The Well-Tempered Ear

Classical music education: On Sunday, the Madison Youth Choirs presents “Hide and Seek: Cracking the Musical Code” with music by Bach, Handel, Grieg, Poulenc, Britten, Holst, Copland and others

May 10, 2017
Leave a Comment

ALERT: This week is the season’s last FREE Friday Noon Musicale at the First Unitarian Society of Madison, 900 University Bay Drive. Featured are violinist Maureen McCarty and keyboardist Mark Brampton Smith in music of Jan Pieterszoon Sweelinck, Antonio de Cabezon, Johann Sebastian Bach, Johann Pachelbel, Jules Massenet and Spirituals. The concert runs from 12:15 to 1 p.m.

By Jacob Stockinger

The Madison Youth Choirs have sent the following announcement to post:

This spring, Madison Youth Choirs singers are sharpening their critical thinking, analytical and investigative skills as they identify patterns, puzzles and secret structures in a variety of complex musical compositions by artists including Johann Sebastian Bach, Francis Poulenc, Gustav Holst, Benjamin Britten, Georg Frideric Handel, Aaron Copland, and other composers. The results will be presented this Sunday in “Hide and Seek: Cracking the Musical Code.”

MYC’s Cantabile and Ragazzi choirs will also present excerpts from a world premiere score by Wisconsin-based composer Scott Gendel (below) inspired by the beloved novella The Snow Goose.

Please join us as we dive deep into these classical and contemporary choral works, discovering the great rewards of seeking brilliance and beauty wherever they hide.

The concerts are at the First Congregational United Church of Christ, 1609 University Ave., near Camp Randall Stadium.

Here is a schedule of times for various groups to perform:

Sunday, May 14, 2017

1:30 p.m. Girlchoirs

4 p.m. Boychoirs

7 p.m. High School Ensembles.

Tickets are available at the door. General admission is $10, $5 for students 7-18, and free for children under 7. A separate ticket is required for each performance. 

See below for complete programs.

These concerts are generously supported by the American Girl’s Fund for Children, BMO Harris Bank, the Green Bay Packers Foundation, the Kenneth A. Lattman Foundation, the John A. Johnson Foundation, a component fund of the Madison Community Foundation, Dane Arts with additional funds from the Endres Mfg. Company Foundation, The Evjue Foundation, Inc., charitable arm of The Capital Times, the W. Jerome Frautschi Foundation and the Pleasant T. Rowland Foundation. This project is also supported by the Wisconsin Arts Board with funds from the State of Wisconsin and the National Endowment for the Arts. 

About the Madison Youth Choirs (MYC):

Recognized as an innovator in youth choral music education, Madison Youth Choirs (MYC) welcomes singers of all ability levels, annually serving more than 1,000 young people, ages 7-18, through a wide variety of choral programs in our community. Cultivating a comprehensive music education philosophy that inspires self-confidence, personal responsibility, and a spirit of inquiry leading students to become “expert noticers,” MYC creates accessible, meaningful opportunities for youth to thrive in the arts and beyond. (You can hear a sample of them singing in the YouTube video at the bottom.)

For more information, go to www.madisonyouthchoirs.org

Here are the concert programs for this Sunday:

1:30 p.m. Concert (Featuring MYC Girlchoirs)

Choraliers

Lachend…Cesar Bresgen

Two Childhood Songs…Randall Thompson

Fairest Lady (from The Nursery Rhyme Cantata)…Nick Page

Con Gioia

O Lovely Peace (from Judas Maccabeus)…George Frederic Handel

Ewig Dein…Ludwig van Beethoven

Kentucky Jazz Jam…Traditional folk songs, arr. David J. Elliott

Capriccio

Musica est Dei donum optimi…Orlando di Lasso

Herr, du siehst statt gutter Werke auf (BWV 9)…Johann Sebastian Bach

Camino, Caminante…Stephen Hatfield

Think on Me…James Quitman Muholland

Amavolovolo…Traditional Zulu, arr. Rudolf de Beer

Cantilena

Bonny Wood Green…Traditional Irish Ballad, arr. Stephen Hatfield

Ah! Si mon moine voulait danser…Folk song from Quebec, arr. Donald Patriquin

Cantabile

Love is a Rain of Diamonds…Gwyneth Walker

No Time…Traditional camp meeting songs, arr. Susan Brumfield

Combined Choirs and Audience

Blowin’ in the Wind…Bob Dylan

4 p.m. Concert (Featuring MYC Boychoirs)

Combined Boychoirs

Das Hexen Einmal-Eins (The Witch’s One-Times-One)…Franz Joseph Haydn

Purcell

Wind on the Hill…Victoria Ebel-Sabo

Mangwani M’pulele…Traditional Zulu, arr. Theodore Bikel

The Old Carrion Crow…Nova Scotian folk song, arr. Mary Goetze

Britten   

Missa Brevis in D…Benjamin Britten

Wenn Sorgen auf mich dringen…J.S. Bach

I’se the B’y…Newfoundland folk song, arr. John Govedas

Holst

Tourdion…Anonymous, 16th century, arr. Pierre Attaignant

Bawo Thixo Somandla (sung in Xhosa)…Mxolisi Matyila

A Miner’s Life…Traditional Irish song, arr. Seth Houston

Ragazzi

Zion’s Walls…Setting by Aaron Copland, arr. Glen Koponen

Seigneur, je vous en prie…Francis Poulenc

Brothers, Sing On…Edvard Grieg

Combined Boychoirs

Blowin’ in the Wind…Bob Dylan

7 p.m. Concert (Featuring High School Ensembles)

