The Well-Tempered Ear

Classical music: American pianist Kenneth Broberg survives into the final concerto round of the 16th International Tchaikovsky Competition in Moscow. Performances start being live-streamed on Tuesday morning

June 23, 2019
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By Jacob Stockinger

It started with 25.

Then there were 14.

And now there are seven.

And American pianist Kenneth Broberg (below), 26, is among the seven pianists who have survived into the concerto finals of the 16th International Tchaikovsky Competition in Moscow. (Competitions, some in Saint Petersburg, are also taking place in violin, cello, voice, woodwinds and brass. You can see the official preview in the YouTube video at the bottom.)

Broberg, the silver medalist at the 2017 Van Cliburn Competition performed a recital in Madison last season as part of the Salon Piano Series at Farley’s House of Pianos.

The other American, 32-year-old Sara Daneshpour (below), was eliminated during the semi-finals that finished yesterday.

Each finalist must perform a Tchaikovsky piano concerto, either the famous No. 1 or the much less familiar Piano Concerto No. 2, plus another concerto of their choice. Usually there is also a lot of Rachmaninoff and often Prokofiev.

So far, The Ear hasn’t seen what concertos Broberg will play or on what day he will perform. When he finds out, he will let you know. If you find out, please leave the information in the comment space.

The concerto concerts will be live-streamed for FREE on Tuesday, Wednesday and Thursday at 10 a.m. because of the eight-hour time difference with Moscow. (Below the logo is the historic Great Hall of the Moscow Conservatory, where the concerto performances, like the solo recitals, are held.)

To follow the concertos, go to: https://tch16.medici.tv/en/

If you hover the cursor over PIANO and then CONTESTANTS you can also find out a lot, and also hear the preliminary and semi-final recitals that Broberg performed. Here is a link to his biography and  background plus his two performances in Moscow:

https://tch16.medici.tv/en/competitors/kenneth-broberg-/

There are suggestions that there was some disagreement among the international panel of judges. The original 25 contestants were supposed to be reduced to 12, but ended up being 14. Then there were supposed to be six finalists, but they named seven.

The other finalists are: Konstantin Emelyanov, 25, of Russia; Mao Fujita, 20, of Japan; Alexandre Kantorow, 22, of France; Alexey Melnikov, 29, of Russia; Dmitry Shishkin, 27, of Russia; and An Tianxu, 20, of China.

All were impressive during the first two solo rounds and received enthusiastic applause, but Mao Fujita received the only standing ovations over 39 solo recitals. The archived performances of all of them are also worth checking out.


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Classical music: On Saturday, concerto competition winners perform with the Wisconsin Youth Symphony Orchestras (WYSO). On Sunday, Edgewood College gives a FREE concert of choral and guitar music

May 3, 2019
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ALERT: This weekend at Edgewood College, the Women’s Choir, Chamber Singers, Guitar Ensemble and Chorale will give FREE concerts. The performances are on Sunday, May 5, at 2:30 p.m. in the St. Joseph Chapel, 1000 Edgewood College Drive.

The concert features the Women’s Choir, directed by Kathleen Otterson; the Chorale and Chamber Singers, both conducted by Sergei Pavlov; and the Guitar Ensemble, directed by Nathan Wysock. 

The Women’s Choir will perform works including “One Voice” by Ruth Moody; the Chamber Singers continue with a variety of works, including “Ballad to the Moon” by Daniel Elder. The Guitar Ensemble performs “Walk, Don’t Run,” arranged by Nathan Wysock, and “New Beatles Medley,” arranged by Guitar Ensemble member Dick Stransky. The concert concludes with the Chorale performing works including “Schlof Mayn Fegeleby” by Mikhail Lermontov.

The Women’s Choir and Chamber singers are student ensembles, while the Chorale and Guitar Ensemble have both student and community members. 

By Jacob Stockinger

This weekend, the Wisconsin Youth Symphony Orchestras (WYSO) will start presenting the Eugenie Mayer Bolz Family Spring Concerts series on Saturday, May 4 and Saturday, May 18 in Mills Concert Hall, 455 North Park Street, in Madison. A schedule of times and groups is below.

