The Well-Tempered Ear
Classical music: Madison Opera’s virtual Opera in the Park goes online for FREE this Saturday night and stays up until Aug. 25. Listen to it indoors or outdoors
Leave a Comment
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
Madison Opera’s Opera in the Park isn’t in a park this year — as it has been in past years (below) — but it will be available for people to enjoy for free in their backyards, in their living rooms or anywhere else with an internet connection.
The digital concert will be released on this Saturday, July 25, at 8 p.m. CDT, and can be watched on Madison Opera’s website, www.madisonopera.org/digital, where you can find complete information and, soon, a complete program to download.
The annual free concert has moved online in response to the COVID-19 pandemic, with a newly created program of opera arias and more.
Digital Opera in the Park features: soprano Jasmine Habersham; soprano Karen Slack; tenor Andres Acosta; and baritone Weston Hurt. (The last two will sing the justly famous baritone-tenor duet “Au fond du temple saint” from Bizet’s “The Pearl Fishers,” which you can hear in the YouTube video at the bottom.)
Habersham (below) makes her Madison Opera debut with this unique performance, and will sing Susanna in the company’s production of Mozart’s The Marriage of Figaro next April.
Slack (below) debuted with the company in Jake Heggie’s Dead Man Walking, and will be part of the company’s digital fall season.
Acosta (below) sang Timothy Laughlin in Gregory Spears’ Fellow Travelers with Madison Opera this past February.
Hurt (below) debuted as Germont in Verdi’s La Traviata last season and is part of the company’s digital fall season.
The four singers will be joined by several important local artists. They include violinist Suzanne Beia, the assistant concertmaster of the Madison Symphony Orchestra, the concertmaster of the Wisconsin Chamber Orchestra and the second violin of the UW-Madison’s Pro Arte Quartet.
There will also be a fleet of eight pianists. They include MSO music director and Madison Opera’s artist director John DeMain (below top, in a photo by Prasad) and the UW-Madison graduate and composer Scott Gendel (below bottom). The two will play multiple numbers, including DeMain accompanying Beia on the beautiful “Meditation” from Thaïs.
Each singer recorded their arias with an accompanist in their home cities, and chorusmaster Anthony Cao (below top) both accompanies and conducts the Madison Opera Chorus (below bottom) in a virtual “Anvil Chorus” from Il Trovatore.
The evening will be hosted by Madison Opera’s General Director Kathryn Smith and by WKOW TV’s Channel 27 News co-anchor George Smith.
“Reimagining Opera in the Park in the pandemic era has been a challenge, but one we have happily embraced,” says Smith (below in a photo by James Gill). “Our wonderful artists were game to record themselves in their home towns, to sing duets with each other through headphones, and to share their artistry with our community in a new way. Over 40 choristers joined a Zoom call to get instructions, and then they recorded their parts of the ‘Anvil Chorus.’”
“While in some ways this concert has required more work than our live Opera in the Park in Garner Park, it is always a pleasure to present beautiful music for everyone to enjoy.”
Digital Opera in the Park features music from Verdi’s Il Trovatore, now canceled in live performance but originally slated to open Madison Opera’s 2020-21 season; Jerry Bock’s She Loves Me, which the company performs in January; and Mozart’s The Marriage of Figaro, which will be performed in April.
The program also includes selections from Bizet’s The Pearl Fishers, Richard Strauss’ Arabella, Verdi’s Don Pasquale, Puccini’s Tosca, Massenet’s Hérodiade and Thaïs, Rossini’s William Tell, Pablo Sarozabal’s zarzuela La Tabernera del Puerto, Rodgers and Hammerstein’s South Pacific, and more.
The concert will be available beginning at 8 p.m. CDT on this Saturday night, July 25, and will remain online until Aug. 25, allowing for both repeated viewing and flexibility for people who are unable to watch on the first night.
While Digital Opera in the Park will be free to watch, it would not be possible without the generous support of many foundations, corporations and individuals who believe in the importance of music. Madison Opera is grateful to the sponsors of Opera in the Park 2020:
- Presenting Sponsor: the Berbeewalsh Foundation
- Sponsors: the John and Carolyn Peterson Charitable Foundation, Full Compass Systems, the Raymond B. Preston Family Foundation, University Research Park, Colony Brands, Johnson Financial Group, MGE Foundation, National Guardian Life, Wisconsin Arts Board, Dane Arts and the Madison Arts Commission.
- Media Sponsors: WKOW, Madison Magazine, Wisconsin Public Radio, Magic 98, and La Movida.
RELATED EVENTS include:
OPERA ON THE WALL | JULY 25, 2020 | ONLINE
Madison artists Liubov Swazko (known as Triangulador) and Mike Lroy have created artwork around our community, including beautiful murals on State Street storefronts.
In an act of artistic cross-pollination, they will create an artwork that comes from their personal response to Digital Opera in the Park, offering a rare glimpse of visual artists responding to musical artists. Their creative process will be filmed in the Madison Opera Center, and shared online starting on July 25.
The finished artwork will be displayed in the Madison Opera Center. Go to Swazko’s website at triangulador.com (one work is below) and Lroy’s website at mikelroy.com to see their past work.
POST-SHOW Q&A | JULY 25, 2020, IMMEDIATELY FOLLOWING THE INITIAL STREAM
Join Kathryn Smith and the Digital Opera in the Park artists for a post-concert discussion, including an opportunity to ask questions. Details on format and platform will be available closer to the date.
Tags: #AndresAcosta, #AnthonyCao, #AnvilChorus, #ArtisticDirector, #BaritoneSinger, #Beautifulmusic, #BerbeeWalshFoundation, #BlogPost, #BlogPosting, #BroadwayMusical, #ChamberMusic, #Channel27, #ChoralMusic, #ChorusMaster, #CityofMadison, #ColonyBrands, #CoronavirusPandemic, #COVID-19, #DaneArts, #DeadManWalking, #DigitalOperainthePark, #DonPasquale, #FacebookPost, #FacebookPosting, #FamousMusic, #FellowTravelers, #FullCompassSystems, #GarnerPark, #GeneralDirector, #GeorgesBizet, #GiacomoPuccini, #GioachinoRossini, #GiuseppeVerdi, #GregorySpears, #HomeWebsite, #IlTrovatore, #JacobStockinger, #JakeHeggie, #JamesGill, #JasmineHabersham, #JerryBock, #JohnandCarolynPeterson, #JohnDeMain, #JohnsonFinancialGroup, #JosephMcCarthy, #JulesMassenet, #KarenSlack, #KathrynSmith, #LaMovida, #LaTaberneradelPuerto, #LaTraviata, #LGBTQrights, #LGBTRights, #LiubovSwazko, #LiveMusic, #LiveStreaming, #LivingRoom, #MadisonArtsCommission, #MadisonMagazine, #MadisonOpera, #MadisonOperaCenter, #MadisonOperaChorus, #MadisonSymphonyOrchestra, #MadisonWisconsin, #Magic98, #MarriageofFigaro, #MeadWitterSchoolofMusic, #MediaSponsor, #MGEFoundation, #MikeLroy, #MusicalTheater, #MusicDirector, #NationalGuardianLife, #NewsAnchor, #OperaAria, #OperaInThePark, #OperaMusic, #PabloSarozabal, #PabloZarozabal, #PianoAccompaniment, #PianoAccompanist, #ProArteQuartet, #PublicHealth, #RelatedEvent, #RichardStrauss, #RodgersandHammerstein, #ScottGendel, #Self-Isolation, #SheLovesMe, #shelter-at-home, #ShelterinPlace, #SopranoSinger, #SouthPacific, #SpanishComposer, #StateStreet, #Stayathome, #SuzanneBeia, #TenorSinger, #TheEar, #ThePearlFishers, #UniversityofWisconsin-Madison, #UniversityResearchPark, #VisualArt, #VisualArtist, #VocalMusic, #WestonHurt, #WilliamTell, #WisconsinArtsBoard, #WisconsinChamberOrchestra, #WisconsinPublicRadio, #WKOWTV, #WolfgangAmadeusMozart, #YouTubevideo, accompany, alumni, alumnus, anchor, Andres Acosta, annual, Anthony Cao, Anvil Chorus, anywhere, April, Arabella, aria, Artistic director, artistry, artists, Arts, artwork, assistant, audience, August, available, backyard, baritone, beautiful, believe, BerbeeWalsh Foundation, Bizat, blog, Broadway musical, call, cancel, canceled, challenge, Chamber music, channel, choral music, choristers, chorus, cities, Classical music, Colony Brands, community, company, complete, composer, Concert, concertmaster, conduct, conductor, connection, coronavirus, corporations, create, creative, creative process, Dane Arts, date, Dead Man Walking, debut, detail, digital, Digital Opera in the Park, discussion, Don Pasquale, donor, download, duet, else, embrace, enjoy, era, event, everyone, Facebook, fall, famous, feature, February, Fellow Travelers, film, fleet, flexibility, format, forward, foundations, free, Full Compass Systems, game, Garner Park, General director, generous, Georges Bizet, Giacomo Puccini, gift, Gioacchino Rossini, Giuseppe Verdi, glimpse, graduate, grateful, Gregory Spears, happy', Hérodiade, headphones, home town, home website, hometown, homosexual, host, Il Trovatore, imagine, immediate, importance, important, individual, indoors, information, initial, instruction, Internet, isolation, Jacob Stockinger, Jake Heggie, James Gill, Jasmine Habersham, Jerry Bock, John and Carolyn Peterson, John DeMain, Johnson Financial Group, Joseph McCarthy, Jules Massenet, July, just, justly, Karen Slack, Kathryn Smith, kayak, La Movida, La Tabernera del Puerto, La Traviata, LGBT, LGBTQ, like, link, Liubov Swazko, live music, living room, local, Love, Madison, Madison Arts Commission, Madison Magazine, Madison Opera, Madison Opera Center, Madison Opera Chorus, Madison Symphony Orchestra, Magic 98, manager, Marriage, Marriage of Figaro, Massenet, Master, McCarthyism, Mead Witter School of Music, media, Meditation, MGE Foundation, Mike Lroy, Mozart, MSO, multiple, mural, Music, Music director, musical, Musical theater, National Guardian Life, new, news, number, onlne, opera, Opera in the Park, opera music, opportunity, outdoors, Pablo, Pablo Sarozabal, Pablo Zarozabal, Pacific Ocean, pandemic, PAQ, Park, parts, past, People, performance, performer, photo, Pianist, Piano, piano accompaniment, Piano accompanist, platform, pleasure, post, post-concert, posting, present, Pro Arte Quartet, process, production, program, public, Public health, Puccini, Q&A, questions, Radio, rare, record, related event, relatred, remain, repeat, research, respond, Richard Strauss, Rodgers and Hammerstein, Rossini, Saturday, Scott Gendel, Season, selections, September, share, She Loves Me, shelter in place, sing, singer, Singing, soprano, South Pacific, Spain, Spanish, sponsor, State Street, stay at home, store, storefront, Strauss, stream, Student, support, Suzanne Beia, symphony, tag, Television, tenor, Thaïs, The Ear, The Marriage of Figaro, The Pearl Fishers, theatre, Tosca, town, Triangulador, TV, United States, university, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, University Research Park, UW, UW-Madison, Verdi, viewing, Violin, violinist, visual art, visual artist, vocal music, wall, watch, way, WCO, Website, Weston Hurt, William Tell, Wisconsin, Wisconsin Arts Board, Wisconsin Chamber Orchestra, wisconsin public radio, WKOW, WKOW TV, Wolfgang Amadeus Mozart, wonderful, work, WPR, year, YouTube, Zarozabal, zarzuela, Zoom
Classical music: This summer, Madison Opera’s “Opera in the Park” will go virtual and be held online due to the coronavirus pandemic. Details will follow in early July
Leave a Comment
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
The Ear has received the following announcement from the Madison Opera about this summer’s annual Opera in the Park (below, in a photo by James Gill.)
