st centuries, pairing works with interesting connections.

Here is what Johnson has to say about the program:

Dreaming, Op. 15, No. 3, by Amy Beach (below top) and The Currents by Sarah Kirkland Snider (below bottom) both feature beautiful lyricism and long-line phrases inspired by poetry.

“2019 is the bicentennial celebration of Clara Schumann’s birth, so I wanted to honor her and her tremendous legacy. Her Romance, Op. 11, No. 1, was composed in 1839 in the midst of the difficult year when Clara (below) was separated from her beloved Robert. (You can hear the Romance in the YouTube video at the bottom.)

“Bolts of Loving Thunder by Missy Mazola (below) was written in 2013 for pianist Emanuel Ax as a piece that would appear on a program of works by Brahms. Mazzoli alludes to the romantic, stormy side of “pre-beard” Brahms, with exuberant floating melodies, hand crossings and dense layers of chords.

“Troubled Water (1967) by Margaret Bonds (below) is based on the spiritual “Wade in the Water,” with hints of blues, jazz and gospel traditions throughout.

“Azuretta (2000) by Chicago-based composer, Regina Harris Baiocchi (below) describes Azuretta as a musical reaction to a debilitating stroke Dr. Hale Smith, her former composition teacher, suffered in 2000. The work honors his incredible legacy by mixing classical and jazz idioms.

“Germaine Tailleferre (below), the only female member of Les Six, the group of early 20th-century French composers, wrote her beautiful Reverie in 1964 as an homage to Debussy’s “Homage à Rameau” from Images, Book I.

“Preludes (2002) by Elena Ruehr (below) draw inspiration from Debussy’s Preludes, mimimalism and Romantic piano music.

“Also, as an advocate for the adoption of the Donison-Steinbuhler Standard — which offers alternatively sized piano keyboards for small-handed pianists  — I will perform on the Steinbuhler DS 5.5 ™ (“7/8”) piano keyboard.

“By performing on a keyboard that better fits my hands — studies suggest that the conventional keyboard is too large for 87% of women — and featuring works by female composers who are typically underrepresented in concert programming, I hope to bring awareness to gender biases that still exist in classical music.

“For more information about both me and the smaller keyboard, go to the following story by Gayle Worland in The Wisconsin State Journal:

https://madison.com/wsj/entertainment/music/a-smaller-piano-for-bigger-artistry/article_38b80090-be0f-5050-9862-32c3c36c6930.html


Posted in Classical music
Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Classical music: UW choral groups and a jazz quintet join forces Saturday night for a FREE concert of world premieres to honor the bicycle

April 27, 2018
3 Comments

By Jacob Stockinger

Here is an announcement from the University of Wisconsin-Madison’s Mead Witter School of Music:

A FREE concert — called ”Free Wheeling: A Tribute to the Bicycle” – takes place this Saturday night at 7 p.m. in Mills Hall.

The UW Madrigal Singers (below) and Chorale, under the direction of Bruce Gladstone, will join forces with a jazz group.

The concert opens with five world premieres, written specifically for this concert.

“I was surprised, given the bicycle’s popularity, that there weren’t many choral works about bikes,” noted Gladstone (below, in a photo by Katrin Talbot). “It seems to be more the domain of the solo popular ballad or rock bands. There are loads of poems about bikes though, so I just commissioned new works from composers I know.”

There are two works from John Stevens (below), veteran composer and UW-Madison emeritus professor. “Toasting Song” is a rollicking number about the pleasures of both cycling and wine. “A Bicycler’s Song” takes a poem in praise of bicycles and cycling and sets it in a vocal jazz idiom reminiscent of the Manhattan Transfer.

UW-Madison alumus and former Madrigal Singer Scott Gendel (below) also provided two new works for this event. “She Waits for Me” is a lush ballad that celebrates the joys of love and loyalty, while “Little Things” offers us a cautionary tale of a cyclist’s visit to church one Sunday morning.

Carl Buttke, a current graduate student, composed the fifth new work for this concert, a picturesque tale of a memorable day spent in the Austrian Alps, “Cycling the Rosental.”

The program will also include a fast and fun work for women’s voices, “The Bike Let Loose,” by composer Edie Hill.