Winners of the annual Youth Orchestra (below) and Philharmonia Orchestra Concerto Competitions will perform a concerto with their orchestra.

Youth Orchestra cellist Grace Kim (below), of Waunakee, will perform the Cello Concerto No. 1 by Camille Saint-Saens.

Youth Orchestra violinist Ellen Zhou (below), of Middleton, will perform the Violin Concerto by Felix Mendelssohn.

Philharmonia Orchestra percussionist Anais Griffith-Oh (below), of Madison, will perform the Concertino for Xylophone and Orchestra by Toshiro Mayuzumi.

WYSO orchestras will also perform pieces from Modest Mussorgsky, Lili Boulanger, Jean Sibelius, Antonin Dvorak and more. Visit wysomusic.org to view the concert repertoire and learn more about the WYSO program. You can listen to young participants talk about WYSO in the YouTube video at the bottom.

Tickets for each concert are available at the door 45 minutes prior to each concert, and are $10 for adults and $5 for youth 18 and under.

WYSO students travel from communities throughout southern Wisconsin and northern Illinois during the concert season to rehearse on the UW-Madison campus.

Each orchestra performs three concerts per season, with additional performance opportunities available to students.

Eugenie Mayer Bolz Family Spring Concerts

Saturday, May 4, in Mills Hall at 4 p.m. — 
Youth Orchestra

Saturday, May 18, in Mills Hall — 1 p.m. Opus One and Sinfonietta; 4 p.m. Harp Ensemble and Concert Orchestra; 7 p.m. Percussion Ensemble and Philharmonia Orchestra


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Classical music: This Wednesday brings a FREE Just Bach concert and the FREE Final Forte concerto competition of the  Madison Symphony Orchestra on Wisconsin Public Radio and Wisconsin Public Television

March 11, 2019
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By Jacob Stockinger

This Wednesday, March 13, brings two noteworthy and FREE events: this month’s midday Just Bach concert; and, at night, the annual Final Forte teenage concerto competition of the Madison Symphony Orchestra.

Here are details about both events:

JUST BACH

This month’s FREE hour-long performance by Just Bach (below, in a photo by John W. Barker) will take place at Luther Memorial Church, 1021 University Avenue, starting at 1 p.m. Food and drink are permitted and free-will donations are accepted.

The program this Wednesday is: the Toccata and Fugue in D Minor “Dorian” for organ, BWV 538, by Johann Sebastian Bach; the cantata “Herr, Ich Warte auf dein Heil” (Lord, I Wait for Your Salvation) by Johann Michael Bach, a cousin of Johann Sebastian; and the famous cantata “Christ lag in Todesbanden” (Christ Lay in the Bonds of Death”), BWV 4, by Johann Sebastian Bach. (You can hear the opening Sinfonia and Chorus to the latter in the YouTube video at the bottom.)

Here is a list of upcoming performances and programs for the second semester:

https://justbach.org/concerts/

And here is a link to the home page and website with links to information about the performers and more.

https://justbach.org

FINAL FORTE

Then on Wednesday night, starting at 6:45 p.m. in Overture Hall of the Overture Center, the four finalists in the annual Final Forte teenage concerto competition, held by the Madison Symphony Orchestra, will compete accompanied by the MSO and conductor John DeMain.

The public is invited to attend the FREE event, but tickets but must be reserved in advance.

The performances will also be broadcast live starting at 7 p.m. by both Wisconsin Public Television (WPT) and Wisconsin Public Radio (WPR).

The four finalists, from dozens of statewide applicants who took part in the two preliminary rounds, are (below, from left): violinist Monona Suzuki of Fitchburg playing Ravel; cellist Grace Kim of Waunakee playing Saint-Saens; flutist Holly Venkitaswaren of Lisbon playing Pierce; and pianist Antonio Wu of Madison playing Rachmaninoff.

For more information about the performers, what they will perform and how to obtain tickets, as well as background on the competition, including impressive radio and television ratings, go to:

https://madisonsymphony.org/education-community/education-programs/young-artist-competitions/the-final-forte/


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Classical music: Wisconsin Chamber Orchestra offers FREE concert tickets to furloughed federal workers

January 17, 2019
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By Jacob Stockinger

Restaurants, food banks, retail stores and other organizations have responded with compassion and generosity to victims of the ongoing partial shutdown of the U.S. government.

Here is an announcement of a timely move that The Ear thinks is terrific news for budget-strapped workers who have to cut back on entertainment or discretionary expenses. It should be a model for other local groups as well as statewide, regional and national arts presenters.

The Wisconsin Chamber Orchestra (below) is offering free tickets to furloughed federal workers for the Masterworks performance on Friday, Jan. 25, featuring the young cello prodigy and sensation, Miriam K. Smith.

Fresh from performances with the Cincinnati and Louisville symphonies, Smith (below) will perform the Cello Concerto No. 1 in A minor by Camille Saint-Saëns. (You can hear her perform a violin and cello duet by George Frideric Handel and Johan Halvorsen in the YouTube video at the bottom.)

If you want to know more about Smith, go to her website: https://miriamksmith.com

A forgotten gem by Domenico Cimarosa, Overture to The Secret Marriage, will open the concert, and the performance concludes with Ludwig van Beethoven’s Symphony No. 8, the sunniest of his even-numbered symphonies.

The concert, under the baton of WCO music director Andrew Sewell, will be held at 7:30 p.m. in the Capitol Theater at the Overture Center for the Arts, 201 State St.

If you are a furloughed federal employee, you can call the Wisconsin Chamber Orchestra offices at (608) 257-0638, and mention your place of employment. Best available tickets are on a first-come, first-served basis. Tickets are limited to two per person.

Others who want to attend this concert can find information about the soloist, the program and tickets at: https://wisconsinchamberorchestra.org/performances/masterworks-i-4/


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Classical music: Wisconsin Youth Symphony Orchestras perform the Evelyn Steenbock fall concerts TODAY and next Friday night. The Edgewood Chamber Orchestra performs this Sunday afternoon

November 10, 2018
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ALERT: This Sunday afternoon, Nov. 11, at 2:30 p.m. in the St. Joseph Chapel, 1000 Edgewood College Drive, the Edgewood Chamber Orchestra will give its fall concert. Conducted by Blake Walter, the chamber orchestra will play Franz Joseph Haydn’s “The Word on the Moon” Overture, Arthur Honegger’s Pastorale D’été (Summer Pastoral) and Symphony No. 1 in C minor by Felix Mendelssohn. Tickets are $5 for general admission, free with Edgewood College ID.

By Jacob Stockinger

The Wisconsin Youth Symphony Orchestras (WYSO, below) will present their first concert series of the 2018-19 season, the Evelyn Steenbock Fall Concerts TODAY, Saturday, Nov. 10, and next Friday, Nov. 16.

WYSO orchestras will perform works by Igor Stravinsky, Aram Khachaturian, Soon Hee Newbold and more. The Youth Orchestra concert will include a performance of Tchaikovsky’s “Rococo” Variations with special guest cellist Joseph Johnson.

“Joseph Johnson is an extraordinary artist and person and it will be a treat for us all to hear and collaborate with someone of his stature,” says Youth Orchestra Conductor Kyle Knox (below).

Johnson has been heard throughout the world as a soloist, chamber musician and educator. Principal cellist of the Toronto Symphony Orchestra since the 2009-10 season, he previously held the same position with the Milwaukee Symphony Orchestra. (You can hear an interview with Joseph Johnson in the YouTube video at the bottom.)

He also serves as principal cellist of the Santa Fe Opera, and during the 2008-2009 season was acting principal cellist of the Honolulu Symphony Orchestra. Prior to his Milwaukee appointment, Johnson was a member of the Minnesota Orchestra cello section for 11 years.

“The Youth Orchestra couldn’t be more excited to present a program of all-Russian music for our first concert of the season,” Knox says. “We will begin with a rarely performed gem by 20th-century composer Igor Stravinsky, followed by one of the great solo works in the cello repertoire, the “Rococo” Variations by Tchaikovsky. Finally, we will finish the evening with the mighty Symphony No. 4 by Tchaikovsky, one of the most famous orchestral works in history, which features all sections of the orchestra.”

TODAY’S concerts begin at 11:30 a.m. in Mills Hall at the UW-Madison’s Mead Witter School of Music, 455 North Park Street, Madison.

