The Well-Tempered Ear

Classical music: What can you do to overcome stage fright? Ask professional cellist Miranda Wilson – and think about the composers and music you are playing

April 24, 2016
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By Jacob Stockinger

If you suffer from stage fright when you perform in public, you are not alone.

stage fright

Some of the biggest names in the performing arts share that same fate.

So does The Ear. When he plays or speaks in public, he often feels like one of those quivering and neurotic figures in cartoons by Roz Chast for The New Yorker magazine.

And there seem to be many ways to deal with stage nerves, from eating potassium-rich bananas just prior to performing to taking beta-blocking drugs to doing all sorts of meditation and adopting new attitudes.

But here is an essay form the Internet by professional cellist Miranda Wilson (below) with a point of view and helpful hints that might prove useful:

http://mirandawilsoncellist.com/2016/04/01/disarmed-dropping-the-protective-armour-of-stage-fright/

Miranda Wilson cello

Do you have tips abut dealing with stage fight?

Please leave your suggestions in the COMMENT section.

The Ear wants to hear.


Classical music: This is your brain on music! New scientific research shows that the human brain evolved special channels for hearing music. Read all about it!

February 13, 2016
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By Jacob Stockinger

What is your brain like on music? (The illustration below is by Marcos Chin.)

music and brain CR Marcos Chin

One of the most fascinating stories The Ear has ever read about music and science came last Tuesday in this week’s Science Times section of The New York Times.

The “Music Channel” story was reported by the acclaimed science writer  and journalist Natalie Angier (below), who won a Pulitzer Prize and has been nominated for a National Book Award She also included a sidebar story about her own experience undergoing the kind of MRI scan that helped researchers.

natalie angier

The upshot is this: No matter what kind of music you like – classical, jazz, folk, country, rock, pop – the human brain has developed special neural pathways to perceive the music.

In short, the human brain seems to have its own music room.

The story says this may help to explain why music seems a universal, cross-cultural phenomenon and why the first music instruments, such as the vulture bone flute found in Germany (below, in a photo by Jensen of the University of Tubingen) date back 42,000 years — some 24,000 years before the first cave painting appear in Lascaux, France.

Vulture bone flute CR Jensen:University of Tubingen

Plus, the story points out that the scientists and researchers at the Massachusetts Institute of Technology (MIT) do not get the same result with non-musical noises. The special nerve pathways or circuits seem to have evolved specifically to receive musical information.

There is a lot more fascinating information in the story.

For The Ear, the bottom line is that we are closer to knowing why music has such deep appeal in so many different ways. And the researchers say that this study is just the beginning. (You can hear more about the effects of music on the human brain and body in a YouTube video at the bottom.)

The Ear looks forward to seeing more research about why music is special to the human brain: Is it the structure of music? The logic and intellectual content? Primarily the melody or harmony or rhythm? The emotional content?

Here is a link to the must-read story:

http://www.nytimes.com/2016/02/09/science/new-ways-into-the-brains-music-room.html?_r=0

And here is the sidebar story, “Lending Her Ears to MIT Experiment,” about Natalie Angier’s own experience with the MIT research study about music and the human brain. It explains the research methods in details from a subjective point of view:

http://www.nytimes.com/2016/02/09/science/lending-her-ears-to-an-mit-experiment.html


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