The Well-Tempered Ear

Classical music: The opera world is divided over accusations of sexual harassment against superstar tenor Placido Domingo. Here is how John DeMain reacted. How do you react and what do you believe?

August 24, 2019
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By Jacob Stockinger

By now, you have probably heard about the allegations of sexual harassment recently made anonymously against the still-active superstar Spanish tenor Placido Domingo (below), 78, who holds the record for the most opening-night appearances at the Metropolitan Opera.

What you might not have heard is how divided the opera world is over those accusations, which are now being formally and independently investigated.

Much of that division falls along lines of Europe versus the United States. The former has so far not cancelled upcoming appearances while the latter was quick to. And Domingo has been defended by famed Russian soprano Anna Netrebko (below, with Domingo).

In the wake of the #MeToo movement, sexual misconduct and sexual assault continue to be perhaps the most controversial issues amid many similar or more serious criminal allegations against conductors James Levine, Charles Dutoit and Daniele Gatti as well as many teachers and orchestra players.

Perhaps the best account of the divided reactions came in a story from The New York Times. Here it is:

https://www.nytimes.com/2019/08/18/arts/music/placido-domingo-opera-harassment.html

One sign of the difficulty in dealing with the situation can be found in the carefully worded, balanced and empathetic Facebook comment by maestro John DeMain, the music director of the Madison Symphony Orchestra and the artistic director of the Madison Opera.

DeMain has often worked with Domingo, perhaps most notably in the famous 1992 Concert for Planet Earth in Rio de Janeiro, which DeMain conducted. (You can hear Domingo singing an aria by Puccini and see DeMain conducting the orchestra in the YouTube video at the bottom.)

Says DeMain (below in a photo by Prasad): “Thinking about the Placido Domingo controversy. While I’m not in a position to take sides in this very sad situation, I would just like to say that in my many interactions with this great tenor over many decades, I personally never witnessed him do anything that was inappropriate. He was always a kind and gentle person to me and my family. I wish him and his family well through this difficult time.”

Here is a link to DeMain’s Facebook page if you would like to read comments from others or leave one of your own: https://www.facebook.com/jldemain

How do you react to the accusations?

What do you believe should happen to Domingo?

The Ear wants to hear.


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Classical music: Starting Wednesday, the second LunART Festival will again spotlight women in the performing and creative arts. Here is the first of a two-part preview

June 2, 2019
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By Jacob Stockinger

The Ear has received a long and detailed announcement about the upcoming second LunART Festival. Here is Part 1 with background and participants. Tomorrow will be Part 2 with more information about new music and a schedule of events.

The LunART Festival is back for its second season from this Wednesday, June 5, through Sunday, June 9, and will continue its mission of supporting, inspiring, promoting and celebrating women in the arts.

The 2019 season brings 10 events to eight venues in the Madison area, providing accessible, high-quality, engaging concerts and events with diverse programming from various arts fields.

The festival will showcase over 100 artists this season, including many familiar local artists and performers as well as guest artists hailing from Missouri to Texas, Minnesota to Florida and as far away as Peru.

LunART’s inaugural 2018 season was a success on numerous fronts. From showcasing a wide variety of artists and arts disciplines to building lasting relationships and collaborations, LunART has distinguished itself from other arts events in Madison.

Both artists and audiences have commented that the LunART atmosphere is one of camaraderie, love and acceptance. Festival directors Iva Ugrcic and Laura Medisky (below right and left, respectively) have set this season to come back even stronger, with expanded dates and more diverse programming.

Like last year, the three ticketed evening gala concerts are centered on classical chamber music. Other art forms — including contemporary and aerial dance, poetry, spoken word and visual arts — are interwoven throughout the programs to create a unique atmosphere for performers, artists and audiences.

This year’s Grammy-nominated composer-in-residence is flutist Valerie Coleman (below), a former member of Imani Winds, who was described as one of the “Top 35 Female Composers in Classical Music” by The Washington Post.

Coleman embodies LunART’s vision by challenging norms and being a strong advocate for diversity in the arts. Her rich compositional output infuses elements of jazz and African secular music into the Western classical tradition, creating a soundscape that honors both worlds. (In the YouTube video at the bottom, you can hear Valerie Coleman playing her own composition “Fanmi Imen” at the 2018 convention of the National Flute Association.)

Coleman’s music will be featured throughout the festival among the works of other remarkable women who shaped music history, from Baroque composer Barbara Strozzi to Romantic composer Clara Schumann to living composer Missy Mazzoli.

Drawing from Madison’s rich arts scene and community, LunART 2019 features local artists including: former Madison poet laureate Andrea Musher (below); actor and theater artist Deborah Hearst; choreographers and dancers Liz Sexe and Kimi Evelyn; and aerial dancer Linda DiRaimondo.

Also featured are musicians from arts organizations such as Madison Symphony Orchestra, Wisconsin Chamber Orchestra, Fresco Opera Theatre, Arbor Ensemble, Madison New Music Ensemble and Sound Out Loud Contemporary Music Collective. Under the direction of Edgewood College professor Kathleen Otterson, Madison’s only women’s choir ARTemis Ensemble returns in greater numbers and will present a work by LunART 2018 “From Page to Stage” alum Meg Huskin among others.

Visual art will have a stronger presence in the 2019 Festival. From May 11-July 7, Overture’s Playhouse Gallery will house “Women Against Hate United by Love,” a collaborative, traveling art exhibition and multi-step “anti-hate” campaign united against bigotry, intolerance and racism, created by J. Leigh Garcia (below), Rachael Griffin and Kelly Parks Snider.

A gallery reception on Wednesday, June 5, serves as LunART’s opening event, in which Snider will give a talk about the exhibit and her use of art to educate communities about targeted issues in the hopes of shaking up the status quo. This engaging and thought-provoking exhibit is meant to provide a meaningful and hopeful community experience for all who attend.

In collaboration with Studio 84 and ArtWorking, two nonprofit art studios specializing in the creative development of people with disabilities, the final Gala concert at First Unitarian Society of Madison, 900 University Bay Drive, on Saturday, June 8, will showcase 40 artworks. This exhibit will feature 20 women artists whose works will be displayed, flanking the Atrium Auditorium stage as well as in the lobby.

Tomorrow: New music to be premiered, comedy and the full schedule of events


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Classical music: Mozart’s “Don Giovanni” meets “The Sopranos” when an all-female mob gets even in Fresco Opera Theatre’s new show this Thursday, Friday and Saturday nights

March 19, 2019
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By Jacob Stockinger

The Ear has received the following information about what promised to be another unusual take, perfect for the age of the MeToo movement, on the standard opera repertoire from Fresco Opera Theatre.

The show takes place on this coming Thursday, Friday and Saturday nights in Promenade Hall of the Overture Center. Dinner table seats are $50 and other seats are $35.

We are doing a production called the “The Sopranos: Don Giovanni’s Demise,” which is our re-imagining of Wolfgang Amadeus Mozart’s “Don Giovanni.”

We feature an all female-mob, who put a hit on “The Don.” And who can blame them? “The Sopranos” is the story of a score settled, and a scoundrel silenced. Don Giovanni is a rat, who has pushed the family too far. And the family has put out a hit on him.

“This is a fun production, which retains the music of “Giovanni,” but with a slightly different take using 20th-century Mafia imagery. (You can hear the dark and ominous Overture to the “Don  Giovanni” in the YouTube video at the bottom.)

“We have a strong cast, featuring Ryan White as Don Giovanni, Erin Sura as Donna Elvira, Katie Anderson as Donna Anna, Ashley McHugh as Zerlina and Diana Eiler as Leporello. We are excited to have Vincent Fuh as our piano accompanist, and Melanie Cain will be directing.

“We will have limited seating on stage, which will be tables on which meals will be served, adding to the ambiance. Fresco is very excited to present our interpretation of this classic tale, including the timeless music.”

Adds director Melanie Cain:

“I’ve always been intrigued with the way Mozart portrayed female characters in his operas. They are daring, courageous and bold. He also was not afraid to give the women who were from the non-privileged classes, such as his spunky maids, the task of fixing all their bosses messes and oftentimes saving the day.

“Don Giovanni” resonates so well in today’s social landscape. The idea of women uniting to take down the males who take advantage, suffocate and demoralize the female gender runs through the core of this opera.

“What better way to portray a bunch of strong women than to have them run the male dominant world of the mob? As I was thinking about the look of this show, I came across the art of Tamara de Lempicka, a painter of the Art Deco era, best known for her portraits of powerful women. She was a brave, strong-willed openly bisexual artist who wasn’t afraid to be herself at a time that wasn’t accepted.

“Not only will you hear some vivacious female singers, you will see many of Lempicka’s works displayed throughout the production, which really resonates not only with this show, but in the way I like to create opera: “I live life in the margins of society and the rules of normal society don’t apply to those who live on the fringe.””

For tickets and a plot summary, here is the link to Overture Center:

https://www.overture.org/events/sopranos?fbclid=IwAR280iCL1zZLagO31ke0AUXYrYtrDHlr2cMyRaPzksrg8HaL4cK3FEg-mQ8

And for more information about Fresco Opera Theatre, here is link to its home page:

http://www.frescooperatheatre.com/?fbclid=IwAR0_Oq62sQ2I41z79HMYlnm7XDmMFqZKKiButDW5OmWa4kUX5oOH02SJ6Ws


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Classical music: The LunART Festival of women musicians will perform chamber music by all-female composers this Saturday night

February 22, 2019
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By Jacob Stockinger

The LunART Festival will be part of the Arts @ First Series when it performs “A Wintry Mix Chamber Music Collective” on this Saturday night, Feb. 23, at 7 p.m. at the First United Methodist Church, 203 Wisconsin Avenue.

The concert will features the Arbor Ensemble (below) and Black Marigold.

Admission is $15 for adults, $5 for students and free for children under 12. Advance tickets are $12 at: lunartwintrymix.brownpapertickets.com

The LunART Festival is dedicated to promoting and celebrating women in the arts through public performances, exhibitions, workshops and interdisciplinary collaboration. After a very successful inaugural season, the second LunART festival will take place in Madison, from June 6 through June 9.

While the main focus of LunART is a summer festival, LunART also presents events throughout the year, such as this midwinter collaborative concert.

The Madison-based ensembles Arbor Ensemble and Black Marigold (below, in a photo by Vincent Fuh) will perform an array of works for strings, winds and piano from the past 100 years, showcasing both historically notable women composers and introducing less familiar female pioneers of today.

The Arbor Ensemble will premiere their newly commissioned “Trio Cerulean” by Cherise Leiter (below top), in addition to their arrangement of the Piano Trio for flute, viola and piano by Germaine Tailleferre (below bottom).

Arbor members Berlinda Lopez (flute), Marie Pauls (viola) and Stacy Fehr-Regehr (piano) seek to connect with audiences through their personal sound and colorful instrumentation. Their innovative programming highlights lesser known chamber works, and the group has developed a niche promoting music of women composers.

The highly regarded, award-winning Quintet for Wind Instruments of Grazyna Bacewicz (below top) will be performed by Black Marigold (below bottom), a dynamic wind quintet known for their captivating and energetic performances. Members are Iva Ugrcic (flute), Laura Medisky (oboe), Bethany Schultz (clarinet), Juliana Mesa (bassoon) and Kia Karlen (horn).

Advocates of new music and living composers, Black Marigold fosters fresh perceptions of new music by programming pieces that are equally enjoyable for performers and audiences.

The ensembles will collaborate by mixing members and instrumentation, rounding out the program with Duo for Oboe and Viola by Hilary Tann (below top); “Doppler Effect” for flute, clarinet and piano by Adrienne Albert; “D’un Matin de Printemps” (From A Morning in Spring) by Lili Boulanger; and the Quartet for Strings, Op. 89, by Amy Beach (below bottom). You can hear the piece by Lili Boulanger in the YouTube video at the bottom.

Guest artists Laura Mericle (violin), Shannon Farley (violin) and Samantha Sinai (cello) will join Arbor violist Marie Pauls for the performance of the Beach. The quartet was a featured ensemble at the inaugural season of the LunART Festival this past summer.

For more information, go to:

lunartfestival.org

arborensemble.com

blackmarigold.com

firstunitedmethodistmadison.org/artsatfirst


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Classical music: Wikipedia offers a comprehensive overview of classical music in 2018. Plus, the annual New Year’s Day concert by the Vienna Philharmonic airs this morning on radio and tonight on TV

January 1, 2019
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By Jacob Stockinger

Today – January 1, 2019 – brings just two items or stories to the blog.

NEW YEAR’S DAY FROM VIENNA

The first item is a kind of ALERT.

One of the most popular and beloved worldwide musical traditions is the annual Great Performances broadcast by National Public Radio (NPR) of “New Year’s Day From Vienna” with the Vienna Philharmonic.

This year’s conductor is Christian Thielemann  (below top) of the Munich Philharmonic and the host is Hugh Bonneville (below bottom in a photo by Nick Briggs) of PBS’ “Downton Abbey.”

The concert is a sold-out feast of waltzes, polkas and marches (including the famous clap-along “Radetzky March,” with Herbert von Karajan conducting in 1987, in the YouTube video at the bottom).

The radio version will be broadcast on Wisconsin Public Radio from 10 a.m. to noon THIS MORNING, Tuesday, Jan. 1, 2019.

Then at 8-9:30 p.m. TONIGHT, Wisconsin Public Television will broadcast the visual version of the event, complete with ballet and wonderful landscape, interior and architectural shots in and around Vienna. There will also be encore performances: https://wptschedule.org/episodes/48242142/Great-Performances/From-Vienna-The-New-Years-Celebration-2019/

For a playlist and more background, go to: http://www.pbs.org/wnet/gperf/from-vienna-the-new-years-celebration-2019-about/9076/

2018 IN REVIEW

The first day of the new year seems like the perfect time to look back and see what happened in classical music during the past year.

And this year, The Ear found something truly comprehensive and international.

Wikipedia has put together a year-end overview that is astonishing for its amount of detail. 

You will find a global day-by-day calendar that includes links, in blue, for more details.

You will find news items and major events – including the effect of the #MeToo movement as well as deaths and obituaries, jobs and retirements.

You will find a list of new music.

You will find a list of new operas.

You will find lists for several major awards for classical recordings.

It is a terrific resource — a good long read, both informative and entertaining. Perfect for New Year’s Day.

Here is a link: https://en.wikipedia.org/wiki/2018_in_classical_music

Happy New Year!


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Classical music: Flutist and activist Iva Ugrcic is Musician of the Year for 2018

December 31, 2018
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By Jacob Stockinger

The classical music scene in Madison is so rich that it is always a challenge to name a Musician of the Year.

There are just so many deserving candidates. One obvious example is conductor John DeMain, who is completing his 25th year of outstanding stewardship in directing the Madison Symphony Orchestra and the Madison Opera.

But part of the intent behind such an honor is not just to recognize well-known figures. It is to encourage a broader awareness of those people who do a lot for local classical music but who often fly under the radar for many people.

That is why The Ear is naming flutist and activist Iva Ugrcic (below) as the Musician of the Year for 2018.

As both a performer and entrepreneur, Ugrcic is always very busy broadening her varied career. Being both a player and an activist, she is making a difference, musically and socially, that deserves to be recognized and supported.

Serbian by birth and educated in Belgrade and Paris, she came to Madison where she completed her doctorate in flute performance and also took business courses at the UW-Madison Business School.

She is a first-rate performer who has won a national prize for performing. While at the UW-Madison’s Mead Witter School of Music, she won both the concerto competition (below) and the Irving Shain competition for wind instruments in duets. (You can hear her amazing technique in the YouTube video at the bottom. In it Ugrcic performs “Voice” for solo flute by the Japanese composer Toru Takemitsu.)

She now plays with the Black Marigold Wind Quintet and Sound Out Loud, both of which are based in Madison and both of which devote themselves to contemporary composers and new music.

This year, Urgcic also soloed with the Middleton Community Orchestra (below, in a photo by John W. Barker), performing to critical acclaim a relatively unknown concerto by 19th-century composer Carl Reinecke.

This year, Urgcic also took over as artistic director of the Rural Musicians Forum, which brings classical music, jazz, world music and ethnic music, played by outstanding performers to the Spring Green area, often at the Taliesin compound of architect Frank Lloyd Wright.

But perhaps her most long-lasting contribution is her founding and now directing the LunART Festival that, in the same year of the Me Too movement, sought to present an all-women event that featured composers, performers, visual artists and writers.

Such was its inaugural success in 2018 that it won a national prize from the National Flute Association and a second festival will take place from June 9 through June 9, 2019.

2019 will also see the release of her second solo recording devoted to the music of the contemporary Romanian composer Doina Rotaru, even while she is working on a recording of “Beer Music” by contemporary American composer Brian DuFord.

And all that is just the beginning for such a promising talent. We will be hearing much more from her and about her in years to come.

To see her impressive biography, as well as updated activities, video and audio clips, photographs and other information, go to: https://www.ivaugrcic.com/bio

Here is one more thing that speaks to The Ear. It feels important, even necessary, to recognize the positive contributions of an immigrant at a time when the current “America First” administration under President Donald Trump seems so paranoid and negative, so xenophobic and afraid of foreigners.

The U.S government should be less intent on condemning or stigmatizing immigrants, whether legal or undocumented, and should put more emphasis on their contributions and on the long and distinguished history they have in the United States.

Iva Urgcic is yet another example of the talent we Americans stand to lose if we do not accept and encourage the gifts that immigrants bring in so many ways — from the arts, medicine, education and technology to everyday life and work.

Please join The Ear is expressing gratitude and congratulations to Iva Urgcic.


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Classical music: Do you hear “On, Wisconsin” in this piece of classical music? Do you know of others?

September 8, 2018
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ALERT: In the era of #MeToo and #Time’sUp, it is hard to think of a better and more appropriate program than the FREE all-female concert at the UW on Sunday afternoon at 3 p.m. in Mills Hall.

That’s when the acclaimed UW faculty violinist Soh-Hyun Park Altino (below) and guest pianist Jeannie Yu will perform works by Amy Beach, Cecile Chaminade, Rebecca Clarke and Lili Boulanger. Sorry, but The Ear can find no mention of specific works on the program.

For more background and biographical information about the performers, go to: https://www.music.wisc.edu/event/faculty-recital-soh-hyun-altino-violin/

By Jacob Stockinger

There he was.

On an ordinary afternoon, The Ear was just sitting at home listening to Wisconsin Public Radio.

On came the rarely heard Sonata for Clarinet by the French composer Camille Saint-Saens (below). It is a late work, Op. 167, written in 1921 and rarely performed.

And right away: BAM!!!

The neglected work sounded familiar.

That’s because the opening theme sure sounds like the University of Wisconsin-Madison’s fight song “On, Wisconsin!” which, with modified lyrics, is also the official state song of Wisconsin.

You can hear the familiar tune in the unfamiliar work’s first movement in the YouTube video at the bottom.

Is its appearance by accident or chance?

Is it a deliberate borrowing?

Today seems like an ideal day for asking the question, listening to the music and then deciding because it is a football Saturday. (The New Mexico Lobos and the Wisconsin Badgers will fight it out starting at 11 a.m. in Camp Randall Stadium (below, in a photo by Jeff Miller for the UW-Madison). It will be televised on BTN or the Big Ten Network).

Maybe history can help answer the question.

Here is the Wikipedia entry for “On, Wisconsin” with the history and lyrics of the song that was composed in 1909 — 11 years before the Saint-Saens clarinet sonata.

https://en.wikipedia.org/wiki/On,_Wisconsin!

The Ear could swear he has heard the same theme in other classical works, maybe even one by Mozart. But he can’t recall the name of that work or others.

Can you?

If you can, please leave the name of the composer and work, with a link to a YouTube video if possible, in the cOMMENT section.

The Ear wants to hear.


Classical music: Singer David Daniels is accused of drugging and raping a young opera singer

August 23, 2018
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By Jacob Stockinger

More allegations of sexual misconduct and sexual assault keep emerging from the world of classical music, even as the #MeToo movement is again in the headlines with accusations and denials about the movie star Asia Argento having sex with a minor.

The latest allegation is an accusation by a young opera singer who says that in 2010 he was drugged and raped by David Daniels (below), who is world-famous as a countertenor and who teaches at the University of Michigan, where he is now on leave.

Included in the allegation is Daniels’ husband Scott Walters, who is a conductor and who is accused of participating in the drug and rape incident.

Here is a well-researched and well-reported story from National Public Radio (NPR):

https://www.npr.org/2018/08/22/640945881/opera-singer-david-daniels-accused-of-rape

And here is a link to the story in The New York Daily News, the newspaper that first broke the story. That version also has photos of the accuser and Scott Walters.

http://www.nydailynews.com/news/national/ny-news-stasi-singer-claims-rape-classical-music-stars-20180821-story.html


Classical music: Last spring’s inaugural LunART Festival of women composers and creators in Madison wins a national prize

August 12, 2018
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By Jacob Stockinger

Some hearty applause and major congratulations are in order, especially in the #MeToo society and culture!

The inaugural LunART Festival that took place this past spring and celebrated women composers and creators just took First Prize from the National Flute Association.

Below is a photo of co-founder and co-director Iva Ugrcic holding the certificate that she received in Orlando, Florida:

And here is what she has to say, as passed along on the festival’s Facebook site, which has hundreds of congratulations and comments as well as photos:

“Over the moon for winning the 1st prize at the The National Flute Association C.R.E.A.T.E. Competition with my baby project LunART Festival

In case you don’t recall what went into the inaugural three-day festival and what participants took part and what events resulted from it —  including the combining of spoken word and music, which you can see in the YouTube video at the bottom — here is a reminder in the form of an extended festival preview:

https://welltempered.wordpress.com/2018/06/26/classical-music-the-inaugural-lunart-festival-celebrating-women-creators-and-performers-will-take-place-this-coming-thursday-through-saturday/

The festival was the brainchild of two local performers and graduates of the University of Wisconsin-Madison’s Mead Witter School of Music.

They are the flutist Iva Ugrcic, who is the new head of the Rural Musicians Forum in Spring Green, and the oboist Laura Medisky (below), who performs with the local wind quintet Black Marigold. Both musicians also play with the Madison Symphony Orchestra and the Wisconsin Chamber Orchestra.

The project proved savvy in how it used social media to launch it with success.

Here are some other links to keep you current with the festival as it looks forward to its second year:

Here is the festival’s home page and website:

https://www.lunartfestival.org

Here is the festival’s page on Facebook:

https://www.facebook.com/lunartfestival/

This is the festival’s entry on Twitter:

https://twitter.com/lunartfestival

And you can also follow the LunART festival on Instagram.


Classical music: The third annual Madison New Music Festival features three world premieres and 25 composers, and takes place this weekend with three concerts

August 7, 2018
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By Jacob Stockinger

It has been a good year for new music in Madison, which has often seemed inhospitable to that music in the past.

Among major contributors have been the LunART Festival of contemporary women composers; programs by the UW Symphony Orchestra and other UW-Madison groups and individuals; the Madison Opera; the Bach Dancing and Dynamite Society; the Willy Street Chamber Players; and the Oakwood Chamber Players. Plus, The Ear is sure there are many other contributors he is overlooking.

But the largest share of the credit has to go to a three-day annual festival of living composers that will take place for the third year this coming weekend. (Photos from last year’s well-attended festival are by Max Schmidt.)

Here is an announcement from the festival with the details:

The third annual Madison New Music Festival will take place this coming Friday, Aug. 10, Saturday, Aug. 11, and Sunday, Aug. 12.