The Nov. 16 Youth Orchestra concert with guest soloist Joseph Johnson begins at 7:30 p.m. at the Middleton Performing Arts Center, 2100 Bristol Street, next to Middleton High School, with a reception to follow.

WYSO students travel from communities throughout southern Wisconsin and northern Illinois each weekend throughout the concert season to rehearse on the UW-Madison campus.

Each orchestra performs three concerts per season, with additional performance opportunities available to students, including ensembles and chamber groups.

Concert admission is $10 for adults, and $5 for youth 18 and under, with tickets available at the door.

Full concert repertoire is available at https://www.wysomusic.org/evelyn-steenbock-fall-concerts-repertoire/

To learn more about Joseph Johnson, go to: www.joecello.com.

Evelyn Steenbock Fall Concerts

Saturday, Nov. 10, Mills Concert Hall
11:30 a.m. Opus One and Sinfonietta
1:30 p.m. Harp Ensemble & Concert Orchestra
4 p.m. Percussion Ensemble (below) and Philharmonia Orchestra

Friday, Nov. 16, Middleton Performing Arts Center
7:30 p.m. Youth Orchestra, reception to follow
With guest artist Joseph Johnson, cello


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Classical music: The Madison Symphony Orchestra concerts this weekend feature three local debuts — by a woman conductor, a Grammy-winning cellist and an immigrant composer

October 17, 2018
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By Jacob Stockinger

Three local debuts will take place this weekend in the three “Epic Romance” concerts by the Madison Symphony Orchestra (below).

Renowned Canadian guest conductor Tania Miller will lead the MSO while music director John DeMain makes his debut at the Liceu Theater in Barcelona, conducting the opera Candide in celebration of the 100th anniversary of Leonard Bernstein’s birth.

Grammy Award-winning American cellist Zuill Bailey will make his Madison Symphony Orchestra (MSO) solo debut in Edward Elgar’s Cello Concerto.

And Canadian composer Michael Oesterle will be performed for the first time in Madison when his work Home” opens each concert.

The second half of the program is Peter Ilyich Tchaikovsky’s Symphony No. 5.

Performances will be held in Overture Hall of the Overture Center, 2912 State Street, on Friday, Oct. 19, at 7:30 p.m.; on Saturday, Oct. 20 at 8 p.m.; and on Sunday, Oct. 21, at 2:30 p.m.

Here are more details:

Canadian Conductor Tania Miller has distinguished herself as a dynamic interpreter, musician and innovator, on the podium and off. She has been praised for “energy, grace, precision and restraint.” She has appeared as a guest conductor in Canada, the United States and Europe with such orchestras as the Bern Symphony Orchestra, Seattle Symphony, Oregon Symphony and the Vancouver Symphony, among others.

Over a 14-year tenure as the Music Director of the Victoria Symphony in Canada, Miller (below) gained national acclaim for her passion and commitment to the orchestra and community. Recipient of the 2017 Friends of Canadian Music award from the Canadian League of Composers for her acclaimed commitment to contemporary music in Canada, Miller has been an example of the impact of commitment and dedication to an orchestra and to the future of orchestral music through creative innovation and vision.

You can hear Tania Miller discuss women conductors in the informative YouTube video at the bottom.(But please be forewarned: YouTube was having major technical issues and glitches last night that affected all their videos on this blog, not just this one. If it doesn’t load when you try, wait and then try again.) 

Zuill Bailey (below), described by Classical Net as “easily one of the finest cellists today,” has been featured with symphony orchestras worldwide, including Los Angeles, Chicago, San Francisco, Toronto, Israel, Cape Town, and the Bruckner Orchestra in Linz, Austria. Bailey has also appeared at Disney Hall, the Kennedy Center, the United Nations, Lincoln Center and Carnegie Hall.

In 2017, Bailey won a best solo performance Grammy Award for his live recording of “Tales of Hemingway,” by composer Michael Daugherty. His celebrated “Bach Cello Suites” and recently released Britten Cello Symphony and Sonata CD with pianist Natasha Paremski immediately rose to the No. 1 spot on the Billboard magazine Classical Chart.

