The Well-Tempered Ear
What classical music is good for studying, reading and writing?
Leave a Comment
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
It is about to be Finals Week here at the University of Wisconsin-Madison and in many other places.
Little wonder, then, that The Ear recently read a good story about the role of of music in studying.
It was written by a student journalist for The State Press at Arizona State University in Tempe. It covered more kinds of music than classical, but it had some good comments about the ability of music and its various components — melody, rhythm, tempo, text — to focus one’s attention or to distract from the necessary focus.
Here is a link to the story, which also includes 100 music selections from mixed genres:
It got me to wondering what classical music do you readers like for studying, reading and writing — if you like it at all for such serious and intense tasks.
The Ear tends to love listening to Baroque music — especially Vivaldi violin concertos and Bach harpsichord concertos such as the one in the YouTube video at the bottom — and to chamber music and solo piano music.
So, what music do you like to listen to when you are: studying? reading? writing?
Do you have a favorite style, or favorite composer, or favorite pieces?
The Ear wants to hear.
Tags: #BlogPost, #BlogPosting, #FacebookPost, #FacebookPosting, #YouTubevideo, America, American, Android, Antonio Vivaldi, Apple, Arizona State University, Arts, Asia, asian, attention, audience, Bach, Baroque, Beethoven, Bing, blog, Cello, Chamber music, Chinese, Chiuna, choral music, Classical music, component, composer, concentrate, Concert, concerto, distract, duckduckgo, ear, Early music, Education, Europe, European, exam, Facebook, favorite, feature, final, final exams, finals week, Focus, genre, Google, Google Alert, Google news, Google Search, harpsichord, Harpsichord concerto, hear, higher education, hip-hop, instrumental, Jacob Stockinger, Japan, Japanese, Jazz, Johann Sebastian Bach, journalism, journalist, link, listen, Ludwig van Beethoven, Madison, melody, Microsoft, Microsoft Bing, mixed, Mozart, Music, news, Newspaper, opera, Orchestra, OS, Piano, piece, pop, post, posting, rap, read, reader, reading, rhtyhm, Romantic, Safari, share, sing, singer, Singing, solo, Sonata, southwestr, story, student'journalism, study, studying, style, symphony, tag, Taiwan, Taiwanese, Tempe, text, The Ear, The State Press, The Well-Tempered Ear, Twitter, UK, United States, universities, university, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, US, Viola, Violin, Vivaldi, vocal, vocal music, week, Well-Tempered, Well-tempered Ear, welltempered, Wisconsin, Wolfgang Amadeus Mozart, WordPress, Wordpress.com, write, writing, X, you, YouTube
The third LunART Festival celebrates Black women in the arts with FREE streaming concerts and events this Saturday night, Oct. 10, and next Saturday night, Oct. 17
Leave a Comment
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
The Ear has received the following announcement to post:
The LunART Festival is back for its third season, continuing its mission to support, inspire, promote and celebrate women in the arts, with a special presentation, “Human Family,” available via two FREE video livestreams on LunART’s website and Facebook page on Saturday, Oct. 10, and Saturday, Oct. 17, at 7 p.m. CDT.
The events will be co-hosted by LunART founder and flutist Iva Ugrcic (below top), and by vocalist and art administrator Deja Mason (below bottom).
In response to the most recent and ongoing racial inequality and in solidarity with the Black Lives Matter movement, LunART will present the “Human Family” virtual festival featuring art created by Black women.
These FREE streamed events will feature a palette of emerging and established artists drawn from Madison’s rich arts scene, while also celebrating those who have paved the way for generations to come.
Radical inclusivity has been part of LunART’s mission from its conception. While women have historically been underrepresented in the arts, we cannot deny that there are segments of women that have been doubly marginalized, including women of color, women in the LGBTQIA+ community, older women and women with disabilities.
Part of creating a more just, inclusive world means recognizing that even within the space of underrepresentation, there remain disparities.
Works from the past include Florence Price’s “Five Folksongs of Counterpoint” for string quartet (heard in the YouTube video at the bottom), which is deeply rooted in the African-American spiritual tradition; Margaret Bonds’ Spiritual Suite for solo piano, written in a neo-Romantic classical style infused by jazz harmonies and rhythms; Afro-American Suite for flute, cello and piano by Undine Smith Moore, based on authentic spiritual songs used to express and record everyday life of slaves in America.
Florence Price (below), Margaret Bonds and Undine Smith Moore all fought against both racial and gender discrimination throughout their lives. To be a woman composing classical music in the mid-20th century was unusual; to be a Black woman composer was even more so. And yet, these women forged ahead, making history and paving the way for the women who would follow them.
Along with these pioneers of the past, LunART will also celebrate contemporary Black women who are making a big impact in the world of arts, culture, advocacy and activism, following the footsteps of their predecessors.
“Voodoo Dolls” for string quartet by Jessie Montgomery (below in a photo by Jiyang Chen) is influenced by West African drumming patterns that are interwoven with lyrical motifs in the improvisatory style.
“Fanmi Imen,” a work for flute and piano by Valerie Coleman (below) — LunART’s 2019 Composer-in-Residence) — is based on a powerful poem by Maya Angelou, “Human Family.” Angelou calls for peace and unity, while acknowledging differences due to ethnic and cultural background in her famous refrain: “we are more alike, my friends, than we are unalike.”
The chamber music will be performed by Madison’s finest musicians: Isabella Lippi, Karl Lavine, Peter Miliczky, Magdalena Sas, Marie Pauls, Satoko Hayami, Yana Avedyan and Iva Ugrcic.
Celebrating women’s creativity across many art forms has been a core component of LunART’s artistic mission from its inception, and this year is no exception. While music will create a sound painting, “Human Family” will also feature women who use words and movement to tell their story.
Enter a world of phenomenal talent with emerging singer-songwriters Danielle Crim and Akornefa Akyea performing their most recent original songs; magically moving poems and spoken-word pieces by Jamie Dawson and Shasparay Lighteard; and join dancer and choreographer Kimi Evelyn in self-exploration of what happens when the body and the soul are left in complete solitude through her powerful piece “Body, Sweet Home.”
To commemorate the Festival events, LunART has commissioned digital artwork (below) by local artist and activist Amira Caire, which is inspired by the “Human Family” concept. This stunning piece of art will be available for purchase in printed form on LunART’s website.
We are calling our community to eat local, drink local and support local. By supporting LunART, you are also supporting local nonprofits and small businesses.
This project would not be possible without the generosity of Madison’s creative media agency Microtone Media, The Piano Gal Shop from Sun Prairie, Dane Arts and a grant from the Madison Arts Commission at https://www.cityofmadison.com/dpced/planning/madison-arts-commission/1580/, with the additional funds from the Wisconsin Arts Board.
Events are free and available for anyone to watch online, and donations are welcomed. For more details about the artists, events, programs and links, and donation methods, please visit https://www.lunartfestival.org
Tags: #20thCentury, #African-AmericanMusic, #ArtsScene, #ArttForm, #BlackComposer, #BlackLivesMatter, #BlackWomen, #BlogPost, #BlogPosting, #ChamberMusic, #CityofMadison, #ClassicalStyle, #ClassiclaMusic, #Composer-in-Residence, #ContemporaryComposers, #CoronavirusPandemic, #COVID-19, #DaneArts, #DejaMason, #DigitalMedia, #DisabilityRights, #EmergingArtist, #EstablishedArtist, #EthnicDiversity, #EverydayLife, #FacebookPost, #FacebookPosting, #FlorencePrice, #folksongs, #HomeWebsite, #HumanFamily, #ImaniWinds, #IsabellaLippi, #IvaUgrcic, #JacobStockinger, #JessieMontgomery, #LGBTQrights, #LGBTRights, #LiveStreaming, #LivingComposer, #LunARTFestival, #LyricalMusic, #MadisonArtsCommission, #MadisonWisconsin, #MargaretBonds, #MariePauls, #MayaAngelou, #MicrotoneMedia, #MusicalStyle, #NewMusic, #NonprofitOrganization, #OnlineConcert, #PeterMiliczky, #RacialInequality, #SatokoHayami, #Shostkovich, #SmallBusiness, #SongWriter, #SoundPainting, #SpokenWord, #StateOfWisconsin, #StringQuartet, #SunPrairie, #SunPrairieWisconsin, #TheEar, #ThePianoGalShop, #TheU.S., #UndineSmithMoore, #ValerieColeman, #VirtualConcert, #VirtualFestival, #VocalMusic, #VoodooDolls, #WestAfrica, #WindMusic, #WisconsinArtsBoard, #WomenofColor, #YanaAvedyan, #YouTubevideo, 20th-century, 20th-century classical music, 20th-century music, acknowledge, Activism, activist, administrator, advocacy, Africa, African, African American, agency, America, art form, artists, Arts, artwork, audience, authentic, available, based, black, Black Lives Matter, Black women, BLM, blog, body, call, celebrate, cellist, Cello, Chamber music, choreographer, Classical, Classical music, commemorate, community, component, compose, composer, conception, Concert, contemporary, continue, core, coronavirus, counterpoint, create, creativity, culture, dance, dancer, Dane Arts, Deja Mason, difference, digital, disability, discrimination, disparity, doll, donation, doubly, drink, drumming, eat, emerging, established, ethnic, event, events, everyday, exploration, express, Facebook, feature, festival, Florence Price, flute, flutist, forward, friend, gender, generation, generosity, harmony, historically, History, home website, host, human family, Imani Winds, impact, improvisation, improvistory, inception, inclusive, inclusivity, inequality, influence, infuse, inspire, interwoven, Isabella Lippi, Iva Ugrcic, Jacob Stockinger, Jazz, Jessie Montgomery, just, Karl Lavine, KarlLavine, LGBT, LGBTQ, life, like, link, lives, livestream, Living composer, local, LunART Festival, lyrical, Madison, Madison Arts Commission, Magdalena Sas, make, Margaret Bonds, marginalized, Marie Pauls, Maya Angelou, media, method, Microtone Media, mission, motif, movement, Music, musical, Musician, neo-Romantic, New Music, nonprofit, older, ongoing, online, original, page, painting, palette, pandemic, patterns, peace, performer, Peter Miliczky, Pianist, Piano, piece, pioneer, poem, post, posting, powerful, predecessor, presentation, program, project, promote, race, racial, racial inequality, radical, recent, record, refrain, response, rhythm, Satoko Hayami, Saturday, scene, Season, segments, self, share, singer, Singing, slavery, slaves, small business, solidarity, solitude, solo, song, soul, Sound, sound painting, space, special, spiritual, spoken word, State of Wisconsin, story, stream, String quartet, style, Suite, Sun Prairie, support, tag, talent, tell, The Ear, The Piano Gal Shop, tradition, U.S., underrepresented, Undine Smith Morre, United States, unity, unusual, use, VALERIE COLEMAN, Viola, Violin, violinist, violist, virtual, virtual festival, vocal music, vocalist, Voodoo, Voodoo Dolls, Website, West Africa, wind music, Wisconsin, Wisconsin Arts Board, women, women of color, words, works, world, Yana Avedyan, year, YouTube
Recent Comments
 | welltemperedear on What do you think of the… |
 | Scott on What do you think of the… |
| welltemperedear on Yunchan Lim’s Chopin etudes ar… |
 | bratschespeilerin on What do you think of the… |
 | MARVIN P WICKENS on Yunchan Lim’s Chopin etudes ar… |
The Well-Tempered Ear 
Classical music: Sonata à Quattro does justice to the spiritual piety and beautiful music in Haydn’s “Seven Last Words of Christ”
1 Comment
IF YOU LIKE A CERTAIN BLOG POST, PLEASE SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event.
By Jacob Stockinger
Here is a special posting, a review written by frequent guest critic and writer for this blog, John W. Barker. Barker (below) is an emeritus professor of Medieval history at the University of Wisconsin-Madison. He also is a well-known classical music critic who writes for Isthmus and the American Record Guide, and who hosts an early music show once a month on Sunday morning on WORT 89.9 FM. For years, he served on the Board of Advisors for the Madison Early Music Festival and frequently gives pre-concert lectures in Madison. He also took the performance photos.
By John W. Barker
Marika Fischer Hoyt’s newest ensemble is called Sonata à Quattro (below), using the Italian Baroque expression for instrumental works scored for three upper parts and basso continuo. That idiom was the background to the more integrated balance of the string quartet.
It was Franz Joseph Haydn (below) who really consolidated that transformation, and so it was appropriate that the new group should at this early point in its development pay a major tribute to that composer.
Responding to a commission from a Spanish prelate, in 1786-87 Haydn composed a set of seven orchestral adagios — plus opening and closing pieces — to be played in a Good Friday ceremony celebrating the seven final statements by Christ from the cross (below, in a painting by Diego Velazquez) that are cumulatively reported by the Gospel writers.
At the same time, Haydn made a reduction of those orchestral movements into the string quartet format. That version he published outside his regular sets of string quartets, which had opus numbers.
Especially in the quartet form, this music achieved wide circulation, so much so that several attempts were made by others to create an oratorio out of this music, prompting Haydn himself to make his own oratorio version in 1795-96. Along the way, someone else made a keyboard transcription of the music that Haydn sanctioned.
It was, of course, the string quartet version — The Seven Last Words of Christ — that the Sonata à Quattro performed. It did so, first as part of a Good Friday church service in Milwaukee on April 19, and then as an independent one-hour free and public concert at the Oakwood Village West auditorium last Thursday night.
Fischer Hoyt (below), the group’s founder and violist, gave an introductory talk about the group’s name and about its decisions as to instrumentation. (It usually plays on period instruments, but chose this time to use modern ones with period bows.) Cellist Charlie Rasmussen added some comments about the music and its history. Violinists Kangwon Kim and Nathan Giglierano were happy just to play.
Haydn’s music was written in the deepest piety and sincerity, and that comes through in the individual components, which cost him much effort. (You can hear the second half of the work in the YouTube video at the bottom.)
The seven Sonatas are framed by a solemn Introduction and a furious evocation of the “earthquake” that we are told followed the death of Jesus. Each successive Sonata is cast in very tight and concentrated sonata form. Haydn makes the Latin form of each statement or “word” the theme of each sonata. In all, the cycle makes the most deeply absorbing combination of spirituality and ingenuity.
The players brought out both those dimensions in a performance of rapt beauty. This score has quite a few recordings, but it is not heard in concert all that often, so it was a treasure to be given this wonderful presentation.
And now we know that Sonata à Quattro has great possibilities to develop.
Share this:
Tags: #AmericanRecordGuide, #BaroqueMusic, #BassoContinuo, #BlogPost, #BlogPosting, #BlogReview, #BooksoftheBIble, #ChamberMusic, #ChamberMusician, #CharlieRasmussen, #ChoralMusic, #ChristianChurch, #CommissionedMusic, #ConcertHall, #DiegoVelazquez, #EmeritusProfessor, #FacebookPost, #FacebookPosting, #FranzJosephHaydn, #GoodFriday, #HistoricallyInformedPerformancePractices, #InstrumentalMusic, #IsthmusNewspaper, #ItalianBaroque, #JesusChrist, #JohnW.Barker, #KangwonKim, #MadisonEarlyMusicFestival, #MadisonSymphonyOrchestra, #MarikaFischerHoyt, #MedievalHistory, #MilwaukeeWisconsin, #MusicCritic, #MusicReview, #NathanGiglierano, #OakwoodVillageWest, #OrchestralMusic, #PeriodInstrument, #PianoTranscription, #RadioHost, #SevenLastWordsofChrist, #SonataaQuattro, #StringQuartet, #WORT-FM89.9, absorbing, adagio, American Record Guide, Arts, audience, background, basso continuo, beauty, Bible, blog, bow, celebrate, cellist, Cello, ceremony, Chamber music, Charlie Rasmussen, choral music, Christ, Christian, church, circulation, Classical music, classicalmusic, closing, comments, commission, Compact Disc, component, composer, concentrated, concentration, Concert, concert hall, consolidate, cross, crucifixion, cumulative, cycle, death, deep, develop, development, Diego Velazquez, dimension, Early music, earthquake, Easter, effort, emeritus professor, ensemble, evocation, expression, Facebook, final, form, forward, founder, Franz Joseph Haydn, furious, Good Friday, gospel, historically informed performance practices, History, host, hour, idiom, independent, individual, ingenuity, introductory, Isthus, Italian, Jacob Stockinger, Jesus, Jesus Christ, John W. Barker, Kangwon Kim, Keyboard, Latin, lecture, like, link, Madison, Madison Early Music Festival, Madison Symphony Orchestra, Marika Fischer Hoyt, Medieval, Milwaukee, modern, movement, Music, music review, name, Nathan Giglierano, new, number, Oakwood Village West, opening, opus, oratorio, painting, performance, performer, period instruments, photo, piety, player, possibilities, possibility, prelate, presentation, professor, Radio, rapt, recording, reduction, reported, review, service, Seven Last Words of Christ, share, sincerity, socre, solemn, Sonata, Sonata à Quattro, Spanish, spirituality, statement, String quartet, Sunday, tag, talk, tight, transcription, transformation, treasure, tribute, upper, Viola, Violin, violinist, violist, wonderful, word, WORT-FM 89.9, Writer