Beethoven’s Ninth turns 200 today

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By Jacob Stockinger

Perhaps the only symphony more iconic than Beethoven’s Ninth is the Fifth Symphony by the same composer (below).

But today we celebrate the premiere of the pioneering Ninth Symphony that took place 200 years ago on May 7, 1824. Below is the original poster announcing the concert program with the premiere, which Beethoven conducted in his total deafness.

Here is a link to an anniversary story, with lots of historical background about the original performance, by the PBS affiliate WETA in Washington, D.C.:

https://weta.org/fm/classical-score/may-7-1824-200th-anniversary-premiere-beethovens-symphony-no-9

The 70-minute-long Ninth — also called the “Choral” Symphony — is a remarkable work in so many ways. It remains perhaps the most universal music ever written, meaningful to many different individuals and cultures.

Unlike most symphonies of the time, the opening does not immediately announce a theme. It seems to drift around until it finds a solid key and recognizable theme and rhythm. And then it takes off. It reminds The Ear of the depiction by Haydn, Beethoven’s teacher, in his oratorio “The Creation.”

The New York Times also has an essay by Daniel Barenboim about the meaning of Beethoven’s Ninth. No doubt that would be interesting and enlightening to read. But unfortunately the Times hides it behind a pay wall. Only subscribers get to see it right now.

Instead, here is a comprehensive look in Wikipedia:

https://en.wikipedia.org/wiki/Symphony_No._9_(Beethoven)

The famous choral setting of German poet Friedrich Schiller’s 1785 “Ode to Joy” of the last movement is also the official hymn of the European Union. This was the first use of a chorus in a symphony but would not be the last.

In Japan, the same “Ode to Joy” is sung en masse with a chorus up to 10,000 in stadiums every New Year’s Day and on other special occasions, as you can see in the YouTube video at the bottom, an event that took place after a horrendous earthquake and tsunami. The idealistic music embodies the journey from despair to hope, and to brotherhood and solidarity with all people and all nations.

Leonard Bernstein directed it in Berlin to mark the fall of the Berlin Wall and the coming of German reunification.

As its theme, the nightly Huntley-Brinkley New Report on NBC used to use the percussive, pounding, rhythmically propulsive Scherzo movement — which is The Ear’s favorite movement.

The Ear also thinks that the soulful slow movement has strong suggestions of the lovely  and well-known slow movement of Beethoven’s earlier “Pathétique” piano sonata. But it doesn’t seem to have been used as a theme or in a movie soundtrack. Does anyone know differently?

What does the Ninth Symphony mean to you?

What do you think of the Ninth and how do you rank it among other symphonies?

Do you have a favorite recording or performance?

What is your favorite movement of Beethoven’s Ninth?

What other uses of The Ninth do you know of?

The Ear wants to hear

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Posted in Classical music
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