The Well-Tempered Ear

Classical music: Tonight is that start of six weekly Concerts on the Square with the Wisconsin Chamber Orchestra and guest artists under conductor Andrew Sewell. Here’s what you need to know

June 28, 2017
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By Jacob Stockinger

Tonight marks the first of this summer’s Concerts on the Square, performed by the Wisconsin Chamber Orchestra (below) and guest artists under the baton of music director Andrew Sewell.

The FREE community event was first proposed by famed “American Girl” dolls creator, businesswoman and philanthropist Pleasant Rowland decades ago when she worked downtown and lamented how abandoned the Capitol Square got after dark. This is the 34th season of the popular Concerts on the Square. Each concert now draws tens of thousands of listeners.

The concerts will take place on the King Street corner of the Capitol Square. They run from 7 to 9 p.m. on six consecutive Wednesdays (rain dates are Thursdays). But of course people gather hours earlier to socialize and picnic.

Although pop,rock, folk and film music is often featured, tonight’s program is mostly classical – composers are Leonard Bernstein, Louis Moreau Gottschalk and Otto Nicolai — and performing will  be this year’s winner of the WCO teenage concerto competition. She is violinist Emily Hauer (below) and she hails from Appleton, Wisconsin, where she has studied at the Lawrence University Conservatory of Music.

Here is a link to all you need to know about tonight, from the programs and a performer’s detailed biography to vendor menus, the way to volunteer and the ground rules for concert etiquette:

https://wisconsinchamberorchestra.org/performances/concerts-on-the-square-1-2/

You can see and hear a sampler of Concerts on the Square in the YouTube video at the bottom.

For future planning, here is a link to all six concerts with similar information:

https://wisconsinchamberorchestra.org/performance-listing/category/concerts-on-the-square

Should you want to know more about WCO maestro Andrew Sewell (below),  music director since 2000 — and who has also just been named the music director of the San Luis Obispo Symphony in California — here are some profiles and interviews that make for good reading while you wait for the music to start.

Here is an excellent profile done by Sandy Tabachnik in 2014 for Isthmus:

http://isthmus.com/music/andrew-sewell-the-malleable-maestro-of-the-wisconsin-chamber-orchestra/

And here is some background about the New Zealand-born Sewell, who became an American citizen 10 years ago, along with links to other news stories about his latest appointment:

https://welltempered.wordpress.com/tag/sewell/

https://welltempered.wordpress.com/2017/06/16/classical-music-maestro-andrew-sewell-has-been-named-the-new-music-director-of-the-san-luis-obispo-symphony-in-california-while-retaining-his-longtime-post-as-music-director-of-the-wisconsin-chamber/

And from the “Only Strings” blog of Paul Baker, who hosts a show of the same name on WSUM 91.7 FM, the student-run radio station at the UW-Madison, here is an interview with ever-gracious Sewell:

https://onlystringswsum.wordpress.com/author/pbaker/page/3/


Classical music: Wednesday brings the fifth annual Make Music Madison celebration of the summer solstice. You can hear FREE music of all kinds from morning to night, outdoors and indoors

June 20, 2017
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By Jacob Stockinger

Registration has closed and the fifth annual Make Music Madison festival is set to take place tomorrow, Wednesday, June 21, 2017. ( A promotional video from the 2013 event is in the YouTube video at the bottom.)

The annual celebration of the Summer Solstice, which arrives at 11;24 p.m. tonight, will run all day, featuring all kinds of music from morning to night, and take place indoors and outdoors.

And it is FREE and completely local.

So far, there are more than 275 artists registered to perform at 108 venues in every area across the city, including the Dane County Regional Airport, Henry Vilas Zoo, Olbrich Botanical Gardens, the Goodman Center, Hilldale Mall, the First Congregational United Church of Christ, and the University of Wisconsin-Madison.

For a complete listing, go to: http://www.makemusicmadison.org

Once you are on the website, go to the map on the right hand side and under FILTER and GENRE and click on classical. You will find more than 20 events.

Then click on the VENUE’s tear-drop shaped red indicator to see the name of artists, group and kind of music you can hear.

They include a cello choir, an early music group, a guitar ensemble, string quartets and the Suzuki Strings of Madison (seen below at last spring’s Bach Around the Clock.) There is plenty of amateur music-making, which The Ear loves to see, but also some professional performances.

The click on the name and you will get more detailed background and a program, if one is available.

You can also search by ARTIST and VENUE – including general areas of the city — and well as by GENRE.

