The Well-Tempered Ear
Classical music: June is Gay Pride month. How many LGBTQ classical composers and performers do you know about? Which ones are your favorites or most surprise you?
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ALERT: This Sunday, the Bach Dancing and Dynamite Society’s Virtual Chamber Music Festival begins online. It is called “Bach’s Lunch” and will send out short concerts every Tuesday, Thursday and Saturday through Sunday, June 28, when a grand finale is planned. It is FREE. But you have to sign up by emailing crownover@bachdancinganddynamite.org
By Jacob Stockinger
This past week the Rainbow flags (below) have started flying, including at the Wisconsin state Capitol.
Last year was the 50th anniversary of the riot or uprising at the Stonewall Inn in New York City that eventually gave birth to a worldwide movement to insure that queer people deserve and will receive human rights.
This year marks the 50th anniversary of Pride, which started with parades and marches to celebrate that initial victory and the start of a global gay liberation movement that continues and widens today.
On this first weekend in June 2020, it seems fitting to recall the many LGBTQ composers and performers in classical music.
The gay rights movement has opened the closet doors not only of individual lives today but also of historical figures. When The Ear was taking piano lessons and started going to concerts and listening to recordings, and learning about classical music, the subject remained shrouded in silence and secrecy.
You could read and hear about Tchaikovsky (below top) and Leonard Bernstein (below bottom, in a photo by Jack Mitchell) – to take a very popular composer and a renowned composer-conductor — but no one mentioned the role of homosexuality in their lives and careers.
So here are several lists that may teach you something new about gay, lesbian, bisexual, transgender and queer musicians – both composers and performers.
Some of the calls seem very iffy to The Ear. For example, Beethoven, Schubert and Chopin (below and in the YouTube video at the bottom) lived at a time when a homoerotic friendship did not necessarily mean a queer sexual identity. But one way or the other, historical proof and documentation can be hard to come by. And clearly there is much more to find out about the past.
Take a look. No longer is such information a rarity. From both the quantity and quality of the entries, at least you will see how scholars are taking new looks and undermining the heterosexual assumption that has wrapped so many historical and even contemporary figures in a wrong or mistaken identity.
Freedom, acceptance and respect are not zero-sum games in which one party can win only if another party loses. There is enough of each to go around.
So enjoy the information, whether it is new or not, and the respect it should inspire for the central role of LGBTQ people in the arts both past and present.
Here is a pretty comprehensive alphabetical list from Wikipedia of LGBT composers, both living and dead. It includes Chester Biscardi (below), who did graduate work at the University of Wisconsin-Madison. You don’t have to click on each name. Just hover the cursor arrow over the name and you will see a photo and biographical blurb:
https://en.wikipedia.org/wiki/Category:LGBT_composers
And here is a list, also in alphabetical order and also from Wikipedia, of LGBT musicians and performers, not all of them classical. It works by clicking on sub-categories that include nationality – though one wonders if musicians from extremely homophobic countries and cultures are included:
https://en.wikipedia.org/wiki/Category:LGBT_musicians
Here is a similar list from QueerBio.com that also includes links to similar lists for rock, country, hip-hop, jazz, Christian music and more:
https://queerbio.com/wiki/index.php/LGBTQ_Classical_Music_Composers
Here is a more selective list from The Advocate, an LGBT magazine, of 18 queer composers who made history and you should know about:
And here is a similarly selective list from radio station WFMT in Chicago of 15 LGBT composers — including Corelli, Handel (below) and Lully — you should know about:
https://www.wfmt.com/2015/06/25/15-queer-composers-know/
From Arts Boston, here are 10 contemporary composers who are queer:
http://artsboston.org/2018/06/21/10-contemporary-lgbtq-composers-you-should-know/
Finally, here is a list from the Spotify streaming service that features many samplings of actual pieces by historical and contemporary queer composers:
https://open.spotify.com/playlist/37i9dQZF1DX75gMjYMWCsk
Which names most surprised you?
If you have questions, comments or additional names and information to add — The Ear doesn’t see the acclaimed pianist Jeremy Denk listed — please leave word in the Comment section.
The Ear wants to hear.
Happy Pride, everyone!
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Classical music: Next season the Wisconsin Chamber Orchestra will expand to two performances of its winter Masterworks concerts by adding a Saturday night concert in Brookfield, near Milwaukee
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By Jacob Stockinger
Next season will mark the 20th anniversary of Andrew Sewell (below top) coming to Madison to serve as the music director and principal conductor of the Wisconsin Chamber Orchestra (below bottom).
It is hard to imagine a better Bravo! or anniversary gift for the maestro – who has said he wants the WCO to become a chamber orchestra, as its name implies, for the entire state of Wisconsin — than what will in fact take place: the WCO will expand its winter Masterworks concerts to two performances by adding a Saturday night performance at 7:30 p.m. in the Sharon Lynne Wilson Center for the Arts (below) in Brookfield, a suburb of Milwaukee. (Sewell is also the music director of the San Luis Obispo Symphony in California.)
Madison performances of Masterworks will continue to take place at 7:30 p.m. on Friday night in the Capitol Theater of the Overture Center.
You can find out more about the Masterworks programs for next season by going to the WCO home website:
https://wisconsinchamberorchestra.org/performance-listing/category/masterworks
There you will find the usual eclectic mix of new guest artists and new or neglected composers and repertoire that has marked Sewell’s tenure and brought him critical acclaim.
Pianist Orion Weiss will perform the popular Piano Concerto No. 21 in C Major, K. 467 – “Elvira Madigan” – by Wolfgang Amadeus Mozart; violinists Giora Schmidt and Eric Silberger will perform concertos by Dmitri Kabalevsky and Niccolo Paganini, respectively; harpist Yolanda Kondonassis will perform a concerto by Argentinian Alberto Ginastera; and Andrew Balio (below), principal trumpet of the Baltimore Symphony Orchestra, will return to Madison where he grew up and perform a 1948 trumpet concerto by Italian composer Andre Tomasi.
Early music and new music to be featured includes works by: Donald Fraser (an acclaimed English conductor, composer and arranger, below) who now lives in Illinois, and often comes to Madison); Joseph Martin Kraus, known as the “Swedish Mozart”; Norwegian composer Johann Svensen; and three English composers (always favorites of Sewell who was born and educated in New Zealand) who are John Marsh, James Macmillan and York Bowen. (In the YouTube video at the bottom you can hear the English Symphony Orchestra, conducted by Kenneth Woods — a native Madisonian who will return next season to conduct the Madison Symphony Orchestra — recording the Scherzo movement from Donald Fraser’s “Sinfonietta,” the same work that the WCO will perform.)
Works by Franz Joseph Haydn, Wolfgang Amadeus Mozart, Ludwig van Beethoven, Felix Mendelssohn and Sergei Prokofiev also figure prominently, including Mozart’s Symphony No. 41 “Jupiter” and Beethoven’s Symphony No. 6 “Pastoral” in honor of the composer’s 250th birthday in 2020.
Also on the website, you will find the upcoming season of Wednesday night Concerts on the Square for this summer (June 26-July 31) plus the dates and themes – although no guest artists or works — for 2020 (June 24-July 29).
Go to: https://wisconsinchamberorchestra.org/performances
You can also find information for next season about the WCO performing George Frideric Handel’s “Messiah,” Peter Ilyich Tchaikovsky’s ballet “The Nutcracker” with the Madison Ballet; the Young Artist Concerto Competition; the free Family Series; and the community Super Strings program for elementary students.
To receive a brochure with information about all these events and about how to get tickets — an “early bird” discount on subscription tickets runs through May 31– call (608) 257-0638 or go to: https://wisconsinchamberorchestra.org
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Classical music: The Wisconsin Baroque Ensemble performs a concert of music by Handel, Strozzi, Sammartini and rarely heard other composers this Friday night at 7:30
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By Jacob Stockinger
The Wisconsin Baroque Ensemble (below bottom) will perform a concert of baroque chamber music on this coming Friday night, Nov. 23, at 7:30 p.m. in Saint Andrew’s Episcopal Church (below top), 1833 Regent Street, on Madison’s near west side.
Tickets are at the door ONLY: $20 for adults, $10 for students.
Members of the ensemble are: Eric Miller, viola da gamba; Sigrun Paust, recorder; Chelsie Propst, soprano; Charlie Rasmussen, baroque cello and viola da gamba; Consuelo Sañudo, mezzo-soprano; Monica Steger, traverso, harpsichord and recorder; Anton TenWolde, baroque cello; and Max Yount, harpsichord.
The program is:
Giulio Ruvo – Sonata for cello and basso continuo in A minor (heard in the YouTube video at the bottom played by cellist Charlie Rasmussen and harpsichordist Max Yount of the Wisconsin Baroque Ensemble)
Andreas Lidl – Trio for flute, viola and cello
George Frideric Handel – Cantata “Dite, mie piante” (Say, My Plants)
Unico Wilhelm Count Van Wassenaer – Sonata No. 1 for recorder and basso continuo
INTERMISSION
Barbara Strozzi (below): “L’amante segreto” (The Secret Lover) from Opus II (1651)
Giuseppe Tommaso Giovanni Giordani – Duo No. 2 for two cellos, Op.18
Giuseppe Sammartini – Trio Sonata No. 5 for two flutes and basso continuo (1727)
Handel – “Tanti Strali” (Many Rays) HWV 197
Michel Corrette – Concert “Le Phénix”
For more information: (608) 238-5126, email: info@wisconsinbaroque.org, or got to: www.wisconsinbaroque.org
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Classical music: The veteran Wisconsin Baroque Ensemble opens its new season this Saturday night with a program of rarely heard works and composers
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By Jacob Stockinger
The Ear has received the following announcement from one of the pioneering groups in Madison for playing Baroque music with period instruments and historically informed performance practices:
The Wisconsin Baroque Ensemble (below) invites you to a concert of baroque chamber music.
The concert is this coming Saturday night, Oct. 13, at 7:30 p.m. in Saint Andrew’s Episcopal Church, 1833 Regent Street on Madison’s near west side.
Tickets at the door only: $20 general admission and $10 students
Members of the Wisconsin Baroque Ensemble are: UW-Madison professor Mimmi Fulmer, soprano; Nathan Giglierano, baroque violin; Eric Miller, viola da gamba; Sigrun Paust, recorder; Charlie Rasmussen, baroque cello and viola da gamba; Consuelo Sañudo, mezzo-soprano; Monica Steger, traverso, harpsichord and recorder; Anton TenWolde, baroque cello and viola da gamba; and Max Yount, harpsichord.
The program includes:
- Giovanni Bononcini/Johann Jakob Greber – “Fuori di sua capanna” (Outside in Front of Her Hut) – Cantata for mezzo-soprano, alto recorder and basso continuo
- August Kuehnel – Sonate ò Partite for viola da gamba, Aria Solo “Herr Jesu Christ, du höchstes Gut” (Lord Jesus Christ, Thou Greatest Good)
- Claudio Monteverdi – Madrigals, Book 3
O Rossignol (O Nightingale)
Rimanti in Pace (Remain in Peace)
Ond’ei di Morte (Whereupon Death Marked on His Face)
- John Playford – Divisions for the violin, “Paul’s Steeple”
- Georg Philipp Telemann – Trio sonata for violin, recorder and basso continuo TWV 42:a4
INTERMISSION
- Francesco Alborea – Sonata in G Major for cello and basso continuo
- Joseph de Bodin Boismortier – Motet for the Holy Virgin, Op. 23
- Giuseppe Tommaso Giovanni Giordani – Duo No. 1 for Two Cellos, Op. 18 (heard in the YouTube video at the bottom)
- Boismortier – Ballet de Village No. 4, Op. 52
For more information: 608 238-5126, email: info@wisconsinbaroque.org or visit www.wisconsinbaroque.org
A post-concert reception will be held on the second floor at 2422 Kendall Avenue.
Tags: #AugustKuehnel, #BaroqueComposers, #BaroqueContinuo, #BaroqueMusic, #BassoContinuo, #BlogPost, #BlogPosting, #ChamberMusic, #ChamberMusicians, #ChristianChurch, #ChristianReligion, #ClaudioMonteverdi, #EpiscopalChurch, #FacebookPost, #FrancescoAlborea, #GeorgPhilippTelemann, #GiovanniBononcini, #GiuseppeTommasoGiovanniGiordani, #HarpsichordContinuo, #HistoricallyInformedPerformancePractices, #JesusChrist, #JohannJakobGreber, #JohnPlayford, #JosephdeBodinBoismortier, #MimmiFulmer, #NeglectedComposers, #NeglectedMusic, #NeglectedWorks, #PeriodInstruments, #St.Andrew'sEpiscopalChurch, #TheEar, #TheWell-TemperedEar, #TrioSonata, #UniversityofWisconsin, #UniversityofWisconsin-Madison, #VioladaGamba, #WisconsinBaroqueEnsemble, #YouTubevideo, admission, Andrew, Arts, August Kuehnel, ballet, Baroque, basso continuo, blog, Blog post, blog posting, Boismortier, Cantata, Cello, Chamber music, Christ, Christianity, church, Classical music, Claudio Monteverdi, composer, death, duo, Early music, face, Facebook, flute, Giordani, Giovanni Bononcini, good, harpsichord, historically informed performance practices, Jacob Stockinger, Jesus, Jesus Christ, Johann Jakob Greber, John Playford, Madison, madrigal, Mezzo-soprano, motet, Music, neglected, nightingale, partita, peace, period instruments, pioneer, professor, reception, recorder, Religion, saint, Season, singer, Singing, Sonata, soprano, St. Andrew's, steeple, Telemann, ticket, traverso, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, Veteran, village, viola da gamba, Violin, vocal music, Wisconsin, Wisconsin Baroque Ensemble, YouTube
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The Well-Tempered Ear 
New York Times music critics pick 10 MUST-HEAR online virtual classical concerts to stream for October
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ALERT: Tonight’s concert by the choral group Roomful of Teeth for the Wisconsin Union Theater at the UW-Madison’s Hamel Music Center has been canceled and postponed indefinitely.
By Jacob Stockinger
Increasingly the coronavirus pandemic seems surging out of control. So it comes as no surprise that also more and more concerts of classical music are taking place virtually and online.
There are many ways to choose among local, regional, national and international concerts.
But one good guide was published this last week and featured the choice of must-hear classical concerts by critics for The New York Times.
It is an interesting and varied selection, and includes times, links and brief descriptions.
It features concerts that emphasize Black composers such as Florence Price (below top) and women composers. It covers many genres from a solo piano recital by Jeremy Denk (below bottom) – who is supposed to perform here on Dec. 11 at the Wisconsin Union Theater – to chamber music, vocal music, orchestral concerts and operas.
Curiously, there is quite bit of new music but little early music, either Renaissance or Baroque. Perhaps more will appear around the holiday times, when that music is part of the traditional holiday celebrations.
You will find contemporary composers but also lots of certified, tried-and-true classics and masterworks.
Some are one-day only events but many run from a week through a month.
Here is a link to the story. PLEASE NOTE THAT TIMES ARE ALL EASTERN: https://www.nytimes.com/2020/09/29/arts/music/classical-music-stream.html
Please let The Ear know if you like this kind of listing and find it useful.
And please feel free to leave in the comment section other guides or events that the public should know about.
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