The Well-Tempered Ear

Classical music: Remembering The Modest Maestro. English conductor Sir Neville Marriner died this past week at 92

October 8, 2016
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By Jacob Stockinger

He played in a string quartet and a symphony orchestra before founding and directing a chamber orchestra that rose to the top ranks of the music world. Then he became a world-famous conductor of larger ensembles, including the Minnesota Orchestra.

He was Sir Neville Marriner (below, in old age), and he died at 92 on Oct. 2.

nevlle-marriner-old

Perhaps because Marriner, who pioneered period practices on modern instruments when playing music of the Baroque and Classical eras, was famous for recording the soundtrack to the Academy Award-winning film “Amadeus,” his death was announced the same day on radio news programs – something that doesn’t happen often and speaks to his popularity and influence.

By all accounts, in the world of many egotistical maestros, Marriner remained modest. For this friendly titan, music mattered most and he was busy conducting right up until the end. Apparently, Marriner was a wonderful man to know and to work with.

Chances are good that by now you have already heard about Marriner’s death. So The Ear is offering some homages that repeat the details of his career and his passing. (Below is a photo of the young Neville Marriner.)

neville-marriner-young

First are two moving testimonies from Marriner’s friend, the British critic Norman Lebrecht, published on Lebrecht’s blog Slipped Disc:

http://slippedisc.com/2016/10/sad-news-neville-marriner-is-gone-at-92/

http://slippedisc.com/2016/10/the-unforgettable-neville-marriner/

Here is the announcement of his death from the Academy of St. Martin in the Fields (heard playing the Adagio by Tomaso Albinoni in the YouTube video at the bottom), which Marriner founded and led for many years:

http://www.asmf.org/sir-neville-marriner/

Here is an exhaustive obituary from The New York Times:

http://www.nytimes.com/2016/10/03/arts/music/neville-marriner-prolific-musician-and-acclaimed-conductor-dies-at-92.html?_r=0

And here is another obituary from The Washington Post:

https://www.washingtonpost.com/entertainment/music/neville-marriner-led-renowned-academy-of-st-martin-in-the-fields-dies-at-92/2016/10/02/3bfbb3ec-88b2-11e6-875e-2c1bfe943b66_story.html

Here is a good overview with some audio-visual samples, from the Deceptive Cadence blog on NPR or National Public Radio:

http://www.npr.org/sections/deceptivecadence/2016/10/02/195882515/neville-marriner-who-recorded-the-beloved-soundtrack-to-amadeus-has-died

And here is a good summary from famed radio station WQXR-FM in New York City:

http://www.wqxr.org/#!/story/conductor-neville-marriner-dies-founded-london-orchestra/?utm_source=local&utm_medium=treatment&utm_campaign=carousel&utm_content=item5

Sir Neville Marriner was a prolific recording artist, with more than 500 recordings to his credit. The Ear fondly remembers an LP that had the Serenades for Strings by the Czech composer Antonin Dvorak and the “Holberg” Suite by Norwegian composer Edvard Grieg, which has been reissued as a “Legends” CD by Decca. The playing was warmly heart-felt and superb.

The Ear also loved his complete set of piano concertos by Wolfgang Amadeus Mozart, done with pianist Alfred Brendel.

What are your favorite Marriner recordings?

The Ear wants to hear.

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Classical music: Here are the Grammy winners for 2016 in classical music along with the nominations. Some have ties to Madison.

February 20, 2016
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By Jacob Stockinger

You might remember that at holiday time, The Ear offered a series of roundups of the best recordings and classical music gifts of the past year. The idea is to use them as holiday gift guides.

One of those days was Grammy Day.

grammy award BIG

This past Monday night, the winners of the 58th annual Grammy were announced.

The Ear notes that there were a few items of special local and regional interest.

The late Twin Cities composer Stephen Paulus, whose works were often commissioned and premiered in Madison by the Festival Choir of Madison, the Wisconsin Chamber Choir and groups at the University of Wisconsin-Madison School of Music, was nominated for several works. And he won in two categories.

stephen paulus

In addition,  producer Judith Sherman, who already has several Grammys to her credit, was nominated again and won again. She is also the producer to the two recordings of the six centennial commissions by the Pro Arte Quartet at the University of Wisconsin-Madison.  The last one – with the String Quartet No. 3 by Belgian composer Benoit Mernier and a Clarinet Quintet by Canadian composer Pierre Jalbert – will be released this spring.

Judith Sherman 57th Grammy 2016

In addition, violinist Augustin Hadelich (below), who has turned in outstanding and memorable performances with the Madison Symphony Orchestra, received his first Grammy for a recording of the late French composer Henri Dutilleux.

Augustin Hadelich 1

Plus, the critically acclaimed Chicago-based record company Çedille (below top), which has celebrated its 25th anniversary and which specializes in Midwest artists as well as unusual repertoire of both old and new music, had several nominations and won a Grammy for a recording of the new music group Eighth Blackbird. Two other superb artists who record for Çedille and have performed in Madison with the Wisconsin Chamber Orchestra are violinists Rachel Barton Pine and Jennifer Koh.

Cedille Records 25th anniversary logo

Here are all the winners in classical music for the 2016 Grammys. All the nominees are listed and the winners are noted with three asterisks (***):

  1. BEST ENGINEERED ALBUM, CLASSICAL

***Ask Your Mama (below): Leslie Ann Jones, John Kilgore, Nora Kroll-Rosenbaum & Justin Merrill, engineers; Patricia Sullivan, mastering engineer (George Manahan & San Francisco Ballet Orchestra) Label: Avie Records

Dutilleux: Métaboles; L’Arbre Des Songes (Tree of Dreams); Symphony No. 2, ‘Le Double’: Dmitriy Lipay, engineer; Alexander Lipay, mastering engineer (Ludovic Morlot, Augustin Hadelich & Seattle Symphony) Label: Seattle Symphony Media

Monteverdi: Il Ritorno D’Ulisse In Patria: Robert Friedrich, engineer; Michael Bishop, mastering engineer (Martin Pearlman, Jennifer Rivera, Fernando Guimarães & Boston Baroque) Label: Linn Records