Take it from The Ear: This site has some really impressive and easy-to-use organization for getting at its information. So The Ear gives big shout-outs to to the people who designed the website and put it together.

Of course there are many more events in other genres and kinds of music, including blues, jazz, rock, roots, folk, world music and others. But many of them overlap or pertain to classical music, and you won’t want to miss them.

There is plenty to go around.

The Ear might even meet you at one of the events.

Enjoy! Have fun!


Classical music education: Concerto contest winners perform at the Wisconsin Youth Symphony Orchestras winter concerts this Saturday

March 16, 2017
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By Jacob Stockinger

WYSO will hold its second concert series of the year with the Diane Ballweg Winterfest Concerts on this Saturday, March 18.

Nearly 500 young musicians will display their great talents to the community during the concerts, which are dedicated to music teachers. (See below for times and programs. And listen to WYSO members talk about WYSO in the YouTube video at the bottom.)

The concert series will feature all five orchestras including the debut performance of WYSO’s newest string orchestra, Opus One.

Under the direction of Geri Hamilton, Opus One consists of string players ages 8 to 12. This ensemble focuses more on technique than on performance, incorporating instruction on fundamentals of scales, shifting and bowing, in addition to formative ensemble skills experience.

The Youth Orchestra concert will also feature two of the winners from the Youth Orchestra Concerto Competition: Violinist, Mary Deck and Percussionist, Adam Goren.

Mary Deck (below), age 16, is a junior at Madison West High School, and has been a part of WYSO since 2011. She will be performing the first movement of the Violin Concerto No. 4 in D minor, Op. 31, by Henri Vieuxtemps.

Adam Goren (below), age 18, is a senior at Middleton High School and has been a part of WYSO since 2013. He will be performing the third movement of Concertino for Marimba by Paul Creston.

The Diane Ballweg Winterfest Concerts will be held in Mills Concert Hall in the UW-Madison George Mosse Humanities Building, 455 North Park Street.

WYSO concerts are generally about an hour and a half in length, providing a great orchestral concert opportunity for families.

Tickets are available at the door, $10 for adults and $5 for youth 18 and under.

For more information about WYSO, go to: https://www.wysomusic.org

This project is supported by Dane Arts with additional funds from the Endres Manufacturing Company Foundation, the Evjue Foundation, Inc., a charitable arm of The Capital Times, the W. Jerome Frautschi Foundation and the Pleasant T. Rowland Foundation. Generous funding was also provided from the American Girl’s Fund for Children. This project is also funded in part by a grant from the Madison Arts Commission with additional funds from the Wisconsin Arts Board.

SCHEDULE AND PROGRAMS

Opus One and Sinfonietta – 11:30 a.m.

Sinfonietta (below)

Longfield (b.1947), Black Diamond

Smetana (1824-1884), Themes from The Moldau, arr. Frost

Mosier, Kirt N., American Reel

Traditional Irish, The Salley Gardens

Richard Stephan (b. 1929), Variations On A Well-Know Sea Chantey,

Grundman  (1934-1996), Kentucky 1800

Leyden (1917-2014), Serenade for String Orchestra: Prelude, Fugue, Nocturne, Cakewalk

Dvorak (1841-1904), Themes From The New World Symphony arr. Gruselle

Opus One

Richard Meyer (b.1957), Night Shift

Follow the Drinking Gourd – African-American Folk Song arr. Carrie Lane Gruselle

Ewazen (b.1951), Four Royal Dances: The Lord

Brian Balmages (b.1975), A Beethoven Lullaby

For the Star of County Down –

Richard Meyer (b.1957) Dragonhunter

Concert Orchestra and Harp Ensemble (below top)  – 1:30 p.m.

Concert Orchestra (below bottom)

Gounod (1818-1893), Funeral March of a Marionette ed. Rosenhaus

Holst (1874-1934) Jupiter, the Bringer of Jollity from The Planets arr. Leidig

M.L. Daniels (b. 1931) Contending

Tres Danzas de Mexico setting by Rhoads (b. 1918): El Pitayero (from Jalisco); El Café (Province unknown); El Curripiti (from Veracruz)

Montgomery (1771-1854), Angels, From the Realms of Glory, setting Robert W. Smith

Philharmonia Orchestra (below) – 4 p.m.

Wagner (1813-1883), Procession to the Cathedral, from the Opera “Lohengrin” arr. Kennedy

Grieg (1843-1907), Peer Gynt: Suite No. 1, Op. 46: Morning; Ase’s Death; Anitra’s Dance; In the Hall of the Mountain King

Weber (1786-1826), Tourandot, J.75: Overture and March

Hindemith (1895-1963), Symphonic Metamorphosis of Themes by Carl Maria von Weber: Fourth movement – March

Youth Orchestra (below) – 7 p.m.

Vieuxtemps (1820-1881) Concerto for Violin No 4 D minor, Op.31, first movement. Mary Deck, violin soloist

Creston (1906-1985) Concertino for Marimba, third movement. Adam Goren, marimba soloist

Prokofiev (1891-1953) Symphony No 7, op.131, C-sharp minor: Moderato, Allegretto, Andante espressivo, Vivace

Glinka (1804-1857) “Russlan and Ludmilla” Overture


Classical music: Here are memorable local concerts in 2016 from critic John W. Barker and The Ear. What ones would you add?

January 4, 2017
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ALERT: The FREE Friday Noon Musicales at the First Unitarian Society of Madison, 900 University Bay Drive, resume this week after a break for Christmas, New Year’s and other holidays. This Friday, from 12:15 to 1 p.m., pianist Olivia Musat will perform music by Olivier Messiaen, Isaac Albeniz and Paul Constantinesco.

By Jacob Stockinger

It seems a tradition throughout the media to offer a roundup of the Year’s Best with a local slant.

The Ear already offered a national and international roundup. Here is a link to that, especially to the surprisingly rich roundup that he unexpectedly found on Wikipedia:

https://welltempered.wordpress.com/2017/01/02/classical-music-wikipedia-and-wfmt-in-chicago-offer-a-review-of-classical-music-of-2016-that-includes-important-performances-new-music-and-deaths/

For a more local perspective, The Ear trusts and generally agrees with critic John W. Barker (below), who writes frequently for this blog and more often for Isthmus.

John-Barker

Here is a link to Barker’s list of memorable concerts in the Madison area, Because Isthmus mixes classical with other genres like pop, folk and jazz, you have to scroll down to “Classical cornucopia”:

http://isthmus.com/music/year-in-music-2016/

Although I agree with all the concerts that Barker mentions, he left out some that The Ear really loved. One was the absolutely riveting and moving performance in November by the Madison Symphony Orchestra under John DeMain of the momentous Fifth Symphony by Dmitri Shostakovich.

For example just about everything that the Pro Arte Quartet does at the University of Wisconsin-Madison School of Music is first-rate and memorable, whether they play in Mills Hall or on “Sunday Afternoon Live From the Chazen Museum of Art.”

But this past fall, a free noontime concert by the Pro Arte with legendary pianist Leon Fleisher especially stood out. Together (below), they performed the Piano Quintet in F Minor by Johannes Brahms – an unquestionable masterpiece in an unforgettable performance.

leon-fleisher-and-pro-arte-quartet-2016

The Ear would also add two events, both violin recitals, at the Wisconsin Union Theater.

Last spring Hilary Hahn (below top, in a photo by Peter Miller) turned in a stunningly superb recital. Then this fall, superstar Joshua Bell (below bottom) did the same. Both artists displayed terrific musicality combined with terrific virtuosity in generous and first-rate, ambitious programs.

Hilary Hahn 2016 CR Peter Miller

joshua-bell-2016

He would add several summer concerts by the Bach Dancing and Dynamite Society, especially the sizzling dueling violin concert (below) where the BDDS interspersed “The Four Seasons” buy Antonio Vivaldi with “The Four Seasons in Buenos Aires” by Astor Piazzolla.

axel-strauss-bdds-2016-piazzolla

The Ear would also add an experimental concert at which UW-Madison pianist Christopher Taylor (below) unveiled his reworked two-keyboard “Hyperpiano.” While the concert, which featured the “Goldberg” Variations by Johann Sebastian Bach, wasn’t successful musically, it certainly was intriguing, unusual and highly memorable, even with imperfect digital technology.

Hyperpiano stage

And The Ear also recalls a fine concert by the Rhapsodie Quartet (below) of the Madison Symphony Orchestra at the Overture Center.

Rhapsodie Quartet MSO Greg Anderson

And let’s not forget the University Opera’s production of “Falstaff” by Giuseppe Verdi that was impressively and successfully updated to Hollywood by director David Ronis.

uw-falstaff-benjamin-schultz-left-paul-rowe-and-jiabao-zhang

The Ear is sure there are more memorable concerts that escape him right now. Madison just features so much wonderful music-making in the course of a year.

Moreover, The Ear is also sure you have your favorites – whether they are individual plays; small chamber music groups such as duos, string quartets and piano trios; larger ensembles like the Madison Symphony Orchestra and the Wisconsin Union Theater; or entire events like the UW Brass Festival.

I am sure that fans of the innovative percussion group Clocks in Motion and the acclaimed Madison Choral Project have a concert or two to nominate.

So please use the COMMENT section to tell us what were your most memorable classical concerts in Madison during 2016.

The Ear wants to hear.


Classical music: UW Concert Choir performs a FREE concert with dancers on Friday night. Friday at noon a piano, viola and cello trio gives a FREE concert

November 17, 2016
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ALERT: The week’s FREE Friday Noon Musicale at the First Unitarian Society of Madison, 900 University Bay Drive, features cellist Morgan Walsh, violist Shannon Farley and pianist Kyle Johnson in music by Tchaikovsky, Schumann and Rebecca Clarke. The concert runs from 12:15 to 1 p.m.

By Jacob Stockinger

At 8 p.m. on Friday night in Mills Hall, the UW-Madison Chamber Choir (below top), under the direction of Beverly Taylor (below bottom), who heads the choral program at the University of Wisconsin-Madison School of Music, will give a FREE concert.

Guest dancers will join the singers.

Concert Choir

Beverly Taylor MSO portrait COLOR USE

Here is the program:

Laudibus in sanctis (Paraphrase of Psalm 150) by William Byrd

Choral Dances from “Gloriana” by Benjamin Britten (Text by William Plomer), as seen in the YouTube video at bottom

“Totentanz” (Dance of Death) by Hugo Distler (original dialogue by Johannes Klockig after the Lübeck Totentanz)

“Dance to My Daddy,” English folksong, arranged by Goff Richards

“Begin the Beguine” by Cole Porter, arranged by Andrew Carter

“Der Tanz” (The Dance) by Franz Schubert

“Verano Porteño” by Astor Piazzolla, arranged by Oscar Escalada

“Fa una canzone” by Orazzio Vecchi


Classical music: Which political campaigns have used classical music?

August 14, 2016
2 Comments

By Jacob Stockinger

In the past, the music that political campaigns used was often jingles that reminded one of Madison Avenue advertising, even when they were composed by Broadway song master Irving Berlin.

These days, it seems to The Ear that most political campaigns use rock, pop or country music.

Sometimes folk music.

Never jazz.

And, one supposes, you will never hear the blues since that would be a pretty downbeat message for politicians.

But leave it to our friends at WQXR-FM, the famed classical music radio station in New York City, to offer some samples of political campaign music, including some that used classical music.

Ike campaign political campaigns and classical music

Donald Trump (below), the current Republican nominee for president, has tried to use the famous opera aria “Nessum dorma” (None Shall Sleep) from “Turandot” by Giacomo Puccini.

Donald Trump thumbs up

Fittingly, in the opera the moving and beautiful aria is sung by a prince to woo a Chinese tyrant or despot.

The Ear especially loved the way it was used so appropriately during the carpet bombing of Cambodia by the U.S. in the movie “The Killing Fields.”

Trump used one of the best versions available – sung by Luciano Pavarotti, one of which has 38 million hits and which you can hear in a YouTube video at the bottom.

But the Pavarotti estate refused to grant him permission to use it and asked him to cease and desist. Good for them.

Now Trump uses something in the public domain: the Overture to the opera “The Thieving Magpie” by Giachino Rossini.

Anyway, here is a link to the story:

http://www.wqxr.org/#!/story/6-us-political-campaigns-set-to-classical-music/


Classical music: Your taste in music and your personality are linked

August 12, 2016
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By Jacob Stockinger

Research shows that your taste in music and your personality are linked.

Personality Strengths

At least that was the conclusion of the psychological research that was presented on Wisconsin Public Radio.

In a way, that’s no surprise.

But what does it mean if you like: Classical? Rock? Blues? Pop? Folk? Country?

Here is a link:

http://www.wpr.org/author-research-shows-music-taste-and-personality-are-linked

Read it and listen to it, and see what your taste in music says about you.

You can also listen to the YouTube video at the bottom.

And just in case you were wondering, the same person can like many kinds of music.

But that too says something about you.

Do you find the research accurate, at least as it applies to you?

The Ear wants to hear.

personality profiles color puzzle


Classical music: The Summer Solstice arrives today, and the third annual Make Music Madison takes place TOMORROW to celebrate it

June 20, 2016
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By Jacob Stockinger

Today at 5:34 p.m. the Summer Solstice will happen. Summer officially arrives, and the days will start getting shorter while the nights will get longer.

Can that really be happening already?

Locally, the Summer Solstice will be marked TOMORROW, Tuesday, June 21, by the third annual Make Music Madison celebration.

Make Music Madison logo square

The city-wide event features more than 400 FREE performances in over 100 venues. It relies on volunteers and costs about $55,000 – a lot less than the cost of one new traffic light, according to the website.

Both amateurs and professionals, both adults and young students, will perform.

And all different kinds of music will be played: classical, swing, pop, rock, bluegrass, country, folk, jazz, soul, blues, reggae, world – you name it.

Make Music Madison 2015 photo 1

Want to know more?

For general background, including how to support the events, who are its major sponsors and to see photos of past events, go to:

http://makemusicmadison.org

For a map and a listing of events and artists taking place tomorrow:

http://makemusicmadison.org/listings/2016/artists/

To find out by location, go to:

http://makemusicmadison.org/listings/2016/locations/

The web site also has search engines that allow you to find specific artists and venues.

Make Music Madison 2015 photo 2


Classical music: The UW-Madison Concert Choir performs a FREE concert of three contemporary works this Sunday afternoon. Plus, here are the winners and works of the Beethoven piano competition’s FREE concert on Sunday

April 15, 2016
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ALERT: The University of Wisconsin-Madison School of Music has announced the winners of the 31st annual Beethoven piano competition. The FREE winners’ concert is this Sunday afternoon at 3:30 p.m. in Morphy Recital Hall. Oxana Khramova will play the Polonaise in C Major, Op. 89,  and Two Rondos, Op. 51; Kyle Johnson will play the Sonata in F minor, Op. 57, “Appassionata“; and Shuk-Ki Wong will play the late Sonata in E Major, Op. 109. There will be a reception after the concert. The judge for the competition was Dan Lyons, a UW-Madison graduate and the pianist of the Madison Symphony Orchestra. Here is a link to more information about the winners and their teachers:

http://www.music.wisc.edu/event/31st-annual-beethoven-piano-competition-honors-concert/

By Jacob Stockinger

The Ear has received the following message:

This Sunday, April 17, at 2 p.m. in Mills Hall the UW-Madison Concert Choir (below top) will perform a FREE concert under its director and conductor Beverly Taylor (below bottom).

Concert Choir

Beverly Taylor MSO portrait COLOR USE

The “Three for Free” program, features three wonderful contemporary works that have something delightful for everyone.

We’ll begin with “The Hope of Loving” by Jake Runestad – for chorus with a string quartet — a warm, and Romantically phrased work that was premiered by the ensemble Seraphic Fire last year.

It will feature three fine Concert Choir soloists: Kenny Lyons, Talia Engstrom and Eliav Goldman.

Runestad recently received the ASCAP award for composers.

Jake Runestad

The second work on our program is the 2016 edition of “Llorona,” written for the Concert Choir and guitar by UW-Madison composition Professor Laura Schwendinger (below), who has won numerous awards for her works.

It’s based on a famous Mexican song and tale of a woman who dies with her children; her voice can be heard on the wind.

Laura Schwendinger 2

Our final work is “The World Beloved” by Minnesota composer Carol Barnett (below). It is a “Bluegrass Mass,” which features many Concert Choir soloists and blue grass instruments. (You can hear it in a YouTube video at the bottom.)

The Mass combines parts of the usual mass forms of Kyrie and Agnus Dei with folk hymn ballads presented both by themselves and used to replace part of the usual mass text.

Carol Barnett

The program will be approximately 75 minutes long, including a short intermission.


Classical music: In a MUST-HEAR concert, pianist Emanuel Ax solos this weekend in Beethoven with the Madison Symphony Orchestra, which will also perform Mahler’s Symphony No. 4

March 9, 2016
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CORRECTION: Yesterday’s post about the University Opera’s production of “Transformations” this weekend and early next week contained an error in the performance times. The correct times for performances in Music Hall are Friday night at 7:30 p.m.,  Sunday afternoon at 3 p.m. (NOT 3:30) and Tuesday night at 7:30 p.m. The Ear apologizes and regrets the error.

By Jacob Stockinger

Talk about great performers making great music! This weekend’s concerts by the Madison Symphony Orchestra are a MUST-HEAR program of all masterpieces.

A Madison favorite — world-renowned pianist Emanuel Ax (below) — reunites for the third time with the Madison Symphony Orchestra (MSO) and its music director and conductor John DeMain for three concerts this weekend in Overture Hall.

Emanuel Ax portrait 2016

The concerts will feature music by Ludwig van Beethoven, beginning with his Coriolan Overture. Ax will then perform Beethoven’s Piano Concerto No. 4 with the orchestra. The concert will end with Gustav Mahler’s Symphony No. 4.

The program will begin with Ludwig Van Beethoven’s brief but stormy Coriolan Overture. The concert will continue with Beethoven’s lyrical and impressive Piano Concerto No. 4.

Gustav Mahler’s light and sunny Symphony No. 4, with its famous finale featuring a soprano singing folk poetry, will bring the program to an elegant conclusion with the help of soprano Alisa Jordheim (below).

alisa jordheim 2016

The concerts are in Overture Hall on Friday at 7:30 p.m.; Saturday at 8 p.m.; and Sunday at 2:30 p.m. in Overture Hall of the Overture Center for the Arts, 201 State Street.

Born in Lvov, Poland, and raised in Winnipeg, Canada, pianist Emanuel Ax (below) first came to the public’s attention in 1974 when he won the first Arthur Rubinstein International Piano Competition in Tel Aviv. Ax concertizes extensively with the world’s top orchestras, and has been awarded seven Grammy Awards. He also teaches at the Juilliard School in New York City, where he himself studied.

A devoted chamber musician, Ax has worked regularly with artists such as cellist Yo-Yo Ma, pianist Peter Serkin, violinist Jaime Laredo, and the late violinist Isaac Stern. He has often performed solo recitals, chamber music and concertos in Madison with the MSO and at the Wisconsin Union Theater.

Emanuel Ax playing LA Times

Beethoven’s Coriolan Overture reflects the struggle of Roman general Coriolanus as he debates whether or not to invade Rome, a story told in William Shakespeare’s tragedy Coriolanus. The first part is introduced by explosive chords and almost violent strings representing the fires of war, while the second theme is much more graceful, inspired by the voice of his mother.

Piano Concerto No. 4 written by Beethoven in 1806 was one of the first piano concertos where the piano begins alone. Beethoven’s innovation of this concept was noted by scholars as was the rapidly developing technology behind pianos at the time. (You can hear Emanuel Ax discuss Beethoven’s Piano Concerto No. 4 in a YouTube video at the bottom.)

The Symphony No. 4 by Mahler (below) represents a kind of peaceful interlude in his series of works as it is almost completely upbeat and joyful. Scored for a fairly small orchestra by Mahler’s standards, the work is built around the song, “Das himmlische Leben” (The Heavenly Life), which is finally sung in its entirety by a solo soprano in the fourth movement.

Gustav Mahler big

One hour before each performance, Anders Yocom (below), Wisconsin Public Radio host, will lead a 30-minute Prelude Discussion in Overture Hall to enhance concertgoers’ understanding and listening experience.

anders yocom studio head shot cr Jim Gill

More background on the music can also be found in the Program Notes at: http://www.madisonsymphony.org/ax

Single Tickets are $16 to $85 each, available at www.madisonsymphony.org/ax and through the Overture Center Box Office at 201 State Street or call the Box Office at (608) 258-4141.

Groups of 15 or more can save 25% by calling the MSO office at (608) 257-3734. For more information visit, www.madisonsymphony.org/groups

Student rush tickets can be purchased in person on the day of the concert at the Overture Box Office at 201 State Street. Students must show a valid student ID and can receive up to two $12 or $15 tickets. More information is at: www.madisonsymphony.org/studentrush. Students can receive 20% savings on seats in select areas of the hall on advance ticket purchases.

Seniors age 62 and up receive 20% savings on advance and day-of-concert ticket purchases in select areas of the hall. Discounted seats are subject to availability, and discounts may not be combined.

There will also be a Club 201 event for this concert on Saturday night. For $35, young professionals between 21 and 39 get a ticket and are invited to a post-concert party. Reservations must be made by TOMORROW, Thursday, March 10. For information, visit:

http://www.madisonsymphony.org/club201

Find more information at www.madisonsymphony.org.

Major funding for the March concerts is provided by The Madison Concourse Hotel & Governor’s Club, Stephen Morton, University Research Park, UW Health & Unity Health Insurance, and Marvin J. Levy. Additional funding is provided by James Gallegos and George Anglin, JP Cullen, and the Wisconsin Arts Board with funds from the State of Wisconsin and the National Endowment for the Arts.


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