A REMINDER: Tonight at 8 p.m., Wisconsin Public Television will air a one-hour broadcast of the 50th anniversary concert in Overture Hall by the various groups in the Wisconsin Youth Symphony Orchestras.
For more information, here is a link:
By Jacob Stockinger
The Ear has received the following news release, which should interest a lot of local arts fans. Unfortunately, it contains some grant jargon. But the bottom line is clear: Both the Wisconsin Chamber Orchestra and Madison Ballet will use the money see if and how they can share their resources and thereby become more secure, efficient and financially stable. You may recall that Madison Ballet had to abruptly cancel its past season when donations for its production of “Peter Pan” fell short:
The Wisconsin Chamber Orchestra and Madison Ballet have been awarded a $30,000 Community Impact grant from Madison Community Foundation to explore an innovative and shared resource business model for the two organizations.
The award will fund a comprehensive feasibility study that will assess the resources of each organization and identify opportunities for efficiency and growth.
Madison Ballet and the Wisconsin Chamber Orchestra, both well-established arts organizations, have long been providing world-class performances and creative programming in the community.
But as competition for non-profit funding increases, these two organizations are looking for creative business solutions to maintain excellence, support program growth, and ensure long-term sustainability.
“We are so pleased that Madison Community Foundation is supporting this project,” says Madison Ballet’s General Manager Gretchen Bourg. “All businesses—especially those in the non-profit sector—are realizing the need for new models for success and sustainability. This study is an exciting first step toward a truly innovative way of serving our community.”
The feasibility study represents Phase 1 of a larger project that could result in a business model in which the Wisconsin Chamber Orchestra and Madison Ballet share key administrative functions, minimizing redundant costs and leveraging each organization’s unique strengths.
Each would retain the signature artistic and outreach programs for which they are known.
Mark Cantrell, CEO of the WCO says “This grant provides a wonderful opportunity to explore ways for our two organizations to come together to help build a better community.”
“I have worked together with Earle [Smith] for the past 16 years. We arrived in Madison within a year of each other and have always maintained an excellent artistic and working relationship,” says Andrew Sewell (below), music director of the WCO. “Our two organizations have performed together for their annual Nutcracker performances, as well as collaborated on special projects such as the Halloween concert, Concerts on the Square® and most recently the 10th anniversary concert of Overture Center. I’m excited to explore the benefits this unique arts organizational model may represent for both groups.”
Madison Ballet’s Artistic Director, W. Earle Smith (below), echoes support for the project: “I am very grateful to the Madison Community Foundation for this opportunity to find better ways to engage our audiences and support our artists.”
The boards of directors of Madison Ballet and Wisconsin Chamber Orchestra expect to select a consulting firm to conduct the study by the end of May. Data from the study will be used to identify next steps in strategic planning for long-term sustainability.
The Wisconsin Chamber Orchestra, led by Maestro Andrew Sewell, is a vibrant and thriving professional orchestra dedicated to advancing Wisconsin communities through the transformative power of music.
The WCO performs for over 240,000 people per year, including Concerts on the Square (below)®, Masterworks, Holiday Pops, Handel’s Messiah, Youth Concerts, and other performances across the state. For more information, visit wcoconcerts.org.
Madison Ballet touches the lives of 50,000 individuals in the community each year through engaging outreach programs and unforgettable performances.
Its annual presentation of The Nutcracker remains an essential part of many families’ holiday traditions, and it has broken new ground with innovative productions like the original rock ballet, Dracula.
By Jacob Stockinger
The SOLD-OUT gala concert (below), given last February in Overture Hall by the Wisconsin Youth Symphony Orchestras (WYSO) to mark the organization’s 50th anniversary, will be featured in a special one-hour statewide broadcast on Wisconsin Public Television.
The program, which airs on Monday night, May 23, at 8 p.m., will feature highlights from the concert as well as interviews from current members (below), staff and alumni, and features background about music education and WYSO’s 50-year history.
For more about the concert’s details and the five world premieres of WYSO commissions that were featured, visit this post:
Here are some photos from the event, including WYSO music director James Smith (below top) and conductor Michelle Kaebisch (below bottom):
The broadcast will be repeated on Sunday, May 29, at 3 p.m. and then archived on the Wisconsin Public Television website: www.wpt.org
PLEASE NOTE: This is also a great weekend to hear WYSO members in LIVE concerts. Today (Saturday) and tomorrow (Sunday), various WYSO groups will give the annual series of spring concerts, including performances by winners of the WYSO concerto competition.
Here is a link with full details about the WYSO concerts this weekend:
Here is a sampler to whet your appetite for both the recorded television show and the live concerts. In the YouTube video below, WYSO students play the “Great Gate at Kiev” from “Pictures at an Exhibition” by Modest Mussorgsky:
ALERT: On Saturday night at 3:30 p.m. in Morphy Recital Hall, David Richardson, a first-year DMA candidate in Collaborative Piano at the UW-Madison, will be joined by a guest artist, baritone Alan Dunbar, for a FREE performance of the famous song cycle “Winterreise” (Winter Journey) by Franz Schubert. The Ear hears it promises to be an outstanding performance.
By Jacob Stockinger
There are many student recitals and concerts at the University of Wisconsin-Madison each season – many dozens and maybe even into the hundreds.
But still there are standouts.
One such standout is coming up this Sunday night at 6 p.m. in Morphy Recital Hall. That’s when the Hunt Quartet, made up of very talented UW-Madison graduate students, will perform a FREE concert.
Too bad it has to compete with the special two-hour final episode of the popular PBS series “Downton Abbey,” which The Ear suspects will cut into the audience. Could they have moved the concert up to 5 or earlier? That would be nice, but maybe hall logistics made that impossible.
Anyway, the members of the string quartet were selected by the University of Wisconsin-Madison School of Music faculty because they are outstanding performers and pedagogues.
Members are seen below, in a photo by Katrin Talbot. They are from left: Clayton Tillotson, violin; Blakeley Menghini, viola; Paran Amirinazari, violin; and cellist Andrew Briggs, cello.
The appealing all-masterpiece program is: String Quartet No. 5 in A major, Op. 18 No. 5, by Ludwig van Beethoven; Six Bagatelles for String Quartet, Op. 9, by Anton Webern; and the famous String Quartet in D minor, “Death and the Maiden,” by Franz Schubert. (You can hear the slow movement of the Schubert, based on a song he composed, played by the Alban Berg Quartet in a YouTube video at the bottom.)
The Hunt Quartet is the graduate string quartet for UW-Madison’s School of Music. As Project Assistants within the School of Music, the Quartet performs concerts at the School of Music and university events, as well as part of community outreach.
Members work closely with faculty, including the Pro Arte Quartet, and have Professor Uri Vardi as their principal coach. Other artists who have worked with the Quartet include violist Nobuko Imai, violist Lila Brown, and members of the Takacs String Quartet.
The Quartet is also the integral part of the Madison Symphony Orchestra’s “Up Close and Musical” program, visiting area schools to teach students about fundamentals of music and the string quartet.
The Hunt Quartet is generously sponsored by Kato Perlman and the Madison Symphony Orchestra.
ALERT 1: Here are the results from last night of the Madison Symphony Orchestra‘s Final Forte competition of teenage concerto performers: The two Honorable Mentions go to pianists Liam Mayo and Audrianna Wu; the second prize goes to violinist Tabby Rhee; and the winner’s prize goes to marimbist Robert Rockman.
ALERT 2: The UW-Madison Choral Union has moved its one-time only performance of the oratorio “The Creation” by Franz Joseph Haydn from Sunday, April 24, to 8 p.m. on the previous night, Saturday, April 23. At the same time, the separate concert by the UW Chamber Orchestra that was scheduled for Saturday, April 23, has been CANCELLED because it will instead accompany the Choral Union that same night.
By Jacob Stockinger
Here is a special posting, a review written by frequent guest critic and writer for this blog, John W. Barker. Barker (below) is an emeritus professor of Medieval history at the University of Wisconsin-Madison. He also is a well-known classical music critic who writes for Isthmus and the American Record Guide, and who for 12 years hosted an early music show every other Sunday morning on WORT FM 89.9 FM. He serves on the Board of Advisors for the Madison Early Music Festival and frequently gives pre-concert lectures in Madison.
By John W. Barker
The infinitely versatile and irrepressibly enterprising Mikko Rankin Utevsky (below) has come up with another project to pursue: the Impresario Student Opera.
Impresario Student Opera made its debut in Mills Hall last Sunday night.
The program was all-Mozart.
It began with an orchestral work, the Symphony No. 35, the “Haffner.” There was a 24-player orchestra, which did commendable work, though the strings were really rather thin. But Utevsky again proved himself a savvy conductor.
The rest was Mozart opera.
A recitative and duet from Act II of Così fan tutte, “Il coro vi dono,” has Guglielmo (Gavin Waid) scoring success in wooing his comrade’s sweetheart, Dorabella (Meghan Hilker). For these, co-director Dennis Gotkowski conducted. (You can hear the scene in a YouTube video at the bottom.)
After the intermission came the main event — appropriately, the eponymous comedy Der Schauspieldirektor (The Impresario). This was very freely adapted by turning the title character into a woman — by no means what Mozart expected.
Five singers (below top) were mustered: Waid and Hilker, with Anna Polum and Nicole Heinen as the dueling sopranos (below bottom), and Jiabao Zhang as the sugar daddy of one of them.
The dialogue was rewritten and given in English, the musical numbers sung in what purported to be German — but diction lessons are badly in order.
In their star roles, Polum was powerful, if a little unsteady at moments, while Heinen was a quite sprightly soubrette. Utevsky conducted, but had some parts in the comedy too. Stage director Alannah Spencer showed imagination in her staging.
There were a lot of in-group jokes, aimed at a rather rowdy claque of voice students.
All in all, though, despite a bumpy start, this project bodes well as expanded opportunity for the splendid vocal talent that the University of Wisconsin-Madison School of Music attracts.
By Jacob Stockinger
It is described as “Wisconsin Young Artists Compete.”
“The Final Forte” event is the final round of the Bolz Young Artist Competition in which the four finalists perform in a FREE concert with the Madison Symphony Orchestra that is broadcast live by Wisconsin Public Radio (WPR) and rebroadcast by Wisconsin Public Television (WPT).
“The Final Forte” will take place this Friday night at 7 p.m. in Overture Hall of the Overture Center. Seating is FREE but you must register with the Madison Symphony Orchestra. John DeMain will conduct the Madison Symphony Orchestra.
According to the Madison Symphony Orchestra, which organizes and conducts the competition:
“The Final Forte 2016 finalists (above) were selected from several young Wisconsin artists who competed in the Bolz Young Artist Competition’s two preliminary rounds. The event gave these four artists the chance to perform a movement from a concerto with the MSO.
The 2016 contestants are (below, left to right): Pianist Audrianna Wu of Madison, who will perform the third movement of the Piano Concerto in A minor by Edvard Grieg (you can hearing the famous concerto played by Norwegian pianist Leif Ove Andsnes in a YouTube video at the bottom); pianist Liam Mayo of Green Bay, who will perform the first and third movement of the Piano Concerto No. 1 by German composer Felix Mendelssohn; violinist Tabby Rhee of Brookfield, who will perform the first movement of the Violin Concerto by Finnish composer Jean Sibelius; and marimbist Robert Rockman of Sun Prairie, who will perform the “Fantasy on Japanese Prints” by American composer Alan Hovhaness.
This year’s anniversary event features special guest co-host, concert pianist Christopher O’Riley, who hosts NPR’s “From the Top” that airs here on Sunday night 8-9 p.m.
The most comprehensive information about the FREE concert, the live broadcasts, the biographies the four young contestants, the complete list of sponsors and a link to register to reserve a seat (you can also call 608 257-3734) can be found at the Madison Symphony Orchestra’s website:
According to the MSO: “This competition has captured an enormous following and numerous honors, including an Emmy nomination, First Place in the “Special Interest” category from the Wisconsin Broadcasters Association in 2007, and fifth most-watched program in the February 2007 Nielsen ratings.
The 2008 WPT and WPR broadcasts reached more than 60,000 viewers and listeners in the Madison market alone and the 2009 broadcasts reached an estimated 200,000 statewide.”
This event will be broadcast on: Wisconsin Public Television: Tuesday, Feb. 2, at 8 p.m. and Sunday, Feb. 7, at 12 p.m.
Milwaukee Public Television: Friday, Feb. 5, at 8 p.m. and Tuesday, Feb. 9, at 4 a.m.
