The Well-Tempered Ear

Classical music: Starting Wednesday, the second LunART Festival will again spotlight women in the performing and creative arts. Here is the first of a two-part preview

June 2, 2019
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By Jacob Stockinger

The Ear has received a long and detailed announcement about the upcoming second LunART Festival. Here is Part 1 with background and participants. Tomorrow will be Part 2 with more information about new music and a schedule of events.

The LunART Festival is back for its second season from this Wednesday, June 5, through Sunday, June 9, and will continue its mission of supporting, inspiring, promoting and celebrating women in the arts.

The 2019 season brings 10 events to eight venues in the Madison area, providing accessible, high-quality, engaging concerts and events with diverse programming from various arts fields.

The festival will showcase over 100 artists this season, including many familiar local artists and performers as well as guest artists hailing from Missouri to Texas, Minnesota to Florida and as far away as Peru.

LunART’s inaugural 2018 season was a success on numerous fronts. From showcasing a wide variety of artists and arts disciplines to building lasting relationships and collaborations, LunART has distinguished itself from other arts events in Madison.

Both artists and audiences have commented that the LunART atmosphere is one of camaraderie, love and acceptance. Festival directors Iva Ugrcic and Laura Medisky (below right and left, respectively) have set this season to come back even stronger, with expanded dates and more diverse programming.

Like last year, the three ticketed evening gala concerts are centered on classical chamber music. Other art forms — including contemporary and aerial dance, poetry, spoken word and visual arts — are interwoven throughout the programs to create a unique atmosphere for performers, artists and audiences.

This year’s Grammy-nominated composer-in-residence is flutist Valerie Coleman (below), a former member of Imani Winds, who was described as one of the “Top 35 Female Composers in Classical Music” by The Washington Post.

Coleman embodies LunART’s vision by challenging norms and being a strong advocate for diversity in the arts. Her rich compositional output infuses elements of jazz and African secular music into the Western classical tradition, creating a soundscape that honors both worlds. (In the YouTube video at the bottom, you can hear Valerie Coleman playing her own composition “Fanmi Imen” at the 2018 convention of the National Flute Association.)

Coleman’s music will be featured throughout the festival among the works of other remarkable women who shaped music history, from Baroque composer Barbara Strozzi to Romantic composer Clara Schumann to living composer Missy Mazzoli.

Drawing from Madison’s rich arts scene and community, LunART 2019 features local artists including: former Madison poet laureate Andrea Musher (below); actor and theater artist Deborah Hearst; choreographers and dancers Liz Sexe and Kimi Evelyn; and aerial dancer Linda DiRaimondo.

Also featured are musicians from arts organizations such as Madison Symphony Orchestra, Wisconsin Chamber Orchestra, Fresco Opera Theatre, Arbor Ensemble, Madison New Music Ensemble and Sound Out Loud Contemporary Music Collective. Under the direction of Edgewood College professor Kathleen Otterson, Madison’s only women’s choir ARTemis Ensemble returns in greater numbers and will present a work by LunART 2018 “From Page to Stage” alum Meg Huskin among others.

Visual art will have a stronger presence in the 2019 Festival. From May 11-July 7, Overture’s Playhouse Gallery will house “Women Against Hate United by Love,” a collaborative, traveling art exhibition and multi-step “anti-hate” campaign united against bigotry, intolerance and racism, created by J. Leigh Garcia (below), Rachael Griffin and Kelly Parks Snider.

A gallery reception on Wednesday, June 5, serves as LunART’s opening event, in which Snider will give a talk about the exhibit and her use of art to educate communities about targeted issues in the hopes of shaking up the status quo. This engaging and thought-provoking exhibit is meant to provide a meaningful and hopeful community experience for all who attend.

In collaboration with Studio 84 and ArtWorking, two nonprofit art studios specializing in the creative development of people with disabilities, the final Gala concert at First Unitarian Society of Madison, 900 University Bay Drive, on Saturday, June 8, will showcase 40 artworks. This exhibit will feature 20 women artists whose works will be displayed, flanking the Atrium Auditorium stage as well as in the lobby.

Tomorrow: New music to be premiered, comedy and the full schedule of events


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Classical music: Mozart’s “Don Giovanni” meets “The Sopranos” when an all-female mob gets even in Fresco Opera Theatre’s new show this Thursday, Friday and Saturday nights

March 19, 2019
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By Jacob Stockinger

The Ear has received the following information about what promised to be another unusual take, perfect for the age of the MeToo movement, on the standard opera repertoire from Fresco Opera Theatre.

The show takes place on this coming Thursday, Friday and Saturday nights in Promenade Hall of the Overture Center. Dinner table seats are $50 and other seats are $35.

We are doing a production called the “The Sopranos: Don Giovanni’s Demise,” which is our re-imagining of Wolfgang Amadeus Mozart’s “Don Giovanni.”

We feature an all female-mob, who put a hit on “The Don.” And who can blame them? “The Sopranos” is the story of a score settled, and a scoundrel silenced. Don Giovanni is a rat, who has pushed the family too far. And the family has put out a hit on him.

“This is a fun production, which retains the music of “Giovanni,” but with a slightly different take using 20th-century Mafia imagery. (You can hear the dark and ominous Overture to the “Don  Giovanni” in the YouTube video at the bottom.)

“We have a strong cast, featuring Ryan White as Don Giovanni, Erin Sura as Donna Elvira, Katie Anderson as Donna Anna, Ashley McHugh as Zerlina and Diana Eiler as Leporello. We are excited to have Vincent Fuh as our piano accompanist, and Melanie Cain will be directing.

“We will have limited seating on stage, which will be tables on which meals will be served, adding to the ambiance. Fresco is very excited to present our interpretation of this classic tale, including the timeless music.”

Adds director Melanie Cain:

“I’ve always been intrigued with the way Mozart portrayed female characters in his operas. They are daring, courageous and bold. He also was not afraid to give the women who were from the non-privileged classes, such as his spunky maids, the task of fixing all their bosses messes and oftentimes saving the day.

“Don Giovanni” resonates so well in today’s social landscape. The idea of women uniting to take down the males who take advantage, suffocate and demoralize the female gender runs through the core of this opera.

“What better way to portray a bunch of strong women than to have them run the male dominant world of the mob? As I was thinking about the look of this show, I came across the art of Tamara de Lempicka, a painter of the Art Deco era, best known for her portraits of powerful women. She was a brave, strong-willed openly bisexual artist who wasn’t afraid to be herself at a time that wasn’t accepted.

“Not only will you hear some vivacious female singers, you will see many of Lempicka’s works displayed throughout the production, which really resonates not only with this show, but in the way I like to create opera: “I live life in the margins of society and the rules of normal society don’t apply to those who live on the fringe.””

For tickets and a plot summary, here is the link to Overture Center:

https://www.overture.org/events/sopranos?fbclid=IwAR280iCL1zZLagO31ke0AUXYrYtrDHlr2cMyRaPzksrg8HaL4cK3FEg-mQ8

And for more information about Fresco Opera Theatre, here is link to its home page:

http://www.frescooperatheatre.com/?fbclid=IwAR0_Oq62sQ2I41z79HMYlnm7XDmMFqZKKiButDW5OmWa4kUX5oOH02SJ6Ws


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Classical music: Two FREE “garage” performances of Fresco Opera Theatre’s “The Ugly Duckling” remain in Fitchburg and Madison on Saturday and Sunday afternoons

June 23, 2017
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By Jacob Stockinger

The Ear has received the following information from Fresco Opera Theatre:

Take “The Ugly Duckling” — the fairy tale by Danish writer Hans Christian Andersen — mashed up with opera and all set in the context of a typical John Hughes movie.

Fresco revisits the joys that were the ’80s.

The hair.

The fashion.

The mean girls.

The cute boys.

Teenage angst at its best, and what better way to convey it than through opera?

Best of all – WE BRING THE SHOW TO YOU!

This is fun for the whole family, whether you are an opera fan, unfamiliar with opera, or frankly even think you hate opera. This is a totally awesome production!

The final two FREE “garage” performances (below top, by Max Wendt, and below bottom) are this Saturday at 2 p.m. at 4412 Sentinel Pass in Fitchburg and Sunday at 2 p.m. at 21 Shea Court, on Madison’s west side)

This is part of Fresco’s 2017 season of outreach. All that we do this year will be FREE OF CHARGE to get people interested in the fine arts.

We will have our Opera Unplugged series starting up at the end of July, which will take place on the Capitol Square during the Saturday morning Dane County Farmers’ Markets.

This is a great opportunity for families of young children to introduce them to opera.

For more information about Fresco Opera Theatre, including portraits of the cast for “The Ugly Duckling”; past productions; dates and places of Opera Unplugged productions; opera at Olbrich Gardens; and how to support the company, look at the YouTube video at the bottom and go to: http://www.frescooperatheatre.com


Classical music: Fresco Opera Theatre will celebrate Halloween by performing the world premiere of “The Poe Requiem” this Friday and Saturday nights

October 26, 2016
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By Jacob Stockinger

This weekend, the acclaimed and predictably creative Fresco Opera Theatre will celebrate the Halloween season with the literary masterworks of horror short story writer Edgar Allan Poe (below top) accompanied by the world premiere of a score composed by local composer Clarisse Tobia (below).

edgar-allan-poe

clarisse-tobia-color

The Poe Requiem is a unique theatrical experience that will be staged in the beautiful Masonic Center, located in downtown Madison at 301 Wisconsin Avenue, at 8 p.m. on this Friday and Saturday. (You can see a trailer for the Poe Requiem in the YouTube video at the bottom.)

This will be a complete environmental experience with singing, orchestra, artwork, dancers and other surprises along the way.

There will be a chorus with four vocal soloists. The chamber orchestra will include the Masonic Center organ, one of the oldest in the area. Kevin McMahon (below), music director and conductor of the Sheboygan Symphony Orchestra, is the conductor.

kevin-macmahon

During the production, Raw Inspirations Dance Company (below) will be performing and will have plenty of other surprises to get audience members in the mood for Halloween.

raw-inspirations-dance-company-poe-requiem

General seating is $25; Saturday student rush tickets are $15.

The Costume Contest is on Saturday.

There is a Post-Show Historic Ghost Tour of The Masonic Temple.

fresco-opera-theatre-poe-requiem-poster

TICKETS ARE ON SALE NOW at www.frescooperatheatre.com

Use the Password “Raven” to get $5 off each ticket


Classical music: Fresco Opera Theatre opens its new season, starting this Sunday afternoon, with five FREE garage performances of “Snow White” in Madison, Waunakee and Sun Prairie

August 10, 2016
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By Jacob Stockinger

Fresco Opera Theatre has justifiably developed a reputation for quality quirkiness.

Little wonder, then, that it has also developed a loyal following.

Fresco Opera Theatre opens its new season with FREE garage performances of “Snow White” in Madison, Waunakee and Sun Prairie.

Fresco Opera Snow White poster 2016

There will be five afternoon performances, at 2 p.m., starting this Sunday afternoon and running through Aug. 28. All performances take place at different addresses.

You are advised to bring lawn chairs and blankets.

Here is what was Fresco Opera Theatre posted on Facebook:

COMING THIS SUMMER…

TO A NEIGHBORHOOD GARAGE NEAR YOU…

IT’S MUSIC!

NO! IT’S THEATER!

NO – IT’S GARAGE OPERA!

Our 16/17 season starts with a BANG! by bringing Garage Opera out to the suburbs again!

This year, Snow White will be the story set to some of the most beautiful music the world has ever heard.

BUT WAIT! There is a twist in this tale…

While this is the story of Snow White you are familiar with, in true Fresco fashion we have added a few twists, including a mild-mannered “dwarf” of a man who befriends Snow White. And who will save her after the Evil Queen has poisoned her?

Come to Fresco’s GARAGE OPERA – SNOW WHITE to find out!

NOTE: You can hear Melanie Cain and Jeff Turk discuss with the local NBC affiliate Channel 15 Fresco’ s past production of  Smackdown – which mixed high-brow opera with low-brow professional wrestling — in the YouTube video at the bottom.

For more information, visit:

http://www.frescooperatheatre.com


Classical music: In “Clara,” Fresco Opera Theatre traces the love triangle between Clara Schumann, Robert Schumann and Johannes Brahms.

March 28, 2016
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By Jacob Stockinger

The Ear’s friends at Fresco Opera Theatre have sent the following information about the three performances of its intriguing and original production this coming weekend, April 1-3, in Promenade Hall at the Overture Center Promenade Hall.

Here it is:

One woman. Two men. A musical love affair. The story of the Schumanns and Brahms.

“Clara” is about the life of Clara Schumann, and centers around her skills as a performer, composer and most importantly her relationship with husband Robert Schumann and close friend Johannes Brahms.

poster04

It’s a 200-year-old “secret.” Schumann was the love of Clara’s life. Clara was the love of Brahms’ life. The music was their passion. Letters were burned in an attempt to erase history, but the historian will uncover the truth of this age-old love affair. 

Fresco Opera Theatre has created an original production celebrating the life of Clara Wieck Schumann (below). Adapted from Boman Desai’s critically acclaimed novel, “Trio,” Fresco Opera will use the music of Robert and Clara Schumann and Johannes Brahms to tell the story of the lives of these three great composers. 

schumannclara

Admission is $30, and no children under 6 will be admitted. Performances are in Promenade Hall on Friday and Saturday nights at 8 p.m.; and on Sunday afternoon at 2 p.m.

For more information about the company, you can visit: www.FrescoOperaTheatre.com

What is really exciting is the opportunity to perform works not often heard on the concert stage. Lieder or art songs by Clara and Robert Schumann (both below), as well as vocal works by Brahms, including the Alto Rhapsody, will be featured.

Schumann_Robert_and_Wieck_Clara

We will have solo piano and voice for this performance, to match the pieces we have chosen. It was important to us to employ a female pianist given the story of Clara, so we are fortunate to have Erin Crabb, one of the best pianists in the area, to accompany our singers.

Repertoire includes: “Liebeszauber,” “Lorelei,” “Am Strande,” “Liebst du um Schonheit” and “Der Wanderer” by Clara Schumann; “Ich bin dein Baum,” “Erste Begegnung,” “Tanzlied,” “Widmung” and “Du ring an meinem finger” by Robert Schumann; and Alto Rhapsody, “Dein blaues auge,” “Die Mainacht” and “Neckereien Quartet” by Brahms (below).

(In the YouTube video at the bottom, you can hear Jessye Norman sing the Alto Rhapsody by Brahms in its full orchestral and choral version.)

brahms3

There are many more pieces by all three composers, which have been left out here for the sake of brevity. This will all be performed live, and was researched and arranged by director Melanie Cain.

We teamed up with Chicago author Boman Desai (below), and adapted his novel “Trio”to create this operetta on the life of the Schumanns and Brahms. “Trio” is highly regarded and provides a reference for those looking for the story behind these three composers.

http://www.amazon.com/Trio-Novel-Biography-Schumanns-Brahms/dp/1504915909

Desai will conduct a pre-show talk one hour before each performance of “Clara.”

Boman Desai

Plus, since the Madison Symphony will be performing the Brahms Piano Concerto No. 1 with soloist Garrick Ohlsson that same weekend, we are offering a 20 percent discount to anyone who has a ticket stub from that performance. It will certainly be a Brahms weekend at the Overture Center!

Here is the link to the Overture Center’s page about “Clara” where you can find more information and purchase tickets:

http://www.overturecenter.org/events/clara


Classical music: The Mosaic Chamber Players continues with its all-Beethoven concerts of sonatas for strings and piano this Saturday night. Plus, the woodwind quintet Black Marigold performs a FREE concert Friday at noon.

January 28, 2016
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ALERT: The week’s FREE Friday Noon Musicale, to take place from 12:15 to 1 p.m. at the First Unitarian Society of Madison, 900 University Bay Drive, will feature the local woodwind quintet Black Marigold. It will perform music by August Klughardt, Darius Milhaud and Brian DuFord.

Here is a link about Black Marigold’s winter concerts and the program:

https://welltempered.wordpress.com/2016/01/21/classical-music-the-wind-quintet-black-marigold-announces-its-four-upcoming-free-winter-concerts/

By Jacob Stockinger

The Mosaic Chamber Players — recently hailed as “among the finest purveyors of chamber music in Madison” by critic John W. Barker on The Well-Tempered Ear blog — will be performing an all-Beethoven program this Saturday night, Jan. 30, at 7:30 p.m.

The concert will take place in the beautiful and historic Landmark Hall of the Frank Lloyd Wright-designed First Unitarian Society of Madison, 900 University Bay Drive, on Madison’s near west side.

This will be the third program of a 5-concert cycle of all the string sonatas by Ludwig van Beethoven (below).

Beethoven big

The impressive list of performers (below, from left), most of whom were educated at the University of Wisconsin-Madison School of Music and Lawrence University in Appleton, includes pianist Jess Salek; violinist Laura Burns; cellist Michael Allen; and violinist Wes Luke.

They play with the Madison Symphony Orchestra, the Wisconsin Chamber Orchestra, the Oakwood Chamber Players, the Ancora String Quartet, the Rhapsodie String Quartet, the Madison Youth Choirs, Sound Ensemble Wisconsin, Fresco Opera Theatre, Opera for the Young, and other ensembles here and in Dubuque and LaCrosse.

Mosaic Chamber Players 2016. Jess Salek piano. Laura Burns violn, Michael Allen cello. Wes Luke violin

On the program are: the Sonata for Violin and Piano in A Major Op. 30, No. 1; the Sonata for Cello and Piano in C Major, Op. 102, No. 1; and the Sonata for Violin and Piano in A Major, Op. 47 “Kreutzer.” (You can hear the first movement of the famous and riveting Kreutzer Sonata performed by superstar violinist Itzhak Perlman and pianist Vladimir Ashkenazy in a YouTube video at the bottom.)

There will be a reception following the program.

Tickets are $15 for the public; $10 for seniors; and $5 for students – by cash or check only. NO CREDIT CARDS WILL BE ACCEPTED.

Adds founder and pianist Jess Salek:

“This concert is perfect for an adult or caregiver night-out, and also for students at the middle school-and-above age.

“Please come hear some beautiful music performed by talented, expressive, and professional local artists.

“Thanks for considering. Hope to see you there!”


Classical music: The Mosaic Chamber Players opens their new season with violin sonatas by Mozart, Grieg and Szymanowski this Friday night.

October 29, 2015
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By Jacob Stockinger

Violinist Wes Luke and pianist Jess Salek will perform a “passionate program”of violin and piano music called “Sonatas and Myths” tomorrow night, Friday, Oct. 30, at 7:30 p.m. in the Landmark Auditorium at the Frank Lloyd Wright-designed First Unitarian Society of Madison, 900 University Bay Drive.

The program includes: the elegant and intense Sonata in G Major K. 379, by Wolfgang Amadeus Mozart (you can hear the sonata in a YouTube video at the bottom); the fiery Sonata in C minor, Op. 45, by the 19th-century Norwegian composer Edvard Grieg; and the extraordinary and unique “Myths,” Op. 30, by the 20th-century Polish composer Karol Szymanowski.

There will be a reception following the program.

Tickets are $15 for the public; $10 for seniors; and $5 for students. Check or cash only will be accepted.

Information about upcoming concerts can be found on Mosaic’s website http://www.mosaicchamberplayers.com/ or you can “like” or follow Mosaic Chamber Players on Facebook, Twitter and Instagram.

Here is some background information about the performers::

Wes Luke (below) is a violinist and educator who performs and teaches across the upper Midwest.  He currently serves as the Concertmaster of the La Crosse (Wisconsin) Symphony Orchestra, the Principal Second Violinist of the Dubuque (Iowa) Symphony Orchestra, and a section violinist in the Madison Symphony Orchestra. He also regularly plays in the Wisconsin Chamber Orchestra and the Wisconsin Philharmonic, where he has also served as Concertmaster.

Wes Luke 2015

Jess Salek holds degrees from Lawrence University (Bachelor of Music in piano performance) in Appleton, Wisconsin, and State University of New York at Stony Brook (Master of Music in piano performance). He has worked as Music Theory Instructor at the Interlochen Arts Academy in Michigan and as a piano instructor at Prairie Music Academy in Sun Prairie, Wisconsin. He also has served as a judge for piano competitions and music festivals throughout Wisconsin.

From 2009-2013, Salek (below) served as Music Director of Fresco Opera Theatre, which in 2013 received Bronze in the Performing Arts Group category in Madison Magazine’s “Best Of Madison” competition -– an award voted by fans.

He is the founder and owner of Salek Piano Studio, Inc., where he teaches a diverse group of over 45 students of all ages and levels on the west side of Madison.

jess Salek 2015

Salek performs as substitute keyboardist with Wisconsin Chamber Orchestra for Concerts on the Square and Madison Symphony Orchestra. He is also a member of Sound Ensemble Wisconsin (SEW), a non-profit chamber music organization in Madison, and serves as accompanist for Madison Youth Choirs, a non-profit performing group based in Madison.

Most recently, Salek founded the Mosaic Chamber Players, a professional group dedicated to performing varied chamber music programs throughout Wisconsin. The Mosaics were recently described as “among the finest purveyors of chamber music in Madison” in a review by John W. Barker for The Well-Tempered Ear blog.

Here is a poster about the upcoming season of the Mosaic Chamber Players (using the magnifying tool will help you read it):

Mosaic 2015-2016 season poster jpeg


Classical music: Director Melanie Cain explains why she staged Gilbert and Sullivan’s “The Mikado” as “anime” for the Madison Savoyards. It opens this FRIDAY (NOT Thursday) night.

July 15, 2015
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ALERT: A reminder that tonight’s Concert on the Square, at 7 p.m., will feature cellist Karl Lavine (below), the principal cello of the Madison Symphony Orchestra and the Wisconsin Chamber Orchestra. The classical program includes “Espana” (Spain) by Emmanuel Chabrier; the “Rococo Suite” by Andre Gretry; and the famous “Bolero” by Maurice Ravel.

Here is a link to more information about the concert, the food and the event:

http://www.wcoconcerts.org/performances/concerts-on-the-square-4/

Karl Lavine, principal cello of WCO

By Jacob Stockinger

This Friday night at 7:30 p.m. in Music Hall on the University of Wisconsin-Madison campus, at the foot of Bascom Hill, the Madison Savoyards will open its seven performances of the latest annual summer production of Gilbert and Sullivan.

The selection this year is one of the most popular of the G&S works: “The Mikado.”

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But it has a twist.

Director Melanie Cain, more familiar from Fresco Opera Theatre, has chosen to do the production in an anime (or animation) aesthetic.

The music director is Blake Walter (below), who teaches at Edgewood College.

blake walter john maniaci

Here are notes from the Madison Savoyards website:

The 2015 summer production is The Mikado in Music Hall. Tickets are now on sale. Performance dates: Friday and Saturday, July 17 and 18 at 7:30 p.m.; Sunday, July 19, at 3 p.m.; Thursday,  Friday, and Saturday, July 23, 24 and 25 at 7:30 p.m.; and Sunday, July 26 at 3 p.m.

Melanie Cain is the Stage Director, Blake Walter is Music Director, Steven Nibbe is the Production Coordinator, and Christina Kay is the Publicity Coordinator. Details about the cast at this link …

Blake Walter, Music Director for “The Mikado” and Melanie Cain, Stage Director for “The Mikado,” introduce themselves and and their approach to the production.

NEW: There will be a Children’s Pre-show on July 19 at 1 p.m. This year’s production of “The Mikado” with an Anime aesthetic is the perfect way to introduce your little ones to the brilliance and whimsy of Gilbert and Sullivan.

The event will include a craft, tea and snacks, a mini-show explaining the plot through select dialogue and musical highlights, and a backstage tour. After being a part of the pre-show, children will be prepared to see the full production at 3 p.m. with excitement and engagement!

There will be a break between the pre-show and the performance from 2-3 p.m. This show is wonderful for children, grandchildren or friends who are ages 6-12. Advance reservations required. One child gets in free with a child and adult ticket for “The Mikado” matinee. Reserve via email to: krys.lonsdale@gmail.com

For more information, go to:

http://www.madisonsavoyards.org

Stage Director Melanie Cain recently agreed to an email Q&A with The Ear:

Melanie Cain full face

Can you briefly introduce yourself to the readers and explain your musical and theatrical qualifications to direct The Mikado?

Here is a link to my bio: http://www.mavenvocalarts.com/about.html

What draws you to Gilbert and Sullivan (below)? Have you staged their works before or worked on G&S productions?

Although I have sung in G&S productions, this is the first Gilbert and Sullivan show I have staged.