“Madison Opera’s Opera in the Park will be moving online this summer in response to the COVID-19 pandemic.
“Since the first Opera in the Park concert in 2002, it has become a Madison summer tradition, a free concert that draws over 10,000 people to Garner Park for selections from opera, Broadway, operetta and zarzuela. The 19th anniversary of this concert had been scheduled for July 25.”
(Editor’s note: As you can see in the YouTube video at the bottom, the traditional encore has the audience and soloists singing “It’s a Grand Night for Singing” from the musical “Carousel” by Rodgers and Hammerstein.)
“Opera in the Park is by far our most important performance,” says Kathryn Smith (below, in a photo by James Gill), general director of the Madison Opera. “Sharing music under the stars is a highlight of every summer, but the health and safety of our community is our first priority. After careful discussion with local officials and stakeholders, we have decided to take the necessary step of moving from an in-person performance this summer to a digital one.
“Details on the digital performance will be solidified in the coming months and announced in early July.
“Soloists to perform with the Madison Symphony Orchestra include: soprano Karen Slack (below top), who returns to Madison Opera as Leonora in Verdi’s Il Trovatore (The Troubadour) this fall; soprano Jasmine Habersham (below middle), who makes her Madison Opera debut in Mozart’s The Marriage of Figaro next April; and baritone Weston Hurt (below bottom), who sang Germont in Verdi’s La Traviata last season and returns as Count di Luna in Il Trovatore next fall.
“While nothing will ever equal the magic of Opera in the Park when the hillside is full of people,” Smith says, “I know we can create something special to share, using the power of music to connect us even when we cannot gather in person.
“We look forward to returning to Garner Park next summer, and seeing a full display of everyone’s light-stick conducting skills (below).”
Tags: #BaritoneSinger, #BlogPost, #BlogPosting, #BroadwayMusic, #BroadwayMusical, #COVID-19, #FacebookPost, #FacebookPosting, #GarnerPark, #GeneralDirector, #GiuseppeVerdi, #HiTech, #IlTrovatore, #It'saGrandNightforSinging, #JacobStockinger, #JamesGill, #JasmineHabersham, #KarenSlack, #KathrynSmith, #LaTraviata, #LightStick, #LiveMusic, #MadisonOpera, #MadisonSymphonyOrchestra, #MarriageofFigaro, #OperaInThePark, #OscarHammerstein, #PublicHealth, #RichardRodgers, #SopranoSinger, #StateFair, #TheEar, #VirtualConcert, #VocalMusic, #WestonHurt, #WolfgangAmadeusMozart, #YouTubevideo, anniversary, announcement, annual, April, Arts, baritone, blog, Broadway, careful, Classical music, community, composer, Concert, conduct, Conducting, conductor, connect, coronavirus, create, debut, details, digital, discussion, display, editor, encore, equal, Facebook, fair, fall, forward, Garner Park, gather, General director, Giuseppe Verdi, Health, hi tech, highlight, hillside, Il Trovatore, important, It's a Grand Night for Singing, Jacob Stockinger, James Gill, Jasmine Habersham, July, Karen Slack, Kathryn Smith, La Traviata, light stick, like, link, live music, local, Madison, Madison Opera, Madison Symphony Orchestra, magic, Marriage of Figaro, Mozart, Music, musical, musical tradition, necessary, note, nothing, officials, online, opera, Opera in the Park, Operetta, Orchestra, Oscar Hammerstein, outdoors, pandemic, Park, People, performance, person, popular, post, posting, power, priority, Public health, reader, response, return, Richard Rodgers, safety, schedule, Season, selection, share, skill, soloist, something, soprano, special, stakeholders, stars, state, State Fair, step, subscriber, summer, symphony, tag, The Ear, tradition, United States, Verdi, virtual, vocal music, Weston Hurt, Wisconsin, Wolfgang Amadeus Mozart, YouTube, zarzuela
Classical music: Excellent singing, acting, orchestral playing, sets and costumes combined to make Verdi’s “La Traviata” one of Madison Opera’s best ever productions
7 Comments
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, PLEASE SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
The experienced Opera Guy for this blog – Larry Wells – took in last weekend’s production by the Madison Opera of Verdi’s “La Traviata” and filed the following review. Performance photos are by James Gill.
By Larry Wells
During the first few moments of the Overture to Giuseppe Verdi’s “La Traviata” — on Sunday afternoon in Overture Hall — I had a feeling that this would be a special performance. Members of the Madison Symphony Orchestra sounded full and alive and attentive to artistic director and conductor John DeMain.
(You can hear the haunting overture or prelude, performed at the BBC Proms by the Milan Symphony Orchestra under Chinese conductor Xian Zhang, in the YouTube video at the bottom,)
Presented by Madison Opera, this performance will remain in my memory as one of the best I have attended here.
The traditional production was well staged by director Fenlon Lamb with beautiful sets (below) designed for Hawaii Opera Theater and provided by Utah Opera. The sets provided a sense of spaciousness and perspective as befits grand houses in 19th-century Paris.
Likewise, the costumes were spectacular, particularly in the masquerade scene (below) in the second act where almost everyone was in opulent black.
The three principal characters were all well portrayed, although tenor Mackenzie Whitney’s Alfredo (below left) seemed rather youthful to be proclaiming he was being reborn by his love for Violetta (below right).
Both Whitney and baritone Weston Hurt (below right), who portrayed Alfredo’s father Germont, sang perfectly well.
But all of my notes seem to have focused on soprano Cecilia Violetta Lopez’s portrayal of Violetta (below left, with Mackenzie Whitney as Alfredo). One aria, duet and ensemble after another was remarkably sung with her pure and crystalline voice.
Lopez is also a talented actress who convincingly conveyed the emotions of the heroine in their wide gamut from care-free courtesan to love-struck woman to abandoned consumptive.
I was close enough to the stage to see the changing emotions flicker across Lopez’s face, and I was very impressed, and ultimately moved, by her performance.
All three of the main characters could sing, but Lopez could really sing and act as well. It was an outstanding performance that left me quite affected.
The chorus sounded wonderful, and the choristers did not overact, for which I was grateful. Their contribution to the finale of the second act made that ensemble heartbreaking. Likewise, the final ensemble at the end of the opera left me bereft.
Altogether conductor, orchestra, singers, chorus, set, costumes and lighting combined to create an unforgettable afternoon. I pay tribute to Verdi for creating an enduring work of art and to John DeMain (below, in a photo by Greg Anderson) for an amazing performance.
For more background about the real-life story and inspiration of the opera and more details about the production and the cast, go to: https://welltempered.wordpress.com/2019/10/28/classical-music-the-madison-opera-performs-verdis-la-traviata-this-friday-night-and-sunday-afternoon-in-overture-hall/
Unfortunately, I was seated behind an older couple. The woman was obviously very ill and apparently was unable to lift her head high enough to see the stage, let alone read the supertitles. Her partner — I assume it was her husband — patiently whispered a summary of the supertitles throughout the performance.
I believe that people feel that they are inaudible to others when they whisper to their neighbor, but we all know that this is not the case.
I mentioned this to friends during the intermission, and they said that I should say something. However, my Midwestern niceness kicked in and I just endured it. I thought that perhaps this would be the last opera she would ever attend.
Yet I could not help feeling that I would not have enjoyed someone whispering in my ear while music was being performed; and I would have perhaps prepared in advance so that I knew what I would be hearing.
Additionally, I darkly mused that perhaps “La Traviata” is not an appropriate opera to bring someone who is critically ill to.
Readers’ thoughts on this matter would be appreciated.