Cantilena

Domine Deus (from Mass in G Major, BWV 236)…J.S. Bach, arr. Doreen Rao

maggie and milly and molly and may…Vincent Persichetti

Bonny Wood Green…Traditional Irish Ballad, arr. Stephen Hatfield

Ah! Si mon moine voulait danser…Folk song from Quebec, arr. Donald Patriquin

Ragazzi

Zion’s Walls…Setting by Aaron Copland, arr. Glen Koponen

Seigneur, je vous en prie…Francis Poulenc

Brothers, Sing On…Edvard Grieg

Cantabile

Suscepit Israel (from Magnificat in D, BWV 243)… J.S. Bach

Love is a Rain of Diamonds…Gwyneth Walker

No Time…Traditional camp meeting songs, arr. Susan Brumfield

Cantabile and Ragazzi

Excerpts from The Snow Goose…Scott Gendel

Hark, I Hear the Harps Eternal…Traditional shape-note, arr. Alice Parker

Combined Choirs and Audience

Blowin’ in the Wind…Bob Dylan


Posted in Classical music
Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Classical music: Madison Symphony Orchestra closes its season with the German Requiem by Brahms and the American premiere of Charles Villiers Stanford’s 1921 Concert Piece for Organ and Orchestra

May 1, 2017
4 Comments

By Jacob Stockinger 

The Madison Symphony Orchestra (below, in a photo by Greg Anderson), led by music director John DeMain, will close out its current season this coming weekend.

For the season-closing concert, soprano Devon Guthrie and bass-baritone Timothy Jones will make their MSO debuts when they join the orchestra for Brahms’ A German Requiem.

The concert will open with the American premiere of Charles Villier Stanford’s Concert Piece for Organ and Orchestra featuring Nathan Laube (below top), who is returning to the MSO.

The finishing touch to the 2016-17 season happens in the second half of the concert, when more than 100 members of the Madison Symphony Chorus (below) take the stage with the orchestra and organ to perform Johannes BrahmsA German Requiem.

Featured vocal soloists in the Brahms German Requiem are soprano Devon Guthrie (below top) and bass-baritone Timothy Jones (below bottom), who is familiar from multiple appearances with the Madison-based Bach Dancing and Dynamite Society.

The concerts in Overture Hall of the Overture Center, 201 State St., are on this Friday, May 5, at 7:30 p.m.; this Saturday, May 6, at 8 p.m.; and this Sunday, May 7, at 2:30 p.m.

Tickets are $16-$87. For more information, go to: http://www.madisonsymphony.org/brahms

Charles Villiers Stanford’s Concert Piece for Organ and Orchestra was completed on April 15, 1921. Stanford (below) is one of the leading figures in what is sometimes called the “Second English Musical Renaissance” — which was a movement in the late 19th century, led by British composers.

Stanford (below) believed in more conservative English contemporary music, rather than the music of Wagner, for example. He composed in all genres but had a great commitment to the organ.

His Concert Piece for Organ and Orchestra was never performed or published during his lifetime. This is the piece’s debut performance with the Madison Symphony Orchestra, and the American premiere of the work.

Johannes Brahms’ A German Requiem was completed between 1857 and 1868. The word “Requiem” is Latin for “rest” or “repose” and in the Catholic faith the Requiem is the funeral Mass or Mass of the Dead. (You can hear the opening movement in the YouTube video at the bottom.)

While usually filled with “terrifying visions of the Last Judgment and pleas for intercession on behalf of the souls of the dead and the living,” Brahms however puts death in a different light. He took sections of the Bible that are religious, but not necessarily Christian, and tells a story of salvation for all.

Although upon its completion, Brahms (below) called this piece, “Ein deutsches Requiem, nach Worten der Heiligen Schrift” (which translates to; “A German Requiem, from Words of the Holy Scripture”), he was quoted saying that his piece should really be called “A ‘Human’ Requiem.” It is believed to be dedicated to Brahms’ mother, and his musical father and mentor, Robert Schumann.

One hour before each performance, Beverly Taylor (below), MSO assistant conductor and chorus director, as well as director of choral activities at the UW-Madison, will lead a 30-minute Prelude Discussion in Overture Hall to enhance concertgoers’ understanding and listening experience.

For more background on the music, visit the Program Notes by MSO trombonist and UW-Whitewater professor Michael Allsen (below) at: http://www.allsenmusic.com/NOTES/1617/8.May17.html

Groups of 15 or more can save 25% by calling the MSO office at (608) 257-3734. For more information visit, madisonsymphony.org/groups

Student rush tickets can be purchased in person on the day of the concert at the Overture Center Box Office at 201 State Street. Students must show a valid student ID and can receive up to two $12 or $15 tickets. More information is at: madisonsymphony.org/studentrush. Students can receive 20% savings on seats in select areas of the hall on advance ticket purchases.

Seniors age 62 and up receive 20% savings on advance and day-of-concert ticket purchases in select areas of the hall.

Discounted seats are subject to availability, and discounts may not be combined.

Find more information at madisonsymphony.org

Major funding for the May concerts is provided by: Kenneth A. Lattman Foundation, Inc., Larry and Jan Phelps, University Research Park, and BMO Wealth Management. Additional funding is provided by: WPS Health Solutions, Carla and Fernando Alvarado, and Wisconsin Arts Board with funds from the State of Wisconsin and the National Endowment for the Arts.


Classical music education: Wisconsin Youth Symphony Orchestras’ Percussion Ensemble holds a benefit concert this Saturday afternoon for Ronald McDonald House Charities

March 22, 2017
Leave a Comment

ALERT: Radio host Rich Samuels of WORT-FM 89.9, who recorded all of “Bach Around the Clock” this year, writes: “At 7:08 a.m. this Thursday morning, I’ll be airing Saturday’s “Bach Around the Clock” performance of the Brandenburg Concerto No. 3. This was a collaboration of Trevor Stephenson, Kangwon Kim. Nathan and Gillian Giglierano, Micah Behr, Marika Fischer Hoyt, Illana Schroeder, Martha Schroeder, Martha Vallon, Eric Miller and Mark Bridges.”