Wisconsin Public Radio: Sunday, Jan. 31, at 12:30 p.m.
Here is a link to Wisconsin Public Television, which features introductory videos about each performer:
And here is a link to Wisconsin Public Radio, where Thursday right after the noon news on The Midday, Christopher O’Riley, host of NPR’s popular classical music program From The Top, chats with radio host Stephanie Elkins (below) about his show and the young musicians from Wisconsin that have appeared on his show in the past. O’Riley is in town to help celebrate the 10th anniversary of the Bolz Young Artists Final Forte.
By Jacob Stockinger
Four of Wisconsin’s most talented young musicians will perform in concert with the Madison Symphony Orchestra (MSO) as Wisconsin Public Television (WPT) and Wisconsin Public Radio (WPR) offer a live broadcast of “Wisconsin Young Artists Compete: The Final Forte” at 7 p.m. this Wednesday night, March 25.
WPT will air an encore presentation 11 a.m. Sunday, March 29.
The Final Forte features (below) harpist Maya Pierick, a student at Madison West High School, violinist Julian Rhee, a student at Brookfield East High School, pianist Vivian Wilhelms, a student at Waunakee High School and pianist Isabella Wu, a student at Madison Memorial High School. (Below are, from left to right, pianists Isabella Wu and Vivian Wilhelms, violinist Julian Rhee and harpist Maya Pierick.)
The four young artists will perform in the Capitol Theater (below) of the Overture Center for the Arts with MSO music director John DeMain conducting the MSO as the four teenagers vie for honors and scholarship money in the 2015 Bolz Young Artist Competition.
Each finalist will perform a movement from a concerto while judges determine who will win scholarships. The winners will be announced at the end of the concert.
Be sure to include your name and the number in your party. We are expecting a full house, so if you make a reservation and are unable to attend, please let us know.
Audience members MUST be seated by 6:45 p.m.
Wisconsin Young Artists Compete: The Final Forte is a partnership of Wisconsin Public Television, Wisconsin Public Radio and the Madison Symphony Orchestra.
Wisconsin Young Artists Compete: The Final Forte is part of WPT’s multi-year Young Performers Initiative, a statewide effort to raise the visibility of the arts, celebrate the creative achievements of Wisconsin’s young people and support the arts in education.
Major funding is provided by Diane Ballweg, Fred and Mary Mohs, Stephen D. Morton, and The Boldt Company, with additional funds from Sentry Insurance Foundation, AHMC Properties, A. Paul Jones Charitable Trust, Margaret C. Winston, W. Jerome Frautschi, James Dahlberg and Elsebet Lund, Larry and Julie Midtbo, Kato L. Perlman, Anne W. Bolz, and Friends of Wisconsin Public Television.
The Final Forte is the final round of the MSO’s Bolz Young Artist Competition. Young artists from across the state of Wisconsin competed in the Bolz Young Artist Competition’s two preliminary rounds for a chance to perform a movement from a concerto with the Madison Symphony Orchestra during the final round.
The 90-minute WPT program features profiles of each of the finalists.
Tune in to these ENCORE broadcasts:
HISTORIC COLLABORATION WINS AWARDS
The unique collaboration among the Madison Symphony Orchestra (below), Wisconsin Public Radio and Wisconsin Public Television is producing award-winning programming. In addition to an Emmy Award nomination, the Final Forte earned First Place in the “Special Interest” category from the Wisconsin Broadcasters Association in 2007 and was rated the fifth most-watched program in the February 2007 Nielsen ratings (the television audience was 63 percent greater than WPT’s average audience in the Madison market). The 2008 broadcasts on WPR and WPT reached more than 60,000 viewers in the Madison market alone and there were an estimated 200,000 statewide viewers and listeners for the 2009 broadcasts.
CONDUCTOR JOHN DEMAIN’S TAKE: “This has been a very auspicious partnership,” says John DeMain (below, in a photo by Prasad). “The quality of the broadcasts and the performances of the finalists are simply spectacular. I think this sends a magnificent message to our community and to the entire state of Wisconsin about the importance and effectiveness of our music education programs. It is an extraordinary opportunity for everyone to feel the commitment and energy of these young performers and to reflect on the central role the arts play in our lives. I look forward to these events with great joy.”
DeMain will lead the MSO in the final movement of the Symphony No. 4 in D Minor, Op. 120, by Robert Schumann while the four judges are evaluating the performers.
TO SUPPORT THIS PROGRAM
Please contact Director of Development Casey Oelkers at (608) 257-3734 or firstname.lastname@example.org.
HERE ARE BIOGRAPHIES OF THE FOUR PERFORMERS. YOU CAN ALSO FIND VIDEOS, DONE BY WISCONSIN PUBLIC TELEVISION, ABOUT THEM ON YOUTUBE. JUST PUT THEIR NAME OR “FINAL FORTE” INTO THE SEARCH ENGINE.
MAYA PIERICK, HARP
Maya Pierick, age 17, is a senior at Madison West High School. Having started early in Suzuki violin, she began playing harp at age eight with Karen Atz. She currently studies with Danis Kelly of the Milwaukee Symphony Orchestra. Maya has played harp in the Wisconsin Youth Symphony Orchestras (WYSO) from 4th through 11th grade. After playing for 6 years at the Youth level under conductor James Smith, she toured Argentina with WYSO in 2014.
Maya’s realized her love of singing with choir director Heather Thorpe at First Unitarian Society. In high school she has furthered her achievements in voice by successfully auditioning into the Cantabile choir of the Madison Youth Choirs under the direction of Michael Ross, as well as West High School’s Concert Choir under the direction of Anthony Cao – with whom she recently completed a semester as teaching assistant to the Freshman Choir.
In her spare time Maya also enjoys dance, ceramics, circus arts and photography. In college, Maya plans to study Harp Performance and Physics.
She will play Marcel Tournier’s “Feerie” for Harp and Strings.
JULIAN RHEE, VIOLIN
Julian Rhee, age 14, is a freshman at Brookfield East High School. Julian recently won the 2015 Wisconsin Chamber Orchestra Young Artist Competition; the 2015 Milwaukee Youth Symphony Concerto Competition; and the 2015 Concord Orchestra Dorothy J. Oestreich Concerto Competition. Also, Julian is one of the 11 violinists advancing to the semi-finals of the prestigious Johansen International Competition for Young String Players, where he will be traveling to Washington, D.C. representing Wisconsin.
Julian won the Madison Symphony Orchestra’s Fall Youth Concerto competition in 2011 and 2013. Julian has performed with the Milwaukee Symphony Orchestra, the Milwaukee Youth Symphony Orchestra, the Menomonee Symphony Orchestra, as well as being the youngest semi-finalist of the 2013 Stradivarius International Violin Competition at age 12.
In addition to violin, Julian has studied piano since age 7, and loves to read, play basketball and video games, and is an avid local sports team fan. Julian is Concertmaster of the Milwaukee Youth Senior Symphony Orchestra and is currently studying privately with Ms. Hye-Sun Lee at the Music Institute of Chicago.
He will perform the first movement of the Violin Concerto in D, Op. 77, by Johannes Brahms.
VIVIAN WILHELMS, PIANO
Vivian Wilhelms, 16, is a sophomore at Waunakee High School. Vivian began playing piano at age four and currently studies with Bill Lutes. In 2010, she was the winner of the MSO Fall Youth Concerto Competition, and in 2013, she was a winner of the Wisconsin Youth Symphony Orchestras (WYSO) Youth Orchestra Concerto Competition. In 2014, she received first place in the UW Madison School of Music High School Piano Extravaganza Competition and was the runner-up in the WMTA Badger State Competition. This year, she also received an honorable mention in the Lacrosse Rising Star Concerto Competition. Vivian has studied violin with Janet Chisholm since she was eight years old and has been an active member of WYSO since 2011.
In school, Vivian is a member of the varsity forensics and Science Olympiad teams. She also loves volunteering as a mentor for beginning violinists through Madison’s Music Makers program and frequently visits the Waunakee Manor, a local retirement center. In her free time, Vivian enjoys swimming, writing, listening to music, and hanging out with her friends.
She will plays the second movement of the Piano Concerto No. 2 in C Minor by Camille Sant-Saens.
ISABELLA WU, PIANO
Isabella Wu, 16, is a sophomore at Madison Memorial High School. She began piano at age 5 with Shu-Ching Chuang. Isabella won the 2010 and 2012 Madison Symphony Orchestra Fall Youth Concerto Competitions, the 2014 Wisconsin Chamber Orchestra Youth Artist Competition, the 2014 Chippewa Valley Symphony Kristo Orthodontics Young Artist Competition, and received honorable mention at the 2013 Midwest Young Artists National Walgreens Concerto Competition. She also won the 2009 Wisconsin State Badger Competition and placed runner-up in the 2012 Music Teachers National Association Wisconsin State Competition.
Isabella additionally plays violin and studies with Liz Norton. A member of the Wisconsin Youth Symphony Orchestras (WYSO) since 5th grade, she has won the Philharmonia Concerto Competition on violin, the Youth Concerto Competition on piano, and served as concertmaster and principal second.
This year, Isabella is a percussionist in her school’s highest band. Outside of music, she is a Mathcounts coach, Lincoln-Douglas debater, member of Future Business Leaders of America, and writes for the school newspaper. Isabella enjoys art, literature, and philosophy, and can be found wandering through the woods on bike or foot.
She will play the first movement of the Piano Concerto No. 1 in F-Sharp Minor, Op. 1, by Sergei Rachmaninoff.
By Jacob Stockinger
Just a holiday reminder.
Today is New Year’s Day. That brings the annual “Great Performances” presentation of the “New Year’s Day From Vienna” celebration — with waltzes, polkas, gallops and more by the Johann Strauss Family – on PBS and NPR (National Public Radio).
It will all be performed in the Golden Hall (below top) by the Vienna Philharmonic with former Los Angeles Philharmonic and New York Philharmonic conductor Zubin Mehta (below middle) this year, along with the usual help from the Vienna State Ballet and Broadway and Hollywood star host Julie Andrews (below bottom).
And it will be broadcast TWICE today:
ON WISCONSIN PUBLIC TELEVISION (WPT): TONIGHT from 7 to 8:30 p.m. on the main channel Channel 21/Cable 600 the program will also be run, with dancers and scenic landscape shots. (The Wisconsin Channel will run it from 1:30 p.m. to 3 p.m.) It comes, by the way, after an all-day marathon that starts at 9 a.m. and features all eight episodes of Season Four of “Downton Abbey.” Season Five starts on Sunday night.
By Jacob Stockinger
A good friend and blog fan writes:
The highly praised production features maestro John DeMain (below, in a photo by Prasad) , the longtime music director and conductor of the Madison Symphony Orchestra, which performs an all-Russian program this weekend. DeMain is also the artistic director of the Madison Opera. He frequently guest conducts around the nation and the world.
DeMain has conducted, to large audiences and critical acclaim, excerpts of “Porgy and Bess” here in Madison. It has long been a specialty of his. In fact, DeMain won a Grammy for his all-black cast in New York City in 1976. He also conducted a production that was broadcast on PBS several years ago by the now–defunct City Opera of New York.
The San Francisco Opera production stars two highly acclaimed singers: bass-baritone Eric Owens as Porgy and soprano Laquita Mitchell as Bess.
But don’t look for a local production of the entire opera.
“When you see the big cast,” this fan explains, “it becomes very clear why we in Madison and the Madison Opera cannot do “Porgy and Bess” in Madison. It is just too big.”
Here are the specifics: “Porgy and Bess” will be broadcast on Friday night at 8-11 p.m. on The Wisconsin Channel (Cable Channel 972). It will be broadcast again on Sunday at 4-7 p.m. on the flagship WPT channel (Channel 21, Cable Channel 600 in HD).
The Ear thinks that it is too bad that the PBS broadcasts won’t be shown on a big screen in some cinema, like the “Met Live in HD” series. It would be fun to see the production in a group.
Here is a link to a preview from Wisconsin Public Television:
Here is a link to a review from a SFGATE website for San Francisco:
And here are links to the San Francisco Opera website that also includes a blog that talks about “Porgy and Bess” and also has complete cast information:
Finally, to whet your appetite, here is a YouTube video with excerpts of favorite moments from the San Francisco Opera production of “Porgy and Bess”:
ALERT: If you want to hear some wonderful young musicians performing, be sure to tune into the Wisconsin State Music Honors concert, which spotlights young musicians in middle and high school. The orchestral and vocal performances took place in Overture Hall at the Overture Center for the Arts and will air on Wisconsin Public Television (WPT) this Thursday night, Aug. 21, at 7 p.m.
The Ear promises you: Tune in and listen and you will be impressed. And kudos to WPT for giving student artists the kind of public recognition that is usually lavished on student athletes.
Here is a link to the schedule blurb:
By Jacob Stockinger
The Latin name means “Summer Voices.”
That’s not surprising. The leader of the new early music vocal group “Voces aestatis” (below top) is Ben Luedcke, the church music director who for years has also led the Madison Summer Choir (below bottom), which usually performs later repertoire.
Here is an official announcement:
“VOCES AESTATIS” TO GIVE DEBUT CONCERT IN MADISON
Voces Aestatis (pronounced VOH-ches eh-STAH-tees) is a new early music choral ensemble, and Madison’s only professional choir specializing in 16th-century repertoire.
This ensemble features 12 voices, striving for a clarity of tone and pure blending, with expressive singing in an intimate setting.
Director Ben Luedcke (below) has selected several well-known Renaissance favorites for the debut concert, as well as a few surprises.
The first half features sacred pieces exploring Christ’s birth, death and legacy. It features works by William Byrd, Michael Praetorius, Tomas Luis de Victoria, Giovanni da Palestrina, Orlando di Lasso (below), Antonio Lotti, Johannes Ockeghem, Thomas Tallis, Orlando Gibbons, and Heinrich Schütz.
The second half of the concert focuses primarily on the pinnacle genre of secular Renaissance repertoire — Italian and English Madrigals. It features works by Carlo Gesualdo, Claudio Monteverdi, Thomas Weelkes, Michael Cavendish and John Wilbye.
The one-time-only performance is this Friday night, August 22, at 7:30 p.m. in St. Andrew’s Episcopal Church (below), 1833 Regent Street, on Madison’s near west side near Randall Elementary School.
General admission tickets are $10, and are available at the door.
MAYCO PERFORMS LAST CONCERT THIS SUMMER
“Train wrecks,” as The Wise Critic calls them when he refers to excellent but conflicting events, are happening more and more frequently in classical music around Madison.
Even the summer doesn’t take us away from them.
Take, for one example, the conflict between the closing concert of the Token Creek Chamber Music Festival at 4 p.m. on Sunday afternoon, Aug. 31, and the University of Wisconsin-Madison School of Music memorial for longtime pianist Howard Karp, which is slated for the same approximate time, 3 p.m. to 5 p.m., with a reception following.
Another such “train wreck” is this Friday night.
In addition to the vocal concert previewed above, the Madison Area Youth Chamber Orchestra (MAYCO, below) will perform its second and last concert of this summer.
The concert is under the baton of MAYCO’s founder and UW-Madison student violist Mikko Rankin Utevsky (below top), and will take place at 7:30 p.m. in Music Hall (below bottom), on the UW-Madison campus at the foot of Bascom Hill.
Admission is $7; by donation for students.
The program includes: Overture to “The Magic Flute” by Wolfgang Amadeus Mozart; “Knoxville, Summer 1915” (at bottom in a YouTube video with the ravishing voice and clear diction of Dawn Upshaw) by Samuel Barber with text by James Agee, and featuring soprano soloist Caitlin Ruby Miller; and Dmitri Shostakovich’s Symphony No. 9 in E Minor.
Here is a link to MAYCO’s website and to a previous story and review from earlier this summer:
By Jacob Stockinger
Today is June 30, 2014.
You might well think it is just another day of another month in another year.
Except that it is not.
It marks the end of Fiscal Year 2013-14.
That means that all kinds of organizations -– for-profit businesses, non-profit groups and charitable organizations – will be figuring out how they met, exceeded or failed to meet their budgets for the past fiscal year that ends today.
It also means they have set budgets for the new fiscal year that starts tomorrow, Wednesday, July 1.
The Ear knows that he has been deluged with requests for donations, often multiple mailings from the same organization. Now, perhaps it is due to the gradual recovery and an expanding economy, with more disposable income at play.
The requests have come from big organizations like the Madison Symphony Orchestra, the Madison Opera, the Wisconsin Chamber Orchestra, Wisconsin Public Radio, Wisconsin Public Television, the Overture Center for the Arts, the Wisconsin Union Theater, the University of Wisconsin-Madison School of Music, Edgewood College and the Wisconsin Youth Symphony Orchestras (WYSO) among many others.
Of course the requests for help have also come from smaller organizations including the Oakwood Chamber Players, the Madison Early Music Festival (MEMF), the Bach Dancing and Dynamite Society (BDDS), the Wisconsin Baroque Ensemble, the Middleton Community Orchestra and the Ancora String Quartet among others.
But there has been a lot of turmoil in the music world lately. Last year saw the death of the City Opera of New York and of the San Diego Symphony Orchestra. It saw the death and resurrection of the Minnesota Orchestra, which chose to spend a lot on money on a new hall rather than on the musicians who make the “product.”
Anyway, it all got The Ear to thinking that we hear constant pleas about need, including how ticket prices just don’t cover production expenses. So no wonder that there is a lot of competition for donor dollars.
But what we don’t hear very much about is what happens to the money that the various groups collect –- often in large amounts. Does anyone out there know the salaries of the conductors and executive directors, of directors of development and of the musicians?
So here is my proposal to classical music groups in the area:
Fair is fair. If you feel you can honestly ask the public for money because you need it, then I think the public is entitled to know why that money is needed, and how it has been spent and will be spent.
I would like to see how big many endowment funds are, and how much many groups draw from them each year.
I would like to see how much money goes to top administrators. And how much goes to overhead expenses like hall rental and score rental, to advertising and business operations. And how much actually goes to musicians.
Maybe it could be cast in percentages, like in a budget pie chart — then posted on the group’s home website.
Better yet, I would like to see raw total numbers out in the open and easy to access.
How about stating expenses and income in terms of how a given amount of cents is spent out each dollar donated.
I would also like to see some comparative salaries over the past five years. Partially that is because I want to see a history of percentage raises at a time when most working people are not seeing their wages rise, and have not seen that for a very long time.
I suspect a lot, maybe even most, of donation requests and organizations are completely above-board. But I also suspect some potentially embarrassing things are being kept quiet or secret or conveniently overlooked. They could be things that might discourage ordinary listeners from making donations, or help the rest of us to prioritize to whom we will give money.
But The Ear says: If you don’t come clean about spending the public’s money, then you forfeit your right to ask for that money.
I don’t say all this as an enemy or even skeptic of the arts. I say it as someone who supports the arts and culture, someone who thinks transparency and accountability will help the arts, especially given the current widening wealth gap and the concern it has raised.
So The Ear says:
“Show us the money.”
He also notes that bring a non-profit organization and being a charity are not the same thing, just as he recalls the abuses more than a decade ago of the national head of the United Way who was living in luxury off the money that good people donated to eradicate or at least alleviate social misery and inequality.
Finally, The Ear can’t stop thinking that a big part of the problem that classical music organizations face with falling attendance and not attracting young audiences has to do with how much a ticket goes for. Moreover, he suspects that the lion’s share of such expenses are NOT going to the individual musicians’ salaries.
So I ask all large and small music organizations -– all arts organizations, really –- to move quickly and openly toward greater transparency and accountability. Even if it is available on some tracking website, we should not have to search for it. Such research should be done for us, the targeted donors.
When you ask for our money, please also tell us where it has gone in past fiscal years and where it will go in the coming fiscal year.
Talking about money and power and politics in the arts often seems to demean the arts in the minds of many people. It somehow seems to dirty the arts to link them to such non-aesthetic things.
But such is the reality. The Ear knows from many years of being an investigative reporter -– one who uncovered criminal wrongdoing and even scandal at the Wisconsin Arts Board — that money, power and politics rule the art world as much or more than beauty does, and they do so in the arts no less than in other worlds.
It is too bad that the regular media don’t do a better job of policing the arts, which only want positive feature stories, approving reviews and good PR. Citizens need to be informed, especially since Big Money has become more important.
So isn’t it time to get some things cleared up, specifically the financing of arts group in the coming fiscal year?
What do you readers think?
Do you have relevant facts to share?
Should arts groups disclose -– either by law or voluntarily — their budgets and where the money that they have already received has gone before they are entitled to ask for more money?
Let The Ear and his readers and especially the arts groups in town know where you stand and what they should do to satisfy you so that you can help them.