This concert occurs at the end of the School of Music’s Jazz Week by design, since the major work in the concert is scored for massed choirs and jazz quintet.

The singers are joined by the UW’s Blue Note Ensemble (below top), directed by UW professor Johannes Wallmann (below middle), for a performance of “Song Cycle” by Alexander L’Estrange (below bottom and in the YouTube video at the bottom).

The work was written in 2014 for the grand start of the Tour de France in York, England. Comprised of 10 movements, the work looks at the invention of the bicycle, the social changes that it wrought, and the joys that cycling offers to all.

It’s a charming and witty trip that is fun for the whole family, even giving the audience an opportunity to sing along.

The concert is free and all are encouraged to wear their favorite biking togs and join in the fun!


Classical music: This Saturday and on Wednesday, Nov. 29, “Live From the Met in HD” will feature the Thomas Adès operatic remake of Luis Buñuel’s film “The Exterminating Angel.” Here is background and a review of the production

November 15, 2017
3 Comments

By Jacob Stockinger

Talk about the dinner party from Hell!

It may not be the most popular production this season staged by the famed Metropolitan Opera in New York City, but it is certainly the newest as well as the most unusual and interesting production.

It is an operatic remake of Spanish Surrealist filmmaker Luis Buñuel’s 1962 movie ‘The Exterminating Angel” (below is the poster).

You can see it in a live performance in the next “Live From the MET in HD” broadcast that will take place this coming Saturday afternoon with encore presentations on Wednesday afternoon and night.

On this Saturday, the show time is 11:55 a.m. at the Marcus Point Cinemas and the Marcus Palace in Sun Prairie. On Wednesday, Nov. 29 — postponed because next Wednesday is the day before Thanksgiving — the encore presentations at both cinemas are at 1 p.m. and 6:30 p.m.

Running time is 2 hours and 40 minutes. The opera will be sung in English with surtitles in German, Spanish and English.

Tickets are $22, $18 for seniors.

Here is a link to the Met’s website with information about the production, including a cast sheet and a synopsis:

http://www.metopera.org/Season/2017-18-Season/exterminating-angel-ades-tickets/

http://www.metopera.org/metoperafiles/season/2017-18/operas/exterminating_angel/hd_syn_Angel_global_dates.pdf

Here are stories that provide some background.

The first is a general background piece about the opera (below, in a photo by Eamon Hassan for The New York Times) from the “Deceptive Cadence” blog written for NPR or National Public Radio:

https://www.npr.org/sections/deceptivecadence/2017/11/05/561366931/luis-bu-uels-the-exterminating-angel-gets-an-off-kilter-adaption-from-screen-to-

Here are two guides, from The New York Times, with what you need to know about the opera and production:

https://www.nytimes.com/2017/10/20/arts/music/thomas-ades-exterminating-angel-metropolitan-opera.html

https://www.nytimes.com/2017/11/01/arts/music/exterminating-angel-metropolitan-opera-thomas-ades-bunuel.html

And here is a rave review from Anthony Tommasini, the senior critic for The New York Times, who says if you only see one Met production this season, “The Exterminating Angel” should be it (below is a trailer on YouTube):

https://www.nytimes.com/2017/10/27/arts/music/exterminating-angel-review-metropolitan-opera.html


Classical music: American music is in the spotlight this weekend as pianist Olga Kern returns in a concerto by Samuel Barber and the Madison Symphony Orchestra performs Dvorak’s “New World” Symphony

October 18, 2017
1 Comment

By Jacob Stockinger

This weekend, the Madison Symphony Orchestra (MSO, below in a photo by Peter Rodgers), with music director John DeMain conducting, will present its second concert of the season, featuring music “From the New World.”

“From the New World” features the return of soloist Olga Kern in her take on an American classic — Samuel Barber’s only Piano Concerto — for her fourth appearance with the MSO. This piece is accompanied by Maurice Ravel’s Mother Goose Suite and is followed after intermission by Antonin Dvorak’s Symphony No. 9, know as the “New World Symphony,” inspired by the prairies of America.

The concerts take place in Overture Hall of the Overture Center, 201 State St., on Friday, Oct. 20, at 7:30 p.m.; Saturday, Oct. 21, at 8 p.m.; and Sunday, Oct. 22, at 2:30 p.m.

