The Well-Tempered Ear

Classical music: UW-Madison’s Pro Arte Quartet resumes its FREE Beethoven cycle virtual and online this Friday night with two other programs this semester

September 29, 2020
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By Jacob Stockinger

The University of Wisconsin-Madison’s Pro Arte Quartet (below, performing the first all-Beethoven program in Collins Recital Hall) will resume its complete cycle of Beethoven’s 16 string quartets online and virtually this coming Friday night.

This third concert is free, and as you might have read in previous reviews, The Ear found the first two to be outstanding performances that also mixed works from early, middle and late periods.

The cycle is being undertaken to mark the Beethoven Year, which culminates this December with the 250th anniversary of the birth of the composer (below).

Cellist Parry Karp (below) – the longest-standing member of the quartet and the person who often speaks for the quartet – sent the following note for posting:

“I thought I should bring the public up to date with the Pro Arte Quartet’s Beethoven cycle. Obviously things have had to change because of the coronavirus pandemic.

“Before the pandemic, we were doing three quartets per concert. Since we now need to give the performances virtually and online, we have decided to perform two quartets per concert. Sitting at a computer for two hours at a time seemed a bit too much!

“We will be continuing the Beethoven cycle starting this Friday, Oct. 2, at 7:30 p.m. CDT. The program will consist of the early String Quartet in A Major, Op. 18 No. 5; and the late String Quartet in A Minor, Op. 132, with the famous “Sacred Hymn of Thanksgiving” (heard played by the Alban Berg Quartet in the YouTube video at the bottom).

The link to watch that concert is at: https://youtu.be/Mf-Mpt3EyNk

“Charles Dill (below, in a photo by Katrin Talbot), professor of musicology at the UW-Madison’s Mead Witter School of Music, will give a short lecture about each quartet before the Pro Arte Quartet performs.

“Although the concerts will be taking place in the bigger Mead Witter Foundation Concert Hall in the new Hamel Music Center, the hall will be closed to the public for reasons of safety and public health.

“We will be playing with masks and with more separation or social distance from each other, which is a challenge and takes some adjusting to. It will also be odd to perform without a live audience.

“Unfortunately, because of copyright questions and royalties from the music editions we are using, the online concerts will not be archived for later viewing

“The other two concerts in the Pro Arte Quartet’s Beethoven cycle this semester will be on Friday, Oct. 23, at 7:30 p.m. CDT and Friday, Nov. 20, at 7:30 p.m. CST.

“We plan to complete the Beethoven cycle during the spring semester of 2021.

The programs for this semester are listed below.”

SEMESTER I SCHEDULE

Beethoven String Quartet Cycle will be performed by the Pro Arte Quartet with pre-performance lectures of the quartets by Professor Charles Dill

Pro Arte Quartet members (below in photo by Rick Langer) are: violinists David Perry and Suzanne Beia; violist Sally Chisholm; and cellist Parry Karp.

For history and background about the Pro Arte Quartet, which is the oldest active string quartet in the history of music, go to: https://www.music.wisc.edu/pro-arte-quartet/.

PROGRAM 3

This Friday, Oct. 2, 2020 at 7:30 p.m. CDT in the Mead Witter Foundation Concert Hall.

String Quartet in A Major, Op. 18 No. 5 (1798-1800); and String Quartet in A Minor, Op. 132 (1825)

PROGRAM 4: Friday, Oct. 23, 2020, at 7:30 p.m. CDT in the Mead Witter Foundation Concert Hall

String Quartet in C Minor, Op. 18 No. 4 (1798-1800); and the String Quartet in E-Flat Major, Op. 127 (1825)

PROGRAM 5: Friday, Nov. 20, 2020 at 7:30 p.m. CST in the Mead Witter Foundation Concert Hall

String Quartet in D Major, Op. 18 No. 3 (1798-1800); String Quartet in E Minor, Op. 59 No. 2 (1806)

 


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Classical music: Here is the complete concert program for the Madison Opera’s Digital Opera in the Park. It premieres online TONIGHT at 8 and stays up until Aug. 25

July 25, 2020
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By Jacob Stockinger

The 2020 edition of the Madison Opera’s annual summer event Opera in the Park (below, a photo from the past) will be virtual and online due the coronavirus pandemic and the COVID-19 public health crisis.

The concert – which can be viewed indoors or outdoors, anywhere in the country or the world — begins at 8 p.m. CDT TONIGHT, Saturday, July 25. It will remain available online until Aug. 25.

Here are links to the portals where you can watch and listen to the opera program and also join the post-concert Q&A with performers: https://www.madisonopera.org and https://vimeo.com/437164679

For more information about the 90-minute concert, and related events, as well as the performers and the donors, go to: https://welltempered.wordpress.com/2020/07/23/classical-music-madison-operas-virtual-opera-in-the-park-goes-online-for-free-this-saturday-night-and-stay-up-until-aug-25-listen-to-it-indoors-or-outdoors-to-enhance-the-experience/

HERE IS THE COMPLETE PROGRAM FOR THE EVENING

Overture | The Marriage of Figaro (W.A. Mozart; 1786)

Suzanne Beia, violin; John DeMain (below) and Scott Gendel, piano

“Quel guardo, il cavaliere” | Don Pasquale (Gaetano Donizetti; 1843)

Jasmine Habersham, soprano (below); Rolando Salazar, piano

“Un’aura amorosa” | Così fan tutte (W.A. Mozart; 1789)

Andres Acosta, tenor (below); Marika Yasuda, piano

“Ernani, involami” | Ernani (Giuseppe Verdi; 1844)

Karen Slack, soprano (below); Laura Ward, piano

“Vision fugitive” | Hérodiade (Jules Massenet; 1881)

Weston Hurt, baritone (below); Bethany Self, piano

“Aber der Richtige” | Arabella (Richard Strauss; 1933)

Jasmine Habersham, soprano; Karen Slack, soprano; Scott Gendel, piano (below)

“Au fond du temple saint” | The Pearl Fishers (Georges Bizet; 1863)

Andres Acosta, tenor; Weston Hurt, baritone; Scott Gendel, piano

“Deh vieni, non tardar” | The Marriage of Figaro (W.A. Mozart; 1786)

Jasmine Habersham, soprano; Rolando Salazar, piano

“Il balen del suo sorriso” | Il Trovatore  (Giuseppe Verdi; 1853)

Weston Hurt, baritone; Bethany Self, piano

“Anvil Chorus” | Il Trovatore (Giuseppe Verdi; 1853)

Madison Opera Chorus via Zoom (below); Anthony Cao, conductor and piano

“Vissi d’arte” | Tosca (Giacomo Puccini; 1900)

Karen Slack, soprano; Laura Ward, piano

“Asile héréditaire” | William Tell (Gioachino Rossini; 1829)

Andres Acosta, tenor; Marika Yasuda, piano

“Meditation” | Thaïs (Jules Massenet; 1894)

Suzanne Beia, violin (below); John DeMain, piano

Spiritual “Scandalize My Name” | arranged by Johnnie Dean

Jasmine Habersham, soprano; Karen Slack, soprano; Scott Gendel, piano

“No puede ser” | La Tabernera del Puerto (Pablo Sorozabal; 1936)

Andres Acosta, tenor; Marika Yasuda, piano

“Vanilla Ice Cream” | She Loves Me (Jerry Bock; 1963)

Jasmine Habersham, soprano; Rolando Salazar, piano

“Some Enchanted Evening” | South Pacific (Richard Rodgers; 1949)

Weston Hurt, baritone; Bethany Self, piano

“He’s Got the Whole World in His Hands” | arranged by Margaret Bonds

Karen Slack, soprano; Laura Ward, piano

SING-ALONG FINALE: It’s a Grand Night for Singing | State Fair (Richard Rodgers; 1945)

 


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Classical music: Madison Opera’s virtual Opera in the Park goes online for FREE this Saturday night and stays up until Aug. 25. Listen to it indoors or outdoors

July 23, 2020
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By Jacob Stockinger

Madison Opera’s Opera in the Park isn’t in a park this year — as it has been in past years (below) — but it will be available for people to enjoy for free in their backyards, in their living rooms or anywhere else with an internet connection.

The digital concert will be released on this Saturday, July 25, at 8 p.m. CDT, and can be watched on Madison Opera’s website, www.madisonopera.org/digital, where you can find complete information and, soon, a complete program to download.

The annual free concert has moved online in response to the COVID-19 pandemic, with a newly created program of opera arias and more.

Digital Opera in the Park features: soprano Jasmine Habersham; soprano Karen Slack; tenor Andres Acosta; and baritone Weston Hurt. (The last two will sing the justly famous baritone-tenor duet “Au fond du temple saint” from Bizet’s “The Pearl Fishers,” which you can hear in the YouTube video at the bottom.)

Habersham (below) makes her Madison Opera debut with this unique performance, and will sing Susanna in the company’s production of Mozart’s The Marriage of Figaro next April.

Slack (below) debuted with the company in Jake Heggie’s Dead Man Walking, and will be part of the company’s digital fall season.

Acosta (below) sang Timothy Laughlin in Gregory Spears’ Fellow Travelers with Madison Opera this past February.

Hurt (below) debuted as Germont in Verdi’s La Traviata last season and is part of the company’s digital fall season.

The four singers will be joined by several important local artists. They include violinist Suzanne Beia, the assistant concertmaster of the Madison Symphony Orchestra, the concertmaster of the Wisconsin Chamber Orchestra and the second violin of the UW-Madison’s Pro Arte Quartet.

There will also be a fleet of eight pianists. They include MSO music director and Madison Opera’s artist director John DeMain (below top, in a photo by Prasad) and the UW-Madison graduate and composer Scott Gendel (below bottom). The two will play multiple numbers, including DeMain accompanying Beia on the beautiful “Meditation” from Thaïs.

Each singer recorded their arias with an accompanist in their home cities, and chorusmaster Anthony Cao (below top) both accompanies and conducts the Madison Opera Chorus (below bottom) in a virtual “Anvil Chorus” from Il Trovatore.

The evening will be hosted by Madison Opera’s General Director Kathryn Smith and by WKOW TV’s Channel 27 News co-anchor George Smith.

“Reimagining Opera in the Park in the pandemic era has been a challenge, but one we have happily embraced,” says Smith (below in a photo by James Gill). “Our wonderful artists were game to record themselves in their home towns, to sing duets with each other through headphones, and to share their artistry with our community in a new way. Over 40 choristers joined a Zoom call to get instructions, and then they recorded their parts of the ‘Anvil Chorus.’”

“While in some ways this concert has required more work than our live Opera in the Park in Garner Park, it is always a pleasure to present beautiful music for everyone to enjoy.”

Digital Opera in the Park features music from Verdi’s Il Trovatore, now canceled in live performance but originally slated to open Madison Opera’s 2020-21 season; Jerry Bock’s She Loves Me, which the company performs in January; and Mozart’s The Marriage of Figaro, which will be performed in April.

The program also includes selections from Bizet’s The Pearl Fishers, Richard Strauss’ Arabella, Verdi’s Don Pasquale, Puccini’s Tosca, Massenet’s Hérodiade and Thaïs, Rossini’s William Tell, Pablo Sarozabal’s zarzuela La Tabernera del Puerto, Rodgers and Hammerstein’s South Pacific, and more.

The concert will be available beginning at 8 p.m. CDT on this Saturday night, July 25, and will remain online until Aug. 25, allowing for both repeated viewing and flexibility for people who are unable to watch on the first night.

While Digital Opera in the Park will be free to watch, it would not be possible without the generous support of many foundations, corporations and individuals who believe in the importance of music. Madison Opera is grateful to the sponsors of Opera in the Park 2020:

  • Presenting Sponsor: the Berbeewalsh Foundation
  • Sponsors: the John and Carolyn Peterson Charitable Foundation, Full Compass Systems, the Raymond B. Preston Family Foundation, University Research Park, Colony Brands, Johnson Financial Group, MGE Foundation, National Guardian Life, Wisconsin Arts Board, Dane Arts and the Madison Arts Commission.
  • Media Sponsors: WKOW, Madison Magazine, Wisconsin Public Radio, Magic 98, and La Movida.

RELATED EVENTS include:

OPERA ON THE WALL | JULY 25, 2020 | ONLINE

Madison artists Liubov Swazko (known as Triangulador) and Mike Lroy have created artwork around our community, including beautiful murals on State Street storefronts.

In an act of artistic cross-pollination, they will create an artwork that comes from their personal response to Digital Opera in the Park, offering a rare glimpse of visual artists responding to musical artists. Their creative process will be filmed in the Madison Opera Center, and shared online starting on July 25.

The finished artwork will be displayed in the Madison Opera Center. Go to Swazko’s website at triangulador.com (one work is below) and Lroy’s website at mikelroy.com to see their past work.

POST-SHOW Q&A | JULY 25, 2020, IMMEDIATELY FOLLOWING THE INITIAL STREAM

Join Kathryn Smith and the Digital Opera in the Park artists for a post-concert discussion, including an opportunity to ask questions. Details on format and platform will be available closer to the date.

 


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Classical music: COVID-19 pandemic forces more major changes for Concerts on the Square and a cancellation by the Mosaic Chamber Players

June 11, 2020
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ALERT: The Ear has received the following note from Jess Salek — the founder, director and pianist of the Mosaic Chamber Players: “Just a note to mention that the concert scheduled for this Saturday, June 13, is cancelled due to COVID-19. We are doing our best to stay positive during this difficult time for local arts groups, and we will resume our music-making as soon as is safe. Please be well!”

By Jacob Stockinger

Major changes are in store for the annual Concerts on the Square, which were already postponed with a change of dates, day and time, according to television WKOW-TV Channel 27 (you can hear the TV news report in the YouTube video at the bottom):

Here are details:

MADISON (WKOW) – The Wisconsin Chamber Orchestra (WCO) has unveiled a new plan for its 2020 Concerts on the Square series (below), which involves replacing the four postponed concerts with two drive-in performances.

Additionally, they’re planning for two live concerts at Breese Stevens Field if playing outdoors is deemed safe in late summer.

The revised approach was necessary to keep attendees safe, while adhering to state and county requirements that don’t allow for large gatherings, according to a WCO news release.

The WCO will follow Forward Dane Health Guidelines to determine if the live concerts can occur. A decision will be made in late July.

“We were optimistic in April that if we only delayed the start of Concerts on the Square to late July that we could still hold live performances downtown,” said Joe Loehnis (below), the WCO’s CEO. “But as the pandemic continues to affect us all in ways we never could have foreseen, we’ve decided to take creative steps now that will allow us to still share music with our community.”

The new plan for Concerts on the Square looks like this:

  • The first four shows (July 28 – Aug 18) have been postponed until the summer of 2021.
  • The WCO, in partnership with the Madison Mallards, will host two “drive-in” concerts on June 24 and July 22 (more information below). Each concert also will be live-streamed on https://wcoconcerts.org and https://pbswisconsin.org for free.
  • The final two Concerts on the Square will be live concerts at Breese Stevens Field on Aug. 25 and Sept. 1.
  • The WCO’s annual “runout” concert to Portage this summer has been canceled.

Drive-in Concerts on the Square

The two drive-in concerts will feature rebroadcasts of the most popular Concerts on the Square performances, thanks to a partnership with PBS Wisconsin.

The WCO expects to be able to have 115 vehicles at each concert. The goal is to make it accessible to as many people as possible without risking health and safety.

The basics for each program are:

Location: Warner Park, 2930 N. Sherman Ave., Madison
Cost: $25 per car 
Time: 7-8 p.m.; 8:45-9:45 p.m. (two showings each night to allow more people to attend)
Additional information: To purchase tickets, visit: 

 

 

June 24 – “S Wonderful” with Amanda Huddleston, soprano, and Andrew Clark, tenor. Songs include: “The Sound of Music” Medley, “Smoke Gets in Your Eyes,” “Armed Forces Salute” and “1812 Overture.” (2015 Performance)

July 22 – “Film Night,” featuring concertmaster Suzanne Beia. Songs include: “The Magnificent Seven,” “The Pink Panther,” “Raiders of the Lost Ark,” “Schindler’s List” and “E.T.” (2019 Performance)

“With two showings each night, we’re trying to make the concerts as accessible as possible,” Loehnis said. “Community partnerships are so important right now, and because of PBS Wisconsin and the Mallards, we’re able to bring this idea to life. We are grateful for these partnerships.”

Breese Stevens concerts are planned for late summer. If Dane County has entered Phase III of its Forward Dane plan by late August, 250 people will be allowed to gather for outdoor events.

For that reason, the WCO is planning to host two live Concerts on the Square at Breese Stevens.

The WCO will provide an update later in July on progress for this opportunity. Those shows currently are scheduled for Aug. 25 and Sept. 1.

The WCO also is considering how it could broadcast the live performances to other venues such as the Alliant Energy Center, Warner Park or Madison parks, where others could view the concerts safely.

“We’re still working through the logistics, and we’re realists – understanding that the situation changes almost daily,” Loehnis said. “But we also want to be forward-thinking and we’re going to keep pushing ahead unless we don’t believe a live show can be held safely.”

To keep up-to-date with performance schedules, community members can sign up for email updates on the WCO website or follow the orchestra on Facebook (https://www.facebook.com/search/top/?q=wisconsin%20chamber%20orchestra&epa=SEARCH_BOX) and Instagram.

 


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Classical music: The Wisconsin Chamber Orchestra uses a new website and a new brochure to announce its new Masterworks season plus other innovations

May 23, 2020
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By Jacob Stockinger

In many ways, there is much that is familiar or tried-and-true about the Wisconsin Chamber Orchestra (below, in a photo by Mike Gorski) and its new Masterworks season for 2020-21.

But in other ways it seems as if the WCO is reinventing and rebranding itself – perhaps under the direction of its new CEO Joe Loehnis – as the ensemble starts a double anniversary: its 60th season of existence and its 20th year under the baton of music director Andrew Sewell (below in a photo by Alex Cruz).

As in past years, the WCO programs feature a mix of familiar composers and works with new and neglected ones. It also features both new and returning guest soloists.

Start with what’s new.

The new WCO home website – like the new brochure that has been mailed out — has been redesigned, with more visuals and more information about the 34-member orchestra. The Ear finds both the new brochure and the new home page to be more attractive, better organized and easier to use. Take a look for yourself: https://wcoconcerts.org

There also seems to be a heightened emphasis on donations and raising money, including a new organization called “Friends” that brings special benefits for $30 or even more perks at $8 a month.

And the website seems more customer-friendly. There is a section on the website about “What to Expect,” which includes how to choose seats, how to dress, when to applaud and so forth. There is also a portal for streaming events and concerts.

There is more, much more, including the pre-concert dinners for the Masterworks concerts and the culturally diverse programs for the postponed Concerts on the Square (below), to run this summer on Tuesday nights at 6 p.m. (NOT the usual Wednesdays at 7 p.m.) from July 28 to Sept. 1.

There seems to be more emphasis on Sewell, who this year provides extensive first-person notes about each program and the guest artists. (In the YouTube video at the bottom, you can hear Sewell discuss the new Masterworks season with Wisconsin Public Radio host and WCO announcer Norman Gilliland.)

This season will see two performances of Handel’s “Messiah”: one on Saturday, Dec. 19, at the Blackhawk Church in Middleton; and another downtown on Sunday, Dec. 20, at the UW-Madison’s Hamel Music Center.

The Masterworks series of concerts – held on Friday nights at 7:30 p.m. in the Capitol Theater of the Overture Center – will begin in late November rather than in late January. The six concerts include five new ones and the postponed appearance of harpist Yolanda Kondonassis, whose appearance this season was canceled because of the COVID-19 pandemic, on May 14.

Two of the concerts – on two Saturdays, Feb. 20 and April 10 – will also be performed in the Milwaukee suburb of Brookfield at the Sharon Lynn Wilson Center for the Arts (below).

You can read more about the community outreach and music education programs, especially the Youth and Education programs. They include the free Family Series and “Side by Side” concerts (below, in a photo by Mike DeVries for The Capital Times, WCO concertmaster Suzanne Beia, right, tutors a WYSO student); the Super Strings educational program; and the Young Artists Concerto Competition for grades 9-12.

Here are the Masterworks series:

NOV. 20Pianist John O’Conor (below) returns in a program of the Piano Concerto No. 5 “Emperor” by Beethoven; the Septet by Igor Stravinsky; and the Symphony No. 1 in D Major by Luigi Cherubini.

JAN. 15Cellist Amid Peled (below, in a photo by Lisa Mazzucco) returns in a program of Cello Concerto No. 1 by Dmitry Kabalevsky and the Andante by Jacques Offenbach; plus the Wind Serenade in D minor by Antonin Dvorak; and the Symphony No. 34 by Mozart.

FEB. 19Violinist Alexander Sitkovetsky (below) in returns in Antonio Vivaldi’s “Four Seasons” and Astor Piazzolla’s “Four Seasons in Buenos Aires”; plus the Suite for Strings by Leos Janacek.

MARCH 19Grammy-winning Spanish guitarist Mabel Millán (below) making her U.S, debut in an all-Spanish program that features the Concierto del Sur (Concerto of the South) by Manuel Ponce; the Sinfonietta in D major by Ernesto Halffter; and the overture “Los Esclavos Felices” (The Happy Slaves) by Juan Crisóstomo Arriaga.

APRIL 9Pianist Michael Mizrahi (below), who teaches at the Lawrence University Conservatory of Music in Appleton, Wis., on the Piano Concerto No. 1 by Beethoven plus the Serenade No. 1 by Johannes Brahms.

MAY 14Harpist Yolanda Kondonassis (below) in the Harp Concerto by Alberto Ginastera; plus the Sinfonietta by Sergei Prokofiev and the Symphony no. 88 by Franz Joseph Haydn.

Single tickets, which go on sale in July, are $15 to $80. Season subscriptions are available now with seat preference through July 1, bring a discounted price with an extra 10 percent off for first-time subscribers.

For more information, go to the website at https://wcoconcerts.org; call 608 257-0638; or mail a subscription form to the Wisconsin Chamber Orchestra, Attn: Subscriptions; PO Box171, Madison, WI 53701-0171.

 


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Classical music: The UW-Madison’s Pro Arte Quartet performs the second of its free, MUST-HEAR, six-concert Beethoven string quartet cycle this Friday night. Here is a revised schedule.

February 25, 2020
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By Jacob Stockinger

This Friday night at 8 p.m. in the Mead Witter Foundation Concert Hall of the new Hamel Music Center, 740 University Ave., the UW-Madison’s Pro Arte Quartet (below, during the first concert of the cycle) plays the second concert in its FREE year-long, six-concert Beethoven cycle to mark the Beethoven Year that celebrates the 250th anniversary of the composer’s birth.

The Ear heard the first concert in the cycle and found it superb. He recommends the performances highly enough to call them MUST-HEARs.

But a couple of things have changed in the cycle.

Since the last listing was published, the last concert of the cycle has been pushed back one day.

Also, UW-Madison Professor of Musicology Charles Dill (below) will be giving a pre-concert lecture one hour before each of the remaining five concerts in the series. This Friday night,  Dill speaks at 7 p.m. in the Lee/Kaufman Rehearsal Hall.

Members of the Pro Arte Quartet (below, from left in a photo by Rick Langer) are David Perry and Suzanne Beia, violins; Sally Chisholm, viola; Parry Karp, cello.

Here is the revised schedule:

PROGRAM I  (completed)

Friday, Nov. 22, 2019, 8 p.m. in Collins Recital Hall

String Quartet in G Major, Op. 18, No. 2 (1798-1800)

String Quartet in F Minor, Op. 95, “Serioso” (1810)

String Quartet in B-flat Major, Op. 130 (1825-6)

PROGRAM II

This Friday, Feb. 28, 2020, at 8 p.m., in Mead Witter Foundation Concert Hall

String Quartet in F Major, Op. 18, No. 1 (1798-1800). You can hear the opening of this first quartet by the young Beethoven, played the Alban Berg Quartet, in the YouTube video at the bottom.)

String Quartet in E-Flat Major, Op. 74, “Harp” (1809).

String Quartet in C-Sharp Minor, Op. 131 (1826)

Pre-Concert lecture by Professor Charles Dill, 7 p.m. in  Lee/Kaufman Rehearsal Hall

PROGRAM III

Thursday, April 16, 2020, 7:30 p.m. in Mead Witter Foundation Concert Hall

String Quartet in D Major, Op. 18, No. 3 (1798-1800)

String Quartet in E Minor, Op. 59, No. 2 (1806)

String Quartet in E-flat Major, Op. 127 (1825)

Pre-Concert lecture by Professor Charles Dill, 6:30 p.m. in Collins Recital Hall

PROGRAM IV

Friday, Oct. 2, 2020, at 8 p.m. in Mead Witter Foundation Concert Hall

String Quartet in A Major, Op. 18, No. 5 (1798-1800)

String Quartet in C Minor, Op. 18, No. 4 (1798-1800)

String Quartet in A Minor, Op. 132 (1825)

Pre-Concert lecture by Professor Charles Dill at 7 p.m. in Collins Recital Hall

PROGRAM V

Friday, Nov. 20, 2020, at 8 p.m. in Mead Witter Foundation Concert Hall

String Quartet in B-flat Major, Op. 18, No. 6 (1798-1800)

String Quartet in F Major, Op. 135 (1826)

String Quartet in C Major, Op. 59, No. 3 (1806)

Pre-Concert lecture by Professor Charles Dill at 7 p.m. in Collins Recital Hall

PROGRAM VI

Sunday, Jan. 31, 2021, at 7:30 p.m. in Mead Witter Foundation Concert Hall

String Quartet in F Major, Op. 59, No. 1 (1806)

String Quartet in B-flat Major, Op. 130, with the Great Fugue finale (Grosse Fuge), Op. 133 (1825)

Pre-Concert lecture by Professor Charles Dill at 6:30 p.m. in Collins Recital Hall

 


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Classical music: The UW Schubertiade last Sunday afternoon explored the influence of Beethoven on Schubert with insight and beauty

February 2, 2020
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ALERT: In early editions of my last post, I mistakenly said that the UW Choral Union and the UW Symphony Orchestra will perform the Verdi Requiem on May 25 and 26. The correct dates are APRIL 25 and 26. The Ear regrets the error.

By Jacob Stockinger

One of the most informative and enjoyable events of the Beethoven Year – 2020 is the 250th anniversary of the composer’s birth – came early.

It took place last Sunday afternoon in the Collins Recital Hall of the new Hamel Music Center at the UW-Madison.

It was the seventh annual Schubertiade, and its theme was “Schubert and Beethoven: Influences and Homages.” A classic contrast-and-compare examination of two musical giants who lived and worked in Vienna in the early 19th century, the concert took place for almost three hours before a packed house. (Schubert is below top, Beethoven below middle, and the sold-out audience below bottom)

The annual event is organized by co-founders and co-directors UW piano professor Martha Fisher and her pianist husband Bill Lutes (below, greeting the crowd), who also perform frequently, especially as outstandingly sensitive and subtle accompanists.

They make the event, with audience members sitting onstage, look easy and informal. But it takes a lot of hard work.

The two sure know how to choose talent. As usual, all the singers and instrumentalists – UW alumni and faculty members (below) — proved very capable. The concert cohered with consistency.

Nonetheless, The Ear heard highlights worth singling out.

Baritone Michael Roemer (below) sang exceptionally in “An die ferne Geliebte” (To the Distant Beloved) by Beethoven (1770-1827). His voice brought to mind the young Dietrich Fischer-Dieskau in the inviting tone and direct delivery of the first song cycle ever composed. It was also the one that inspired the younger Schubert (1797-1828) to compose his own song cycles, and you could hear why.

Soprano Jamie Rose Guarrine (below right), accompanied by Bill Lutes and cellist Karl Knapp (below center), brought warmth, ease and confidence to the lyrical beauty of “Auf dem Strom” (On the River).

Tenor Daniel O’Dea (below) showed how Schubert’s setting of Friedrich Schiller’s “Ode to Joy” – the same Romantic poem made famous in Beethoven’s Ninth Symphony “Choral” – ended up much more lighthearted than the more familiar, serious and intense symphonic version.

Martha Fischer and Bill Lutes, who also sang as well as narrated and accompanied, showed complete blending and tightness in Schubert’s first published composition: “Eight Variations on a French Song.” It was for piano, four-hands – a sociable genre that Schubert favored and wrote a lot of.

Soprano Jennifer D’Agostino (below) sang Schubert’s song “Elysium” in which it is unclear whether it is a pastiche or a parody of Beethoven, who remained a mentor until Schubert died at 31. Could that ambiguity point to Schubert’s maturing sense of himself and his own art as compared to Beethoven’s?

One year after Beethoven’s death – Schubert was a pallbearer — Schubert put on his only formal public concert of his own work. That was when he premiered his Piano Trio No. 2, the bravura last movement of which was played by Bill Lutes with cellist Parry Karp and first violinist David Perry (below), of the UW’s Pro Arte Quartet.

Then all four members of the Pro Arte Quartet (below) – with violist Sally Chisholm and second violinist Suzanne Beia – played the last two movements of Beethoven’s late String Quartet in C-sharp Minor, Op. 131, the work that Schubert requested to hear performed as he lay on his death bed in his brother’s Vienna apartment.

Of course there were other moments that pleased and instructed. There was a set of four songs – one coupling sung by mezzo-soprano Allisanne Apple (below) — in which the same texts were set to music by both Beethoven and Schubert.

We got to hear Beethoven’s final song, “Abendlied unterm gestirnten Himmel” (Evening Song Beneath the Starry Firmament).

Then there was the heart-wrenching “Nachthymne” (Hymn to the Night) by Schubert, again beautifully performed by Jamie Rose Guarrine. (You can hear “Hymn to the Night,” sung by Elly Ameling, in the YouTube video at the bottom.)

So in the end, what were the big lessons, the takeaways from this year’s Schubertiade?

One lesson is that for all his more familiar symphonies and concertos, his string quartets and piano trios, his piano sonatas and his sonatas for cello and violin, Beethoven was also a much more accomplished song composer than the public generally knows.

But for The Ear, the biggest lesson of all is that despite Beethoven’s deep influence, Schubert retained his own special voice, a voice full of unforgettable melodies and harmonies, of lyricism and empathy.

And using a mentor to find, refine and retain one’s own identity is the highest homage any student can pay to a teacher.

 


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Classical music: Happy Thanksgiving! What composer, music or performer are you grateful for? Plus, the Pro Arte Quartet repeats the FREE but fantastic opening concert of its complete Beethoven cycle this Sunday afternoon

November 28, 2019
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ALERT: One of the Thanksgiving traditions for music fans is that from 10 a.m. to noon today, Wisconsin Public Radio will again broadcast highlights from this year’s honors concerts by choirs, bands and orchestras from the Wisconsin School Music Association. Music education is something to give thanks for. You can hear middle school and high school student performers from around the state as well as WPR’s usual Thanksgiving offerings of American composers and music, and then special Thanksgiving programs about gratitude.

By Jacob Stockinger

Happy Thanksgiving!

Today – Thursday, Nov. 28, 2019 – is Thanksgiving Day.

It was Sergei Rachmaninoff (below) who once remarked, “Music is enough for a lifetime, but a lifetime is not enough for music.”

How true, how true.

There is such a wealth of composers, works and performers — going back many centuries — that we can be grateful for. In the Comment section, The Ear wants to hear from you about what one you would name — with a YouTube link, if possible.

But this year he has his own choice: the “Sacred Hymn of Thanksgiving” – by Beethoven (below), who used it as a movement in his late String Quartet in A Minor, Op. 132.

You can hear it in the YouTube video at the bottom, where the playing of the four string instruments also gets an interesting and fascinating graphic depiction of its structure.

The composer wrote this sublime and other-worldy music when he recovered from what he thought was a life-threating illness.

But with the Beethoven Year of 2020 fast approaching – along with celebrations of the 250th anniversary of the composer’s birth – The Ear has another reason for his choice.

If you missed last Friday’s superb FREE opening concert of the complete cycle of Beethoven’s 16 string quartets by the University of Wisconsin-Madison’s Pro Arte Quartet (below, in the new Collins Recital Hall of the Hamel Music Center), you have a chance to catch a second performance this coming Sunday afternoon, Dec. 1. (Members, below left are David Perry and Suzanne Beia, violins; Sally Chisholm, viola; and Parry Karp, cello.)

From 12:30 to 2 p.m. the Pro Arte will performance the same program – and ultimately the complete cycle of six concerts — for Sunday Afternoon Live at the Chazen. You can attend it in person for FREE in Brittingham Gallery 3 (below) of the museum or you can stream it live.

Here are links to the program and to the streaming portal and the program: https://www.chazen.wisc.edu/index.php?/events-calendar-demo/event/sunday-afternoon-live-at-the-chazen11/

https://c.streamhoster.com/embed/media/O7sBNG/OS1C0ihJsYK/iqf1vBMs3qg_5

And here is a link to the complete schedule of the Beethoven string quartet cycle, done over the next 14 months, by the Pro Arte Quartet, which includes background on the Pro Arte. You’ll notice, by the way, that the Sacred Hymn of Thanksgiving will be performed on the program for next Oct. 2:

https://welltempered.wordpress.com/2019/11/19/classical-music-this-friday-night-nov-22-the-uw-madisons-pro-arte-quartet-starts-its-beethoven-cycle-of-the-complete-16-string-quartets-here-are-the-dates-times-venues-and-programs-for/

 


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Classical music: This Friday night, Nov. 22, the UW-Madison’s Pro Arte Quartet begins its 14-month complete cycle of Beethoven’s 16 string quartets. Here are programs and information about the six concerts

November 19, 2019
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By Jacob Stockinger

As you might have already heard, 2020 is a Beethoven Year. Musicians are already marking the 250th anniversary of the birth of Ludwig van Beethoven (1770-1827, below).

One of the big local events – unfolding over the next 14 months — is that the University of Wisconsin-Madison’s acclaimed Pro Arte Quartet will perform a complete, six-concert cycle of Beethoven’s 16 string quartets, which are considered to be a monumental milestone in chamber music and in the development of the genre.

They encompass the styles of Beethoven’s early, middle and late periods, and often served as an experimental laboratory for musical ideas he used on other works. Each of the Pro Arte’s programs wisely features works from different periods, which makes comparisons and differences easier to understand. (You can hear Beethoven biographer Jan Stafford discuss the late quartets in the YouTube video at the bottom.)

For more about Beethoven’s string quartets, go to: https://en.wikipedia.org/wiki/Category:String_quartets_by_Ludwig_van_Beethoven

A Beethoven cycle is also what originally brought the Pro Arte Quartet from Belgium — where it was founded by students at the Royal Conservatory in 1912 — to Madison, where they performed it at the Wisconsin Union Theater in 1940. In fact, they were in the process of performing the cycle when they heard that their homeland of Belgium has been invaded by Hitler and the Nazis, and they could not go home.

Stranded here by World War II, they were offered a chance to be artists-in-residence at the UW-Madison. They accepted — and the quartet has remained here since, becoming the longest performing quartet in music history.

For more about the history of the Pro Arte (below, in 1928), go to: https://www.music.wisc.edu/pro-arte-quartet/

Current members of the Pro Arte Quartet (below from left, in a photo by Rick Langer) are: David Perry and Suzanne Beia, violins; Sally Chisholm, viola; and Parry Karp, cello.

PROGRAM I: Friday, Nov. 22, 8 p.m. in Collins Recital Hall

String Quartet in G Major, Op. 18, No. 2 (1798-1800)

String Quartet in F Minor, Op. 95 “Serioso” (1810)

String Quartet in B-Flat Major, Op. 130 (1825-6)

 

PROGRAM II: Friday, Feb. 28, 8 p.m., Mead Witter Foundation Concert Hall

String Quartet in F Major, Op. 18, No. 1 (1798-1800)

String Quartet in E-Flat Major, Op. 74 “Harp” (1809)

String Quartet in C-Sharp Minor, Op. 131 (1826)

 

PROGRAM III: Thursday, April 16 (NOT April 23, as was mistakenly listed in a press release), 7:30 p.m., Mead Witter Foundation Concert Hall

String Quartet in D Major, Op. 18, No. 3 (1798-1800)

String Quartet in E Minor, Op. 59, No. 2 (1806)

String Quartet in E-Flat Major, Op. 127 (1825)

PROGRAM IV: Friday, Oct. 2, 2020, 8 p.m., Mead Witter Foundation Concert Hall

String Quartet in A Major, Op. 18, No. 5 (1798-1800)

String Quartet in C Minor, Op. 18, No. 4 (1798-1800)

String Quartet in A Minor, Op. 132 (1825)

 

PROGRAM V: Friday, Nov. 20, 2020, 8 p.m., Mead Witter Foundation Concert Hall

String Quartet in B-Flat Major, Op. 18, No. 6 (1798-1800)

String Quartet in F Major, Op. 135 (1826)

String Quartet in C Major, Op. 59, No. 3 (1806)

 

PROGRAM VI: Saturday, Jan. 30, 2021, 8 p.m., Mead Witter Foundation Concert Hall

String Quartet in F Major, Op. 59, No. 1 (1806)

String Quartet in B-Flat Major, Op. 130 with the Great Fugue Finale, Op. 133 (1825)

 


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Classical music: The Pro Arte Quartet minus one plays string trios this Friday night and Sunday afternoon, then starts its Beethoven string quartet cycle on Friday, Nov. 22. Plus 3 UW profs premiere a new fusion work tonight

October 3, 2019
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CORRECTION: The all-Telemann concert by the Madison Bach Musicians on this Saturday night at the First Unitarian Society of Madison is at 8 p.m. — NOT 7:30 as it was mistakenly listed in the early version of yesterday’s post. The Ear apologizes for the error. The pre-concert lecture is at 7:15 p.m. There is also a performance on Sunday at Holy Wisdom Monastery in Middleton at 3:30 p.m., with a lecture at 2:45 p.m. For more information, go to: https://welltempered.wordpress.com/2019/10/02/classical-music-how-did-baroque-composer-telemann-get-overshadowed-and-why-is-he-being-rediscovered-trevor-stephenson-talks-about-his-all-telemann-concerts-this-weekend/

ALERT: TONIGHT, Thursday, Oct. 3, at 8 p.m., three UW-Madison music professors — Anthony Di Sanza (percussion), Tom Curry (tuba, keyboard and electronics) and Mark Hetzler (trombone and electronics) — will perform their new composition “Don’t Look Down” at the Arts + Literature Laboratory, located at 2021 Winnebago Street on Madison’s near east side. (Phone is 608 556-7415.)

The trio’s goal to showcase their instruments using a combination of electro-acoustic techniques, improvisation and traditional chamber music applications to create an array of sonic environments and musical languages.

The result is a work that looks at the impact of media and technology on society, while featuring shifting soundscapes and a variety of styles including classical, rock, jazz and experimental.

Tickets are $10 in advance at: https://dontlookdown.brownpapertickets.com; and $15 at the door. Student tickets are $5 off with a valid school ID. Advance ticket sales end one hour before the show. Doors open at 7:30 p.m.

By Jacob Stockinger

First, a news flash: The University of Wisconsin-Madison’s critically acclaimed Pro Arte Quartet (below, in a photo by Rick Langer) will begin its complete cycle of Beethoven’s 16 string quartets on Friday, Nov. 22.

The program, time and other dates are not available yet, but should be announced soon.

The performances are part of the 2020 Beethoven Year, which will celebrate the 250th anniversary of the composer’s birth. Stayed tuned for more details.

This Friday night, Oct. 4, at 8 p.m. in Mills Hall, three members of the Pro Arte will perform a FREE concert of string trios. Performers are second violinist Suzanne Beia, violist Sally Chisholm and cellist Parry Karp.

Featured on the program are: the Serenade in C Major, Op. 10 (1902), by the Hungarian composer Ernst von Dohnanyi (below top); the String Trio, Op. 48 (1950), by the Polish composer Mieczyslaw Weinberg (below bottom); and the Serenade in D Major, Op. 8 (1796-97), by Ludwig van Beethoven.) You can hear the opening movement of the Weinberg Trio in the YouTube video at the bottom.

For more information about the quartet and the program, go to: https://www.music.wisc.edu/event/pro-arte-quartet-5/

This Sunday afternoon, the Pro Arte Quartet will also perform FREE at the Chazen Museum of Art on Sunday Afternoon Live at the Chazen. The same program of string trios will be repeated. The performance will be held starting at 12:30 in the Brittingham Gallery 3.

For details about attending, go to: https://www.chazen.wisc.edu/index.php?/events-calendar-demo/event/sunday-afternoon-live-at-the-chazen9/

It will also be streamed live at the following portal: https://c.streamhoster.com/embed/media/O7sBNG/OS1C0ihJsYK/iqf1vBMs3qg_5


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