By Jacob Stockinger
Such an occasion and its artistic celebration assumes even greater importance now that we are on the verge of the Trump Era, which starts this coming Friday with the Inauguration of President-elect Donald J. Trump.
Once again The Ear looked for classical music to mark the occasion and the holiday. But the results he found were limited. Do we really need to hear Samuel Barber’s famous and sadly beautiful but overplayed “Adagio for Strings” again on this day?
So The Ear asks the same question he asked two years ago: Why hasn’t anyone written an opera about the pioneering civil rights activist and Nobel Peace Prize winner Martin Luther King Jr., who was assassinated in 1968 and would today be 88?
Here is a link to that more extended post that asks the same question:
If you know of such an opera, please let The Ear know in the COMMENT section.
And if there is classical music that you think is appropriate to mark the occasion, please leave word of it, with a YouTube link if possible.
By Jacob Stockinger
World-famous avant-garde stage director Peter Sellars (below, in a photo by Christian Carisius for the European Press Photo Agency) is known for his unorthodox recasting of operas and Bach cantatas.
But one of his productions, done almost 30 years ago, has proven especially prescient.
The plot centers on the medieval “droit du seigneur” that allowed a nobleman to be entitled by law to have sex with a servant on her wedding night before the husband did. (In the YouTube video at bottom is the famous and so breathtakingly beautiful Forgiveness scene, featured in the Oscar-winning film “Amadeus,” with the faithful Countess and the philandering Count that ends the masterpiece opera.)
In 1988 Sellars set the opera on the 52nd floor of the luxurious Trump Tower (below), as the equivalent of an aristocratic estate, of net-feudalistic excess and wealth.
With great insight and articulateness, Sellars recently discussed with The New York Times the inspired settings in light of the past history, campaign and recent election of President-elect Donald Trump.
The Ear found the interview both enlightening and entertaining, and he hopes you do too.
Here is a link:
It makes you wonder: How will other forms of art deal with the new administration?
Could it be that we are in for more activist protest art, something of a return to the 1960s and such efforts as Barbara Garson’s 1967 “MacBird,” which recast Shakespeare’s tragedy “Macbeth” as a theatrical satire of President Lyndon Baines Johnson, or LBJ, and First Lady Lady Bird Johnson as the Macbeths following the assassination of President John F. Kennedy or JFK?
What do you think?
Can you think of other works that lend themselves to such an approach to contemporary affairs?
The Ear wants to hear.
REMINDERS: This Saturday night from 6 to 10 p.m., the Wisconsin Youth Symphony Orchestras (WYSO) will hold its annual “Art of Note” fundraiser at CUNA Mutual. Auctions, fine food and live music will be featured.
For more information visit: http://wyso.music.wisc.edu/artofnote/ and https://welltempered.wordpress.com/2015/03/24/classical-music-education-wysos-art-of-note-benefit-on-april-18-seeks-to-raise-50000-to-benefit-music-education-in-greater-madison-area/
Also: The Madison Bach Musicians presents two performances of “Pygmalion” by Jean-Philippe Rameau It’s a 1784 Baroque opera-ballet done in the Atrium Auditorium (below, in a photo by Zane Williams) of the First Unitarian Society of Madison.
The first performance is tonight with a 6:45 p.m. lecture and 7:30 p.m. concert. The second is on Sunday afternoon with a lecture at 2:45 p.m. and a 3:30 p.m. concert.
Internationally recognized UW-Madison early-music specialist Marc Vallon will direct a full baroque orchestra, dancers and an outstanding vocal cast as they tell the tale of a sculptor who falls in love with his beautiful creation—and then, through the power of Venus, the statue comes to life. Tickets are $25 in advance, $30 at the door.
For more information, go to: http://madisonbachmusicians.org/concerts/current-concert-season/
ALERT: At 2:30 p.m. this Sunday afternoon, in the St. Joseph Chapel, 1000 Edgewood College Drive, the Edgewood Chamber Orchestra will give its Spring Concert.
Admission for the public is $5 and will benefit music scholarships. Admission is FREE with an Edgewood College ID.
The Edgewood Chamber Orchestra will play under the director of Blake Walter (below, in a photo by John Maniaci). Included on the program are the Symphony No. 32 in G by Wolfgang Amadeus Mozart; the “Prelude to the Afternoon of a Faun” by Claude Debussy and the Pulcinella Suite by Igor Stravinsky.
Also being performed is the first movement of Mozart’s Piano Concerto No. 19, K. 459, featuring pianist Stephanie Crescio (below), the winner of the Edgewood College Music Department Student Concerto Competition.
By Jacob Stockinger
Madison-based music publicist and activist Jon Becker writes:
Wisconsin’s Earth Day Heritage will be celebrated in music and words this Saturday, April 18, and on next Wednesday, April 22. (You can hear a short history of Earth Day in a YouTube video at the bottom.)
Music broadcasts will feature the voices of the descendants of John Muir, Aldo Leopold, and Earth Day Founder U.S. Senator and former state Governor Gaylord Nelson, set to the symphonic music of Wisconsin composer John Harmon.
There will be several opportunities to hear a “sneak preview” of Earth Day Portrait, music celebrating Earth Day values, before its international release on CD later this year.
For the third year, the music will be “broadcast” in the Rotunda of Wisconsin’s State Capitol building (below). Listeners should gather at the bust of “Fighting Bob” La Follette (the East Gallery entry is closest).
On Saturday, April 18, the music will be broadcast 10 times on the half hour, starting at 9 a.m. and ending at 2 p.m.
On Wednesday, April 22 — which is Earth Day — there will be broadcasts at 4:30 p.m. and 5 p.m.
Earth Day Portrait is a symphonic setting of eco-moral texts of John Muir, Aldo Leopold and Earth Day founder, former Wisconsin Gov. and U.S. Sen. Gaylord Nelson (below). For the CD recording, the words of these environmental legends were read by their descendants: William (Muir) Hanna, great-grandson; Nina Leopold Bradley, daughter; Gaylord Nelson Jr., son; and Kiva Nelson, grand-daughter.
Patty Loew, an enrolled member of the Bad River Band of Lake Superior Ojibwe, narrated connecting texts that paint intimate, personal portraits of Muir, Leopold, and Nelson, while recalling their unique mutual connection to Madison, Wisconsin.
All this is woven together by the story of the passenger pigeon’s extinction. Members of the Madison Youth Choirs (below, in a photo by Karen Holland) recorded a call-and-response part that -– at concert performances -– is spoken by audience members.
Earth Day Portrait was composed in 2001 by John Harmon (below), who graduated from Lawrence University in Appleton, Wis., and who makes his home on the Wolf River, near Winneconne.
Harmon’s music was recorded in Glasgow by the Royal Scottish National Orchestra, led by conductor Marin Alsop, the first conductor to win a MacArthur “genius” Fellowship. London’s EMI-Abbey Road Studios produced the master recording. Voiceovers were recorded at Audio for the Arts in Madison and at Umbrella Studios in Los Angeles.
For the forthcoming Earth Day CD, Harmon’s composition will be paired with Hymn to the Earth, by American composer Edward Joseph Collins (1886-1951, below). Composed in Door County, and inspired by Wisconsin’s seasons and landscapes, Collins’s ode to nature also may well be the first Western classical composition to refer to our home planet as “Mother Earth.”