Ravel’s Mother Goose Suite was originally written as a suite of “Five Children’s Pieces for Piano Four Hands” and was later orchestrated by the composer and expanded into a ballet in 1911. The piece by Ravel (below) is comprised of 11 sections, many of which are based on five fairy tales of Charles Perrault, most specifically those of his Contes de ma Mère l’Oye (Mother Goose Tales).

The Piano Concerto was written in Samuel Barber’s mature years, and is characterized by a gain in depth of expression and technical mastery from his earlier lyrical style. The piece was met with great critical acclaim and led to Barber (below) winning his second Pulitzer Prize in 1963 and a Music Critics Circle Award in 1964. (You can hear the second and third movements in the YouTube video at the bottom.)

                                                

Russian-American Pianist Olga Kern (below) is recognized as one of her generation’s great pianists. She jumpstarted her U.S. career with her historic Gold Medal win at the Van Cliburn International Piano Competition in Fort Worth, Texas as the first woman to do so in more than 30 years.

Winner of the first prize at the Rachmaninoff International Piano Competition she was 17, Kern is a laureate of many international competitions. In 2016, she served as jury chairman of both the Seventh Cliburn International Amateur Piano Competition and first Olga Kern International Piano Competition, where she also holds the title of artistic director.

Kern has performed in famed concert halls throughout the world including Carnegie Hall, the Great Hall of the Moscow Conservatory, and the Theatre du Chatelet in Paris. She has appeared with the Madison Symphony Orchestra three times — in 2009, 2010 and 2014.

Composed in 1895 while Dvorak (below) was living in New York City, his Symphony No. 9 (often referred to as the “New World Symphony”) is said to have been inspired by the American “wide open spaces” of the prairies that he visited during a trip to Iowa in the summer of 1893.

The “New World Symphony” is considered to be one of the most popular symphonies ever written, and was even taken to the moon with Neil Armstrong during the Apollo 11 mission in 1969.

One hour before each performance, Anders Yocom (below, in a  photo by James Gill), Wisconsin Public Radio host of “Sunday Brunch,” will lead a 30-minute Prelude Discussion in Overture Hall to enhance concertgoers’ understanding and listening experience.

For more background on the music, please read the Program Notes by MSO trombonist and UW-Whitewater professor J. Michael Allsen (below), at:

http://www.allsenmusic.com/NOTES/1718/2.Oct17.html

The Madison Symphony Orchestra recommends that concert attendees arrive early for each performance to make sure they have time to pass through Overture Center’s security stations, and so they can experience the pre-concert Prelude Discussion (free for all ticket-holders) one hour before the performance.

The October concerts also coincide with UW-Madison’s Homecoming Weekend celebration — another reason that MSO patrons are advised to arrive early for the concerts this weekend, especially on Friday.

Single Tickets are $18-$90 and are on sale now at https://www.madisonsymphony.org/singletickets, through the Overture Center Box Office at 201 State Street, or by calling the Box Office at (608) 258-4141.

Groups of 15 or more can save 25% by calling the MSO office at (608) 257-3734. For more information, got to: https://www.madisonsymphony.org/groups.

Student rush tickets can be purchased in person on the day of the concert at the Overture Center Box Office at 201 State Street. Students must show a valid student ID and can receive up to two $12 or $18 tickets.

You can find more information at: https://www.madisonsymphony.org/studentrush

Seniors age 62 and up receive 20% savings on advance and day-of-concert ticket purchases in select areas of the hall.

The first “Club 201 Concert and After-Party” of the season takes place on Friday, Oct. 20. The $35 ticket price includes one concert ticket ($68-$90 value), plus the after-party with hors d’oeuvres, cash bar, and one drink ticket. Club 201 Events are an opportunity for music enthusiasts 21 and over to connect with each other, and meet MSO musicians, Maestro John DeMain, and special guests.

Discounted seats are subject to availability, and discounts may not be combined.

Here is a direct link to find more information and to purchase tickets online: https://www.madisonsymphony.org/kern


Posted in Classical music
Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

    Enter your email address to subscribe to this blog and receive notifications of new posts by email.

    Join 1,186 other followers

    Blog Stats

    • 2,023,453 hits
%d bloggers like this: