The Well-Tempered Ear

Madison Opera cancels its January production of “She Loves Me.” Will other groups follow suit? Plus, tonight is the last online concert by the LunART Festival of music by Black women

October 17, 2020
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ALERT: TONIGHT, Oct. 17, at 7 p.m. the third LunART Festival will wrap up with the second of its two FREE streamed “Human Family” concerts featuring the works of Black women (below). Due to popular demand, last week’s concert is still posted and available for viewing. This week’s concert will be followed by a virtual party. Here are links for information, programs and biographies: https://www.lunartfestival.org/2020virtualfestival and https://welltempered.wordpress.com/?s=LunART

By Jacob Stockinger

The coronavirus pandemic continues to slowly take its toll on local live productions during the current season.

The Madison Opera has now canceled its second production of the season, the Broadway musical “She Loves Me” by Jerry Bock and Sheldon Harnick, which was scheduled for late January in the Capitol Theater of the Overture Center.

Here are details from Madison Opera: “We will replace She Loves Me with a Digital Winter season that lasts from January to March. Details will be announced in December. (She Loves Me will be part of our 2021/22 season, so it’s only a delay!)”

For more about Madison Opera’s digital fall season – which costs $50 per household to subscribe to – go to: https://www.madisonopera.org/Fall2020

The next digital event is at 7:30 p.m. next Saturday, Oct. 24, by Sun Prairie bass-baritone Kyle Ketelsen (below, in a photo by Lawrence Brownlee), who has performed around the world, including at the Metropolitan Opera.

He will perform a live-streamed concert from the Madison Opera Center that will be a tribute to the American bass Giorgio Tozzi (below), who was Ketelsen’s teacher at Indiana University. (In the YouTube video at the bottom, you can hear Tozzi sing “This Nearly Was Mine” from “South Pacific” by Rodgers and Hammerstein.)

Here is Tozzi’s biography from Wikipedia: https://en.wikipedia.org/wiki/Giorgio_Tozzi

Soprano Emily Secor (below top) and pianist Scott Gendel (below bottom) will perform with Ketelsen.

Here is a link to details of Kyle Ketelsen’s recital: https://www.madisonopera.org/class/liveketelsen/?wcs_timestamp=1603567800

___________________________________________________________________________

The cancellation makes The Ear wonder: Are local groups and presenters being too timid or too hopeful when it comes to future plans for the current season?

After all, this past week we learned that both the Metropolitan Opera and the New York Philharmonic have canceled the rest of the current season due to public health concerns about the COVID-19 pandemic. And all indications are that it will be a very rough, unsafe winter and spring in Wisconsin and Madison.

That’s why The Ear suspects that, unfortunately, the rest of the season will either be canceled or be virtual and moved online. It even seems more than plausible that there will be no live performances until the winter or spring of 2022.

So you can probably expect further word pretty soon of more cancellations, postponements and virtual online performances from the Madison Symphony Orchestra, the Madison Opera, the Wisconsin Chamber Orchestra, the Wisconsin Union Theater, the UW-Madison Mead Witter School of Music, the University Opera and others.

What do you think? 

Will there be operas, orchestral performances and live chamber music sometime yet this season?

When do you think it will be safe to perform and attend live concerts?

The Ear wants to hear.

 


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The Metropolitan Opera has canceled the rest of this season and announced the following season of Live in HD. How will the cancellation affect concert seasons here and elsewhere?

September 25, 2020
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By Jacob Stockinger

Unfortunately, it seems like The Ear’s prediction on Monday is coming true.

Given the coronavirus spikes and complications of vaccine production, testing, distribution and administration, The Ear said, it looks like live concerts are likely to be canceled for the rest of this season and perhaps even for the fall of 2021.

Here is that post:

https://welltempered.wordpress.com/2020/09/21/looks-like-there-will-be-no-live-concerts-for-the-rest-of-this-2020-21-season-and-maybe-until-early-2022/

Then yesterday the Metropolitan Opera (below) in New York City announced exactly that: It is going to cancel the whole season, and not just the fall productions, as originally planned. (You can hear general manager Peter Gelb discuss the plans for this season and the next season in the YouTube video at the bottom.)

Given that the Met is the largest performing arts organization in the United States, it promises to be a Big Domino with a lot of influence and side effects.