Rachmaninoff: All-Night Vigil: Beyong Joon Hwang & John Newton, engineers; Mark Donahue, mastering engineer (Charles Bruffy, Phoenix Chorale and Kansas City Chorale) Label: Chandos

Saint-Saëns: Symphony No. 3, ‘Organ’: Keith O. Johnson and Sean Royce Martin, engineers; Keith O. Johnson, mastering engineer (Michael Stern and Kansas City Symphony) Label: Reference Recordings

Ask Your Mama CD Cover

73. PRODUCER OF THE YEAR, CLASSICAL

Blanton Alspaugh: • Hill: Symphony No. 4; Concertino Nos. 1 & 2; Divertimento (Peter Bay, Anton Nel & Austin Symphony Orchestra) • Rachmaninoff: All-Night Vigil (Charles Bruffy, Phoenix Chorale & Kansas City Chorale) • Sacred Songs Of Life & Love (Brian A. Schmidt & South Dakota Chorale) • Spirit Of The American Range (Carlos Kalmar & The Oregon Symphony) • Tower: Violin Concerto; Stroke; Chamber Dance (Giancarlo Guerrero, Cho-Liang Lin & Nashville Symphony)

Manfred Eicher: • Franz Schubert (András Schiff) • Galina Ustvolskaya (Patricia Kopatchinskaja, Markus Hinterhäuser & Reto Bieri) • Moore: Dances & Canons (Saskia Lankhoorn) • Rihm: Et Lux (Paul Van Nevel, Minguet Quartet & Huelgas Ensemble) • Visions Fugitives (Anna Gourari)

Marina A. Ledin, Victor Ledin: • Dances For Piano & Orchestra (Joel Fan, Christophe Chagnard & Northwest Sinfonietta) • Tempo Do Brasil (Marc Regnier) • Woman At The New Piano (Nadia Shpachenko)

Dan Merceruio: • Chapí: String Quartets 1 & 2 (Cuarteto Latinoamericano) • From Whence We Came (Ensemble Galilei) • Gregson: Touch (Peter Gregson) • In The Light Of Air – ICE Performs Anna Thorvaldsdottir (International Contemporary Ensemble) • Schumann (Ying Quartet) • Scrapyard Exotica (Del Sol String Quartet) • Stravinsky: Petrushka (Richard Scerbo & Inscape Chamber Orchestra) • What Artemisia Heard (El Mundo) • ZOFO Plays Terry Riley (ZOFO)

***Judith Sherman: • Ask Your Mama (George Manahan & San Francisco Ballet Orchestra) • Fields: Double Cluster; Space Sciences (Jan Kučera, Gloria Chuang & Moravian Philharmonic Orchestra) • Liaisons – Re-Imagining Sondheim From The Piano (Anthony de Mare) • Montage – Great Film Composers & The Piano (Gloria Cheng) • Multitude, Solitude (Momenta Quartet) • Of Color Braided All Desire – Music Of Eric Moe (Christine Brandes, Brentano String Quartet, Dominic Donato, Jessica Meyer, Karen Ouzounian, Manhattan String Quartet & Talujon) • Rzewski: The People United Will Never Be Defeated! (Ursula Oppens) • Sirota: Parting The Veil – Works For Violin & Piano (David Friend, Hyeyung Julie Yoon, Laurie Carney & Soyeon Kate Lee) • Turina: Chamber Music For Strings & Piano (Lincoln Trio)

  1. BEST ORCHESTRAL PERFORMANCE

Bruckner: Symphony No. 4: Manfred Honeck, conductor (Pittsburgh Symphony Orchestra) Label: Reference Recordings

Dutilleux: Métaboles; L’Arbre Des Songes; Symphony No. 2, ‘Le Double’: Ludovic Morlot, conductor (Seattle Symphony) Label: Seattle Symphony Media

***Shostakovich: Under Stalin’s Shadow – Symphony No. 10 (below): Andris Nelsons, conductor (Boston Symphony Orchestra) Label: Deutsche Grammophon

Spirit Of The American Range: Carlos Kalmar, conductor (The Oregon Symphony) Label: Pentatone

Zhou Long and Chen Yi: Symphony ‘Humen 1839’: Darrell Ang, conductor (New Zealand Symphony Orchestra) Label: Naxos

nelsons-shostakovich

  1. BEST OPERA RECORDING

Janáček: Jenůfa: Donald Runnicles, conductor; Will Hartmann, Michaela Kaune & Jennifer Larmore; Magdalena Herbst, producer (Orchestra Of The Deutsche Oper Berlin; Chorus Of The Deutsche Oper Berlin) Label: Arthaus

Monteverdi: Il Ritorno D’Ulisse In Patria: Martin Pearlman, conductor; Fernando Guimarães & Jennifer Rivera; Thomas C. Moore, producer (Boston Baroque) Label: Linn Records

Mozart: Die Entführung Aus Dem Serail: Yannick Nézet-Séguin, conductor; Diana Damrau, Paul Schweinester & Rolando Villazón; Sid McLauchlan, producer (Chamber Orchestra Of Europe) Label: Deutsche Grammophon

***Ravel: L’Enfant Et Les Sortilèges; Shéhérazade (belw): Seiji Ozawa, conductor; Isabel Leonard; Dominic Fyfe, producer (Saito Kinen Orchestra; SKF Matsumoto Chorus & SKF Matsumoto Children’s Chorus) Label: Decca

Steffani: Niobe, Regina Di Tebe: Paul O’Dette & Stephen Stubbs, conductors; Karina Gauvin & Philippe Jaroussky; Renate Wolter-Seevers, producer (Boston Early Music Festival Orchestra) Label: Erato

ozawa ravel

  1. BEST CHORAL PERFORMANCE

Beethoven: Missa Solemnis: Bernard Haitink, conductor; Peter Dijkstra, chorus master (Anton Barachovsky, Genia Kühmeier, Elisabeth Kulman, Hanno Müller-Brachmann & Mark Padmore; Symphonieorchester Des Bayerischen Rundfunks; Chor Des Bayerischen Rundfunks) Label: BR Klassik

Monteverdi: Vespers Of 1610: Harry Christophers, conductor (Jeremy Budd, Grace Davidson, Ben Davies, Mark Dobell, Eamonn Dougan & Charlotte Mobbs; The Sixteen) Label: Coro

Pablo Neruda – The Poet Sings: Craig Hella Johnson, conductor (James K. Bass, Laura Mercado-Wright, Eric Neuville & Lauren Snouffer; Faith DeBow & Stephen Redfield; Conspirare) Label: Harmonia Mundi

Paulus: Far In The Heavens: Eric Holtan, conductor (Sara Fraker, Matthew Goinz, Thea Lobo, Owen McIntosh, Kathryn Mueller & Christine Vivona; True Concord Orchestra; True Concord Voices) Label: Reference Recordings

***Rachmaninoff: All-Night Vigil (below): Charles Bruffy, conductor (Paul Davidson, Frank Fleschner, Toby Vaughn Kidd, Bryan Pinkall, Julia Scozzafava, Bryan Taylor & Joseph Warner; Kansas City Chorale & Phoenix Chorale) Label: Chandos

Rachmaninoff All-Night Vigil Grammy 2016

  1. BEST CHAMBER MUSIC/SMALL ENSEMBLE PERFORMANCE

Brahms: The Piano Trios: Tanja Tetzlaff, Christian Tetzlaff & Lars Vogt. Label: Ondine

***Filament (below and in a YouTube video at the bottom): Eighth Blackbird. Label: Cedille Records

Flaherty: Airdancing For Toy Piano, Piano & Electronics: Nadia Shpachenko & Genevieve Feiwen Lee. Track from: Woman At The New Piano. Label: Reference Recordings

Render: Brad Wells & Roomful Of Teeth. Label: New Amsterdam Records

Shostakovich: Piano Quintet & String Quartet No. 2: Takács Quartet & Marc-André Hamelin. Label: Hyperion

Eighth Blackbird Filament cover

  1. BEST CLASSICAL INSTRUMENTAL SOLO

***Dutilleux: Violin Concerto, L’Arbre Des Songes (below): Augustin Hadelich; Ludovic Morlot, conductor (Seattle Symphony) Track from: Dutilleux: Métaboles; L’Arbre Des Songes; Symphony No. 2, ‘Le Double’ Label: Seattle Symphony Media

Grieg & Moszkowski: Piano Concertos: Joseph Moog; Nicholas Milton, conductor (Deutsche Radio Philharmonie Saarbrücken Kaiserslautern) Label: Onyx Classics

Mozart: Keyboard Music, Vol. 7: Kristian Bezuidenhout. Label: Harmonia Mundi

Rachmaninov Variations: Daniil Trifonov (The Philadelphia Orchestra) Label: Deutsche Grammophon

Rzewski: The People United Will Never Be Defeated! Ursula Oppens (Jerome Lowenthal). Label: Cedille Records

photo

  1. BEST CLASSICAL SOLO VOCAL ALBUM

Beethoven: An Die Ferne Geliebte; Haydn: English Songs; Mozart: Masonic Cantata: Mark Padmore; Kristian Bezuidenhout, accompanist. Label: Harmonia Mundi

***Joyce & Tony – Live From Wigmore Hall: Joyce DiDonato; Antonio Pappano, accompanist. Label: Erato

Nessun Dorma – The Puccini Album. Jonas Kaufmann; Antonio Pappano, conductor (Kristīne Opolais, Antonio Pirozzi & Massimo Simeoli; Coro Dell’Accademia Nazionale Di Santa Cecilia; Orchestra Dell’Accademia Nazionale Di Santa Cecilia) Label: Sony Classical

Rouse: Seeing; Kabir Padavali: Talise Trevigne; David Alan Miller, conductor (Orion Weiss; Albany Symphony) Label: Naxos

St. Petersburg: Cecilia Bartoli; Diego Fasolis, conductor (I Barocchisti) Label: Decca

Joyce and Tony Live CD Cover

  1. BEST CLASSICAL COMPENDIUM

As Dreams Fall Apart – The Golden Age Of Jewish Stage And Film Music (1925-1955): New Budapest Orpheum Society; Jim Ginsburg, producer. Label: Cedille Records

Ask Your Mama: George Manahan, conductor; Judith Sherman, producer. Label: Avie Records

Handel: L’Allegro, Il Penseroso Ed Il Moderato, 1740: Paul McCreesh, conductor; Nicholas Parker, producer. Label: Signum Classics

***Paulus: Three Places Of Enlightenment; Veil Of Tears & Grand Concerto (below): Giancarlo Guerrero, conductor; Tim Handley, producer. Label: Naxos

Woman At The New Piano: Nadia Shpachenko; Marina A. Ledin & Victor Ledin, producers. Label: Reference Recordings

Paulus Three place of Enlightenment

  1. BEST CONTEMPORARY CLASSICAL COMPOSITION

Barry: The Importance Of Being Earnest: Gerald Barry, composer (Thomas Adès, Barbara Hannigan, Katalin Károlyi, Hilary Summers, Peter Tantsits & Birmingham Contemporary Music Group) Label: NMC Recordings

Norman: Play: Andrew Norman, composer (Gil Rose & Boston Modern Orchestra Project) Track from: Norman: Play. Label: BMOP/Sound

***Paulus: Prayers & Remembrances (below): Stephen Paulus, composer (Eric Holtan, True Concord Voices & Orchestra). Track from: Paulus: Far In The Heavens. Label: Reference Recordings

Tower: Stroke: Joan Tower, composer (Giancarlo Guerrero, Cho-Liang Lin & Nashville Symphony). Track from: Tower: Violin Concerto; Stroke; Chamber Dance. Label: Naxos

Wolfe: Anthracite Fields: Julia Wolfe, composer (Julian Wachner, The Choir Of Trinity Wall Street & Bang On A Can All-Stars) Label: Cantaloupe Music

Stephen Paulus Prayers and Remembrances


Classical music: The new Grammy nominations can serve as a holiday gift guide.

December 11, 2015
2 Comments

By Jacob Stockinger

Each year at holiday time, The Ear offers a series of roundups of the best recordings and classical music gifts of the past year. The idea is to use them as holiday gift guides.

Today is Grammy Day.

grammy award BIG

So far, The Ear has listed choices made by the BBC Music Magazine and the Telegraph newspaper:

https://welltempered.wordpress.com/2015/11/27/classical-music-here-are-the-best-classical-music-cds-of-2015-according-to-the-bbc-music-magazine-and-the-telegraph-newspaper/

And another roundup of book and videos as well as CDs by critics for The New York Times:

https://welltempered.wordpress.com/2015/11/28/classical-music-its-small-business-saturday-here-are-classical-music-gift-suggestions-from-the-critics-for-the-new-york-times/

Now he adds the 58th annual Grammy nominations of 2016 that were announced this past Monday. The winners will be announced on Sunday, Feb. 15, on CBS television network. The telecast will be live and feature live performances.

The Ear likes to see if he can predict the winners. Outguessing the industry can be a fun, if frustrating, game to play.

He also notices two items of local interest.

The late Twin Cities composer Stephen Paulus, whose works were often commissioned and premiered in Madison by the Festival Choir of Madison and groups at the University of Wisconsin-Madison School of Music, has been nominated for several work.

stephen paulus

In addition, producer Judith Sherman, who has several Grammys to her credit, is nominated again. She is also the producer of the two recordings of the centennial commissions by the Pro Arte Quartet.

Judith Sherman Grammy 2012

Here are the 58th annual Grammy nominees for Classical Music:

BEST ENGINEERED ALBUM, CLASSICAL

Ask Your Mama: Leslie Ann Jones, John Kilgore, Nora Kroll-Rosenbaum & Justin Merrill, engineers; Patricia Sullivan, mastering engineer (George Manahan & San Francisco Ballet Orchestra) Label: Avie Records

Dutilleux: Métaboles; L’Arbre Des Songes; Symphony No. 2, ‘Le Double’: Dmitriy Lipay, engineer; Alexander Lipay, mastering engineer (Ludovic Morlot, Augustin Hadelich & Seattle Symphony) Label: Seattle Symphony Media

Monteverdi: Il Ritorno D’Ulisse In Patria: Robert Friedrich, engineer; Michael Bishop, mastering engineer (Martin Pearlman, Jennifer Rivera, Fernando Guimarães & Boston Baroque) Label: Linn Records

Rachmaninoff: All-Night Vigil: Beyong Joon Hwang & John Newton, engineers; Mark Donahue, mastering engineer (Charles Bruffy, Phoenix Chorale and Kansas City Chorale) Label: Chandos

Saint-Saëns: Symphony No. 3, ‘Organ’: Keith O. Johnson and Sean Royce Martin, engineers; Keith O. Johnson, mastering engineer (Michael Stern and Kansas City Symphony) Label: Reference Recording

Ask Your Mama CD Cover

PRODUCER OF THE YEAR, CLASSICAL

Blanton Alspaugh: • Hill: Symphony No. 4; Concertino Nos. 1 & 2; Divertimento (Peter Bay, Anton Nel & Austin Symphony Orchestra) • Rachmaninoff: All-Night Vigil (Charles Bruffy, Phoenix Chorale & Kansas City Chorale) • Sacred Songs Of Life & Love (Brian A. Schmidt & South Dakota Chorale) • Spirit Of The American Range (Carlos Kalmar & The Oregon Symphony) • Tower: Violin Concerto; Stroke; Chamber Dance (Giancarlo Guerrero, Cho-Liang Lin & Nashville Symphony)

Manfred Eicher: • Franz Schubert (András Schiff) • Galina Ustvolskaya (Patricia Kopatchinskaja, Markus Hinterhäuser & Reto Bieri) • Moore: Dances & Canons (Saskia Lankhoorn) • Rihm: Et Lux (Paul Van Nevel, Minguet Quartet & Huelgas Ensemble) • Visions Fugitives (Anna Gourari)

Marina A. Ledin, Victor Ledin: • Dances For Piano & Orchestra (Joel Fan, Christophe Chagnard & Northwest Sinfonietta) • Tempo Do Brasil (Marc Regnier) • Woman At The New Piano (Nadia Shpachenko)

Dan Merceruio: • Chapí: String Quartets 1 & 2 (Cuarteto Latinoamericano) • From Whence We Came (Ensemble Galilei) • Gregson: Touch (Peter Gregson) • In The Light Of Air – ICE Performs Anna Thorvaldsdottir (International Contemporary Ensemble) • Schumann (Ying Quartet) • Scrapyard Exotica (Del Sol String Quartet) • Stravinsky: Petrushka (Richard Scerbo & Inscape Chamber Orchestra) • What Artemisia Heard (El Mundo) • ZOFO Plays Terry Riley (ZOFO)

Judith Sherman: • Ask Your Mama (George Manahan & San Francisco Ballet Orchestra) • Fields: Double Cluster; Space Sciences (Jan Kučera, Gloria Chuang & Moravian Philharmonic Orchestra) • Liaisons – Re-Imagining Sondheim From The Piano (Anthony de Mare) • Montage – Great Film Composers & The Piano (Gloria Cheng) • Multitude, Solitude (Momenta Quartet) • Of Color Braided All Desire – Music Of Eric Moe (Christine Brandes, Brentano String Quartet, Dominic Donato, Jessica Meyer, Karen Ouzounian, Manhattan String Quartet & Talujon) • Rzewski: The People United Will Never Be Defeated! (Ursula Oppens) • Sirota: Parting The Veil – Works For Violin & Piano (David Friend, Hyeyung Julie Yoon, Laurie Carney & Soyeon Kate Lee) • Turina: Chamber Music For Strings & Piano (Lincoln Trio

Manfred Eicher

BEST ORCHESTRAL PERFORMANCE

Bruckner: Symphony No. 4: Manfred Honeck, conductor (Pittsburgh Symphony Orchestra) Label: Reference Recordings

Dutilleux: Métaboles; L’Arbre Des Songes; Symphony No. 2, ‘Le Double’: Ludovic Morlot, conductor (Seattle Symphony) Label: Seattle Symphony Media

Shostakovich: Under Stalin’s Shadow – Symphony No. 10: Andris Nelsons, conductor (Boston Symphony Orchestra) Label: Deutsche Grammophon

Spirit Of The American Range: Carlos Kalmar, conductor (The Oregon Symphony) Label: Pentatone

Zhou Long and Chen Yi: Symphony ‘Humen 1839’: Darrell Ang, conductor (New Zealand Symphony Orchestra) Label: Naxos

nelsons-shostakovich

BEST OPERA RECORDING

Janáček: Jenůfa: Donald Runnicles, conductor; Will Hartmann, Michaela Kaune & Jennifer Larmore; Magdalena Herbst, producer (Orchestra Of The Deutsche Oper Berlin; Chorus Of The Deutsche Oper Berlin) Label: Arthaus

Monteverdi: Il Ritorno D’Ulisse In Patria: Martin Pearlman, conductor; Fernando Guimarães & Jennifer Rivera; Thomas C. Moore, producer (Boston Baroque) Label: Linn Records

Mozart: Die Entführung Aus Dem Serail: Yannick Nézet-Séguin, conductor; Diana Damrau, Paul Schweinester & Rolando Villazón; Sid McLauchlan, producer (Chamber Orchestra Of Europe) Label: Deutsche Grammophon

Ravel: L’Enfant Et Les Sortilèges; Shéhérazade: Seiji Ozawa, conductor; Isabel Leonard; Dominic Fyfe, producer (Saito Kinen Orchestra; SKF Matsumoto Chorus & SKF Matsumoto Children’s Chorus) Label: Decca

Steffani: Niobe, Regina Di Tebe: Paul O’Dette & Stephen Stubbs, conductors; Karina Gauvin & Philippe Jaroussky; Renate Wolter-Seevers, producer (Boston Early Music Festival Orchestra) Label: Erato

ozawa ravel

BEST CHORAL PERFORMANCE

Beethoven: Missa Solemnis: Bernard Haitink, conductor; Peter Dijkstra, chorus master (Anton Barachovsky, Genia Kühmeier, Elisabeth Kulman, Hanno Müller-Brachmann & Mark Padmore; Symphonieorchester Des Bayerischen Rundfunks; Chor Des Bayerischen Rundfunks) Label: BR Klassik

Monteverdi: Vespers Of 1610: Harry Christophers, conductor (Jeremy Budd, Grace Davidson, Ben Davies, Mark Dobell, Eamonn Dougan & Charlotte Mobbs; The Sixteen) Label: Coro

Pablo Neruda – The Poet Sings: Craig Hella Johnson, conductor (James K. Bass, Laura Mercado-Wright, Eric Neuville & Lauren Snouffer; Faith DeBow & Stephen Redfield; Conspirare) Label: Harmonia Mundi

Paulus: Far In The Heavens: Eric Holtan, conductor (Sara Fraker, Matthew Goinz, Thea Lobo, Owen McIntosh, Kathryn Mueller & Christine Vivona; True Concord Orchestra; True Concord Voices) Label: Reference Recordings

Rachmaninoff: All-Night Vigil: Charles Bruffy, conductor (Paul Davidson, Frank Fleschner, Toby Vaughn Kidd, Bryan Pinkall, Julia Scozzafava, Bryan Taylor & Joseph Warner; Kansas City Chorale & Phoenix Chorale) Label: Chandos

paulus far in the heavens

BEST CHAMBER MUSIC/SMALL ENSEMBLE PERFORMANCE

Brahms: The Piano Trios: Tanja Tetzlaff, Christian Tetzlaff & Lars Vogt. Label: Ondine

Filament: Eighth Blackbird. Label: Cedille Records

Flaherty: Airdancing For Toy Piano, Piano & Electronics: Nadia Shpachenko & Genevieve Feiwen Lee. Track from: Woman At The New Piano. Label: Reference Recordings

Render: Brad Wells & Roomful Of Teeth. Label: New Amsterdam Records

Shostakovich: Piano Quintet & String Quartet No. 2: Takács Quartet & Marc-André Hamelin. Label: Hyperion

Hamelin Takacs Shostakovich quintet

BEST CLASSICAL INSTRUMENTAL SOLO

Dutilleux: Violin Concerto, L’Arbre Des Songes: Augustin Hadelich; Ludovic Morlot, conductor (Seattle Symphony) Track from: Dutilleux: Métaboles; L’Arbre Des Songes; Symphony No. 2, ‘Le Double’. Label: Seattle Symphony Media

Grieg & Moszkowski: Piano Concertos: Joseph Moog; Nicholas Milton, conductor (Deutsche Radio Philharmonie Saarbrücken Kaiserslautern). Label: Onyx Classics

Mozart: Keyboard Music, Vol. 7: Kristian Bezuidenhout. Label: Harmonia Mundi

 Rachmaninov Variations: Daniil Trifonov (The Philadelphia Orchestra) Label: Deutsche Grammophon

Rzewski: The People United Will Never Be Defeated! Ursula Oppens (Jerome Lowenthal). Label: Cedille Records

trifonov rachmaninov

BEST CLASSICAL SOLO VOCAL ALBUM

Beethoven: An Die Ferne Geliebte; Haydn: English Songs; Mozart: Masonic Cantata: Mark Padmore; Kristian Bezuidenhout, accompanist. Label: Harmonia Mundi

Joyce & Tony – Live From Wigmore Hall: Joyce DiDonato; Antonio Pappano, accompanist. Label: Erato

Nessun Dorma – The Puccini Album. Jonas Kaufmann; Antonio Pappano, conductor (Kristīne Opolais, Antonio Pirozzi & Massimo Simeoli; Coro Dell’Accademia Nazionale Di Santa Cecilia; Orchestra Dell’Accademia Nazionale Di Santa Cecilia) Label: Sony Classical

