By Jacob Stockinger
A friend of The Ear and a fan of this blog writes:
I want to alert you and your readers that in February we have two performances scheduled at The Malt House (below), 2609 East Washington Avenue, on the corner of Milwaukee Street.
The Yahara String Quartet (below) plays on this coming Saturday, Feb. 4, from 4 to 6 p.m. YSQ says they will play “among others … music by Tchaikovsky, Borodin, Mendelssohn, Mozart, Holst, Haydn, Vivaldi … and more.” For information, go to:
The Cello and Bass Duo of Karl von Huene (cello, below) and John Dowling (contrabass) will play on Saturday, Feb. 11, from 3 to 5 p.m.
Adds Karl von Haene: “We play short pieces by Sebastian Lee (1805-1887) that are obscure enough that I will buy a beer for anyone who knows them. You see, there’s no opus number, they’re just “melodic studies/etudes.”
You can hear the first of Sebastian Lee’s “40 Melodic and Progressive Studies” in the YouTube video at the bottom. For information about Sebastian Lee, who performed and taught in France and Germany, go to:
For information, go to:
Performances are FREE, and the full bar is open for business. We open at 2 p.m. on Saturdays.
For more information about the highly rated tavern that specializes in artisan beers and ales, and also presents other forms of music, go to:
Bill Rogers, The Malt House
By Jacob Stockinger
Here is some news that The Ear is overjoyed to announce: An annual Bach Around the Clock celebration is being revived this year in Madison.
For three years, a similar event, inspired by celebrations in New Orleans, was sponsored by Wisconsin Public Radio and coordinated by its music director Cheryl Dring. But when she left in 2013, and so did WPR.
But now baroque and modern violist Marika Fischer Hoyt (below right), who plays with the Madison Symphony Orchestra, the Wisconsin Chamber Orchestra, the Ancora String Quartet and the Madison Bach Musicians, has undertaken to revive it.
So let’s help resume the tradition and call it Bach Around the Clock 4.
The place has changed.
But the concept remains the same.
The event is now looking for musicians -– professional and amateurs, teachers and students – to sign up to participate.
Here are particulars:
Bach Around The Clock 2017
Saturday, March 18
12 Noon to 12 Midnight
St. Andrew’s Episcopal Church (below)
1833 Regent St., Madison, WI 53726
The event is FREE and OPEN TO THE PUBLIC.
Bach Around The Clock is a 12-hour celebration of the music of Johann Sebastian Bach (1685-1750). Held on the Saturday closest to Bach’s birthday, it offers all members of the musical community, from young students to seasoned professionals, the opportunity to perform selections by this sublime composer.
This year’s BATC takes place in the sanctuary (below) of St. Andrew’s Church, and will be opened with an organ work and a performance by the St. Andrew’s Chancel Choir, under the leadership of music director and organist Ken Stancer.
NOTE: The entire event will be recorded, and audio/video live streaming will be available for those unable to attend.
Birthday cake will be served at midnight!
The month of March has been designated as the official ‘Early Music Month’ by the organization Early Music America <www.earlymusicamerica.org/endeavors/early-music-month>, and the Madison Bach Around The Clock is listed on their website as one of the many partners participating in this annual nationwide celebration.
The Ear — who himself played solo piano works and accompanied a famous Siciliano movement from a flute sonata — has such great memories of past ones.
Those memories include hearing whole studios of young piano students performing; duos and trios done by siblings and friends, by parents and children, by teachers and students; accomplished professional and amateur instrumentalists, including UW-Madison faculty members; church choirs in cantatas; lots of intriguing arrangements including the solo cello suites on the saxophone and a flute and bassoon duo performing some Two-Part Inventions (in the YouTube video at the bottom) as well as Bach on the accordion and bagpipes. And on and on.
And to give you the flavor of the event, here links to the events, complete with photos, to the past Bach Around the Clock celebrations when they were sponsored by Wisconsin Public Radio and held at the Pres House near the UW-Madison campus:
ALERT: In yesterday’s post about the upcoming house concert of keyboard music by Trevor Stephenson, The Ear listed the wrong date in the headline. It was corrected, but The Ear apologizes and feels a correction is still needed for those who missed it: The concert is on Friday, Jan. 6, at 7 p.m. For more information, go to:
By Jacob Stockinger
It comes as welcome and heart-warming news at a time when so much news is negative, accusatory and depressing.
