The Well-Tempered Ear

A busy weekend of online concerts features the UW Symphony, Edgewood College, Madison Opera, Wisconsin Chamber Orchestra, Bach Around the Clock and more

March 25, 2021
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By Jacob Stockinger

With only a little over a month left before the academic year ends at the University of Wisconsin-Madison, it’s not surprising that the last weekend in March is very busy with noteworthy – and competing – online concerts.

Each morning at 8 through Friday, Bach Around the Clock will release the last concerts of its 10-day online festival. You can find the programs – including the finale Friday night at 7 with Brandenburg Concerto No. 6 — and link for streaming here: https://bachclock.com/concert-schedule

The weekend starts tonight with one of The Ear’s favorite groups during the Pandemic Year: the UW-Madison Symphony Orchestra

Here is a day-by-day lineup. All times are Central Daylight Time:

TONIGHT, MARCH 25

The UW-Madison Symphony Orchestra (below) performs a FREE virtual online concert TONIGHT starting at 7:30 p.m.

The concert will be preceded by a 7 p.m. talk about Igor Stravinsky with modern musicologist and Penn State Professor Maureen Carr as well as conductor Oriol Sans and Susan Cook, UW musicologist and director of the Mead Witter School of Music.

The program is: Suite from the opera “Dido and Aeneas” by Henry Purcell, with student conductor Alison Norris; Duet for Two Violins and String Orchestra by the contemporary American composer Steve Reich; and  the Neo-Classical “Apollon musagète” (Apollo, Leader of the Muses) by Stravinsky. (In the YouTube video at the bottom, you can hear an excerpt of the Stravinsky played by the Berlin Philharmonic with Simon Rattle conducting.)

Here is the link to the talk and concert. Click on more and you can also see the members of the orchestra and the two violin soloists: https://youtu.be/2rgHQ4lWTV8

For more information about the program, including notes, go to: https://www.music.wisc.edu/event/uw-madison-symphony-orchestra/

FRIDAY, MARCH 26

At 7:30 p.m. the Wisconsin Chamber Orchestra will post for three days the third of its four online chamber music concerts (below). There will be excerpts of music by Beethoven and Brahms as well as complete works by Jessie Montgomery and Alyssa Morris.

Tickets to the online on-demand event are $30, with some discounts available, and are good through Monday evening.

Here is a link to more about this concert, including program notes by conductor and music director Andrew Sewell, and how to purchase tickets: https://wcoconcerts.org/events/winter-chamber-series-no-iii

At 8 p.m., the music department at Edgewood College will give a FREE online Spring Celebration concert. It will be livestreamed via music.edgewood.edu

The performers include: the Chamber Orchestra, under the direction of Sergei Pavlov (below); the Guitar Ensemble, under the direction of Nathan Wysock; and the Chamber Winds, directed by Carrie Backman.

Highlights include the Guitar Ensemble’s performance of Wish You Were Here, by David Gilmour and Rogers Waters, and the Chamber Winds epic Star Wars: The Force Awakens. The Chamber Orchestra, which will perform live, will feature Musical moment No. 3, by Franz Schubert and Peer Gynt Suite by Edvard Grieg.

SATURDAY, MARCH 27

At noon, in Grace Episcopal Church on the Capitol Square downtown, there will be a FREE online concert. Grace Presents: “A Patient Enduring”: This early music program of medieval conductus (a musical setting of metrical Latin texts) and ballade, English lute song, and duets from the early Italian Baroque features two sopranos, Grammy-winnner Sarah Brailey (below) and Kristina Boerger, with Brandon Acker on lute and theorbo.

Here is a link: YouTube.com/GracePresentsConcerts

You can also go to this webpage for a link: https://www.music.wisc.edu/event/grace-presents-a-patient-enduring/

At 3 p.m. the Perlman Trio, a piano trio that is made up of UW-Madison graduate students, will give a FREE online concert. The program includes piano trios by Haydn, Beethoven and Schubert. 

Here is a link to the YouTube video: https://youtu.be/EAjK0DfWB3A

Here is a link to the complete program plus background, names and photos of the performers as well as to the performance: https://www.music.wisc.edu/event/perlman-piano-trio/

At 7 p.m. the UW-Madison’s Wingra Wind Quntet (below) will perform a FREE pre-recorded online concert. Here is a link to the video https://www.youtube.com/watch?v=Bn7eobSnfr8

And here is a link to the page with more background information about the faculty members – including bassoonist Marc Vallon (below top) and flutist Conor Nelson (below bottom) – and to the complete program: https://www.music.wisc.edu/event/wingra-wind-quintet/

SUNDAY, MARCH 28

From 4 to 5:30 p.m., guest mezzo-soprano Julia Ubank (below) will give a free online recital with pianist Thomas Kasdorf.

The program features songs by Mahler, Debussy, deFalla, Jake Heggie and Ellen Cogen.

Here is the complete program plus a link to the recital: https://www.music.wisc.edu/event/julia-urbank-voice-recital/

From 4 to 5:30 p.m. the Madison Opera will host a Opera Up Close cocktail hour discussion with four general directors of opera companies. Here is the website’s description:

“Four opera general directors walk into a chat room…. Stepping outside the Madison Opera family, Kathryn Smith (below, in a photo by James Gill) is joined by three colleagues: Michael Egel of Des Moines Metro Opera, Ashley Magnus of Chicago Opera Theater, and Lee Anne Myslewski of Wolf Trap Opera.

“From how they got into opera, to the ups and downs of running an opera company, their favorite productions, funniest moments, and more, it will be a unique and entertaining afternoon.

Here is a link with more information including the cost of a subscription: https://www.madisonopera.org/class/general-directors/?wcs_timestamp=1616947200

At 6 p.m., Rachel Reese, a UW-Madison doctoral student in violin, will give a lecture-concert about the Violin Concerto No. 2 by the rediscovered African-American composer Florence Price (below). She will be accompanied by pianist Aubrie Jacobson.

Here is a link to the concert plus background about Rachel Reese: https://www.music.wisc.edu/event/rachel-reese-lecture-recital/


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Today – Monday, March 22 — is Day 6 of the 2021 online Bach Around the Clock festival. The program features string, keyboard, percussion and vocal music with some interesting transcriptions

March 22, 2021
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By Jacob Stockinger

Yesterday – Sunday, March 21 — was the actual birthday, the 336th, of Johann Sebastian Bach (1685-1750).

But the 10-day virtual and online celebration being held by Bach Around the Clock (BATC) continues.

Here are the pieces and performers that will take place.

The Ear is especaially pleased by some of the transcriptions, which offer more proof of just how indestructible and versatile Bach’s music remains.

Particularly interesting is the string quartet version of the famous cantata “Wachet auf” (Sleepers, Wake) and the Three-Part Inventions or Sinfonias transcribed for marimba, and played by Sean Kleve (below), a UW-Madison graduate who performs with the critically acclaimed experimental Madison-based percussion ensemble Clocks in Motion.

Monday’s program is available starting at 8 a.m.

Click here and scroll down to Day 6 to view.

Performers

•  Minuet 2 in G  Major, Anh 116; Suite in G Minor,  BWV 822; Gavotte 
from Double Concerto in  D Minor, BWV 1043, I. Vivace. Suzuki Strings Sonora Ensemble

•  Cantata 140: “Wachet Auf” (Sleeper, Wake), arranged for string quartet. St. Croix Valley String Quartet: Janette Cysewski and Debbie Lanzen, violins; Dianne Wiik, viola; and Joel Anderson, cello.

•  French Suite No. 3 in B Minor for keyboard, BWV 814: Sarabande, Anglaise, Menuett and Trio. Kris Sankaran

•  Sinfonia 1 in C Major, BWV 787; Sinfonia 7 in E Minor, BWV 793; Sinfonia 10 in G Major, BWV 796; Sinfonia 11 in G Minor, BWV 797; Sinfonia 15 in B Minor, BWV 801. Sean Kleve, marimba. (You can hear Glenn Gould playing the original version of the first Sinfonia in the YouTube video at the bottom.)

•  Chorale: We thank Thee, Lord, for sending. Katie Hultman, soprano, and Kenneth Stancer, organ  

Live and Recorded Evening Program at 7 p.m. 

Click here and scroll down to Day 6 to view.

BATC audiences will remember pianist Lawrence Quinnett (below) from his exquisite renderings of selections from The Well-Tempered Clavier, at the 2018 Festival. 

Quinnett, on the piano faculty of Livingstone College, returns in 2021 to give a brief talk on his approach to ornamentation in the six French Suites, as a prelude to his live performance of Suite No. 5. The floor will open for questions, followed by Quinnett’s recorded performance of the remaining five Suites.


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Today is Day 2 of the online Bach Around the Clock festival. It starts at 8 a.m. and features keyboard, wind, string and vocal music. WPR’s Jonathan Overby will discuss Bridges to Bach tonight at 7

March 18, 2021
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By Jacob Stockinger

Here is the schedule for Day 2 of the 2021 virtual, online Bach Around the Clock festival, which is today — Thursday, March 18:

Today’s program will be available starting at 8 a.m. and then throughout the festival.

Click here to view more.

For an overview and background, go to: https://welltempered.wordpress.com/2021/03/17/todays-just-bach-concert-starts-the-10-day-bach-around-the-clock-festival-that-runs-through-march-26-all-events-are-free-and-online-here-are-the-lineups/

PERFORMERS and PROGRAMS

•  Musette (from Suzuki Book 2); Ossian Rogers, violin; Faolan Rogers, harp; Kara Rogers, piano

•  Sheep May Safely Graze, from Cantata 208; Gift Akere, piano

•  Sonata No. 3, BWV 1005:  Largo; Rebekah May, viola

•  Cello Suite V in C minor, BWV 1011: Prelude,  Gavottes I and II, Gigue; Cindy Cameron-Fix, bassoon

•  Anna Magdalena Bach Notebook: Menuet, BWV anh 114; Tim Farley, clavichord

•  Chorale: Now God be with us; Katie Bultman, soprano, and Kenneth Stancer, organ

Live Evening Keynote  Discussion at 7 p.m. Jonathan Øverby, (below) distinguished Wisconsin Public Radio host of “The Road to Higher Ground,” will discuss building The Bridge To and Through Bach with BATC Artistic Director Marika Fischer Hoyt.

Click here to join the Zoom call, starting at 7 p.m. tonight, Thursday, March 18. Viewers are encouraged to submit questions in the chat for Overby to address.


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The UW Symphony Orchestra performs a FREE online concert Thursday night and Friday night the Wisconsin Chamber Orchestra debuts its second chamber music concert. But in-person micro-concerts on Sunday by the the Willy Street Chamber Players are sold-out

February 24, 2021
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By Jacob Stockinger

The second half of the music season is well under way, with just about every major group performing online – or in one case even in person.

Here are three selections this week:

THURSDAY

Two of the most musically and technically impressive concerts The Ear heard last semester took place at the UW-Madison’s Mead Witter School of Music. They were by the UW-Madison Symphony Orchestra under the direction of conductor Oriol Sans (below).

First, Sans conducted a socially distanced and virtual all-strings concert (below).

Then, for the second concert, the conductor had the winds and brass – which spray dangerous aerosol droplets – record their parts individually. Then for the live performance, Sans donned earphones and masterfully combined all the forces into a full orchestra performance (below).

You can see similar results – with percussion joining for the strings for the last piece — this Thursday night, Feb. 25, at 7:30 p.m. on YouTube when the UW Symphony Orchestra live-streams a 90-muinute concert from the Mead Witter Foundation Concert Hall in the Hamel Music Center. No in-person attendance is allowed.

Here is the program:

I Crisantemi (Chyrsanthemums) by Italian opera composer Giacomo Puccini (1858-1924), with Michael Dolan, guest conductor

“Leyendas: An Andean Walkabout” by contemporary American composer Gabriela Lena Frank (b. 1972) Coqueteos (Flirtations)

“Carmen” Suite (after the opera by Georges Bizet) by Russian composer Rodion Shchedrin (b.1932): Introduction; Dance; Carmen’s entrance and Habanera Torero; Adagio; Fortune-telling; and Finale.

Here is a link to the live-streamed video: https://youtu.be/GSrMLKrjlVg

And here is a link to more information, including program notes and the names of members of the orchestra: https://www.music.wisc.edu/event/uw-madison-symphony-orchestra-2/

FRIDAY NIGHT

On Friday night at 7:30 p.m. the Wisconsin Chamber Orchestra (below, in a photo by Mike Gorski) will offer the second of its Winter Chamber Series. It will run between 60 and 75 minutes.

There will be string, brass and percussion music by Mozart, Beethoven, Rossini, Steve Reich, Craig H. Russell and Thomas Siwe. Be aware that three of the works – string quartets by Mozart and Beethoven and a string sonata by Rossini — are presented in excerpts. That is not listed on the webpage.

The cost for one-time access between Friday night and Monday night is $30.

Here is a link to more information, including a link to ticket sales from the Overture Center box office and program notes by WCO music director and conductor Andrew Sewell (below, in a photo by Alex Cruz): https://wcoconcerts.org/events/winter-chamber-series-no-ii

SOLD-OUT

The Micro-concerts scheduled for this coming Sunday, Feb. 28, by the esteemed Willy Street Chamber Players (below), are SOLD-OUT.

The 10-minute private concerts for two, which require masks and social distancing for all, are perhaps the most innovative move by any local music group during the coronavirus pandemic.

The Ear, who expects concert habits to change after the pandemic, thinks such micro-concerts have a very bright future even after the pandemic is under control and audiences can return safely to mass events.

The concert are pay-what-you can but a $20 donation for two was suggested.

For more information about the micro-concerts, listen to the YouTube video at the bottom and go to: http://www.willystreetchamberplayers.org/micro-concerts.html

 


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New York Times critics choose 10 online classical music concerts to stream in February, starting this Thursday

February 2, 2021
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By Jacob Stockinger

As they have done for previous months during the coronavirus pandemic, the classical music critics for The New York Times have named their top 10 choices of online concerts to stream in February, which is also Black History Month, starting this Thursday, Feb. 4.

Also predictably, they focus on new music – including a world premiere — new conductors and new composers, although “new” doesn’t necessarily mean young in this context.

For example, the conductor Fabio Luisi (below) is well known to fans of Richard Wagner and the Metropolitan Opera. But he is new to the degree that just last season he became the new conductor of Dallas Symphony Orchestra and its digital concert series.

Similarly, the Finnish composer Magnus Lindberg (below top, in a photo by Saara Vuorjoki) and the American composer Caroline Shaw (below bottom, in a photo by Kait Moreno), who has won a Pulitzer Prize, have both developed reputations for reliable originality.

But chances are good that you have not yet heard of the young avant-garde cellist Mariel Roberts (below top) or the conductor Jonathon Heyward (below bottom).

Nor, The Ear suspects, have you probably heard the names and music of composers Angélica Negrón (below top), who uses found sounds and Tyshawn Sorey (below bottom). (You can sample Negrón’s unusual music in the YouTube video at the bottom.)

Of course, you will also find offerings by well-known figures such as the Berlin Philharmonic and its Kurt Weill festival; conductor Alan Gilbert; pianists Daniil Trifonov and Steven Osborne; violinist Leonidas Kavakos; and the JACK Quartet.

Tried-and-true composers are also featured, including music by Beethoven, Schnittke, Weber, Ravel and Prokofiev. But where are Bach, Vivaldi, Telemann and Handel? No one seems to like Baroque music. 

Here is a link to the events with links and descriptions. All times are Eastern: https://www.nytimes.com/2021/01/28/arts/music/classical-music-streaming.html

Do you have other virtual and online concerts to suggest? Please leave details in the Comment sections.

 


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The New York Times names the top 25 classical recordings of 2020 and includes sample tracks

December 27, 2020
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By Jacob Stockinger

What did the holidays bring you?

Did Hanukkah, Christmas or Kwanzaa bring you a gift card?

A subscription to a streaming service?

Maybe some cash?

Or maybe you just want to hear some new music or new musicians or new interpretations of old classics?

Every year, the music critics of The New York Times list their top 25 recordings of the past year. Plus at the end of the story, the newspaper offers a sample track from each recording to give you even more guidance.

This year is no exception (below).

In fact, the listing might be even more welcome this year, given the  coronavirus pandemic with the lack of live concerts and the isolation and self-quarantine that have ensued.

The Ear hasn’t heard all of the picks or even the majority of them. But the ones he has heard are indeed outstanding. (In the YouTube video at the bottom, you can hear a sample of the outstanding Rameau-Debussy recital by the acclaimed Icelandic pianist Vikingur Olafssen, who scored major successes with recent albums of Philip Glass and Johann Sebastian Bach.)

Here is a link: https://www.nytimes.com/2020/12/17/arts/music/best-classical-music.html

Of course not all critics agree.

The Ear has already listed the nominations for the Grammy Awards (a link is below), and more critics’ picks will be featured in coming days.

https://welltempered.wordpress.com/2020/11/28/for-holiday-shopping-and-gift-giving-here-are-the-classical-music-nominations-for-the-63rd-grammy-awards-in-2021/

You should also notice that a recording of Ethel Smyth’s “The Prison” — featuring soprano Sarah Brailey (below), a graduate student at the UW-Madison’s Mead Witter School of Music and a co-founder of Just Bach — is on the Times’ list as well as on the list of Grammy nominations.

What new recordings – or even old recordings — would you recommend?

The Ear wants to hear.

 


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The UW-Madison’s Wingra Wind Quintet performs a FREE online virtual concert this Wednesday night. Plus, local music critic Greg Hettmansberger has died

December 8, 2020
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NEWS ALERT: Local music critic and blogger Greg Hettmansberger (below) was killed in a car accident on Dec. 2, near Wichita, Kansas. Hettmansberger, 65, was driving when he hit a deer and then another car hit him. His wife survived but remains hospitalized in Wichita in critical condition. Here is a link to a news account:  https://www.kake.com/story/42993718/man-dies-in-crash-caused-by-deer-in-pratt-county

By Jacob Stockinger

This Wednesday night, Dec. 9, the UW-Madison’s Wingra Wind Quintet (below, in 2017) will perform a FREE virtual online concert from 7:30 to 9 p.m.

Here is a direct link to the pre-recorded video premiere on YouTube at: https://youtu.be/e1NhVZJW2cA

Due to the pandemic, the Wingra Wind Quintet has been unable to perform chamber music in a traditional way since March 2020. (You can hear the quintet play “On, Wisconsin” in the YouTube video at the bottom.)

In response, the quintet put together a program that allowed each member to record parts separately and have those parts edited together.

Current faculty members (below) are: Conor Nelson, flute; Lindsay Flowers, oboe; Alicia Lee, clarinet; Marc Vallon, bassoon; and Devin Cobleigh-Morrison, horn

The engineer/producer is Kris Saebo.

The program is: 

The first piece “Allegro scherzando” from Three Pieces by Walter Piston (below, 1894-1976)

The Chaconne from the First Suite in E-flat for Military Band by Gustav Holst (below, 1874-1934)

“Retracing” by Elliott Carter (below, 1908-2012)

Selections from “Mikrokosmos” by Bela Bartok (below, 1881-1945)

“A 6 letter letter” by Elliott Carter

Intermezzo from the First Suite in E-flat for Military Band by Gustav Holst

“Esprit rude/esprit doux” by Elliott Carter

Since its formation in 1965, the Wingra Wind Quintet at the University of Wisconsin-Madison Mead Witter School of Music has established a tradition of artistic and teaching excellence.

The ensemble has been featured in performance at national conferences such as MENC (Miami), MTNA (Kansas City), and the International Double Reed Society (Minneapolis). 

The quintet also presented an invitational concert on the prestigious Dame Myra Hess series at the Chicago Public Library, broadcast live on radio station WFMT.

In addition to its extensive home state touring, the quintet has been invited to perform at numerous college campuses, including the universities of Alaska-Fairbanks, Northwestern, Chicago, Nebraska, Western Michigan, Florida State, Cornell, the Interlochen Arts Academy, and the Paris Conservatoire, where quintet members offered master classes.

The Wingra Wind Quintet has recorded for Golden Crest, Spectrum, and the UW-Madison Mead Witter School of Music recording series and is featured on an educational video entitled Developing Woodwind Ensembles.

Always on the lookout for new music of merit, the Wingra has premiered new works of Hilmar Luckhardt, Vern Reynolds, Alec Wilder, Edith Boroff, James Christensen and David Ott. The group recently gave the Midwest regional premiere of William Bolcom’s “Five Fold Five,” a sextet for woodwind quintet and piano, with UW-Madison pianist Christopher Taylor (below).

New York Times critic Peter Davis, in reviewing the ensemble’s Carnegie Hall appearance, stated “The performances were consistently sophisticated, sensitive and thoroughly vital.”

The Wingra Wind Quintet is one of three faculty chamber ensembles in-residence at the University of Wisconsin-Madison Mead Witter School of Music. 

Deeply committed to the spirit of the Wisconsin Idea, the group travels widely to offer its concerts and educational services to students and the public in all corners of the state. (Editor’s note: For more about the Wisconsin Idea, which seems more relevant today than ever, go to: https://en.wikipedia.org/wiki/Wisconsin_Idea.)

Portions of this recording were made at the Hamel Music Center, a venue of the Mead Witter School of Music at the University of Wisconsin-Madison.

 


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UW-Madison Symphony Orchestra gives a FREE hybrid online concert this Thursday night by mixing both recorded and live performances

November 18, 2020
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By Jacob Stockinger

One of the most interesting and innovative responses to the limitations imposed on live concerts by the coronavirus can be heard this Thursday night, Nov. 19, at 8 p.m.

That is when the UW-Madison Symphony Orchestra – playing under the baton of director Oriol Sans in the Mead Witter Foundation Concert Hall of the Hamel Music Center — will perform a short concert that features both live performances and pre-recorded performances in the same piece.

The reason for the hybrid is public health precautions, the same reason why no in-person audience will be allowed.

String players can play with masks and social distancing, as the same orchestra showed in a previous virtual concert (below) this semester.

But brass and woodwinds prohibit wearing masks and involve the spraying or draining of saliva – an obvious risk for the spread of COVID-19.

So, presenting the full symphonic experience of the Beethoven piece will be accomplished by a combination of pre-recorded and live music, all performed by UW-Madison Symphony Orchestra musicians. 

The concert will last about 90 minutes with no intermission.

Here is a direct link to the YouTube channel of the UW-Madison Mead Witter School of Music: https://youtu.be/af6hjmW1cQw

The program is:

“Fuga con Pajarillo” (Fugue with Pajarillo Dance) by the Venezuelan composer Aldemaro Romero (below, 1928-2007), who was known for blending folk songs and dances with classical music. You can hear the string version of the orchestral piece in the YouTube video at the bottom.

https://en.wikipedia.org/wiki/Aldemaro_Romero

The famous Allegretto second movement from Symphony No. 7 in A Major, Op. 92, by Ludwig van Beethoven (1770-1827)

“Ancient Airs and Dances, Suite III” by the Italian composer Ottorino Respighi (below, 1879-1936)    

    I. Anon.: Italiana

    II. Jean-Baptiste Besard: Arie di corte

    III. Anon.: Siciliana

    IV. Lodovico Roncalli: Passacaglia

For more information about the program and the names of the student performers, go to: https://www.music.wisc.edu/event/uw-madison-symphony-orchestra-3/

 


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The Madison Symphony Orchestra holds a FREE live-streamed organ concert of Bach and Handel by Juilliard professor Paul Jacobs this Tuesday night at 7:30

November 16, 2020
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By Jacob Stockinger

A FREE online organ concert on this Tuesday night, Nov. 17, will provide a classic example of the compare-and-contrast programs that The Ear likes so much.

Here are details:

On this Tuesday night, Nov. 17, at 7:30 CST, Juilliard organ professor Paul Jacobs (below) will return to Overture Hall to give a FREE live-streamed performance as part of the Madison Symphony Orchestra’s concert organ series.

In 2018, the Grammy Award-winning Jacobs made his Madison debut and garnered praise for an all-Bach program. This time, Jacobs – who taught MSO organist Greg Zelek – will perform a program that alternates between Johann Sebastian Bach (below top) and George Friderich Handel (below bottom).

The program features Jacobs offering his musical insights into Handel’s Organ Concertos. Bookended by his arrangements of two of Handel’s Op. 4 Concertos for solo organ, the versatility of the MSO’s Klais organ (below) will be on full display. (You can hear the theme-and-variations finale of the Organ Concerto, Op. 4, No. 1, in the YouTube video at the bottom.)

Although the virtual concert, which can be viewed through this Wednesday, Nov. 18, is FREE, registration is required. You can also register to see the free Oct. 13 concert by Greg Zelek through this Wednesday.

To see the complete Bach and Handel program, read more background about Paul Jacobs, and register to watch, go to: https://madisonsymphony.org/event/paul-jacobs-2020-streamed/

Concert sponsors are: Jeff and Beth Bauer; Jane Hamblen; and Robert F. Lemanske.

 


October’s FREE virtual and online Just Bach concert is this Wednesday at noon. It lasts 30 minutes. Here are details

October 19, 2020
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By Jacob Stockinger

The Ear has received the following announcement about the month’s Just Bach virtual concert from co-founder and violist Marika Fischer Hoyt.

The online concert takes place at noon CDT this Wednesday, Oct. 21.

Please join us as Just Bach shares the timeless beauty of music by Johann Sebastian Bach (below) from our home in the nave of Luther Memorial Church (LCM), 1021 University Ave.

We are thrilled to participate in LMC’s weekly “Music at Midday” concert series.

As part of this virtual online series, Just Bach concerts (below) take place at NOON on the third Wednesday of each month: Sept. 16; Oct. 21; Nov. 18; Dec. 16; Jan. 20; Feb. 17; March 17; April 21; and May 19.

The online programs last approximately 30 minutes instead of 60 minutes.

Because of the coronavirus pandemic, it is still too risky to have in-person audiences, so Music at Midday concerts are posted on the Luther Memorial website: https://www.luthermem.org/music-at-midday/

In addition, Just Bach concerts are posted on the Just Bach website, the Just Bach Facebook page, and the Just Bach YouTube Channel, where you can still hear the season’s opening concert in September. Links are below.

Viewing the concerts is FREE, but we ask those who are able to help us pay our musicians with a tax-deductible donation at https://www.paypal.com/donate/?cmd=_s-xclick&hosted_button_id=7A4R7CA8VDRMG&source=url

Just Bach co-founder and graduate student soprano at the UW-Madison Sarah Brailey (below) will provide the opening welcome remarks at this Wednesday’s program.

Our guest artists this month, the Madison-based baroque ensemble Sonata à Quattro (SAQ, below top in a photo by Barry Lewis) will perform the instrumental Sinfonia from Cantata 146, featuring organist Mark Brampton Smith (below bottom). You might recognize this as the first movement of the well-known Harpsichord Concerto in D Minor, BWV 1052.

Members of SAQ, who normally use period instruments and historically informed performance practices, will play modern instruments this time because of the organ pitch. SAQ members will continue the program with movements from the solo Cello Suite in G Major and the solo Violin Sonata in G Minor.

Sarah Brailey returns to lead the final chorale from Cantata 146, which uses the familiar tune from “Jesu, Joy of Man’s Desiring.” (You can hear “Jesu, Joy” in the YouTube video at the bottom.) 

We encourage viewers to sing along by following the chorale sheet music, which will be displayed on the computer screen, as Mark Brampton Smith accompanies on the organ. 

We need this soul-centering music now more than ever. So we invite the music community to join us at noon this Wednesday, Oct. 21, for a wonderful program of music by J.S. Bach. 

OCT. 21 PROGRAM:

• Cantata 146: Opening Sinfonia

• Solo Cello Suite in G Major, BWV 1007: Menuets I and II, Courante

• Solo Violin Sonata in G Minor, BWV 1001: Adagio, Presto

• Cantata 146: Final chorale: Freu dich sehr, o meine Seele (Rejoice greatly, oh my soul)

Guest Ensemble: Sonata à Quattro, whose members are: Christine Hauptly Annin, violin; Nathan Giglierano, violin; Leanne League, violin; Marika Fischer Hoyt, viola; Charlie Rasmussen, cello; and Mark Brampton Smith, organ.

Sarah Brailey provides the welcome and leads the chorale.

Dave Parminter is the videographer.

Just Bach is also trying something new: a Zoom meeting at 12:30 p.m. to serve as a virtual Meet and Greet with performers and some of the artistic team, to answer questions and chat with interested viewers. Here is the link: 

Here, in order, are links to: the Just Bach webpage; the Just Bach Facebook page; and the Just Bach YouTube channel:

https://justbach.org

facebook.org/JustBachSeries

youtube.com/channel/UCcyVFEVsJwklHAx9riqSkXQ

 


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