Tags: #19thCentury, #ArtisticDirector, #AsianMusicians, #BaritoneSinger, #BBCProms, #BlogPost, #BlogPosting, #CeciliaViolettaLopez, #ChineseConductor, #ChoralMusic, #ClassicalMusician, #ConcertEtiquette, #CriticallyIll, #FacebookPost, #FacebookPosting, #FenlonLamb, #GiuseppeVerdi, #HawaiiOperaTheater, #husband-and-wife, #JacobStockinger, #JamesGill, #JohnDeMain, #LarryWells, #LaTraviata, #MackenzieWhitney, #MadisonOpera, #MadisonOperaChorus, #MadisonSymphonyOrchestra, #MasqueradeBall, #MilanItaly, #MilanSymphonyOrchestra, #MusicCritic, #MusicReview, #OperaGuy, #ParisFrance, #SopranoSinger, #StageDirector, #Sundayafternoon, #TenorSinger, #TheEar, #UtahOpera, #VocalMusic, #WestonHurt, #WorkofArt, #XianZhang, #YouTubevideo, 19th century, abandoned, act, acting, actress, advance, Alfredo, alive, amazing, another, appreciated, appropriate, aria, Art, Artistic director, Arts, Asia, asian, attend, attentive, audience, background, baritone, BBC Proms, beautiful, bereft, best, blog, care-free, cast, Cecilia Violetta Lopez, Central Midwest Ballet Academy, characters, China, Chinese, choral music, choristers, chorus, Classical music, classicalmusic, close, combine, composer, Concert, concert etiquette, conductor, consumptive, contribution, convey, costumes, couple, courtesan, create, creating, critic, critically ill, crystalline, dark, director, duet, ear, emotions, enduring, enjoy, ensemble, etiquette, everyone, experience, Facebook, father, feeling, Fenlon Lamb, fill, finale, Focus, forward, friends, gamut, Germont, Giuseppe Verdi, grand, grateful, haunting, Hawaii, Hawaii Opera Theater, hear, hearing, heartbreak, heartbreaking, help, heroine, houses, husband, ill, impressed, inaudible, information, inspiration, intermission, Italy, Jacob Stockinger, James Gill, John DeMain, La Traviata, Larry Wells, last, lift, lighting, like, link, Love, love-struck, Mackenzie Whitney, Madison, Madison Opera, Madison Opera Chorus, Madison Symphony Orchestra, Maestro, main, masquerade, matter, member, memory, Midwest, Midwestern, Milan, Milan Symphony Orchestra, moment, moved, mused, Music, music critic, music review, neighbor, niceness, notes, older, opera, Opera Guy, opera scenes, opulent, Orchestra, overact, Overture, Paris, pay, People, performance, performer, perspective, photo, portrayal, post, posting, Prelude, prepare, proclaim, production, pure, reader, real-life, reborn, remain, remarkable, review, sang, say, scene, seated, sense, sets, share, singers, Singing, something, soprano, Sound, spaciousness, special, spectacular, stage, staged, story, summary, Sunday, Sunday afternoon, sung, supertitles, tag, talent, talented, tenor, The Ear, thoughts, traditional, tribute, unforgettable, University of Wisconsin–Madison, Utah Opera, Verdi, video, Violetta, vocal music, voice, weekend, Weston Hurt, whisper, whispering, wife, Wisconsin, woman, wonderful, work, work of art, Xian Zhang, youthful, YouTube
Classical music: The Madison Opera performs Verdi’s popular “La Traviata” this Friday night and Sunday afternoon in Overture Hall
2 Comments
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, PLEASE SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
This weekend, the Madison Opera opens its 59th season with a traditional production of Verdi’s “La Traviata” (The Lost One), one of the most popular operas in history.
According to the website www.operasense.com — specifically at https://www.operasense.com/most-popular-operas/ — it has been the most performed opera in the world, beating out such perennial favorites as Mozart’s “The Magic Flute,” Puccini’s “La Boheme” and “Madama Butterfly,” and Bizet’s “Carmen.” (Below are photos by Matthew Staver from the production by Opera Colorado in Denver, which features the same sets and costumes that will be used in the production by Madison Opera.)
Performances in Overture Hall are this Friday night, Nov. 1, at 8 p.m. and Sunday afternoon, Nov. 3 at 2:30 p.m. The opera will be sung in Italian with projected supertitles in English. The running time, with two intermissions, is 2 hours and 45 minutes.
PRE-OPERA TALKS are on Friday at 7 p.m. and Sunday at 1:30 p.m. in the Wisconsin Studio of the Overture Center. One hour prior to performances, general director Kathryn Smith will give an entertaining and informative talk about “La Traviata.” The talks are free to ticket holders.
POST-OPERA Q&A’s are on Friday and Sunday and will also take place in the Wisconsin Studio of the Overture Center. Audience members can join general director Kathryn Smith immediately after the performance to ask questions about what they have just seen. The sessions are free to ticket holders.
Tickets are $18-$135 with student and group discounts available. For information about tickets, the production and the cast, go to: https://www.madisonopera.org
Set in mid-19th century Paris, “La Traviata” tells of Violetta, a courtesan who tries to follow her heart. But societal pressures force her to leave the man she loves, and an incurable illness takes care of the rest.
Glittering parties contrast with quiet desperation, and ravishing music underscores all-consuming emotions.
“Only a few operas ever achieve a truly beloved status — and “La Traviata” is one of them,” says Kathryn Smith (below, in a photo by James Gill). For being over 150 years old, its story is quite modern: a young woman trying to overcome the limitations that society has placed on her because of her class and gender, searching for happiness yet willing to make sacrifices.
“Plus it is full of very famous music, from the ‘Brindisi’ to ‘Sempre Libera’ and more,” Smith adds. “It’s always a pleasure to have a new generation discover this work, and to share it with opera omnivores who know it well.” (You can hear Renée Fleming sing Violetta’s signature aria “Sempre libera” (Always Free) at the Royal Opera House in the YouTube video at the bottom.)
“La Traviata” is based on the play and novel “La Dame aux Camélias” (The Lady of the Camellias) by Alexandre Dumas the son (below top), which were in turn based on his real-life relationship with the courtesan Marie Duplessis (below bottom), who died in 1847 of consumption.
The play was an instant hit when it premiered in Paris in 1852, and Verdi (below) turned it into an opera the following year.
While the first production of the opera was not a success, due to the poor singing of two cast members and the physical unsuitability of one singer, its second production was acclaimed, and the opera swiftly became one of the most performed operas in the world, a status it has not lost.
Both the opera and the play have inspired countless films, including “Camille” (with Greta Garbo), “Pretty Woman” (with Julia Roberts) and “Moulin Rouge” (with Nicole Kidman).
Madison Opera’s artistic director John DeMain (below, in a photo by Greg Anderson) says: “”La Traviata” has been a part of my artistic life since the very beginning of my career – it’s one of the reasons I so wanted to conduct opera. The heartfelt and tragic story of a love that was cut short by both health and cultural circumstances is still deeply moving today.
“The role of Violetta is a tour-de-force that ranges from high-flying coloratura to dramatic vocalism, with a strongly-etched character. I love this opera so deeply and look forward to conducting it for our audience.”
Returning to Madison Opera as Violetta is Cecilia Violetta Lopez (she played Carmen in Madison), whom The Washington Post reviewer called “as compelling a Violetta as I’ve seen.”
Mackenzie Whitney (below, who appeared in “Florencia en el Amazonas” for the Madison Opera) returns as Alfredo, the young man for whom she sacrifices everything.
Weston Hurt (below) debuts with Madison Opera as Alfredo’s father Germont, whose disapproval of his son’s relationship with Violetta has tragic consequences.
Madison Opera’s Studio Artists are featured: Kirsten Larson as Flora, Emily Secor as Annina, Benjamin Hopkins as Gastone, and Stephen Hobe as the Marquis d’Obigny.
Rounding out the cast are Benjamin Sieverding (Romeo and Juliet) as Dr. Grenvil and Benjamin Major in his Madison Opera debut as Baron Douphol.
Fenton Lamb (below) directs this traditional production in her Madison Opera debut.
Maestro John DeMain conducts the singers, the Madison Opera Chorus and the Madison Symphony Orchestra.
The Madison Opera’s production of “La Traviata” is sponsored by the Pleasant T. Rowland Foundation, Bert and Diane Adams, Carla and Fernando Alvarado, Chun Lin, Patricia and Stephen Lucas, Millie and Marshall Osborn, Kato and David Perlman, the Wallach Family, Helen Wineke, Capitol Lakes, and the Wisconsin Arts Board.
Tags: #19thCentury, #AlexandreDumasfils, #ArtisticDirector, #BlogPost, #BlogPosting, #CapitolLakes, #CapitolLakesRetirementCenter, #CastList, #CeciliaViolettaLopez, #ChoralMusic, #CriticallyAcclaimed, #DenverColorado, #DrinkingSong, #FacebookPost, #FacebookPosting, #FentonLamb, #FlorenciaenelAmazonas, #Fridaynight, #GeneralDirector, #GeorgesBizet, #GiacomoPuccini, #GiuseppeVerdi, #GretaGardo, #HomeWebsite, #IncurableIllness, #InstantHit, #JohnDeMain, #JuliaRoberts, #KathrynSmith, #KatoPerlman, #LaBoheme, #LaTraviata, #MackenzieWhitney, #MadamaButterfly, #MadisonOpera, #MadisonOperaChorus, #MadisonSymphonyOrchestra, #MarieDuplessis, #MeadWitterSchoolofMusic, #MoulinRouge, #MusicCritic, #MusicReview, #NicoleKidman, #OperaAria, #OperaColorado, #OperaHouse, #OrchestralMusic, #OvertureCenter, #OvertureHall, #ParisFrance, #PerennialFavorite, #PersonalRelationship, #PleasantT.Rowland, #PopularMusic, #PrettyWoman, #QuietDesperation, #RenéeFleming, #RomeoandJuliet, #RoyalOperaHouse, #RunningTime, #SempreLibera, #Sickness, #SopranoSinger, #StateOfWisconsin, #Sundayafternoon, #TenorSinger, #TheEar, #TheLostOne, #TheMagicFlute, #TheWashingtonPost, #UniversityofWisconsin-Madison, #VocalMusic, #WestonHurt, #WisconsinArtsBoard, #WisconsinStudio, #WolfgangAmadeusMozart, #YoungMan, #YoungWoman, #YouTubevideo, 19th century, acclaimed, afternoon, Alexandre Dumas fils, Alfredo, all-consuming, aria, Artistic director, artististic, artists, Arts, ask, audience, baron, beloved, Bizet, blog, Brindisi, Camille, Capitol, Capitol Lakes, care, career, Carmen, cast, Cecilia Violetta Lopez, character, choral music, chorus, circumstance, circumstances, class, classic, Classical music, classicalmusic, classism, Colorado, coloratura, composer, conduct, conductor, consequences, consume, consuming, consumption, costumes, courtesan, critically acclaimed, cultural, culture, death, debut, Denver, desperation, die, director, disapproval, discount, discover, dramatic, drinking song, Dumas, emotions, English, etched, Facebook, famous, father, favorite, feature, Fenton Lamb, film, first, Florencia en el Amazonas, flute, foundation, France, free, Friday, gender, General director, generation, Georges Bizet, Germont, Giacomo Puccini, Giuseppe Verdi, glittering, Greta Garbo, group, happiness, Health, heart, heartfelt, high-flying, History, hit, Home, illness, incurable, information, instant, Italian, Italy, Jacob Stockinger, John DeMain, Jula Roberts, Kathryn Smith, Kato Perlman, La bohème, La Traviata, lakes, life, like, limitation, limitations, link, lost, loves, Mackenzie Whitney, Madama Butterfly, Madison, Madison Opera, Madison Opera Chorus, Madison Symphony Orchestra, Maestro, magic, man, Marie Duplessis, Mead Witter School of Music, modern, Moulin Rouge, movie, moving, Mozart, Music, music critic, music reviewer, Nicole Kidman, night, novel, old, omnivore, open, opera, Opera Colorado, Opera house, Orchestra, orchestral music, overcome, Overture Center, Overture Hall, Paris, parties, party, perennial, performer, personal relationship, photo, physical, play, Pleasant T. Rowland, pleasure, poor, popular, post, posting, premiere, pressure, Pretty Woman, production, projected, Puccini, Q&A, question-and-answer, questions, quiet, ravishing, reader, real, real-life, relationship, Renée Fleming, Retirement, review, role, Romeo and Juliet, royal, Royal Opera House, running, running time, sacrifice, same, Season, Sempre Libera, session, sets, Sexism, sexist, share, sick, signature, singer, Singing, social, societal, society, son, soprano, sponsor, State of Wisconsin, status, story, studio, subscriber, success, Sunday, sung, supertitles, surtitles, tag, talks, tenor, The Ear, The Lost One, The Magic Flute, The Washington Post, ticket, time, today, tour-de-force, traditional, Tragic, translation, tuberculosis, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, UW-Madison, Verdi, Violetta, vocal music, Website, weekend, well-known, Weston Hurt, Wisconsin, Wisconsin Arts Board, Wisconsin Studio, Wolfgang Amadeus Mozart, woman, world, year, young, young man, young woman, YouTube
Classical music: This Sunday afternoon, the annual Opera Props Showcase features well-known alumna Ariana Douglas and current UW students singing arias from great operas and musicals
Leave a Comment
IF YOU LIKE A CERTAIN BLOG POST, PLEASE SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
The annual University Opera’s Student Showcase will take place this coming Sunday afternoon, Sept. 22, at 3 p.m. at the Madison Christian Community, 7118 Old Sauk Road, on the far west side.
Tickets are $30 if purchased in advance or $35 if purchased at the door; and $10 for students. Additional ticket information is provided at the website UWOperaProps.org
The event is sponsored by UW Opera Props, the friends group that helps support the opera program at University of Wisconsin-Madison.
The benefit opera program, the concert will feature guest artist and soprano alumna Ariana Douglas (below). In addition, eight current voice students will join Douglas in a program assembled by David Ronis, the Karen K. Bishop Director of Opera at UW’s Mead Witter School of Music.
UW-Madison piano graduate student Thomas Kasdorf, who coaches the singers, will provide the piano accompaniment.
The concert will include arias and duets by Puccini, Offenbach, Rodgers and Hammerstein, Wagner, Mozart, Gounod, Verdi and others.
Ariana Douglas is well known for her “clarion sound and striking stage presence” in performances at Milwaukee’s Florentine Opera (Zerlina in “Don Giovanni,” Mrs. Vance in Aldridge’s “Sister Carrie,” and, upcoming in October, Susanna in “The Marriage of Figaro”).
Next April, she will sing Diana in Jacques Offenbach’s “Orpheus in the Underworld” for the Madison Opera.
And after two summers in the Glimmerglass Festival’s Young Artists program, she was invited last year to return to help workshop J. Tesori’s highly anticipated opera “Blue,” which premiered there this July.
In the YouTube video at the bottom, you can hear Ariana Douglas perform while still a UW student. She sings the famous Puccini aria “O mio bambino caro” with the UW Varsity Band under now-retired director Mike Leckrone, who admired Douglas’ big, expressive voice and invited her to perform at the band’s huge annual concerts in 2013.
In short, says one OperaProps organizer, “Douglas seems to getting fine reviews everywhere. And student recruiting seems to be successful, with the students getting more impressive every year lately.” (Below is the group of Showcase students in 2018 with director David Ronis on the far right.)
Here is the program, with performers and pieces, that is subject to change:
Lindsey Meekhof – “C’est l’amour vainqueur” from (Offenbach: Les contes d’Hoffmann)
Benjamin Galvin – “Amorosi miei giorni” (Donaudy)
Ariana Douglas – “Quando m’en vò” (Puccini: La bohème)
Benjamin Hopkins – “A mes amis” (Donizetti: La fille du régiment)
Shelby Zang – “If I Loved You” (Rodgers and Hammerstein: Carousel)
DaSean Stokes – “Winterstürme” (Wagner: Die Walküre)
Julia Urbank – “Parto, parto” (Mozart: La clemenza di Tito)
Ariana Douglas – “Till There Was You” (Meredith Wilson: The Music Man)
Cayla Rosché – “Nun eilt herbei” (Nicolai: Die lustigen Weiber von Windsor)
Benjamin Galvin – “If Ever I Would Leave You” (Lerner and Lowe: Camelot)
Carly Ochoa – “Je veux vivre” (Gounod: Roméo et Juliette)
DaSean Stokes – “Deep River” (Spiritual)
Ariana Douglas and Benjamin Hopkins – “Libiamo” (Verdi: La traviata)
Tags: #ArianaDouglas, #BassBaritone, #BlogPost, #BlogPosting, #BroadwayMusical, #Carouselmusical, #CharlesGounod, #ConcertProgram, #DavidRonis, #DeepRiver, #DonGiovanni, #FacebookPost, #FacebookPosting, #FlorentineOpera, #GaetanoDonizetti, #GiacomoPuccini, #GiuseppeVerdi, #GlimmerglassFestival, #GuestArtist, #JacquesOffenbach, #LaBoheme, #LaTraviata, #LernerandLowe, #MadisonChristianCommunity, #MadisonOpera, #MarriageofFigaro, #MeadWitterSchoolofMusic, #MeredithWilson, #Mezzo-sopranoSinger, #MikeLeckrone, #MilwaukeeWisconsin, #OperaAria, #OperaBlue, #OperaProps, #OrpheusintheUnderworld, #PianoAccompaniment, #PianoAccompanist, #RichardWagner, #RodgersandHammerstein, #RomeoandJuliet, #SisterCarrie, #SopranoSinger, #StagePresence, #Sundayafternoon, #TenorSinger, #TheMusicMan, #TheValkyries, #ThomasKasdorf, #UniversityofWisconsin-Madison, #UniversityOpera, #UWVarsityBand, #VocalMusic, #WolfgangAmadeusMozart, #YoungArtists, #YouTubevideo, accompaniment, accompanist, alumna, aria, Ariana Douglas, bass, bass-baritone, benefit, blog, blue, Broadway, Camelot, Carousel, Charles Gounod, Christian, coach, community, Concert, David Ronis, Deep River, Don Giovanni, Donnizetti, duet, Facebook, far, festival, Florentine Opera, forward, friends, fundraiser, Giacomo Puccini, Giuseppe Verdi, Glimmerglass Festival, Gounod, group, guest artist, huge, information, Jacques Offenbach, La bohème, La Traviata, Lerner and Lowe, like, link, Love, Madison, Madison Christian Community, Madison Opera, Marriage of Figaro, Mead Witter School of Music, Meredith Wilson, Mezzo-soprano, Mike Leckrone, Milwaukee, Mozart, musical, Nicolai, Offenbach, opera, Opera Props, Orpheus in the Underworld, Otto Nicolai, Pianist, Piano, post, posting, program, Puccini, reader, recruit, Richard Wagner, road, Rodgers and Hammerstein, Romeo and Juliet, share, showcase, sing, singer, Sister Carrie, solo, soprano, Sound, spiritual, stage, stage presence, Student, subscriber, Sunday afternoon, support, tag, tenor, The Music Man, The Valkyries, Thomas Kasdorf, ticket, University of Wisconsin–Madison, University Opera, UW Varsity Band, UW-Madison, Varsity Band, Verdi, voice, Wagner, Website, west side, Wolfgang Amadeus Mozart, word, workshop, young artist, YouTube
Classical music: The Madison Opera stages its first-ever production of Dvorak’s fairy tale opera “Rusalka” next Friday night and Sunday afternoon. A preview roundtable is this Sunday afternoon
Leave a Comment
IF YOU LIKE A CERTAIN BLOG POST, PLEASE SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event.