Rouse: Seeing; Kabir Padavali: Talise Trevigne; David Alan Miller, conductor (Orion Weiss; Albany Symphony) Label: Naxos

St. Petersburg: Cecilia Bartoli; Diego Fasolis, conductor (I Barocchisti). Label: Decca

jonas kauffmann puccini

BEST CLASSICAL COMPENDIUM

As Dreams Fall Apart – The Golden Age Of Jewish Stage And Film Music (1925-1955): New Budapest Orpheum Society; Jim Ginsburg, producer. Label: Cedille Records

Ask Your Mama: George Manahan, conductor; Judith Sherman, producer. Label: Avie Records

Handel: L’Allegro, Il Penseroso Ed Il Moderato, 1740: Paul McCreesh, conductor; Nicholas Parker, producer. Label: Signum Classics

Paulus: Three Places Of Enlightenment; Veil Of Tears & Grand Concerto: Giancarlo Guerrero, conductor; Tim Handley, producer. Label: Naxos

Woman At The New Piano: Nadia Shpachenko; Marina A. Ledin & Victor Ledin, producers. Label: Reference Recordings

Paulus Three place of Enlightenment

BEST CONTEMPORARY CLASSICAL COMPOSITION

Barry: The Importance Of Being Earnest: Gerald Barry, composer (Thomas Adès, Barbara Hannigan, Katalin Károlyi, Hilary Summers, Peter Tantsits & Birmingham Contemporary Music Group) Label: NMC Recordings

Norman: Play: Andrew Norman, composer (Gil Rose & Boston Modern Orchestra Project) Track from: Norman: Play. Label: BMOP/Sound

Paulus: Prayers & Remembrances: Stephen Paulus, composer (Eric Holtan, True Concord Voices & Orchestra). Track from: Paulus: Far In The Heavens. Label: Reference Recordings

Tower: Stroke: Joan Tower, composer (Giancarlo Guerrero, Cho-Liang Lin & Nashville Symphony). Track from: Tower: Violin Concerto; Stroke; Chamber Dance. Label: Naxos

Wolfe: Anthracite Fields: Julia Wolfe, composer (Julian Wachner, The Choir Of Trinity Wall Street & Bang On A Can All-Stars) Label: Cantaloupe Music. (Note: You can hear a haunting part of the work that won a Pulitzer Prize in the YouTube video below.)

Julia Wolfe Anthracite Fields

 


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Classical music: Gramophone magazine names its Best of 2014 Classical Recordings. Here it is, along with several other major compilations.

December 28, 2014
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By Jacob Stockinger

This post wraps up the holiday gift-giving season for this year.

Over the past month or so, I have offered several major roundups of the Best of 2014 classical music recordings.

https://welltempered.wordpress.com/2014/12/20/classical-music-here-are-the-best-classical-recordings-of-2014-from-the-new-york-times-and-the-boston-globe-as-well-as-npr/

NY Times top 20 classical CDs 2013 Tony Cenicola for NYT

The posts have included a Top 10 list from NPR or National Public Radio:

http://www.npr.org/blogs/deceptivecadence/2014/12/11/370067981/best-classical-albums-of-2014

A list from the critics at The New York Times:

http://www.nytimes.com/2014/12/19/arts/music/classical-critics-pick-the-top-music-recordings-of-2014.html?_r=1

A list — really, two lists — from the prize-winning critic Alex Ross (below), who writes for The New Yorker Magazine:

http://www.newyorker.com/culture/cultural-comment/ten-notable-performances-recordings-2014

Alex Ross 2

A link from critic Jeremy Eichler at the Boston Globe:

http://www.bostonglobe.com/arts/music/2014/12/13/the-best-albums/6q7Tin4lPvj5RmqfCCSTFP/story.html

And a list of the classical nominations for the 57th annual Grammy Awards:

https://welltempered.wordpress.com/2014/12/09/classical-music-the-57th-annual-grammy-award-nominations-provide-a-useful-guide-to-holiday-gift-giving/

grammy award BIG

Now, as the year ends, here comes the annual compilation by the venerable Gramophone magazine out of Great Britain. Top honors go to Riccardo Chailly and the Leipzig Gewandhaus Orchestra for their cycle of orchestral works, symphonies and overtures and more, by Johannes Brahms on the Decca label.

Brahms Chailly cover

But there is a lot more to look at and listen to, and, predictably, a lot of choices with ties to United Kingdom.

Anyway, if you still need to give a gift or maybe to redeem a gift card or spend cash you received, here is the story along with the direct link to the FREE digital magazine issue (below):

http://www.gramophone.co.uk/classical-music-news/recordings-of-the-year-2014-free-digital-magazine-out-now

http://www.exacteditions.com/read/gramophone/recordings-of-the-year-2014-41178

Gramophone recordings of 2014 cover


Classical music: Bummer!!! The recent recital by YouTube sensation Valentina Lisitsa proved tedious and showed that great pianists aren’t always great musicians.

November 24, 2014
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By Jacob Stockinger

Valentina Lisitsa (below), the Ukraine-born pianist who has become a YouTube sensation, played a recital here last Thursday night at the Wisconsin Union Theater. It featured music by Ludwig van Beethoven, Robert Schumann, Johannes Brahms and Sergei Rachmaninoff.

Valentina Lisitsa

All four men were accomplished pianists as well as composers.

So you would have thought that nothing could go wrong.

But it did.

Big time.

From the time she took the stage, Valentina Lisitsa seemed ill-at-ease and unsure of what to do musically. What resulted was a very long concert with too much boredom and tedium.

Her default position seemed to be to play a lot, and then play some more. It turned out to be more like a marathon or a 19th-century “monster concert” than a typical piano recital. I don’t know what the intent of her program was except perhaps to show off her undeniable stamina.

Valentina LIsitsa playing

True, the “new media” phenom, who has a clear gift for self-promotion and who attracts avid groupie-like fans to her many YouTube videos and concerts, played for the better part of three hours and never seemed to break a sweat, even in the most difficult pieces.

But I have to concur with The Wise Piano Teacher who said: “It was the worst piano recital I’ve heard in my life, and I’ve heard a lot of them. I came home angry.”

The teacher wasn’t alone.

Except for a few of the miniature intermezzi by Brahms and a few of the ingenious etudes by Schumann, the piano playing seemed disjointed and the music too often lacked musicality.

Now, my instinct is to be generous and to make allowances. Maybe it was just an “off” night. Or maybe she felt ill or sick. Or maybe she has been overbooked or underrehearsed in recent weeks.

I do know that I have heard Lisitsa play much better, though she seemed at her best when she accompanied the gifted American violinist Hilary Hahn (below), who perhaps gave her some interpretive direction.

hilary_hahn

The Ear kept thinking of the response by Vladimir Horowitz (below) when somebody asked him why he didn’t take the second repeats in sonatas by Domenico Scarlatti or why he didn’t play late sonatas by Beethoven. “I don’t want to bore the audience,” he said.

Vladimir Horowitz

Lisitsa showed no such concern for the audience. In fact her program, her stage manner and her playing all seemed listener-unfriendly. At times, her recital even seemed condescending and disdainful of the ordinary listener.

Valentina Lisitsa at keyboard 2

As a critic, I have to call it as I hear it. But I take no joy in writing this. There are few enough solo piano recitals in Madison these days, and I had really looked forward to this one. Rarely do I want to walk out of a concert of any sort, especially a piano concert. But this time I did want to walk out -– and I did leave early, during a Franz Liszt encore that was his arrangement of Franz Schubert’s “Ave Maria.” I also saw some other serious music fans walk out even earlier.

As for the all-Romantic program itself, here are some snapshots or mini-critiques:

The “Tempest” Sonata by Beethoven (below): This great sonata was frequently reduced from a tempest to directionless wind by dropped or missed notes and choppy interpretation as well as by inattention to dynamics. It just didn’t make sense intellectually or emotionally -– and it is a great masterpiece of emotional depth. And certainly her playing of the same work in a live concert in Paris in a YouTube video at the bottom is better than what I heard live here. 

Beethoven big

The “Symphonic Etudes” by Robert Schumann (below top): Decca has just released an 85-minute recording (below bottom) of Lisitsa playing these pieces plus the complete Chopin etudes. She seems drawn to etudes, perhaps because they often favor fingers over music. And this woman has fingers and technique to spare, even if she lacks musical ideas. imagination and something to say.

Schumann photo1850

Valentina Lisitsa Chopin Schumann etudes CD cover

Selected Intermezzi by Johannes Brahms (below): She didn’t stick to the program, and didn’t announce the changes to the audience. She played 14, but after a while they all ran together and it seemed more like 114. Better she should have played a set of just three or four intermezzi as a quiet interlude –- which was their original intended purpose. But instead she too often rushed through them. We missed the poignant melodies and harmonies, the autumnal soulfulness of late Brahms, to say nothing of the careful construction and counterpoint he used.

brahms3

Sonata No. 1 in D Minor by Sergei Rachmaninoff (below): The Ear thinks Lisitsa knew she has confused and lost her small audience when she went from the long Brahms set directly into the Rachmaninoff sonata. I heard some audience members wonder about what they were hearing – where Brahms had stopped and Rachmaninoff had begun. This sonata is a hard piece to hold together, and it didn’t help that she favored big noise over music, big chords over subtle voices.

rachmaninoffyoung

All in all, and despite a standing ovation — for her strength and brilliance, one suspects — The Ear found it a night to forget. I have heard Valentina Lisitsa (below) in better form and I wish I knew what happened here.

“Was she annoyed that the house wasn’t full?” someone asked. Maybe, although such an attitude would be highly unprofessional and too peevish or diva-like.

But I do know that when she next appears in a solo recital, I will think twice -– more than twice -– about attending.

That is too bad for me and too bad for her, too bad for the audience and too bad for the presenter.

Lisitsa_Valentina_2

But everyone’s a critic.

What did others of you who attended Valentina Lisitsa’s recital think?

Did you judge it a success or a failure?

The Ear wants to hear.


Classical music: Ukrainian pianist Valentina Lisitsa’s solo recital of music by Beethoven, Schumann, Brahms and Rachmaninoff is a MUST-HEAR for piano fans. It is this Thursday night at 8 in the Wisconsin Union Theater.

November 18, 2014
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By Jacob Stockinger

Compared to the start of many seasons, surprisingly this fall hasn’t seen a lot of piano music— either solo recitals or concertos.

The Ear says “surprisingly” because box office statistics seem to suggest that piano concerts general draw good audiences. Pianists are favorites as soloists with orchestra fans -– as you could see in October when Russian pianist Olga Kern performed a concerto by Sergei Rachmaninoff with the Madison Symphony Orchestra under conductor John DeMain to a big, enthusiastic house.

Maybe it has to do with the fact that so many people take piano lessons when they are young. Or maybe it is because the repertoire is so big, so varied and so appealing.

And, true to form, next semester promises a whole lot more piano concerts of all kinds at the University of Wisconsin-Madison School of Music, the Madison Symphony Orchestra, the Wisconsin Chamber Orchestra and the Salon Series at Farley’s House of Pianos.

Anyway, one piano standout of the fall is about to happen this week.

The Ukrainian-born and Ukraine-trained pianist Valentina Lisitsa (below) will perform on this Thursday night at 8 p.m. in the Wisconsin Union Theater.

Valentina Lisitsa

The program is an outstanding one. It features the dramatic “Tempest” Sonata in D minor, Op 31, No. 2, by Ludwig van Beethoven; the “Symphonic Etudes” by Robert Schumann; a medley of the late piano intermezzi and other miniatures, Op. 116 through Op. 119, by Johannes Brahms, works we hear too infrequently, possibly because they are more for the home than the concert hall; and the rarely played Piano Sonata No. 1 in D minor by Sergei Rachmaninoff.

Tickets are $40, $42 and $45; $10 for UW-Madison students.

For more information, plus a video and some reviews, visit this link:

http://www.uniontheater.wisc.edu/season14-15/valentina-lisitsa.html

And here is a link to a story about her unusual career that appeared in The New York Times:

http://www.nytimes.com/2013/10/13/arts/music/valentina-lisitsa-jump-starts-her-career-online.html?_r=1&

This is Valentina Lisitsa’s third appearance at the Wisconsin Union Theater. She has performed there twice when she accompanied American violinist Hillary Hahn in what The Ear found to be memorable programs that offered a wonderful balance of dynamics in a chamber music partnership.

Lisitsa_Valentina_2

Lisitsa has established a special reputation for building her live concert and recording career not through the traditional ways or by winning competitions, but through using new media. In particular, she has amassed a huge following with something like 62 million individual views of and 98,000 subscribers to  her many YouTube videos.

Valentina LIsitsa playing

So impressive was her record with YouTube, in fact, that the venerable record label Decca offered her a contract. Her first release was a live recording of a recital of music by Beethoven, Chopin, Liszt, Rachmaninoff and Scriabin that she gave in the Royal Albert Hall in London — a recital for which she let her fans determine the program through voting on-line.

Then she recorded the complete knuckle-busting Rachmaninoff concertos, an all-Liszt album and a bestselling CD of “Chasing Pianos” by the contemporary British composer Michael Nyman, who wrote the well-known score for the popular gothic romance film “The Piano.”

valentina lisitsa and michael nyman

Here is a link to an interview Valentina Lisitsa did with NPR (National Public Radio):

https://welltempered.wordpress.com/2014/05/02/classical-music-youtube-sensation-pianist-valentina-lisitsa-talks-with-npr-about-her-unusual-career-and-her-new-recording-of-music-by-michael-nyman-she-performs-next-season-again-at-the-wisconsin-un/

Now she has a new and nuanced recording out of the complete Etudes, Opp. 10 and 24, by Frederic Chopin plus the “Symphonic Etudes” By Robert Schumann that she will perform here. (You can hear Chopin excerpts from the new CD in a YouTube video at the bottom.) The Ear is betting that, if an encore is in the offing this Thursday night, it will be a Chopin etude or two from the new recording — perhaps a slow and poetic one, perhaps a virtuosic one, or perhaps one of both kinds.

Valentina Lisitsa Chopin Schumann etudes CD cover

Her Madison appearance features a big and difficult program. But Lisitsa has the technique and power, the chops, to bring it off. She also demonstrated how she combines that substantial power with sensitive musicality in memorable solo recitals at Farley’s House of Pianos. And she claims to have developed a keyboard method that allows her to play difficult music for long periods of time without strain or injury. To one admiring reader comment about the new YouTube etude video, she says simply: “Playing piano is easy!”

Valentina Lisitsa's hands

Well, good for her! But I say go and judge for yourself — and don’t forget to enjoy the music as much as the musician.


Classical music: YouTube sensation pianist Valentina Lisitsa talks with NPR about her unusual career and her new recording of music by Michael Nyman. She performs next season again at the Wisconsin Union Theater.

May 2, 2014
5 Comments

By Jacob Stockinger

Ukrainean-born pianist Valentina Lisitsa is no stranger to Madison.

Lisitsa_Valentina_2

She has performed at the Wisconsin Union Theater as the accompanist for the American violinist Hilary Hahn. The recital was stupendous and she proved a terrific chamber music partner.

But Valentina Lisitsa, who possesses  a seemingly flawless technique and endless strength and stamina, is also a great keyboard virtuoso in her own right. That side of her talent is what you heard on impressive display when she appeared twice in solo recitals at Farley’s House of Pianos.

As a reminder, here are some links to older posts:

https://welltempered.wordpress.com/2013/10/20/classical-music-how-youtube-vaulted-pianist-valentina-lisitsa-to-fame-and-fortune-plus-here-are-reminders-about-concerts-today-at-the-madison-symphony-orchestra-and-the-university-of-wisconsin-scho/

https://welltempered.wordpress.com/2012/05/31/classical-music-news-new-media-can-lead-back-to-old-media-just-ask-pianist-valentina-lisitsa-whose-superstar-status-on-youtube-has-led-to-her-a-contract-with-decca-classics/

https://welltempered.wordpress.com/2011/08/20/classical-music-review-the-ear-gets-more-than-an-earful-of-franz-liszt-and-valentina-lisitsa-and-thinks-of-liberace/

https://welltempered.wordpress.com/2011/02/21/classical-music-review-recitals-don’t-come-more-perfect-than-the-one-by-violinist-hilary-hahn-and-pianist-valentina-lisitsa-at-the-wisconsin-union-theater/

Recently, NPR did an interview with Valentina Lisitsa on the occasion of new Decca recording, a CD of piano music by the British Minimalist composer Michael Nyman, best known probably for his score to the film “The Piano.”

valentina lisitsa and michael nyman

In the interview she discusses how she almost gave up on her piano career; how she turned to YouTube and the Internet the chance they could rescue her career; and how that led her to tens of millions — something like 75 million — followers, who, in turn, got her a recital at Royal Albert Hall that was recorded live and a recording contract with the major label Decca. With Decca, she has also recorded piano concertos by Sergei Rachmaninoff and solo piano music by Ludwig van Beethoven, Frederic Chopin, Alexander Scriabin and especially Franz Liszt among others in a program that her YouTube followers got to choose by voting on the web. (Her YouTube video of Beethoven’s “Moonlight” Sonata has over 7 million hits. Check out her YouTube repertoire. It is vast and varied.)

In short, Valentina Lisitsa may well be the model of the new kind of successful career in classical music in The Digital Age of high technology

And show will perform on the Wisconsin Union Theater series, when it reopens in the renovated concert hall I call the “Carnegie Hall of Madison” on Thursday, Nov. 20, 2014.

Here is the NPR link. The Ear suggests listening to it, not just reading it:

http://www.npr.org/blogs/deceptivecadence/2014/04/25/305652669/valentina-lisitsa-chasing-pianos-and-youtube-fans

 

 

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