Maestro James Smith (below, in a photo by Michael Anderson) — who has been conducting the UW-Madison Symphony Orchestra, the UW-Madison Chamber Orchestra and the University Opera as well as the Wisconsin Youth Symphony Orchestras for 32 years — has received a fine piece of community recognition.
Smith has just received the monthly “Making a Difference” award from NBC TV Channel 15, which also broadcast once again three times WYSO’s traditional concert “Sounds of the Season” on Christmas Eve and Christmas Day.
Here is the 3-1/2 minute video, which includes an interview with Smith as well as testimony from a former student who has gone on to have a professional career in music, about the NBC award:
Such recognition is nothing new for Smith, who has won many honors as well as the esteem of his colleagues, his students and his audiences.
Six years ago, The Ear named Smith as ‘Musician of the Year’ for 2010:
Here is that post:
More recently, The Ear talked about Smith’s upcoming retirement and his post-retirement plans in a post about four major people who will retire this spring from the UW-Madison School of Music:
The Ear loves Smith’s reply when he was asked by anchor John Stofflet of NBC for advice to his successor:
“Learn from the students,” said Smith, a trained professional and concertizing clarinetist who turned to conducting.
The Ear, who was a longtime teacher himself, knows the truth of that answer.
Thank you and bravo, Maestro Smith.
By Jacob Stockinger
To mark his 40th year in Madison, piano teacher Bill Lutes will give three FREE recital programs in the coming weeks. They are:
• This Sunday, Nov. 20, at 7 p.m., in the Capitol Lakes Grand Hall (below)
• Sunday, Dec. 4, at 3 p.m. at Oakwood Village West Auditorium (below)
• Friday, Dec. 16, at 12:15-1 p.m. p.m. at First Unitarian Society of Madison Meeting House (below) — Schumann and Schubert only.
The program will for the first two recitals will be:
• Sonata No. 49 in E-flat major by Franz Joseph Haydn
• “Papillons” (Butterflies), Op. 2, by Robert Schumann
• Sonata in B-flat major, D. 960, by Franz Schubert
Lutes (below, in a photo by Katrin Talbot) is an independent piano teacher in Madison. His name may also be familiar because he was a host, producer and music director for Wisconsin Public Radio for over a decade as well as a voice coach at the University of Wisconsin-Madison School of Music, where he did his master’s degree with the late pianist Howard Karp.
In addition to teaching piano, Lutes performs with his pianist-singer wife Martha Fischer, who teaches at the UW-Madison, and he gives music talks at various venues around the city. The couple is known for performing Gilbert and Sullivan and for hosting and participating in the annual Schubertiades at the UW-Madison.
“The motivation for this program is first and foremost to express my gratitude to my friends and family, colleagues, students and the community for my rich life in Madison,” Lutes says. “I cannot begin to name all the people I’ve come to know and love in this beautiful city, which has afforded me so many wonderful opportunities.”
Adds Lutes: “I thought it would be a good idea to play a solo program of music I love to say “Thank you.’”
ALERT: This week’s FREE Friday Noon Musicale at the First Unitarian Society of Madison 900 University Bay Drive, features cellist Leonardo Altino playing Suites Nos. 1, 5 and 6 for unaccompanied cello by Johann Sebastian Bach. The concert runs from 12:15 to 1 p.m.
By Jacob Stockinger
WYSO will kick-off its 51st season with the Evelyn Steenbock Fall Concerts on this Saturday, Nov. 12, and next Saturday, Nov. 19. Nearly 500 young musicians will display their talents to the community during the concerts, which are dedicated to music teachers.
Kenneth will be playing cello and Cynthia will be conducting in the Cello Concerto by British composer Philip Sawyers. (You can hear Kenneth Woods conduct the opening movement of the cello concerto in the YouTube video at the bottom.)
The Youth Orchestra, under the direction of James Smith, will also be playing Symphony No. 2 by Ralph Vaughan Williams and Overture to the opera “Der Freischuetz” by Carl Maria von Weber.
Cynthia Woods (below) is currently the Music Director of the Cambridge Symphony Orchestra and the conductor for the Youth Preparatory Orchestra at the New England Conservatory, where she serves on the violin, chamber and conducting faculty.
Along with her conducting activities, Ms. Woods is also a frequent speaker and writer. She has been a guest lecturer at institutions such as MIT and the Longy School of Music of Bard College, a panelist for radio shows such as WGBH’s Callie Crossley, and a frequent contributor to The Boston Herald’s State of the Arts blog. Cynthia was a member of WYSO from 1984–1989 in Concert, Philharmonia and Youth Orchestra.