By Jacob Stockinger

The Ear has been asked by Wisconsin Youth Symphony Orchestras (WYSO) to post something about a worthy cause and a worthy event:

Drum roll, please!

The Wisconsin Youth Symphony Orchestras (WYSO) Percussion Ensemble (below) will host its 16th annual PERCUSSION EXTRAVAGANZA!! on this Saturday, March 25, at 1:30 p.m. in Mills Concert Hall of the UW George L. Mosse Humanities Building. (A video sampler of profiles and music of WYSO’s 13th Annual Percussion Ensemble in 2014 can be heard in the YouTube video at the bottom.)

Tickets are $10 for adults, $5 for youth under 18, and are available at the door 45 minutes before the concert begins.

The WYSO Percussion Ensemble (below top) — 14 student musicians from 10 communities playing under Vicki Jenks (below bottom) — hosts this signature percussion benefit to help others.  Previous PERCUSSION EXTRAVAGANZAS! have benefitted Second Harvest Foodbank of Southern Wisconsin and the local American Red Cross.

This year—for the first time ever—Ronald McDonald House Charities will partner with WYSO in the collection of tangible items need for the Ronald McDonald House in Madison. The concert will also feature Ronald McDonald himself in person.

Nearly 60 performers—featuring Mannheim Steamroller drummer, Tom Sharpe (below) —will present eclectic, global music dedicated to PEACE. The theme of the event is “Lifting the World to Peace.”

Other EXTRAVAGANZA artists include Madison’s own Black Star Drum Line Percussion Group, led by Joey B. Banks; the UW-Madison Pan-Global Percussion Ensemble, Todd Hammes, instructor; and the WYSO Chamber Strings, led by its director Karl Lavine (below), principal cellist with the Madison Symphony Orchestra and the Wisconsin Chamber Orchestra.

For more information and details about the performers and the complete program as well as a video and a list of related activities and needed items you can bring and donate to the Ronald McDonald House Charities, go to:

http://www.wysomusic.org/events/concerts-recitals/percussionextravaganza/

Parking is available at State Street Campus, Helen C. White, and Grainger Hall parking facilities.

For more information, please contact the WYSO office at (608) 263-3320.

The WYSO Percussion Ensemble and PERCUSSION EXTRAVAGANZA! are supported by the Eric D. Batterman Memorial Fund, the Theodore W. Batterman Family Foundation, and the Wisconsin Arts Board with funds from the State of Wisconsin and the National Endowment for the Arts.


Classical music: This weekend the Madison Symphony Orchestra, with guest conductor Carl St. Clair and trumpet virtuoso Tina Thing Helseth, performs music by Beethoven, Hummel and Richard Strauss

March 8, 2017
1 Comment

By Jacob Stockinger

This weekend the Madison Symphony Orchestra (MSO) features Tine Thing Helseth (below), the Norwegian virtuoso trumpet soloist, for a special performance of Johann Nepomuk Hummel’s Trumpet Concerto.

Conductor Carl St. Clair (below) returns for a third visit as guest conductor with the MSO to lead a pair of early 19th-century works with 112 musicians performing the largest of Richard Strauss’s symphonic tone poems. (MSO music director and conductor John DeMain is conducting a production of Puccini’s opera “Turandot” in Virginia.)

The program begins with the Egmont Overture by Ludwig van Beethoven, followed by the MSO’s premiere performance of the Trumpet Concerto by Johann Nepomuk Hummel, featuring HelsethThe concert ends with a nod to the awesome splendor of the Bavarian Alps, “An Alpine Symphony,” by Richard Strauss.

The concerts are this weekend on Friday at 7:30 p.m., Saturday at 8 p.m., and Sunday at 2:30 p.m. in Overture Hall, 201 State Street. See below for ticket information.

Beethoven (below top) composed his Egmont Overture in 1810. Both Beethoven himself, and playwright Johann Wolfgang von Goethe (below bottom) upheld the ideals of human dignity and freedom in their works.

Their personal relationship stemmed from Beethoven’s incidental music for a new production of Goethe’s play Egmont in 1810. This play about a nobleman’s betrayal by the Spanish monarchy, is beautifully paired with Beethoven’s music. As Goethe called it, Egmont Overture is a “Symphony of Victory.” (You can hear the dramatic “Egmont” Overture, performed by the Vienna Philharmonic under Leonard Bernstein, in the YouTube video at the bottom.)

Another friend of Beethoven’s, was Johann Nepomuk Hummel (below). Even though they were rivals, their respect for each other’s talent kept the relationship afloat.

Hummel’s Trumpet Concerto is a frisky fanfare with “playful dancelike” episodes laced throughout. This is the first time Hummel’s Trumpet Concerto will be performed by the Madison Symphony Orchestra.

Richard Strauss (below top) composed his Eine Alpensinfonie (“An Alpine Symphony”) from 1911-15. The final score used materials from some of his unfinished works, including an Artist’s Tragedy and The Alps.

Though there are many influences for this piece, the main is Strauss’s love for the Bavarian Alps. In his diary he wrote: “I shall call my alpine symphony: Der Antichrist, since it represents: moral purification through one’s own strength, liberation through work, worship of eternal, magnificent nature.” Antichrist is a reference to an essay by philosopher Friedrich Nietzsche (below bottom), and though the title was dropped for its publication, the work still carries many of Nietzsche’s ideals.

One hour before each performance, Michael Allsen (below, in a photo by Katrin Talbot), the author of MSO program notes and an MSO trombonist as well as a UW-Whitewater Professor of Music, will lead a 30-minute Prelude Discussion in Overture Hall to enhance concertgoers’ understanding and listening experience.

For more background on the music, please visit the Program Notes at: http://www.allsenmusic.com/NOTES/1617/6.Mar17.html.

Single Tickets are $16 to $87 each, available at madisonsymphony.org/helseth and through the Overture Center Box Office at 201 State Street or call the Box Office at (608) 258-4141.

Groups of 15 or more can save 25% by calling the MSO office at (608) 257-3734. For more information, visit madisonsymphony.org/groups.

Club 201, MSO’s organization for young professionals, has continued to fulfill its mission for the past 11 years as the premiere organization promoting classical music and networking opportunities to the young professionals’ community in Madison. Tickets are $35 each and include world-class seating in Overture Hall, an exclusive after-party to be held in the Promenade Lounge, one drink ticket and a cash bar.

The conductor as well as musicians from the symphony may also be in attendance to mingle with Madison’s young professionals during the after-party.

The deadline to purchase tickets is Thursday, March 9, pending availability. Tickets can be purchased for this event, as well as the other events throughout the 2016-17 season by visiting the Club 201 page on the MSO’s website at http://www.madisonsymphony.org/club201.

Student rush tickets can be purchased in person on the day of the concert at the Overture Center Box Office at 201 State Street. Students must show a valid student ID and can receive up to two $12 or $15 tickets. More information is at: madisonsymphony.org/studentrush. Students can receive 20% savings on seats in select areas of the hall on advance ticket purchases.

Seniors age 62 and up receive 20% savings on advance and day-of-concert ticket purchases in select areas of the hall.

Discounted seats are subject to availability, and discounts may not be combined.

Major funding for the March concerts is provided by: The Madison Concourse Hotel & Governor’s Club, An Anonymous Friend, and Madison Gas & Electric Foundation, Inc. Additional funding is provided by: Audrey Dybdahl, Family and Friends, in loving memory of Philip G. Dybdahl, John A. Johnson Foundation, a component fund of the Madison Community Foundation, Madison Veterinary Specialists, Gary and Lynn Mecklenburg, and the Wisconsin Arts Board with funds from the State of Wisconsin and the National Endowment for the Arts.


Classical music: Pianist Stephen Hough returns to solo with the Madison Symphony Orchestra this weekend in a program of “firsts” that includes music by Barber and Saint-Saens as well as Tchaikovsky’s famous “Pathétique” Symphony

February 13, 2017
Leave a Comment

By Jacob Stockinger

This coming weekend, the Madison Symphony Orchestra (below) offers one of the best must-hear programs of the season – or so thinks The Ear.

MSO-HALL

Pianist Stephen Hough (below, in a photo by Sim Canetty-Clarke) returns for his fourth appearance with the Madison Symphony Orchestra (MSO), led by music director and conductor John DeMain.

stephen-hough-20167-formal-cr-sim-canetty-clarke

The concert will open with Samuel Barber’s Second Essay, a dramatic piece written in the midst of World War II, followed by a performance of the exotic Saint-Saëns Piano Concerto No. 5 (“Egyptian”) featuring soloist Stephen Hough, who won major awards for his recordings of the complete works for piano and orchestra by Saint-Saëns. The concert will close with a performance of Tchaikovsky’s emotional Symphony No. 6 (“Pathétique”).

The concerts are Friday, Feb. 17, at 7:30 p.m.; Saturday, Feb. 18, at 8 p.m.; and Sunday, Feb. 19, at 2:30 p.m. in Overture Hall of the Overture Center, 201 State Street. (Ticket information is below.)

Samuel Barber (below) was one of the new generation of mid-20th century American composers with contemporaries Howard Hanson, Aaron Copland, David Diamond and, later, Leonard Bernstein.

His Second Essay was written in 1942, in the middle of the Second World War. Barber once wrote: “Although it has no program, one perhaps hears that it was written in a war-time.” This will be the first time this piece is performed by the Madison Symphony Orchestra.

barber 1

The Piano Concerto No. 5 (“Egyptian”) by Camille Saint-Saëns (below) was composed while he was on a winter vacation in the Egyptian temple city of Luxor, in 1895-96. The location of this piece is important because it helped give the piece its nickname, and also influenced the sound of the score. This will be the first time this piece is performed by the Madison Symphony Orchestra.

camille saint-saens younger

Peter Ilyich Tchaikovsky (below) wrote his final piece between February and August 1893. The Symphony No. 6 (Pathétique) was then performed in Oct. 1893 and was conducted by Tchaikovsky himself. Nine days later he was dead.

Tchaikovsky’s late symphonies are autobiographical, and the sixth being “the best, and certainly the most open-hearted,” according to Tchaikovsky himself. Seeing that he was a troubled man, dealing with a dark depression, Symphony No. 6 (Pathétique) is filled with poignancy and deep sorrow, as you can hear in the finale in the YouTube video at the bottom.

Tchaikovsky 1

One hour before each performance, Randal Swiggum (below), artistic director of the Elgin Youth Symphony Orchestra Artistic Director and the newly appointed Interim Music Director of the Wisconsin Youth Symphony Orchestras, will lead a 30-minute Prelude Discussion in Overture Hall to enhance concertgoers’ understanding and listening experience.

Randall Swiggum

For more background on the music, read the program notes by MSO trombonist and UW-Whitewater professor Michael Allsen (below, in a photo by Katrin Talbot) at: http://www.allsenmusic.com/NOTES/1617/5.Feb17.html

J. Michael Allsen Katrin Talbot

Single Tickets are $16 to $87 each, and are available at madisonsymphony.org/hough and through the Overture Center Box Office at 201 State Street or by calling the Box Office at (608) 258-4141.

Groups of 15 or more can save 25% by calling the MSO office at (608) 257-3734. For more information visit, madisonsymphony.org/groups

Student rush tickets can be purchased in person on the day of the concert at the Overture Center Box Office at 201 State Street. Students must show a valid student ID and can receive up to two $12 or $15 tickets. More information is at: madisonsymphony.org/studentrush. Students can receive 20% savings on seats in select areas of the hall on advance ticket purchases.

Seniors age 62 and up receive 20% savings on advance and day-of-concert ticket purchases in select areas of the hall.

Discounted seats are subject to availability, and discounts may not be combined.

Find more information at madisonsymphony.org

John DeMain and MSO from the stage Greg Anderson

Major funding for the February concerts is provided by: Irving and Dorothy Levy Family Foundation, Inc., Stephen Morton, and BMO Wealth Management. Additional funding is provided by: Boardman & Clark LLP, Forte Research Systems & Nimblify, James and Joan Johnston, and the Wisconsin Arts Board with funds from the State of Wisconsin and the National Endowment for the Arts.


Classical music: Pianist Gabriela Montero plays music by Schubert and Schumann and then does her own spontaneous improvisations this Saturday night at the Wisconsin Union Theater

February 8, 2017
Leave a Comment

By Jacob Stockinger

Pianist Gabriela Montero (below, in a photo by Shelley Mosman) will perform in Shannon Hall at the Wisconsin Union Theater on this Saturday night, Feb. 11, at 8 p.m. Montero last performed in Madison with the Madison Symphony Orchestra and wowed the house at the Overture Center.

On this Friday, from 4:30 to 6 p.m. in Mills Hall, Montero will also hold a master class, FREE and OPEN TO THE PUBLIC, at the University of Wisconsin-Madison School of Music.

gabriela-montero-2017-shelley-mosman

Here are ticket prices for her recital: UW-Madison students are $10; Union members and non-UW students are $42, $38 and $25; UW-Madison faculty and staff are $44, $40 and $25; the general public is $46, $42 and $25; and young people 18 and under are $20.

Tickets can be bought online; by phone at 608-265-ARTS (2787); or in person — see locations and hours here.

The first half of Montero’s program features the first set of Four Impromptus, Op. 99, D. 899, by Franz Schubert and the playfully Romantic “Carnival” by Robert Schumann.

After intermission, the former prodigy will perform the spontaneous improvisations – usually on themes suggested by the audience – that she is acclaimed for.

According to The New York Times, “[Gabriela] Montero’s playing has everything: crackling rhythmic brio, subtle shadings, steely power in climactic moments, soulful lyricism in the ruminative passages and, best of all, unsentimental expressivity.”

Here she is performing the third Schubert impromptu, in G-flat major, in the set of four that she will play here:

Montero was born in Venezuela and gave her first performance to a public audience at the age of five. When she was eight, she made her concerto debut in Caracas, which led to a scholarship for private study in the United States.

Montero played with cellist Yo-Yo Ma, violinist Itzhak Perlman and clarinetist Anthony McGill at Barack Obama’s 2008 Presidential Inauguration.

She has been invited to perform with the world’s most respected orchestras, including the New York Philharmonic, Los Angeles Philharmonic, Liverpool Philharmonic, Vienna Symphony and more, performing in the Kennedy Center, Avery Fisher Hall and Wigmore Hall, among others.

Celebrated for her ability to brilliantly improvise, compose and play new works, Montero is an award-winning and best-selling recording artist.

She has received the Bronze Medal at the Chopin Competition, two Echo Klassik Awards in 2006 and 2007, and a Grammy nomination for her Bach and Beyond follow-up Baroque work in 2008.

She participated in the 2013 Women of the World Festival in London and spoke at the World Economic Forum in Switzerland. She has also been recognized as a composer for her Piano Concerto No. 1.

In the YouTube video at the bottom you can hear Montero improvise on a famous melody by Sergei Rachmaninoff in the style of Johann Sebastian Bach.

This performance is presented by the Wisconsin Union Directorate’s Performing Arts Committee and was supported in part by a grant from the Wisconsin Arts Board with funds from the State of Wisconsin and the National Endowment for the Arts. Media sponsors are WORT 89.9 FM and the UW-Madison student station WSUM 91.7 FM. 


Classical music: Madison Opera gets a $20,000 grant from the NEA for its February production of “Charlie Parker’s Yardbird”

December 22, 2016
1 Comment

By Jacob Stockinger

The Madison Opera has some good news to share:

National Endowment for the Arts Chairman Jane Chu has approved more than $30 million in grants as part of the NEA’s first major funding announcement for fiscal year 2017.

Included in this announcement is an Art Works grant of $20,000 to Madison Opera to support the Midwest premiere of Daniel Schnyder’s Charlie Parker’s Yardbird on Friday night, Feb. 10, and Sunday afternoon, Feb. 12, 2017.

charlie-parkers-yardbird-logo-for-maidson-opera

The Art Works category focuses on the creation of art that meets the highest standards of excellence, public engagement with diverse and excellent art, lifelong learning in the arts, and the strengthening of communities through the arts.

“The arts are for all of us, and by supporting organizations such as Madison Opera, the National Endowment for the Arts is providing more opportunities for the public to engage with the arts,” said NEA Chairman Jane Chu. “Whether in a theater, a town square, a museum, or a hospital, the arts are everywhere and make our lives richer.”

Madison Opera will be only the second company to present Charlie Parker’s Yardbird, which premiered in spring 2015 at Opera Philadelphia (below, with Lawrence Brownlee in the title role on the right and the real Charlie Parker on the left). You can see and hear the trailer for the Opera Philadelphia production in the YouTube video at the bottom.

charlie-park-and-lawrence-brownlee

Set on the night that saxophone great Charlie Parker died, the opera begins with Parker returning in spirit to the jazz club Birdland, determined to compose a final masterpiece. Family and friends blend in and out of his memories in an acclaimed new work that tells of his tortured, brilliant life “with a pulsing, jazz-infused score” (The New York Times).

Madison Opera’s performances take place in the Capitol Theater of the Overture Center and are directed by Ron Daniels and conducted by John DeMain.

The cast features Joshua Stewart, Angela Brown, Will Liverman, Rachel Sterrenberg, Julie Miller, Angela Mortellaro, and Krysty Swann.

“It is an honor to receive a grant from the National Endowment for the Arts and be recognized for our artistic work on a national level,” says Madison Opera General Director Kathryn Smith (below, in a photo by James Gill). “The NEA’s funding will not only help us share this thrilling new opera with our region, but also support an array of Charlie Parker-related events, allowing true community engagement with the opera and its subject.”

Kathryn Smith Fly Rail Vertical Madison Opera

In addition to the public performance on Feb. 10 and 12, 2017, Madison Opera’s “Extending the Stage” activities include “Jazz at the Opera Center,” a concert with Richie Cole and the Alto Madness Orchestra on Jan. 8; Opera Novice on Jan. 20; Opera Up Close on Feb. 5; “A Charlie Parker Concert and Discussion” with the Swiss composer Daniel Schnyder and UW-Madison’s Blue Note Ensemble on Feb. 9; and a variety of previews and presentations on Charlie Parker, jazz, and the opera at various libraries and retirement communities.

For more information on any of these events, got to: madisonopera.org.

For more information on projects included in the NEA grant announcement, go to arts.gov/news.

Madison Opera is a non-profit professional opera company based in Madison, Wisconsin. Founded in 1961, the company grew from a local workshop presenting community singers in English-language productions to a nationally recognized organization producing diverse repertoire and presenting leading American opera singers alongside emerging talent.

A resident organization of the Overture Center for the Arts, Madison Opera presents three productions annually in addition to the free summer concert Opera in the Park and a host of educational programming.


Classical music: The Madison Symphony Orchestra performs its usually sold-out Christmas concerts this weekend

November 28, 2016
Leave a Comment

By Jacob Stockinger

The Madison Symphony Orchestra (MSO) and music director John DeMain will kick off the holiday season with the much-loved tradition — A Madison Symphony Christmas — with three concerts this coming weekend in Overture Hall.

mso-christmas-concert-stage

The holidays will be celebrated with a variety of music from the Hallelujah Chorus by George Frideric Handel (at the bottom in a YouTube video) to exciting Gospel selections. Highlights will also include Panis Angelicus by Cesar Franck, selections from Magnificat by John Rutter and holiday classics including Baby, It’s Cold Outside and The First Noel.

Performing with the MSO will be soprano Sylvia McNair (below), star of Broadway and the Metropolitan Opera, along with the Madison Symphony Chorus, directed by Beverly Taylor.

sylvia-mcnair-2016

In addition, Madison Youth Choirs (below top), directed by Michael Ross and the Mt. Zion Gospel Choir (below bottom, in a photo by Bob Rashid), directed by Tamera and Leotha Stanley, will be featured during the program.

Madison Youth Choirs Con Gioia Karen Holland

Mt Zion gospel Bob Rashid

No Christmas concert would be complete without a sing-along. To conclude the concert, audience members will be invited to join with the MSO and guest artists to sing beloved holiday carols.

MSO John DeMain in Santa Hat

The concerts are in Overture Hall of the Overture Center, 201 State Street, on Friday night, Dec. 2, at 7:30 p.m.; Saturday night, Dec. 3, at 8 p.m.; and Sunday afternoon, Dec. 4 at 2:30 p.m.

Concertgoers are encouraged to arrive 45 minutes before the concert begins to join the Madison Symphony Chorus (below) as they lead a selection of Christmas carols in the festively lit lobby at Overture Hall.

MSO Chorus CR Greg Anderson

NOTE: These concerts typically sell out, so early ticket purchases are encouraged. 

Single Tickets are $16 to $87 each, available at madisonsymphony.org/christmas, through the Overture Center Box Office at 201 State Street, or call the Box Office at (608) 258-4141.

Groups of 15 or more can save 25% by calling the MSO office at (608) 257-3734. For more information visit, madisonsymphony.org/groups.

Club 201, MSO’s organization for young professionals, has continued to fulfill its mission for the past 11 years as the premiere organization promoting classical music and networking opportunities to the young professionals’ community in Madison. Tickets are $35 each and include world-class seating in Overture Hall, an exclusive after-party to be held at Fresco, one drink ticket, and a cash bar. Conductor John DeMain, as well as musicians from the symphony, may also be in attendance to mingle with Madison’s young professionals during the after-party.

The deadline to purchase tickets is Thurs., Dec. 1, pending availability. Tickets can be purchased for this event, as well as the other events throughout the 2016-17 season by visiting the Club 201 page on the MSO’s website at http://www.madisonsymphony.org/club201.

Student rush tickets can be purchased in person on the day of the concert at the Overture Box Office at 201 State Street. Students must show a valid student ID and can receive up to two $12 or $15 tickets. More information is at: madisonsymphony.org/studentrush. Students can receive 20% savings on seats in select areas of the hall on advance ticket purchases.

Seniors age 62 and up receive 20% savings on advance and day-of-concert ticket purchases in select areas of the hall.

Discounted seats are subject to availability, and discounts may not be combined.

Find more information at madisonsymphony.org

Major funding for the December concerts is provided by: American Printing, Nedrebo’s Formalwear, BMO Wealth Management, Hooper Foundation/General Heating & Air Conditioning, Maurice and Arlene Reese Family Foundation, National Guardian Life Insurance Company, and An Anonymous Friend. Additional funding is provided by: Colony Brands, Inc., J.H. Findorff & Son Inc., Reinhart Boerner Van Deuren s.c., Hans and Mary Lang Sollinger, and Wisconsin Arts Board with funds from the State of Wisconsin and the National Endowment for the Arts.


Classical music education: Brother and sister alumni return to play cello and conduct in the fall concerts by Wisconsin Youth Symphony Orchestras. Plus, hear a free concert of three solo cello suites by Bach on Friday at noon

November 9, 2016
Leave a Comment

ALERT: This week’s FREE Friday Noon Musicale at the First Unitarian Society of Madison 900 University Bay Drive, features cellist Leonardo Altino playing Suites Nos. 1, 5 and 6 for unaccompanied cello by Johann Sebastian Bach. The concert runs from 12:15 to 1 p.m.

By Jacob Stockinger

WYSO will kick-off its 51st season with the Evelyn Steenbock Fall Concerts on this Saturday, Nov. 12, and next Saturday, Nov. 19. Nearly 500 young musicians will display their talents to the community during the concerts, which are dedicated to music teachers.

WYSO Youth Orchestra

The Youth Orchestra concert on Nov. 19 will be performed at the River Arts Center in Prairie du Sac, where WYSO will welcome back two alumni guest artists: Kenneth Woods and Cynthia Woods.

Kenneth will be playing cello and Cynthia will be conducting in the Cello Concerto by British composer Philip Sawyers. (You can hear Kenneth Woods conduct the opening movement of the cello concerto in the YouTube video at the bottom.)

The Youth Orchestra, under the direction of James Smith, will also be playing Symphony No. 2 by Ralph Vaughan Williams and Overture to the opera “Der Freischuetz” by Carl Maria von Weber.

Cynthia Woods (below) is currently the Music Director of the Cambridge Symphony Orchestra and the conductor for the Youth Preparatory Orchestra at the New England Conservatory, where she serves on the violin, chamber and conducting faculty.

Along with her conducting activities, Ms. Woods is also a frequent speaker and writer. She has been a guest lecturer at institutions such as MIT and the Longy School of Music of Bard College, a panelist for radio shows such as WGBH’s Callie Crossley, and a frequent contributor to The Boston Herald’s State of the Arts blog. Cynthia was a member of WYSO from 1984–1989 in Concert, Philharmonia and Youth Orchestra.

For more background about Cynthia Woods, go to:

http://www.wysomusic.org/guest-artists/cynthia-woods/

https://www.wysomusic.org/events/concerts-recitals/evelyn-steenbock-fall-concerts/interview-with-cynthia-woods/

cynthia-woods

Kenneth Woods (below) is currently the Artistic Director and Principal Conductor of the English Symphony Orchestra. As a cello soloist and chamber musician, Wood’s collaborators have included members of the Toronto, Chicago and Cincinnati symphonies, the Minnesota, Gewandhaus and Concertgebouw orchestras and the La Salle, Pro Arte, Tokyo and Aubudon String Quartets.

He also  is currently cellist of the string trio Ensemble Epomeo, with whom he performs regularly in the UK, Europe, and the USA. He writes a popular blog, “A View From the Podium.” Kenneth was a member of WYSO from 1980–1986 in Concert, Philharmonia and Youth Orchestra. He also studied cello at the University of Wisconsin-Madison School of Music with Parry Karp, of the Pro Arte Quartet.

For more background and an interview with Kenneth Woods, go to:

http://www.wysomusic.org/guest-artists/kenneth-woods-cellistconductor/

https://www.wysomusic.org/events/concerts-recitals/evelyn-steenbock-fall-concerts/interview-with-ken-woods/

Avie, London 15 Feb 2011

Schedule and Programs

November 12, 2016 – 1:30 P.M., Mills Hall

Philharmonia Orchestra

  • Rimsky- Korsakov: Procession of the Nobles from Mlada 
  • Shostakovich: Finale from Symphony No. 5, Op. 47 
  • Prokofiev: Montagues and Capulets from Romeo and Juliette, 2nd suite
  • Shostakovich: Six Pieces from the First Ballet Suite Op. 84

wyso concert orchestra brass

November 12, 2016 – 4 P.M., Mills Hall

CONCERT ORCHESTRA (below)

  • Jack Bullock: Okeanos
  • James Curnow: Phoenix Overture
  • Jaromír Weinberger: Polka from the Opera Schwanda, the Bagpiper
  • Albert O. Davis: Moonlight Masquerade
  • Richard Strauss: Allerseelen (All Souls’ Day) Op. 10 No. 8

SINFONIETTA

  • Domenico Gallo: Sinfonia in G
  • Grieg: A Nordic Lullaby Op. 68, No.5 
  • Tchaikovsky: Serenade for Strings 
  • Robert S. Frost and Mary Elledge: Tales from Sherwood Forest
  • Brian Balmages: Wood Splitter Fanfare
  • Norman Leyden: Serenade for String Orchestra
  • Michael Korb and Ulrich Roever: Highland Cathedral 
  • William Owens: Carpathia
  • Sebastian Yradier: La Paloma 

wyso-youth-orchestra-2016-2

November 19, 2016 – 7 P.M., River Arts Center

YOUTH ORCHESTRA (below)

  • Symphony No.2– Ralph Vaughan Williams
  • Overture to the opera “Der Freishuetz”– Carl Maria von Weber
  • Cello Concerto– Philip Sawyers 
with Kenneth Woods – Cello, Cynthia Woods – Conductor

youth-orchestra-1

The Evelyn Steenbock Fall Concerts will be held in Mills Concert Hall in the UW Humanities Building, 455 N. Park Street, Madison, and at the River Arts Center, 105 Ninth St. Prairie du Sac, Wisconsin.

WYSO concerts generally run about an hour and a half in length, providing a great orchestral concert opportunity for families.

Tickets are available at the door, $10 for adults and $5 for youth 18 and under.

This project is supported by Dane Arts with additional funds from the Evjue Foundation, Inc., the charitable arm of The Capital Times. This project is also supported in part by a grant from the Wisconsin Arts Board with funds from the State of Wisconsin and the National Endowment for the Arts.


Classical music: Madison Symphony Orchestra and violinist Henning Kraggerud perform music by Beethoven, Bruch, Elgar and Kraggerud this weekend

October 17, 2016
2 Comments

By Jacob Stockinger

Ludwig van Beethoven’s popular Symphony No. 6 “Pastorale” anchors the Madison Symphony Orchestra (MSO) concerts under the baton of music director John DeMain on this coming Friday, Saturday and Sunday.

John DeMain and MSO from the stage Greg Anderson

Norwegian violinist Henning Kraggerud returns to perform a violin concerto and some of his own original compositions.

henning-kraggerud-2016

The concerts will open with “In the South” by Sir Edward Elgar, a work that was inspired by the countryside and music he experienced during an Italian holiday.

Kraggerud will perform the dramatic and lyrical Violin Concerto No. 1 by Max Bruch (below), followed by his own Three Postludes from his composition “Equinox.”

max bruch

The program will conclude with Ludwig van Beethoven’s Symphony No. 6, “the Pastorale,” which is a tribute to country life, as you can see and hear in the popular YouTube video, with almost 3 million hits, that is at the bottom.

The concerts are in Overture Hall of the Overture Center, 201 State Street, on Friday at 7:30 p.m.; Saturday at 8 p.m.; and Sunday at 2:30 p.m.

While escaping a drab English winter, Elgar (below), inspired by the Italian Riviera and his realization of the human cost of war, wrote “In the South” – an overture that begins and ends in a stormy mood, while encompassing wistful music for clarinets and strings.

Edward Elgar

Austrian violin virtuoso Joseph Joachim (below) put Max Bruch’s Violin Concerto No. 1 in the same league as the violin concertos of Beethoven, Brahms and Mendelssohn, calling the Bruch composition the “richest, most seductive” of the four composers. The main musical theme eventually becomes the foundation for a flashy and exhilarating ending.

Joseph Joachim

Kraggerud’sEquinox” is a set of 24 postludes for solo violin and orchestra in all major and minor keys, with a concluding 25th movement, based on a narration titled “24 Keys to a World Before it Slips Away” by Norwegian novelist Jostein Gaarder.

The Three Postludes, each short character pieces expressing an emotion, will transport audiences around the globe, capturing in a witty way a bit of the flavor of the protagonist’s various stops on his imaginary journey.

Beethoven’s Symphony No. 6 was inspired by his love for the countryside around Vienna. In it he reflects upon humanity’s role in the quiet spaces of nature. According to Beethoven (below), the Pastorale is meant to transport the listener to lush, restful, nature scenes that are “more an expression of feeling than painting.” Popularized through the Disney-animated classic film “Fantasia,” the Pastorale Symphony delights audiences of all ages.

Beethoven big

One hour before each performance, Tyrone Greive (below, in a photo by Kathy Esposito), former MSO Concertmaster and retired professor of violin at the University of Wisconsin-Madison, will lead a 30-minute Prelude Discussion in Overture Hall to enhance concertgoers’ understanding and listening experience.

Tyrone Greive 2013 by Kathy Esposito

For more background on the music, please visit the Program Notes at: madisonsymphony.org/kraggerud.

Single Tickets are $16 to $87 each, available at madisonsymphony.org/kraggerud, through the Overture Center Box Office at 201 State Street, or by calling the Box Office at (608) 258-4141.

Groups of 15 or more can save 25 percent by calling the MSO office at (608) 257-3734. For more information visit, madisonsymphony.org/groups

Club 201, MSO’s organization for young professionals, has continued to fulfill its mission for the past 11 years as the premier organization promoting classical music and networking opportunities to the young professionals’ community in Madison.

For a $35 ticket, young professionals will enjoy world-class seating in Overture Hall, an exclusive after-party in the Promenade Lounge, one drink ticket and a cash bar. Conductor John DeMain (below, in a photo by Prasad), as well as musicians from the symphony, will be attending to mingle with Madison’s young professionals.

John DeMain full face by Prasad

The deadline to purchase tickets is this Thursday, Oct. 20. Tickets can be purchased for this event, as well as the other events throughout the 2016-17 season by visiting the Club 201 page on the MSO’s website at http://www.madisonsymphony.org/club201.

Student rush tickets can be purchased in person on the day of the concert at the Overture Box Office at 201 State Street. Students must show a valid student ID and can receive up to two $12 or $15 tickets. More information is at: madisonsymphony.org/studentrush. Students can receive 20 percent savings on seats in select areas of the hall on advance ticket purchases.

Seniors age 62 and up receive 20 percent savings on advance and day-of-concert ticket purchases in select areas of the hall.

Discounted seats are subject to availability, and discounts may not be combined.

Major funding for the October concerts is provided by: Steinhauer Charitable Trust, Rosemarie Blancke, Cyrena and Lee Pondrom, and UW Health & Unity Health Insurance. Additional funding is provided by: DeWitt Ross & Stevens S.C., Audrey and Philip Dybdahl, and the Wisconsin Arts Board with funds from the State of Wisconsin and the National Endowment for the Arts.


Next Page »

    Enter your email address to subscribe to this blog and receive notifications of new posts by email.

    Join 1,093 other followers

    Blog Stats

    • 1,723,629 hits
%d bloggers like this: