The Well-Tempered Ear

Classical music: Music professor John Schaffer is retiring from UW-Madison. A benefit jazz concert on Saturday, June 1, will celebrate his career as a teacher and former director of the Mead Witter School of Music

May 23, 2019
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By Jacob Stockinger

Professor John Schaffer (below), who served as the director of the University of Wisconsin-Madison’s Mead Witter School of Music for 15 years from 1997 to 2012, is retiring this summer.

A jazz concert at 7:30 p.m. on Saturday, June 1, at Full Compass Systems, located at 9770 Silicon Prairie Parkway in Verona,  will celebrate his retirement. Details and ticket information are below.

Here is a summary of his major achievements, as compiled by a colleague:

During his tenure as director, John Schaffer:

• Raised more than $10 million for music scholarships, including the Paul Collins graduate fellowships and the Steenbock undergraduate scholarships, more than doubling all student support.

• Secured funding for three endowed professorships: Pro Arte Quartet first violinist David Perry; piano virtuoso and Van Cliburn International Piano Competition bronze medal winner Christopher Taylor; and acclaimed jazz pianist Johannes Wallmann.

• With then-chancellor John Wiley, he launched plans for the new performance facility – the Hamel Music Center — that will open this fall, and raised more than $20 million in private funds for its construction.

• Established the School of Music’s inaugural Board of Visitors, which actively connects the school with a broad community worldwide as it continues to serve in an advisory and support capacity.

• Built strong relations with community organizations including the Madison Symphony Orchestra by establishing the joint residency of the Hunt Quartet – creating further student funding opportunities – and the Independent String Teachers’ Association.

• Established the Perlman Piano Trio (below), an undergraduate scholarship opportunity funded by Kato Perlman.

• Recruited faculty professors/performers with national and international reputations.

• Collaborated with the UW Foundation and Alumni Associations to present UW student performers throughout the country and world.

• Expanded student musician performances across campus, and established the twice-annual Chancellor’s Concert Series.

• Oversaw the planning for the 100th anniversary of the Pro Arte Quartet, the school’s flagship ensemble-in-residence since 1938.

• Established the School of Music recording label, which during its active run released close to 50 albums of faculty artists.

• Created the Wisconsin Center for Music Technology, and was the founding editor of the journal Computers in Music Research.

• Revitalized the Jazz Studies program at UW-Madison that has expanded with additional faculty, new student jazz ensembles and the establishment of a major in jazz performance.

• Was actively involved in music administration on the national level by serving multiple terms on the board of directors of the National Association of Schools of Music, the national accrediting organization. He spent more than a decade training accreditation teams, and performing accreditation reviews of music schools and conservatories throughout the country.

• Served on numerous local boards including those of the Madison Symphony Orchestra, the Madison Country Day School, the Isthmus Jazz Festival, and the Token Creek Chamber Music Festival.

Schaffer’s own academic work in music theory focused initially on analysis of contemporary and non-tonal music, and in artificial intelligence applications in music theory. When he returned to the faculty from being director, he re-focused his teaching on the history, theory and performance of jazz and developed new courses in the discipline and regularly coached student jazz ensembles.

After a 40-year career in academia, Schaffer is retiring to pursue other interests. For the time being, he plans to remain in the Madison area. Initially trained as a classical guitarist, his performance emphasis long ago evolved to playing jazz bass, and he’ll still be heard gigging around town, playing frequently at venues and series such as Otto’s, Capital Brewery’s beer garden, Delaney’s Steak House, Coda Cafe and the North Street Cabaret.

“The biggest reward over all my years as an educator and administrator is the impact I’ve had on the thousands of students I’ve been privileged to teach and encounter,” says Schaffer. “It’s been immensely gratifying.”

Schaffer’s contributions to music in the greater Madison area will be recognized at a benefit concert, sponsored by the Greater Madison Jazz Consortium, on Saturday, June 1, at 7:30 p.m. at Full Compass Systems, 9770 Silicon Prairie Parkway in Verona. UW-Madison Chancellor Emeritus John Wiley will offer commentary and perspective. Light refreshments will be served.

Tickets for the benefit concert are $30 at the door, $25 in advance online. A limited number of student tickets are available at $15. VIP tickets are $150 and include reserved, best-in-house seating, a private pre-concert reception at 6 p.m. and other benefits.

For more information, go to: http://www.jazzinmadison.org/event/jazz-junction-benefit-concert-for-the-jazz-consortium-full-compass/

For tickets, go to:https://www.brownpapertickets.com/event/4236134


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UW-Madison sister violinists Alice and Eleanor Bartsch join Madison Symphony Orchestra organist Samuel Hutchison for a concert on Friday night. Plus, on Saturday night, UW cellist Parry Karp gives FREE recital that includes Schumann and Brahms.