Here is the Met story, with more quotes, details and information, from The New York Times:

https://www.nytimes.com/2020/09/23/arts/music/metropolitan-opera-cancels-coronavirus.html

Perhaps to provide some reassurance and attenuate the negative news of the decision to cancel, the Met also announced its Live in HD season for the 2021-22 season, which is based on live productions.

Here it is on the website Opera Wire: https://operawire.com/met-opera-2021-22-season-here-is-all-the-information-for-this-seasons-live-in-hd-performances/

And if you want to know what the Met (below, from the stage) is planning to offer instead, here is a link to the Met’s own website: https://www.metopera.org.

What do you think will be the local effects of the Met decision to cancel the entire season?

Will other musical organizations follow suit, cancel the entire new season of in-person events and go safely online with virtual events?

The Ear wants to hear.

 


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The Madison Opera launches its Digital Fall this Sunday afternoon and Sept. 27 with more to come through December. The cost is $50 per household

September 18, 2020
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By Jacob Stockinger

The Ear has received the following announcement from the Madison Opera about its Digital fall season, which will open with an artists’ panel discussion this Sunday afternoon, Sept. 20, and then an original world-premiere production on Sept. 27, a week from this Sunday.

“Although the coronavirus pandemic has closed the Overture Center for the Arts this fall, Madison Opera is not going silent.

“We are creating a fall season that lasts from September through December. It includes both digital content and live performances at the Margaret C. Winston Madison Opera Center, our home in downtown Madison.

“All content will be available to subscribers for at least one month from the “live” date, so you can watch at your leisure, and as often as you wish.”

A Digital Fall subscription is $50 per household. It can be purchased on its own, or as part of a new subscription package. It can be purchased through the link at the bottom.

Here is how it will work: About 48 hours before each event, subscribers will receive an email with the private link to that event.  (You may need to check your spam folder).  If you have not received an email the day before an event, email info@madisonopera.org and we’ll send you the link directly.

The link remains active for one month, so if you cannot watch an event live – or want to re-watch it – you won’t miss out.

Do you miss operatic conversation? Join us online! Opera Up Close is a favorite event for Madison Opera subscribers, usually featuring a discussion of the upcoming opera from a historical context and with cast members.

For our Digital Fall, this conversation is reimagined via technology to discuss broader opera topics, featuring favorite Madison Opera company members, interviewed by Madison Opera’s general director Kathryn Smith (below, in a photo by James Gill).

Opera Up Close Cocktail Hour Discussions take place on Sunday afternoons, 4– 5:30 p.m. Subscribers will have the opportunity to ask questions both in advance and during the talk.

UP CLOSE COCKTAIL HOUR DISCUSSION

This Sunday, Sept. 20, 4-5:30 p.m.

Many singers have debuted at Madison Opera (MO) early in their careers, before going on to sing around the world.

Featured in this discussion are: Kyle Ketelsen of Sun Prairie (below top in a photo by Lawrence Brownlee, MO debut 2000); Emily Fons (below middle, MO debut 2012); and Will Liverman (below bottom, MO debut 2015). Join us for a wide-ranging discussion about their careers, training paths, and much more.

WORLD PREMIERE OF  A SONG CYCLE

Jeni Houser and David Blalock, singers

Saturday, Sept. 26, 7:30 p.m.

Featuring the world premiere of “Keep Moving” by Madison composer and UW-Madison graduate Scott Gendel

Married singers Jeni Houser and David Blalock (below) have a long history with Madison Opera. Jeni was one of our first Studio Artists in 2012, and has returned many times, most recently as Anne in Stephen Sondheim’s “A Little Night Music.”

David debuted in Beethoven’s “Fidelio” (2014), and both artists sang at Opera in the Park 2019 (below). This past season, Jeni and David made (separate) Metropolitan Opera debuts, and were slated to sing the leads in Offenbach’s “Orpheus in the Underworld ” in Madison last spring, which was canceled due to the coronavirus pandemic.

The Wisconsin residents will launch our Live from the Opera Center series in a joint recital, accompanied by principal pianist Scott Gendel (below).

Gendel is also an acclaimed composer, and the recital will feature the world premiere of his song cycle “Keep Moving,” set to poetry by Maggie Smith, which he is writing specifically for Jeni and David. (below, in a photo by David Scott, are all three are rehearsing in the Madison Opera’s Winston Center.)

Here is a link to the initial schedule of events, including a cooperative production of Jean Cocteau’s monologue opera “The Human Voice” with the Austin Opera in Texas, and biographies of various singers and participants.

More events will be added and announced in the coming months.

You will also a find a button to click on to subscribe to the Digital Fall: https://www.madisonopera.org/Fall2020


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UW-Madison will forego in-person concerts through the fall and go virtual. The FREE online concerts start TONIGHT, Monday, Sept. 14, at 6-8:30 p.m. with a graduate student recital

September 14, 2020
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PLEASE NOTE: The following post has been updated with more information since it first appeared.

By Jacob Stockinger

In ordinary times, the yearlong schedule would be set and concerts at the University of Wisconsin-Madison’s Mead Witter School of Music would be already well underway.

But these are not ordinary times – as you can tell from the silence about the UW season that usually presents some 300 events.

It has taken time, but the music school has finally worked out the basic approach to concerts during the pandemic. It will allow worldwide listening.

Audiences will NOT be present for any Mead Witter School of Music concerts or recitals this fall. Instead, a live stream of faculty recitals and all required student recitals, many of them in the new Hamel Music Center (below), will be available.

The portal to the live streaming, along with a scheduling clock and time countdown, can be found at: youtube.com/meadwitterschoolofmusic

The concert season starts tonight at 6:30 to 8 p.m. The performer is graduate student flutist Heidi Keener (below), who is giving her recital for the Doctor of Musical Arts degree. The recital was postponed from March 23 due to the coronavirus pandemic.

On the school of music’s concert website you will find a biography and the program — just hover the computer’s cursor over the event: https://www.music.wisc.edu/event/recital-heidi-keener-dma/.

The same information will also be on the YouTube website for the actual concert. Just click on MORE: https://youtu.be/gA6S3OXUKCc

Given so few calendar listings so far, clearly the format is still a work-in-progress.

For updated listings of other events, go to: https://www.music.wisc.edu/events/

The next events are slated for Oct. 2 with a student recital and another installment of the Pro Arte Quartet’s Beethoven cycle (below).

That other programs and dates are still missing is not surprising.

The entire UW-Madison from classes to sports, is in a state of flux about how to deal with the pandemic, with in-person classes paused through Sept. 25, and possibly longer.

Many questions about concerts remain as the process plays out.

All live-stream concerts will be free. But they will NOT be archived, so they will be taken down as soon as they end.

A donation link to the UW Foundation will be included to help cover the costs of the livestreaming and also other expenses.

Will choral concerts even take place, given that singing is especially risky because the singers can’t wear masks and social distancing is nearly impossible to provide with groups?

What about chamber music groups like the Pro Arte Quartet, the Wingra Wind Quintet and Wisconsin Brass Quintet? Many faculty members, who have to teach virtually and online right now, are no doubt concerned about the possible health risks of playing in groups.

And what about the excellent UW Symphony Orchestra, which The Ear considers a must-hear local orchestral ensemble? Those musicians too will have a hard time social distancing – unless individual safe performances at home or in a studio are edited and stitched together.

So far, though, we know that the University Opera will offer “I Wish It Were So,” an original revue of the American opera composer Marc Blitzstein on Oct. 23.

Here is a link to a story with more details about the production: https://welltempered.wordpress.com/2020/08/07/classical-music-the-university-opera-announces-a-new-season-that-is-politically-and-socially-relevant-to-today-the-two-shows-are-a-virtual-revue-of-marc-blitzstein-and-a-live-operatic-version-of/

What do you think of the plans for the concert season?

Do you have any suggestions?

The Ear wants to hear.


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Classical music: Wisconsin Union Theater concerts will go virtual and online for the fall of the new season. Updated details about dates, ticket prices and programs are forthcoming

August 21, 2020
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By Jacob Stockinger

With continuing spikes in cases of coronavirus and COVID-19, classical music presenters are seeing history repeat itself and are feeling forced to adapt, cancel or postpone their events, much as happened last spring and this summer.

The Madison Symphony Orchestra has canceled its concerts through January and the Madison Opera has canceled its fall production of Verdi’s “Il Trovatore” with digital online substitutions. And we can, unfortunately, expect more.

Now comes word from the Wisconsin Union Theater (below is Shannon Hall) is moving its fall events to a virtual and online presentation.

Here is the latest announcement from communications director Shauna Breneman of the Wisconsin Union Theater:

“The determination has been made that all fall Wisconsin Union Theater events in our 2020-21 season will be virtual in light of public health guidance and for the health and safety of our patrons and team members in light of COVID-19.”

Editor’s note: That includes second postponement of the concert by superstar soprano Renée Fleming (below), booked to celebrate the WUT’s centennial season, from May 2 to Oct. 24 and now to  still unspecified date.

Other artists affected in the lineup of 101st season include the eclectic singing group Roomful of Teeth (below top, in a photo by Bonica Ayala; cellist Camille Thomas (below middle, in a photo by Dan Carabas) and pianist Jeremy Denk (below bottom, in a photo by Shervin Lainez).

Adds Breneman:

“We will share information for each show as we finalize details. While we wish we could share these experiences in-person, we are grateful to be able to continue to offer performing arts experiences.”

Here is the link to the announcement of the performers in the full 2020-21 season: https://welltempered.wordpress.com/?s=wisconsin+union+theater


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Classical music: University Opera announces a new season that is politically and socially relevant to today. The two shows are a virtual revue of Marc Blitzstein and a live operatic version of “The Crucible.”

August 7, 2020
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By Jacob Stockinger

David Ronis (below), the director of the University Opera at the UW-Madison Mead Witter School of Music, has posted the following notice about its upcoming season on social media.

The award-winning Ronis is known for being creative both in programming and staging. The new season is yet another example of that. It features one virtual original production about an American composer to see and hear online, and two live performances of a mid-20th century American opera.

Both works seem especially pertinent and cautionary, given the times we currently live in in the U.S.

Here are the details:

FINALLY!!!

Things have fallen into place for the University Opera 2020-21 season and we are happy to announce our productions:

“I Wish It So: Marc Blitzstein — the Man in His Music”

“A biographical pastiche featuring songs and ensembles from Marc Blitzstein’s shows, spoken excerpts from his letters and working notes, and a narration. 

“Oct. 23, 2020

8 p.m. Video Release

____________________________________________________________________________________

“The Crucible” (1961)

Music by Robert Ward

Libretto by Bernard Stambler

Based on the 1953 play by Arthur Miller

March 19 and 21, 2021

Shannon Hall, Wisconsin Union Theater

_____________________________________________________________________________________

We will post more information as we get it. For now, we are very excited about both projects! Stay tuned.”

(Editor’s note: To stay tuned, go to: https://www.facebook.com/UniversityOpera/)

_____________________________________________________________________________________

And what does The Ear think?

The revue of Marc Blitzstein seems a perfect choice for Madison since his papers and manuscripts are located at the Wisconsin Historical Society. For details, go to: http://digicoll.library.wisc.edu/cgi/f/findaid/findaid-idx?c=wiarchives;view=reslist;subview=standard;didno=uw-whs-us0035an

Focusing on Blitzstein (1905-1964) also seems an especially politically relevant choice since he was a pro-labor union activist whose “The Cradle Will Rock, directed by Orson Welles,” was shut down by the Works Progress Administration of the federal government.

For more about Blitzstein (below in 1938) and his career, go to: https://en.wikipedia.org/wiki/Marc_Blitzstein

“The Crucible” also seems an especially timely choice. In its day the original play about the Salem witch trials was seen as a historical parable and parallel of McCarthyism and the Republican witch hunt for Communists.

Read about the Salem witch trials here: https://en.wikipedia.org/wiki/Salem_witch_trials

Now that we are seeing a time when Democrats and others with progressive ideas are accused of being radical leftists, socialists and destructive revolutionaries, its relevance has come round again. Like McCarthy, President Donald Trump relies on winning elections by generating fear and denigrating opponents.

For more about the operatic version of “The Crucible” (below, in a production at the University of Northern Iowa) — which was commissioned by the New York City Opera and won both a Pulitzer Prize and the New York Music Critics Circle Award in 1962 — go to this Wikipedia entry: https://en.wikipedia.org/wiki/The_Crucible_(opera)

You can hear the musically accessible opening and John’s aria, from Act II, in the YouTube video at the bottom. For more about composer Robert Ward (1917-2013, below), go to: https://en.wikipedia.org/wiki/Robert_Ward_(composer)

What do you think of the new University Opera season?

The Ear wants to hear.


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Classical music: Madison Opera’s virtual Opera in the Park goes online for FREE this Saturday night and stays up until Aug. 25. Listen to it indoors or outdoors

July 23, 2020
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By Jacob Stockinger

Madison Opera’s Opera in the Park isn’t in a park this year — as it has been in past years (below) — but it will be available for people to enjoy for free in their backyards, in their living rooms or anywhere else with an internet connection.

The digital concert will be released on this Saturday, July 25, at 8 p.m. CDT, and can be watched on Madison Opera’s website, www.madisonopera.org/digital, where you can find complete information and, soon, a complete program to download.

The annual free concert has moved online in response to the COVID-19 pandemic, with a newly created program of opera arias and more.

Digital Opera in the Park features: soprano Jasmine Habersham; soprano Karen Slack; tenor Andres Acosta; and baritone Weston Hurt. (The last two will sing the justly famous baritone-tenor duet “Au fond du temple saint” from Bizet’s “The Pearl Fishers,” which you can hear in the YouTube video at the bottom.)

Habersham (below) makes her Madison Opera debut with this unique performance, and will sing Susanna in the company’s production of Mozart’s The Marriage of Figaro next April.

Slack (below) debuted with the company in Jake Heggie’s Dead Man Walking, and will be part of the company’s digital fall season.

Acosta (below) sang Timothy Laughlin in Gregory Spears’ Fellow Travelers with Madison Opera this past February.

Hurt (below) debuted as Germont in Verdi’s La Traviata last season and is part of the company’s digital fall season.

The four singers will be joined by several important local artists. They include violinist Suzanne Beia, the assistant concertmaster of the Madison Symphony Orchestra, the concertmaster of the Wisconsin Chamber Orchestra and the second violin of the UW-Madison’s Pro Arte Quartet.

There will also be a fleet of eight pianists. They include MSO music director and Madison Opera’s artist director John DeMain (below top, in a photo by Prasad) and the UW-Madison graduate and composer Scott Gendel (below bottom). The two will play multiple numbers, including DeMain accompanying Beia on the beautiful “Meditation” from Thaïs.

Each singer recorded their arias with an accompanist in their home cities, and chorusmaster Anthony Cao (below top) both accompanies and conducts the Madison Opera Chorus (below bottom) in a virtual “Anvil Chorus” from Il Trovatore.

The evening will be hosted by Madison Opera’s General Director Kathryn Smith and by WKOW TV’s Channel 27 News co-anchor George Smith.

“Reimagining Opera in the Park in the pandemic era has been a challenge, but one we have happily embraced,” says Smith (below in a photo by James Gill). “Our wonderful artists were game to record themselves in their home towns, to sing duets with each other through headphones, and to share their artistry with our community in a new way. Over 40 choristers joined a Zoom call to get instructions, and then they recorded their parts of the ‘Anvil Chorus.’”

“While in some ways this concert has required more work than our live Opera in the Park in Garner Park, it is always a pleasure to present beautiful music for everyone to enjoy.”

Digital Opera in the Park features music from Verdi’s Il Trovatore, now canceled in live performance but originally slated to open Madison Opera’s 2020-21 season; Jerry Bock’s She Loves Me, which the company performs in January; and Mozart’s The Marriage of Figaro, which will be performed in April.

The program also includes selections from Bizet’s The Pearl Fishers, Richard Strauss’ Arabella, Verdi’s Don Pasquale, Puccini’s Tosca, Massenet’s Hérodiade and Thaïs, Rossini’s William Tell, Pablo Sarozabal’s zarzuela La Tabernera del Puerto, Rodgers and Hammerstein’s South Pacific, and more.

The concert will be available beginning at 8 p.m. CDT on this Saturday night, July 25, and will remain online until Aug. 25, allowing for both repeated viewing and flexibility for people who are unable to watch on the first night.

While Digital Opera in the Park will be free to watch, it would not be possible without the generous support of many foundations, corporations and individuals who believe in the importance of music. Madison Opera is grateful to the sponsors of Opera in the Park 2020:

  • Presenting Sponsor: the Berbeewalsh Foundation
  • Sponsors: the John and Carolyn Peterson Charitable Foundation, Full Compass Systems, the Raymond B. Preston Family Foundation, University Research Park, Colony Brands, Johnson Financial Group, MGE Foundation, National Guardian Life, Wisconsin Arts Board, Dane Arts and the Madison Arts Commission.
  • Media Sponsors: WKOW, Madison Magazine, Wisconsin Public Radio, Magic 98, and La Movida.

RELATED EVENTS include:

OPERA ON THE WALL | JULY 25, 2020 | ONLINE

Madison artists Liubov Swazko (known as Triangulador) and Mike Lroy have created artwork around our community, including beautiful murals on State Street storefronts.

In an act of artistic cross-pollination, they will create an artwork that comes from their personal response to Digital Opera in the Park, offering a rare glimpse of visual artists responding to musical artists. Their creative process will be filmed in the Madison Opera Center, and shared online starting on July 25.

The finished artwork will be displayed in the Madison Opera Center. Go to Swazko’s website at triangulador.com (one work is below) and Lroy’s website at mikelroy.com to see their past work.

POST-SHOW Q&A | JULY 25, 2020, IMMEDIATELY FOLLOWING THE INITIAL STREAM

Join Kathryn Smith and the Digital Opera in the Park artists for a post-concert discussion, including an opportunity to ask questions. Details on format and platform will be available closer to the date.

 


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Classical music: The Met just canceled its entire fall opera season. Can local groups be far behind?

June 3, 2020
5 Comments

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By Jacob Stockinger

The question has weighed on The Ear ever since local groups started announcing their new concert seasons.

Will audiences – especially older and more vulnerable ones — be ready to risk venturing into crowds of 500, 1,000 or 2,000 people without an effective treatment or vaccine for global pandemic of the coronavirus (below) and the growing number of deaths from COVID-19?

Now such suspicions have been supported or even confirmed by news that the world-famous Metropolitan Opera (below), at Lincoln Center in New York City, has just canceled all of its live fall productions.

It cited concerns about the safety of both the public and the performers. And its reasoning makes sense — even though it is estimated that the Met will lose up to $100 million. It is hard or impossible in concert halls and on stages (below is a photo of the Met’s stage) to use masks and maintain social distancing.

All in all, it sounds all too familiar, similar to the reasons given for cancellations this past winter and spring, and even this summer.

Here’s a link about the Met cancellation, with lots of details and quotes, in The New York Times: https://www.nytimes.com/2020/06/01/arts/music/metropolitan-opera-cancels-season-virus.html

Locally, it seemed like the show might go on when many groups – despite the public health crisis growing worse — went ahead and started announcing their fall seasons or even an event this summer, as in the case of the Wisconsin Chamber Orchestra’s Concerts on the Square, which were postponed by a month.

After all, the Madison Symphony Orchestra (below, in a photo by Greg Anderson), the Madison Opera, the Wisconsin Chamber Orchestra, the Wisconsin Union Theater, the Middleton Community Orchestra and the Madison Bach Musicians have all announced new seasons — as did the Chicago Symphony Orchestra and the Milwaukee Symphony Orchestra. (You can hear about the Madison Symphony Orchestra’s new “Ode to Joy” season in the YouTube video at the bottom.)

The UW-Madison – the biggest presenter of live concerts in the Madison area with some 300 events a year – has wisely not yet announced its concert season, let alone how it will hold lessons and classes.

The Ear suspects that more cancellations are in the making, especially when it comes to mass gatherings such as concerts, movies, plays and sports events.

Indeed, it seems like many of the groups even took possible cancellations into consideration when it came to planning programs; cutting back on expenses and staffing; and using local or regional guest artists, who might be less expensive and less difficult to cancel, rather than long-distance imported ones.

Even if a vaccine is perfected by Jan. 1, it will take a while to produce enough of it, then to administer it and then to have it take effect.

But perhaps those suspicions and speculations are overly cautious or too pessimistic.

What do you think will happen to the fall concert season?

Will going online and streaming new or past concerts once again be a substitution?

Has the pandemic changed your own habits — perhaps waiting to purchase single tickets rather than renew a season subscription? Or your plans for the fall season, perhaps even the entire season?

The Ear wants to hear.


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Classical music: Madison Opera announces its 2020-21 season and plans for Opera in the Park on July 25. Plus, today is the 50th anniversary of Earth Day. What music would you choose to mark the event?

April 22, 2020
3 Comments

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ALERT: Today, April 22, is the 50th anniversary of Earth Day, which was founded by Gaylord Nelson, a former Wisconsin governor and senator. To celebrate it, in the YouTube video at the bottom is “The Earth Prelude” — a long work, both Neo-classical and minimalist, with beautiful photos, by the best-selling, award-winning Italian composer Ludovico Einaudi. It has more than 2.3 million views.

What music would you listen to to mark the event? Leave suggestions with YouTube links, if possible, in the Comment section.

By Jacob Stockinger

The Madison Opera has just announced its upcoming 2020-21 season.

As usual, there are three works. The fall and spring operas take place in Overture Hall and the winter production, a Broadway musical, will use the Capitol Theater.

Below are the titles with links to Wikipedia entries for more information about the works and their creators:

Here are the titles:

“Il Trovatore” (The Troubadour) – with the popular “Anvil Chorus” — by Giuseppe Verdi (below) in Overture Hall on Friday night, Nov. 6, at 8 p.m. and Sunday afternoon, Nov. 8, at 2:30 p.m. It will be sung in Italian with projected English translations.

https://en.wikipedia.org/wiki/Il_trovatore

“She Loves Me” with music by Jerry Bock and lyrics by Sheldon Harnick (below) – the same team that created “Fiddler on the Roof” — in the Capitol Theater on Friday night, Jan. 29, at 8 p.m. and Sunday afternoon, Jan. 31, at 2:30 p.m. It will be sung in English with projected text.

https://en.wikipedia.org/wiki/She_Loves_Me

“The Marriage of Figaro,” by Wolfgang Amadeus Mozart (below) in Overture Hall on Friday night, April 30, at 8 p.m. and Sunday afternoon, May 2, at 2:30 p.m. It will be sung in Italian with projected English translations.

https://en.wikipedia.org/wiki/The_Marriage_of_Figaro

You can see a short preview peek — with music but no word about casts, sets or production details — on Vimeo by using the following link: https://vimeo.com/398921274

For more forthcoming information about the season, go to: https://www.madisonopera.org

OPERA IN THE PARK

You may recall that this spring the Madison Opera had to cancel its production of “Orpheus in the Underworld” by Jacques Offenbach because of the COVID-19 pandemic.

What about this summer’s 19th annual Opera in the Park (below, in a photo by James Gill)?

It is still slated for Saturday, July 25, in Garner Park, on Madison’s far west side, with a rain date of Sunday, July 26.

But the opera company is being understandably cautious and says: “At this time, we are proceeding with Opera in the Park as scheduled.

“The safety and wellbeing of our community are our top priority, and we are closely following the guidelines and recommendations of public health officials. We are prepared to make necessary decisions in response to rapidly changing conditions.

“We appreciate your patience and understanding as we navigate these circumstances.”

For updates and more information about Opera in the Park, go to: https://www.madisonopera.org/2019-2020-season/oitp2020/

 


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Classical music: A reader urges others to donate ticket refunds to support the arts. What do you think?

March 18, 2020
8 Comments

PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.

ALERT: The Wisconsin Chamber Choir has canceled its upcoming concert, “Music She Wrote,” on April 18.

By Jacob Stockinger

A reader — who prefers to remain anonymous but who has been deeply involved in the Madison arts scene for a long time — recently wrote:

“I’d like to suggest an angle for your column: Encourage subscribers to the various arts organizations and single ticket holders who can afford it NOT to ask for a refund on their upcoming cancelled concerts, if or when they are offered that option.

“I subscribe — on my own or as part of others’ subscriptions — to the Madison Symphony Orchestra (below, in photo by Peter Rodgers), the Madison Opera, the Broadway musicals at the Overture Center, Forward Theater, and the Wisconsin Union Theater’s Concert series. (I also buy a lot of single tickets to chamber music concerts by the Bach Dancing and Dynamite Society and to American Players Theatre in Spring Green.)

“As all those arts organizations cancel their concerts and plays, they still have costs. Forward Theater, for instance, is paying the full contract of all the people who were involved with the production of “The Amateurs.” And I’m glad they are.

“Personally, I will not be asking for a refund on any of the tickets I long ago purchased. I want the arts to stay healthy in Madison, and not asking for a refund is a small gesture in trying to make sure they are able to move forward.” (At bottom is the Bach Dancing and Dynamite Society, which just announced its summer schedule from June 7 to June 28 and has not cancelled anything. Go to: https://bachdancing.org)

“You reach a lot of people and you could plant a lot of powerful seeds by making this the topic of a column.”

If you are a member of a performing arts group, what do you think?

If you are a ticket holder, what do you think?

The Ear wants to hear.


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