By Jacob Stockinger
The Madison Opera will stage its production of Antonin Dvorak’s luxurious masterpiece Rusalka on Friday night, April 26, at 8 p.m. and Sunday afternoon, April 28, at 2:30 p.m. in Overture Hall at the Overture Center, 201 State Street.
Running time is 3 hours with two intermissions, and will feature projected supertitles with English translations of the original Czech that will be sung.
Tickets are $18-$131 with discounts available for students and groups. Go to: https://www.madisonopera.org/tickets/
Inspired by the classic fairy tale The Little Mermaid, the story travels from a mythical forest to a palace and back again. Its lush score includes the famous “Song to the Moon.” (You can hear Renée Fleming sing”Song to the Moon” in the YouTube video at the bottom.)
Set in a mythical realm, Rusalka is about a water nymph who falls in love with a human prince. She tells her father Vodnik that she wishes to become human and live with the Prince on land. Horrified, Vodnik tells her that humans are full of sin, but reluctantly suggests she enlist the help of Jezibaba, a witch. Jezibaba agrees to make her human, but cautions that Rusalka will lose her power of speech. Further, if the Prince betrays her, she will be cursed forever.
The Prince falls in love with Rusalka and plans to marry her, but her silence unnerves him, and a Foreign Princess interrupts the wedding festivities with evil intent. Rusalka returns to the lake as a spirit that lures men to their death – and the Prince follows her.
“Rusalka is one of the most gorgeous operas in the repertoire,” says Kathryn Smith, Madison Opera’s general director (below, in a photo by James Gill). “I fell in love with it when I first saw it over 20 years ago, and listening to the score is a pure pleasure. I am so delighted to share this opera with Madison, so that everyone can learn how brilliant an operatic composer Dvorak was, and experience an opera that is justifiably popular around the world.”
Rusalka’s story was inspired by multiple sources, including Slavic mythology and the fairy tales of Karel Jaromir Erben, Hans Christian Andersen, and Friedrich de la Motte Fouqué.
The opera premiered on March 31, 1901 in Prague and quickly became a massive success, hailed as Dvorak’s masterpiece.
But it was not initially widely performed outside of Czech territories; the first U.S. performance was in 1975. But in recent decades, the opera by Dvorak (below) has become a regular part of the opera repertoire, due to its beautiful music and lovely story.
This production is not only a Madison Opera premiere, but also the company’s first-ever opera in Czech.
Madison Opera’s cast features both returning artists and debuts.
Soprano Emily Birsan (below) returns to Madison Opera in the title role, following successes here as Gounod’s Juliet and Musetta in Puccini’s La Bohème. Last month, she sang Violetta in Verdi’s La Traviata at the Lyric Opera of Chicago. The Chicago Tribune has praised her singing for her “amazing clarity of diction, accuracy of intonation and fineness of expression.”
Tenor John Lindsey (below) returns to Madison Opera as The Prince, after singing in last summer’s Opera in the Park.
Making their debuts with Madison Opera are soprano Karin Wolverton as the Foreign Princess, contralto Lindsay Amman as the witch Jezibaba and bass William Meinert as Rusalka’s father, Vodnik. Emily Secor, Saira Frank and Kirsten Larson play the three wood sprites; Benjamin Liupaogo sings the Hunter.
The Madison Opera Chorus and Madison Symphony Orchestra round out the musical forces, all under the baton of John DeMain (below, in a photo by Greg Anderson), Madison Opera’s artistic director.
Keturah Stickann (below) directs her first opera for Madison Opera; she has directed both traditional and contemporary repertoire across all of the U.S., most recently for San Francisco Opera and Washington National Opera.
This production originated at Minnesota Opera and features projections (below) by Wendall K. Harrington, who has been described as “the godmother of modern projection design.”
In reviewing the Minnesota production, theTwin Cities Arts Reader praised “the stunning visuals on display, which only serve to enhance and elaborate on the action and the music.”
Madison Opera’s production of “Rusalka” is sponsored by the National Endowment for the Arts, Kay & Martin Barrett, Millie & Marshall Osborn, Sally & Mike Miley, Kato Perlman, Charles & Martha Casey, John Lemke & Pam Oliver, and The Ann Stanke Fund.
RELATED EVENTS
You can learn more about “Rusalka” at the events leading up to the performances.
Opera Up Close will take place this Sunday, April 21, 1-3 p.m. at the Margaret C. Winston Opera Center (below) 335 West Mifflin Street, $20 general admission; free for full-season subscribers; $10 for two-show subscribers.
This event features a multimedia behind-the-scenes preview of Rusalka. General director Kathryn Smith will discuss Antonin Dvorak and the history of his fairy-tale opera. Principal artists, stage director Keturah Stickann and conductor John DeMain will participate in a roundtable discussion about Madison’s production and their own takes on this masterpiece.
Pre-Show Talks by Kathryn Smith take place on Friday, April 26, at 7 p.m. and Sunday, April 28, at 1:30 p.m. at Wisconsin Studio at Overture Center, and are free to ticket holders.
Post-Opera Q&A’s are on Friday, April 26, and Sunday, April 28, immediately following the opera in the Wisconsin Studio at Overture Center, and are free to ticket holders.
More information — including cast biographies and a blog with Q&A interviews with some cast members — is available at https://www.madisonopera.org and https://www.madisonopera.org/2018-2019-season/rusalka/.
Tags: #AntoninDvorak, #ArtisticDirector, #BassSinger, #Beautifulmusic, #BenjaminLiupaogo, #BlogPost, #BlogPosting, #CharlesGounod, #ChicagoIllinois, #ChoralMusic, #ContemporaryOpera, #ContemporaryRepertoire, #ContraltoSinger, #CzechRepublic, #EmilyBirsan, #EnglishTranslation, #FacebookPost, #FacebookPosting, #FairyTale, #FriedrichdelaMotteFourqué, #GiacomoPuccini, #GiuseppeVerdi, #HansChristianAndersen, #JohnDeMain, #JohnLIndsey, #KarelJaromirErben, #KathrynSmith, #KatoPerlman, #KeturahStickann, #LaTraviata, #LyricOperaofChicago, #MadisonOpera, #MadisonOperaCenter, #MadisonOperaChorus, #MadisonSymphonyOrchestra, #MeadWitterSchoolofMusic, #MinnesotaOpera, #MusicDirector, #NationalEndowmentfortheArts, #OperaCenter, #OperaInThePark, #OperaMusic, #OperaRepertoire, #OvertureCenter, #OvertureHall, #PreludeDiscussion, #RenéeFleming, #RomeoandJuliet, #SanFranciscoOpera, #Sin, #SongtotheMoon, #SopranoSinger, #StageDirector, #TenorSinger, #TheChicagoTribune, #TheLittleMermaid, #TraditionalMusic, #TraditionalRepertoire, #TwinCities, #UnitedStates, #UniversityofWisconsin-Madison, #WashingtonNationalOpera, #WaterNymph, #WendallK.Harrington, #WisconsinStudio, #WoodSprite, #WorldPremiere, #YouTubevideo, accuracy, action, admission, afternoon, amazing, Antonín Dvořák, Artistic director, artists, Arts, bass, beautiful, beauty, Benjamin Liupaogo, biographies, biography, blog, brilliant, cast, Charles Gounod, Chicago, choral music, clarity, classic, Classical music, company, composer, Concert, conductor, contemporary, contralto, curse, Czech, Czech Republic, deace, death, debut, delight, design, diction, director, discount, discussion, donor, Dvorak, elaborate, Emily Birsan, enhance, event, evil, expression, Facebook, fairy tale, famous, father, firest, foreign, Friday, Friederich de la Motte Fourqué, funding, general, General director, Giuseppe Verdi, godmother, gorgeous, group, Hans Christian Andersen, History, hour, human, hunter, intent, intermission, interview, intonation, Jacob Stockinger, John DeMain, John Lindsey, Karel Jaromir Erben, Kathryn Smith, Kato Perlman, Keturah Stickann, La Traviata, land, Love, lovely, lure, lush, Lyric Opera of Chicago, Madison, Madison Opera, Madison Opera Center, Madison Opera Chorus, Madison Symphony Orchestra, marry, massive, masterpiece, Mead Witter School of Music, men, Minnesota, Minnesota Opera, moon, multimedia, multiple, Musetta, Music, Music director, musical, mythical, mythology, National Endowment for the Arts, NEA, night, nymph, opera, opera center, Opera in the Park, operatic, Orchestra, original, Overture Center, Overture Hall, palace, part, pleasure, popular, power, Prague, Prelude, Prelude Discussion, premiere, preview, prince, princess, principal, production, project, projection, Puccini, pure, Q&A, realm, recent, regular, Renée Fleming, repertoire, returning, Romeo and Juliet, roundtable, Rusalka, San Francisco Opera, score, silence, sing, Singing, Slavic, song, Song to the Moon, soprano, source, speech, sprite, stage director, story, Student, stunning, subscriber, success, summer, Sunday, sung, supertitle, tenor, terrioty, territories, The Chicago Tribune, The Little Mermaid, ticket, traditional, translation, Twin Cities, U.S., United States, University of Wisconsin, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, UW-Madison, Verdi, Violetta, visual, vocal music, Washington National Opera, water, water nymph, wedding, Wendall K. Harrington, Wisconsin, Wisconsin Studio, witch, wood, world, world premiere, YouTube
Classical music: The Met’s new music director is openly gay – here is why that’s good. Saturday on Wisconsin Public Radio, he conducts Debussy’s “Pelléas et Mélisande” with local singer Kyle Ketelsen. Read a rave review
Leave a Comment
IF YOU LIKE A CERTAIN BLOG POST, PLEASE SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event.