His Cello Concerto was the last notable work by Sir Edward Elgar (below), composed in 1919 in the aftermath of World Ear I. Upon regaining consciousness following a 1918 tonsillectomy, Elgar immediately asked for pencil and paper and wrote down the melody that would become the first theme in this concerto.

Despite today’s renown as a crowd favorite, the piece did not achieve wide popularity until the 1960s, when a recording by Jacqueline du Pré caught the public’s attention, and it became a classical favorite.

Michael Oesterle’s “Home” had its world premiere in November 2017 with the Royal Conservatory Orchestra and conductor Tania Miller.

The piece is an homage to the great geographical ebb and flow of humanity, also known as the immigrant experience. Oesterle (below) notes, “I wrote it through the filter of my personal impressions as an immigrant, and with the realization that this subject is humbling in its breadth.”

Composed between May and August 1888, Tchaikovsky’s Symphony No. 5 was first performed in St. Petersburg at the Mariinsky Theatre with Tchaikovsky below) conducting.

Unlike its two predecessors, there is no known program for the Fifth Symphony, save for a recurring main theme heard throughout all four movements. Over the years this theme has become known as the “fate” motive; its original ominous character undergoes various metamorphoses, emerging triumphant in the score’s concluding pages.

ABOUT ATTENDING

The lobby opens 90 minutes prior to each concert. One hour before each performance, Madison Symphony Chorus Director and UW-Madison director of choral activities Beverly Taylor (below) will lead a 30-minute Prelude Discussion in Overture Hall to enhance concertgoers’ understanding and listening experience. It is free to ticket holders.

The MSO recommends concert attendees arrive early for each performance to make sure they have time to pass through Overture Center’s security stations, and so they can experience the Prelude Discussion.

Program notes for the concerts are available online: http://bitly.com/oct2018programnotes

Tickets can be purchased in the following ways:

  • Single Tickets are $18-$93 each and are on sale now at: https://madisonsymphony.org/ax through the Overture Center Box Office at 201 State Street, or by calling the Box Office at (608) 258-4141. Fees apply to online/phone sales.
  • Groups of 10 or more can save 25% by calling the MSO office at (608) 257-3734. For more information, visit, https://www.madisonsymphony.org/groups.
  • Student rush tickets can be purchased in person on the day of the concert at the Overture Center Box Office at 201 State Street. Students must show a valid student ID and can receive up to two $15 or $20 tickets. More information is at: https://www.madisonsymphony.org/studentrush
  • Seniors age 62 and up receive 20% savings on advance and day-of-concert ticket purchases in select areas of the hall.
  • Subscribers to 5 or more symphony subscription concerts can save up to 50% off single ticket prices. More information is available about the season at: https://madisonsymphony.org/18-19
  • Flex-ticket booklets of 10 vouchers for 18-19 symphony subscription concerts are available. Learn more at: https://madisonsymphony.org/flex

Discounted seats are subject to availability, and discounts may not be combined.

Find more information, go to madisonsymphony.org

Major funding for the October concert is provided by: Mirror 34 Productions and National Guardian Life Insurance Company. Additional funding is provided by John A. Johnson Foundation, a component fund of the Madison Community Foundation, Barbara J. Merz, Selma Van Eyck, and the Wisconsin Arts Board, with funds from the State of Wisconsin and the National Endowment for the Arts.


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Classical music: Concerts by UW cellist Parry Karp and the chamber music group Con Vivo take place this Saturday night

October 11, 2018
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ALERT: The Rhapsodie Quartet, featuring members of the Madison Symphony Orchestra, will perform a FREE public concert (suggested donation is $5) at the Capitol Lakes Retirement Community,  333 West Main Street, two blocks off the Capitol Square, this Friday night, Oct. 12, at 7 p.m.

The program is the String Quartet in G minor, Op. 74, No. 3, by Franz Joseph Haydn and the “Razumovsky” String Quartet in C Major, Op. 59, No. 3, by Ludwig van Beethoven. For more information and background, go to: https://madisonsymphony.org/event/rhapsodie-quartet-recital/

By Jacob Stockinger

It is a busy week for classical music in Madison, and all the listings have still not been included here.

On Saturday night, Oct. 13, two more noteworthy events will take place.