The Madison New Music Festival is an annual weekend-long concert series dedicated to strengthening Madison’s cultural vitality through the celebration of fresh classical music from our lifetimes.

Founded by Madison native composer Zachary Green (below bottom), the festival presents new works by some of the world’s leading living composers, shines a spotlight on new music created in Wisconsin, and shares underplayed music of the 20th and 21st centuries with the Madison community.

Every concert will also have a world premiere of music that has never been heard before. On the opening night, Conduit is performing a new piece by Kyle Tieman-Strauss called Abject. The next day, organist Tyler Jameson Pimm premieres his new piece Psalm 22. Then on Sunday, listeners get to hear the premiere of They’re Still Here by BC Grimm, featuring music for nine different instruments (all of which will be played by Grimm himself).

Over the course of three concerts around town, we are featuring a total of 17 musicians playing the works of 25 composers, all of which were written in the last 50 years.

Though each concert has a different theme, every performance features music by Wisconsin composers, composers of color, and both men and women.

Fifteen of our musicians were born, raised or currently reside in Wisconsin, but we’re bringing several back to town just for the festival. They include members of the Madison, Milwaukee and Quad City symphonies; and graduates of Juilliard, the Manhattan School of Music, Mannes Conservatory, Northwestern University, and, of course, the UW-Madison.

We invite you to join us for the following three concerts:

CONCERT 1: Sounds of the ‘60s and Beyond – Friday, Aug. 10, at 7:30 p.m.

Hear sounds born out of the ’60s counterculture with works exploring minimalism, social and political engagement, and electronic experimentation, as well as the music they inspired for decades to come. There will be a cash bar, as well as opportunities to explore the exhibits.

Where: Madison Museum of Contemporary Art (MMOCA), 227 State Street

Who: Caitlin Mead, soprano; Heather Zinninger Yarmel, flute; Kristina Teuschler, clarinet; Jeremy Kienbaum, viola; Alex Norris, violin, and Zou Zou Robidoux, cello; and Conduit (below, Zach Manzi, clarinet and Evan Sadler, percussion).

Program: Music by Melissa Dunphy, Angelica Negron, Evan Williams, Steve Reich, Gilda Lyons, Anna Meadors, Kyle T. Strauss, David Lang and Andy Akiho

CONCERT 2: Sounds of Reflection – Saturday, Aug. 11, at 2 p.m.

The festival continues with an afternoon program invoking spirituality, morality and reflection. Organ interludes will be interspersed throughout the program of vocal and instrumental music.

Where: Bethel Lutheran Church, 312 Wisconsin Ave.

Who: Greg Zelek, Madison Symphony Orchestra organist (below); Jeremy Kienbaum, viola; Satoko Hayami, piano; Tyler Pimm; organ; Kristina Teuschler, clarinet; Alex Norris, violin; Micah Cheng, cello; Caitlin Mead, soprano; and Scott Gendel, piano.

Program: Music by Toru Takemitsu, Trevor Weston, Morton Feldman, Daniel Ficarri, John Weaver, Tyler Pimm, Tania Leon, John Musto and Scott Gendel

CONCERT 3: Festival Closing Party 2018 – Sunday, Aug. 12, at 7:30 p.m.

Kick back a drink as local musician BC Grimm plays his original works for instruments from cello to Chinese Guqin zither, followed by a set of music for solo strings. Then, the musicians from all three concerts come together for a performance of the 1973 piece “Stay On It” — heard in the YouTube video the bottom — by Julius Eastman (below).

Where: Robinia Courtyard, 829 East Washington Avenue

Who: BC Grimm, Jeremy Keinbaum, Aaron Yarmel, and All Festival Performers

Program: BC Grimm, Philip Glass, Ursula Mamlok, Aaron Yarmel, and Julius Eastman

All individual concerts are $15 for general admission, $5 for students. You can also subscribe to all three concerts for $35.

For more information, please visit our website http://madisonnewmusic.org or find us on Facebook (@Madison New Music Festival) or Instagram (@madisonnewmusic).


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