The Well-Tempered Ear

Gramophone names the 50 best classical recordings of 2024 — so far

May 2, 2024
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By Jacob Stockinger

The monthly Gramophone magazine, based in London, is probably the most respected classical music periodical.

In addition to feature stories — such as, in the May issue, a remembrance of Maurizio Pollini, an interview with Korean piano phenom Yunchan Lim, a roundup of summer festivals and an assessment of Edward Elgar’s choral music — it offers well-informed reviews of recent recordings.

Here is the latest collection of critics’ reviews that cover recordings released so far in 2024.

You will find an impressive variety of artists, some only being rediscovered — such as the songs of Louis Beytds in the YouTube video at the bottom — and genres among the 50 selections.

Still, this selection seems to be heavier on piano music than is typical.

The choices are also noteworthy for the number of small labels that are singled out for high praise.

Plus there are bonuses.

Don’t forget to check out the links to the full reviews for more information about the music, the performer and comparisons with other recordings.

And at the bottom you will also notice links to Gramophone stories about the Top 20 Recordings of Haydn, Ravel, Verdi, Bartok, Debussy and Stravinsky. 

That is a lot of music  to explore and check out, especially if you have a streaming service.

https://www.gramophone.co.uk/features/article/the-best-classical-music-albums-of-2024-so-far


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Klaus Mäkelä, 28, is the new music director of the Chicago Symphony Orchestra

April 3, 2024
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PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.

By Jacob Stockinger

It seems to The Ear that another young conducting superstar is in the making.

I’m talking about the 28-year-old Finnish conductor Klaus Mäkelä (below, in a photo by Marco Borggreve), who just yesterday was named the successor to 82-year-old Riccardo Muti as the music director of the Chicago Symphony Orchestra, starting in 2027. 

Chances are good that the talented, photogenic and charismatic Mäkelä — ignore the umlauts and “ke” is pronounced kay — who has had a meteoric rise will eventually join the company of Gustavo Dudamel and Yannick Nézet-Séguin as an heir to such celebrated conductors as Leonard Bernstein and Herbert von Karajan, then Claudio Abbado, Michael Tilson Thomas and Marin Alsop.

The Ear would love to post stories from the New York Times, the Washington Post or the Chicago Tribune. But they all hide their online stories behind a paywall.

Here is another story, from ABC-TV in Chicago and the Associated Press, that has all the essentials and some extra background:

https://abc7chicago.com/klaus-makela-chicago-symphony-orchestra-riccardo-mutti-new-conductor/14606816

In the YouTube video at the bottom, you can see his 2-minute video made specifically to introduce himself on the occasion of his selection to lead the CSO. He talks about what he likes about the world-famous orchestra and why he wanted to accept the permanent position after guest conducting the CSO

And here is an excerpt of Mäkelä conducting the Paris Orchestra in Carnegie aHall last month. His reading of Igor Stravinsky’s “The Firebird” — on an all-Stravinsky program with “The Rite of Spring — raised the neck hair on The Ear.

You can under how the young Finn has developed a reputation for both spontaneous energy and sonic clarity. 

What do you think of Klaus Mäkelä becoming the music director of the Chicago Symphony Orchestra?

Have you heard him conduct? What did you think?

Would you go to Chicago to hear him conduct?

Will he become a worthy successor to such Chicago luminaries as Muti, Daniel Barenboim, George Solti and Fritz Reiner?

The Ear wants to hear.


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