Gilbert and Sullivan (left)

Why does “The Mikado” endure as one of the most popular and most performed G&S operettas? Is it the music? The exotic setting? The story and its moral lesson?

I think “The Mikado” has endured because it’s strong in all the elements G&S are known for; comedy, fantastic characters and very catchy music.

Savoyards Mikado anime one maid

Why are you recasting the production from traditional Japanese to contemporary “anime”?

Japanese culture, at the time The Mikado was written, was all the rage in England. Depictions of Japan were seen through the art coming out of the region. Vases, fans and jars illustrated elements such as beautiful gardens and traditionally dressed figures.

These traditional images have become stereotypes of the culture. In some cases, creating a feeling that the images are disrespecting the culture instead of revering it.

It was not Gilbert and Sullivan’s intention to take a jab at Japan, but rather to depict a fanciful view of the culture in order to satirize British politics and institutions.

The Mikado has seen some backlash in recent years for using the traditional staging. For this “Mikado,” I decided to use a current art form rising out of Japan — Anime or Manga. (Below are two versions of the famous “Three Little Maids Are We” characters in the operetta. You can hear the song they sing in a YouTube video at the bottom.)

Savoyards Mikado 3 maids cartoon

Celebrating Japan’s current popular artistic export while retaining the musical integrity of the work was a way for me to praise the culture much the way Gilbert and Sullivan were trying to do in 1885.

I revere the traditional staging of opera, but I do love to change things around and offer both the seasoned opera fan and new fans a modern take on the classics.

Savoyards Mikado 3 maids real

What kind of unusual details can the public expect to see in an “Anime” concept production of “The Mikado”?

As I was investigating Anime, I realized there are many traditional Japanese elements interwoven with modern or even futuristic looking styles.  The set and props for this production will be quite traditional, while the costumes will have that very stylized anime look — wild colored hair and bright costumes.


Classical music: Fresco Opera Theatre turns Handel’s “Rinaldo” into science fiction art and a “Star Wars” takeoff this weekend.

June 1, 2015
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By Jacob Stockinger

Our friends at Fresco Opera Theatre sent The Ear the following press release about its performances this coming weekend:

Fresco Opera Theatre had two goals: To perform the works of George Frideric Handel; and to stage a science fiction adventure in the Overture Center Playhouse.

In reading through Handel’s “Rinaldo,” we quickly discovered the similar themes between it and that of the movie “Star Wars.”

Fresco Rinaldo light sabres

In place of the recitatives, we have included original dialogue. The result is an exciting story accompanied by exceptional early music, which is family-friendly. This is a great opportunity to introduce young people to the early music of Handel (below). (You can hear a famous and gorgeous aria at bottom in a popular YouTube video with 1.5 million hits.)

handel big 3

There will also be pre-show talks at 7 p.m. at the Friday and Saturday night performances featuring Handel Aria Competition founder Dean Schroeder.

Our promotional spot is as follows:

“An opera written long ago … performed in a galaxy far, far away…

“It is a period of civil war. The Empire is close to defeat and has agreed to a truce with the Legion, led by Commander Goffredo and his faithful soldier Rinaldo. However, the evil Lord Argante and Queen Armida, using the dark side of the force, have planned to use Princess Almirena as bait to destroy the Legion and rule the galaxy.

“Fresco Opera Theatre will present Handel’s “Rinaldo” transformed into a science fiction adventure. The force is strong with Fresco in its mission to present opera in fresh exciting ways.

Fresco Rinaldo singers

“Will Rinaldo use his powers of the force to overcome the Empire and restore order and freedom to the galaxy or will the dark side prevail?

“Join Fresco Opera as they bring you through this operatic intergalactic journey.

Fresco Rinaldo musicians 2

The place is The Playhouse in the Overture Center.

Running time is approximately two hours.

Performances are Friday, June 5, at 8 p.m.; Saturday, June 6, at 8 p.m.; and Sunday, June 7, at 2 p.m.

Tickets are $30.

Group, senior and student discounts are available. Visit:

http://www.overturecenter.org/events/fresco-opera-theater-rinaldo-and-the-galactic-crusades

For more information, visit: http://www.frescooperatheatre.com

The production is funded in part by the Pleasant Rowland Great Performance Fund for Theater, a component fund of the Madison Community Foundation.

 


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