For more background about Cynthia Woods, go to:
Kenneth Woods (below) is currently the Artistic Director and Principal Conductor of the English Symphony Orchestra. As a cello soloist and chamber musician, Wood’s collaborators have included members of the Toronto, Chicago and Cincinnati symphonies, the Minnesota, Gewandhaus and Concertgebouw orchestras and the La Salle, Pro Arte, Tokyo and Aubudon String Quartets.
He also is currently cellist of the string trio Ensemble Epomeo, with whom he performs regularly in the UK, Europe, and the USA. He writes a popular blog, “A View From the Podium.” Kenneth was a member of WYSO from 1980–1986 in Concert, Philharmonia and Youth Orchestra. He also studied cello at the University of Wisconsin-Madison School of Music with Parry Karp, of the Pro Arte Quartet.
For more background and an interview with Kenneth Woods, go to:
Schedule and Programs
November 12, 2016 – 1:30 P.M., Mills Hall
November 12, 2016 – 4 P.M., Mills Hall
CONCERT ORCHESTRA (below)
November 19, 2016 – 7 P.M., River Arts Center
YOUTH ORCHESTRA (below)
The Evelyn Steenbock Fall Concerts will be held in Mills Concert Hall in the UW Humanities Building, 455 N. Park Street, Madison, and at the River Arts Center, 105 Ninth St. Prairie du Sac, Wisconsin.
WYSO concerts generally run about an hour and a half in length, providing a great orchestral concert opportunity for families.
Tickets are available at the door, $10 for adults and $5 for youth 18 and under.
This project is supported by Dane Arts with additional funds from the Evjue Foundation, Inc., the charitable arm of The Capital Times. This project is also supported in part by a grant from the Wisconsin Arts Board with funds from the State of Wisconsin and the National Endowment for the Arts.
ALERT: This afternoon at 2:30 p.m. in Overture Hall is your last chance to hear the Madison Symphony Orchestra with violinist-composer Henning Kraggerud (below). The popular “Pastorale” Symphony by Ludwig van Beethoven is also on the program. Here are some reviews, all positive:
Here is the review that John W. Barker wrote for Isthmus:
And here is the review written by Greg Hettmansberger for his blog “What Greg Says”:
By Jacob Stockinger
The Ear, who is an avid amateur pianist, ran across these 10 tips for productive practicing – something he can always use.
He knew some of them before. But it never hurts to review the basics. That’s why they are called the basics.
He thought that you too – no matter what instrument you play or if you sing – would find them helpful too.
And if you don’t play or sing, maybe these tips will still enhance your appreciation of the hard work that goes into playing and practicing.
So here they are:
If you have some practice tips of your own to add, just leave them in the COMMENT section.
The Ear wants to hear.
And to play better.
By Jacob Stockinger
You heard it here first.
Here is a date to save and then spread the word:
The Ear hears that famed pianist and teacher Leon Fleisher (below top in a photo by Chris Hartlove) will perform a FREE concert with the University of Wisconsin-Madison’s Pro Arte Quartet (below bottom in a photo by Rick Langer) at noon on Thursday, Oct. 6, in Mills Hall.
The program features a dramatic and lyrical masterpiece, the Piano Quintet in F Minor by Johannes Brahms. (You can hear Leon Fleisher perform the third movement, the lively Scherzo with a lovely Trio, of the Brahms Piano Quintet with the Emerson String Quartet in the YouTube video at the bottom.)
More details are forthcoming.
The Ear has been told that Fleisher, 88 and retired from the Peabody Institute of Music at Johns Hopkins University in Baltimore, and the Pro Arte are doing this as a gesture of thanks to all supporters of the quartet, which several years ago celebrated its centennial and is the longest-lived string quartet in history.
Fleisher was an acclaimed and prize-winning pianist whose career was thwarted by focal dystonia in his right hand, which made him play and perform only with his left hand.
For a decade now, he has recovered and been performing with two hands and often with his pianist wife. They performed several seasons ago at the Wisconsin Union Theater.
The Pro Arte Quartet holds a special place in his affection.
About a decade ago, Fleisher performed the same Brahms work with the Pro Arte. Fleisher’s main teacher, the legendary Artur Schnabel, performed and recorded works by Wolfgang Amadeus Mozart, Robert Schumann, Antonin Dvorak and others with the Pro Arte Quartet back in the 1930s.