November 7, 2013
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ALERT:  UW-Madison cellist Parry Karp (below), who heads the UW School of Music’s chamber music program and who perform with the Pro Arte Quartet, will give a FREE and PUBLIC recital on Saturday night at 8 p.m. in Mills  Hall. He will perform with his father and mother, Howard and Frances Karp, as piano accompanists. The program includes: “Poem for Cello and Piano” by Charles Tournemire; “Eight Pieces” by Theordor Kirchner; “Pieces in the folk Style for Cello and Piano” by Robert Schumann; and the late Sonata for Clarinet (or viola) and Piano in E-flat Major, Op. 120, No. 2, by Johannes Brahms as transcribed by Parry Karp.

Parry Karp

By Jacob Stockinger

Word has reached The Ear:

Sister violinists Alice and Eleanor Bartsch (below respectively, in a photo by Katrin Talbot) will join the Madison Symphony Orchestra’s organist, Samuel Hutchison, in a recital of music for organ and violin on this Friday, Nov. 8, at 7:30 p.m. in Overture Hall at the Overture Center.

Alice  and Eleanor Bartsch (c) Katrin Talbot

The generous program includes Johann Sebastian Bach’s Concerto for Two Violins; the Double Concerto in D Minor by Antonio Vivaldi; the Finale from Sonata No. 6 by Felix Mendelssohn; the Suite for Violin and Organ by Josef Rheinberger; the Prelude and Fugue in B Major by Marcel Dupre; the Coronation March from “Le Prophete” by Giacomo Meyerbeer; and the “Preludium and Allegro in the Style of Pugnani” by Fritz Kreisler (heard at the bottom in a very popular YouTube by superstar violinist Itzhak Perlman.)

Adds Teri Venker, the marketing director, in a press release for the Madison Symphony Orchestra:

“Sisters Alice and Eleanor Bartsch are a dynamic pairing: both are members of the Madison Symphony Orchestra’s first violin section with impressive performance credits.

“Each sister has also won prestigious competitions at the University of Wisconsin-Madison (UW) School of Music, where they are students.

“Currently, Eleanor is a first-year master’s student at UW and a Paul Collins Distinguished Graduate Fellow, and Alice is a senior at UW working toward a bachelor of music degree in performance.

The Madison Symphony Orchestra’s Samuel Hutchison (below, in a photo by Joe DeMaio) is a seasoned recitalist and will round out the powerful trio.

Sam Hutchison with organ (c) JoeDeMaio

“When asked about playing on Overture Stage, Eleanor Bartsch (below) said, it “still takes our breath away! There’s actually a ‘sweet spot’ on stage: If you stand exactly right, the sound seems to ‘jump’ out of the violin and soar all the way to the balcony. I wish I could practice in Overture Hall every day!”

Eleanor Bartsch

“Alice Bartsch said, “The Bach Double Violin Concerto is a piece we have been performing since we were little girls. The concert has a little bit of everything from the romanticism of Kreisler and Rheinberger to the powerful “Chaconne” by Tomaso Vitali. For baroque music lovers, we will play the lively Double Concerto by Vivaldi.”

Alice Bartsch

Both Alice and Eleanor agree that they have a “sister vibe” about timing and musical phrasing that makes playing together easy, fun, and rewarding.

For more information about the Bartsch sisters and their major funders including retired Citibank executive Paul Collins, retired UW chemistry professor Kato Perlman and retired UW-Madison Chancellor Irving Shain, read the fine posting by Public Relations Director and Concert Manager Kathy Esposito on the UW School of Music’s new blog “Fanfare” :

http://uwmadisonschoolofmusic.wordpress.com/2013/11/04/bartsch-sisters/

In addition to accompanying the Bartsch sisters, Hutchison will also perform solo works for organ by Marcel Dupré, Herbert Howells, Josef Rheinberger, and Tomaso Vitali.

Hutchison said, “It is a great privilege to be joined by Alice and Eleanor Bartsch in this program for organ and violins.  Each brings a great joy and freshness to this music, which will be infectious for the audience.  We look forward to sharing some audience favorites as well as some new pieces with our listeners in Overture Hall.”

Overture Concert Organ overview

General admission for the concert is $20, and tickets can be purchased at http://www.madisonsymphony.org/bartsch, the Overture Center Box Office or (608) 258-4141. Student rush tickets are $10 the day of the show with a valid student ID. (See http://www.madisonsymphony.org/studentrush).

The performance is sponsored by Kato L. Perlman, and by Alfred P. and Ann M. Moore, with additional funding from Pleasant T. Rowland Foundation and the Diane Endres Ballweg Fund. With a gift from Pleasant T. Rowland Foundation, the Madison Symphony Orchestra commissioned the Overture Concert Organ, which is the dramatic backdrop of all MSO concerts.

For more Overture Concert Organ information, visit http://www.madisonsymphony.org/organseason


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