PARRY KARP

A Faculty Concert Series recital by UW-Madison cello professor Parry Karp (below), who is also the longtime cellist of the Pro Arte Quartet, will take place on Saturday night in Mills Hall at 8 p.m.

Karp will be joined by two pianists: his mother Frances Karp, a longtime Madison piano teacher; and Thomas Kasdorf (below), who is pursuing his doctoral degree at the University of Wisconsin-Madison’s Mead Witter School of Music.

The program is an interesting and unusual one.

It features “Hamabdil” (1919), or Hebrew Rhapsody, by Granville Bantock (below), who, Karp says “was a wonderful British composer, a favorite of Elgar.” (You can hear “Hamabdil” in the YouTube video at the bottom.)

“Phantasma for Solo Cello” (2006) is by Jesse Benjamin Jones (below), who is on the faculty of the Oberlin College Conservatory.

The Violin Sonata in A Major, Op. 30, No. 1 (1801-02), by Ludwig van Beethoven, continues the exploration of Beethoven’s violin sonatas transcribed for the cello by Karp himself.

The Cello Concerto (1956) by William Walton (below), says Karp, who performed it this summer with the English Symphony Orchestra, “is one of the great cello concertos of the 20th century. This version features a piano reduction of the orchestral score.

CON VIVO

Con Vivo (below), the critically acclaimed Madison-based chamber music group, will also give a concert to open its 17th season on Saturday night at 7:30 p.m. in the First Congregational United Church of Christ, at 1609 University Avenue, near Camp Randall Stadium.

Free parking is two blocks away, at the nearby UW Foundation, 1848 University Avenue.

The eclectic program, called “Members Choice,”will include the  “Kegelstatt” Trio for piano, clarinet and viola by Wolfgang Amadeus Mozart; and the Suite for Organ, Violin and Cello by Josef Rheinberger (below).

The night will be rounded out by solo works from the group’s talented and veteran performers many of whom also play with other major groups including the Madison Symphony Orchestra and the Wisconsin Chamber Orchestra.

Tickets are available at the door, and cost $18 for general admission; $15 for seniors and students.

For information, go to www.convivomusicwithlife.org


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Classical music: The 35th annual summer Concerts on the Square start this Wednesday night and will feature a lot of classical music

June 25, 2018
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By Jacob Stockinger

Maestro Andrew Sewell usually makes sure the Wisconsin Chamber Orchestra programs a fair amount of classical music for its annual summer Concerts on the Square (below).

The FREE popular outdoor concerts — billed as “The Biggest Picnic of  Summer” — usually draw up to at least 20,000 people for each performance on the King Street corner of the State Capitol.

They start this Wednesday night at 7 p.m. – blankets can go down at 3 p.m. — and run for six consecutive Wednesday nights through Aug. 1.

But this year Sewell (below) seems especially generous with the classical fare he is serving up. In fact, four of the six concerts are all classical – a much higher percentage than in most past years, if The Ear recalls correctly.

For the complete lineup of the concerts – and to compare this year’s offerings with those of past years — go to the website: https://wisconsinchamberorchestra.org/performance-listing/category/concerts-on-the-square

Then you can click on “More Info” for each individual concert date to get the full program and information about the performers.You can also find what you need to know about following rules, parking, reserving tables, listening etiquette, volunteering, donating and support, and finding menus for food providers.

For this opening concert “Carnival” on Wednesday, the WCO will showcase 18-year-old Kenosha high school senior Matthew Udry (below), a cellist who won this year’s Young Artist Concerto Competition. Udry will perform the Cello Concerto No. 1 by Dmitri Shostakovich.

Also on the all-Slavic program are two Czech compositions:  the “Carnival” Overture by Antonin Dvorak (heard in the YouTube video at the bottom); and “Three Dances” from the opera “The Bartered Bride” by Bedrich Smetana.

An all-Russian concert is slated for July 11 with another student cellist, Miriam K. Smith (below top), and the Middleton High School Choir (below bottom). The program includes the Concert Waltz No. 2 by Alexander Glazunov, the “Rococo” Variations by Peter Tchaikovsky and the Intermezzo and Women’s Dance by Sergei Rachmaninoff.

