By Jacob Stockinger
Tweets — those messages that comes via Twitter — may be short, containing a maximum of only 140 characters.
But they can sure pack a wallop and get people riled up.
Consider what is happening in Toronto with the Toronto Symphony Orchestra (below top, in a photo by John Loper) that canceled an appearance – with full payment of a concert fee — by the Ukrainian-born pianist Valentina Lisitsa (below bottom).
Lisitsa tweeted about the political situation in her native Ukraine and that apparently caused quite the stir among symphony sponsors. So the symphony canceled her performances of the Piano Concerto No. 2 in C Minor by Sergei Rachmaninoff – and paid her concert fee anyway. (Rachmaninoff and this concerto are specialties of Lisitsa, as you can hear on the YouTube video at the bottom)
Locally, Lisitsa — known for her power, endurance and phenomenal technique as well as her savvy use of YouTube to establish a career — has played several times at the Wisconsin Union Theater and at Farley’s House of Pianos.
Then the Toronto Symphony tried to engage pianist-composer Stewart Goodyear (below), who is famous for doing marathons in which he plays all 32 piano sonatas by Ludwig van Beethoven in one day. He has performed several times with the Wisconsin Chamber Orchestra.
Anyway, here is a terrific account of the story — with great reporting and writing from Anastasia Tsioulcas — that was posted on Deceptive Cadence, the outstanding classical music blog that is on NPR (National Public Radio).
Here is the link:
What do you think of this dust-up?
Was Lisitsa treated fairly?
The Ear wants to hear.
REMINDERS: This Saturday night from 6 to 10 p.m., the Wisconsin Youth Symphony Orchestras (WYSO) will hold its annual “Art of Note” fundraiser at CUNA Mutual. Auctions, fine food and live music will be featured.
For more information visit: http://wyso.music.wisc.edu/artofnote/ and https://welltempered.wordpress.com/2015/03/24/classical-music-education-wysos-art-of-note-benefit-on-april-18-seeks-to-raise-50000-to-benefit-music-education-in-greater-madison-area/
Also: The Madison Bach Musicians presents two performances of “Pygmalion” by Jean-Philippe Rameau It’s a 1784 Baroque opera-ballet done in the Atrium Auditorium (below, in a photo by Zane Williams) of the First Unitarian Society of Madison.
The first performance is tonight with a 6:45 p.m. lecture and 7:30 p.m. concert. The second is on Sunday afternoon with a lecture at 2:45 p.m. and a 3:30 p.m. concert.
Internationally recognized UW-Madison early-music specialist Marc Vallon will direct a full baroque orchestra, dancers and an outstanding vocal cast as they tell the tale of a sculptor who falls in love with his beautiful creation—and then, through the power of Venus, the statue comes to life. Tickets are $25 in advance, $30 at the door.
For more information, go to: http://madisonbachmusicians.org/concerts/current-concert-season/
ALERT: At 2:30 p.m. this Sunday afternoon, in the St. Joseph Chapel, 1000 Edgewood College Drive, the Edgewood Chamber Orchestra will give its Spring Concert.
Admission for the public is $5 and will benefit music scholarships. Admission is FREE with an Edgewood College ID.
The Edgewood Chamber Orchestra will play under the director of Blake Walter (below, in a photo by John Maniaci). Included on the program are the Symphony No. 32 in G by Wolfgang Amadeus Mozart; the “Prelude to the Afternoon of a Faun” by Claude Debussy and the Pulcinella Suite by Igor Stravinsky.
Also being performed is the first movement of Mozart’s Piano Concerto No. 19, K. 459, featuring pianist Stephanie Crescio (below), the winner of the Edgewood College Music Department Student Concerto Competition.
By Jacob Stockinger
Madison-based music publicist and activist Jon Becker writes:
Wisconsin’s Earth Day Heritage will be celebrated in music and words this Saturday, April 18, and on next Wednesday, April 22. (You can hear a short history of Earth Day in a YouTube video at the bottom.)
Music broadcasts will feature the voices of the descendants of John Muir, Aldo Leopold, and Earth Day Founder U.S. Senator and former state Governor Gaylord Nelson, set to the symphonic music of Wisconsin composer John Harmon.
There will be several opportunities to hear a “sneak preview” of Earth Day Portrait, music celebrating Earth Day values, before its international release on CD later this year.
For the third year, the music will be “broadcast” in the Rotunda of Wisconsin’s State Capitol building (below). Listeners should gather at the bust of “Fighting Bob” La Follette (the East Gallery entry is closest).
On Saturday, April 18, the music will be broadcast 10 times on the half hour, starting at 9 a.m. and ending at 2 p.m.
On Wednesday, April 22 — which is Earth Day — there will be broadcasts at 4:30 p.m. and 5 p.m.
Earth Day Portrait is a symphonic setting of eco-moral texts of John Muir, Aldo Leopold and Earth Day founder, former Wisconsin Gov. and U.S. Sen. Gaylord Nelson (below). For the CD recording, the words of these environmental legends were read by their descendants: William (Muir) Hanna, great-grandson; Nina Leopold Bradley, daughter; Gaylord Nelson Jr., son; and Kiva Nelson, grand-daughter.
Patty Loew, an enrolled member of the Bad River Band of Lake Superior Ojibwe, narrated connecting texts that paint intimate, personal portraits of Muir, Leopold, and Nelson, while recalling their unique mutual connection to Madison, Wisconsin.
All this is woven together by the story of the passenger pigeon’s extinction. Members of the Madison Youth Choirs (below, in a photo by Karen Holland) recorded a call-and-response part that -– at concert performances -– is spoken by audience members.
Earth Day Portrait was composed in 2001 by John Harmon (below), who graduated from Lawrence University in Appleton, Wis., and who makes his home on the Wolf River, near Winneconne.
Harmon’s music was recorded in Glasgow by the Royal Scottish National Orchestra, led by conductor Marin Alsop, the first conductor to win a MacArthur “genius” Fellowship. London’s EMI-Abbey Road Studios produced the master recording. Voiceovers were recorded at Audio for the Arts in Madison and at Umbrella Studios in Los Angeles.
For the forthcoming Earth Day CD, Harmon’s composition will be paired with Hymn to the Earth, by American composer Edward Joseph Collins (1886-1951, below). Composed in Door County, and inspired by Wisconsin’s seasons and landscapes, Collins’s ode to nature also may well be the first Western classical composition to refer to our home planet as “Mother Earth.”
This week’s FREE Friday Noon Musicale, to be held from 12:15 to 1 p.m. in the Landmark Auditorium of the Frank Lloyd Wright-designed Meeting House of the First Unitarian Society of Madison, 900 University Bay Drive, will feature contralto Allissane Apple and pianist Jane Peckham in music of Leonard Bernstein, Hugo Wolf, Francis Poulenc, William Bolcom, Aaron Copland and Peter Warlock.
Czech pianist Martin Kasik (below) will perform a recital on Saturday night at 7:30 p.m. at Farley’s House of Pianos, located at 6522 Seybold Road on Madison far west side near West Towne. The program includes works by Ludwig van Beethoven (the “Les Adieux” and “Moonlight” Sonatas), Maurice Ravel and Sergei Prokofiev. For more information, go to: http://salonpianoseries.org/concerts.html
By Jacob Stockinger
The Ear has received the following announcement:
Violinist Katie Lansdale (below), assistant professor of violin at the Hartt School at the University of Hartford, will present a recital of works for solo violin on this Saturday afternoon, April 18 at 1:30 pm in the sanctuary of Covenant Presbyterian Church, 326 South Segoe Road in Madison.
The recital is sponsored by Suzuki Strings of Madison and a $5 donation is suggested for attendees.
Lansdale is an active recitalist and chamber musician in Europe and the United States. Lauded for her wide interests and repertoire, she has a particular passion for solo Bach, often performing the complete works in concert.
