The Well-Tempered Ear
From beginner to maestro — for the Final Forte, John DeMain reflects on a life in music
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By Jacob Stockinger
This Wednesday night, March 6 at 7 p.m. in Overture Hall, is the “Final Forte” — the annual high school concerto competition with the Madison Symphony Orchestra under its longtime music director and conductor John DeMain (below, in a photo by Peter Rodgers).
You can attend the concert in person for FREE or watch it live on PBS Wisconsin or listen to it live on Wisconsin Public Radio.
For more details, go online to: https://madisonsymphony.org/education-community/education-programs/young-artist-competitions/the-final-forte/
As usual you can see and hear summary biographies of and impressive interviews with this year’s four teenage participants (below, in a photo by James Gill) and what they think of the competition. You can also read about the three judges and about past compeiutitons and the winners.
But this year, DeMain opened up about himself to PBS Wisconsin. He talks about why he likes and looks forward to directing the performances by young artists and what he thinks about starting a career in music.
DeMain — who will retire at the end of next season — also draws on his own award-winning career from his first piano lessons though his education at the Juilliard School, his lessons with Leonard Bernstein and his 30-year tenure at the MSO.
Trust The Ear — it is an engaging interview well worth reading for many reasons.
Here is a link to that interview:
Do you anything to say about how DeMain sees working with and encouraging young artists?
About his own career?
The Ear wants to hear.
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20 women composers talk about classical music
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By Jacob Stockinger
What do women composers think about themselves, their careers and the place they occupy in the world of classical music?
Here are quotes — with YouTube videos, great vintage still photographs and musical excerpts — by 20 women composers throughout history from Hildegard von Bingen in the Middle Ages to contemporary living composers such as Americans Joan Tower, Missy Mazzoli, Jennifer Higdon and Jessie Montgomery.
That many of the names will seem familiar to many readers is a sign of how the “canon” has expanded in recent years and brought a new appreciation of neglected women composers, many of whom have been completely overlooked but are now featured prominently on concert programs and radio shows.
Mind you, insightful observations and great quotes about sexism, racism, ambition, creativity and history don’t guarantee music of superior quality.
But their music has to be played and listened to before it can be judged.
The Ear found this collection well worth paying attention to by men as well as women, especially young ones pursuing a career in music. Everyone can use a little inspiration and encouragement.
Here is a link to the website based in Hong Kong, China that has the story:
What about Louise Ferrenc or Florence Price?
Barbara Strozzi and Asian women?
Are there other names you would include?
What do you think of the collage of quotes, music and videos?
The Ear wants to hear.
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Classical music: COVID-19 pandemic forces more major changes for Concerts on the Square and a cancellation by the Mosaic Chamber Players
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ALERT: The Ear has received the following note from Jess Salek — the founder, director and pianist of the Mosaic Chamber Players: “Just a note to mention that the concert scheduled for this Saturday, June 13, is cancelled due to COVID-19. We are doing our best to stay positive during this difficult time for local arts groups, and we will resume our music-making as soon as is safe. Please be well!”
By Jacob Stockinger
Major changes are in store for the annual Concerts on the Square, which were already postponed with a change of dates, day and time, according to television WKOW-TV Channel 27 (you can hear the TV news report in the YouTube video at the bottom):
Here are details:
MADISON (WKOW) – The Wisconsin Chamber Orchestra (WCO) has unveiled a new plan for its 2020 Concerts on the Square series (below), which involves replacing the four postponed concerts with two drive-in performances.
Additionally, they’re planning for two live concerts at Breese Stevens Field if playing outdoors is deemed safe in late summer.
The revised approach was necessary to keep attendees safe, while adhering to state and county requirements that don’t allow for large gatherings, according to a WCO news release.
The WCO will follow Forward Dane Health Guidelines to determine if the live concerts can occur. A decision will be made in late July.
“We were optimistic in April that if we only delayed the start of Concerts on the Square to late July that we could still hold live performances downtown,” said Joe Loehnis (below), the WCO’s CEO. “But as the pandemic continues to affect us all in ways we never could have foreseen, we’ve decided to take creative steps now that will allow us to still share music with our community.”
The new plan for Concerts on the Square looks like this:
- The first four shows (July 28 – Aug 18) have been postponed until the summer of 2021.
- The WCO, in partnership with the Madison Mallards, will host two “drive-in” concerts on June 24 and July 22 (more information below). Each concert also will be live-streamed on https://wcoconcerts.org and https://pbswisconsin.org for free.
- The final two Concerts on the Square will be live concerts at Breese Stevens Field on Aug. 25 and Sept. 1.
- The WCO’s annual “runout” concert to Portage this summer has been canceled.
Drive-in Concerts on the Square
The two drive-in concerts will feature rebroadcasts of the most popular Concerts on the Square performances, thanks to a partnership with PBS Wisconsin.
The WCO expects to be able to have 115 vehicles at each concert. The goal is to make it accessible to as many people as possible without risking health and safety.
The basics for each program are:
Location: Warner Park, 2930 N. Sherman Ave., Madison
Cost: $25 per car
Time: 7-8 p.m.; 8:45-9:45 p.m. (two showings each night to allow more people to attend)
Additional information: To purchase tickets, visit:
- 8:45 p.m. concert: https://madison-mallards.nwltickets.com/Tickets/SelectPromoSeats?UserPromoCode=wco8
June 24 – “S Wonderful” with Amanda Huddleston, soprano, and Andrew Clark, tenor. Songs include: “The Sound of Music” Medley, “Smoke Gets in Your Eyes,” “Armed Forces Salute” and “1812 Overture.” (2015 Performance)
July 22 – “Film Night,” featuring concertmaster Suzanne Beia. Songs include: “The Magnificent Seven,” “The Pink Panther,” “Raiders of the Lost Ark,” “Schindler’s List” and “E.T.” (2019 Performance)
“With two showings each night, we’re trying to make the concerts as accessible as possible,” Loehnis said. “Community partnerships are so important right now, and because of PBS Wisconsin and the Mallards, we’re able to bring this idea to life. We are grateful for these partnerships.”
Breese Stevens concerts are planned for late summer. If Dane County has entered Phase III of its Forward Dane plan by late August, 250 people will be allowed to gather for outdoor events.
For that reason, the WCO is planning to host two live Concerts on the Square at Breese Stevens.
The WCO will provide an update later in July on progress for this opportunity. Those shows currently are scheduled for Aug. 25 and Sept. 1.
The WCO also is considering how it could broadcast the live performances to other venues such as the Alliant Energy Center, Warner Park or Madison parks, where others could view the concerts safely.
“We’re still working through the logistics, and we’re realists – understanding that the situation changes almost daily,” Loehnis said. “But we also want to be forward-thinking and we’re going to keep pushing ahead unless we don’t believe a live show can be held safely.”
To keep up-to-date with performance schedules, community members can sign up for email updates on the WCO website or follow the orchestra on Facebook (https://www.facebook.com/search/top/?q=wisconsin%20chamber%20orchestra&epa=SEARCH_BOX) and Instagram.
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Classical music: This Wednesday night, four teenage soloists compete in this year’s Final Forte competition with the Madison Symphony Orchestra. Attend it live for FREE, or watch and hear it live on PBS Wisconsin and Wisconsin Public Radio
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By Jacob Stockinger
This Wednesday night, Feb. 26, at 7 p.m. in Overture Hall, the Madison Symphony Orchestra (below in a photo by Peter Rodgers), PBS Wisconsin and Wisconsin Public Radio will present the 14th annual “Wisconsin Young Artists Compete: The Final Forte.”
The concert of four teenage concerto competition winners features the Madison Symphony Orchestra (MSO) led by Associate Conductor Kyle Knox (below).
The concert is FREE and open to the public. But audience members must register in advance, and arrive by 6:45 p.m. on Wednesday, Feb. 26, prior to the beginning of the live broadcast. Reservations are required. Call (608) 257-3734 or go online to register at https://madisonsymphony.org/finalforte
Doors open at 6:15 p.m. and close at 6:45 p.m. due to the live broadcast. The event runs until 8:30 p.m. No tickets will be issued at the door. Seating is general admission in select areas of the concert hall.
The four finalists (below, in a photo by James Gill who did all the contestant photos) were chosen from 10 semi-finalists in November.
They are:
Jessica Jiang (far left), who will perform the first movement from Prokofiev’s Piano Concerto No. 3. (You can hear the Prokofiev movement, played by Martha Argerich, in the YouTube video at the bottom.)
Jonah Kartman (far right), who will perform the first movement from Saint-Saens’ Violin Concerto No 3.
Emily Hauer (third from left) who will perform the first movement from Sibelius’ Violin Concerto in D minor.
Pianist Michael Wu (second from left) who will perform Liszt’s “Totentanz” (Dance of Death).
Videos to introduce each finalist are now available for viewing online.
Jessica Jiang: https://pbswisconsin.org/wpt-video/wpt-music-arts/final-forte-jessica-jiang-qto5ir/
Emily Hauer: https://pbswisconsin.org/wpt-video/wpt-music-arts/final-forte-emily-hauer-8ihe8s/
Jonah Kartman: https://pbswisconsin.org/wpt-video/wpt-music-arts/final-forte-jonah-kartman-xsr1z6/
Michael Wu): https://pbswisconsin.org/wpt-video/wpt-music-arts/final-forte-michael-wu-frbf66/
Rebroadcast dates on the Wisconsin Channel (WPT-2) will be Friday, March 6 at 8 p.m. and 11p.m.; Saturday, March 7, at 3 p.m.; and Thursday, March 12, at 3 a.m.
ABOUT THE FINALISTS
Jessica Jiang (below) is a junior at Madison Memorial High School. She took up the piano at the age of four and currently studies with Bill Lutes, Emeritus Professor at the UW-Madison Mead Witter School of Music. Jessica received the Steenbock Youth Music Award in the 2018 Bolz Young Artist Competition and took second place in Division III of the National Steinway and Sons Piano Competition in 2019.
Emily Hauer (below) is a home-schooled senior from Appleton. She began violin lessons at the age of two and currently studies with Ilana Setapen, associate concertmaster of the Milwaukee Symphony Orchestra. Emily won the Wisconsin Chamber Orchestra Young Artist Concerto Competition in 2017 and is currently in her fourth year as the concertmaster of the Fox Valley Youth Symphony Orchestra.
Jonah Kartman (below) is a home-schooled senior from Glendale. He has been playing the violin for 13 years, and currently studies with I-Hao Lee at DePaul University’s School of Music. Jonah was a finalist in the 2019 Milwaukee Symphony Orchestra’s Audrey G. Baird Stars of Tomorrow competition, and a two-time winner and scholarship recipient in the Civic Music Association of Milwaukee Competition.
Michael Wu (below) is a senior at Sun Prairie High School. He began piano lessons at age five, and currently studies with Bill Lutes, Emeritus Professor at the UW-Madison Mead Witter School of Music. Michael received the Steenbock Youth Music Award in the 2017 Bolz Young Artist Competition and took first place in Division III of the National Steinway and Sons Piano Competition in 2018.
ABOUT THE FINAL FORTE
This competition has captured an enormous following and numerous honors, including an Emmy nomination, First Place in the “Special Interest” category from the Wisconsin Broadcasters Association in 2007, and the fifth most-watched program in the February 2007 Nielsen ratings. The 2008 broadcasts reached more than 60,000 viewers and listeners in the Madison market alone and the 2009 broadcasts reached an estimated 200,000 statewide.
The Final Forte is funded by major support from Diane Ballweg, Stephen Morton, W. Jerome Frautschi, A. Paul Jones Charitable Trust, Julie and Larry Midtbo, Fred and Mary Mohs, and Elizabeth Olson, with additional support from Bell Laboratories, James Dahlberg and Elsebet Lund, Kato Perlman, Cyrena and Lee Pondrom, Sentry Insurance Foundation, Darcy Kind and Marc Vitale, Dr. A. Beyer-Mears, Nick and Judith Topitzes, the Focus Fund for Young Performers, and Friends of PBS Wisconsin.
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Classical music: Background discussions, lectures and documentaries lead up to Madison Opera’s production of the LGBTQ-themed, McCarthy-era opera “Fellow Travelers” on Feb. 7 and 9
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By Jacob Stockinger
The Madison Opera continues its foray into 21st-century operas with Gregory Spears’ Fellow Travelers on Friday night, Feb. 7, at 8 p.m. and Sunday afternoon, Feb. 9, at 2:30 p.m. in the Capitol Theater at the Overture Center.
(Production photos below are by Dan Norman of the Minnesota Opera production, which is being encored in Madison. You can see and hear a preview of the Minnesota Opera production in the YouTube video at the bottom.)
The acclaimed 2016 opera is set in 1950s Washington, D.C. The “Lavender Scare,” in which suspected homosexuals saw their livelihoods and lives destroyed, has enveloped the U.S. government. (Below are Andres Acosta as Timothy Laughlin and Sidney Outlaw as Tommy McIntyre.)
Against this backdrop, Timothy Laughlin, a recent college graduate and an ardent supporter of Wisconsin’s anti-Communist Republican Senator Joseph McCarthy, meets Hawkins Fuller, a State Department official.
The two men (below, Acosta on the right) embark on a relationship, tangled in a web of fear and necessary deceit. Their friends and colleagues fill out a story of individuals grappling with their beliefs and emotions.
With a libretto by Greg Pierce that is based on Thomas Mallon’s 2007 novel, Fellow Travelers was praised as “a near-perfect example of fast-flowing musical drama” by The New York Times and tells of the very human consequences of prejudice and fear, with compassion, nuance and incredible beauty.
The opera will be sung in English with projected text.
The performance will last approximately 2 hours 25 minutes, including one intermission.
For more information, go to: www.madisonopera.org/FellowTravelers
Tickets are $26 to $118 with discounts available for students and groups. Go to the Overture Center box office at 201 State Street or call it at (608) 258-4141 or go online to www.MadisonOpera.org/Tickets
“When I saw Fellow Travelers, I knew before it was over that I would be producing it in Madison,” says Madison’s Opera’s General Director Kathryn Smith (below in a photo by James Gill). “I fell in love with the haunting music and the well-drawn characters, and the emotional impact at the end was even more powerful than I had anticipated. I am truly looking forward to sharing this modern masterpiece with our community.”
Peter Rothstein (below) directs this production in his Madison Opera debut. Rothstein, who received his MFA from the UW-Madison, directed Fellow Travelers for Minnesota Opera in 2018.
The Twin City Arts Reader called his production “equal parts sweeping love affair and tragic circumstance. To some, the events will feel comfortably distant for this doomed period romance. For others, they will seem all too real and possible in this day and age. It’s a powerful combination.”
Making his Madison Opera debut as Timothy Laughlin is Andres Acosta (below), who performed this role to acclaim at the Minnesota Opera.
Ben Edquist (below), who debuted at Opera in the Park this past summer, sings Hawkins Fuller.
Adriana Zabala (below, of Florencia en el Amazonas) returns as Mary Johnson, who works with Hawkins and is a friend and voice of conscience for him and Timothy.
Returning to Madison Opera are Sidney Outlaw (below top, of Gounod’s Romeo and Juliet) as Tommy McIntyre, a political insider, and Alan Dunbar (below bottom, in a photo by Roy Hellman, of Mozart’s The Magic Flute) in multiple roles, including Senator Joseph McCarthy and a government interrogator who puts Hawkins through a lie detector test.
Andrew Wilkowske (below) debuts in several roles, including Senator Potter and General Arlie.
Filling out the cast is Madison Opera Studio Artist Emily Secor (below top) as Miss Lightfoot, who works in Hawkins’ office; soprano Cassandra Vasta (below bottom) as Lucy, whomHawkins marries; and Madison Opera Studio Artist Stephen Hobe in five different roles.
John DeMain (below, in a photo by Greg Anderson) conducts, with the Madison Symphony Orchestra in the pit.
Madison Opera’s production of “Fellow Travelers” is sponsored by: Fran Klos; Sally and Mike Miley; David Flanders and Susan Ecroyd; John Lemke and Pamela Oliver; Sharyn and Carl Stumpf; and Dane Arts. Community events are sponsored by The Capital Times.
RELATED EVENTS
In addition to the two performances, Madison Opera offers several events to allow deeper exploration of the opera and its historical background.
They include a free discussion of the “Wisconsin Dimension” of this period in history at the Madison Central Library and a free showing of The Lavender Scare documentary at PBS Wisconsin (formerly Wisconsin Public Television).
OPERA NOVICE: WELCOME TO THE 21st CENTURY
This Friday, Jan. 17, 6-7 p.m. FREE and open to the public at the Madison Opera Center (below), 335 West Mifflin Street
New to opera? Not sure how you feel about modern opera? Come to the Madison Opera Center for a short, fun and informative evening, led by General Director Kathryn Smith.
Learn about some of the new American operas that are shaping the operatic landscape in the 21st century, including Fellow Travelers. Studio Artist Stephen Hobe (below) will sing an aria from Fellow Travelers, and there will be plenty of time for questions. It’s the perfect jump-start for the opera-curious.
FELLOW TRAVELERS: THE WISCONSIN DIMENSION
This Sunday, Jan. 19, 3–4:30 p.m.; FREE and open to the public at the Madison Central Library, 201 West Mifflin Street
Join us for a discussion of how the Lavender Scare and its fallout was felt in Wisconsin, led by R. Richard Wagner (below top), activist and author of We’ve Been Here All Along: Wisconsin’s Early Gay History (below middle), and Susan Zaeske (below bottom), a UW-Madison campus leader in the arts and humanities who has taught an experiential-learning course on LGBTQ history.
THE LAVENDER SCARE– Documentary Screening
Friday, Jan. 24, 7 p.m.; FREE and open to the public at PBS Wisconsin, 821 University Avenue
PBS Wisconsin (formerly Wisconsin Public Television) presents a screening of The Lavender Scare, the first documentary film to tell the little-known story of an unrelenting campaign by the federal government to identify and fire all employees suspected of being homosexual.
Narrated by Glenn Close, the film was praised as “a gripping, nimbly assembled documentary… vivid, disturbing and rousing” by the Los Angeles Times. The screening will be followed by a discussion.
OPERA UP CLOSE: FELLOW TRAVELERS
Sunday, Feb. 2, 1-3 p.m.; FREE for full-season subscribers; $10 for two-show subscribers; and $20 for non-subscribers; at the Madison Opera Center, 335 West Mifflin Street
Join the Madison Opera for a multimedia behind-the-scenes preview of Fellow Travelers. General Director Kathryn Smith will discuss many aspects of the opera, including the historical events that provide the story’s backdrop, the novel on which it is based, and how this 2016 opera swiftly spread across the country.
Principal artists, stage director Peter Rothstein, and conductor John DeMain will participate in a roundtable discussion about Madison’s production and their own takes on this acclaimed 2016 work.
PRE-OPERA TALKS
Friday, February 7, 2020, 7 p.m. and Sunday, February 9, 2020, 1:30 p.m. FREE to ticket holders at the Wisconsin Studio in the Overture Center
Join General Director Kathryn Smith one hour prior to performances for an entertaining and informative talk about Fellow Travelers.
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Classical music: A busy Sunday at the UW is highlighted by a FREE band concert and a public reception to mark the retirement of legendary band master Mike Leckrone
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ALERT: The Madison-based Avanti Piano Trio will give two FREE public concerts this weekend. The first one is TONIGHT at 7 p.m. at Capitol Lakes Retirement Community, 333 West Main Street, off the Capitol Square; the second one is on Sunday at 1 p.m. at the First United Methodist Church, 302 Wisconsin Avenue. Members of the trio are violinist Wes Luke, cellist Hannah Wolkstein and pianist Joseph Ross. The program includes works by Leon Kirchner, Ernest Bloch, Claude Debussy and Johannes Brahms.
By Jacob Stockinger
As the semester and academic year come to a close, concerts usually get packed into the schedule.
This coming Sunday, April 28, is no different – except that one event is clearly the headliner.
Mike Leckrone (below, in a photo by UW Communications) – the legendary and much honored director of bands and athletic bands at the University of Wisconsin-Madison – is retiring after 50 years.
Sunday marks a last appearance. He will conduct the UW Concert Band one last time and then be honored with a public reception.
The athletes and athletic fans love him. The students and band members love him. The alumni love him.
And, yes, the School of Music loves him. After all, not many band directors do what he did when he asked the late UW-Madison violin virtuoso Vartan Manoogian to perform the popular Violin Concerto by Felix Mendelssohn with a band instead of an orchestra. But Manoogian agreed — and said he loved the experience.
Also, not many band directors could start an annual spring concert in Mills Hall with an audience of some 300 and then saw it grow decades later into a three-night extravaganza that packs the Kohl Center with some 50,000 people and gets seen statewide on Wisconsin Public Television.
One time years ago, The Ear — who was then working as a journalist for The Capital Times — interviewed Leckrone. It was a busy year when he and the Marching Band were going with the football and basketball teams to the Rose Bowl and the March Madness tournament.
Mike Leckrone was charming and humorous, open and candid. The interview was so good, so full of information and human interest, that it was picked up by the Associated Press and distributed statewide and nationally.
That’s how big Mike Leckrone’s fan base is. Other schools and bands envied him.
All honor, then, to this man of action and distinction who was also creative and innovative.