The July 25 concert features the up-and-coming guitarist Colin Davin (below) in a programs of Spanish and Hispanic music including Joaquin Rodrigo’s “Concierto de Aranjuez,” Alberto Ginastera’s “Estancia: Four Dances,” and Roberto Sierra’s “Fandango.”

Finally, on Aug. 1, baritone Jubilant Sykes (below) is featured in a program that includes: the “Norwegian Rhapsody No. 1” by Johan Halvorsen; Aaron Copland’s “Old American Songs,” including “Simple Gifts” and “I Bought Me a Cat” as well as two spirituals, “Were You There?” and “Sometimes I Feel Like a Motherless Child”;  the Interlude from the symphonic ode, “La Nuit et l’Amour” (Night and Love), from the cantata “Ludus pro Patria,” by the French composer Augusta Holmes; and the Symphony No. 9 “From the New World” by Antonin Dvorak.

Of course other programs include pops and rock music, plus patriotic music for the Fourth of July concert — only fitting for the occasion.

But The Ear still thinks the classical fare is generous and noteworthy.

Of course, loud chitchat, eating and other neighborly noise could interfere with your ability to listen closely to the music.

But Andrew Sewell and the WCO still deserve a big shout out!

Bravo, all!


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Classical music: Is Royal Wedding cellist Sheku Kanneh-Mason the next Yo-Yo Ma?

May 22, 2018
5 Comments

By Jacob Stockinger

If you watched the Royal Wedding of Prince Harry and American Meghan Markle – who are now known as the Duke and Duchess of Sussex – you were probably impressed by many things.

Not the least of them was the performance by the young Afro-British cellist Sheku Kanneh-Mason, who performed three pieces: “After a Dream” by Gabriel Faure; “Ave Maria” by Franz Schubert; and “Sicilienne” (an ancient dance step) by Maria Theresia von Paradis.

The young player acquitted himself just fine, despite the pressure of the event, with its avid public interest in the United Kingdom and a worldwide TV viewership of 2 billion.

But that is to be expected. He is no ordinary teenage cellist. Now 19, he was named BBC Young Musician of the Year in 2016 — the first black musician of African background to be awarded the honor since it started in 1938. A native of Nottingham, even as he pursues a busy concert and recording schedule, he continues his studies at the Royal Academy of Music in London.

So it was with great anticipation that The Ear listened to “Inspiration,” Kanneh-Mason’s new recording from Decca Records, which is already a bestseller on Amazon.com and elsewhere, and has topped the U.S. pop charts. (There are also many performances by him on YouTube.)

Unfortunately, The Ear was disappointed by the mixed results.

The cellist’s playing is certainly impressive for its technique and tone. But in every piece, he is joined by the City of Birmingham Orchestra or its cello section. The collaboration works exceptionally well with the Cello Concerto No. 1 by Dmitri Shostakovich. 

However, so many of the other works seem too orchestrated and overly arranged. So much of the music becomes thick and muddy, just too stringy. The Ear wanted to hear more of the young cellist and less of the backup band.

One also has to wonder if the recording benefits from being a mixed album with a program so full of crossovers, perhaps for commercial reasons and perhaps to reach a young audience. There is a klezmer piece, “Evening of the Roses” as well as a reggae piece, “No Woman, No Cry” by Bob Marley and the famous song “Hallelujah” by Leonard Cohen.

In addition, there are the familiar “The Swan” from “The Carnival of the Animals” by Camille Saint-Saens and two pieces by the inspiring cellist referred to in the title of the recording, Pablo (or Pau in Catalan) Casals (below).

A great humanist and champion of democracy who spent most of his career in exile from dictator Franco’s Spain, Casals used the solo “The Birds” as a signature encore. Played solo, it is a poignant piece — just as Yo-Yo Ma played it as an encore at the BBC Proms, which is also on YouTube). But here it simply loses its simplicity and seems overwhelmed.

Clearly, Sheku Kanneh-Mason is a musician of great accomplishment and even greater promise who couldn’t have wished for better publicity to launch a big career than he received from the royal wedding. He handles celebrity well and seems a star in the making, possibly even the next Yo-Yo Ma, who has also done his share of film scores and pop transcriptions

But when it comes to the recording studio, a smaller scale would be better. Sometimes less is more, and this is one of those times. (Listen to his beautiful solo playing and his comments in the YouTube video at the bottom.)

To take the full measure of his musicianship, The Ear is anxious to hear Kanneh-Mason in solo suites by Johann Sebastian Bach and concertos by Antonio Vivaldi; in sonatas by Ludwig van Beethoven, Franz Schubert and Johannes Brahms; in concertos by Antonin Dvorak and Edward Elgar; and in much more standard repertory that allows comparison and is less gimmicky.

Did you hear Sheku Kanneh-Mason’s live performance at the royal wedding? What did you think?

And if you have heard his latest recording, what do you think of that?

Do you think Sheku Kanne-Mason is the next Yo-Yo Ma?

The Ear wants to hear.


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Music education: Wisconsin Youth Symphony Orchestras present their spring concerts and concerto winners this Saturday and Sunday afternoons

May 18, 2018
1 Comment

By Jacob Stockinger

The Wisconsin Youth Symphony Orchestras (WYSO) will present its third and final concert series of the season, the Eugenie Mayer Bolz Fa­mily Spring Concerts, on this Saturday, May 19, and Sunday, May 20.

The concerts will take place in Mills Concert Hall at the University of Wisconsin-Madison’s Mead Witter School of Music, 455 North Park Street, in Madison. 

Programed pieces include works from Felix Mendelssohn, Peter Ilyich Tchaikovsky, Dmitri Shostakovich, Arturo Marquez, Aaron Copland, Jacques Offenbach, and more.

For a complete repertoire list, go to:https://www.wysomusic.org/eugenie-mayer-bolz-family-spring-concerts-repertoire/

The concert weekend features four concerto performances from the Philharmonia Orchestra and the Youth Orchestra members, and the final concert by Mark Leiser (below), who will rertire as conductor of WYSO’s Sinfonietta orchestra after 25 seasons.

Each year, WYSO hosts a concerto competition for members of the Youth Orchestra and the Philharmonia Orchestra.

Concerto competition winners performing during the spring concerts this year are Ellen Zhou, a seventh-grader at E.G. Kromrey Middle School in Middleton, and a member of Philharmonia Orchestra; Ava Kenney, a seventh-grader at Saint Maria Goretti School, and a member of Philharmonia Orchestra; Morty Lee, a junior at James Madison Memorial High School, and a member of Youth Orchestra; and Isabelle Krier, a junior at Oregon High School, and a member of Youth Orchestra.

Ellen Zhou (below top) will perform Zigeunerweisen by Pablo de Sarasate, and Ava Kenney (below bottom) will perform the first movement of the Violin Concerto by Felix Mendelssohn with Philharmonia Orchestra on Saturday.

Morty Lee (below top) will perform the first Cello Concerto No. 1 by Dmitri Shostakovich; and Isabelle Krier (below bottom) will perform the third movement of the Violin Concerto in D Major by Peter Ilyich Tchaikovsky with the Youth Orchestra on Sunday.

Sinfonietta conductor Mark Leiser (below, conducting) will give his final concert on May 19. Leiser has been the sole conductor of Sinfonietta since its inception 25 years ago. His son Kenny Leiser, a WYSO alumnus, will sit in with the orchestra during their performance of Astor Piazzolla’s “new tango” piece Oblivion.

WYSO students travel from communities throughout southern Wisconsin and northern Illinois each weekend throughout the concert season to rehearse on the UW-Madison campus.

Each orchestra performs three concerts per season, with additional performance opportunities available to students, including ensembles and chamber music groups.

Concert admission is $10 for adults, and $5 for youth 18 and under, with tickets available 45 minutes before each performance at the door on the day of the concerts.

For a full concert repertoire, and to learn more about WYSO, visit https://www.wysomusic.org

Here is a schedule of events:

Eugenie Mayer Bolz Family Spring Concerts

SATURDAY
1:00 p.m. – Harp Ensemble (below top), Concert Orchestra, Sinfonietta
4:00 p.m. – Percussion Ensemble (below bottom) and Philharmonia Orchestra

SUNDAY
2:00 p.m. – Opus One and Youth Orchestra


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