A champion of new music, she has collaborated with a number of leading composers internationally, as a member of both the Lions Gate Trio, and as a member of the Locrian Ensemble. She has recorded for the Triton and Centaur labels — most recently a double CD of duos and trios by Robert Schumann (below).
Lansdale’s awards have included the Schlosspreis for the performance of solo Bach at the Salzburg Mozarteum, the grand prize winner at both the Yellow Springs and Fischoff National Chamber Music competitions, and awards for both Outstanding Violinist and Outstanding Participant at Tanglewood’s Fellowship Program.
Lansdale received her B.A. cum laude in humanities from Yale University, a Master of Music degree and an Artist Diploma from the Cleveland Institute of Music, and a D.M.A. from Manhattan School of Music. She has studied with Josef Gingold, Felix Galimir, Ronda Cole, Donald Weilerstein and Mitchell Stern.
In 2001, Lansdale (seen below with two students) initiated a school outreach program called Music for 1,000 Children. She challenged her studio to play for 1,000 children, promising to play for another 1,000 herself. Her studio then joined with the Hartt student chapter of the American String Teachers’ Association to challenge other groups in North America to play for 1,000 school children. Responses were highly enthusiastic, and in the end, musical performances were brought to 13,000 children from Quebec to Texas.
ALERT: The Ear has been informed of the winners of the annual UW-Madison Beethoven Sonata Competition. The FREE winners’ recital is this Sunday afternoon at 3:30 p.m. in Morphy Recital Hall. Three major late sonatas will be featured on the program: the Sonata in A Major Op. 101, played by Kangwoo Jin (below right in a photo by Katherine Esposito); the last Sonata in C minor, Op. 111, played by SeungWha Baek (middle); and the titanic “Hammerklavier” Sonata, Op. 106, played by Luis Alberto Peña (left).
For more information about the student performers and their teachers, go to:
By Jacob Stockinger
The two performances are:
This Saturday, April 18, at 7:30 p.m. in Luther Memorial Church (below), 1021 University Avenue, Madison. Tickets are $25 in advance ($30 at the door); students pay $10 ($15). Visit: www.WisconsinChamberChoir.org
This Sunday, April 19 at 3 p.m. in the Young Auditorium, 930 West Main Street, Whitewater. Tickets are $20.50, $18.50, $15.50; UW-Whitewater students pay $10.50. Visit http://www.uww.edu/youngauditorium
One of the most beloved and popular of all choral works, the German Requiem by Johannes Brahms (below), is a masterpiece of musical Romanticism. (You can hear the opening movement on a YouTube video at the bottom.)
Brahms began the work as a memorial to his mentor, Robert Schumann (below), but the death of Brahms’ own mother spurred him to complete it several years later.
The score embraces a wide variety of emotions, from the lush sounds of the choir and orchestra that envelope the audience in a message of consolation, to lively fugues, worthy of Bach or Handel, that promise the hope of salvation. This music will thrill audiences as well as comfort all who have ever lost a loved one.
Sharing billing with the Brahms are two world premieres, one commissioned by each choir.
The Wisconsin Chamber Choir will present Our Orphan Souls by British composer Giles Swayne (below top) on a transcendental text from Herman Melville’s novel Moby Dick.
The UW-Whitewater Chamber Singers will present Prairie Spring by UW-Whitewater professor of music, Christian Ellenwood (below bottom), a setting of the poem by American author Willa Cather.
Joining the WCC in this performance are soprano soloist Tanya Kruse Ruck, baritone Brian Leeper, and bass Gregory Berg; the UW-Whitewater Chamber Singers; and Sinfonia Sacra, the WCC’s own fully professional orchestra made up of members of the Madison Symphony Orchestra, the Wisconsin Chamber Orchestra, and the Wisconsin Baroque Ensemble.
Founded in 1998, the Madison-based Wisconsin Chamber Choir has established a reputation for excellence in the performance of oratorios by Bach, Mozart and Haydn; a cappella masterworks from various centuries; and world-premieres. Robert Gehrenbeck (below) who directs the Choral Program at the UW-Whitewater, is the Wisconsin Chamber Choir’s Artistic Director.