Here is more information – but, alas, no program — about the FREE band concert on Sunday at 2 p.m. in Mills Hall:
https://www.music.wisc.edu/event/uw-concert-band-spring-concert-2/
For really detailed biographical background about Mike Leckrone and his achievements, go to:
https://news.wisc.edu/mike-leckrone-a-legendary-career/
And here is a statement by Leckrone himself about his approach to teaching and performing as well as his plans for retirement. (You can hear an interview Leckrone did with the Milwaukee Journal-Sentinel in the YouTube video at the bottom.)
http://ls.wisc.edu/news/hitting-the-high-notes
Now you may think Leckrone can’t be followed.
But just this past week, the UW-Madison announced that Corey Pompey (below) is Leckrone’s successor. Here is a link to the official announcement, with lots of background about Pompey:
https://news.wisc.edu/new-marching-band-director-to-take-the-baton/
What else is there to say except: Thank you, Mike!
On, Wisconsin!
As for other events at the UW on Sunday:
At 4 p.m., in Mills Hall, University Bands will perform a FREE concert. Darin Olsen, O’Shae Best and Cole Hairston will conduct. No program is listed.
At 8 p.m. in Mills Hall, the Madrigal Singers (below top) will perform a FREE concert. Bruce Gladstone (below bottom, in a photo by Katrin Talbot) will conduct. No word on that program either.
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Classical music: This Wednesday brings a FREE Just Bach concert and the FREE Final Forte concerto competition of the Madison Symphony Orchestra on Wisconsin Public Radio and Wisconsin Public Television
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By Jacob Stockinger
This Wednesday, March 13, brings two noteworthy and FREE events: this month’s midday Just Bach concert; and, at night, the annual Final Forte teenage concerto competition of the Madison Symphony Orchestra.
Here are details about both events:
JUST BACH
This month’s FREE hour-long performance by Just Bach (below, in a photo by John W. Barker) will take place at Luther Memorial Church, 1021 University Avenue, starting at 1 p.m. Food and drink are permitted and free-will donations are accepted.
The program this Wednesday is: the Toccata and Fugue in D Minor “Dorian” for organ, BWV 538, by Johann Sebastian Bach; the cantata “Herr, Ich Warte auf dein Heil” (Lord, I Wait for Your Salvation) by Johann Michael Bach, a cousin of Johann Sebastian; and the famous cantata “Christ lag in Todesbanden” (Christ Lay in the Bonds of Death”), BWV 4, by Johann Sebastian Bach. (You can hear the opening Sinfonia and Chorus to the latter in the YouTube video at the bottom.)
Here is a list of upcoming performances and programs for the second semester:
https://justbach.org/concerts/
And here is a link to the home page and website with links to information about the performers and more.
FINAL FORTE
Then on Wednesday night, starting at 6:45 p.m. in Overture Hall of the Overture Center, the four finalists in the annual Final Forte teenage concerto competition, held by the Madison Symphony Orchestra, will compete accompanied by the MSO and conductor John DeMain.
The public is invited to attend the FREE event, but tickets but must be reserved in advance.
The performances will also be broadcast live starting at 7 p.m. by both Wisconsin Public Television (WPT) and Wisconsin Public Radio (WPR).
The four finalists, from dozens of statewide applicants who took part in the two preliminary rounds, are (below, from left): violinist Monona Suzuki of Fitchburg playing Ravel; cellist Grace Kim of Waunakee playing Saint-Saens; flutist Holly Venkitaswaren of Lisbon playing Pierce; and pianist Antonio Wu of Madison playing Rachmaninoff.
For more information about the performers, what they will perform and how to obtain tickets, as well as background on the competition, including impressive radio and television ratings, go to:
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Classical music: Wikipedia offers a comprehensive overview of classical music in 2018. Plus, the annual New Year’s Day concert by the Vienna Philharmonic airs this morning on radio and tonight on TV
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By Jacob Stockinger
Today – January 1, 2019 – brings just two items or stories to the blog.
NEW YEAR’S DAY FROM VIENNA
The first item is a kind of ALERT.
One of the most popular and beloved worldwide musical traditions is the annual Great Performances broadcast by National Public Radio (NPR) of “New Year’s Day From Vienna” with the Vienna Philharmonic.
This year’s conductor is Christian Thielemann (below top) of the Munich Philharmonic and the host is Hugh Bonneville (below bottom in a photo by Nick Briggs) of PBS’ “Downton Abbey.”
The concert is a sold-out feast of waltzes, polkas and marches (including the famous clap-along “Radetzky March,” with Herbert von Karajan conducting in 1987, in the YouTube video at the bottom).
The radio version will be broadcast on Wisconsin Public Radio from 10 a.m. to noon THIS MORNING, Tuesday, Jan. 1, 2019.
Then at 8-9:30 p.m. TONIGHT, Wisconsin Public Television will broadcast the visual version of the event, complete with ballet and wonderful landscape, interior and architectural shots in and around Vienna. There will also be encore performances: https://wptschedule.org/episodes/48242142/Great-Performances/From-Vienna-The-New-Years-Celebration-2019/
For a playlist and more background, go to: http://www.pbs.org/wnet/gperf/from-vienna-the-new-years-celebration-2019-about/9076/
2018 IN REVIEW
The first day of the new year seems like the perfect time to look back and see what happened in classical music during the past year.
And this year, The Ear found something truly comprehensive and international.
Wikipedia has put together a year-end overview that is astonishing for its amount of detail.
You will find a global day-by-day calendar that includes links, in blue, for more details.
You will find news items and major events – including the effect of the #MeToo movement as well as deaths and obituaries, jobs and retirements.
You will find a list of new music.
You will find a list of new operas.
You will find lists for several major awards for classical recordings.
It is a terrific resource — a good long read, both informative and entertaining. Perfect for New Year’s Day.
Here is a link: https://en.wikipedia.org/wiki/2018_in_classical_music
Happy New Year!
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Classical music: Here are playlists of the best classical music for Christmas Eve and Christmas Day. What music would you choose?
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REMINDER: A well-edited one-hour excerpt of the recent Christmas concert by the Madison Symphony Orchestra will air on Wisconsin Public Television at 9:30 p.m. this Tuesday, on Christmas Night. The Ear saw the first airing of the broadcast and highly recommends it. Both the programming and the performing are top-notch. It is a perfect way to wrap up your holiday.
By Jacob Stockinger
Today is Christmas Eve and tomorrow is Christmas Day.
Some people celebrate tonight and some people celebrate tomorrow.
But no matter when you mark the holiday with gifts, gathering and special food, great music has an integral place in the celebration.
Indeed, music seems nothing less than a great gift to the entire world. As the German philosopher Friedrich Nietzsche once said, “Without music, life would be a mistake.”
To help you celebrate, here are playlists of the best classical music, from Medieval times through Baroque music up to living composers, for marking Christmas.
Here are two playlists, with a total of two hours of music, already compiled and available on YouTube. Be sure to hit SHOW MORE at the top to see the complete title, composer’s name and timing of the selections:
https://www.youtube.com/watch?v=PrFCdi7apV8&list=PLcGkkXtask_cCaCLkrmuDUfukHct9eut-
https://www.youtube.com/watch?v=voIrzsxeE6w
And perhaps best of all, here are several lists in the same place from famed classical radio station WQXR in New York City. They not only have generous sound samples, but also allow you to choose what genre of music you prefer — say, choral music or brass music or piano music to string quartet chamber music:
https://www.wqxr.org/story/essential-christmas-recordings/
What music would you choose as favorite Christmas fare?
The Ear wants to hear.
Enjoy! And Merry Christmas to all!
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The Well-Tempered Ear 
Classical music: The Beethoven Year in Madison will include complete cycles of string quartets and piano trios as well as many other early, middle and late pieces. Here is a partial preview
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By Jacob Stockinger
As you may have already heard, 2020 is a Beethoven Year. It will mark the 250th anniversary of the composer’s birth. (He lived from mid-December of 1770 to March 26, 1827. Dec. 17 is sometimes given as his birthday but it is really the date of his baptism. No one knows for sure the actual date of his birth.)
Beethoven, who this year overtook Mozart as the most popular composer in a British radio poll, clearly speaks to people — as you can see at the bottom in the YouTube video of a flash mob performance of the “Ode to Joy.” It has had more than 16 million views.
Locally, not all Beethoven events have been announced yet. But some that promise to be memorable are already taking shape. Many programs include early, middle and late works. And you can be sure that, although nothing formal has been announced yet, there will be special programs on Wisconsin Public Television and especially Wisconsin Public Radio.
Here is a partial round-up:
The UW’s famed Pro Arte String Quartet (below, in a photo by Rick Langer), for example, will perform a FREE and complete cycle of Beethoven’s 16 string quartets in six concerts. It will start later this fall.
This is not the first time that the Pro Arte has done a Beethoven cycle. But it is especially fitting since that is the same Beethoven cycle that the Pro Arte was performing in Madison at the Wisconsin Union Theater in May of 1940 when World War II broke out and the quartet was stranded on tour in the U.S. after its homeland of Belgium was invaded and occupied by the Nazis.
That is when the ensemble was invited to become musical artists-in-residence at the University of Wisconsin-Madison and accepted – thereby establishing the first such association in the world that became a model for many other string quartets.
The Bach Dancing and Dynamite Society with the San Francisco Trio (below) plans on performing a cycle of piano trios next summer. No specific dates or programs have been announced yet.
The 20th anniversary of the Ancora String Quartet (below, in a photo by Barry Lewis) will coincide with the Beethoven Year. That is when the Ancorans will complete the cycle of 16 string quartets that they have been gradually programming over the years. Three quartets remain to be performed: Op. 59, No. 2 “Rasumovsky”, Op. 130 and Op. 131.
Adds violist Marika Fischer Hoyt: “We’ll perform Op. 130 in February (with the original final movement, NOT the “Grosse Fuge”), and we plan to do the remaining two quartets in the summer and fall of 2020.”
Here are some other Beethoven dates to keep in mind:
On Nov. 2 in Shannon Hall at the Wisconsin Union Theater, and as part of the WUT’s centennial celebration of its Concert Series, pianist Emanuel Ax (below, in a photo by Lisa-Marie Mazzucco), who since 1974 has played many solo recitals, chamber music recitals and piano concertos in Madison, will play Beethoven’s first three solo piano sonatas, Op. 2.
On Dec. 6 at the Wisconsin Union Theater, the Kalichstein-Laredo-Robinson Piano Trio will perform the famous “Archduke” Trio, Op. 97. Also on the program are works by Felix Mendelssohn and Robert Schumann.
On Feb. 1, UW-Madison pianist Christopher Taylor, who has performed all 32 piano sonatas in Madison, will continue his cycle of Beethoven symphonies as transcribed for solo piano by Franz Liszt. He will perform Symphony No. 1 and the famed Symphony No. 9, the ground-breaking “Choral” Symphony with its “Ode to Joy.” No chorus will be involved, but there will be four solo singers. Taylor said he will then complete the cycle with Symphony No. 2 at some future time.
The Mosaic Chamber Players (below, in a photo by John W. Barker) will perform two all-Beethoven programs: on Feb. 21, a FREE program offers two sonatas for violin and piano (Op. 12, No. 3 and Op. 30, No. 2, and one sonata for cello and piano (Op. 5, No. 1); on June 13, a ticketed program features three piano trios (Op. 1, No. 1; Op. 70, No. 2; and Op. 121a “Kakadu” Variations).
On May 8, the Wisconsin Chamber Orchestra (below top, in a photo by Mike Gorski), under conductor Andrew Sewell (below bottom, in a photo by Alex Cruz), will perform the popular Symphony No. 6 “Pastoral” – a pioneering piece of program music — to commemorate the Beethoven Year.
There is one very conspicuous absence.
You will notice that there is nothing by Beethoven programmed for the new season of the Madison Symphony Orchestra (below, in a photo by Peter Rodgers).
But The Ear hears rumors that music director John DeMain (below, in a photo by Greg Anderson) is planning something special for the following season that might involve both symphonies and concertos, both original Beethoven works and perhaps “reimagined” ones.
(For example, pianist Jonathan Biss, who has just completed recording the piano sonata cycle and who performed with the MSO several years ago, has commissioned and will premiere five piano concertos related to or inspired by Beethoven’s five piano concertos.) Sorry, but as of now only rumors and not details are available for the MSO. Stay tuned!
The Ear would like to hear complete cycles of the violin sonatas and cello sonatas performed, and a couple of the piano concertos as well as the early symphonies and the famed Ninth Symphony with its “Ode to Joy” finale. He fondly remembers when DeMain and the MSO performed Symphonies Nos. 1 and 9 on the same program. Talk about bookending a career!
What Beethoven would you like to hear live?
What are your most favorite or least favorite Beethoven works?
Do you know of other Beethoven programs during the Beethoven Year? If so, please leave word in the Comment section.
And, of course, there is the inevitable question: Can you have too much Beethoven?
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