By Jacob Stockinger
This coming week, the Madison Symphony Orchestra (MSO) will present organist Samuel Hutchison (below) and acclaimed singers Andrew Bidlack and Kyle Ketelsen performing as a trio in vocal and instrumental music from oratorios and operas.
The concert is Tuesday night, Feb. 21, at 7:30 p.m. in Overture Hall of the Overture Center, 201 State Street.
Principal Organist and Curator for the Madison Symphony Orchestra Samuel Hutchison joins forces with two outstanding singers in the first half to perform a program of favorite arias and overtures from Handel’s Messiah, Mendelssohn’s Elijah, and Rossini’s Stabat Mater.
Opera will be the focus of the second half, featuring arias and selections from Bizet’s Carmen, Tchaikovsky’s Eugene Onegin and Gounod’s Faust.
For the full program, go to: http://www.madisonsymphony.org/organopera
Featured by Opera News as one of their top 25 brilliant young artists, tenor Andrew Bidlack (below) — who is replacing David Portillo — makes his debut in Overture Hall following performances at The Metropolitan Opera, Lyric Opera of Chicago, the Welsh National Opera and London’s Covent Garden.
Bass-baritone Kyle Ketelsen (below, in a photo by Dario Acosta), who lives in nearby Sun Prairie, has sung with major opera companies throughout the world including The Metropolitan Opera, the Lyric Opera of Chicago and the State Opera of Berlin. He is praised for his vibrant stage presence and his distinctive vocalism.
In the YouTube video at the bottom, you can hear Kyle Ketelsen sing the role of Don Escamillo in a Barcelona, Spain, production of Bizet’s “Carmen.” He is singing the same role in the Metropolitan Opera’s current production of “Carmen.”
General Admission for each Overture Concert Organ performance is $20. Tickets can be purchased at madisonsymphony.org/organopera, (608) 258-4141 or the Overture Center Box Office.
Student Rush tickets can be purchased in person on the day of the concert at the Overture Center Box Office at 201 State Street. Students must show a valid student ID and can receive up to two $10 tickets.
This performance is sponsored by the Pleasant T. Rowland Foundation. Support for all Overture Concert Organ programs is provided by the Diane Endres Ballweg Fund.
With a gift from Pleasant T. Rowland, the Madison Symphony Orchestra (MSO) commissioned the Overture Concert Organ, which is the stunning backdrop of all MSO concerts.
By Jacob Stockinger
Grace Presents, now entering its seventh year offering FREE public concerts at Grace Episcopal Church (below), located at 116 West Washington Avenue on the Capitol Square, will host resident organist Mark Brampton Smith with violinist Maureen McCarty on this Saturday, Nov. 19.
The concert begins at noon and ends at 1 p.m. Audience members are invited to bring their lunch.
The program — an asterisk indicates that both the violin and organ will play — includes:
Psalm 19: “The Heavens Declare the Glory of God” by Benedetto Marcello (1686-1739)
Partita on “Werde munter, mein Gemüte” (Sing not yet, my soul, to slumber) by Johann Pachelbel (1653-1706)
*”Ornament of Grace” by Bernard Wayne Sanders (b. 1957)
Variations on ‘Cwm Rhondda’ by Mark Brampton Smith (b. 1954) Introduction – Allegro – Duo – Reflection – Finale
*Meditation from “Thaïs” by Jules Massenet (1842-1912)
Concerto in a minor, after Vivaldi (BWV 593) – Johann Sebastian Bach Allegro
Toccata and Fugue in d minor (BWV 565) – Johann Sebastian Bach
The final concert of 2016 will feature the widely renowned Russian Folk Orchestra on Dec. 10.
Mark Brampton Smith Biography:
Mark Brampton Smith (below) serves as the current organist at Grace Episcopal Church. Mark began his church music career as a boy soprano at St. Paul’s Parish on K Street in Washington, D.C., eventually serving on the music staff of churches in seven states. He holds degrees in organ performance from the Eastman School of Music and the University of Michigan.
As an organist, Mark won prizes in the Fort Wayne, Ann Arbor, and American Guild of Organists National Competitions, and he’s performed solo recitals at venues such as Overture Hall. As a collaborative pianist, Mark has worked with numerous singers, instrumentalists, and ensembles, including the Ann Arbor Cantata Singers, University of Michigan choirs, Colgate University Chorus, and currently the Wisconsin Chamber Choir.
Maureen McCarty Biography:
Maureen McCarty (below) began the violin in the Madison public schools, and played in the Wisconsin Youth Symphony Orchestras for many years. She received a BA in violin performance from the University of Wisconsin-Madison.
While working on her degree, she performed as a musician with American Players Theatre for five seasons. She has extensive orchestral experience playing in such local ensembles as the Madison Symphony Orchestra and Wisconsin Chamber Orchestra, as well as various orchestras in five Midwestern states, the Barcelona City Orchestra and the Orquesta Filarmónica de Gran Canaria in Spain.
Maureen returned to UW-Madison for a teaching certificate in music education in 1999, and taught strings and general music for students in grades 3-12 in Monona Grove during her fifteen years in the district. Recently retired from public school teaching, she now teaches privately, performs with the Camerata String Quartet, tutors Spanish, and takes photographs for her local newspaper. Formative violin teachers include Eva Szekely, Sharan Leventhal, Thomas Moore and Vartan Manoogian.
For more information, visit www.GracePresents.org
ALERT: Pianist Mark Valenti will perform this Friday at the weekly FREE Noon Musicale in the Landmark Auditorium of the historic First Unitarian Society of Madison, 900 University Bay Drive, from 12:15 to 1 p.m. His program includes: “The Alcotts” movement from the “Concord” Sonata by Charles Ives; Four Preludes and Fugues (three from Book II of the Well-Tempered Clavier) by Johann Sebastian Bach; Sonata No. 30 in E Major, Op. 109, by Ludwig van Beethoven; and “L’Isle Joyeuse” by Claude Debussy.
By Jacob Stockinger
This Saturday night and Sunday afternoon, University of Wisconsin-Madison School of Music flute professor Stephanie Jutt will perform recitals that survey flute masterpieces from Spain and Latin America.
Jutt (below, in a photo by Paskus Photography) will perform her program for FREE on Saturday at 8 pm. in Mills Recital Hall; and then again on Sunday at 2 p.m. at the Seventh-Day Adventist Church in Richland Center, where it is presented by the Richland Concert Association. The address is: 26625 Crestview Drive, Richland Center. Tickets are $15 for adults, $5 for students and FREE for students with UW-Richland ID.
Jutt — who is also known as the principal flute of the Madison Symphony Orchestra and as the co-founder and co-artistic director of the Madison-based Bach Dancing and Dynamite Society –- has sent the following notes and background.
“I have received a grant from the Wisconsin Alumni Research Foundation (WARF) to record Latin American and Spanish masterpieces for flute and piano. Recording will take place in New York in August of 2014, with Venezuelan pianist Elena Abend and Uruguayan pianist Pablo Zinger. The music was collected and researched during my sabbatical to Argentina in 2010.
“The pianist for my recitals is the impressive Thomas Kasdorf (below), a Middleton native who studied at the UW-Madison with pianists Christopher Taylor and Martha Fischer.
“While at the UW, he won many award and prizes, and was an inaugural member of the Perlman Piano Trio. He has also studied at the University of Michigan-Ann Arbor with Martin Katz and been very active in Madison-area concerts including being a vocal coach for the University Opera and working in dozens of productions of musical theater, especially works by Stephen Sondheim.
“Thomas is the co-director and musical director of the Middleton Players Theatre’s production of “Les Miserables” and has performed a Mozart piano concerto with the Middleton Community Orchestra. He has also performed and appeared on Wisconsin Public Radio.
“The theme of my concert is “Evocaçao” (Evocation), and it features music from Argentina, Brazil and two distinctive ethnic regions of Spain.
“The program includes works by South Americans: the “the Schubert of the pampas” Carlos Guastavino (below top, 1912-2000), whose popular and beautiful song “The Dove Was Confused” s on the program and can he heard as a song with guitar accompaniment in a YouTube video at the bottom); Heitor Villa-Lobos (below middle, 1887-1959); and the “New Tango” innovator Astor Piazzolla (below bottom, 1921-1992):
Also included are the Barcelona Catalan composer Salvador Brotons (b. 1959) and the Basque composer Jesús Guridi (1886-1961).
For more information, here is a link to the UW-Madison School of Music’s website. Click on events calendar and then click on Feb. 1 and the concert by Stephanie Jutt:
A REMINDER: The annual “New Year’s Day Concert From Vienna” (below) with the Vienna Philharmonic under conductor Franz Welser-Most and with TV host Julie Andrews will air this morning on NPR (and Wisconsin Public Radio) at 10 a.m. this morning with the TV version airing tonight on PBS (and Wisconsin Public Television) at 7 p.m. For more information and links to a play list of Strauss family waltzes and polkas plus works by Verdi and Wagner and lots of background, visit:
By Jacob Stockinger
Today, Jan. 1, 2013, is New Year’s Day.
The past year was not an easy year in so many ways.
Especially disappointing is the increasing polarization or partisanship one sees not only in the US but also around the world. I myself fear for the rise of right-wing fanaticism (often signaled by hatred of immigrants, a callousness toward social welfare and the oppression of minorities) in Greece and elsewhere because of economic situations. Economic strife often leads to war or other forms of strife and suffering. (Below is a CNN photo of an austerity protest riot in Greece.)
One can only hope for much better in 2013.
So that makes this “flash mob” performance of Beethoven (below) all the more appropriate and moving. It certainly was an emotional experience for and for the very old friend who sent it on to me — as well as for the more than 8 million viewers so far on YouTube.
It is the perfect piece – or, to be precise, the perfect excerpt of the perfect piece – in words and music — performed in a perfect way that was commissioned by Banco Sabadell in Barcelona to mark its 130th anniversary, I believe.
It gives one hope – especially at a time when Spain, like so many other countries, in undergoing the trials, tribulations and testing of austerity.
Judge for yourself – be sure to look at the facial expressions of the children and the ordinary people who just pass by and stop to take it all in. You can see that great music connects and bonds.
And let us know what you think by leaving something in the COMMENTS section.