The Well-Tempered Ear

Classical music: Pianist Philippe Bianconi returns to solo in Rachmaninoff’s Piano Concerto No. 3 with the Madison Symphony Orchestra this weekend. The MSO premiere of the Concerto for Orchestra by Witold Lutoslawski is also on the program

April 5, 2017
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By Jacob Stockinger 

Pianist Philippe Bianconi (below, in a photo by Bernard Martinez) returns this weekend to solo with the Madison Symphony Orchestra (MSO) in one of the most challenging works written for piano, Rachmaninoff’s Piano Concerto No. 3.

The program opens with Schumann’s dramatic Manfred Overture, followed by the MSO’s premiere performance of Lutoslawski’s Concerto for Orchestra.

Concluding the program is a performance of the notoriously difficult Piano Concerto No. 3 composed by Sergei Rachmaninoff (1973-1943). The performance features French pianist Bianconi, who won a silver medal at the Van Cliburn Competition and who has performed frequently with the MSO.

The concerts take place in Overture Hall of the Overture Center, 201 State St., on Friday night, April 7 at 7:30 p.m.; Saturday night, April 8, at 8 p.m. and Sunday afternoon, April 9 at 2:30 p.m. Ticket information is further down.

Robert Schumann (1810-1856, below) composed the Overture to Manfred in 1848 during a time of many revolutions throughout Europe, with political feelings running high across the continent.

In Bryon’s mystical poem, Manfred, Bryon’s hero, a “freedom fighter who is tortured by guilt and melancholy” perfectly suited the time and political environment of Europe.

Schumann once wrote in a letter to Franz Liszt (who directed the complete version in 1851): “I feel that it is one of the strongest of my artistic children, and I hope that you will agree with me.”

Polish composer Witold Lutoslawski (1913-1994, below), began work on Concerto for Orchestra in 1950. This is the first time this piece will be performed by the Madison Symphony Orchestra. (You can hear the dramatic opening of the work, performed by Daniel Barenboim conducting the Chicago Symphony Orchestra in the YouTube videos at the bottom.)

Originally from Warsaw, Poland, the Lutoslawski family fled to Russia to escape the German occupation of World War I. After the Russian Revolution in 1917, Lutoslawski’s father and uncle were executed by the Bolsheviks for their political activism and the family returned to Warsaw. Lutoslawski had studied piano and composition between the wars, but was then drafted into the Polish army and captured by the Nazi’s in 1933.

He escaped captivity and found his way back to Warsaw where he worked as a cabaret pianist. Lutoslawski fled Warsaw a second time, just months before the Nazis leveled the city in 1945 – “losing most of his scores in the process.” He then returned to Warsaw when it was controlled by the Soviets.

Lutoslawski’s Concerto for Orchestra is based in part on folk styles – apparently at the request of conductor Witold Rowicki, to whom it is dedicated.  It is his most popular piece.

Sergei Rachmaninoff (below) composed his Piano Concerto No. 3 in 1909. He spent the summer in the Russian countryside, relaxing on his wife’s family’s estate, while also writing one of the most challenging works for piano in the repertoire. This piece is a “fiery display of piano technique” that has been called “The Mt. Everest of piano concertos.”

One hour before each performance, John DeMain (below, in a photo by Prasad), music director of the MSO, will lead a 30-minute Prelude Discussion in Overture Hall to enhance concertgoers’ understanding and listening experience.

For more background on the music, visit the Program Notes, written by MSO trombonist and UW-Whitewater professor Michael Allsen (below, in a  photo by Katrin Talbot), at: http://www.allsenmusic.com/NOTES/1617/7.Apr17.html

Single Tickets are $16 to $87 each, available at madisonsymphony.org/bianconi and through the Overture Center Box Office at 201 State Street or call the Box Office at (608) 258-4141.

Groups of 15 or more can save 25% by calling the MSO office at (608) 257-3734. For more information visit, madisonsymphony.org/groups

Student rush tickets can be purchased in person on the day of the concert at the Overture Center Box Office at 201 State Street. Students must show a valid student ID and can receive up to two $12 or $15 tickets. More information is at: madisonsymphony.org/studentrush. Students can receive 20% savings on seats in select areas of the hall on advance ticket purchases.

Seniors age 62 and up receive 20% savings on advance and day-of-concert ticket purchases in select areas of the hall.

Discounted seats are subject to availability, and discounts may not be combined.

Exclusive funding for the April concerts is provided by the Pleasant T. Rowland Foundation.

For more information about the Madison Symphony Orchestra, go to madisonsymphony.org

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Classical music: A FREE musical tribute to the French avant-garde composer and conductor Pierre Boulez is this Friday night at 8 p.m. in Morphy Recital Hall. Plus, Saturday brings the Winterfest concerts by the Wisconsin Youth Symphony Orchestras (WYSO)

March 16, 2016
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ALERT: This Saturday will see the annual Winterfest concerts by the Wisconsin Youth Symphony Orchestras, which is celebrating its 50th anniversary. Some 400 student musicians will take part. The special guest is bassoonist Nancy Goeres (below), an alumna of WYSO from 1966 to 1970, who now performs professionally with the Pittsburgh Symphony Orchestra. Music by Johann Stamitz, Francois Joseph Gossec, Franz Joseph Haydn, Jean Sibelius, Peter Ilyich Tchaikovsky, Emmanuel Chabrier, Heitor Villa-Lobos, Witold Lutoslawski and Duke Ellington will be performed,  Here is a link to the lists of impressive programs and performers:

http://www.wysomusic.org/dianne-endres-ballweg-winterfest-concert-series/

nancy goeres

By Jacob Stockinger

UW-Madison faculty members bassoonist Marc Vallon and saxophonist-composer Les Thimmig will lead a FREE musical tribute to the French avant-garde composer and conductor Pierre Boulez (below) this Friday night a 8 p.m. in Morphy Recital Hall.

Pierre Boulez obit portrait

Boulez, who frequently conducted the Chicago Symphony Orchestra and served as music director of the New York Philharmonic Orchestra, died recently.

Here is a link with more background about Boulez, including an essay by UW professor Marc Vallon (below, in a  photo by James Gill), who worked with Boulez:

https://welltempered.wordpress.com/?s=boulez

Marc Vallon 2011 James Gill (baroque & modern)[2]

Called “Le Domaine Musical,” the event will also feature other UW-Madison faculty members and student musicians.

They include violist Sally Chisholm, violinist Soh-Hyun Park Altino, flutist Stephanie Jutt, organist/keyboardist, John Chappell Stowe, hornist Daniel Grabois, pianist Christopher Taylor as well as cellist Martha Vallon, Micah Behr, Thalia Coombs, Ivana Ugrcic, Joanna Schulz, Dave Alcorn, Kai-Ju Ho, Sarah Richardson, Michel Shestak, Rosalie Gilbert and the Hunt String Quartet (Paran Amirinazari, Clayton Tillotson, Blakeley Menghini and Andrew Briggs)

Music will include the following composers: Pierre Boulez, Anton Webern, Claude Debussy and Johann Sebastian Bach

Here is the complete program:

Pierre Boulez (1925-2016) – Dérive 1 for 6 instruments (1984) — Heard in a YouTube video at the bottom as performed by the same group, the Ensemble Intercontemporain, that Boulez founded and led for many years in Paris.

Pierre Boulez (1925-2016) – Notations for piano (1946)

Anton Webern (1883-1945) Six Bagatelles for string quartet, Op. 9

Anton Webern (1883-1945) – Drei Gesänge (Three Songs) aus “Viae inviae” von Hildegard Jone, Op. 23

Claude Debussy (1962-1918) – Three Poems of Stéphane Mallarmé

Claude Debussy (1962-1918) Sonate for flute, viola and harp (1904). Pastorale: Lento, dolce rubato; Interlude: Tempo di Minuetto; Finale. Allegro moderato ma risoluto

Short Webern style intermission

Johann Sebastian Bach (1685-1750) Brandenburg Concerto No. 6 (no marking) –Adagio ma non tanto- Allegro

Pierre Boulez (1925-2016) Mémoriale (…explosante fixe… Originel) for solo flute and eight instruments (1985)


Classical music: Bach Dancing and Dynamite Society announces its 23rd season “23 SKIDDOO” this June, with an emphasis on Latin American chamber music, a Midwest premiere by American composer Alan Jay Kernis and a silent Charlie Chaplin film with a musical score. It will take place June 13-29 and includes 3 weekends, 3 venues and 12 concerts with six different programs.

April 7, 2014
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By Jacob Stockinger

The Ear’s friends at the Madison-based fun-filled and pun-filled Bach Dancing and Dynamite Society –- which The Ear named as Musician of the Year –- has announced its 23rd annual summer concert series, called “23 Skiddoo.”

The eclectic and unorthodox chamber music series, which will emphasize Latin American music, will take place this summer, from June 13 to June 29, 2014. It will be held over three weekends in three different venues and with 12 concerts offering six different programs. (Below is the official poster logo for 23 SKIDOO.)

23Skiddoo logo

Here is the official press release:

Bach Dancing & Dynamite Society (BDDS) presents its 23rd annual summer chamber music festival, “23 SKIDDOO,” from June 13 to June 29, 2014.

This festival features 12 concerts over three weekends, each weekend offers two different programs.

Concerts will be performed in The Playhouse at the Overture Center in Madison (below top); the renovated historic Stoughton Opera House (below middle); and the Hillside Theater at architect Frank Lloyd Wright’s Taliesin compound in Spring Green (below bottom). 

BDDS Playhouse audience

StoughtonOperaHouse,JPG

taliesin_hillside2

Combining the best local musicians and top-notch artists from around the country, a varied repertoire and delightful surprises, BDDS presents chamber music as “serious fun” infused with high energy and lots of audience appeal, and makes this art form accessible to diverse audiences.

Led by artistic directors and performers Stephanie Jutt, flute, and Jeffrey Sykes, piano, (below in a photo by C Photography) 15 guest artists will perform in the festival.

Stephanie jutt and Jeffrey Sykes  CR C&N photographers

“23 Skiddoo” is early 20th century American slang that refers to leaving quickly or taking advantage of an opportunity to leave. Jutt and Sykes have taken some great colloquial expressions and found musical connections for them: sometimes obvious, sometimes oblique — but always leading to thrilling music.

Highlights for this season include Latin American music — especially from Argentina — two pianos on stage in one weekend, a Midwest premiere by Pulitzer Prize-winning American composer Aaron Jay Kernis, and a silent film score including a screening of the film, below, by and with Charlie Chaplin.

Charlie Chaplin The Count

WEEK 1

We have two spectacular programs our first week, “Getta Move On” and “Exit Strategy.”

“Exit Strategy” features music written at the end of composers’ careers. It includes Claude Debussy‘s profound Sonata for Violin, the last work he wrote; Maurice Ravel’s popular “Bolero” in its original two-piano incarnation, almost his last work; Arnold Bax’s beautiful sonata for flute and harp; and the scintillating “Paganini” Variations of Witold Lutoslawski for two pianos.

“Getta Move On” features music inspired by dance, including Sergei Rachmaninoff‘s thrilling “Symphonic Dances” for two pianos, Ravel’s nostalgic “La valse” for two pianos, and the Midwest premiere of Aaron Jay Kernis’ evocative work “The Art of the Dance” for soprano, flute, harp, viola and percussion.

Madison’s piano star Christopher Taylor (below top) will pair up with BDDS artistic director Jeffrey Sykes on the two-piano works. The programs will also showcase the talents of Canadian harp virtuoso Heidi Krutzen and Pro Musicis award winner Yura Lee (below bottom) on violin and viola.

ChristopherTaylorNoCredit

Yura Lee 2

Icelandic soprano Dìsella Làrusdóttir, hailed by Opera News as “a voice of bewitching beauty and presence,” will join in the premiere of the work by Aaron Jay Kernis (below)  and other works.

Concerts will be performed at The Playhouse in the Overture Center for the Arts on Friday and Saturday, June 13 and 14, at 7:30 p.m. and Spring Green at the Hillside Theater on Sunday, June 15, at 2:30 p.m. and 6:30 p.m.

aaron jay kernis at piano

WEEK 2

The second week features “Take a Hike” and “Hasta La Vista, Baby.”

“Take a Hike” includes music inspired by the countryside, from an Amy Beach “Romance,” to Johannes Brahms’ gorgeous Clarinet Trio and Mozart’s pastoral Piano Concerto No. 23, which celebrates the Austrian countryside, to works by Argentinian composer Carlos Guastavino (below).

Carlos Guastavino

“Hasta La Vista, Baby” is an extravaganza of Latin American chamber music from the sultry, sensuous, heart-on-the-sleeve tangos of Astor Piazzolla (below) to the mystic profundity of Osvaldo Golijov‘s “The Dreams and Prayers of Isaac the Blind.”

We are thrilled to have clarinetist Alan Kay, principal of the Orpheus Chamber Orchestra, joining BDDS for the first time.

He will be joined by audience favorites Carmit Zori and Suzanne Beia, violins; David Harding, viola; and Tony Ross and Beth Rapier, cellos.

astor piazzolla

Finally, we have invited master pianist and arranger Pablo Zinger (below), one of Piazzolla’s champions who played with Piazzolla own’s quintet and is an international authority on Latin music, to give our programs authentic Latin flair. (You can hear Pablo Zinger playing with the composer in a popular YouTube video with over 1 million hits at the bottom in the beautiful bittersweet song “Adios, Nonino” that Piazzolla wrote when his father died. Zinger opens with a long and impressive solo piano riff and at about 1:48 minutes finally breaks into the heartbreaking melody.)

Concerts will be performed at the Stoughton Opera House on Friday, June 20, at 7:30 p.m.; at the The Playhouse in the Overture Center for the Arts on Saturday, June 21, at 7:30 p.m.; and in Spring Green at the Hillside Theater, on Sunday, June 22, at 2:30 p.m. and 6:30 p.m.

Pablo Zinger at piano

WEEK 3

The final week includes “Cut and Run” and “Hightail It.”

“Cut and Run” features music by composers who made well-timed exits or transitions in their lives. Bohuslav Martinu escaped Europe just before the outbreak of World War II; when he arrived in the US, he wrote his jazzy Trio for flute, cello and piano. In Russia, Dmitri Shostakovich (below) responded to the war by writing his very moving piano trio. In this work, he got himself back into the good graces of the Soviet authorities—and yet still managed to sneak into his work an ironic critique of Soviet life.

dmitri shostakovich

Darius Milhaud’s great work for piano four hands, “Le boeuf sur le toit,” was originally intended as the score for Charlie Chaplin’s silent movie “The Count,” a movie (below) that culminates in a hilariously well-timed exit. Our program will reunite the movie with its erstwhile score.

Charlie Chaplin The Count 2

“Hightail It” includes music with fast codas. “Coda” is the Italian word for “tail,” and it refers to the final section of a movement or a piece. This program includes William Hirtz’s fun, over-the-top “Fantasy on the Wizard of Oz” for piano four-hands, and the jazzy, rhythmic Sonata, for violin and cello, of Maurice Ravel. The thrilling, symphonic Piano Trio in F minor of Antonín Dvořák brings the season to a close.

The San Francisco Piano Trio (below) — violinist Axel Strauss, cellist Jean-Michel Fonteneau and BDDS artistic director pianist Jeffrey Sykes — will be joined by Boston Symphony pianist Randall Hodgkinson and BDDS Artistic Director flutist Stephanie Jutt in these programs.

San Francisco Trio 1

Randall Hodgekinson 1

Concerts will be performed at The Playhouse of the Overture Center for the Arts on Friday, June 27, 7:30 p.m.; at the Stoughton Opera House on Saturday, June 28, at 7:30 p.m.; and in Spring Green at the Hillside Theater, Sunday, on June 29, at 2:30 p.m. and 6:30 p.m.

FREE FAMILY CONCERT

For the fourth year, BDDS will also perform one FREE family concert, “Getta Move On Kids,” an interactive event that will be great for all ages. Together with the audience, BDDS will explore why dance-like melodies and rhythms can get people on their feet; they’ll listen to and repeat rhythms and move to the music.

This will take place at 11 a.m. on Saturday, June 14, in The Playhouse at the Overture Center.  This is a performance for families with children ages 6 and up and seating will be first come first served. CUNA Mutual Group, and Overture Center generously underwrite this performance.

University of Wisconsin-Madison artist Carolyn Kallenborn (below top with a set from 2011 below bottom), who works in textiles artist, will create a stage setting for each concert in The Playhouse. All concerts at The Playhouse, the Opera House and Hillside Theater will be followed by a meet-the-artist opportunity.

BDDS Carolyn Kallenborn 2

BDDS 2011 Kallenborn installation

The addresses of location and venues are: Stoughton Opera House, 381 East Main Street in Stoughton; the Overture Center in Madison at 201 State Street; and Frank Lloyd Wright’s Taliesin Hillside Theater on County Highway 23 in Spring Green.

Single general admission tickets are $39. Student tickets are only $5. Various ticket packages are also available starting at a series of three for $111.  First-time subscriptions are 50 percent off.

For tickets and information, call (608) 255-9866 or visit: www.bachdancinganddynamite.org

Single tickets for Overture Center concerts can also be purchased at the Overture Center for the Arts box office, (608) 258-4141, or at overturecenter.com (additional fees apply).  Hillside Theater tickets may be purchased from the Frank Lloyd Wright Visitors Center on County Highway C, (608) 588-7900.  Tickets are available at the door at all locations.

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