By Jacob Stockinger
The Memorial Day holiday is over and now we start winding down the academic year in public and private K-12 schools.
That makes it a great time to catch up with news that reminds us how important music education and education in the arts, humanities and liberal arts, can be to the development of the whole child or young person and to lifelong learning.
It helps us to realize that, despite what many legislators say, education should never be a trade school that provides vocational education or career preparation, and that education is not always all about the so-called STEM subjects – science, technology, engineering and mathematics – deemed so useful to business, industry and individual wealth accumulation. (You can hear educator Richard Gill give a popular TED Talk about the value of music education in the YouTube video at the bottom.)
So here is open important reminder via a press release:
The Madison Symphony Orchestra (MSO) and Ward-Brodt Music have awarded their 2016 Award for Excellence in Music Education to Whitewater music teacher Christine Hayes of Lincoln/LINCS Elementary School at a choir concert for grades 2-5.
The presentation was held on Tuesday, May 17, in the Whitewater High School Auditorium.
This annual award celebrates an educator who displays leadership, passion, dedication, and innovation within the music classroom, positively affecting the lives of his or her students and the community at large, and is designated for one outstanding music educator in southern Wisconsin.
The MSO and Ward-Brodt developed the award to recognize that cultivating the artistic growth of young students is one of the unique and challenging jobs for teachers in Wisconsin.
Christine Hayes (below) has dedicated her life to enriching young people and the communities around her through music education. In her 29 years of working in the Whitewater Unified School District and by contributing to music in her community in a variety of ways, she’s changed the lives of many students and her colleagues. She believes that “inspiring and challenging children today will lead to their embracing music for their lifetime.”
In the nominations by parents, teaching colleagues, church members, and school administrators, Hayes was described as “a power house of creative energy” who “encourages children to express their feelings through music.”
Her students at Lincoln/LINCS Elementary School, where she has spent the last 19 years, can take part in diverse musical experiences including world drumming, playing guitar and recorder, composing music, and singing in many languages. All of these experiences for children make her classroom “an exciting, musical adventure.”
She has also taught elementary and middle school band, middle school guitar, keyboards and general music.
A former colleague who nominated her wrote, “Mrs. Hayes leads by example by continuing to find ways to improve as an educator by constantly pursuing her own education. She recently completed a trip to Ghana in order to learn about their musical culture.”
In her own words, Hayes said, “My goal is for each student to imagine themselves in musical experiences, provide them authentic learning situations where they create, respond, perform and connect, then collaborate with those students to apply their knowledge and skills to discover their personal musical path.”
Outside the classroom, she founded an after-school orchestra where she volunteers her time as coordinator allowing children to enrich their music education. Currently in its eighth year, the Whitewater Unified School District Strings Program has touched the lives of many school children, with 72 students participating this past year, ranging from fourth grade to high school.
She is also a music leader in her community. Hayes has been serving as the Choir Director for the First United Methodist Church in Whitewater for the past 20 years and served on the board of directors of the Whitewater Arts Alliance for five years.
In her free time she plays clarinet with the University of Wisconsin-Whitewater Community Band.
Hayes has also been deeply involved with developing Wisconsin state standards for music education by serving on the writing committee for the National Common Core Music Standards from 2012 to 2014.
In 2015, she was asked to join the Steering Committee for the Wisconsin Music Educators Association (WMEA), continuing her work to improve music education in Wisconsin. Hayes has served as the Chair of the NAfME National Council for General Music Education and as a President of the WMEA.
In 2007 she won the Wal-Mart Wisconsin Teacher of the Year award and in 2008 the Herb Kohl Fellowship Award.
Hayes will be awarded a commemorative plaque and a $500 prize. These prizes have been made possible through the generosity of Ward-Brodt Music of Madison, Wisconsin. To be qualified for the award, a nominee must have taught within a 75-mile radius of Madison in a public or private K-12 school and instructed a band, orchestra, choir or general music course.
Colleagues, current or former students, parents of students, or friends were eligible to nominate a music educator for the award.
The review panel consisted of representatives from public and private school administration, veteran teachers, university staff and knowledgeable community members. (For the sake of full disclosure, The Ear sat on the committee that reviewed the many impressive nominations and decided the winner of the award.)
For more information regarding the Award for Excellence in Music Education, visit http://madisonsymphony.org/award.