By Jacob Stockinger
This Saturday, Jan. 19, starting at noon on Wisconsin Public Radio, you can hear the Metropolitan Opera’s acclaimed new production of Claude Debussy’s only opera “Pelléas et Mélisande” (below, in a photo by Ken Howard for the Met).
The orchestra will be led by the French-Canadian conductor Yannick Nézet-Séguin, who is the new music director of the Met and also received critical acclaim for his production of Verdi’s “La Traviata” earlier this season.
The production also stars local bass-baritone Kyle Ketelsen – who lives in the Madison suburb of Sun Prairie – in a major male role.
Here are two stories that pertain to the production that might interest local readers.
One is a rave review by The New York Times’ senior critic Anthony Tommasini, who singles out Ketelsen (below) for praise. Ketelsen last sang here in December during the Madison Symphony Orchestra’s Christmas program. Here is a link:
https://www.nytimes.com/2019/01/16/arts/music/review-pelleas-et-melisande-met-opera.html
Another interesting angle to this Saturday’s production is that Nézet-Séguin is openly gay and agreed to a joint interview with his longtime partner and fellow musician Pierre Tourville (below left and right, respectively, in a photo by Jeenah Moon for the Times) at a famous gay bar in Manhattan.
It is interesting in Zachary Woolfe’s story to see why the two men see the issue of sexuality as socially and artistically relevant.
Here is a link:
https://www.nytimes.com/2019/01/15/arts/music/yannick-nezet-seguin-met-opera-gay.html
Finally, here is YouTube video of a preview of the production, given by Nézet-Séguin:
Tags: #AnthonyTommasini, #BlogPost, #BlogPosting, #ChristmasMusic, #ClaudeDebussy, #FacebookPost, #FacebookPosting, #GayBar, #GayMen, #GiuseppeVerdi, #HolidayMusic, #KyleKetelsen, #LaTraviata, #MadisonSymphonyOrchestra, #MetropolitanOpera, #MontrealCanada, #MusicDirector, #NewYorkCity, #OperaMusic, #PelleasetMelisande, #PierreTourville, #SunPrairie, #SunPrairieWisconsin, #TheMet, #TheNewYorkTImes, #WisconsinPublicRadio, #YannickNezet-Seguin, #YouTubevideo, #ZacharyWoolfe, Anthony Tommasini, artistically, Arts, atistically, audience, bar, bass-baritone, bisexual, blog, Canada, choral music, Christmas, Classical music, Claude Debussy, composer, conductor, Facebook, forward, French-Canadian, gay, gay bar, gender, Holiday, interview, Jacob Stockinger, Kyle Ketelsen, La Traviata, lesbian, LGBT, LGBTQ, like, link, local, Madison, Madison Symphony Orchestra, MANHATTAN, men, Metropolitan Opera, Montreal, Music, Music director, New York City, New York Times, opera, Orchestra, partner, Pelleas et Melisande, performer, Pierre Tourville, post, posting, preview, production, queer, reader, relevant, sex, sexuality, share, socially, star, story, Sun Prairie, symphony, tag, the Met, trasgender, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, Verdi, vocal music, Wisconsin, wisconsin public radio, word, WPR, Yannick Nézet-Séguin, YouTube, Zachary Woolfe
Classical music: This Saturday the critically acclaimed new production of Verdi’s “La Traviata” is featured in “Live from The Met in HD.” Read two reviews
5 Comments
FORWARD A LINK TO IT OR SHARE IT (not just “Like It IF YOU LIKE A CERTAIN BLOG POST, PLEASE”) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event.
CORRECTION: Earlier versions of yesterday’s post about The Madison Choral Project incorrectly stated that the Milwaukee performance is Wednesday night. The Ear apologizes for the error. The correct time is TUESDAY night, Dec. 18. For more information about time, tickets and the program, here is a link to the story: https://welltempered.wordpress.com/2018/12/13/classical-music-the-madison-choral-project-will-sing-of-young-peoples-hope-for-the-future-at-its-concerts-this-saturday-night-and-sunday-afternoon/
By Jacob Stockinger
This Saturday, Dec. 15, the fourth production of this season’s “Live From the Met” in HD series is Giuseppe Verdi’s famous and popular “La Traviata” (The Fallen Woman).
The Metropolitan Opera production, sumptuously directed by Michael Mayer, stars soprano Diana Damrau (below left in a photo by Marty Sohl for The Met) as Violetta while the acclaimed Peruvian tenor Juan Diego Florez (below right) returns to the Met stage for the first time in five years to play her lover Alfredo.
It is also noteworthy because the new music director, French-Canadian Yannick Nézet-Séguin (below, in a photo by Jan Regan), will be making his “Live in HD” debut and opening a new era after his hiring to succeed James Levine. Though relatively young, he has drawn raves for his sensitive conducting and insightful interpretations of this and other operas and orchestral works.
Reportedly, he is also very popular with the singers, the orchestra players and other staff at The Met as well as with audiences.
The hi-definition broadcast of the live performance from the Metropolitan Opera (below) in New York City starts at 11:55 a.m. and runs until 3:45 p.m. with two intermissions. (It will also air on Wisconsin Public Radio at noon.)
The encore showings are next Wednesday, Dec. 19, at 1 p.m. and 6:30 p.m.
The opera will be sung in Italian with supertitles in English, German, Spanish and Italian.
Tickets for Saturday broadcasts are $24 for adults and $22 for seniors and children under 13. For encore showings, all tickets are $18.
The movie theaters where the opera can be seen are two Marcus Cinemas: the Point Cinema on the west side of Madison (608 833-3980) and the Palace Cinema (608 242-2100) in Sun Prairie.
Here is a link to the Marcus website for addresses and more information. You can also use them to purchase tickets:
https://www.movietickets.com/movies
Here is a link to the Metropolitan Opera’s home website where you can find the titles, dates, casts, production information and video clips of all 10 productions this season, which include operas by Bizet, Wagner, Donizetti, Saint-Saens, Puccini, Cilea and Poulenc plus a new work, “Marnie,” by Nico Muhly:
https://www.metopera.org/season/in-cinemas/
Here is a rave review of “La Traviata” by senior classical music critic Anthony Tommasini for The New York Times:
And here is another positive review from Vulture magazine in New York City. Below are the impressive set and big cast in a photo by Sara Krulwich for The New York Times:
https://www.vulture.com/2018/12/la-traviata-the-met-opera-review.html
Here is a link to a synopsis and cast list: https://www.metopera.org/globalassets/season/in-cinemas/hd-cast-sheets/traviata_us-global-pr.pdf?performanceNumber=15367
Here is a link to other information about the production of “La Traviata,” including photos and audiovisual clips (in the YouTube video preview at the bottom you can also hear the director, conductor and others speak and sing):
https://www.metopera.org/season/2018-19-season/la-traviata/
And here is a Wikipedia history of the broadcast series that gives you more information about how many cinemas it uses, the enormous size of the worldwide audience – now including Russia, China and Israel — and how much money it makes for The Met.
https://en.wikipedia.org/wiki/Metropolitan_Opera_Live_in_HD
Tags: #AnthonyTommasini, #BlogPost, #BlogPosting, #CamilleSaint-Saens, #DianaDamrau, #FacebookPost, #FacebookPosting, #FrancisPoulenc, #FrenchCanadian, #GaetanoDonizetti, #GeorgesBizet, #GiacomoPuccini, #GiuseppeVerdi, #Hi-Definition, #HomeWebsite, #JamesLevine, #JuanDiegoFlorez, #LaTraviata, #LiveFrom the MetinHD, #MadisonChoralProject, #MarcusTheatres, #MetropolitanOpera, #MichaelMayer, #MilwaukeeWisconsin, #MusicalInterpretation, #MusicCritic, #MusicDirector, #NewYorkCity, #NewYorkTmes, #NicoMuhly, #OrchestralPlayers, #OrchestraPlayers, #PalaceCinema, #PointCinema, #RichardWagner, #SaraKrulwich, #SeniorCitizen, #SopranoSinger, #SunPrairieWisconsin, #TenorSinger, #TheFallenWoman, #TheMet, #Vulturemagazine, #Wikipediaentry, #WisconsinPublicRadio, #YannickNezet-Seguin, #YouTubevideo, Alffedo, Anthony Tommasini, Arts, audience, audiovisual, Bizet, blog, Broadcast, Canada, Canadian, cast, China, choral music, Cilea, cinema, Classical music, composer, conductor, costumes, date, debut, Diana Damrau, director, Donizetti, encore, English, era, Facebook, film, French, French-Canadian, German, hi def, History, Home, information, insight, interpretation, Israel, Italian, Jacob Stockinger, James Levine, Juan Diego Florez, La Traviata, Live From The Met in HD, Love, lover, Madison, Madison Choral Project, magazine, Marcus Theatres, Marnie, Metropolitan Opera, Michael Mayer, Milwaukee, money, movie, Muhly, music critic, music criticism, Music director, new, New York City, New York Times, Nico Muhly, noon, orchestra players, Palace Cinema, Peru, Peruvian, photo, Point Cinema, popular, post, posting, Poulenc, production, program, Puccini, rave, read, Russia, Saint-Saens, Sara Krulwich, Saturday, senior, sensitive, set, showing, singer, soprano, Spanish, staff\, stage, Student, sumptuous, Sun Prairie, sung, supertitles, symphony, synopsis, tenor, The Fallen Woman, the Met, theater, theatre, title, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, Verdi, Violetta, vocal music, vulture, Wagner, Website, Wikipedia, Wisconsin, wisconsin public radio, worldwide, Yannick Nézet-Séguin, yesterday, young, YouTube
Classical music: Holiday carols, gospel music and classical music mix at the Madison Symphony Orchestra’s Christmas concerts this weekend — which will air later on Wisconsin Public Television for the first time
1 Comment
IF YOU LIKE A CERTAIN BLOG POST, PLEASE FORWARD A LINK TO IT OR, SHARE or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event.
By Jacob Stockinger
You have to hand it to the Madison Symphony Orchestra for embracing the community and putting on a memorable show.
When it comes to celebrating the holidays – and yes, the MSO does use the Christmas word – the MSO does so with a big variety of musical styles and a wide diversity of performers. That might explain why the concerts usually sell out year after year.
Beginning with caroling in the lobby before the concert to the sing-along finale, where music director and conductor John DeMain and the Madison Symphony Orchestra don their Santa hats (below, in a photo by Peter Rodgers) and more, “A Madison Symphony Christmas” is a joyous time for all.
Christmas classics are interwoven with enchanting new holiday music featuring members of the Madison Symphony Chorus, the Madison Youth Choirs and the Mount Zion Gospel Choir as well as guests soloists soprano Cecilia Violetta Lopez and bass-baritone Kyle Ketelson.
This tradition marks the embrace and start of the holiday season for many people in Madison.
Performances of “A Madison Symphony Christmas”will be held in Overture Hall, 201 State Street, on Friday night, Nov. 30, at 7:30 p.m.; Saturday night, Dec. 1 at 8 p.m.; and Sunday afternoon, Dec. 2, at 2:30 p.m. Ticket details are below.
In addition, 45 minutes before each concert, audiences are invited to share the spirit of the holiday season singing carols along with the Madison Symphony Chorus.
TV PREMIERE
For the first time, “A Madison Symphony Christmas”can be experienced again in December — airing on Wisconsin Public Television (NOT Wisconsin Public Radio as mistakenly listed in an earlier edition) on Monday, Dec. 17, at 8 p.m., and on Christmas Day, Tuesday, Dec. 25, at 9:30 p.m.
“Our annual Christmas concert has become a very meaningful experience for everyone involved — the choruses, orchestra musicians, singers and the audience,” says DeMain. “With the Mt. Zion Gospel Choir, Madison Youth Choirs, and Madison Symphony Chorus joining our internationally acclaimed opera singers, and climaxing with the entire audience participating in our Christmas carol sing-along — one cannot help but leave the Overture Hall with a feeling that the holiday season has begun. And hopefully, you will have a big glow in your heart.”
For more information and the full program, which includes the excerpt from Handel’s “Messiah” in the YouTube video at the bottom, go to: https://madisonsymphony.org/event/a-madison-symphony-christmas/
ABOUT THE SOLOISTS
Celebrated soprano Cecilia Violetta Lopez (below, in a photo by Devon Cass) has been named one of opera’s “25 Rising Stars” by Opera News.
Lopez has received accolades for her signature role of Violetta in Verdi’s La Traviata, which she has performed countless times throughout North America.
Her debut of the role was with Martina Arroyo Foundation’s prestigious summer festival, Prelude to Performance. She has also performed the role with Opera Tampa, Opera Idaho, Ash Lawn Opera, and in her company debut with Virginia Opera. Lopez also recently made her European debut as Norina in Donizetti’s Don Pasquale with Zomeropera in Belgium.
Based in the Madison suburb of Sun Prairie, bass-baritone Kyle Ketelsen (below, in a photo by Lawrence Brownlee) is in frequent demand by the world’s leading opera companies and orchestras for his vibrant and handsome stage presence and his distinctive vocalism.
He has won first prize in several international vocal competitions, including those sponsored by the Metropolitan Opera National Council, the Richard Tucker Music Foundation (Career Grant), the George London Foundation, the Licia Albanese Puccini Foundation, the Sullivan Foundation, Opera Index, and the MacAllister Awards.
Highlights of Ketelsen’s recent seasons include performances at the Opernhaus Zurich, Staatsoper Berlin, Minnesota Opera, Lyric Opera of Chicago, Canadian Opera Company and the Metropolitan Opera, as well as performances with the San Francisco Symphony, the National Symphony and performances at Carnegie Hall.
ABOUT THE MADISON SYMPHONY CHORUS
The Madison Symphony Chorus (below top, in a photo by Greg Anderson) gave its first public performance on February 23, 1928 and has performed regularly with the Madison Symphony Orchestra ever since. The Chorus is comprised of more than 150 volunteer musicians who come from all walks of life and enjoy combining their artistic talent under the direction of Beverly Taylor (below bottom), who directs the choral program at the University of Wisconsin-Madison’s Mead Witter School of Music.
ABOUT THE MADISON YOUTH CHOIRS
Recognized as an innovator in youth choral music education, Madison Youth Choirs (MYC) inspires enjoyment, learning and social development through the study and performance of high-quality and diverse choral literature. The oldest youth choir organization in Wisconsin, MYC serves more than 1,000 young people, ages 7-18, in a wide variety of choral programs. In addition to a public concert series, MYC conducts an annual spring tour of schools and retirement centers, performing for more than 7,000 students and senior citizens annually.
ABOUT THE MOUNT ZION GOSPEL CHOIR
Under the leadership of Leotha Stanley and his wife, Tamera Stanley, the Mount Zion Gospel Choir (below) has been a part of the MSO Christmas concerts since 2005. The choir is primarily comprised of members from Mount Zion Baptist Church and includes representatives from other churches as well. The choir has traveled extensively throughout the Midwest and has journeyed to Europe, singing in France and Germany.
The Symphony recommends concert attendees arrive early for each performance to make sure they have time to pass through Overture Center’s security stations.
The lobby opens 90 minutes prior to each concert.
More information about A Madison Symphony Christmasis found here: https://madisonsymphony.org/event/a-madison-symphony-christmas/.
Tickets for A Madison Symphony Christmascan be purchased in the following ways:
- Single Tickets are $18-$93 each and are on sale August 18 at https://madisonsymphony.org/concerts-events/buy-tickets/through the Overture Center Box Office at 201 State Street, or by calling the Box Office at (608) 258-4141.
- Groups of 10 or more can save 25% by calling the MSO office at (608) 257-3734. For more information, visit, https://madisonsymphony.org/concerts-events/buy-tickets/group-discounts/
- Student rush tickets can be purchased in person on the day of the concert at the Overture Center Box Office at 201 State Street. Students must show a valid student ID and can receive up to two $15 or $20 tickets. More information is at: https://madisonsymphony.org/concerts-events/buy-tickets/offers-discounts/
- Seniors age 62 and up receive 20% savings on advance and day-of-concert ticket purchases in select areas of the hall.
- Flex-Ticket booklets of 10 vouchers for 2018-19 symphony subscription concerts are available. Learn more at: https://madisonsymphony.org/flex
Discounted seats are subject to availability, and discounts may not be combined.
Major funding for the holiday concert is provided by: American Printing, Fiore Companies, Inc., Nedrebo’s Formalwear, Maurice and Arlene Reese Family Foundation, BMO Harris Bank, Hooper Foundation/General Heating & Air Conditioning, Judith and Nick Topitzes, and An Anonymous Friend. Additional funding provided by Colony Brands, Inc., J.H. Findorff & Son Inc., Flad Architects, Forte Research Systems & Nimblify, Reinhart Boerner Van Deuren s.c., and Wisconsin Arts Board with funds from the State of Wisconsin and the National Endowment for the Arts. The Community Carol Sing is presented in partnership with Overture Center for the Arts.
Tags: #BaptistReligion, #BerlinGermany, #BeverlyTaylor, #BlogPost, #BlogPosting, #BMOHarrisBank, #BoxOffice, #CanadianOperaCompany, #CarnegieHall, #CeciliaViolettaLopez, #ChoralMusic, #ChristianReligion, #ChristmasCarol, #ChristmasDay, #ChristmasMusic, #CriticallyAcclaimed, #DonPasquale, #EthnicDiversity, #EuropeanDebut, #FacebookPost, #FladArchitects, #FranzSchubert, #Fridaynight, #GaetanoDonizetti, #GeorgeFridericHandel, #GeorgeLondon, #GiuseppeVerdi, #GospelMusic, #Handel'sMessiah, #HolidayCarol, #HolidaySeason, #J.H.Findorff, #JesusChrist, #JohannSebastianBach, #JohnDeMain, #JohnRutter, #LaTraviata, #LawFirm, #LeothaStanley, #LyricOperaofChicago, #MadisonSymphonyChorus, #MadisonSymphonyOrchestra, #MadisonYouthChoirs, #MeadWitterSchoolofMusic, #MetropolitanOpera, #MinnesotaOpera, #MountZionBaptistChurch, #MountZionGospelChoir, #MusicalStyle, #MusicDirector, #MusicEducation, #NationalEndowmentfortheArts, #NationalSymphony, #NewMusic, #NewYorkCity, #NorthAmerica, #OperaIdaho, #OperaNews, #OperaSinger, #OperaTampa, #OvertureCenter, #OvertureHall, #PublicPerformance, #RetirementCenter, #RichardTucker, #SanFranciscoCalifornia, #SanFranciscoSymphony, #SantaClaus, #SaturdayNight, #SeniorCitizen, #SingAlong, #SopranoSinger, #StaatsoperBerlin, #StateOfWisconsin, #Sundayafternoon, #SunPrairieWisconsin, #TameraStanley, #TampaFlorida, #TheMet, #TraditionalMusic, #UniversityofWisconsin-Madison, #ViriginiaOpera, #VocalMusic, #WisconsinArtsBoard, #WisconsinPublicRadio, #WisconsinPublicTelevision, #WolfgangAmadeusMozart, #YouTubevideo, #ZurichSwitzerland, acclaimed, air, anonymous, Arts, audience, Bach, bank, Baptist, Baptist religion, baritone, Baroque, bass, bass-baritone, Belgium, Berlin, Beverly Taylor, blog, BMO Harris Bank, box office, Canada, Canadian Opera Company, Carnegie Hall, Cecilia Violetta Lopez, Chicago, choral music, Christian religion, Christmas and holiday season, Christmas Carol, Classical music, community, composer, conductor, debut, December, discount, Don Pasquale, donor, Early music, ethnic diversity, Europe, Facebook, feeling, Flad Architects, Florida, France, Franz Schubert, Friday night, Gaetano Donizetti, George Frideric Handel, George London, Germany, gospel, gospel music, hat, heart, holiday carol, holiday season, Idaho, international, Jesus Christ, Johann Sebastian Bach, John DeMain, John Rutter, Joy, joyous, La Traviata, law firm, learning, Leotha Stanley, Lyric Opera of Chicago, Madison, Madison Symphony Orchestra, Madison Youth Choirs, Mead Witter School of Music, Messiah, Metropolitan Opera, Midwest tour, Minnesota Opera, Mount Zion Baptist Church, Mount Zion Gospel Choir, Mozart, Music, Music director, Music education, musical style, National Endowment for the Arts, National Symphony, NEA, New Music, New York City, North America, opera, Opera Idaho, Opera News, opera singer, Opera Tampa, Orchestra, Overture Center, Overture Hall, performer, public, public performance, Retirement, Richard Tucker, San Francisco Symphony, Santa Claus, Saturday night, senior, senior citizen, sing-along, singer, social, soloist, soprano, sponsor, Staatsoper Berlin, star, State of Wisconsin, Student, Sunday afternoon, Switzerland, symphony, Tamera Stanley, Tampa, Television, the Met, ticket, time, traditional, TV, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, UW-Madison, Verdi, Viola, Violin, Virginia, Virginia Opera, vocal music, volunteer, Wisconsin, Wisconsin Arts Board, wisconsin public radio, Wisconsin Public Television, Wolfgang Amadeus Mozart, WPR, WPT, year, YouTube, Zurich
Recent Comments
 | welltemperedear on What do you think of the… |
 | Scott on What do you think of the… |
| welltemperedear on Yunchan Lim’s Chopin etudes ar… |
 | bratschespeilerin on What do you think of the… |
 | MARVIN P WICKENS on Yunchan Lim’s Chopin etudes ar… |
The Well-Tempered Ear 
Classical music: In Dvorak’s “Rusalka,” the Madison Opera demonstrated how beautiful music and convincing stagecraft can overcome a weak story
2 Comments
IF YOU LIKE A CERTAIN BLOG POST, PLEASE SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event
By Jacob Stockinger
The Opera Guy for this blog – Larry Wells – took in last weekend’s production by the Madison Opera of “Rusalka” and filed the following review. Performance photos are by James Gill.
By Larry Wells
I thoroughly enjoyed attending the Sunday afternoon performance of Antonin Dvorak’s opera “Rusalka” presented by Madison Opera in Overture Hall. Until then I had only heard recordings of this lushly orchestrated work.
The opera is a fairy tale involving a rather dithering water sprite (below right) who does not follow her father’s wise advice not to pursue a mortal prince (below left) and to stick to her own kind. She ignores his advice, and this leads to her eventual unhappiness and to the death of her prince.
That she also becomes mute when in the presence of the prince adds to everyone’s woes, and it seems a peculiar device to have the lead soprano not be able to sing for most of the second act of the opera.
Her inability to communicate naturally leads to the prince’s frustration, and my companion suggested that she could simply have used paper and pencil to communicate. But since she had been brought up in a river, perhaps she never learned to read and write.
Nevertheless, common sense did not seem to inhabit either Rusalka or her prince. As my companion also pointed out, love isn’t always logical.
In any event, the production and the music made up for the libretto’s shortcomings.
The set featured beautiful projections, from the Minnesota Opera, of forest, water and woodlands during the first and third acts.
The second act took place at the prince’s palace. It appeared to be an International Style palace in the manner of architect Mies van de Rohe, which must have also been disconcerting for Rusalka. Nonetheless, the set was very striking and beautifully lit.
Tenor John Lindsey (below top) portrayed the prince and William Meinert (below bottom left, with Emily Birsan) was Rusalka’s father, a water goblin. Both sang well, although Lindsey had the distracting habit of casting his chin and eyes downward as he sang.
But the stage belonged to the women.
Emily Birsan (below) as Rusalka was a study in subtle shadings of her expressive soprano voice (below, singing the famous aria “Song to the Moon”). She is a powerful singer and convincing actress who was engaging to watch and to hear.
Lindsay Ammann (below) as the sorceress Jezibaba was powerful in voice and in her command of the stage. Her third act aria was sensational, and her calling Rusalka a “empty little water bubble” was so apt it made the audience titter.
The villainous Foreign Princess portrayed by Karin Wolverton (below, standing over John Lindsey) seemed to be the only sensible character in the opera. She likewise commanded the stage and displayed a powerful voice with passionate commitment to her role.
Three water sprites – portrayed by Kirsten Larson, Saira Frank and Emily Secor (below, in order from left) – provided Rhine maiden-like commentary and gorgeous vocalizations despite having to wander around the stage at times seeming to be fascinated by twigs.
A shout-out goes to tenor Benjamin Liupaogo (below), still a student at the University of Wisconsin-Madison’s Mead Witter School of Music, who only sang a couple of lines but sang them very beautifully. He is someone to watch!
The Madison Symphony Orchestra was conducted by John DeMain (below, in a photo by Greg Anderson). The strings and winds sounded particularly good that day, and DeMain brought out all of the interesting Bohemian folky gestures Dvorak included in the score. I found Dvorak’s orchestral score engaging throughout the performance. (You can hear the opening Overture in the YouTube video at the bottom.)
Altogether it was charming afternoon of beautiful music, excellent singing and fetching staging of a strange tale.
Madison Opera has announced its upcoming season offerings, which are Giuseppe Verdi’s “La Traviata” (Nov. 1 and 3), Gregory Spears’ “Fellow Travelers” (here Feb. 7 and 9, it has already hit Chicago and Minneapolis and is slated for Tucson next season as well), and Jacques Offenbach’s comic “Orpheus in the Underworld” (April 17 and 19).
It seems a very interesting season, and subscription tickets will go on sale in early May. For more information, go to: https://www.madisonopera.org
Share this:
Tags: #AntoninDvorak, #BenjaminLiupaogo, #BlogPost, #BlogPosting, #BlogReview, #ChicagoIllinois, #CommonSense, #Czechcomposer, #EmilyBirsan, #EmilySecor, #FacebookPost, #FacebookPosting, #FairyTale, #FellowTraveler, #FolkMusic, #GiuseppeVerdi, #International Style, #JacquesOffenbach, #JamesGill, #JohnDeMain, #JohnLIndsey, #JosephMcCarthy, #KarinWolverton, #KirstenLarson, #LarryWells, #LaTraviata, #LindsayAmmann, #MadisonOpera, #MadisonOperaChorus, #MadisonSymphonyOrchestra, #MeadWitterSchoolofMusic, #MiesvandeRohe, #MinneapolisMinnesota, #MinnesotaOpera, #OperaAria, #OperaGuy, #OperaLibretto, #OperaMusic, #OperaOverture, #OrpheusintheUnderworld, #OvertureCenter, #OvertureHall, #ReadandWrite, #RhineMaiden, #RhineRiver, #RichardWagner, #RingCycle, #SairaFrank, #SongtotheMoon, #SopranoSinger, #StrangeTale, #StringSection, #Sundayafternoon, #TucsonArizona, #UniversityofWisconsin-Madison, #VocalMusic, #WaterGoblin, #WaterSprite, #WindSection, #YouTubevideo, act, actress, advice, afternoon, Antonín Dvořák, architect, aria, Arts, audience, beautiful, beautifully, below, Benjamin Liupaogo, blog, Bohemian, character, Chicago, chin, choral music, Classical music, command, commentary, commitment, common sense, communicate, Compact Disc, composer, conductor, convincing, death, device, distract, drama, Emily Birsan, Emily Secor, engaging, enjoy, everyone, excellent, expressive, eyes, Facebook, fairy tale, fascinate, father, Fellow, fellow traveler, fetching, Folk music, folksy, foreign, forest, forward, frustration, Giuseppe Verdi, goblin, gorgeous, habit, hear, ignore, image, interesting, Jacob Stockinger, Jacques Offenbach, James Gill, Jezibaba, John DeMain, John Lindsey, Joseph McCarthy, Karin Wolverton, kind, Kirsten Larson, La Traviata, Larry Wells, learn, LGBT, LGBTQ, libretto, lighting, like, Lindsay Ammann, lines, link, lit, logical, Love, lush, Madison, Madison Opera, Madison Opera Chorus, Madison Symphony Orchestra, maiden, matinee, May, Mead Witter School of Music, Mies van de Rohe, Minneapolis, Minnesota Opera, mortal, Music, mute, offering, opera, Opera Guy, Orchestra, orchestrated, Orpheus, Orpheus in the Underworld, Overture, Overture Center, Overture Hall, palace, passionate, peculiar, performer, plot, powerful, presence, prince, princess, production, projection, read, recording, Rhine, Ring cycle, river, role, Rusalka, Saira Frank, sale, sang, score, Season, sensible, set, shading, share, shortcoming, shout-out, sing, singer, someone, Song to the Moon, soprano, sorceress, sprite, stage, stagecraft, staging, story, strange, striking, string, study, subscription, subtle, Sunday, tag, tale, tenor, theater, theatre, Tucson, twigs, underworld, unhappiness, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, upcoming, villain, Viola, Violin, vocal music, vocalization, voice, Wagner, wander, watch, water, weak, winds, Wisconsin, wise, woe, women, woodland, work, write, YouTube