The Well-Tempered Ear

Classical music: This Tuesday night, May 21, at 7:30 the Wisconsin Chamber Orchestra and the Wisconsin Youth Symphony Orchestras perform an impressive Side-by-Side concert that is FREE and UNTICKETED in Overture Hall  

May 19, 2019
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By Jacob Stockinger

This coming Tuesday night, May 21, at 7:30 p.m. in Overture Hall of the Overture Center, 201 State Street, is another event that can’t help but build audiences and generate good will for classical music.

That is when, once again, the professional musicians of the Wisconsin Chamber Orchestra and the student musicians of the Wisconsin Youth Symphony Orchestras will play side-by-side (below, in a rehearsal), under the baton of WCO music director Andrew Sewell,  in an inspiring example of apprenticeship and cooperation.

The Ear has been to the concert before, and loved the experience, which he found moving and excellent. He highly recommends it.

The ensemble repertoire to be played is ambitious and impressive.

In addition, soloists on the program are winners of the WYSO Concerto Competition: flutist Brian Liebau and violinist Benjamin Davies Hudson (below).

Says the WCO website: “Supporting young musicians in our community is essential to the future of music and the arts in Madison. We welcome all in the community to join us at this FREE concert.”

TICKETS
There is no charge for this concert, and no ticket is necessary to enter. Seating is general admission. Doors open at 6:45 p.m., and the concert begins at 7:30 p.m.

REPERTOIRE
Antonin Dvorak, “Slavonic Dances,” Op. 46, Nos. 1, 3 and 8 (1878)

Hamilton Harty, “In Ireland,” a fantasy for flute, harp and orchestra (1935)

Camille Saint-Saens, “Introduction and Rondo Capriccioso,” Op. 28 (1863), for violin and orchestra. (In the YouTube video at the bottom, you hear the catchy, tuneful and virtuosic work performed by violinist Itzhak Perlman.)

Peter Ilyich Tchaikovsky, Symphony No. 4 in F minor, Op. 36 (1877-78), movements 3 and 4

Modest Mussorgsky, selections from “Pictures at an Exhibition” (1874; arranged by Maurice Ravel in 1922)


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Classical music: Saturday brings percussion music, chamber music and choral music, much of it free

April 5, 2019
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IF YOU LIKE A CERTAIN BLOG POST, PLEASE SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event.

By Jacob Stockinger

As you can tell from earlier posts this week, this weekend will be very busy with music.

But Saturday is especially, offering percussion music, chamber music and vocal music, much of it FREE.

PERCUSSION MUSIC

At 1:30 p.m. in Mills Hall, the Percussion Ensemble of the Wisconsin Youth Symphony Orchestras will perform its 18th annual Percussion Extravaganza.

It features the world premiere of “Common Mind” by composer and WYSO alumnus Jon D. Nelson (below). For more a bout Nelson and his music, go to: http://jondnelson.com

More than 150 performers – instrumentalists, singers and dancers – will be featured.

Here is a link to details about the event, including ticket prices:

https://www.wysomusic.org/wyso-percussion-ensemble-to-present-the-2019-percussion-extravaganza/

CHAMBER MUSIC

At 3:30 p.m. in Morphy Hall, the Perlman Piano Trio plus two guest artists will give a FREE concert.

The program is the “Kakadu”Variations in G major, Op. 121a, by Ludwig van Beethoven; the Piano Trio No. 1 in D minor, Op. 49, by Felix Mendelssohn; and the Piano Quintet in F minor by Cesar Franck. (You can her the first movement of the Mendelssohn Trio performed in the YouTube vide at the bottom, by pianist Emanuel Ax, violinist Itzhak Perlman and cellist Yo-Yo Ma.)

Members of the quintet, based on an annual student piano trio supported by Kato Perlman (below), are: Kangwoo Jin, piano; Mercedes Cullen, violin; Micah Cheng, cello; Maynie Bradley, violin; and Luke Valmadrid, viola.

A reception will follow the concert.

CHORAL MUSIC

At 8 p.m. in Mills Hall, the UW-Madison Concert Choir (below top) will perform a FREE concert under conductor Beverly Taylor (below bottom), who is the director of choral activities at the university.

AN UPDATE: Conductor Beverly Taylor has sent the following update about the program:

“I’m happy to update our Saturday, April 6, free concert at 8 p.m. in Mills Hall:

“The Concert Choir is singing a program called “Half a Bach and other good things.”

“We’re singing just half of the B Minor Mass: the Kyrie and Gloria (12 movements), which were what Bach originally wrote and sent off for his job interview!

We have a small orchestra and a mixture of student and professional soloists: Julia Rottmayer, Matthew Chastain, Wesley Dunnagan, Miranda Kettlewell, Kathleen Otterson, Elisheva Pront and Madeleine Trewin.

The remaining third of the concert is an eclectic mix of modern composers (Petr Eben’s “De circuitu eternal,” Gerald Finzi’s “My Spirit Sang All Day”), Renaissance music (Orlando Gibbons’ “O Clap your Hands”), spirituals and gospel.


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Classical music: The Middleton Community Orchestra draws its largest crowd yet as it rings in the New Year with Viennese waltzes, ethnic dances and violin showpieces

December 22, 2017
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By Jacob Stockinger

Here is a special posting, a review written by frequent guest critic and writer for this blog, John W. Barker. Barker (below) is an emeritus professor of Medieval history at the University of Wisconsin-Madison. He also is a well-known classical music critic who writes for Isthmus and the American Record Guide, and who hosts an early music show once a month on Sunday morning on WORT-FM 89.9. For years, he served on the Board of Advisors for the Madison Early Music Festival and frequently gives pre-concert lectures in Madison. He also took the performance photos.

By John W. Barker

On Wednesday night, the mostly amateur Middleton Community Orchestra (below)  had the last word of the December holiday season with a distinctly non-Christmas program.

To be sure, it was not a typical concert devoted to a tiny handful of major works. Rather, conductor Kyle Knox (below) devised something a cut above simplistic “pops” programming, with a clutch of nearly a dozen short works, each one of charm and substance—more like what Sir Thomas Beecham used to call “lollipops.”

The opener was a group of three selections from Tchaikovsky’s score for the ballet Swan Lake. There followed three of the Hungarian Dances by Brahms intermingled with two of the Slavonic Dances by Dvorak, in their orchestral versions.

The first half then closed with the first of two pieces featuring the conductor’s wife, violinist Naha Greenholtz (below), who is also the concertmaster of the Madison Symphony Orchestra. This was a kind of mini-concerto tidbit by Tchaikovsky, his Danse Russe.

The high point of the program’s second half was the second violin solo for Greenholz. Ravel’s Tzigane is a contemplation of Gypsy style. It begins with a wild unaccompanied solo for the violin, to which the orchestra then joins in a colorful set of variations. Here the playing by Greenholz was simply dazzling.

(You can hear Ravel’s virtuosic “Tzigane” — played by superstar violinist Itzhak Perlman with the New York Philharmonic conducted by Zubin Mehta —  in the YouTube video at the bottom.)

Otherwise, the second half of the program was a bit of old Vienna, via Johann Strauss II, perhaps hinting at that city’s famous New Year’s Concert.

Setting the scene was the overture to Die Fledermaus. Knox’s direction throughout showed a lot of hard work to bring off all the selections with precision, but I often felt that he strove mainly for exuberance at the cost of subtleties. Notably in this overture, it seemed to me that the strings, especially the violins, sounded a bit coarse, certainly below their best ensemble polish.

But doubts were certainly dispelled with one Strauss miniature, the Persian March, followed by that noblest of the composer’s achievements, the Kaiserwalzer or Emperor Waltz.

All in all, this worked as a responsible seasonal treat. It seemed to me that it drew the largest audience that the Middleton Community Orchestra has yet had, and this audience simply loved everything.

So, if you will, Happy New Year!


Classical music education: Let us now praise music teachers and their legacy

May 26, 2017
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By Jacob Stockinger

By now, the school year is mostly over at all levels from kindergarten through undergraduate and graduate school at colleges and universities.

So are music lessons, both public and private, and student recitals and concerts. (Below is Madison and UW-Madison violin teacher Eugene Purdue with student Thomas Stringfellow during a lesson in 2011.)

So now is the perfect time to talk about the legacy of creativity that music teachers have in our lives.

Here is an essay that The Ear finds to be one of the best appreciations of music teachers – even those famous teachers at Juilliard who taught violinists Itzhak Perlman, Anne Akiko Meyers and Midori — that he has ever read. It covers different methods and styles of teaching and learning. And it is filled with gratitude from students toward their teachers.

It appeared in The New York Times and was written by critic Corinna da Fonseca-Wollheim.

Here is a link:

https://www.nytimes.com/2017/05/12/arts/music/immortal-fingertips-music-teachers-live-on-through-their-students.html?_r=0

If you have an appreciation or memory of, or a tribute to, a music teacher and music lessons, leave word in the COMMENT section.

The Ear wants to hear.


Classical music: In a busy week, here are some other performances of violin, harpsichord, guitar and vocal music that merit your attention and attendance

April 28, 2017
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By Jacob Stockinger

It’s getting so that, more and more often, the week just isn’t long enough to cover the ever-increasing number of classical music events in the Madison area.

It is compounded by the fact that so many events mean more previews than reviews – which The Ear thinks benefits both the public and the performers.

But here are four more events that you might be interested in attending during the coming weekend:

SATURDAY

On Saturday night at 8 p.m. in Overture Hall, legendary superstar violinist Itzhak Perlman (below, in a photo by Lisa-Marie Mazzucco) will perform a recital with his longtime accompanist Rohan de Silva. (You can hear the two perform the Serenade by Franz Schubert in the YouTube video at the bottom.)

The program includes the Sonata in A Major, Op. 2, No. 2, by Antonio Vivaldi; Sonata No. 1 in D Major, Op. 12, No. 1, by Ludwig van Beethoven; the “Fantasy Pieces,” Op. 73, by Robert Schumann; the Sonata No. 2 in G Major for Violin and Piano by Maurice Ravel; and selected works to be announced from the stage.

Tickets are $50 to $100. Here is a link for tickets and more information about the performers:

http://www.overture.org/events/itzhak-perlman

If you want to prepare for the concert and go behind the scenes with Perlman, here is a great interview with Perlman done by local writer Michael Muckian for the Wisconsin Gazette:

http://wisconsingazette.com/2017/04/20/itzhak-perlman-good-music-recipe-mix/

On Saturday night at 7:30 p.m. in the Landmark Auditorium of the First Unitarian Society, 900 University Bay Drive, the Third Annual Mark Rosa Harpsichord Recital will take place. It features guest harpsichordist JungHae Kim (below top) and local baroque violinist Kangwon Kim (below bottom).

The program includes works by Arcangelo Corelli, Jean-Henri D’Anglebert, Jean-Marie Leclair, Gaspard LeRoux and Domenico Scarlatti.

Admission at the door is $15, $10 for seniors and students.

The harpsichord was built by Mark Rosa and is a faithful reproduction of the 1769 Pascal Taskin instrument at Edinburgh University. It has two keyboards, two 8-foot stops, one 4-foot stop, two buff stops and decorative painting by Julia Zwerts.

Korean born harpsichordist JungHae Kim earned her Bachelor’s degree in harpsichord at the Peabody Conservatory of Music in Baltimore She then earned a Masters in Historical Performance in Harpsichord at the Oberlin Conservatory before completing her studies with Gustav Leonhardt in Amsterdam on a Haskell Scholarship. While in The Netherlands she also completed an Advanced Degree in Harpsichord Performance under Bob Van Asperen at the Sweelinck Conservatorium.

Kim has performed in concert throughout United States, Europe and in Asia as a soloist and with numerous historical instrument ensembles including the Pierce Baroque Dance Company, the Los Angeles Baroque Orchestra, Music’s ReCreation, and Agave Baroque. She performed at the Library of Congress with American Baroque and frequently performs with her Bay Area period instrument group; Ensemble Mirable.

As a soloist, Kim has performed with Musica Angelica, Brandywine Baroque, the New Century Chamber Orchestra, and with the San Francisco Symphony. Kim frequently teaches and performs at summer music

SUNDAY

On Sunday afternoon at 2:30 p.m. in the St. Joseph Chapel of Edgewood College, 1000 Edgewood College Drive, the Edgewood Chorale, along with the Guitar Ensemble, will give a spring concert.

The concert also features performances by students Johanna Novich on piano and Renee Lechner on alto saxophone.

The program includes music by Gabriel Fauré, John Rutter, Frederic Chopin, Bernhard Heiden and many others.

Admission is FREE and OPEN TO THE PUBLIC.

Edgewood College’s Music Department was recognized by the readers of Madison Magazine with the Best of Madison 2017 Silver Award.

On Sunday afternoon at 3 p.m. at the West Middleton Lutheran Church, 3773 Pioneer Road, at Mineral Point Road in Verona, the internationally acclaimed and Grammy Award-winning tenor Dann Coakwell (below) will team up with keyboardist and MBM founder-director Trevor Stephenson to perform Robert Schumann’s masterpiece song cycle Dichterliebe (A Poet’s Loves).

Just last week Coakwell sang the role of the Evangelist John in the Madison Bach Musicians’ production of Johann Sebastian Bach’s St. John Passion.

Stephenson will be playing his restored 1855 Bösendorfer concert grand piano (both are below).

Also on the program are four selections from Franz Schubert’s last song collection Schwanengesang (Swansong).

This concert will start off a three-day recording session of this repertoire ― with a CD due for release later this year.

Tickets are $30. Seating at the church is very limited. Email to reserve tickets: www.trevorstephenson.com


Classical music: Spring arrives today. What is your favorite music celebrating spring?

March 20, 2017
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By Jacob Stockinger

Has March’s proverbial lion finally yielded to the lamb?

Here is Madison there is still some snow on the ground. But it should all be gone by the end of today, which, like yesterday, will reach into the 50s.

Just in time.

Today is the Vernal Equinox, bringing the first day of spring. It arrives at 5:29 a.m. this morning.

Spring has been an inspiration to many composers. So there is a lot of music to choose from when you want to celebrate season musically.

The Ear is fickle and his choice changes from year to year.

But lately, his favorite has been the “Spring” Sonata in F Major for violin and piano by Ludwig van Beethoven. (You can hear the opening of the famously tuneful and upbeat sonata, performed by violinist Itzhak Perlman and pianist Vladimir Ashkenazy, in the YouTube video at the bottom.)

Of course there are violin concertos by Antonio Vivaldi and Arcangelo Corelli; choral works by Johann Sebastian Bach and Franz Joseph Haydn; chamber music by Wolfgang Amadeus Mozart; orchestral music by Robert Schumann, Peter Tchaikovsky and Igor Stravinsky; piano pieces by Felix Mendelssohn and Edvard Grieg; songs by Franz Schubert and Johannes Brahms. And there is more, so much more.

Yesterday, Wisconsin Public Radio programmed a lot of spring music, and The Ear expects the same for today’s programming.

But you can be your own DJ if you want. Here is a list of almost two hours of spring-related music:

https://www.youtube.com/watch?v=sfe3MUMdWKQ

And here is a springtime puzzler, or quiz, about flowers in opera from NPR or National Public Radio:

http://www.npr.org/sections/deceptivecadence/2015/05/06/404499920/flower-songs-a-springtime-opera-puzzler

Plus, there are plenty of other guides and anthologies to music for spring that you can find online.

So here is what The Ear wants to know: What is your favorite piece of music to greet spring with?

Leave words in the COMMENT section along with a link to a YouTube performance if possible.

And a Happy Spring to you!


Classical music: Pianist Gabriela Montero plays music by Schubert and Schumann and then does her own spontaneous improvisations this Saturday night at the Wisconsin Union Theater

February 8, 2017
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By Jacob Stockinger

Pianist Gabriela Montero (below, in a photo by Shelley Mosman) will perform in Shannon Hall at the Wisconsin Union Theater on this Saturday night, Feb. 11, at 8 p.m. Montero last performed in Madison with the Madison Symphony Orchestra and wowed the house at the Overture Center.

On this Friday, from 4:30 to 6 p.m. in Mills Hall, Montero will also hold a master class, FREE and OPEN TO THE PUBLIC, at the University of Wisconsin-Madison School of Music.

gabriela-montero-2017-shelley-mosman

Here are ticket prices for her recital: UW-Madison students are $10; Union members and non-UW students are $42, $38 and $25; UW-Madison faculty and staff are $44, $40 and $25; the general public is $46, $42 and $25; and young people 18 and under are $20.

Tickets can be bought online; by phone at 608-265-ARTS (2787); or in person — see locations and hours here.

The first half of Montero’s program features the first set of Four Impromptus, Op. 99, D. 899, by Franz Schubert and the playfully Romantic “Carnival” by Robert Schumann.

After intermission, the former prodigy will perform the spontaneous improvisations – usually on themes suggested by the audience – that she is acclaimed for.

According to The New York Times, “[Gabriela] Montero’s playing has everything: crackling rhythmic brio, subtle shadings, steely power in climactic moments, soulful lyricism in the ruminative passages and, best of all, unsentimental expressivity.”

Here she is performing the third Schubert impromptu, in G-flat major, in the set of four that she will play here:

Montero was born in Venezuela and gave her first performance to a public audience at the age of five. When she was eight, she made her concerto debut in Caracas, which led to a scholarship for private study in the United States.

Montero played with cellist Yo-Yo Ma, violinist Itzhak Perlman and clarinetist Anthony McGill at Barack Obama’s 2008 Presidential Inauguration.

She has been invited to perform with the world’s most respected orchestras, including the New York Philharmonic, Los Angeles Philharmonic, Liverpool Philharmonic, Vienna Symphony and more, performing in the Kennedy Center, Avery Fisher Hall and Wigmore Hall, among others.

Celebrated for her ability to brilliantly improvise, compose and play new works, Montero is an award-winning and best-selling recording artist.

She has received the Bronze Medal at the Chopin Competition, two Echo Klassik Awards in 2006 and 2007, and a Grammy nomination for her Bach and Beyond follow-up Baroque work in 2008.

She participated in the 2013 Women of the World Festival in London and spoke at the World Economic Forum in Switzerland. She has also been recognized as a composer for her Piano Concerto No. 1.

In the YouTube video at the bottom you can hear Montero improvise on a famous melody by Sergei Rachmaninoff in the style of Johann Sebastian Bach.

This performance is presented by the Wisconsin Union Directorate’s Performing Arts Committee and was supported in part by a grant from the Wisconsin Arts Board with funds from the State of Wisconsin and the National Endowment for the Arts. Media sponsors are WORT 89.9 FM and the UW-Madison student station WSUM 91.7 FM. 


Classical music: Juilliard violin professor Laurie Smukler continues a great season of string playing on Saturday night with a FREE recital at the UW-Madison

November 18, 2016
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By Jacob Stockinger

This is a post about a very appealing FREE concert by Juilliard violinist Laurie Smukler (below) on this Saturday night at 8 p.m. in Mills Hall.

laurie-smukler

But for The Ear, some context seems fitting.

Some seasons are memorable for great singing or great piano playing or great orchestral playing. And there certainly has been, and will continue to be, lots more of all three this autumn and winter.

But what has really stood out to The Ear this Fall is the string playing, especially the violin.

stradivari-solomon-ex-lambert

Actually it started in the summer with a sizzling, white-hot performance by the Bach Dancing and Dynamite Society. The BDDS interspersed Vivaldi’s “Four Seasons” with Astor Piazzolla’s “Four Seasons in Buenos Aires.”

Violinist Suzanne Beia (below top) played the Vivaldi seasons and McGill University violinist Axel Strauss from Montreal (below bottom) played the Piazzolla seasons. The dueling violins were something to behold and to hear! And the alternation kept listeners from tiring of one particular composer or style. It was a thoroughly enjoyable and thoroughly memorable concert. 

suzanne-beia-bdds-2016-vivaldi

axel-strauss-bdds-2016-piazzolla

Then came an unforgettable performance of the Violin Concerto by Tchaikovsky, played with intimacy and clarity as well as stunning virtuosity by the prize-winning Russian-born Ilya Kaler with the Wisconsin Chamber Orchestra under Andrew Sewell.

ilya-kaler

Then came wonderful performances by Norwegian violinist Henning Kraggerud of the Violin Concerto No. 1 by Max Bruch and some works by Kraggerud himself, accompanied by the Madison Symphony Orchestra under John DeMain.

Henning Kraggerud playing

Over at the Wisconsin Union Theater, superstar Joshua Bell didn’t disappoint. Appearing in a recital with pianist Alessio Bax, Bell played music by Ludwig van Beethoven, Johannes Brahms, Claude Debussy, Eugene Ysaye, Pablo de Sarrasate and Manuel Ponce. Violin recitals just don’t get better.

joshua-bell-2016

In between came several performances by the four always reliable and always outstanding string players of the UW-Madison’s Pro Arte Quartet (below top, in a photo by Rick Langer) as well as the newly reformed Ancora String Quartet (below bottom).

Pro Arte 3 Rick Langer copy

ancora-2016-group-1

And there were many other events.

But The Season of Strings isn’t over yet.

This Saturday night at 8 p.m. in Mills Hall, there is a FREE recital by Laurie Smukler, a violin professor at the Juilliard School who is also doing a guest residency here that features master classes in the violin and chamber music.

Smukler was invited by and will be joined by Soh-Hyun Park Altino (below, in a photo by Caroline Bittencourt), who teaches violin at the University of Wisconsin-Madison School of Music and whose debut recital last year still lingers in The Ear’s ear.

Soh-Hyun Park Altino CR caroline bittencourt

Both women, who are personal friends, are terrific musicians and highly accomplished violinists.

The intriguing program, with the distinguished pianist Victor Asuncion, features the popular work “The Lark Ascending” by English composer Ralph Vaughan Williams; the Sonata for Two Violins by Soviet composer Sergei Prokofiev; and the Violin Sonata No. 3 in D minor by Brahms. (You can hear the heart-rending slow movement of the Brahms, played by violinist Itzhak Perlman and pianist Daniel Barenboim, in a popular YouTube video at the bottom.)

For more information about all events related to the Smukler residency, go to:

http://www.music.wisc.edu/event/distinguished-guest-artist-residency-laurie-smukler-violin-free-event/

 


Classical music: The Mosaic Chamber Players continues with its all-Beethoven concerts of sonatas for strings and piano this Saturday night. Plus, the woodwind quintet Black Marigold performs a FREE concert Friday at noon.

January 28, 2016
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ALERT: The week’s FREE Friday Noon Musicale, to take place from 12:15 to 1 p.m. at the First Unitarian Society of Madison, 900 University Bay Drive, will feature the local woodwind quintet Black Marigold. It will perform music by August Klughardt, Darius Milhaud and Brian DuFord.

Here is a link about Black Marigold’s winter concerts and the program:

https://welltempered.wordpress.com/2016/01/21/classical-music-the-wind-quintet-black-marigold-announces-its-four-upcoming-free-winter-concerts/

By Jacob Stockinger

The Mosaic Chamber Players — recently hailed as “among the finest purveyors of chamber music in Madison” by critic John W. Barker on The Well-Tempered Ear blog — will be performing an all-Beethoven program this Saturday night, Jan. 30, at 7:30 p.m.

The concert will take place in the beautiful and historic Landmark Hall of the Frank Lloyd Wright-designed First Unitarian Society of Madison, 900 University Bay Drive, on Madison’s near west side.

This will be the third program of a 5-concert cycle of all the string sonatas by Ludwig van Beethoven (below).

Beethoven big

The impressive list of performers (below, from left), most of whom were educated at the University of Wisconsin-Madison School of Music and Lawrence University in Appleton, includes pianist Jess Salek; violinist Laura Burns; cellist Michael Allen; and violinist Wes Luke.

They play with the Madison Symphony Orchestra, the Wisconsin Chamber Orchestra, the Oakwood Chamber Players, the Ancora String Quartet, the Rhapsodie String Quartet, the Madison Youth Choirs, Sound Ensemble Wisconsin, Fresco Opera Theatre, Opera for the Young, and other ensembles here and in Dubuque and LaCrosse.

Mosaic Chamber Players 2016. Jess Salek piano. Laura Burns violn, Michael Allen cello. Wes Luke violin

On the program are: the Sonata for Violin and Piano in A Major Op. 30, No. 1; the Sonata for Cello and Piano in C Major, Op. 102, No. 1; and the Sonata for Violin and Piano in A Major, Op. 47 “Kreutzer.” (You can hear the first movement of the famous and riveting Kreutzer Sonata performed by superstar violinist Itzhak Perlman and pianist Vladimir Ashkenazy in a YouTube video at the bottom.)

There will be a reception following the program.

Tickets are $15 for the public; $10 for seniors; and $5 for students – by cash or check only. NO CREDIT CARDS WILL BE ACCEPTED.

Adds founder and pianist Jess Salek:

“This concert is perfect for an adult or caregiver night-out, and also for students at the middle school-and-above age.

“Please come hear some beautiful music performed by talented, expressive, and professional local artists.

“Thanks for considering. Hope to see you there!”


Classical music: Here is what superstar violinist Itzhak Perlman has to say about turning 70, about dealing with his disability and about receiving the National Medal of Freedom.

November 29, 2015
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By Jacob Stockinger

This past week, superstar violinist Itzhak Perlman (below) and 16 other major figures from the arts, entertainment, sports and politics received the National Medal of Freedom from President Barack Obama.

Izthak Perlman gets the Medal of Freedom

This year, Perlman also turned 70.

To mark the two events, National Public Radio (NPR) featured an interview with Perlman that shows his always self-deprecating humor and his insights into living and performing.

And in a second NPR interview Perlman, who had polio as a child and walks with braces or crutches and uses a scooter,  talked about his championing by example the cause of people with disabilities.

http://www.npr.org/2015/11/27/457419476/itzhak-perlman-im-not-on-the-stage-to-walk-im-on-it-to-play

The piece also has some interesting personal background about Perlman (below, in a photo from Getty Images) that you may not know. And it has some wise advice about getting older and appreciating one’s own accomplishments.

It is hard to name a major composer whose works, sonatas and concertos alike, he has not performed and recorded: Johann Sebastian Bach, Antonio Vivaldi, Franz Joseph Haydn, Wolfgang Amadeus Mozart, Ludwig van Beethoven, Franz Schubert, Hector Berlioz, Felix Mendelssohn, Johannes Brahms, Niccolo Paganini,Peter Ilych Tchaikovsky, Edward Elgar, Richard Strauss, Alban Berg and so many more — some 77 CDs in all, done for several labels.

Itzhak Perlman Getty Images

Here is a link:

http://www.npr.org/sections/deceptivecadence/2015/11/23/456781573/my-goal-is-to-not-be-bored-by-what-i-do-itzhak-perlman-at-70

The Ear hopes you enjoy it and learn from it, as he did on both scores.

And here, in a YouTube video, is an excerpt from his latest recording — of two sonatas by Richard Strauss and Gabriel Faure with pianist and his longtime friend pianist Emanuel Ax.

 


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