ALERT: UW-Madison School of Music student Mikko Utevsky (below) seems a musician for all seasons.
Primarily a violist, he is also a conductor who founded and directs the Madison Area Youth Chamber Orchestra (MAYCO). He is also an informed and fluid writer. For this blog, he wrote about the European tour to Prague, Vienna and Budapest that the Wisconsin Youth Symphony Orchestras (WYSO) undertook) three years ago, and he reviews Madison Opera productions. He also sings and was in the University Opera’s recent production of “The Magic Flute” by Wolfgang Amadeus Mozart.
Utevky’s unusual FREE student recital, with UW-Madison alumnus pianist Thomas Kasdorf, this Saturday night at 7:30 p.m. in Capitol Lakes Retirement Center, 333 West Main Street, off the Capitol Square, highlights two of his talents. Utevsky, a baritone, will sing Robert Schumann’s song cycle “Dichterliebe” (A Poet’s Loves), then pick up his viola and play the famous “Arpeggione” Sonata by Franz Schubert.
By Jacob Stockinger
A musician friend who is a trombonist writes:
The Madison Area Trombone Ensemble (MATE, below) is back for another spring concert, featuring bass trombonist Alan Carr.
Join us at 7:30 p.m. on this Thursday, April 16, at First United Methodist Church, 203 Wisconsin Avenue, off the Capitol Square.
Parking is available in FUMC’s lot, or free on the street after 6 p.m.
Admission is free, but a suggested donation of $10 is greatly appreciated.
Alan Carr will join MATE to perform “The Chief,” composed by UW-Madison Professor Emeritus John Stevens (below) who taught tuba and euphonium. The concert will also feature works by Peter Phillips, Richard Wagner, Fisher Tull, Eric Whitacre, Ralph Vaughan Williams, Eric Clapton and more.
Directed by Madison freelance trombonist and University of Wisconsin-Madison School of Music alumnus Kevan Feyzi (below), MATE is comprised of top UW-Madison trombonists in groups such as Phat Phunktion, the Madison Brass Band, the Madison Mellophonium Jazz Orchestra, and the Madison Jazz Orchestra.
In just its second year of existence, MATE numbers 16 strong and is already being lauded as a leading community ensemble. (At bottom is a YouTube video with an excerpt from the inaugural concert in 2014 by the Madison Area Trombone Ensemble.)
Alan Carr (below) currently completing a DMA (Doctor of Musical Arts) at the UW-Madison — where he is a Collins Fellow — and is Adjunct Professor of Low Brass at Concordia University. He holds degrees from the Julliard School in New York City and the Peabody Conservatory at Johns Hopkins University in Baltimore.
He has also been a finalist in several competitions and was selected as a participant in the prestigious Alessi Seminar. Alan performed and toured for seven years with the King’s Brass, and has appeared with Ensemble ACJW, the American Brass Quintet, Isthmus Brass, and the Baltimore, Hartford, and Dubuque Symphony Orchestras.
Recently, Alan formed a consortium with a dozen other prominent American bass trombonists to commission John Stevens’ newest composition: the Kleinhammer Sonata for Bass Trombone. Premiered this spring by Alan and other consortium members, Alan will release the first recording of the piece on his forthcoming solo album “The Elephant in the Room.”
Find out more about Alan and the Kleinhammer Sonata at http://www.carralan.com
By Jacob Stockinger
You always know when we are coming down to the end of a semester or the end of the school year. The music events start stacking up over the University of Wisconsin-Madison School of Music likes planes stacked up over O’Hare.
Talk about Train Wreck Weekends! And this is just the UW. There is plenty more to come, as you will see here over the course of this week.
In a way, it is a testament to the vitality of the music scene here in the Madison area.
But it is also too bad to the degree that so many events almost guarantee that some audiences will be smaller than they might otherwise be because people just can’t keep up with so many things that are so closely scheduled that they compete with each other for listeners’ free time. And we are not even talking about big draws like the three performances of the annual concert and show by the UW-Madison Varsity Band.
Guest artists the Elaris Duo (below) will give master classes Tuesday night, April 14. The violin class with Larisa Elisha will be from 6-7:30 p.m. in Mills Hall, and the cello class will be with Steven Elisha from 8-9:30 p.m. They perform a concert Wednesday night at 8 in Mills Hall. See below.
A FREE concert will be given by the UW-Madison Guitar Ensemble at 7:30 p.m. in Morphy Recital Hall under the direction of Javier Calderon (below top). Sorry, The Ear has received no word about the program. For more information, go to: http://www.music.wisc.edu/events/uw-guitar-ensemble-2/
$2 Broom, a FREE concert of electro-acoustic improvised music by students will be held in Music Hall, under the direction of UW-Madison horn professor Daniel Grabois (below bottom, in a photo by James Gill). For more information when it is posted, go to: http://www.music.wisc.edu/events/2-dollar-broom-2015/
A FREE concert by guest artists the Elaris Duo — husband-and-wife cellist and violinist — in Mills Hall at 8 p.m. The program includes works by Wolfgang Amadeus Mozart, Zoltan Kodaly and Erwin Schulhoff. For more information, visit: http://www.music.wisc.edu/events/elaris-duo-guest-artists/
The Pro Arte Quartet (below, in a photo by Rick Langer) will perform a FREE concert at 7:30 p.m. in Mills Hall. The program includes the String Quartet in A Major, K. 464, by Wolfgang Amadeus Mozart; the String Quartet No. 4 by Leon Kirchner; and the early String Quartet in C Minor by Ludwig van Beethoven, Op. 18, No. 4. For more information about the concert and the Pro Arte Quartet, go to: http://www.music.wisc.edu/events/pro-arte-quartet_4_16/
At 2 p.m. in Room 1629 of the Humanities Building, Brazilian percussionist Ney Rosauro (below) will give a master class that is open to the public. For information about the artist, go to: http://www.music.wisc.edu/events/master-class-with-brazilian-percussionist-ney-rosauro/
At 7:30 p.m. in Music Hall, the Mad City Brass Quintet, made up of UW-Madison students, will perform a FREE concert of music by UW-Madison professor emeritus of tuba and euphonium John Stevens (below) as well as by Billy Joel, Michael Kamen and Andre Lafosse. For more information, visit: http://www.music.wisc.edu/events/mad-city-brass-quintet/
At 7:30 p.m. in Luther Memorial Church, 1021 University Avenue, the UW-Madison Concert Choir, Chorale, and Madrigal Singers will perform. Bruce Gladstone will conduct. The joint concert of the three choirs is themed “O Beauty” but each ensemble will have its own section. (Below is the Concert Choir performing.)
The choirs will perform together on the following large works: Blest Pair of Sirens by C.H.H. Parry and Missa “O Pulchritudo” by Gian-Carlo Menotti.
These will be performed with UW-Madison Professor John Chappell Stowe on organ.
For information, visit: http://www.music.wisc.edu/events/uw-concert-choir-chorale-and-madrigal-singers/
At 3:30 in Morphy Recital Hall, the Perlman Trio (funded by local philanthropist Kato Perlman) and two guest artists (below in a photo by Tori Rogers) will perform a FREE concert. The piano trio members (three in the front) are SeungWha Baek, piano; Valerie Sanders, violin; and Daniel Ma, cello. Guests are Keisuke Yamamoto, violin, and Jeremy Kienbaum, viola.
The program includes: Piano Trio in E-flat Major, Hoboken XV: 29, by Franz Joseph Haydn; the Piano Quintet in D Major, Op. 51, by Anton Arensky; and the Piano Trio in B Major, Op. 8 (original version) by Johannes Brahms. For information, go to: http://www.music.wisc.edu/events/perlman-trio-recital/
At 4 p.m. in Mills Hall, the Low Brass Ensemble will offer a FREE concert. Sorry, no other details are available. When they are, go to: http://www.music.wisc.edu/events/low-brass-ensemble/
At 6 p.m. in Morphy Recital Hall. UW-Madison bassoonist-conductor Marc Vallon (below top, in a photo by James Gill) and Madison Bach Musicians founder, director and keyboard player Trevor Stephenson (below bottom) will host a demonstration of early music practices and period instruments, featuring performers from the Madison Bach Musicians. The event is part of the year-long “Rediscovering Rameau” music festival.
Later this week there will be two semi-staged performances of Rameau’s 1748 ballet-opera “Pygmalion” that Stephenson and the Madison Bach Musicians will give at the First Unitarian Society of Madison this Friday night at 6:45 p.m. and Sunday afternoon at 2:45 p.m. Go to: http://www.music.wisc.edu/events/pygmalion-madison-bach-musicians/
At 6:30 p.m. in Mills Hall, the gala concert of the 12th annual Madison Flute Festival, “Flutes Down Under,” will take place. Admission is $5 for those not taking part in the day-long festival. It is held by the Wisconsin Flute Club and the flute studio of UW Professor Stephanie Jutt, who is Principal Flute of the Madison Symphony Orchestra and also a co-founder and co-director of the Bach Dancing and Dynamite Society.
The Madison Flute Club is winding up a fund-raising drive — nearly $15,000 — for the purchase of a contra bass flute. This instrument was made by Eva Kingma in the Netherlands, and is in transit now. This instrument will be the first contra bass flute in Wisconsin.
The Madison Flute Club also recently sponsored a composition contest for the contra bass flute, and the winning piece will be performed at the Flute Club’s Spring Recital May 9 at Midvale Lutheran Church.
At the conclusion of the Flute Festival this week, the public is invited to hear a performance featuring the family of low flutes. This concert will present pieces by Gary Shocker, Vaughan McAlley and many other composers writing for the low flutes. Attendees will hear performances on alto, bass, contra bass and subcontrabass flute –an extremely rare instrument.
Other festival events take place at the UW-Madison Pyle Center. The festival features guest artist Peter Sheridan (below), low flutes specialist visiting from Australia. Activities include flute choir reading sessions, master class, performances, presentations, vendors and competitions featuring monetary prizes. For more information, go to: http://www.madisonfluteclub.org/FluteFestival.html
At 3:30 p.m., the winners of UW-Madison’s annual Beethoven Piano Sonata Competition will perform. A reception will follow. The event is made possible by the generosity of former UW-Madison Chancellor Irving Shain (below bottom). For word on the winners and the sonatas to be performed, go to: http://www.music.wisc.edu/events/beethoven-competition-recital/
ALERT: This afternoon at 2:30 p.m. in Overture Hall is your last chance to hear what may be the best concert of this season by the Madison Symphony Orchestra. The program features UW-Madison virtuoso pianist Christopher Taylor (below) in Keyboard Concerto No. 4 by J.S. Bach and Piano Concerto No. 1 by Hungarian composer Franz Liszt as well as a “landmark” performance of the Late Romantic Austrian composer Anton Bruckner’s Symphony No. 7.
Here is a rave review by John W. Barker, the dean of Madison’s music critics who writes for Isthmus and for this blog:
By Jacob Stockinger
The Madison Symphony Orchestra’s Principal Organist and Curator Samuel Hutchison will mark a decade of memorable performances on the Overture Concert Organ (below) in a recital on this coming Tuesday, April 14, at 7:30 p.m. in Overture Hall, 201 State Street.
The program will include music by Johann Sebastian Bach, Wolfgang Amadeus Mozart, Alexander Guilmant, Jehan Alain, Charles-Marie Widor and Charles Villiers Stanford. (You can hear one of the Bach works he will play — the Fantasy and Fugue in G Minor, BWV 542, in a YouTube video at the bottom.)
For the specific works on the program and more information, go to:
Hutchison (below) has presented many recitals in the U.S and in Europe in locations that include the Riverside Church, New York City; St. Paul’s Cathedral, London; and Notre Dame, St. Sulpice and St. Étienne-du-Mont, Paris.
He also performed the complete works of J.S. Bach – himself primarily an organist — in a series of 11 weekly recitals for the 300th anniversary of the composer’s birth in 1985.
Student rush tickets are $10 day of show with a valid student ID see http://www.madisonsymphony.org/studentrush).
This concert is sponsored by Friends of the Overture Concert Organ.
For more Overture Concert Organ information, including recital, hymn sings and community visit http://www.madisonsymphony.org/organseason
By Jacob Stockinger
You may recall that Alan Gilbert (below), the conductor of the New York Philharmonic, surprised the music world when he recently announced he would step down at the end of the 2017 season after only eight seasons on the job.
Speculation about a successor — with Marin Alsop (below top) of the Baltimore Symphony Orchestra and Finnish native Esa-Pekka Salonen (below bottom) former director of the Los Angeles Philharmonic, topping the lists — began immediately.
Right now, The Ear leans toward Marin Alsop. It would be great to see a woman in such a high-profile post. It would also be fitting for a protege of Leonard Bernstein to ascend to the podium where American-born and American-trained conductors first made their name. Buy American!
The sensational Venezuelan-born and Venezuelan-trained superstar Gustavo Dudamel (below) seems to have taken himself out of the competition by agreeing to stay longer in LA. But every performer has his or her price, so his story may not yet be over in terms of going to New York.
But Gilbert’s move also raises the issue: What qualities should one look for in a world-class music director and conductor?
These days, it involves a whole lot more than holding the baton and leading the players.
Here is a link to the story:
Read and see what you agree and disagree with.
And also let us know who you think would be a good choice to be the next music director and conductor of the New York Philharmonic.
The Ear wants to hear.
By Jacob Stockinger
Music critic Andrew Porter, best known in this country for his 20-year tenure at The New Yorker magazine, died in London this week at the age of 86. (Below, he is seen working on “The Magic Flute” by Wolfgang Amadeus Mozart in a Toronto production in 2005.)
In his music reviews for The New Yorker magazine, critic Andrew Porter always seemed a cut above most journalistic critics.
His reviews had enough depth and substance beyond the occasion of the specific performance he was reviewing that they were collected and published in several books — unfortunately many are now out of print — that still provide terrific research possibilities and vindicate his earlier judgments.
Here is a link to a page at amazon.com that lists his essays and libretto translation:
So many of us learned to appreciate classical music in more knowledgeable and sophisticated ways, thanks to Andrew Porter and his wealth of detailed knowledge as well as his superior writing style. (Below, you can see Andrew Porter in the 1970s.)
But I had no idea of his really erudite sides — including his command of several languages and his extensive involvement in the actual performances of music, especially translating opera librettos — until I read his obituaries.
Here is a sampling of the memorial essays about a critic who will go down as one of the greatest critics ever.
Here is a story from The New York Times:
And here is a story, with great background and details, from The Guardian newspaper in the United Kingdom where Porter — seen below in 1992 in a photo by Jane Bown — lived in London since retiring from the New Yorker:
ALERT: This week’s FREE Friday Noon Musicale, which runs from 12:15 to 1 p.m. in the Landmark Auditoriun of the Frank Lloyd Wright-designed First Unitarian Society of Madison, 900 University Bay Drive, will feature harpist Linda Warren (below) playing music by Benjamin Britten, Pearl Chertok and Astor Piazzolla.
By Jacob Stockinger
The Ear has received the following note:
The concert is this Saturday night, April 11, at 8 p.m. in Saint Andrew’s Episcopal Church (the exterior is below top, the interior is below bottom), 1833 Regent Street, Madison, on the near west side.
Members of the Wisconsin Baroque Ensemble include: Brett Lipshutz – traverso; Eric Miller – viola da gamba, baroque cello; Consuelo Sañudo – mezzo-soprano; Monica Steger – traverso, harpsichord; Martha Vallon – viola da gamba; and Max Yount – harpsichord.
Tickets at the door only: $20 for the public, $10 for students.
For more information call (608) 238-5126 or visit www.wisconsinbaroque.org.
The program includes: