The Well-Tempered Ear
The 10th annual Baroque Holiday Concert by the Madison Bach Musicians is next Saturday night and will be virtual and online
Leave a Comment
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
On this coming Saturday night, Dec. 12, the Madison Bach Musicians will present their 10th annual Baroque Holiday Concert (below is a photo of a previous year’s holiday concert).
Because of the coronavirus pandemic, this year’s one-hour concert will be a virtual web event.
The program features Baroque masterworks by Johann Sebastian Bach, Georg Philipp Telemann, Arcangelo Corelli, Joseph Dall’Abaco, Jean Daniel Braun and Marc-Antoine Charpentier. It was recorded Dec. 1-6 in several acoustically superior venues.
Links to the MBM holiday program can be purchased at $15 per household at https://madisonbachmusicians.org. Patrons purchasing the link can view the program the evening of Dec. 12 and anytime afterward through Friday, Dec. 26.
Festivities begin at 7:30 p.m. with MBM director Trevor Stephenson’s 30-minute pre-concert lecture about the repertoire, the composers and the period instruments.
At 8 p.m., viewers will see the 60-minute, high-definition video of the concert portion of the program, followed by a 30-minute Zoom Q&A session with the musicians from their homes. Questions for the Zoom session should be submitted by email to MBM manager Karen Rebholz at madisonbachmusicians.manager@gmail.com.
The concert begins with a selection of nine pieces from the Schemelli Songbook. Georg Schemelli collaborated with Johann Sebastian Bach (below, 1685-1750) in assembling this magnificent collection of spiritual songs, published in Leipzig in 1736. Bach provided most of the bass lines and wonderful harmonizations.
Grammy Award-winning soprano Estelí Gomez and harpsichordist Trevor Stephenson (both below) perform this set in the beautiful chapel at Lawrence University in Appleton, Wis.
From the sanctuary of Grace Episcopal Church, on the Capitol Square in downtown Madison, baroque cellist James Waldo (below) will perform Bach’s magisterial Solo Cello Suite No. 4 in E-flat major.
UW-Madison Mead Witter School of Music bassoon faculty member Marc Vallon (below top, in a photo by James Gill) and esteemed baroque cellist Martha Vallon (below bottom) team up in the Collins Recital Hall of the UW”s Hamel Music Center for a Duo Sonata by Jean Daniel Braun (1703-1738).
Marc will also play a solo bassoon transcription of two Fantasias, originally for solo flute, by Telemann (1681-1767). Martha will perform the meditative Capriccio no. 4 in D minor by Dall’Abaco (1710-1805).
The program concludes at The Crossing in Madison with MBM concertmaster violinist Kangwon Kim (below top), violist Micah Behr (below bottom) and cellist James Waldo joining in a medley of holiday favorites.
They include Greensleeves variations over a ground (repeated bass line); three movements from Christmas Music for Instruments by Charpentier (1643-1704); the Adagio from the Christmas Concerto Op. 6, No. 8 by Corelli (1653-1713), which you can hear in the YouTube video at the bottom; and two beloved carols — Lo How a Rose and Sussex Carol – in arrangements by Micah Behr.
MBM wishes to thank Geneva Campus Church for their collaboration in filming this portion of the program as a contribution to their weekly services.
Tags: #AppletonWisconsin, #ArcangeloCorelli, #BaroqueBassoon, #BaroqueCello, #BaroqueFlute, #BaroqueMusic, #Baroquesinging, #BaroqueViola, #BaroqueViolin, #BassLines, #BassoonMusic, #BlogPost, #BlogPosting, #CapitolSquare, #ChamberMusic, #ChristianChurch, #ChristmasCarol, #ChristmasConcerto, #ChristmasMusic, #CityofMadison, #ClassicalMusician, #CollinsRecitalHall, #CoronavirusPandemic, #COVID-19, #DuoSonata, #EstelíGomez, #FacebookPost, #FacebookPosting, #GenevaCampusChurch, #GeorgPhilippTelemann, #GeorgSchemelli, #GraceEpiscopalChurch, #GrammyAward, #HamelMusicCenter, #HighDefinition, #HistoricallyInformedPerformancePractices, #HolidayConcert, #HolidayFavorites, #HomeWebsite, #JacobStockinger, #James Waldo, #JeanDanielBraun, #JesusChrist, #JohannSebastianBach, #JosephDell'Abaco, #KangwonKim, #KarenRebholz, #LawrenceUniversity, #LeipzigGermany, #LoHowaRose, #MadisonBachMusicians, #MadisonWisconsin, #Marc-AntoineCharpentier, #MarcVallon, #MarthaVallon, #MeadWitterSchoolofMusic, #MicahBehr, #Musicfaculty, #OnlineConcert, #PeriodInstruments, #Pre-concertLecture, #RecordedMusic, #SocialDistance, #SociallyDistanced, #SoloCelloSuite, #SpecialCollection, #SpiritualMusic, #SussexCarol, #TheCrossing, #TheEar, #ThemeAndVariations, #TheUW, #TrevorStephenson, #UniversityofWisconsin-Madison, #VirtualConcert, #VocalMusic, #YouTubevideo, #ZoomMeeting, acoustics, Appleton, Arcangelo Corelli, Arts, assemble, assembling, audience, Bach, Baroque, Baroque cello, Baroque music, bass, bass lines, Bassoon, blog, Braun, Campus, Capitol Square, Capriccio, Carol, cellist, Cello, Chamber music, chapel, Charpentier, Christ, Christian, Christian church, Christmas, church, Classical music, classical musician, classicalmusic, collaborate, collection, Collins Recital Hall, composer, Concert, concertmaster, concerto, conclude, contribution, Corelli, coronavirus, December, director, downtown, duo sonata, Early music, earlymusic, Estelí Gomez, evening, event, Facebook, Facebook post, Facebook posting, Fantasia, festivities, film, filming, flute, forward, Geneva Campus Church, Georg Philipp Telemann, George Schemelli, Grace Episcopal Church, Grammy Award, Greensleeves, ground, Hamel Music Center, harmonization, harpsichord, harpsichordist, High definition, historically informed performance practices, holiday concert, holiday favorites, Home, home website, hour, Jacob Stockinger, Jean Daniel Braun, Jesus, Johann Sebastian Bach, Joseph Dall'Abaco, Kangwoo Kim, Karen Rebholz, Lawrence University, Leipzig, like, link, Lo How a Rose, Madison, Madison Bach Musicians, magisterial, magnificent, Marc Vallon, Marc-Antoine Charpentier, Martha Vallon, mask, Masterworks, Mead Witter School of Music, meditative, medley, Micah Behr, movement, Music, music faculty, online, pandemic, patrons, perform, period instruments, photo, piece, pieces, play, portion, post, posting, pre-concert, previous, professor, program, publish, published, purchase, Q&A, question-and-answer, questions, recorded, recorded music, sanctuary, services, set, share, Singing, social distance, socially distanced, solo, solo cello suite, Sonata, song, songbook, soprano, spiritual, submit, Superior, Sussex Carol, tag, technology, Telemann, The Crossing, The Ear, theme and variations, tickets, transcription, Trevor Stephenson, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, UW, UW-Madison, venues, view, viewer, Viola, Violin, violinist, virtual, vocal music, web, Website, weekly, Wisconsin, wonderful, year, YouTube, Zoom
The Madison Bach Musicians will open its new season with a virtual online concert of Haydn and Mozart this Saturday night and Sunday afternoon
Leave a Comment
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
The Ear has received the following announcement, about a promising contrast-and-compare concert, from the Madison Bach Musicians:
The Madison Bach Musicians (MBM) will start its 17th season this Saturday night and Sunday afternoon, Oct. 3 and 4, with a virtual chamber music concert and livestream event featuring the irrepressibly joyous, witty and poised music of Classical-era masters Joseph Haydn (1732-1809) and Wolfgang Amadeus Mozart (1756-1791).
The performances features period instruments and historically informed performance practices.
See details near the bottom about the schedules and how to buy tickets.
Performers are violinist Kangwon Kim and cellist James Waldo (on gut-strung period instruments), fortepianist Trevor Stephenson, and soprano soloist Morgan Balfour — winner of the 2019 Handel Aria Competition. (Below top is Kangwon Kim; below middle is James Waldo; and below bottom is Morgan Balfour.)
The broadcast will begin with a 30-minute pre-concert lecture by MBM artistic director Trevor Stephenson (below, in a photo by Kent Sweitzer) illuminating the program’s repertoire, the lives of Haydn and Mozart, and the aesthetic aims of the period instruments.
While most of the pieces on the program are buoyant and full of celebration, the concert will begin with a pensive and melancholy work commensurate with our current pandemic times.
Mozart composed the Sonata in E minor for violin and fortepiano in 1778 at the age of 22 while on tour in Paris. His mother, who was with him on the tour, became suddenly ill and died unexpectedly. This sonata is the only piece of instrumental music Mozart ever composed in the key of E minor, and its blend of gravitas, sparseness and tenderness is heartbreakingly poignant.
Mozart’s Piano Trio in G major, composed in 1788, shows him at his sunniest and most affable, with one brilliant and catchy tune after another suspended effortlessly — at least in Mozart’s hands! ― within the balance of Classical form.
The program’s first half ends with five of Mozart’s songs. Mozart truly loved the soprano voice, and he lavished some of his greatest writing upon it. The set includes perhaps his best-known song, Das Veilchen (The Violet)―which is also, oddly enough, Mozart’s only setting of a text by the German poet Goethe.
The second half of the concert is devoted to the music of Mozart’s near contemporary, Joseph Haydn, who was just 24 years older than Mozart.
Though the two composers came from very different musical and socioeconomic backgrounds.
Haydn (below) was lower working class, rural, and musical but not professionally trained.
Mozart (below) was urban, solid middle class, musically trained, sophisticated, and ambitious.
Both managed to carve out successful careers in the fertile musical culture of Vienna and its environs. They certainly knew each other and even made music together on occasion, playing in string quartets — with Haydn on violin and Mozart on viola.
Haydn composed two sets of English Canzonettas (songs) during his visits to England during the early 1790s.
The Mermaid, with its flirtatious beckoning, stretches the confines of the parlor setting (where this music was most likely performed) and suggests a cabaret environment. Fidelity, on the other hand, stays within the parlor style, emphasizing how the bond of devotion can overcome physical separation. Haydn brilliantly interweaves stormy, naturalistic episodes with declarations of unbending loyalty.
The concert will close with Haydn’s mercurial Piano Trio No. 27 in C major. Also composed during his London visits in the 1790s, this trio is the first of a set of three dedicated to the London-based virtuoso pianist Therese Bartolozzi. The Presto finale―with its unbridled high spirits―is a supreme example of Classical Era cheeky, theatrically conceived wit. (You can hear the finale in the YouTube video at the bottom.)
SCHEDULE AND TICKETS
As a result of public health guidelines in response to Covid-19 that do not allow for an in-person audience, we will livestream our concert from Grace Episcopal Church, downtown on Capitol Square, on Saturday evening for at-home viewing. (Below are Trevor Stephenson and Kangwon Kim rehearsing in masks at Stephenson’s home.)
The event will begin with a pre-concert talk by Trevor Stephenson at 7:30 p.m., and after the 8 p.m. concert, the musicians will remain on stage to answer questions submitted by our audience.
On Sunday, starting at 3 p.m. we will rebroadcast the Saturday evening recording and follow that with a live question-and-answer session with our musicians from their homes.
After purchasing tickets for $15 per household, you will be sent a link to access the performance. The recorded lecture and video will be available for up to 72 hours after they take place.
To purchase tickets, go to: https://madisonbachmusicians.org/oct-3-4-haydn-mozart/ or to: https://madison-bach-musicians.square.site/product/haydn-mozart-oct-3-4-livestream/54?cs=true
For information about the Madison Bach Musicians’ full season, go to: https://madisonbachmusicians.org/season-overview/
Tags: #ArtistcDirector, #BaroqueChamberMusic, #Baroquesinging, #BaroqueViolin, #BlogPost, #BlogPosting, #CapitolSquare, #ChamberMusic, #ChristianChurch, #Classicalcomposer, #Classicalera, #Classicalform, #ClassicalStyle, #ConcertSeason, #Contrast-and-Compare, #CoronavirusPandemic, #COVID-19, #FacebookPost, #FacebookPosting, #FranzJosephHaydn, #GeorgeFridericHandel, #GraceEpiscopalChurch, #GreatBritain, #GutStrings, #HandelAriaCompetition, #HistoricallyInformedPerformancePractices, #InstrumentalMusic, #JacobStockinger, #James Waldo, #JohannSebastianBach, #JohannWolfgangvonGoethe, #KangwonKim, #LifeandDeath, #LiveStreaming, #LondonEngland, #MadisonBachMusicians, #MadisonWisconsin, #MajorKey, #MakeMusic, #Middle-Class, #MiddleClass, #MinorKey, #MusicalStyle, #OnlineConcert, #ParisFrance, #PeriodInstruments, #PianoTrio, #PianoVirtuoso, #Pre-concertLecture, #PublicHealth, #RecordedMusic, #SharonLynneWilsonCenterfortheArts, #SopranoSinger, #StringQuartet, #TheEar, #TheFortepiano, #TheMermaid, #TheViolet", #TrevorStephenson, #ViennaAustria, #ViolinSonata, #VirtualConcert, #VocalMusic, #WolfgangAmadeusMozart, #WorkingClass, #YouTubevideo, aesthetic, afternoon, ambitious, answer, aria, Artistic director, Arts, at home, audience, Austria, Austrian, available, Bach, background, Baroque, Baroque music, beckoning, begin, best-known, blog, bond, bouyant, brilliant, Broadcast, buy, cabaret, canzonetta, Capitol Square, career, carve, catachy, celebration, cellist, Cello, Chamber music, cheeky, Christian, church, Classical era, Classical form, Classical music, compare, composed, composer, conceived, Concert, contemporary, contrast, coronavirus, culture, death, deatils, declaration, dedicated, devoted, devotion, different, downtown, Early music, effortless, effortlessly, eit, emphasize, England, English, environment, environs, episode, esthetic, Facebook, fertile, fidelity, fie, finale, flirtatious, fortepiano, forward, Franz Joseph Haydn, George Frideric Handel, German, Germany, Goethe, grace, Grace Episcopal Church, gravitas, great, Great Britain, greatest, guidelines, gut, gut strings, gut-strung, half, Handel, Handel Aria Competition, hands, Haydn, Health, hear, heartbreaking, help, historically informed performance practices, Home, household, illuminate, in person, information, instrument, instrumental music, interweave, Jacob Stockinger, Johann Sebastian Bach, Johann Wolfgang von Goethe, Joy, joyous, Kangwon Kim, key, Kim, lavished, lecture, like, link, live, lives, livestream, London, Love, loved, lower, loyalty, lyric, Madison, Madison Bach Musicians, major key, Make Music, manage, masks, Master, melancholy, mermaid, minor key, minute, Morgan Balfour, MorganBalfour, Mother, Mozart, Music, musica, musical, Musician, naturalistic, night, odd, oddly, older, on-stage, online, only, onstage, overcome, pandemic, Paris, parlor, pensive, performer, period instruments, physicsl, Piano, Piano Trio, piece, play, poet, Poetry, poignancy, poignant, poise, post, posting, pre-concert, pre-concert lecture, professional, professionally, program, public, Public health, Q&A, question, recorded, rehearsal, rehearse, remain, repertoire, repertory, response, result, rural, Saturday, schedule, Season, separation, session, set, setting, share, Singing, socio-economic, solid, Sonata, song, sophisticated, soprano, sparseness, stormy, String quartet, style, subscriber, suddenly, sun, Sunday, sunny, suspended, tag, talk, tenderly, tenderness, text, The Ear, The Violet, theatrical, ticket, together, tour, trained, Trevor Stephenson, trio, tune, UK, unbendng, unexpected, United States, urban, Vienna, viewing, Viola, violet, Violin, Violin Sonata, violinist, violist, virtual, virtuoso, visit, vocal music, voice, winner, Wisconsin, wit, witty, Wolfgang Amadeus Mozart, work, working class, writing, year, YouTube
Classical music: Grace Presents HD offers a free virtual online concert by the acclaimed Willy Street Chamber Players this Saturday at noon
Leave a Comment
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
Cellist and UW-Madison graduate student James Waldo has sent the following announcement about a FREE virtual online concert by Grace Presents, which he coordinates.
The hi-def, one-hour concert by the critically acclaimed and popular Willy Street Chamber Players (below) is at noon (CDT) this Saturday, Aug. 22.
Says Waldo:
“This is a pre-recorded event, and as such, I had the singular pleasure of sitting in the room while these fantastic musicians recorded their program. This event is not to be missed!
“Grace Presents HD brings you free, crystal-clear performances by local Madison musicians in the nave of historical Grace Episcopal Church – located downtown on the Capitol Square — from the comfort and safety of your own home.
“The Willy Street Chamber Players will have a video premiere that will be available on the Grace Presents YouTube channel on this Saturday, Aug. 22 at noon CDT. (This virtual concert is available for a limited time only!)
You can see and hear a preview of the concert in the YouTube video at the bottom.
Artists in the Willy Street Chamber Players are: Paran Amirinazari, artistic director, violin and viola; Eleanor Bartsch, violin and viola; Mark Bridges, cello; and Lindsay Crabb, cello, five-string cello.
You can find more information about the chamber music ensemble, including a link to a post in which The Ear named them as Musicians of the Year for 2016, at: http://willystreetchamberplayers.org
As is typical for The Willys, the program reflects diversity and includes both classical masters and contemporary composers:
Schubert: String trio in B-flat major, D. 47
Tania León (below) – Four Pieces for Solo Cello: II. Prayer
Heinrich Ignaz Franz Biber – Passacaglia
George Walker (below) – “Bleu”
J.S. Bach – Solo Cello Suite No. 6 in D major: I. Prelude and IV. Sarabande
Kimo Williams (below): “Quiet Shadows”
Beethoven: String Trio in G major, Op. 9, No. 1 / I. Adagio-Allegro
“We will be hosting a Zoom meet-and-greet with our guest artists following the performance. If you’d like to attend this virtual gathering, please RSVP to Grace Presents Program Coordinator James Waldo (gracepresents@gmail.com) for more information.
“Here is biographical background: The Willy Street Chamber Players (WSCP) are dedicated to creating community through classical music. Established in 2015, the group has become a fixture of the Willy Street neighborhood’s vibrant cultural scene.
“Recently awarded a gold medal in Madison Magazine’s prestigious “Best of Madison” reader poll, WSCP has received numerous accolades for its accessible and exciting performances, intelligent and fun programming, and community partnerships.
“Today, the group consists of four core members. Led by Artistic Director and violinist Paran Amirinazari, each player brings a fresh, imaginative take to classical music.
WSCP convenes each July – this summer’s concerts were canceled because of the coronavirus pandemic — to present their popular summer concert series at Immanuel Lutheran Church (below) on Spaight Street. For these programs, the group has collaborated with many well-known guest artists from Madison and beyond.
“In addition, WSCP presents an array of events throughout the year including the admission-free Community Connect series that aims to bring classical music to inclusive spaces.
“WSCP has also performed at many other popular Madison venues including Marquette Waterfront Fest; Summer Serenades at Memorial Union Terrace; the Frank Lloyd Wright Taliesin compound in Spring Green; the Madison New Music Festival; and the Madison Museum of Contemporary Art (MMoCA).”
OTHER DETAILS
Video recording and editing has been done by: https://www.microtonemedia.com/
Audio engineering has been done by Bruce Kasprzyk.
Grace Presents is supported in part by generous project grants from Dane Arts, the Madison Arts Commission, the Episcopal Church Women (ECW) and the Grace Episcopal Development Fund Trust as well as individual gifts and in-kind support.
Tags: #ArtisticDirector, #BaroqueMusic, #BestofMadison, #BlogPost, #BlogPosting, #CapitolSquare, #CelloSuite, #ChamberMusic, #ChristianChurch, #CityofMadison, #ClassicalMusician, #ConcertSeries, #CoronavirusPandemic, #COVID-19, #CriticallyAcclaimed, #CulturalDiversity, #DaneArts, #EleanorBartsch, #EmailAddress, #EpiscopalChurch, #FacebookPost, #FacebookPosting, #FinancialSupport, #FrankLloydWright, #FranzSchubert, #GeorgeWalker, #GoldMedal, #GoodShepherdLutheranChurch, #GraceEpiscopalChurch, #GracePresentsHD, #GraduateStudent, #GuestArtist, #HeinrichBiber, #ImmanuelLutheranChurch, #JacobStockinger, #James Waldo, #JamesWaldo, #JohannSebastianBach, #KimoWilliams, #LindsayCrabb, #LivingComposer, #LudwigVanBeethoven, #MadisonArtsCommission, #MadisonMagazine, #MadisonMuseumofContemporaryArt, #MadisonNewMusicFestival, #MadisonWisconsin, #MarkBridges, #MarquetteWaterfrontFest, #MeadWitterSchoolofMusic, #Meet-and-Greet, #MemorialUnion, #MusicianoftheYear, #NewMusic, #ParanAmirinazari, #QuietShadows, #ReaderPoll, #SpringGreen, #StringMusic, #StringTrio, #SummerSerenades, #Taliesincompound, #TaniaLeon, #TheEar, #TheWillys, #UnionTerrace, #UniversityofWisconsin-Madison, #WilliamsonStreet, #WillyStreetChamberPlayers, #YouTubeChannel, #YouTubevideo, accesible, accolades, allegro, annoucement, array, Artistic director, Arts, audience, Audio, available, award, Bach, Baroque, Beethoven, Best of Madison, Biber, blog, canceled, Capitol Square, CDT, cellist, Cello, Cello Suite, Cello Suites (Bach), Chamber music, channel, Christian, Christian church, church, classic, Classical music, classicalmusic, collaborate, community, comofrt, composer, Concert, convene, cooridnate, coronavirus, critically acclaimed, crystal-clear, cultural, cultural diversity, danceamdante, Dane Arts, dedicated, diversity, donor, downtown, Early music, editing, Eleanor Bartsch, email, engineering, ensemble, Episopal, established, event, events, exciting, Facebook, fantastic, forward, Frank Lloyd Wright, Franz Schubert, free, fresh, fun, fund, funding, gathering, generous, George Walker, gift, gold, Gold medal, Grace Episcopal Church, Grace Presents HD, graduate student, grants, group, guest artist, Heinrich Biber, help, historica;, Home, hour, imaginative, Immanuel Lutheran Church, in-kind, information, intelligent, Jacob Stockinger, Johann Sebastian Bach, July, Kimo Williams, like, limited, Lindsay Crabb, link, living composers, local, located, Ludwig van Beethoven, Madison, Madison Arts Commission, Madison Magazine, Madison Museum of Contemporary Art, Madison New Music Festival, Mark Bridges, Marquette Waterfront Fest, Master, masterpieces, Mead Witter School of Music, medal, member, MMOCA, Music, Musician, Musician of the Year, nave, neighborhood, New Music, noon, online, pandemic, Paran Amarinazari, partnerships, passacaglia, performers, piece, pleasure, poll, popular, post, posting, prayer, pre-recorded, Prelude, prestigious, program, programming, project, quiet, Quiet Shadows, reader, reader poll, receive, record, recording, room, RSVP, safety, sarabande, Saturday, scene, Schubert, series, shadow, share, sit, solo, Spring Green, Spring Green Wisconsin, string music, string trio, Suite, summer, Summer Serenades, support, tag, Taliesin, Tania Leon, The Ear, The Willys, time, trio, turst, typical, Union Terrace, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, UW-Madison, venue, vibrant, video, Viola, Violin, violinist, violist, virtual, Walker, Williamson Street, Willy Street, Willy Street Chamber Players, Wisconsin, Wisconsin Union Terrace, women, YouTube, Zoom
Classical music: Trevor Stephenson announces the new season of the Madison Bach Musicians on YouTube. It features smaller concerts and familiar comfort music
Leave a Comment
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
At a time when so many concerts are being canceled, it is especially welcome when a local ensemble announces plans for the 2020-21 season.
To announce the 17th season of the Madison Bach Musicians — a period-instrument group that uses historically informed performance practices — the founder and artistic director Trevor Stephenson (below), who also plays the harpsichord, fortepiano and piano, has made and posted a 13-1/2 minute YouTube video.
The season will also be posted on the MBM website in early June, and will also be announced with more details about times and ticket prices via email and postal mailings.
In the video, Stephenson plays the harpsichord. He opens the video with the familiar Aria from the “Goldberg” Variations and closes with two contrasting Gavottes from the English Suite in G minor.
As usual, Stephenson offers insights in the programs that feature some very well-known and appealing works that are sure to attract audiences anxious to once again experience the comfort of hearing familiar music performed live.
One thing Stephenson does not say is that there seems to be fewer ambitious programs and fewer imported guest artists. It’s only a guess, but The Ear suspects that that is because it is less expensive to stage smaller concerts and it also allows for easier cancellation, should that be required by a continuing COVID-19 pandemic.
If the speculation proves true, such an adaptive move is smart and makes great sense artistically, financially and socially given the coronavirus public health crisis.
After all, this past spring the MBM had to cancel a much anticipated, expensive and very ambitious production, with many out-of-town guests artists, of the “Vespers of 1610” by Claudio Monteverdi. Nonetheless, MBM tried to pay as much as it could afford to the musicians, who are unsalaried “gig” workers who usually don’t qualify for unemployment payments.
“Hope and Joy” is a timely, welcome and much-needed theme of the new season.
The new season starts on Saturday night, Oct. 3, at Grace Episcopal Church downtown on the Capitol Square, and then Sunday afternoon, Oct. 4, at Holy Wisdom Monastery in Middleton.
The program is Haydn and Mozart: songs composed in English and German by Haydn plus songs by Mozart; the great violin sonata in E minor by Mozart; and two keyboard trios, one in C major by Haydn and one in G major by Mozart.
Only four players will be required. They include: Stephenson on the fortepiano; concertmaster Kangwon Kim on baroque violin; James Waldo on a Classical-era cello; and soprano Morgan Balfour (below), who won the 2019 Handel Aria Competition in Madison.
On Saturday night, Dec. 12, in the First Congregational United Church of Christ, near Camp Randall Stadium, MBM will perform its 10th annual holiday concert of seasonal music.
The program includes several selections from the “Christmas Oratorio” by Johann Sebastian Bach; a Vivaldi concerto for bassoon with UW-Madison professor Marc Vallon (below, in a photo by James Gill) as soloist; and the popular “Christmas Concerto” by Arcangelo Corelli.
On Saturday night, April 24, at Grace Episcopal Church and Sunday afternoon, April 25, at Holy Wisdom Monastery, the MBM will perform a concert of German Baroque masterworks with the internationally renowned baroque violinist Marc Destrubé (below).
The program features Handel and Bach but also composers who are not often played today but who were well known to and respected by Bach and his contemporaries.
Specifically, there will be a suite by Christoph Graupner (below top) and a work by Carl Heinrich Graun (below bottom).
There will also be a concerto grosso by George Frideric Handel and two very well-known concertos by Bach – the Brandenburg Concerto No. 3 and the Concerto for Two Violins.
Here is the complete video:
What do you think of the Madison Bach Musicians’ new season?
The Ear wants to hear.
Tags: "Goldberg" Variations, #AntonioVivaldi, #ArcangeloCorelli, #ArtisticDirector, #BaroqueMusic, #BaroqueViolin, #BassoonConcerto, #BlogPost, #BlogPosting, #BrandenburgConcerto, #CampRandall, #CampRandallStadium, #CapitolSquare, #CarlHeinrichGraun, #ChamberMusic, #ChristianChurch, #ChristmasConcerto, #ChristmasOratorio, #ChristophGraupner, #CityofMadison, #Classicalera, #ClaudioMonteverdi, #ConcertoGrosso, #COVID-19, #EnglishLanguage, #EnglishSuite, #FacebookPost, #FacebookPosting, #FacultyMember, #FirstCongregationalUnitedChurchofChrist, #FranzJosephHaydn, #GeorgeFridericHandel, #GermanLanguage, #Goldberg"Variations, #GraceEpiscopalChurch, #GuestArtist, #HandelAriaCompetition, #HealthCrisis, #HistoricallyInformedPerformancePractices, #HolyWisdomMonastery, #HomeWebsite, #JacobStockinger, #James Waldo, #JamesWaldo, #JohannSebastianBach, #KangwonKim, #KeyboardMusic, #LiveMusic, #MadisonBachMusicians, #MarcDestrubé, #MeadWitterSchoolofMusic, #MiddletonWisconsin, #Musicfaculty, #MusicProfessors, #OrchestralMusic, #PandemicPlaylist, #PeriodInstrument, #PeriodInstruments, #PianoTrio, #PublicHealth, #SaturdayNight, #SeasonalMusic, #SopranoSinger, #Sundayafternoon, #TheEar, #TheFortepiano, #TicketPrice, #TrevorStephenson, #UniversityofWisconsin-Madison, #Vespersof1610, #ViolinConcerto, #ViolinMusic, #ViolinSonata, #VocalMusic, #WolfgangAmadeusMozart, #World-Renowned, #YouTubevideo, 2019, 2020, 2021, 21, adaptive, afford, afternoon, ambition, ambitious, announcement, annual, Antonio Vivaldi, anxious, appealing, Arcangelo Corelli, aria, artist, artistic, Artistic director, Arts, attract \anxious, audience, Bach, Baroque, blog, Brandenburg Concerto, Camp Randall, Camp Randall Stadium, cancel, cancellation, Capitol Square, Carl Heinrich Graun, cellist, Cello, Chamber music, Christmas, Christmas Concerto, Christmas Oratorio, Christoph Graupner, church, Classical era, Classical music, Claudio Monteverdi, close, comfort, composer, Concert, concertmaster, concerto, Concerto Grosso, contemporaries, contrast, Corelli, coronavirus, crisis, dance, December, detail, downtown, draw, Early music, easier, email, English, English language, English Suite, ensemble, expensive, Facebook, faculty, familiar, fewer, financial, First Congregational United Church of Christ, fortepiano, forward, founder, Franz Joseph Haydn, Gavotte, George Frideric Handel, German, Germany, gig, Grace Episcopal Church, great, guest, Handel, Handel Aria Competition, harpsichord, Haydn, hear, hearing, historically informed performance practices, Holiday, Holy Wisdom Monastery, home website, hope, import, inisght, international, Jacob Stockinger, Johann Sebastian Bach, Joy, June, Kangwoo Kim, Keyboard, like, link, live music, local, long-distance, Madison, Madison Bach Musicians, mail, mailing, Marc Destrubé, masterpiece, masterwork, MBM, Mead Witter School of Music, Middleton, Monteverdi, Morgan Balfour, MorganBalfour, move, Mozart, Music, Musician, new, night, offer, open, orchestral music, out-of-town, pandemic, pay, payment, performer, period instruments, period-instrument, Piano, Piano Trio, plans, play, popular, post, postal, posting, price, professor, program, public, Public health, renown, respect, salary, Saturday night, Season, seasonal, seasonal music, sense, share, singer, Singing, smart, social, Sonata, song, soprano, specific, speculation, Spring, stadium, start, Suite, Sunday afternoon, suspect, tag, The Ear, theme, ticket, time, timely, today, Trevor Stephenson, trio, unemployment, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, unsalaried, usual, UW, UW-Madison, vesper, video, Violin, Violin Sonata, violinist, Vivaldi, vocal music, Website, welcome, well-known, winner, Wisconsin, Wolfgang Amadeus Mozart, worker, YouTube
Classical music: The Madison Bach Musicians will perform its ninth annual Baroque Holiday Concert this coming Saturday night
Leave a Comment
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
On this coming Saturday night, Dec. 7, the Madison Bach Musicians will present its ninth annual Baroque Holiday Concert (below, in 2014, in a photo by Kent Sweitzer).
The concert, using period instruments and historically informed performance practices, is again at the First Congregational United Church of Christ, 1609 University Ave., near Camp Randall Stadium. A pre-concert lecture by MBM founder and director Trevor Stephenson is at 7:15 p.m. followed by the concert at 8 p.m.
Advance-sale tickets are $35 at Orange Tree Imports and the Willy St. Co-op (East and West). Online advance-sale tickets are available at https://madisonbachmusicians.org. Tickets at the door at $38 for general admission and $35 for seniors. Student Rush tickets are $10 at the door and go on sale 30 minutes before the lecture.
The program features masterworks by Bach, Handel, Purcell and Torelli which, in their appealing Baroque way, explore the fusion of celebration, reflection and ultimate renewal often felt as the year’s end approaches.
MBM welcomes baroque trumpet virtuoso Kathryn Adduci (below), who will show how wonderfully vintage brass resounds in the magnificent Old World acoustics of the church.
Other performers are: Ariadne Lih, soprano (below); Lindsey Meekhof, alto; Ryan Townsend Strand, tenor; Michael Hawes, bass; Christine Hauptly Annin and Nathan Giglierano, violins; Micah Behr, viola; James Waldo, cello; and Trevor Stephenson, harpsichord.
Here are a couple of fun facts, provided by Stephenson, about each piece on the program.
Sound the Trumpet, by Henry Purcell (1659−1695, below)
1. This piece was composed in 1694, the year before Purcell died at the age of just 36. It is part of a birthday ode — Come Ye Sons of Art, Away! — for Queen Mary II of England, wife of King James II.
2. There is no trumpet in it at all, but the two voices implore the trumpet to play and they emulate trumpet-style writing with long, swelling notes mixed in with brilliant decorative flourishes.
Trumpet Concert in D major by Giuseppe Torelli (1658−1709, below)
1. Torelli was one of the most prolific trumpet composers of all time.
2. The baroque trumpet has no valves and is designed to play in one tonality at a time. Favorite baroque keys were D major and C major.
Comfort Ye and Every Valley from Messiah, by George Frideric Handel (1685−1759, below)
1. After the instrumental Overture to Messiah, this Recitative and Aria are the work’s first sung pieces.
2. Handel was 56 years old when he composed Messiah in 1741 in London; the work was premiered, however, in Dublin in 1742, much to the chagrin of Handel’s librettist Charles Jennens.
Cantata BWV 51, Jauchzet Gott in allen Landen (Exult in God in Every Land), by Johann Sebastian Bach (1685−1750, below)
1. Composed around 1730, this is one of the very few Bach cantatas requiring only one singer.
2. In Bach’s Leipzig church, where the work was probably first heard, the soloist would have been either a male falsettist (or castrato) or an exceptionally skilled boy soprano.
Contrapunctus XIX and Vor deinen Thron tret ich hiermit (Before Thy throne I stand), from The Art of Fugue, BWV 1080, by J.S. Bach
1. According to Bach’s son Carl Philipp Emanuel (CPE), this fugue is the last piece his father wrote — though scholars hotly contest this claim.
2. In measure 195, Bach’s own name appears suddenly as a musical motive: B (B-flat in the German scale) – A – C – H (B natural) and the fugue has no ending but simply trails off in measure 239.
Grosser Herr, o starker König (Great Lord, O Powerful King) from Christmas Oratorio,BWV 248, by J.S. Bach
1. It features dance-like melodic figures in dialogue between trumpet and solo bass voice. (Heard in the YouTube video at the bottom.)
2. Text celebrates the birth of the savior, which makes the powers of the Earth irrelevant.
Cantata BWV 196, Der Herr denket an uns (The Lord thinks of us),by J.S. Bach
1. With its textual focus on blessings (from Psalm 115), the work is likely a wedding cantata.
2. Written probably when Bach was only 22 years old, the work is absolutely perfect in its structure and easy concision; its high-energy but quiet final cadence has a curiously modern, neo-Classical charm that might have made Stravinsky smile.
Chorale: Wohl mir, dass ich Jesum habe (What joy for me that I have Jesus),from Cantata, BWV 147, Herz und Mund und Tat und Leben (Heart and Mouth and Deed and Life), by J.S. Bach
1. The famous opening figure in the strings is really just Bach’s ingenious obligato lead-in to a chorale tune that parishioners in his church would have instantly recognized.
2. This work has enjoyed tremendous popularity as “Jesu, Joy of Man’s Desiring” since it was arranged for one and then two pianos in 1926 and 1934 respectively by English pianist Myra Hess. It has since been arranged for myriad combinations of instruments and voices.
Tags: #AltoSinger, #AriadneLih, #ArtofFugue, #BachCantata, #BaroqueMusic, #BaroqueOratorio, #BassSinger, #BlogPost, #BlogPosting, #BoySoprano, #BrassMusic, #CampRandall, #CampRandallStadium, #CarlPhilippEmanuelBach, #CharlesJennens, #CharlesJennins, #ChoralMusic, #ChristianChurch, #ChristianReligion, #ChristmasHoliday, #ChristmasOratorio, #CPEBach, #DublinIreland, #FacebookPost, #FacebookPosting, #FirstCongregationalUnitedChurchofChrist, #FourSeasonsofBuenosAires, #GeorgeFridericHandel, #GermanComposer, #GermanLanguage, #GiuseppeTorelli, #GuestArtist, #HenryPurcell, #HistoricallyInformedPerformancePractices, #HolidayConcert, #HolidayMusic, #HolidaySeason, #IgorStravinsky, #InstrumentalMusic, #italianComposer, #James Waldo, #JamesGiles, #JamesWaldo, #JesuJoyofMan'sDesiring, #JesusChrist, #JohannSebastianBach, #KathrynAdduci, #KingJames, #KingofEngland, #LeipzigGermany, #LondonEngland, #MadisonBaroqueMusicians, #MeadWitterSchoolofMusic, #MicahBehr, #MyraHess, #NathanGiglierano, #OldWorld, #PeriodInstruments, #QueenMary, #SeniorCitizen, #SopranoSinger, #TenorSinger, #TheEar, #TheLord, #TrevorStephenson, #TrumpetConcerto, #TrumpetMusic, #UniversityofWisconsin-Madison, #VocalMusic, #WillySt.Coop, #WillySt.CoopWest, #WillyStreetCo-op, #WillyStreetCoopEast, #YouTubevideo, acoustics, alto, appealing, aria, Ariadne Lih, arrangement, Art of Fugue, Arts, Bach, Bach cantata, Baroque, Baroque music, bass, biirth, birthday, blog, boy, boy soprano, brass, brass music, brilliant, British, Camp Randall, Camp Randall Stadium, Cantata, Carl Philipp Emanuel Bach, castrato, celebration, cellist, Cello, Charles Jennens, charm, choral music, Chorale, Christ, Christmas, Christmas Oratorio, church, claim, Classical music, composer, Concert, concerto, concise, conductor, contest, counterpoint, CPE Bach, decorative, deed, dialogue, director, Dublin, Early music, Earth, east, end, ending, energy, England, English, explore, Facebook, fact, falsetto, father, figure, First Congregational United Church of Christ, flourishes, forward, founder, fugue, fusion, George Frideric Handel, German, Giuseppe Torelli, God, guest artist, Handel, harpsichord, heart, Henry Purcell, historically informed performance practices, Holiday, holiday concert, Igor Stravinsky, ingenious, instrument, instrumental, instruments, Italian, Italy, J.S. Bach, Jacob Stockinger, James, Jesu Joy of Man's Desiring, Jesus Christ, Johann Sebastian Bach, Kathryn Adduci, key, keys, King, last, lecture, Leipzig, librettist, life, like, link, London, long, Lord, Madison, Madison Baroque Musicians, magnificent, male, Mary, masterwork, Mead Witter School of Music, Messiah, Micah Behr, modern, motive, mouth, Music, musical, Myra Hess, Nathan Giglierano, neo-Classical, notes, ode, Old World, online, opening, oratorio, Orchestra, Overture, parishioners, perfect, period instruments, Pianist, Piano, Pianos, play, popularity, post, posting, premiere, program, prolific, queen, Queen Mary, recitative, reflection, Religion, renewal, resound, rush, savior, scholar, Season, senior, senior citizen, share, singer, skill, smile, solo, soloist, son, soprano, Sound, Stravinsky, structure, Student, swelling, tag, tenor, text, The Ear, throne, ticket, tonality, Torelli, Trevor Stephenson, Trumpet, trumpet concerto, tune, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, UW-Madison, valve, valveless, vintage, Viola, Violin, violinist, violist, virtuoso, vocal music, voice, websote, wedding, west, Willy Street Co-op, Willy Street Coop, Willy Street Coop East, Willy Street Coop West, Wisconsin, wrote, year, YouTube
Classical music: This week brings Baroque music from Just Bach this Wednesday at noon and Sonata a Quattro next Sunday afternoon
3 Comments
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
This week brings authentic Baroque music from two newer groups that employ period instruments and historically informed performance practices: Just Bach and Sonata a Quattro.
The concert for November by Just Bach (below, in a photo by John W. Barker, takes place this Wednesday, Nov. 20, from noon to 12:30 p.m. at Luther Memorial Church, 1021 University Ave, in Madison.
The performance is free and open to the public, with a good will offering collected.
Performers are: Sarah Brailey, soprano; Lindsey Meekhof, mezzo-soprano; Thore Dosdall, tenor; Paul Rowe, baritone; Linda Pereksta, flute; Kangwon Lee Kim and Nathan Giglierano, violins; Marika Fischer Hoyt, viola; James Waldo, cello; and Mark Brampton Smith, organ.
The program opens with the six-minute instrumental Sinfonia from Cantata 209. Just Bach favorite Linda Pereksta will be the featured flute soloist, backed up by the strings-and-organ band. (You can hear the Sinfonia in the YouTube video at the bottom.)
Cantata 151 ‘Süßer Trost, mein Jesus kommt‘ (Sweet comfort, my Jesus comes) closes the program. Each of the first four movements of this cantata features a different vocal soloist — the serene soprano aria also boasts a lovely flute obbligato — concluding with the chorale in which all take part.
Those who attend are invited to “bring your lunch, bring your ears and your voice, bring a friend, but most of all bring yourself to this stirring program of J.S. Bach.”
The next Just Bach program is Wednesday, Dec. 18, at noon.
For more information, go to:
https://www.facebook.com/events/451732972120968/
SONATA A QUATTRO
This week the Madison-based group Sonata à Quattro (below) will give two performances of its program “A Dark and Stormy Night”:
- Saturday, Nov. 23, at 7 p.m. at the St. Matthias Episcopal Church, 11 East Main St. in., Waukesha. Tickets for the general public, seniors and students are $15, $10 and $5 in advance; and $20, $15 and $10 at the door. Go to: stmatthiasepiscopalchurch.ticketleap.com/sonata-a-quarttro
- Sunday, Nov. 24 at 2:30 p.m. at the Madison Chinese Christian Church, 1510 Madison St., in Madison. Tickets $15 in advance or at the door. Online, go to: www.brownpapertickets.com/event/4429975
The program is:
- Motet: “In furore iustissimae irae” (In the fury of most righteous wrath), RV 626 by Antonio Vivaldi
- Quartet No. 1 in D Major by Johann Joachim Quantz
- Cello Sonata in C Minor, Book II No. 6 by Jean-Baptiste Barrière
- Concerto for 4 in D Minor, TWV 43:d2 by Georg Philipp Telemann
- Cantata 209: “Non sa che sia dolore” (He does not know what sorrow is) by Johann Sebastian Bach
Sonata à Quattro performers are: Christine Hauptly Annin and Nathan Giglierano, violins; Marika Fischer Hoyt, viola; Charlie Rasmussen, cello; Daniel Sullivan, harpsichord; and Kristin Knutson, soprano. Special guest artist is flutist Linda Pereksta (below, in a photo by Katrin Talbot).
Says founder and violist Marika Fischer Hoyt (below): “Join us for a program of dark and stormy pieces, on period-instruments. Sonata à Quattro’s third season opens with a program exploring the darker side of human experience, from Vivaldi’s motet, burning with godly rage, to Bach’s secular Cantata, deploring the departure of a beloved friend.
“Quantz’ bubbly Flute Quartet in D Major provides some needed moments of optimism, before we turn to the poignant, brooding Cello Sonata by Barrière. Even the viola gets a turn, in the Telemann, to unfold a haunting saga of tragic beauty.
“But the composers do not leave us in despair; each one leads the listener through the dark night of the soul, to the morning after.”
The Bach Cantata opens with an instrumental Sinfonia, heard in the YouTube video at the bottom, that features flutist Linda Pereksta, who also plays in the works by Quantz and Telemann.
For more information, go to:
Tags: #AntonioVivaldi, #BachCantata, #BaritoneSinger, #BaroqueCello, #BaroqueMusic, #BlogPost, #BlogPosting, #BrownPaperTickets, #CelloSonata, #ChamberMusic, #ChoralMusic, #DarkerSide, #EpiscopalChurch, #FacebookPost, #FacebookPosting, #GeorgPhilippTelemann, #GuestArtist, #HarpsichordContinuo, #HistoricallyInformedPerformancePractices, #HumanExperience, #HumanSpiirt, #James Waldo, #JamesWaldo, #JesusChrist, #JohannJoachimQuantz, #JohannSebastianBach, #JohnW.Barker, #JustBach, #KangwonKim, #LindaPereksta, #LindseyMeekhof, #LutherMemorialChurch, #MadisonChineseChristianChurch, #MarikaFischerHoyt, #MarkBramptonSmith, #Mezzo-sopranoSinger, #NathanGiglierano, #PaulRowe, #PeriodInstruments, #SarahBrailey, #SonataaQuattro, #SopranoSinger, #St.MatthiasEpiscopalChurch, #StringMusic, #TheEar, #ThoreDosdall, #VocalMusic, #WaukeshaWisconsin, #YouTubevideo, Antonio Vivaldi, aria, Arts, audience, authentic, Bach, Bach cantata, band, baritone, Baroque, Baroque music, blog, brooding, Brown Paper Tickets, Cantata, cellist, Cello, Cello Sonata, Chamber music, Chamber Music America, China, Chinese, choral music, Chorale, Christ, Christian, Christianity, church, Classical music, comfort, composer, Concert, concerto, dark, darker, December, despair, dorector, Early music, earlymusic, ears, eat, Episcopal, experience, Facebook, flute, flutist, forward, founder, free, friend, Georg Philipp Telemann, good will, group, guest artist, harpsichord, historically informed performance practices, Jacob Stockinger, Jean-Baptiiste Barrière, Jean-Baptiste Carrière, Jesus, Jesus Christ, Johann Joachim Quantz, Johann Sebastian Bach, John W. Barker, Just Bach, Kangwon Kim, like, Linda Pereksta, Lindsey Meekhof, link, Lord, lovely, lunch, Luther Memorial Church, Lutheran, Madison, Madison Chinese Christian Church, Marika Fischer Hoyt, Mark Brampton Smith, Mezzo-soprano, morning, motet, Music, Nathan Giglierano, new, night, November, obbligato, offering, online, optimism, Orchestra, organ, organist, Paul Rowe, performer, period instruments, plays, poignant, post, posting, public, Quantz, Quartet, righteous, Sarah Brailey, Season, seniors, serene, share, side, sinfonia, singer, singers, Sonata, Sonata à Quattro, soprano, sorrow, soul, St. Matthias Episcopal Church, stormy, strings, Student, sweet, symphony, tag, Telemann, The Ear, Thore Dosdall, tickets, United States, Viola, Violin, violinist, Vivaldi, vocal music, voice, Waukesha, week, Wisconsin, works, wrath, YouTube
Classical music: Two noteworthy baroque concerts by Just Bach and the Wisconsin Baroque Ensemble are on tap this Wednesday afternoon and Saturday night
1 Comment
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, PLEASE SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
Fans of Baroque music have two noteworthy events this week to look forward to.
Both concerts feature period instruments and historically informed performance practices.
WEDNESDAY AT NOON
This coming Wednesday, Oct. 16, from noon to 12:30 p.m. at Luther Memorial Church, 1021 University Avenue, the second FREE Just Bach concert of the semester will take place.
The concerts by Just Bach (below, in a photo by John W. Barker) are now a regular feature of the Music at Midday at Luther Memorial Church.
Organist Mark Brampton Smith opens the program with a brief Fantasia on the melody of “Christ lag in Todesbanden” (Christ Lay in Death’s Bonds). That tune will reappear at the very end of the program, in the final chorale of Cantata 158.
The next piece on the program was also written for solo organ, but will be heard in an arrangement for violin, viola, cello and organ. Johann Sebastian Bach wrote six organ trio sonatas, apparently for his eldest son, Wilhelm Friedemann.
The C Minor Sonata, the second in the set, is full of fiery drama in the outer movements, framing a dreamy, peaceful Largo.
UW-Madison baritone Paul Rowe will lead the chorale sing-along, a beloved audience-participation feature of these programs.
The program closes with Cantata 158, “Der Friede sei mit dir” (Peace Be with You), with solo bass-baritone Jake Elfner. Elisheva Pront provides the luminous “cantus firmus” (an existing melody used in a polyphonic composition) in the second movement, which also features a beautiful violin solo played by Kangwon Kim. The Cantata ends with a chorale on the tune of “Christ lag in Todesbanden.”
You may bring your lunch and beverage.
The concert is FREE and open to the public, with a goodwill offering collected.
Other Just Bach concerts this fall, all Wednesdays at Noon, are: Nov. 20 and Dec. 18.
Performers this week are: Jake Elfner, bass-baritone; Elisheva Pront, soprano; Kangwon Kim, violin; Leanne League, violin; Marika Fischer Hoyt, viola; James Waldo, cello; and Mark Brampton Smith, organ.
For more information, go to: https://justbach.org or https://www.facebook.com/JustBachSeries/
SATURDAY NIGHT
This Saturday night, Oct. 19, at 7:30 p.m. in Saint Andrew’s Episcopal Church, 1833 Regent Street in Madison, the Wisconsin Baroque Ensemble (below) will perform a concert of varied chamber music.
Performers include: Mimmi Fulmer, UW-Madison soprano; Nathan Giblierano, baroque violin; Eric Miller, viola da gamba and baroque cello; Chelsie Propst, soprano; Charlie Rasmussen, viola da gamba and baroque cello; Consuelo Sañudo, mezzo-soprano; Anton TenWolde, baroque cello; and Max Yount, harpsichord.
Tickets are at the door only: $20 for the public, $10 students. After the concert, a reception will be held at 2422 Kendall Ave, second floor.
The program is:
Henry Purcell: Three Fantasias
Giacomo Carissimi: “Scrivete, occhi dolente” (Write, Sore Eyes)
George Frideric Handel: Violin Sonata, HWV 372 (heard in an animated graphic depiction the YouTube video at the bottom)
Claudio Monteverdi: “Baci soave e cari” (Soft and Dear Kisses)
INTERMISSION
Luzzasco Luzzaschi: “O dolcezze amarissime” (O Bitter Sweetness)
Martin Berteau: Trio for violoncellos
Giulio Caccini: Excerpts from “La liberazione di Ruggiero” (The Liberation of Ruggiero)
For more information, go to: www.wisconsinbaroque.org
Tags: #AntonTenWolde, #BachCantata, #BaritoneSinger, #BaroqueMusic, #BassBaritone, #BlogPost, #BlogPosting, #CelloMusic, #ChamberMusic, #CharlieRasmussen, #ChelsiePropst, #ChoralMusic, #ChristianChurch, #ClaudioMonteverdi, #ConsueloSañudo, #ElishevaPront, #EricMiller, #FacebookPage, #FacebookPost, #FacebookPosting, #GeorgeFridericHandel, #GiacomoCarissimi, #GiulioCaccini, #HarpsichordMusic, #HenryPurcell, #HistoricallyInformedPerformancePractices, #JakeElfner, #James Waldo, #JamesWaldo, #JesusChrist, #JohannSebastianBach, #JohnW.Barker, #JustBach, #KangwonKim, #LeanneLeague, #LutherMemorialChurch, #LuzzascoLuzzaschi, #MarikaFischerHoyt, #MarkBramptonSmith, #MartinBerteau, #MaxYount, #MeadWitterSchoolofMusic, #Mezzo-sopranoSinger, #MimmiFulmer, #MusicatMidday, #Musicfaculty, #NathanGiblierano, #OrganMusic, #PaulRowe, #PeriodInstruments, #PolyphonicMusic, #SaturdayNight, #SingAlong, #SopranoSinger, #St.Andrew'sEpiscopalChurch, #TheEar, #TrioSonata, #UniversityofWisconsin-Madison, #VioladaGamba, #ViolaMusic, #ViolinMusic, #ViolinSonata, #VocalMusic, #WandererFantasy", #WilhelmFriedemannBach, #WisconsinBaroqueEnsemble, #YouTubevideo, afternoon, Anton TenWolde, arrangement, Arts, audience, Bach, baritone, Baroque, Baroque music, bass-baritone, beloved, beverage, blog, bonds, Caccini, Cantata, cellist, Cello, Chamber music, Charlie Rasmussen, Chelsie Propst, choral music, Chorale, Christ, Christian, church, Classical music, classicalmusic, Claudio Monteverdi, composer, Concert, conductor, Consuelo Sañudo, dear, death, depiction, door, drama, dream, dreamy, Early music, Elisheva Pront, ensemble, Episcopalian, Eric Miller, event, Facebook, Facebook page, fan, Fantasia, fantasy, father, forward, free, George Frideric Handel, Giacomo Carissimi, graphic, Handel, harpsichord, help, Henry Purcell, historically informed performance practices, Jacob Stockinger, Jake Elfner, Jesus, Johann Sebastian Bach, Johh W. Barker, Just Bach, kisses, Leanne League, liberation, like, link, lunch, Luther Memorial Church, Lutheran, Luzzasco Luzzaschi, Madison, Marika Fischer Hoyt, Mark Brampton Smith, Martin Berteau, Max Yount, Mead Witter School of Music, melody, Mezzo-soprano, Mimmi Fulmer, Monteverdi, movements, Music, Music at Midday, music faculty, Nathan Giblierano, night, noon, noteworthy, offering, organ, organist, Paul Rowe, peace, peaceful, performer, period instruments, polyphonic, polyphony, post, posting, program, public, Purcell, reception, Saturday, semester, share, sing, sing-along, soft, solo, son, Sonata, soprano, St. Andrew's Episcopal Church, students, tag, The Ear, tickets, trio, trio sonata, tune, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, UW-Madison, Viola, viola da gamba, Violin, Violin Sonata, violinist, violist, vocal music, Wednesday, week, Wilhelm Friedemann Bach, Wisconsin, Wisconsin Baroque Ensemble, YouTube
Classical music: A busy week at the UW-Madison brings FREE concerts in new halls with an emphasis on new music for winds, chamber ensembles, orchestra and band
3 Comments
IF YOU LIKE A CERTAIN BLOG POST, PLEASE SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
ALERT: Tonight’s performance by the a cappella vocal group Chanticleer is SOLD OUT.
By Jacob Stockinger
It’s going to be a busy week at the University of Wisconsin-Madison Mead Witter School of Music and especially in its new Hamel Music Center (below), 740 University Ave., next to the new wing of the Chazen Museum of Art.
On tap is a variety of FREE concerts, with an emphasis on new music, including compositions for winds, chamber ensembles, orchestra and band.
Earlier mistakes on dates and time have been corrected. To double check dates, times and venues as well programs, go to: https://www.music.wisc.edu/events/
Here is a schedule:
TUESDAY, OCT. 8
At 7:30 p.m. in the Mead Witter Foundation Concert Hall, the UW Wind Ensemble (below), conducted by director Scott Teeple and guest conductor Ross Wolf, will perform a FREE program of contemporary wind music.
The program includes works by Augusta Read Thomas (below top), Jake Runestad, Larry Tuttle, Xi Wang (below bottom) and Carlos Simon.
There will be one world premiere and two Wisconsin premieres.
For more information and the complete program, go to: https://www.music.wisc.edu/event/uw-wind-ensemble-5/
THURSDAY, OCT. 10
At 8 p.m. in Collins Recital Hall of the new Hamel Music Center, the Contemporary Chamber Ensemble will perform a FREE recital of new music, including two works — “Wet Ink” and ” Treetop Studio” — by the critically acclaimed UW-Madison composer Laura Schwendinger (below).
Also on the “Fall Notes” program are “Wing and Prayer” by Melinda Wagner (below top) and “Pentacle” by Irish composer Raymond Deane (below bottom) who will make his UW-Madison debut.
Performers for “Fall Notes” will feature UW-Madison musicians, including clarinetist Alicia Lee, cellist James Waldo, violist Sally Chisholm, pianist Christopher Taylor and student performers.
FRIDAY, OCT. 11
At 8 p.m. in the Mead Witter Foundation Concert Hall, the UW-Madison Symphony Orchestra (below) will open its season with a FREE concert under its new conductor Oriol Sans, a native of Catalonia, Spain, who studied at the Barcelona Conservatory and who came to Madison from the University of Michigan at Ann Arbor.
The program is: “aequilibria” by contemporary Icelandic composer Anna Thorvaldsdottir (heard in the YouTube video at the bottom); “Death and Transfiguration; by Richard Strauss; and “Symphonic Dances” by Sergei Rachmaninoff.
For more information about conductor Oriol Sans (below), go to: https://www.music.wisc.edu/oriol-sans/
For more information, from Wikipedia, about composer Anna Thorvaldsdottir (below), go to: https://en.wikipedia.org/wiki/Anna_S._Þorvaldsdóttir
SUNDAY, OCT. 13
At 2 p.m., in the Mead Witter Foundation Concert Hall, the University Bands will perform a FREE concert under conductor Darin Olson (below), the assistant director of bands at the UW-Madison.
No program is available.
Tags: #ACapella, #AliciaLee, #AmericanComposer, #AnnaThorvaldsdottir, #AsianComposer, #AugustaReadThomas, #BandConcert, #BandMusic, #BarcelonaSpain, #BlogPost, #BlogPosting, #CarlosSimon, #ChamberMusic, #ChazenMuseumofArt, #Chinesecomposer, #ChineseMusic, #ChristopherTaylor, #ClarinetMusic, #ClassicalMusician, #CollinsRecitalHall, #ConcertHall, #ConcertProgram, #ContemporaryChamberEnsemble, #ContemporaryComposers, #ContemporaryMusic, #CriticallyAcclaimed, #DarinOlson, #DeathandTransfiguration, #FacebookPost, #FacebookPosting, #FacultyConcert, #GuestConductor, #HamelMusicCenter, #IcelandicComposer, #IrishComposers, #JacobStockinger, #JakeRunestad, #James Waldo, #JamesWaldo, #LarryTuttle, #LauraSchwendinger, #LivingComposers, #MeadWitterFoundationConcertHall, #MeadWitterSchoolofMusic, #MelindaWagner, #Musicfaculty, #MusicProfessors, #MusicSchool, #NewMusic, #OrchestralMusic, #OriolSans, #PaulCollins, #RaymondDeane, #RichardStrauss, #RossWolf, #SallyChisholm, #SchoolofMusic, #ScottTeeple, #SergeiRachmaninoff, #SergeiRachmaninov, #SoldOut, #SymphonicDances, #SymphonyOrchestra, #UniversityBands, #UniversityOfMichigan, #UniversityofWisconsin-Madison, #UW-MadisonSymphonyOrchestra, #UWContemporaryChamberEnsemble, #UWSymphonyOrchestra, #UWWindEnsemble, #ViolaMusic, #VocalMusic, #Wikipediabiography, #Wikipediaentry, #WindEnsemble, #WindMusic, #WisconsinPremiere, #WorldPremiere, #XiWang, #YouTubevideo, a cappella, Alicia Lee, American, Ann Arbor, Anna Thorvaldsdottir, Arts, Asia, asian, Augusta Read Thomas, band, Barcelona, blog, busy, Carlos Simon, Catalonia, cellist, Cello, Chamber music, Chanticleer, Chazen Museum of Art, China, Christopher Taylor, clarinet, clarinetist, Classical music, classicalmusic, Collins Recital Hall, composer, Concert, concert hall, conductor, conservatory, critically acclaimed, dance, dances, Darin Olson, death, Death and Transfiguration, debut, director, emphasis, Facebook, faculty, fall, follow, forward, free, group, guest, hall, Hamel Music Center, Iceland, Icelandic composer, information, Irish, Jacob Stockinger, Jake Runestad, Larry Tuttle, Laura Schwendinger, like, link, living composers, Madison, Mead Witter Foundation Concert Hall, Mead Witter School of Music, Melinda Wagner, Music, music faculty, music school, native, new, New Music, notes, Orchestra, orchestral music, Oriol Sans, Paul Collins, performance, Pianist, Piano, post, posting, premiere, professor, program, Raymond Deane, recital, Richard Strauss, Ross Wolf, Sally Chisholm, schedule, School of Music, Scott Teeple, Sergei Rachmaninoff, Sergei Rachmaninov, share, sold-out, Spain, Spanish, Student, symphonic, Symphonic Dances, symphony orchestra, tag, tonight, transfiguration, United States, University Bands, University of Michigan, University of Michigan-Ann Arbor, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, UW, UW Contemporary Chamber Ensemble, UW Symphony Orchestra, UW Wind Ensemble, UW-Madison, UW-Madison Symphony Orchestra, variety, Viola, violist, vocal music, week, Wikipedia, wind ensemble, wind music, wing, Wisconsin, Wisconsin Premiere, work, world premiere, Xi Wang, YouTube
Classical music: Soprano Sarah Brailey and nine UW-Madison cellists team up for the FREE concert of songs at Grace Presents this Saturday at noon
1 Comment
IF YOU LIKE A CERTAIN BLOG POST, PLEASE SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
This Saturday, Sept. 21, at noon, a FREE one-hour program in the Grace Presents series will feature soprano Sarah Brailey (below) in “My Loyal Heart,” a recital of songs by Arvo Pärt, John Tavener, Guillaume de Machaut, Dmitri Shostakovich and Heitor Villa-Lobos.
The concert is at Grace Episcopal Church (below), located downtown on the Capitol Square at 116 West Washington Avenue.
Brailey is an acclaimed professional singer who often tours and who is doing graduate work at the University of Wisconsin-Madison’s Mead Witter School of Music.
Brailey will be joined by friends and colleagues. They include UW baritone Paul Rowe and members of the UW Madison Cello Ensemble, featuring nine local Madison cellists who include Grace Presents program coordinator James Waldo. (Below is a summer cello choir at the UW-Madison from several years ago.)
The works will be sung in Russian, Portuguese, and both modern and medieval French.
Here is an introduction from Waldo:
“It is often said that the cello is the instrument most like the human voice.
“My Loyal Heart,” devotes an entire program to music for soprano Sarah Brailey and cello from the 14th century to the 20th century.
“It opens with Arvo Pärt’s L’abbé Agathon about the legend of Father Agathon from the 4th century book “The Desert Fathers,” followed by a new arrangement by Brailey for soprano and cello trio of Guillaume de Machaut’s elegant love song Se quanque amours puet donner.
“This intimately ardent piece is followed by a more tragic love story, that of Shakespeare’s Ophelia, in the opening movement of Dmitri Shostakovich’s Seven Romances on Poems by Alexander Blok.
“The program continues in Russian with Sir John Tavener’s powerful and darkly spiritual Akhmatova Songs with poetry by Russian-Soviet Modernist poet, Anna Akhmatova.
“The concert concludes with the hauntingly beautiful and famous first movement and the playful concluding dance of Bachianas Brasileiras (Brazilian Bach Suites) No.5 for soprano and eight cellos by Brazilian composer Heitor Villa-Lobos. (You can hear the Villa-Lobos aria in the YouTube video at the bottom.)
“Text and translations will be provided.
“This program will not be performed anywhere else in Madison.”
Tags: #AlexanderBlok, #AnnaAkhmatova, #ArvoPärt, #BlogPost, #BlogPosting, #BrazilianComposer, #CapitolSquare, #CelloChoir, #ChristianChurch, #DesertFathers, #DmitriShostakovich, #EnglishLanguage, #EnglishLiterature, #EnglishTranslation, #FacebookPost, #FacebookPosting, #FatherAgathon, #FrenchLanguage, #GraceEpiscopalChurch, #GracePresents, #GraduateStudent, #GuillaumedeMachaut, #HeitorVilla-Lobos, #James Waldo, #JamesWaldo, #JohannSebastianBach, #JohnTavener, #JohnTaverner, #LoveSong, #MeadWitterSchoolofMusic, #MedievalFrench, #ModernFrench, #PaulRowe, #PortugueseLanguage, #ProfessionalMusician, #RussianLanguage, #RussianLitertaure, #SarahBrailey, #SopranoSinger, #SovietMusic, #SovietUnion, #UniversityofWisconsin-Madison, #WilliamShakespeare, #YouTubevideo, Alexander Blok, Anna Akhmatova, Arvo Part, Bach, baritone, blog, Book, Brazil, Brazilian, Capitol Square, cellist, Cello, cello choir, Choir, Christian, Christian church, church, classicalmusic, colleagues, Concert, coordinator, dark, desert, Dmitri Shostakovich, downtown, drama, elegant, England, English, Facebook, father, Father Agathon, France, free, French, French language, friends, Grace Episcopal Church, Grace Presents, graduate student, Guillaume de Machaut, Hamlet, heart, Heitor Villa-Lobos, Johann Sebastian Bach, John Tavener, John Taverner, language, local, love song, loyal, Madison, Mead Witter School of Music, modern, modernist, Music, Ophelia, Paul Rowe, poem, Poetry, Portuguese, post, posting, professional, program, recital, Religion and Spirituality, Romance, Russia, Russian, Sarah Brailey, series, Shakespeare, Shostakovich, singer, soprano, Soviet, spiritual, Suite, summer, text, tour, tragedy, translation, trio, University of Wisconsin–Madison, USSR, UW-Madison, Villa-Lobos, years, YouTube
Classical music: The fourth annual Madison New Music Festival takes place this Friday, Saturday and Sunday. It features Wisconsin composers and several world premieres
2 Comments
IF YOU LIKE A CERTAIN BLOG POST, PLEASE SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
The fourth season of the Madison New Music Festival (below, in a photo from 2017 by Max Schmidt) will take place this coming Friday, Aug. 9, through Sunday, Aug. 11.
The Madison New Music Festival is an annual, weekend-long celebration for the Madison community of classical works written by contemporary composers.
In four concerts – three with admission and one free — the festival will showcase Wisconsin-based composers and performers of new music, as well as world premiere performances by guest artists.
Tickets for each concert are $15 for adults and $5 for students. Subscriptions to all three concerts are available for $35. For more information, go to http://madisonnewmusic.org or to Facebook (@Madison New Music Festival) or Instagram (@madisonnewmusic).
Here is the line-up:
Concert 1: Music from Wisconsin – Friday, Aug. 9, at 7:30 p.m.
Where: Madison Museum of Contemporary Art (227 State St.)
What: In anticipation of this fall’s Wisconsin Triennial and the Madison Museum of Contemporary Art, this concert spotlights all Wisconsin-born, -based, or -educated composers, curated by pianist Robert Fleitz (below, with a toy piano he often performs on), whom The New York Times called “mesmerizing.” Joined by young local musicians, Fleitz explores music created right here in their own backyard.
Concert 2: World Premieres – Saturday, Aug. 10, at 7:30 p.m.
Where: First Unitarian Society of Madison’s Atrium Auditorium (900 University Bay Drive)
What: Internationally acclaimed violist Anne Leilehua Lanzilotti and Wisconsin-born pianist Karl Larson (below top) will give the world premieres of new viola sonatas from three of the world’s leading composers: Andrew Norman, Anna Thorvaldsdottir and Scott Wollschleger. In addition, local cellist James Waldo will kick off the evening with a premiere of a work for solo cello by University of Wisconsin-Madison professor Les Thimmig (below bottom).
Concert 3: SistaStrings – Sunday, Aug. 11, at 2:30 p.m.
Where: Robinia Courtyard (829 East Washington Avenue)
What: The concert features the Milwaukee-based sister duo SistaStrings (below, in a photo by Adam Ryan Morris). Violinist Chauntee Ross and cellist Monique LaDora Ross blend their training as accomplished classical instrumentalists with “R&B and a touch of gospel influence that culminates in a vibey, lush sound.” The sisters will play tracks from their new and acclaimed Extended Play recording in the cozy courtyard. (You can hear them in the YouTube video at the bottom.)
Partner concert: Madison New Music Ensemble (FREE concert) – Sunday, Aug. 11, at 5 p.m.
Where: Memorial Union Terrace (800 Langdon Street, below)
What: Join the newly formed Madison New Music Ensemble (below top), led by UW-Madison composer Joseph Koykkar (below bottom), at the Memorial Union Terrace as part of their Summer Serenade series. The group will perform works by Koykkar, Ian Clarke, Gabriela Lena Frank, Gareth Farr and Kirsten Volness.
Tags: #AndrewNorman, #AnnaThorvaldsdottir, #ArtisticWork, #AtriumAuditorium, #BarabooWisconsin, #BlogPost, #BlogPosting, #ChamberMusic, #ChaunteeRoss, #ContemporaryComposers, #ContemporaryMusic, #CriticallyAcclaimed, #EPrecording, #FacebookPost, #FacebookPosting, #FirstUnitarianSocietyofMadison, #GabrielaLenaFrank, #GarethFarr, #GospelMusic, #GuestArtist, #IanClarke, #InstagramPost, #JacobStockinger, #James Waldo, #JamesWaldo, #JosephKoykkar, #KirstenVolness, #LesThimmig, #LivingComposers, #MadisonMuseumofContemporaryArt, #MadisonNewMusicEnsemble, #MadisonNewMusicFestival, #MeadWitterSchoolofMusic, #MemorialUnion, #MilwaukeeWisconsin, #MoniqueLaDoraRoss, #NewMusic, #R&BMusic, #RobertFleitz, #RobiniaCourtyard, #ScottWollschleger, #SistaStrings, #SummerSerenade, #TheNewYorkTImes, #ToyPiano, #UnionTerrace, #UniversityofWisconsin-Madison, #ViolaSonata, #WisconsinTriennial, #WisconsinUnionTerrace, #WorldPremiere, #YouTubevideo, acclaimed, admission, adult, Andrew Norman, Anna Thorvaldsdottir, annual, Art, Arts, Atrium Auditorium, audience, backyard, based, blend, blog, celebration, cellist, Cello, Chamber music, Chauntee Ross, Classical, Classical music, classicalmusic, community, composer, Concert, concerts, contemporary composers, contemporary music, courtyard, critically acclaimed, curated, educated, EP, event, explore, extended play, Facebook, festival, First Unitarian Society of Madison, forward, free, Friday, Gabriela Lena Frank, Gareth Farr, Goodbye, gospel, guest artist, Ian Clarke, influence, Instagram, instrumentalist, international, Jacob Stockinger, Joseph Koykkar, Karl Larson, KarlLarson, Kirsten Volness, Les Thimmig, like, link, living composers, local, Madison, Madison Museum of Contemporary Art, Madison New Music Ensemble, Madison New Music Festival, Mead Witter School of Music, Memorial Union, mesmerizing, Milwaukee, Monique LaDora Ross, Museum, Music, new, New Music, performer, Pianist, Piano, post, posting, R&B, read, recording, Robert Fleitz, Robinia Courtyard, Saturday, Scott Wollschleger, Season, series, share, showcase, solo, Student, subscriber, Summer Serenade, Sunday, tag, talent, The New York Times, ticket, toy, toy piano, training, Union Terrace, Unitarian, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, Viola, Violin, violinist, violist, Website, weekend, Wisconsin, Wisconsin Triennial, Wisconsin Union Terrace, work, world, world premiere, young, YouTube, YouTube video
Recent Comments
| MARTIN LUTHER LUTE |… on Classical music: Who was the e… | |
 | Brian Jefferies on Classical music: A major reass… |
 | welltemperedear on What made Beethoven sick and… |
 | rlhess5d5b7e5dff on What made Beethoven sick and… |
| welltemperedear on Beethoven’s Ninth turns 200… |
The Well-Tempered Ear 